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Montreal-based Ivy Studio has chosen a variety of dramatic marble to outfit a Middle Eastern restaurant, which features a colour palette influenced by “the earthy tones of the Syrian deserts”.

In Montreal’s Old Port neighbourhood, the 1,500-square-foot (140-square metre) Hayat restaurant is designed to reflect the cuisine served by chef Joseph Awad.

“This Middle Eastern restaurant’s colour palette was inspired by the earthy tones of the Syrian deserts and their surrounding greenery,” said Ivy Studio.

Upon entering is a screen of black hammered-glass panels, which also conceals the kitchen in the far corner.

Dining room with marble topped tables, green chairs and cream walls — In the main dining space, banquette seating runs along two walls below a fabric ceiling installation

In the main dining room, built-in benches form an L along two walls, while a pair of U-shaped booths sit against another that arches over them.

The seat backs are upholstered in mauve velvet and the cushions are wrapped in contrasting deep green leather.

Private booths positioned below an arched ceiling and behind a partition of black hammered glass — Private booths are positioned below an arched ceiling and behind a partition of black hammered glass

Closer to the kitchen is another small, semi-circular booth built into the walnut millwork.

Here the cushioned seats are covered in ruby-toned velvet, and a metallic light fixture is suspended above.

The bar counter made from teal, pistachio and cream-coloured marble — The bar is made from a dramatic marble variety with streaks of teal, pistachio and cream colours

Ivy Studio selected a wide variety of striking, richly veined marbles, “each contributing their own touch of colour into the space” according to the team.

The bar is made from a dramatic stone with teal, cream and pistachio striations, while the host stand and dining table tops in the main area are purple and white.

A red-hued semicircular booth tucked into walnut millwork — A red-hued semicircular booth is tucked into the walnut millwork close to the kitchen

The building’s exposed brickwork is painted cream to match the other walls, while the original historic stone between the large windows is left exposed.

“The ancient stone walls at the front and rear facades were left intact to showcase the building’s history,” Ivy Studio said.

Curved layers across the ceiling, which hide indirect lighting, are designed to evoke the smooth landscapes of the Middle East.

A fabric installation suspended above the dining tables curves around more strips of lighting, diffusing the light to create a warm glow.

Bar made from a dramatic marble variety with streaks of teal, pistachio and cream colours — The bar is made from a dramatic marble variety with streaks of teal, pistachio and cream colours

Walnut, stone and cream walls are also found in the bathrooms, which echo the colour and material scheme throughout the restaurant.

“The overall intention of the palette was to bring together the worlds of Middle Eastern nature and Old Montreal construction,” the studio said.

Hayat restaurant by Ivy Studio — The same material palette continues in the moody bathrooms

Ivy Studio has completed several interiors across Montreal that include colourful marble.

These include the Italian restaurant Piatti where the dark green stone contrasts the building’s rough walls and co-working office Spatial where purple surfaces pop against mint green millwork.

The photography is by Alex Lesage.

Project credits:

Architecture and design: Ivy Studio
Construction: Groupe Manovra

Reference

Steel mesh mezzanine within historic bank building

Interior Design

Ivy Studio converts historic bank into offices for Montreal ad agency

By Zarkon Group,01/08/2023

The offices that Montreal’s Ivy Studio has designed for digital advertising agency Cardigan include a mesh-wrapped mezzanine and a “futuristic” basement within a former bank building.

For Cardigan‘s expanding team, Ivy Studio has renovated a stone building that was built as a bank in 1907, in the Rosemont area of Montreal.

The structure has had many uses, including most recently a religious establishment, and boasts plenty of historic architectural details.

While the upper floor is a residential condo, Cardigan occupies 1,250 square feet (116 square metres) across the ground and basement levels – spaces with very different ceiling heights and light conditions.

Steel mesh partitions beside an oak staircase and counter — The mesh was painted white to accentuate the bright and airy feel in the office space

“One of the main challenges of working with the building was the contrasting ceiling heights between each floor,” said Ivy Studio. “This made the spacial blocking very important at the start of the project.”

To benefit from the 16.5 foot (5 metres) clearance and abundance of natural light, all the workstations are positioned on the ground level.

Glass-walled phone booth behind steel mesh — Under the mezzanine sit multiple phone booths and meeting rooms

However, the floor plate was not sufficient to accommodate all 25 employees as well as meeting rooms, so the studio took advantage of the ceiling height and added a mezzanine.

This addition was placed in a corner to avoid blocking the arched windows, and was painted entirely white to accentuate the bright and airy atmosphere of the space.

Large arched windows in office space — During the renovation, the building’s large arched windows were fully uncovered to let in more light

The structure is made from perforated steel mesh, allowing light to enter the phone booths and meeting rooms tucked underneath, and a gap was left between the mesh and the glass partitions behind to make space for planters.

Additional workstations are located on top of the mezzanine, which is curved at its corner. “The newly-built mezzanine structure interprets the curves of the existing space without competing with them,” Ivy Studio said.

To let even more light in, the boarded window arches were reopened to their original form, while the parquet flooring was replaced with natural oak to retain the warmth.

Meanwhile, in the basement, low ceiling heights and a lack of windows called for an entirely contrasting strategy.

“It is a different universe of its own,” said Ivy Studio, which took a “futuristic, in your face” approach to the sub-grade space.

Baby blue kitchen with orange portal on one side and mirror on the other — In the windowless basement, a contrasting “futuristic” aesthetic was chosen

This level accommodates the bathrooms, kitchen, lounge and storage, and features a mix of plastered ceilings, ceramic walls and epoxy floors.

In the kitchen, all of the surfaces are coloured baby blue, while the adjacent bathroom block is completely grey.

Blue kitchen with orange room beyond — The spaces are colour-blocked to heighten their visual impact

Across the kitchen island, a circular mirror faces an opening that’s exactly the same shape and leads into a room painted in orange.

“The spaces are all monochromatic, to increase the visual impact of their intense colors but also help camouflage the imperfections of the existing building,” said Ivy Studio.

Baby blue kitchen with stainless steel island and backsplash — Baby blue and stainless steel cover the kitchen

The office’s levels are linked by two staircases: an older one made from wood and a newer minimal design that emerges from under an arched portico.

Both are painted navy blue and are intended to reflect Cardigan’s contradicting “hard-working yet playful values”.

Bathroom with grey tiles viewed from blue room — The adjacent bathroom is executed entirely in grey

Ivy Studio’s portfolio of projects in its home city spans from workspaces and restaurants, to a spinning studio and a dry cleaners.

Recently completed interiors by the firm include a creative hub populated with pink and purple elements, and a renovated eatery that was damaged in a fire.

The photography is by Alex Lesage.

Project credits:

Design and architecture: Ivy Studio
Construction: Group Manovra

Reference

Interior Design

Ivy Studio renovates fire-damaged Piatti restaurant in Montreal

By Zarkon Group,03/10/2022

Dark green marble, glossy black tiles and sculptural lighting contrast the rough stone walls of this Montreal restaurant that has been resurrected by local Ivy Studio.

Located in Rosemère, on Montreal’s north bank, Piatti opened 15 years ago in an old stone building that was previously extended to accommodate a larger commercial space.

After a fire ripped through the Italian restaurant over a year ago, damaging the roof and the interior, the owners chose to renovate and update the space.

“From this tragedy rose the opportunity to give the space a much-needed facelift,” said the Ivy Studio team, who took on the project.

Two arches in pistachio-coloured wall — Entrance to the kitchen is through an arch set into a pistachio-coloured wall

“While the overall aesthetic is very contemporary, the decor was inspired by traditional Italian design and includes textures, materials and colours that project clients directly to the Mediterranean,” the studio added.

The two-storey building is entered on the lower level, where the preparation kitchen, a private event room and the washrooms are situated.

Sienna banquette below a mirrored wall — A sienna-toned banquette is installed beneath a mirrored wall

Upstairs are the dining areas, each with a distinct atmosphere. When entering past courses of glossy black tiles, customers are met by a “monumental” pizza oven wrapped in green Saint-Denis marble.

A black stained-wood and marble structure in front acts as a dining and service area, across from a hand-plastered pistachio wall with an arch that leads to the closed kitchen.

Bar area within old stone building — The bar area is located in the old stone building

Above a sienna-toned velvet banquette, a mirrored wall helps to make the dining space feel larger – reflecting its cream walls and sheer curtains.

Bistro chairs with green seats and caned backs are placed around tables.

Custom lighting and stools at the bar — Lighting and stools were custom designed for the bar

A circular wood-topped table sits on zig-zag black and white tiles below a central bespoke chandelier.

The bar occupies the old stone aspect of the building. Here, a U-shaped counter is clad with vertical oak boards and topped with a four-inch-thick travertine slab.

Custom stools made from velvet, steel and wood are lined up against the bar, colour-matching the banquette upholstery in the dining room.

Minimal, custom cream-painted lamps are spaced along the length of the counter, while a steel structure suspended above holds bottles behind fritted glass panels.

Dining table in the corner — A pendant light hangs above a table in the corner of the bar area

“The entire room has recessed lighting going around the ceiling to properly highlight the original stone walls in the evening,” said Ivy Studio.

Montreal is home to a wealth of Italian restaurants with notable interiors, several of which have opened over the last few years.

Fritted glass dividing wall — Ivy Studio based the contemporary decor on traditional Italian design

They include pizza spot Vesta and Tiramisu at the city’s Hilton hotel – both designed by Ménard Dworkind.

Among Ivy Studio’s other hospitality projects in the Quebec capital is Jack Rose, an eatery in a former auto body shop.

The photography is by Alex Lesage.

Project credits:

Team: Gabrielle Rousseau, David Kirouac, Guillaume B Riel, Philip Staszewski
Construction: Groupe Firco

Reference

Interior Design

Ivy Studio adds pops of colour to Spacial co-working office in Montreal

By Zarkon Group,16/06/2021

Mint green and burgundy are among the hues incorporated into a Montreal co-working space that Canadian firm Ivy Studio designed to “stand out from its competitors.”

The office is located on the second floor of a 743-square-metre building in Verdun, one of city’s trendiest neighbourhoods. The space formerly housed a Jiu Jitsu gym and a beauty salon.

This is the first location for the new co-working brand Spacial. Local practice Ivy Studio was charged with designing a flexible work environment for up to 120 people.

“Being the first of its brand, this space had to stand out from its competitors by offering a unique vision for co-working,” the team said.

Local firm Ivy Studio added dashes of colour to the space — The project was designed by Ivy Studio

The team divided the rectangular space into two distinct zones.

The front portion encompasses public areas that are largely used for informal working, socialising and relaxing. In the rear, the team created a more private area with about two dozen rentable offices in varying sizes.

Throughout the space, contemporary finishes and decor are paired with original building elements, such as exposed ceiling joists and brick surfaces.

In many areas, the team coated the walls with an off-white plaster and covered the floors with light-grey terrazzo. Much of the furniture is black, although dashes of colour are sprinkled throughout.

Rainbow-coloured elements feature in the office — Dashes of colour are set against monochrome walls

Upon entering, one encounters a rounded reception desk made of zinc with a rainbow-coloured finish. Hanging on a wall is a blue, circular mirror – one of several rounded elements in the venue.

To one side of the foyer is a lounge and a trio of conference rooms, each with a wall-mounted screen.

Ivy Studio created a mixture of light and dark areas — Brick walls feature in the office

“In the conference rooms, televisions are camouflaged in front of matching, circular black mirrors, each backlit to put forward the white-washed brick wall,” the team said.

To the other side of the foyer is a second public area. This one encompasses a kitchen and dining space, including private booths that are well-suited for small groups.

Bathrooms have black tiles and pops of colour — Bathrooms have black ceramic tiles

The kitchen features curved cabinetry with a glossy mint-green finish, and a backsplash and island covered with Rosso Levanto marble. The base of the island is made of stainless steel, which mimics the chrome planters found throughout the office.

Situated near the kitchen are the bathrooms, which have black ceramic tiles and matching plumbing fixtures.

Ivy Studio put a glass-brick wall in the reception — The reception area has a blocky glass brick wall

Behind the reception desk is a glazed-block wall that separates the public zone from the private offices, while still enabling light to pass through.

The offices are arrayed along corridors with tile flooring and brick walls. Both fixed and sliding glass panels enclose the work spaces. A dark burgundy hue was chosen for the carpeting and mullions.

Skylights throw light onto the office's corridors — Skylights bring extra light into the office’s interior

To ensure the private area felt bright and welcoming, the team installed 20 skylights above the corridors.

“With the exposed brick walls, sandstone floor tiles and abundance of natural light pouring into the hallways, the general feeling resembles that of working in an exterior courtyard,” the team said.

Other co-working spaces in Canada include an office designed by Henri Cleinge within Montreal’s old Royal Bank, and a women-only space in Toronto that was designed by MMNT Studio to feel peaceful yet playful.

Photography is by Alex Lesage.

Project credits:

Architecture and design: Ivy Studio Inc
Construction: Gestion Gauthier Construction
Furniture: Ivy Studio Inc.

Reference

Ivy

Ivy Studio installs colourful marbles in Montreal’s Hayat restaurant

Ivy Studio converts historic bank into offices for Montreal ad agency

Ivy Studio renovates fire-damaged Piatti restaurant in Montreal

Ivy Studio adds pops of colour to Spacial co-working office in Montreal

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