Building an inclusive network of sustainable, connected farms
CategoriesSustainable News

Building an inclusive network of sustainable, connected farms

Spotted: For farmers in Africa and the Middle East, reliance on an increasingly volatile climate is making it more and more difficult to achieve a stable, predictable income. And, according to The Carnegie Endowment for International Peace, aridity in parts of the Middle East/North Africa (MENA) region will increase in the next century, shrinking arable lands and disrupting agricultural patterns. This worrying trend inspired the foundation of Jodoor, a Rabat-based startup that designs, builds, and installs hi-tech connected greenhouses for farmers.

The company’s greenhouses are internet-of-things-enabled and can be used by farmers to produce 10 high-quality salad staples and herbs – from iceberg lettuce to basil. By producing leafy greens in a controlled environment, farmers are protected from the vagueries of climate and are able to produce crops year-round. The technology ensures consistent productivity and quality as well as a fixed price for farmers throughout the year. Moreover, the vegetables and herbs grown in the hi-tech greenhouses require no pesticides or herbicides.

The startup plans to use a franchise model to drive the implementation of its technology. Each greenhouse will be tailored to the exact local needs of each farmer, and by building a network of farmers, Jodoor is hoping to match local production to local demand.

Currently in the early stages of its development, Jodoor has nonetheless piqued the interest of several institutions including the Mohammad VI Polytechnic University (UM6P). At the end of 2021, the startup launched its first greenhouse on a 200-square-metre plot in Skhirat, a seaside town between Rabat and Casablanca. Its second greenhouse, which is intended to showcase the commercial potential of the technology, will be installed at UM6P.

Longer-term, the startup plans to hone its model in Morocco before expanding across the Middle East and North Africa. Many of Morocco’s neighbours share similar challenges when it comes to water scarcity and food sovereignty, making them prime candidates for Jodoor’s technology.

Other innovations spotted by Springwise that improve the prospects of small farmers include a startup that provides software and hands-on assistance for farmers in Nigeria and solar-powered irrigation pumps for farmers in East Africa.

Written By: Matthew Hempstead

Reference

Perkins&Will el paso recreation
CategoriesArchitecture

new recreation center by perkins&will completes in el paso

global firm perkins&will takes to el paso

 

Perkins&Will celebrates the completion of its Eastside Regional Recreation Center in El Paso. In the heart of the Chihuahuan Desert, about forty miles from central El Paso, is the Hueco Tanks — an area of clustered rock formations home to hollows of water and petroglyphs dating back to 6000 BCE. The colors, forms, and light of the Hueco Tanks have sparked human creativity for centuries.

 

Adding to this rich history, Perkins&Will’s Dallas studio drew inspiration from the site for El Paso’s new Eastside Regional Recreation Center, now known as ‘The Beast,’ a name selected by community vote. Located in a fast-growing part of the desert, the recreation center and water park is the first component of a 92-acre regional park, transforming an extreme, high-altitude desert basin into an inviting oasis for the historically underserved multigenerational community.

Perkins&Will el paso recreation

 

 

a state-of-the-art recreational center

 

Seeking to enhance the quality of life for residents, the city of El Paso engaged the architects at Perkins&Will to spearhead the development of the recreation center alongside local architecture firm, In*Situ. With a population of over 150,000, East El Paso is the fastest growing town in Texas but is also the least developed in terms of community resources, making this project a significant milestone for the community.

 

The first phase included a state-of-the-art natatorium — swimming center — community center, fitness center, gymnasium, and an outdoor waterpark. Informed by numerous stakeholder meetings, the designers addressed the community’s need for an oasis to escape the heat, creating swimming areas as both a temporary escape from the weather as well as an activity that promotes wellbeing and connectivity.

Perkins&Will el paso recreation

 

 

responding to the natural context

 

Entering the recreational grounds, guests encounter a public art display referencing the Hueco Tanks State Park. Dallas-based artist Brad Goldberg embraced elements of the surrounding environment in the piece, incorporating Palo Verde trees and large granite boulders shaped into outdoor seating, creating an area of respite for guests at the front of the recreation center.

 

A wide selection of local species helps conserve irrigation water throughout the landscape, with grading designed to accommodate periods of intense rainfall. Arroyos surround the building as a clear reminder of the desert environment.

 

A large plaza serves as a community civic space and gateway to other areas of the center. On the west side of the building is the entrance to the multigenerational community center, built with a long format brick that provides a much-needed breakdown in scale for a residential, welcoming feel. In support of a city-led regional colored lighting initiative, the south façade is illuminated at night, transforming into a beacon for the neighborhood.

Perkins&Will el paso recreation

 

 

Modulation of the intense, dynamic desert light guided the design concept. The design team carefully articulated humble materials, creating a range of experiences with modest cost implications throughout the building. Shade structures allow for exterior activities, providing relief from the desert sun and creating a transition between indoors and out.

 

Sight-lines and connectedness also served as a driver of the design. Inside, light enhances the vitality of people in motion. The shade structures, tilt-wall concrete, wood slats, and perforated metal filter light and views throughout the interior in ways appropriate to the desert context.

 

The north façade panels allow indirect sunlight into the building and provide relief from the potentially monolithic wall panels. In the indoor natatorium, a saw-tooth panel arrangement provides indirect natural light without creating dangerous reflections that might impact a lifeguard’s ability to monitor underwater conditions. At night, the south façade is animated with light in support of a city-led lighting initiative.

Perkins&Will el paso recreation

 

 

The state-of-the-art natatorium includes a competition-ready fifty-meter pool, a 25-yard lap pool, and two diving boards (one meter and three meters) with associated diving well. The pool can host up to 400 athletes on the deck and has support functions to hold regional competitive swim meets. Ascending to the second floor, patrons have access to spectator seating that accommodates up to 800 people.

 

Above the spectator seating, acoustic panels help minimize echoes and reverberation in a color palette inspired by the Hueco Tanks’ flora. Also on the second floor is a fully-equipped fitness center with a walking track, a gym with a main basketball court, and two side courts holding up to 250 people. The outdoor waterpark is separated from the natatorium. It includes a wave simulator, a 25-foot-tall water slide, a lazy river, rentable shaded cabanas, and a rock-climbing wall with an associated plunge pool.

Perkins&Will el paso recreation

 

 

 

Throughout the project, the design team prioritized the health and wellbeing of its users. The team utilized energy modeling to optimize HVAC and envelope performance, learning a counterintuitive lesson along the way. By removing interior insulation and wall finish at the aquatic center and gym, the team freed up budget dollars that could then be applied to enhanced HVAC systems for overall better energy performance.

 

Additionally, the concrete interior surfaces require less maintenance than traditional painted gyp board. In support of the wellness goals for the center, an efficient method for removing harmful chloramines from the air in the pool was utilized. A continuous evacuation chamber embedded in the pool deck extracts these chloramines. This works in tandem with the perimeter HVAC duct layout in sweeping the air towards the evacuators, ensuring the air is as clean and healthy as possible.

Reference

Terra restaurant
CategoriesInterior Design

YOD Group designs Terra restaurant interior to “mirror its surroundings”

Ukrainian design studio YOD Group dressed this restaurant interior in Vynnyky with terracotta tiles and slabs of green glass to reflect the earthy landscape outside.

Called Terra, the eatery features a colour and material palette that takes cues from the rolling hills and a lake that border the restaurant. It was completed in February 2022, just before Russia’s invasion of Ukraine.

Terra restaurant
YOD Group designed Terra’s interior to reflect the landscape outside

YOD Group created the interior across a single hall, which features clusters of plush, low-slung armchairs and sofas arranged around both meandering and rectilinear dark wooden tables.

These seating areas are interrupted only by large rounded columns clad in glass bricks, which are illuminated from the inside to create a watery green glow designed to echo the nearby lake.

Terracotta tile column
Waiter stations are clad in terracotta tiles

The largest of these columns houses a curved wine cellar within an internal spiral staircase, while the transparent glass reveals the ghostly silhouettes of stored wine bottles.

Textured terracotta tiles make up rounded waiter stations, which were designed to mirror the earthiness of the restaurant’s exterior setting.

The stations also nod to the Ukrainian tradition of covering furnaces and fireplaces with tiles, according to YOD Group.

Curved wine cellar by YOD Group
A curved wine cellar includes an internal staircase

“We aimed to extract colours, textures and impressions from the landscape to translate them into the interior design language,” explained the studio.

“Like the eyedropper tool in Photoshop, but on a real-life scale, we designed the space to mirror its surroundings.”

Another wall is covered in adjustable copper-hued glass slabs that feature decorative markings made by imprinting local grasses on their surfaces.

The moveable wall is intended as a metaphor to symbolise the way reeds sway in the wind, said YOD Group.

“Guests can not only touch the glass slabs but also interact with them and change the pattern on the wall, becoming co-creators of the design.”

Copper-hued glass slabs
Copper-hued glass slabs can be moved across a large wall

Bouquets of pampas grass are interspersed throughout the interior, in a nod to the restaurant’s lakeside terrace where visitors can dine outside.

Terra is shortlisted in the restaurant and bar interior category of the 2022 Dezeen Awards, which announces its winners later this month.

Terra restaurant
Pampas grass decorates the restaurant

Last year, the category’s winning eatery was another restaurant in Ukraine – Yakusha Design’s Istetyka in Kyiv, which has an interior characterised by rough concrete, polished stone and smooth steel.

YOD Group also designed a coffee shop in Ukraine’s capital that features pixel-like mosaics in a hole-in-the-wall-style bar.

The photography is by Yevhenii Avramenko.



Reference

Cultivating desert land for agriculture
CategoriesSustainable News

Cultivating desert land for agriculture

Spotted: The world loses almost six million hectares of forest each year to deforestation. That’s like losing an area the size of Portugal every two years. And around three-quarters of this deforestation is directly attributable to agriculture. To respond to this problem, From Sand to Green (FSG) has developed a nature-based solution for transforming desert agriculture.

FSG has developed a three-pronged approach to deforestation. This includes developing customised desalination modules that run on solar energy, creating adapted tree plantations and crops that refertilise the soil and produce food, and building agroforestry software to effectively create and manage plantations in arid environments.

One of FSG’s first projects is the Domaine de Nzaha, a 20-hectare agricultural farm in Morocco that uses permaculture and agroforestry techniques to produce organic vegetables and fruits. The organisation’s projects involve using microalgae to recycle the salty wastewater produced during desalination, using drip irrigation and biochar to retain water and store carbon, and installing nurseries of native species.

In addition to revitalising soils and growing food, FSG’s methods create carbon sinks, preserve biodiversity, and help local communities.

Methods to reverse deforestation and desertification are seen by many as an important part of the fight against both global warming and food insecurity. This is why we are seeing a number of innovations in this area, including digital smart forest technology to improve forest management, AI-powered drones for replanting forests, and a cardboard planter that improves subsistence food production.

Written By: Lisa Magloff

Reference

Hospital building in green park
CategoriesSustainable News

Velindre Cancer Centre will be “UK’s most sustainable hospital”

Swedish studio White Arkitekter has been chosen to design the all-electric Velindre Cancer Centre in Wales, which will be built partly with low-carbon materials and follow circular economy principles.

The Velindre Cancer Centre, which is set to be built in Cardiff, will feature lounge spaces, radiotherapy facilities and waiting areas all constructed from timber.

Other bio-based and low-carbon materials proposed for the building include lime and clay renders, which will be used for the interior finishes.

Hospital building in green park
The hospital will be surrounded by a wild landscape

Where timber cannot be used due to clinical requirements, the studio plans to use concrete with ground granulated blast furnace slag (GGBS) – a cement substitute that is a by-product of the iron-making industry.

“The plans for Velindre Cancer Centre represent a huge step forward for healthcare provision in the UK,” said White Arkitekter director Michael Woodford.

“The combination of circular economy principles, low carbon materials and respect for the local landscape will make it the country’s most sustainable hospital, where the environment is designed to support and complement patients’ medical treatment.”

Timer lounge area with green plants
Timber will be used for the interior

Designed as an “elegant, sustainable new cancer centre”, the building is intended to have as little impact on the existing site as possible.

It will be surrounded by a landscape that will be kept wild, with new areas including a community kitchen garden and orchard added to the site.

From here, visitors will walk into a timber-clad entrance area that will have a cafe and restaurant, a patient-transport waiting area and the “young person’s lounge”.

Interior and waiting area clad in wood in hospital
Internal spaces were designed to be easy to reconfigure

The facade of the building was designed to allow internal spaces to be easily reconfigured without the need for structural alterations. This intends to make it easy to adapt the hospital to future innovations in treatment and equipment.

According to its developers, Velindre Cancer Centre will be all-electric and achieve a minimum BREEAM rating of excellent – the sustainability standard’s second-highest rating.

The hospital will use electricity from green energy sources including photovoltaic panels on its roof, while its heating and cooling power will come from ground and air source heat pumps.

Courtyard outside hospital building
The hospital will be constructed partly from bio-based materials

Velindre Cancer Centre will also feature sustainable drainage systems including minimal below-ground pipes, a swale network and a retention pond.

To help reduce the environmental impact of the construction, the developer plans to “reduce site waste through off-site manufacture of components, minimise transportation and create greater efficiencies in the construction and maintenance of the building”.

“We are really pleased to have submitted detailed plans for the Velindre Cancer Centre, which is set to become the UK’s most sustainable hospital,” said Richard Coe, project director at developer and investor Kajima, which is leading the project.

“The buildings are designed with circular economy principles, using low-carbon materials and making a minimal impact on the surrounding countryside,” he added.

Brick hospital building in green park
It will be located in Wales

Plans for Velindre Cancer Centre were submitted by the Acorn Consortium, which was appointed after a public procurement process that was run by the Velindre University NHS Trust.

This is led by Kajima and also consists of Sacyr, Abrdn, Andrew Scott, Kier Facilities Services, White Arkitekter, Arup, MJ Medical, Turley, Studio Response, Camlins Landscape Architects, Osborne Clarke, Operis and Confab Lab.

Other recent timber designs by White Arkitekter include Gothenburg’s first wooden office building and a timber skyscraper that claims to be the world’s second-tallest wooden tower.

Reference

Aerial image of the Jiuzhai Valley Visitor Centre
CategoriesArchitecture

THAD draws on contours of nearby mountains for visitor centre in China

Spiralling tiled roofs informed by the contours of the surrounding mountains cover the Jiuzhai Valley Visitor Centre in Sichuan Province, China, designed by The Architectural Design and Research Institute of Tsinghua University.

Located at the entrance to the UNESCO World Heritage-listed Jiuzhai Valley National Park, the centre provides a new exhibition space, visitor centre and offices as part of the area’s reopening following an earthquake in 2017.

Aerial image of the Jiuzhai Valley Visitor Centre
Jiuzhai Valley Visitor Centre was designed by THAD

Designed to sit harmoniously in the landscape both in terms of its earthquake resilience and visual appearance, The Architectural Design and Research Institute of Tsinghua University (THAD) created a cluster of low-lying volumes organised around a central plaza paved with a contour pattern.

“The project explores how artificial construction can be accommodated in natural scenic spots,” said the practice.

Image of Jiuzhai Valley Visitor Centre between the feet of mountains
The building is nestled within a mountain valley

“The aerodynamic architectural language moves through the narrow site smoothly, concealing the visitor centre with a sprawling and smooth curved form which spatially echoes the surrounding mountains,” it continued.

Taking advantage of a six-metre difference between the level of the entrance and the park, the centre was split to create separate access routes for vehicles and pedestrians, reducing the risk of congestion from the large number of tourists visiting the site.

Image of Jiuzhai Valley Visitor Centre and its swirling roof forms
It has a swooping curved design

The pedestrian plaza is elevated atop 36 branching steel columns above the tourist transport centre, where a fast drop-off area leads into a brightly-lit entrance hall and up to the level of the park via lifts and stairs.

At ground level, visitors enter under a gently arching wooden gateway, passing the curving Intelligence Management Centre to reach the circular Exhibition Centre, where an entrance hall and small exhibition provide an introduction to the park.

The landscaping leading into the park was informed by the Tibetan concept of lingka – a tradition that involves camping in parks – with a winding path between the existing pine trees leading to a bright red flag tent.

For the structure and materials, THAD contrasted traditional finishes such as slate, wood and paving at ground level with more contemporary steel and stone for the lower-level spaces.

Image of a curving wooden canopy at Jiuzhai Valley Visitor Centre
Parametricism was used to create its roof forms

“Parametric design technology is applied for a combination of local features and modern techniques,” said the practice.

“Tourists not only experience a gentle transition space before entering and exiting the national park, but also a distinctive space full of local culture,” it continued.

Interior image of a brightly lit space with steel columns at the visitor centre
Branching steel columns line a pedestrian plaza

Previous projects by THAD responding to a similarly sensitive landscape include an undulating shelter designed by the practice to cover the historic Peking Man cave and protect the archaeological site from weathering.

In 2019, the design and research institute referenced caved dwellings and used stacked stone and concrete to build the campus of Yan’an University in China.

Reference

Hotel lobby of Emily Resort in Ukraine
CategoriesInterior Design

Thermory wood cladding forms backdrop to Grand Emily Hotel in Ukraine

Promotion: design agency YOD Group has designed the interior for the Grand Emily Hotel Lobby and Terra restaurant near Lviv, opting for Thermory’s rustic wood cladding throughout.

The hotel, which was completed this year despite Russia’s invasion of Ukraine, is located in the Ukrainian town of Vynnyky near Lviv. The hotel and restaurant form a part of the Emily Resort that YOD Group has designed with a natural, tactile aesthetic.

Hotel lobby of Emily Resort in Ukraine
YOD Group used Thermory products at the Emily Resort in Ukraine

Its aesthetic was achieved using a mix of natural and natural-looking materials, including material manufacturer Thermory‘s range of Drift cladding.

This saw YOD Group awarded the best interior project in the Thermory Design Awards Grand Prix competition, which was held by Thermory for its 25th anniversary.

Thermory wood cladding above welcome desk
The agency created the interior for the Grand Emily Hotel Lobby

In the Grand Emily Hotel Lobby, the Thermory thermally modified Drift cladding is used across the walls.

It was selected for its worn, rustic appearance, which is intended to evoke reclaimed wood without sacrificing quality or durability.

Tree suspended in Thermory wood-clad atrium
Thermory’s Drift cladding was used throughout

Selected in shades of Black Pearl and Smoked Brandy, the cladding provides the lobby with “touchable surfaces” that form a natural backdrop to the space.

“We aimed to get the visual lightness and tell the story about the morning breeze that passes on the lake surface and combs the reeds,” said YOD Group designer Volodymyr Nepiyvoda.

Interior of the Grand Emily Hotel Lobby in Ukraine
The wood gives the interiors a natural aesthetic

“We created this emotion by the structure of the boards that we used for the wall covering of the hall,” added Nepiyvoda.

The cladding also forms a suitable yet contrasting backdrop to a large sycamore tree that is suspended through the Grand Emily Hotel Lobby, forming its centrepiece.

Hammock in wood-lined Grand Emily Hotel Lobby
YOD Group’s aim was to give the hotel “touchable surfaces”

“We rejected the idea of a massive chandelier in the atrium in favour of a strongly meaningful installation,” explained Nepiyvoda.

“A tree means connection with roots and family values, growth, and development, strong bar, and flexible branches. It connects the earth and space.”

Terra restaurant interior by YOD Group
YOD Group also designed the resort’s Terra restaurant

Over in the Grand Emily Hotel’s Terra restaurant, Thermory Drift Cladding has also been used.

YOD Group used the material to help blur the boundary between the restaurant interior and a terrace outside that is lined with American sweet gum trees.

Terra restaurant terrace by YOD Group
The Thermory wood is also used in the adjoining terrace

According to Nepiyvoda, it is designed to encapsulate the landscape of western Ukraine.

“We reflect all of that in the interior of Terra restaurant,” they said. “Vast expanses, rich colours, textures and flavours, generous nature, lust for life, and existential joy.”

To find out more about Thermory products and how they are used, visit the brand’s website.

Partnership content

This article was written by Dezeen for Thermory as part of a partnership. Find out more about Dezeen partnership content here.

Reference

Global AI-powered weather predictor updates every 15 minutes
CategoriesSustainable News

Global AI-powered weather predictor updates every 15 minutes

Spotted: Being able to better track weather and predict near-future conditions allows communities to better plan for and respond to the natural disasters that are becoming more severe and frequent, partly as a result of climate change. One solution comes from Zurich-based climate tech data platform Jua. The company uses an artificial intelligence (AI) prediction model to create regularly updated, high-resolution weather forecasts. 

Rather than simply tweaking existing methodologies, Jua has built an entirely new weather prediction platform. The new modelling system provides details of one square kilometre at a time and includes weather anywhere in the world. The platform uses tens of millions of sensors to provide high-resolution imagery. By comparison, current systems typically rely on hundreds of thousands of sensors.

More than 15 different parameters are tracked by the platform, including wind speed and direction, precipitation, and air pressure. The company adds new areas of information to the platform every quarter. The power of the AI solution contributes to significantly less computing energy use, despite providing greater volumes of data and levels of detail.

The platform is currently available on request with plans to release it more broadly in early 2023. In October 2022, the company closed a successful round of seed funding that raised €2.5 million to put towards the full platform launch.

As climate change continues to affect more and more communities, access to the highest quality, near-to-real-time data becomes ever more essential. Springwise has spotted projects facilitating this, from a weather data app for farmers to renewable energy predictions that help producers match supply with demand.

Written By: Keely Khoury

Reference

Red, orange and blue solar panels on a curved roof
CategoriesSustainable News

Solar Pavilion is a canopy topped with 380 colourful solar panels

Multicoloured solar panels act like roof tiles on top of the Solar Pavilion, a gathering space at this year’s Dutch Design Week created by local firm V8 Architects and design practice Marjan van Aubel Studio.

The pavilion was designed to resemble a giant beach chair, in a nod to the fact that the pavilion offers visitors a place to rest after seeing the designs on display at the design festival last week.

Red, orange and blue solar panels on a curved roof
The roof of the Solar Pavilion was formed from colourful photovoltaic panels

Masts, tension wires and reclaimed floor beams made from untreated steel supported the Solar Pavilion’s swooping roof.

Underneath, triangular timber sections were slotted into the corners of the steel beams to serve as seating, while a circular bench designed by Marjan van Aubel Studio occupied the centre of the space.

Solar Pavilion at Dutch Design Week by V8 Architects and Marjan van Aubel Studio
The pavilion was presented at Dutch Design Week

Two sets of stairs lead visitors to an opening in the curved roof, featuring 380 blue, orange and red photovoltaic panels that were mounted much like traditional roof tiles.

The panels produced approximately 7.5 kilowatts of energy at peak performance while on display at the design event, according to V8 Architects.

This energy was fed into an on-site battery and used at night to power lighting and electric heating panels mounted on the underside of the pavilion, mimicking the sensation of sitting in the sun during the day.

“Currently, energy is only harvested in a techno-functional way,” said V8 Architects co-founder Michiel Raaphorst. “We explore how to integrate the sun’s energy into our daily lives so that we can love and embrace it.”

The pavilion’s structure was intentionally left exposed so that visitors could visually understand how it works.

Public space under the roof of the Solar Pavilion
The energy harvested by the solar panels was used to light and heat the pavilion

This also made the structure reversible, so it could be easily disassembled and its parts reused after the event.

“It was planned that all materials would return to the companies that provided them,” V8 Architects told Dezeen.

“However, multiple parties have shown interest in the pavilion including a large festival. We are looking into different options at the moment.”

Solar Pavilion at Dutch Design Week by V8 Architects and Marjan van Aubel Studio
380 solar panels made up the pavilion’s canopy

The Solar Pavilion is also the final piece of the Solar Biennale – a month-long event organised by van Aubel and Dutch designer Pauline van Dongen to envision a future where everything is solar-powered.

“Solar energy needs a new, more personal perspective that is part of our culture,” explained Marjan van Aubel. “This pavilion demonstrates that solar energy can be experienced and used in a new way.”

“The pavilion is a sensory experience and, during Dutch Design Week, the place to poetically experience the harvesting of solar energy.”

Other designs that were on show at Dutch Design Week included a series of lampshades made from mushroom mycelium by Tallinn-based materials company Myceen and a rug that visualises the consequences of drought caused by climate change.

The photography is by Aiste Rakauskaite.

Solar Pavilion was on show from 21 to 30 October as part of Dutch Design Week 2022. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

Reference

Material Trends: “Eunomia” Depicts a Bold Future of Design in Balance With Nature
CategoriesArchitecture

Material Trends: “Eunomia” Depicts a Bold Future of Design in Balance With Nature

A new series of reports on macro design trends reveals fascinating insights into the direction in which architects and designers are traveling — and harmony lies at the heart of the first publication. In collaboration with The Prospectivists and Broadside Studios, material research and resource platform Material ConneXion has released its first major trend report, entitled Eunomia, which can be interpreted as “Fair Measure or the Good Norm.” Originally coined for a period of societal reform in Ancient Greece, Eunomia aimed to impose harmonic rules to counterbalance the consequences of human excess.

Learn More and Access the Full Report

This macro trend has clearly been catalyzed by the global pandemic. “As a reaction to months of lockdown, the fascination for the great outdoors, wellbeing and extreme sports have become deeply rooted in urbanized populations that increasingly aspire to experience a very specific and direct relationship to Nature,” states the report.

This phenomenon is linked with a rise in subcultures that recognize and embrace society’s interdependence with the natural world, developing new systems and products that are deeply informed by biological systems. Eunomia presents a diverse range of case studies to illustrate how this trend can be seen in action, from tree-bark-inspired wearables and moss-covered furnishings to bacteria-grown paint and 3D-printed waste wood tiles — complete with in-built planters.

Eunomia’s themes evoke images of numerous projects from last season’s A+Awards, including The Living’s “Alive” installation, which won a Finalist accolade in the Experimental Design category. “Alive” is an experiment in multi-species architecture: a room made of porous, organic material with both macro-spaces for humans and micro-spaces for microbes, with interfaces for exchanges among different species. Photos courtesy of The Living

For architects, the report is a veritable goldmine of inspiration. Biophilic design, resilient architecture, eco-conscious materials and sustainable construction processes are all touted within the ‘Innovation Concepts’ section, with stunning case studies of these concepts being put into practice. Standout examples include Casa Merida, a house designed by Ludwig Godefroy to “withstand the local climate, using locally sourced materials and traditional Mayan features: tall air paths and punctual green areas freshen the circulating air, providing a natural cooling sensation.” 

Meanwhile, Tanya Rey’s Verdant Project presents 3D-printed ceramic columns that are designed to allow moss to grow across every surface, forming a new type of architectural ‘coating’ that blends manmade materials with nature. Additionally, Brigitte Kock and Irene Roca Moracia’s “bio concrete” material is made from invasive species such as Japanese knotweed and American crayfish, providing an “example of how polluting building materials can be transformed into new ‘economic and ecological’ value enhancing natural aesthetics, while helping to restore local biodiversity.”

The report brings to mind projects such as Querkraft Architekten’s A+Award-winning Austrian Pavilion for the 2020 Dubai Expo. Combining local building traditions and intelligent Austrian climate engineering, a series of 38 clay plaster cones enables conventional air conditioning technology to be largely avoided, saving three quarters of the energy needed for a comparable building. Photo by Dany Eid/Expo 2020 Dubai

The report wraps up with ‘Design Ideations’, a series of vibrant, complex mood boards tied together along both aesthetic and thematic lines. These diverse yet cohesive palettes should provide architects and designers with fertile ground for continued exploration of the concepts found throughout the report. The biggest takeaway? The power of Nature is only building, and creatives must surely work with it — rather than against it — in order to thrive in the upcoming decade.

To see the full trend report and receive new material insights each month, become a member of Material ConneXion. Learn more >

Top image: Austrian Pavilion for the 2020 Dubai Expo by Querkraft Architekten

Reference