yabashi architects stacks minimalist house and café in japan
ezu house and café: multi-uses in harmony
Nestled in a tranquil corner of a lakeside residential area in Kumamoto, Japan, the recently completed ‘EZU House and Café‘ stands as a testament to innovative architectural design, crafted by Yabashi Architects and Associates (YAA). this structure opens broadly out toward its surroundings to provide a unique experience for its occupants. The site’s terrain, with its stepped landscape along the lakeside, offers breathtaking views of nearby gardens, private house roofs, and distant mountains. By skillfully incorporating these elements into the design, the architects have created a multi-layered structure that fosters a sense of harmony between its retail and residential programs.
images © Yashiro Photo Office
the Vertical Spiral Movement
At the core of the design philosophy is a square plan that encompasses the site. The upper floors of the building are ingeniously divided diagonally, establishing a dynamic interplay of spaces. By shifting the floors to increase the parameter with the ground and connecting them through a spiral vertical movement, the architects have achieved a three-layered structure that presents an array of viewpoints at every turn. This deliberate arrangement allows for a varied experience on each floor, with minimal necessary functions, furniture, and plants. The result is a space that transcends conventional definitions, offering an open canvas for inhabitants to freely create their own personalized environments.

Seamless Integration of Functions
The ground floor of the EZU House and Café serves as a retail area, seamlessly transitioning into the residential space on the upper floor. The distinction between these two sections is purposefully fragmented, employing diagonal load-bearing walls that create a continuous three-dimensional living space. This approach fosters a sense of connectedness and flow throughout the entire structure. Furthermore, the architects have emphasized the integration with the natural surroundings by incorporating a double structure. This design envelops the earthquake-resistant framework with elements dedicated to wind resistance and heat insulation, while the outer skin of the building serves as a gateway to the outdoor environment.

Unobstructed Views by yabashi architects
The absence of partitions between spaces is a deliberate choice that enhances the occupants’ experience of the surrounding environment. Depending on one’s body position and movement, glimpses of the sky, verdant greenery, or sudden visual breaks may appear through the windows on adjacent floors. This design creates a spatial experience that emphasizes the inherent richness of the location and the generosity of life itself. In essence, the EZU House and Café may appear as a mere assembly of floors, outer panels, and openings. However, it transcends its utilitarian nature, transforming into a powerful tool that allows individuals to perceive the external environment as an integral part of the internal space.

a double structure wraps earthquake-resistant elements with wind resistance and heat insulation
the multi-use space is flexible with a spiral vertical movement and minimal necessary functions






















Made of black granite (Negresco) and dark wood (Oak), this sauna was designed to be a camera obscura, a box drawn to shape views of the landscape. Located in the middle of Stockholm’s archipelago, a narrow pathway brings the visitors to the sauna: a black box embedded in the rocks. The matte finish can be seen both inside and as part of the structure’s façade. As the team outlines, inside is a monolithic stone bench that faces the water through a large sliding window. On the back, a thick wall contains all the services: a small kitchen hidden behind the sliding doors and a bathroom illuminated by a skylight. At night, the small sauna resembles a lighthouse, a warm and cozy space illuminated from the inside.
Tillicharchitektur designed this building to host production and office spaces for a textile finishing and vending firm. Its iconic feature is the folded façade, which reimagines the simple cube. The matte bright surface of the anthracite pigmented concrete responds to its environment. Depending on the season, time of day, weather, and lighting, the façade continuously changes its character. In contrast to the expressive façade, the interior design leaves more space for the production process and the products in the showroom. The team explains that the limitation on few, but high class materials, is the main factor driving the interior.
On the fringe of the Vienna Woods sits this compact single-family house LOU. Resting on a steeply sloping site, the designers wanted the first impression to be reinforced by the matte black skin of the building. Inside, the project offers a spacious and varied living environment on staggered half-story levels. As the team notes, at each level, the house opens differently to the outside world. The main residential levels are nestled against the slope, separated from the garden only by an all around-strip of windows which allows looking and stepping out in every direction.
This compact wooden house was designed by architect Joris Verhoeven for himself. Located within the Drijflanen nature reserve in Tilburg, the matte building is designed to be a part of nature. With its rough black façade, it was made to fit within the context of surrounding tree trunks. The cottage house is prefabricated and constructed out of wooden cassettes filled with flax insulation. In turn, the interior of the cassettes is made of birch plywood. Other parts of the interior, such as the interior door, kitchen and stair railing, are finished in matte black, just like the exterior window frames. In this way the inside and outside of the house were made to relate to one another.
Located in Muang Thong Thani, this project is the expansion of a car care center. The building is located on a 3230-square feet (300-meter) plot of land, with a long and narrow plot that required an in-depth organization of the building. Since the space of the car care center was too limited, a new space was necessary for project extension. The building consists of four small containers and four large containers. The design team made the building exterior to be painted in matte black but the interior is white. The external envelope includes the west façade and the roof, which have metal sunshades to reflect sunlight and protect the building from the heat.
The ‘Les Marais’ project started with the design team’s fascination for the built landscape of the empty space that characterizes North American rural areas. For this design, depending on the observer’s location in the neighboring forest, the scales of the buildings are relative. The team explains that the wetland nature of this lakeside property was preserved and then the collective landscape of the built complex was designed. A large ‘plate’ of black wood links the three structures to establish a common base, while large cutouts were made in each ‘shape’, also of black painted wood, to reveal the interior materiality of the red cedar buildings.
Sited at the future land-air transport hub of Henan, this hotel was made as a “paradise city with national customs” in Zhengzhou. Ideas of Chinese ancient garden construction were introduced into the “south garden” that make the most important building the starting point of the entire array. Moreover, the matte building façade is presented in the shape of arc to match the main garden in the front. The team choose a range of matte-finish materials like frosted earthenware tile, matte composite aluminum-plastic sheet and brushed stainless steel. It is the first floor of the building that is composed of external matte façade built from 100,000 earthenware tiles.











This elegant tennis facility is defined by white concrete and cantilevered slabs in Spain. The complex includes a total of seventeen courts of all surfaces, from grass to clay. The topography of the land called for a terracing strategy in order to place the different courts at different levels following the slope of the hill. As a result, the team set out to design the building as a continuation of that terracing: as seen in section, multiple floating terraces overlook the tennis compound. The Centre Court is the heart of the project. A series of terraces are carved in the hill create a natural stone stadium to seat up to 1500 spectators.

In Strasbourg, the idea was to create a new tennis hall building for three covered tennis courts and and a new club house. The design is directly inspired by people and how they flow in and through the building. Inside, sky domes and a special color treatment on the floor was chosen to increase day light. Areas where natural light falls were treated with a beige resin, while the room borders and corners are treated with a deep orange resin. The soaring roof forms and domes are readily seen in section, and how the building compares in scale to adjacent structures.

The Glen Lake Community Schools project was made with three components: a new bus garage; new team rooms for home team and visitor teams for soccer and softball; and a new tennis complex with a gateway building. The floor plan drawing for the team rooms showcases how the pavilion structures were organized and designed, emphasizing connection to the outdoors and with a series of welcoming overhangs. By opening to natural light, using natural materials like glulam beams, and the use of insulated roof panels, the team wanted to highlight the uniqueness of the Glen Lake community and its commitment to the natural environment and energy efficiency.

GLUCK+ designed the Cary Leeds Center for Tennis & Learning as a multi-use facility. The complex is where underserved youth in New York City can receive free tennis lessons and academic help. As the flagship site for New York Junior Tennis & Learning, the center was made to host local, national and international tournaments. Sited in the natural parkland of Crotona Park, the project included a clubhouse, public tennis courts, and sunken exhibition courts. The building and stadium courts were partially buried as a strategy to minimize the impact of a large structure in the park and also to take advantage of geothermal heating and cooling.




This temple to tennis was built in Switzerland. As seen in the drawings, the 

Adjacent to the court, this guest house is located within the grounds of an existing family beach house in a secluded coastal setting. The client required a guest house that would embrace the native landscape while establishing its own identity distinct from the existing house. The team’s design concept was to create a building as a landscape element that forms a backdrop to the existing tennis court and is nestled within the surrounding vegetation. A rectilinear timber pavilion was built with weathered grey cladding and climbers growing up over the walls to give the appearance of a simple timber fence within the landscape.

MVRDV’s famous Couch project was built in IJburg, a new district to the east of Amsterdam. The newly formed IJburg Tennis Club included ten clay courts and a tennis school. The clubhouse was made to be the heart of the center, providing both a viewing platform and a club overlooking the water. The challenge was to create a building that worked as a central gathering area, a living room for IJburg. The result is a clubhouse with a roof dipping down towards the south and raised towards the north, creating an informal tribune for the club. Inside, the construction is clad with FSC-certified wood, with the outside fully sealed with an EPDM polymer hotspray in the same color and texture as the clay tennis courts.