Spotted: Proposed international regulations will mandate at least a 40 per cent reduction in CO2 emissions from ships by 2030. Alisha Fredriksson, co-founder and CEO of London-based company Seabound, discovered that shipowners lack feasible options to meet this requirement.
The realisation motivated Fredriksson to develop a solution, leading to Seabound’s lime-based carbon capture equipment, which can be installed near a ship’s smokestack to capture up to 95 per cent of CO2 emissions from the exhaust.
To curb the release of greenhouse gases into the atmosphere, Seabound implements its carbon capture system near its funnel. Quicklime pellets are consistently introduced into the device, undergoing chemical reactions with CO2 in the exhaust to form limestone. Upon docking, the pellets can then be used for future CO2 capture on other vessels, sold as construction materials, or divided into pure CO2 for various purposes.
Seabound’s innovative technology holds promise for various vessel types, including container ships, cruise ships, and dry bulk carriers. What sets this company apart is its seamless retrofitting capability for existing ships, rendering decarbonisation of shipping more accessible, rapid, and scalable.
The startup recently achieved a key milestone when, in partnership with global shipping company Lomar, it completed a successful pilot of its technology on-board a commercial container ship. The 240-metre-long vessel, which was chartered by liner shipping company Hapag-Lloyd, was equipped with a prototype version of the system that captured around one tonne of CO2 per day. Having completed the pilot, Seabound will now progress to creating its first full-scale systems, which it hopes to deliver commercially from 2025 onwards.
Springwise has previously spotted other innovators looking to make the maritime industry greener, including a startup that’s developed a ship-cleaning robot and a company that’s presented concept designs for a zero-emission ship.
Architizerâs Tech Directory is a database of tech tools for architects â from the latest generative design and AI to rendering and visualization, 3D modeling, project management and many more. Explore the complete library of categories here.
For the past decade, the term “BIM” has come to dominate, fundamentally shaping how architectural practices operate. BIM design software surpasses traditional 3D modeling programs by incorporating digital models with different data sets, such as material specifications, finishes and even MEP (mechanical, electrical, and plumbing) systems. In other words, a wall designed in a BIM environment goes beyond the typical “3D extrusion”, carrying information that can be utilized throughout the duration of a design project — from inception to completion and even for future maintenance.
Initially invented in the 1980s, BIM is an all-in-one software package that includes features from digital representation to architectural visualization, data-driven design, construction documentation, and more. It is a piece of technology that greatly encourages collaborative architectural practices, offering a holistic approach to design projects.
Without further ado, here are the top seven BIM tools that unlock unprecedented capabilities in architectural design.
Best BIM Tool for Parametric Design
Admittedly, the most famous BIM software for architects is Revit, developed by Autodesk. It offers a comprehensive set of tools for designing, documenting and managing building projects. Central to Revit’s functionality is its parametric modeling capabilities, allowing architects to create intelligent 3D models that capture both the geometry and data of building elements. Supported by Autodesk, Revit also has an array of third-party plugins and libraries, providing architects with additional features.
Best BIM Tool for Real-Time 3D Modeling
ArchiCAD is a BIM software specifically tailored for architects and designers. Its core strength lies in its intelligent virtual building model, which integrates both the visual and data aspects of a project. This model-based approach allows architects to efficiently explore design alternatives, simulate building performance, and generate accurate construction documentation. Additionally, ArchiCAD includes features such as BIMx for interactive 3D presentations and Open BIM for interoperability with other software platforms.
Best BIM Tool for Concept Design
Vectorworks is perhaps the most versatile BIM software for architecture. It has a simple and straightforward interface, which allows architects to effortlessly turn a sketch into a fully realized design. Vectorworks provides powerful tools for creating 2D and 3D designs, offering a flexible and intuitive platform for designers to bring their ideas to life. With features such as robust modeling capabilities, intelligent object libraries, and advanced rendering options, Vectorworks enables architects to develop their own tailored BIM workflow, without compromising their creative process.
Best BIM Tool for Beginners
Renga is an architectural design and BIM software developed by ASCON Group. It offers a user-friendly interface and powerful tools such as parametric modeling, real-time rendering and an extensive object library as well as many interoperability options with other BIM software. Its comprehensive workflow as well as wide variety of assets that can handle routine tasks like calculating schedules or making cost estimations marks it as the perfect tool for architects to dive into BIM technology.
Best BIM Plug-in Tool for iPad
Codesign is a BIM plug-in tool for iPad. It seamlessly bridges the gap between pen, paper and BIM. Specifically used for concept design, Codesign offers tools such as rapid sketching, interactive 3D modeling as well as data-driven design — all through an iPad screen. It also includes features such as importing site context in order to sketch and iterate zoning and usage options. Finally, it incorporates AI generative capabilities, where architects can simply input their sketch or model followed by a text prompt to seamlessly visualize their designs.
Best BIM Plug-in Tool for Rhino
VisualARQ is an architectural design software that boosts Rhino’s capabilities by adding dynamic documentation tools and architecture object styling capabilities. It includes features such as Freeform Modeling – which converts any freeform geometry into an informed object — parametric design, an extensive object library, dynamic documentation, architectural visualization capabilities and finally, Grasshopper integration.
Best BIM Tool for Sustainable Design
Founded in 1972, Vabi is a plug-in software solution for BIM developed in the Netherlands, which advances simulation 3D models for energy and comfort within buildings. Its features include Vabi Assets that enable the calculation and management of energy labels as well as Vabi Elements that allow architects to facilitate simulations of heating loss or cooling load calculations. Finally, the Vabi EPA tool is used for feasibility studies to speed up the inspection processes for both residential and non-residential buildings.
How to Better Leverage BIM Tools in Architecture
The following tips and considerations will help you maximize the potential of BIM tools in architectural design, as well as avoiding common pitfalls associated with this fast-emerging technology.
Invest in Training: It is true that BIM is regarded as a rather complex software, oftentimes difficult to integrate with already established architectural design workflows. Consequently, it is important for any architect or architecture firm to familiarize themselves with features, tools, and best practices to maximize their efficiency and productivity. Either through hiring a BIM specialist, taking a course or diving into tutorials, it is important for architects to develop standardized templates, libraries and workflows to maintain consistency across projects. This includes naming conventions, layering systems, and file organization to streamline collaboration and project management.
Start Early with BIM: When using BIM for projects, it is important to introduce the software early in the design process, in order to reap its full benefits. By utilizing it for conceptual modeling to explore design ideas and make quick iterations, enables architects to progress more seamlessly to detailed design and documentation. In addition, using BIM software from the start of a project, will allow for better collaboration amongst other stakeholders. Using features such as cloud-based sharing, version control, and real-time editing will ensure clear communication and coordination between architects and engineers from idea to construction.
Utilize Parametric Modeling: BIM’s most powerful asset is pairing traditional digital modeling with design and construction data. The wide range of parametric modeling capabilities in BIM tools allows architects to create intelligent building components that can be easily modified and updated throughout the design process, leading to effortless design iterations. Nevertheless, architects need to be aware of the data they incorporate into their designs and maintain accurate and up-to-date information about building elements to support their decision-making in their projects.
Architizerâs Tech Directory is a database of tech tools for architects â from the latest generative design and AI to rendering and visualization, 3D modeling, project management and many more. Explore the complete library of categories here.
A disaster-proof chandelier from Lebanon and a towering sand dune-style stone installation feature in Arab Design Now, the main exhibition at the inaugural Design Doha biennial.
Arab Design Now was curated by Rana Beiruti to capture the spirit of contemporary design across the Middle East and North Africa (MENA), the curator told Dezeen ahead of the opening of the first Design Doha.
Set within the Qatari capital’s M7 building, the design biennial draws together a range of collectible design and installations.
Selected works from 74 participants paid homage to the MENA region’s “extremely harsh and unique geography” and investigated the “use of materials as a guiding principle,” explained Beiruti.
Here are 10 of Dezeen’s highlights from Arab Design Now, which is on display in Doha until early August.
Sites – New Sites by Studio Anne Holtrop
Bahrain- and Amsterdam-based architect Anne Holtrop has designed a cluster of large-scale mobiles made from vast slabs of lumpy resin.
Holtrop took casts of a series of manmade and natural sites that he found across Qatar to create the textured pieces, which hang from bearing mechanisms and can be manually rotated by visitors to produce continuously moving formations.
Constellations 2.0: Object. Light. Consciousness by Abeer Seikaly
Over 5,000 pieces of Murano glass were woven together by Jordanian-Palestinian designer Abeer Seikaly to create this chandelier, which combines Bedouin weaving practices from Jordan with traditional Venetian glassmaking techniques.
Brass and stainless steel were also integrated into the lighting, made flexible by the glass mesh.
Once illuminated, the sculptural piece creates dramatic light patterns that nod to a starry night sky seen from the Badia desert, according to Seikaly.
House Between a Jujube Tree and a Palm Tree by Civil Architecture
Kuwait and Bahrain-based office Civil Architecture has designed a looming fibreglass roof proposal for a majlis – the traditional term for an Arabic gathering space.
“It’s a 1:1 model of a roof of an actual house that we designed in Bahrain,” studio co-founder Hamed Bukhamseen told Deezen.
Supported by steel and suspended from tension cables, the majlis features openings designed to accommodate tall trees and was created to explore the “symbiotic but blurred” relationship between indoor and outdoor settings.
Photo courtesy of Design Doha
Nubia, Hathor and Gros Guillaume Stool by Omar Chakil
French-Egyptian-Lebanese designer Omar Chakil was informed by his father’s homeland of Egypt when he chose alabaster onyx to create this monolithic shelving, a bulbous coffee table and a stool that glides across the floor on wheels.
Taking cues from ancient practices, Chakil carved the rounded furniture from raw blocks of the material, which was sanded down over time using water rather than covered in varnish – something that the designer said had became common in Egypt, especially when making “cheap” souvenirs.
“The whole idea of the collection was to use Egyptian alabaster, which was a healing stone,” Chakil told Dezeen.
“The pharaohs used [the material], then it transformed it over time. It lost its soul. So I tried to put it in the contemporary context by using the shapes that healing emotions would take – so they are round and soft, even though they are very heavy,” he added.
“I see that people are afraid to, but I want them to touch the furniture.”
Tiamat by AAU Anastas
Palestinian architecture office AAU Anastas is presenting Tiamat, a dune-shaped installation that forms part of the studio’s ongoing project, Stone Matters, which explores the potential of combining historical stone building techniques with modern technologies to encourage the use of structural stone.
Positioned for visitors to walk through, the installation is a towering structure made of stone sourced from Bethlehem and informed by the Gothic-style architecture found across Palestine, Syria and Lebanon.
According to AAU Anastas, the light, sound reverberations and climate control within Tiamat’s internal space is unique to stone construction.
Clay in Context by Sama El Saket
Jordan-born architect and ceramicist Sama El Saket took cues from her native landscape when creating this “taxonomy of Jordanian clays”.
The result is a set of spindle bottle-style vessels, each made of a different natural clay found across Jordan. This gives the pieces their distinctive colours, textures and character.
“These are all natural clays with no pigments added,” El Saket told Dezeen. “The colours are attributed to the different minerals that are found within the region. Some are sandier, some are rockier.”
The designer noted that while Jordan features an abundance of clay deposits and a rich history of ceramic production, today most Jordanian clay is imported.
Photo by Sabine Saadeh
Light Impact by Fabraca Studios
Lebanese industrial design brand Fabraca Studios has created Light Impact, a solid aluminium lighting fixture that was designed as an alternative chandelier, resembling durable ropes.
The piece was made to replace a glass chandelier that shattered in the aftermath of the 2020 Beiruit explosion, which destroyed a large part of Lebanon’s capital city.
Light Impact is defined by “flexible characteristics designed to withstand another disaster,” studio founder Samer Saadeh told Dezeen. He added that the piece, which includes internal brass components, was designed as an ode to Beirut’s adaptability and resilience.
Eleven by Sahel Alhiyari
Eleven is a cluster of tall fluted terracotta columns by Jordanian architect Sahel Alhiyari that were made through moulding and forming rather than traditional cutting and carving.
The architect handcrafted the segments, which are vertically stacked, using a similar technique to pottery-making,
“As you twist and turn the material, it creates all of this stuff,” Alhiyari told Dezeen. The designer explained that the columns were deliberately created to celebrate imperfections, despite referencing classical architecture.
Sediments by Talin Hazbar
UAE-based Syrian designer Talin Hazbar is featuring her Sediments project, which previously gained recognition at Dubai Design Week.
The work consists of blocky seating made from fishing ropes and fishing cage ropes extracted from the Persian Gulf with the assistance of the Dubai Voluntary Diving Team.
Also made up of recycled rubber grains, the heavily textured seating was created to serve as a reminder of how we might attempt to clean up damaged coastlines, according to Hazbar.
Whispers from the Deep by T Sakhi
Lebanese-Polish sisters Tessa and Tara El Sakhi of the studio T Sakhi combined discarded metal salvaged from factories in Veneto, Italy, with Murano glass to create amorphous glassware that takes cues from underwater sea creatures.
These pieces were arranged atop dramatic shelving inside the elevator connecting the first and second floors of the Arab Design Now exhibition.
The result is a playful installation that draws together the Venetian lagoon and Lebanese glassblowing traditions.
The photography is by Edmund Sumner unless stated otherwise.
Arab Design Now takes place at Design Doha from 24 February to 5 August 2024 at M7 in Doha, Qatar. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.
Soline Guerineau is Head of Commerical Strategy, Sustainability at ICIS, an independent commodity intelligence service. She shares where she sees momentum in hard-to-abate sectors and where collaboration with startups may drive emissions reductions.
“The state of play right now is that the chemicals industry is the largest industrial consumer of energy and ranks third when it comes to direct CO2 emissions – after steel and cement production. According to the International Energy Agency, the chemicals sector emitted 935 megatonnes of CO2 in total in 2022. On a product-by-product level, carbon footprints are tapering, yet the industry‘s overall emissions total is increasing because demand is increasing. At ICIS, we expect the global consumption of chemicals to rise by 23 per cent from 2022 to 2030, despite the macroeconomic challenges in 2023.”
So, what can be done? Soline believes there are a few levers for the chemical industry to pull that are similar to those for other heavy industries. First, the supply chain is important – scope 3 emissions make up 80 per cent plus of chemical industry total greenhouse gas emissions. And sourcing low-carbon suppliers can be a challenge.
Energy sources are another challenge. “Coal is still the main source of energy in some emerging markets, but we see the more mature industry players moving towards electrification by investing in new facilities. For example, LyondellBasell recently announced a memorandum of understanding with Technip Energies and Chevron Phillips Chemical to pursue electric steam cracking furnace technology.
“Further development in this area is dependent on the elevation of the grid and the availability of renewable power, but we are seeing an interesting uptick in power purchase agreements (PPAs) – a type of long-term renewable energy contract – for heavy industries in general, with companies trying to manage their scope 2 emissions while also attempting to control cost.”
Beyond scope 3 and energy sourcing, there are some further drivers. “For example, waste heat recuperation and efforts to make energy consumption more cyclical are emerging, carbon capture technologies have a role to play but are not yet scalable, and there is also a key thread around the materials transition. For the chemicals industry, this is around feedstocks and moving away from virgin fossil feedstocks to biomass.”
At ICIS, Soline says they see progress in recycling and more circular business models, and while the recycled plastics market remains smaller than virgin markets, it is growing. The market will benefit from regulation that is set to come into play – The European Strategy for Plastics, for example, sets the objective that all plastic packaging placed on the EU market will be reusable or easily recyclable by 2030. Crucially, anyone exporting to the bloc will need to comply, which will really accelerate upward market trends.
However, she states that: “There is no silver bullet in terms of what is likely to have the biggest impact. I think there is a question around leadership and fresh approaches, and I also wonder what more women in the industry would bring? For our CEO of the year awards 2023, we nominated an emerging leader, Jodie Morgan, the CEO of Nexus Circular, a US Series-C-stage company that provides advanced recycling to several larger petrochemical companies. There needs to be more collaboration with innovative startups and industry disrupters like this (or acquisitions) to accelerate technology pathways and drive further progress in the areas that are still in their early stages.”
This opinion piece originally appeared in the Springwise Horizon 2030 report, a deep dive into seven key drivers of change between now and the end of the decade.
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Seoul blends the old with the new, tradition with innovation. The bustling capital of South Korea is a city where history and modern life are juxtaposed in the built environment itself. Showcasing a diverse range of architectural styles and projects, Seoul’s cultural landscape is home to inventive and inspiring buildings that are grounded in human experience.
Architectural plans and section drawings tell a story of Seoul through intricate details and comprehensive design strategies. Each of the following projects explores construction and process through built work. They reveal the ideas behind some of the city’s most notable projects. From grand museums to intimate galleries and sprawling complexes to innovative community spaces, Seoul’s architectural scene is as diverse as the city itself. Through a survey of section and plan drawings, we gain insight into the spatial organization, materiality and conceptual framework of these projects, uncovering the stories and inspirations that shape Seoul’s identity today.
National Assembly Communication Building
By HAEAHN Architecture and H-Architecture, Seoul, South Korea
Popular Choice Winner, 11th Annual A+Awards, Government & Civic Buildings
The National Assembly Communication Building at the Republic of Korea Complex embodies the ideals of flexibility and openness. It integrates seamlessly with the existing monumental masterplan while catering to daily activities. The four-story structure is designed to blend into its surroundings, respecting the existing tree line and maintaining a height of 30 to 40 feet. The building’s layout is organized into horizontal zones to accommodate diverse users, ensuring privacy and efficiency.
Circulation and security are handled by four cores around a central courtyard. The modular structure system allows for future adaptations. The building symbolizes democratic values and houses various public, media, political, and administrative programs. Its design fosters communication and interaction, both inside and outside the building, as seen in plan. The design creates a vibrant and welcoming environment.
Saemoonan Church
By Lee Eunseok+KOMA, Seoul, South Korea
Jury Winner, 8th Annual A+Awards, Religious buildings & Memorials
Saemoonan Church, the first Korean Protestant church, celebrated its 132nd anniversary and opened a new church in Gwanghwamun Sinmunno. The design, resembling a mother’s embracing arms reaching toward the sky, breaks from traditional spire and Gothic architecture, a significant shift in modern church design. The new church focuses on four themes: historicity, symbolizing its role as the mother church of the Korean Protestant Church; spatiality, portraying Christ as light through an open door to heaven; a water space representing baptism’s meaning; and harmony. These themes were revised to incorporate God’s love and neighborly love into the design, emphasized through spatial symbolism and outward appearance.
The design emphasizes simplicity and abstraction, with the facade’s soft curve symbolizing love and mercy, and the fan-shaped chapel encouraging dynamic participation in worship. The architecture prioritizes public engagement, with the facade’s concave surface and courtyard of Saemoonan-ro serving as public spaces, welcoming citizens and fostering community interaction. The church also includes a small chapel made from its old bricks, serving as an open cultural space.
Nodeul Island
By mmkplus, Seoul, South Korea
Popular Choice Winner, 8th Annual A+Awards, Architecture +Urban Transformation
Nodeul Island, an artificial island in Seoul’s Han River, was long neglected despite its natural beauty and central location. This project revitalizes the island, creating multi-level public spaces with cultural programs that honor its history. The redesigned island offers diverse activities and fosters a connection between visitors and the city’s landscape. The island features two main levels: the original ground level hosts cultural venues, while an upper platform provides public plazas and viewing decks.
A village-like setting houses offices, shops, galleries and performance halls, fostering a harmonious community. The island’s landscape encourages social interactions, offering a park-like experience. Restoration efforts include sustainable strategies and an eco-habitat for endangered species. A new public promenade, upgraded terraces and gardens enhance the island’s history. Nodeul Island is now a vibrant public park and cultural venue, inviting visitors to explore its historical significance and potential.
Seoul Square Ice Rink
By CoRe Architects, Seoul, South Korea
Seoul Plaza transforms into a winter sports hub for citizens from Christmas through February, featuring skating and curling. The skating rink, redesigned and reopened in 2018 through a public competition, introduces a new, easily recyclable structural concept. Unlike previous years, that year’s rink boasted a “new structural alternative” that could be swiftly installed and recycled. Originally conceived as a light vinyl house, it evolved into a double air-dome system for easier reuse or recycling.
The roof is a double air-membrane structure made of transparent laminated urethane and opaque flame-retarded urethane. The membranes, supported by about 40,000 ropes, allow natural light during the day and internal light at night, creating a unique façade. The skating rink’s design combined equilateral triangles and circles, with a triangular deck facilitating movement between the plaza and the Seoul Library. A circular auxiliary facility complements the modern reinterpretation, enhancing citizens’ spatial and temporal experiences.
Kukje Gallery
By SO – IL, Seoul, South Korea
The project aims to enhance Korea’s cultural presence globally while harmonizing with the historic surroundings of northern Seoul. The design blends modern aesthetics with traditional techniques, featuring a unique chainmail veil façade made of 510,000 metal rings. To integrate seamlessly into the historic urban fabric, the gallery’s circulation is pushed to the edges, and the entire structure is wrapped in the hand-fabricated veil. This approach, developed in collaboration with engineers at Front Inc., marries computational processes with traditional craftsmanship.
The gallery’s design is sensitive to its context, with materials and patterns inspired by cobblestone streets and regional building styles. Located amidst traditional hannok homes, the gallery serves as a landmark in a cultural campus and aids in public wayfinding. The building’s form, reflecting the surrounding rooflines, creates a sense of lightness and blends with the environment. Despite its compact size, the gallery offers a versatile space for art exhibitions and events, including a 60-seat auditorium for lectures, films, and performances. Support spaces such as offices and storage are located underground, ensuring flexibility in gallery use.
Platform-L Contemporary Art Center
By JOHO Architecture, Seoul, South Korea
Platform-L Contemporary Art Center is situated in Seoul’s Gangnam district, nestled in a residential area. The site’s unique irregular trapezoid shape, surrounded by streets on three sides, posed a distinctive design challenge. Adhering to architectural regulations limiting the building ratio to 60% of the total site area, Platform-L took a unique approach by placing parking underground, creating a voided space on grade.
The center’s design features two independent masses with a central courtyard facing west, maximizing space efficiency. The north mass houses the museum’s entrance, exhibition spaces, a VIP lounge, and a roof terrace offering cityscape views. On the south end, a café/restaurant and office spaces are located. The exterior facade design draws inspiration from Louis Quatorze fashion design company, the sponsor of Platform-L, reflecting Louis XIV’s basic geometries. This reinterpretation symbolizes the company’s commitment to fashion and culture, serving as a new emblem for its values.
Roof Sentiment
By SoA(Society of Architecture), Seoul, South Korea
The front yard of MMCA Seoul faces the Gyeongbokgung Palace, a strong site-specific context. This space, once part of the Jongchinbu (Office of the Royal Genealogy in the Lee dynasty), is now an open public area of MMCA Seoul and serves as a platform for Y.A.P in the summer. Traditional architecture in Gyeongbokgung Palace is characterized by its prominent roofs. Han-ok (traditional Korean style-house) roofs were large and heavy to support the wooden pillars, creating a high and deep space underneath.
The lines of these roofs framed the scenery with the mountains in the background, symbolizing a connection to the heavens and expressing political, sacral, and societal meanings. The ‘Roof sentiment’ project aims to rekindle people’s feelings and senses by creating a wrinkle roof using reed blinds. This roof sways in the breeze, offering glimpses of the scenery through its gaps. Unlike traditional roofs that cover the under space, the wrinkle roof uncovers people’s sentiments, serving as an agent to awaken people to the summers and the area’s unique atmosphere.
National Aviation Museum of Korea
By HAEAHN Architecture, Seoul, South Korea
The National Aviation Museum, located in Gimpo Airport, aimed to elevate the Korean aviation industry’s status through a multi-cultural space promoted by the Ministry of Land, Infrastructure, and Transport. The museum’s design reflects three core ideas: “Air Turbine,” inspired by airplane turbines, symbolizes the integration of mechanical aesthetics and science technology; “Air Show,” an aviation gallery, presents the history of Korean aviation in a dynamic, panoramic exhibition space; and “Air Walk,” a three-dimensional walkway, offers a dynamic experience amid the architectural structure’s shining lights.
The site’s layout is circular, including the southern beltway and the main entrance road, creating a central position between the airport and support complex. A three-floor void in the permanent exhibition space allows for integrated indoor-outdoor exhibitions through a transparent façade. The museum features two buildings: a circular exhibition hall designed for aviation displays and a rectangular management building optimized for various functions. The interior of the eco-friendly air turbine is a spiral exhibition space, guiding visitors through the planes on the ceiling and creating a dynamic experience.
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If you’re hosting an event during NYCxDesign, you can get listed in Dezeen Events Guide’s digital guide to the festival, which highlights the key events taking place across New York City’s five boroughs.
NYCxDesign runs from 16 to 23 May 2024 and features hundreds of events including installations, exhibitions, fairs, tours, open studios and product launches.
One of the largest events taking place during the eight-day programme is the International Contemporary Furniture Fair (ICFF) and WantedDesign Manhattan, located at the Javits Center from 19 to 21 May 2024. Each year the fair sees 10,000 visitors from the architecture, design and retail fields.
With 2024 marking the festival’s 12th anniversary, NYCxDesign aims for its events to target themes of sustainability, inclusivity and diversity while exploring a range of design mediums.
Get listed in Dezeen’s digital NYCxDesign guide
Get in touch with the Dezeen Events Guide team at [email protected] to book your listing or to discuss a wider partnership with Dezeen.
There are three types of listing available:
Standard listings cost £125 ($160) and include the event name, date and location details plus a website link. These listings will feature up to 50 words of text about the event.
Enhanced listings cost £175 ($225) and include all of the above plus an image at the top of the listing’s page and a preview image on the Dezeen Events Guide homepage. These listings will also feature up to 100 words of text about the event.
Featured listings cost £350 ($450) and include the elements of an enhanced listing plus a post on Dezeen’s Threads channel, inclusion in the featured events carousel on the right hand of the homepage for up to two weeks and 150 words of text about the event. This text can include commercial information such as ticket prices and offers and can feature additional links to website pages such as ticket sales and newsletter signups.
For more details about partnering with us to help amplify your event, contact the team at [email protected].
About Dezeen Events Guide
Dezeen Events Guide is our guide to the best architecture and design events taking place across the world each year.
The guide is updated weekly and includes events, conferences, trade fairs, major exhibitions and design weeks.
Spotted: In the US alone, around 74 per cent of all energy is used by buildings, and of that figure, 50 per cent of the peak hour consumption is used keeping buildings cool with air conditioning. This is where startup Nostromo Energy comes in, with its new methodology for energy storage that could relieve the power grid of some of the strain – and environmental cost – of cooling buildings. The company’s ‘IceBrick’ system utilises off-peak hours energy to freeze water in an ice brick array, which can then be used to chill water for cooling at a later point.
Today’s commercial-scale air conditioners are energy-intensive because they constantly run ‘chillers’ to cool water, which then circulates in a building, cooling the air. Nostromo’s system reduces the use of chillers by creating ice in an array of capsules at off-peak times – a process that ‘stores’ cooling energy. The building’s circulated water can then be passed through the array to be cooled at peak times, without the energy drain of constantly running the chillers. In fact, the chillers can be turned off when the IceBrick is in use, reducing electricity consumption at key moments.
The system is extremely modular and can be fitted to a building’s available rooftop and basement space. The technology also has good longevity as water can be frozen and unfrozen for many years with only minimal degradation.
A cloud-based management platform is used to control the system and make adjustments depending on the business’s particular goals. For example, the system can be optimised for financial gains or to reduce carbon emissions, maximise electric vehicle charging capacity, or provide enhanced backup. Nostromo works with a business’s engineers to install the IceBrick system on new builds or as a retrofit, with the company taking care of permitting and installation.
Springwise has also spotted other innovations using ice for cooling, such as fridges for areas without constant power. The Springwise library also contains other innovations reducing the impact of air conditioning, such as a system that uses salt water to remove moisture, and a 3D-printed air conditioning system.
Ho Chi Minh City-based studio Story Architecture unveils ‘House 3.5 x 17,’ a sun-drenched family home in the Vietnam city’s District 7. Designed for a couple and their two sons, the dwelling seeks to balance individual pursuits with shared family moments. Recognizing the client’s transition to a home-based career, the architects prioritized relaxation and connection beyond the home office. However, the limited plot size of 59.5 square meters presented a significant challenge. Story Architecture needed ingenuity to incorporate the desired elements: a swimming pool, elevator, car parking, three en-suite bedrooms, and inviting living areas.
Story Architecture strategically organizes the functions of the home to overcome the constraints of its compact site in Ho Chi Minh City, Vietnam. The ground floor prioritizes practicality with car and motorbike parking. The living area integrates with a worship space, with a skylight bathing the prayer area in natural light. The stairs and elevator are located at the rear of the house to maximize usable space on each floor. The kitchen and dining area is found along a mezzanine which overlooks the ground level and entrance. The second, third, and fourth floors each house a bedroom with a private bathroom with glass walls. Each bedroom opens onto a balcony, each featuring potted plants and unique cut-outs to disrupt the facade and allow for communication between family members on different levels.
Story Architecture unveils ‘House 3.5 x 17’ in Ho Chi Minh City, Vietnam
the light-filtering facade
The back of the staircase features a screen of wind encaustic tiles, a unique design element common in Vietnam, which Story Architecture incorporates to ensure natural ventilation while offering protection from rain. Glass panels are thoughtfully integrated which allow sunlight to illuminate the space and create ‘windows’ looking up towards the sky. The facade’s atrium walls showcase a sustainable touch — reclaimed bricks salvaged from old houses. These bricks, carefully cut into thin slices, are re-tiled onto the new house. The remaining walls are finished with gray cement, while dark wood paneling infuses the interiors with a rustic and natural character. The warm, earthy tones extend to the flooring and interior elements, contributing to the house’s intimate and inviting atmosphere.
the house is designed as a relaxing retreat in the city for a family of four the living room integrates a worship space, with a skylight for natural light the kitchen and dining areas are located on the mezzanine, offering a view of the entrance
PAULO MERLINI architects has designed the offices of E-GOI & CLAVEL´S KITCHEN in Portugal, and one of the main design features central to the interior is a spiraling ramp.
The former warehouse, which has now been transformed into offices that span multiple floors, includes a ramp that replaces the need for a staircase.
The elegantly curves of the concrete form is accentuated by the use of white bars and edges.
The circling ramp connects the floors of the office and adds a sculptural element that doesn’t block the light from traveling throughout the interior.
Here’s a glimpse of the ramp looking down from the top floor, and up from the ground.
Let’s take a look at the rest of the office…
The exterior of the office has walls of glass providing a glimpse of the interior for the pedestrians on the street.
There’s a variety of different seating areas in the office interior, including spaces for casual meetings in house-shaped alcoves.
More private work rooms with glass walls that keep the sound in or out.
A larger meeting room with a blue curtain that’s filled with beanbags and has LED lighting in the ceiling.
Other more traditional work spaces exist too, with desks that include multiple work stations.
There’s also a photo studio with a minimalist white kitchen with floating wood shelves. Adjacent to the kitchen are tall wood shelves filled with photography props and kitchen equipment.
When it’s time to take a break from working, there’s a communal area with long wood tables, a kitchenette, seating by the windows, and an outdoor space.
Photography by Ivo Tavares Studio | Architecture Office: PAULO MERLINI architects | Main Architects: Paulo Merlini/ André Santos Silva
Developer HUB and investor Bridges Fund Management have revealed plans to convert a 1950s office building in London into Cornerstone, a co-living residential scheme designed by Allford Hall Monaghan Morris.
Located on the edge of the Barbican estate, the Cornerstone project will draw from the iconic Barbican architecture to transform 45 Beech Street into 174 co-living residences along with street-level commercial spaces and amenities.
“Building on the success of our previous London projects with HUB, we are joining forces again to transform an underloved office building in the heart of the city,” Allford Hall Monaghan Morris (AHMM) director Hazel Joseph said.
AHMM has revealed plans for a co-living retrofit next to London’s Barbican estate
AHMM’s proposal aims to re-use as much of the building’s existing structure and facade as possible, taking a “retrofit-first approach” to minimise the need for new building works.
The studio will also primarily work within the geometric parameters defined by the original envelope, while updating the rectilinear language to create uniform apertures for each co-living apartment.
Referencing the Barbican estate, a series of arched, double-height extrusions will be introduced across the crown of the building to house additional co-living apartments.
The design will adapt the existing building’s form and insert a series of arched spaces at the top
“The architectural approach has been carefully considered, responding sensitively to the much-loved Barbican context, completing the northern frontage of the estate,” Joseph said.
The arches will be partially set back from the building’s facade and lined with an asymmetric patchwork of glazed and tile panels underneath the curved overhangs.
At street level, warm red panel accents will contrast against the building’s neutral concrete finishes to highlight commercial and collective functions.
The scheme will integrate a public cafe, a co-working space and community-focused amenities at its lower levels to improve the public realm for those who live and work in the area.
“The existing structure of 45 Beech Street will be re-used and extended, creating a new residential community with shared amenities and breathing new life into the local streetscape,” Joseph explained.
At street level, new commercial and public amenities will seek to activate the ground plane
According to HUB and Bridges Fund Management, AHMM’s proposal was developed in collaboration with the community – including Barbican residents – who were consulted through a series of workshops and events.
A website was also established to solicit viewpoints about the redevelopment, reiterating the design vision to establish a “vibrant community” that will adapt the original building and holistically contribute to the neighbourhood.
AHMM was established in 1989 by Simon Allford, Jonathan Hall, Paul Monaghan and Peter Morris in London. The studio has previously converted a 1930s block into New Scotland Yard’s headquarters in London and completed a mixed-use building in Southwark with interlocking flats.
Also adjacent to the Barbican estate, Diller Scofidio & Renfro’s proposal for a pyramidal music centre was recently scrapped when the City of London Corporation revealed its plans for a “major renewal” of the Barbican.
The images are courtesy of HUB and Bridges Fund Management.