Spotted: The development of meat alternatives is moving forward at a rapid clip. From plant-based and cell-based meats to 3D-printed food, the market for animal-free meat alternatives is expected to grow rapidly in the coming years. Now, startup Arkeon Biotechnologies is adding a new method to this mix. The company uses a single-step fermentation process that turns ancient micro-organisms and captured carbon dioxide into the building blocks for food.
Arkeon has pioneered the use of Archaea, ancient organisms that evolved to survive in extreme settings, such as around underwater vents. The company uses a strain of Archaea that can makes all 20 essential amino acids and has developed a process to harness this ability in order to produce alternative protein products. The micro-organisms are fermented in bioreactors using CO2 captured from breweries. The process produces carbon negative ingredients that are then used to create meat-free foods.
Currently, many plant-based foods use proteins, such as pea protein, that are produced through purification and processing to remove unwanted flavour and add taste. Arkeon’s amino acid products, by contrast, require no purification or additives. The amino acids can then be combined to create tailored ingredients and products, such as meatless meats, or used to add nutrition to products such as infant formula.
Arkeon was founded by ‘company builder’ EVIG, which works with scientists to develop biotechnology startups in the food sector. EVIG brought together three scientists— Gregor Tegl, Simon Rittman, and Guenther Bochmann—to create Arkeon.
Other alternative protein innovations spotted by Springwise include artificial intelligence that helps to build animal-free proteins, and a foodtech startup that uses plant cells to create dairy proteins.
Dutch design office Studio MOM has developed a bicycle helmet from biomaterials that, unlike polystyrene helmets, can be produced without fossils fuels and composted after use.
A specially developed form of mycelium – the fleshy root-like structure of a fungus – forms the main shell of MyHelmet, while the outer skin and strap are produced from a hemp textile.
MyHelmet is made from mycelium and hemp
The result is a helmet that, according to Studio MOM, can be manufactured more sustainably and produces less waste after use.
“MyHelmet fits in with principles of the circular economy,” said the studio. “There are minimal CO2 emissions, it does not require any fossil raw materials and the end result is 100 per cent biodegradable.”
The use of biomaterials makes the helmet compostable
Experts recommend replacing a helmet every three to five years, as the strength is likely to be reduced by the wear-and-tear of regular use.
However, most bicycle helmets are made from expanded polystyrene, or EPS, a form of plastic that is difficult to dispose of. It is non-biodegradable and harder to recycle after it has been glued to the other components of a helmet.
Alessandra Sisti developed MyHelmet as a student graduation project
The MyHelmet design replaces the EPS with a mycelium that is cultivated on a diet of hemp flakes.
By briefly heating up this mycelium during the growing process, its structural makeup becomes similar to that of EPS; it becomes rigid, lightweight and has low thermal conductivity.
The natural layer structure of the mycelium also creates space for airflow, helping to keep the wearer’s head cool.
The process was developed by junior designer Alessandra Sisti as her graduation project from the Design and Engineering masters programme at Politecnico di Milano.
Sisti was able to further develop the design after joining Studio MOM, testing a wide range of material compositions to find the most effective solution.
Studio MOM has tested a wide range of material compositions
The various elements of the helmet are combined during the process. This allows the mycelium to bond with the hemp textile that forms the strap and outer skin, providing extra support and removing the need for glue.
Studio MOM has carried out a series of initial tests to ensure the product’s safety for use.
An FEM analysis of the product prototype allowed the designers to assess the shape, strength, rigidity and fatigue of the material. A simulation of the NTA standards test – the test which decides if a helmet complies with the requirements in the Dutch technical agreement – was also carried out, with “promising” results.
Components are combined in the growing process, so no glue is needed
The project builds on Studio MOM’s experience with sustainable mobility products.
The Arnhem-based office has designed a series of bicycles, including an electric cargo bike powered by a hydrogen battery, the LAVO Bike.
Studio MOM founder Mars Holwerda is now hoping to find partners to help the studio develop the design from a prototype to a commercial product.
Mycelium forms the bulk, while the outer skin and strap are a hemp textile
“By developing a new process, we have taken a considerable step towards using mycelium bio-manufacturing on an industrial scale,” he said.
“The bicycle industry now has something at its disposal to stop the endless stream of harmful, systematic plastic and EPS waste. But we are not there yet. Who is in?”
Mycelium is increasingly being utilised across the architecture, design and fashion industries.
Other uses include as leather in a Stella McCartney fashion collection, as the walls of a Dutch Design Week pavilion and as the material for a Sebastian Cox lighting collection.
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As remote work continues to dominate the workplace landscape, tools and devices designed to improve the virtual experience are becoming increasingly important and popular amongst designers. Indeed, most firms in the United States are offering hybrid work models to their employees, a potentially revolutionary change that certainly transforms the design profession, where office culture and collaborative processes are integral to the success of many projects.
While working from home offers numerous benefits and perspectives, the office atmosphere is hard to replicate and often missed. Thankfully Owl Labs has developed a new and improved technology to facilitate collaborative work from a distance. The recently-launched Meeting Owl 3 multitasks as a 360° camera, microphone and speaker device that elevates the video conference experience, fosters connectivity and improves overall productivity.
Meeting Owl 3 integrates with the most used conferencing platforms today, such as Zoom, Google Meet, Microsoft Teams and GoToMeeting among others. Its compatibility is ideal for designers whose work is conducted over multiple conferencing platforms. Owl Labs has integrated their Owl Intelligence System into the device, which consists of AI-driven software that regularly upgrades to make collaboration as immersive, inclusive and reliable as possible.
The output resolution is 1080p HD, with a field view of 360°, ensuring clear and crisp video quality that helps team members feel connected while working apart; this level of detail can be vital when showing physical objects, including models and sketches, rather than doing a screenshare. Moreover, the device’s microphone comes with 8 omnidirectional beam-forming Smart Mics and an audio radius of 18 inches. The speaker quality and output quality help to ensure that both designers and project teammates can hear one another as clearly as possible.
The Meeting Owl 3 is designed to automatically focus on the voice actively speaking, which creates the best possible meeting experience without having to intervene and consistently check-in with those listening. Owl Lab’s easy-to-use connection system makes it ideal for those running multiple meetings back-to-back or those signing into last-minute calls. It can be simply plugged into the host computer via USB-C or can be connected to the Expansion Mic via micro-HDMI. Once connected, users can immediately start their video conference call.
Beyond home work, The Owl Lab is useful to architects working in the office who would like to collaborate with teammates or meet with far away clients virtually. Indeed, it is especially helpful for design firms that conduct international business with overseas clients. This device’s ability to mimic the office environment and in-person feel will aid in building client confidence and maintaining a good rapport between team members.
This ind of tool is also useful for larger conferences or for those working in big spaces. In such cases, Two Meeting Owl 3s can even be paired together to expand the video and audio coverage within a space. Meanwhile, the device is small and compact and blends seamlessly into any environment without creating an eye sore or distraction.
Since its release, the Meeting Owl 3 has been widely revered for its effortless set-up and ability to foster connectivity. One Amazon user explained how the “system was so simple to install, plug it in, initiate the system and you are off and running on your zoom meeting” and how it “made the meetings fun, functional and will allow our in person and remote teams greater ease and access to each other, a win for us in productivity and connectivity.”
Meeting Owl 3 is one of those devices that enables designers to maintain the best of both worlds: to continue working remotely without having to compromise on collaboration and communication. Equally, it allows studios to seamlessly present projects and make virtual connections with far-off clients around the world.
For more laptops and workstation recommendations for architects, checkout 15 Top Laptops for Architects and Designers, and watch out for more in our Tech for Architects series, coming soon.
In this lookbook, we pick out 10 home interiors that feature walk-in closets designed to provide bedroom storage that is both practical and appealing.
Walk-in wardrobes create a bespoke storage solution that is hard to achieve with standard furniture.
Often they are considered a luxurious feature used to declutter the bedroom in large houses, but as the 10 examples below demonstrate, they can also be a sleek solution for utilising dead space in smaller homes.
This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks showcasing well-organised bedrooms, interiors with built-in furniture and homes that make a feature of their corridors.
Photo is by Jack Lovel
Marine, Australia, by David Barr Architects
This walk-through wardrobe sits in a corridor between a bathroom and the master bedroom of a cottage near Perth.
Birch-plywood storage units and concrete flooring define the wardrobe, a continuation of the materials used throughout the light and airy extension designed by David Barr architects.
Find out more about Marine ›
Photo is by Roehner + Ryan
O-asis, USA, by The Ranch Mine
Warm-toned wood shelving and cabinetry was combined with terrazzo flooring in this enormous walk-in closet that sets out clothes like a boutique fashion store.
It flows right off from the bathroom of a large house in Arizona designed for a musician by architecture studio The Ranch Mine.
Find out more about O-asis ›
Photo is by Pion Studio
Botaniczna Apartment, Poland, by Agnieszka Owsiany Studio
A linen-curtain screen tidily obscures the walk-in wardrobe in this Poznań apartment designed by Agnieszka Owsiany Studio.
The elegant and delicate aesthetic of the curtains contributes to the calming atmosphere the studio sought to create, as well as helping to offset the adjacent burl-wood vanity desk that acts as the bedroom’s feature element.
Find out more about Botaniczna Apartment ›
Photo is by Studio Noju
Casa Triana, Spain, by Studio Noju
Studio Noju used a floor-to-ceiling curtain to create a walk-in wardrobe in the main bedroom of this renovated apartment in Seville.
The studio used a bright yellow paint for the wardrobe that contrasts with the monochrome curtain and surrounding walls, adding to the sense of theatre and surprise when the drape is drawn back.
Find out more about Casa Triana ›
Photo by Do Mal o Menos
Apartment in Estrela, Portugal, by Aurora Arquitectos
A small, triangular room in this old Lisbon apartment was converted into a walk-in closet as part of a revamp by Aurora Arquitectos.
White curtains cover a storage unit that runs along the longest wall of the wardrobe, which is provided with natural light by glazing above an arched doorway.
Find out more about Apartment in Estrela ›
Photo is by Hey! Cheese
House H, Taiwan, by KC Design Studio
This basement apartment in Taipei was given a moody colour palette and raw textures in an overhaul by KC Design Studio.
That theme was continued in the walk-in wardrobe off the master bedroom, which acts as a dressing area between an en-suite bathroom and a private lounge.
Find out more about House H ›
Photo is by David Foessel
Hubert, France, by Septembre
Embedded within a modestly sized Paris apartment renovated by architecture studio Septembre, this walk-in closet is an example of clever utilisation of space.
A wall behind the bed forms a partial division, allowing for generous clothing storage while retaining the room’s overall proportions.
Find out more about Hubert ›
Photo is by José Hevia
The Magic Box Apartment, Spain, by Raúl Sánchez Architects
This apartment near Barcelona, designed by Raúl Sánchez Architects, takes the concept of a walk-in wardrobe to a new level.
Aptly called The Magic Box Apartment, it features a shiny brass wardrobe that divides two bedrooms instead of a traditional partition wall, which can be passed through like a secret passageway.
Find out more about The Magic Box Apartment ›
Photo is by Pablo Pacheco
RL House Renovation, Spain, by Diego López Fuster Arquitectura
Diego López Fuster Arquitectura opted to give the bedroom of this Alicante a generous walk-in wardrobe that acts as a full dressing area.
Rather than being hidden or tucked away, its wide proportions help to make the relatively long and narrow bedroom feel more spacious.
Find out more about RL House Renovation ›
Photo is by José Hevia
Casp21, Spain, by Bonba Studio
Green-panelled wood boxing encloses a sizeable walk-in wardrobe in the corner of this bedroom in a converted office building in Barcelona.
Through this intervention, Bonba Studio maximised the feeling of brightness and spaciousness in the room, as well as ensuring that the full impact of the traditional vaulted ceiling was maintained.
Find out more about Casp21 ›
This is the latest in our series of lookbooks providing curated visual inspiration from Dezeen’s image archive. For more inspiration see previous lookbooks showcasing well-organised bedrooms, interiors with built-in furniture and homes that make a feature of their corridors.
Spotted: Surveys consistently show that many consumers are highly motivated to make more sustainable choices, but they don’t always know the best way to go about it. For example, when grocery shopping, there is often a lack of information around the sustainability of individual products. To help, Austrian startup inoqo has developed an app that can tell users the CO2 impact of their individual grocery purchases and help shoppers to make more informed choices.
The inoqo app uses proprietary technology and publically available data to passively track the user’s grocery basket—without the need to scan individual items—and inform them about relevant factors such as the carbon dioxide impact of their purchase. It can then recommend alternative products with a lower impact. The app also includes features that encourage users to make more sustainable choices through personalised content, gamification, and community challenges.
In addition, inoqo allows users to specify their sustainability goals and values, such as avoiding products containing palm oil. The app will then provide feedback whenever a chosen product does not match the values of the user – if it contains palm oil for example. It will also analyse the user’s consumer behaviour to let them know how much it has helped. For example, if the user buys organic products, the app might tell them how much bee habitat they have preserved. Users can also take up challenges, such as reducing meat consumption or buyng only organic products.
At Springwise, we have spotted many innovations aiming to make it easier to make sustainable choices, from a virtual shopping assistant that makes it easier to find secondhand deals to a platform that has developed a sustainability scoring system.
Dezeen Showroom: a stool made from wood sourced through sustainable forestry and a 3D-printed chair made from recycled fishing nets are among the latest furniture designs on Dezeen Showroom that use sustainable materials.
Designers and brands are continually improving the sustainability of their designs in an attempt to lessen the negative impact on the environment, from the production and manufacturing stages to the longevity and lifecycle of the final product.
Included in this selection are products designed to follow circular economy principles, where parts can be replaced, repaired and recycled to increase the lifespan of the materials.
Also featured are furniture pieces made from recycled materials, including PET plastic bottles, cardboard and coffee waste.
From tables made from washed up sea plants to chairs with castor oil-based bioplastic seats, here’s a selection of the latest furniture designs made from sustainable materials on Dezeen Showroom.
Fels stool by OUT
Fels is a sculptural stool created by Berlin-based brand OUT, which is made from wood obtained through sustainable forestry.
The materials are forested in Germany and Austria at a rate that maintains the environment’s biodiversity and productivity, then handcrafted into Fels stools in Germany.
Available in a natural wood finish or in a range of bright colours, Fels has a jagged profile designed to give the appearance of carved stone.
Find out more about Fels ›
Kelp Collection chair by Interesting Times Gang
The Kelp Collection chair by Swedish studio Interesting Times Gang is made from recycled fishing nets, which gives it a bright green colour.
The fishing nets are combined with recycled FSC-certified wood fibres to create the furniture’s bio-composite material, which is 3D printed to create the chair’s curving form.
Interesting Times Gang designed the chair to bring awareness to the eradication of kelp forests due to unsustainable fishing practices and rising sea temperatures.
Find out more about Kelp Collection ›
Fluit chair by Archirivolto Design for Actiu
Created by Italian studio Archirivolto Design in collaboration with furniture brand Actiu, Fluit is a lightweight chair designed for both indoor and outdoor settings.
Around 80 per cent of the chair’s material is polypropylene plastic recycled from the agricultural food sector, while the remaining 20 per cent is recycled fibreglass which increases its strength.
Find out more about Fluit ›
Flek Pure by 3form is a completely recycled architectural material
Flek Pure is a recycled material created by architectural material manufacturer 3form to resemble terrazzo.
The material is made from 100 per cent recycled materials sourced from 3form’s in-house factory waste. The terrazzo look comes from pelletised trimmings of the brand’s resin products.
Available in a range of translucent colours, Flek Pure can be used to produce privacy partitions, room dividers, accent pieces and exterior walls.
Find out more about Flek Pure ›
Bowl table by Ayush Kasliwal for Mater
Danish furniture brand Mater has released Bowl, a table made from the brand’s Mater Circular Material which combines fibrous industrial waste with recycled plastic.
Mater developed the composite material with the aim of progressing their existing furniture collection from being sustainable to circular.
Bowl is available in two versions – one made from coffee shell waste and the other from sawdust. Plastic waste from bathroom fittings brand Grohe is recycled and acts as a binder.
Find out more about Bowl ›
Chatpod 700 by Jeffrey Ibañez for Impact Acoustic
Made from recycled materials, Impact Acoustic created the Chatpod 700 booth to provide a quiet meeting space for up to four people.
The booth’s structure is made from recycled cardboard and pressed sawdust. Recycled PET bottles are used to create the acoustic cladding and the felt-like interior finish.
Find out more about Chatpod 700 ›
LoopKitchen by Stykka
LoopKitchen by Danish startup Stykka is a kitchen with a circular design intended to increase its lifecycle.
The kitchen is made from replaceable birch plywood parts with optional Forbo linoleum fronts available in over 20 colours.
Users can replace parts of the kitchen as they get worn, broken or if they would like a new colour. Stykka then reuses or recycles the used parts.
Find out more about LoopKitchen ›
Dina chair by Adam Nathaniel Furman for Beit Collective
Adam Nathanial Furman has designed the Dina chair for Beit Collective, a colourful interpretation of traditional Lebanese “Khayzaran” chairs.
Instead of the traditional use of cane, Dina’s woven seat and backrest are made from durable castor oil-based bioplastic.
Find out more about Dina ›
Oceanides table collection by Alexia Mintsouli for Alex Mint
Oceanides is a collection of tables made from marble and the sea plant Posidonia Oceanica, designed by Alexia Mintsouli for UK studio Alex Mint.
By upcycling Posidonia Oceanica leaves that are washed up on the shore into tabletops, Alex Mint aimed to create a more eco-friendly furniture piece.
Find out more about Oceanides ›
Cross Bar chair by Pearson Lloyd for Takt
Design studio Pearson Lloyd created the Cross Bar chair for Takt with replaceable elements that can be repaired or recycled, extending the chair’s lifecycle.
The chair is available in three finishes of oak and can be optionally upholstered in a choice of eco-labelled textiles.
Find out more about Cross Bar ›
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How can architecture be a force for good in our ever-changing world? During Future Fest, we’re pose this question to some of the world’s best architects. We’re hosting daily virtual talks from September 12th to 30th, which are 100% free to attend. Check out the full schedule!
Shops can provide impressive shopping experiences even with limited floor areas. Instead of using shiny and luxurious materials that crowd the space, wood can easily bring intimacy and coziness to compact spaces. This collection includes six examples of retail designs that smartly employ wood in small store spaces. They demonstrate the possibility of timber-clad interiors, revealing how wood can evoke a range of atmospheres from quiet calmness to bright warmth to intimate mystery and more.
Mi Pan
By Concentrico, Mexico City, Mexico
Popular Choice Winner, 10th Annual A+Awards, Retail
The bakery Mi Pan celebrates bakers’ hard work in making delicious bread. Metal trays reoccur on the shelves, wall cladding and ceiling decorations. These are the same type of tray used for bread production, reminding people of the heart of Mi Pan – the kitchen.
Instead of regular shelves, the design team uses trays and timber frames to hold freshly-baked bread. The trays emphasize the fact that the bread comes straight out of the kitchen as they are ready. Timber frames extend onto the walls and ceiling, breaking the boxy space into rhythmic fragments. The trays that hang from the ceiling hide cables from customers’ sight while making the bakery cozier by lowering the space.
Haregino Marusho
By Tsutsumi And Associates, Yokohama, Japan
The design team refurbished the floor of the wedding Kimono in the traditional Japanese clothing shop Haregino Marusho and themed it with wood. Many spatial components, including display shelves, partitions and the ceiling, are in warm-color wood of similarly soft patterns. The space becomes an elegant wooden display box that does not take any spotlight from the kimono fabrics.
The ceiling panels are cut strategically to create a layering effect that resembles the Kasane (layering) of the Kimono. They also bring subtle changes in the ceiling height, making the monochromatic space more interesting to wander through.
Blackhills Cafe
By Mora + Suksumek, Lat Phrao, Bangkok, Thailand
In the coffee bar Blackhill, smooth wooden surfaces are put in conjunction with rough concrete surfaces. They together create a zen space for enjoying a moment away from the busy central Bangkok. In contrast to the colorful urban environment outside, the materials used in the coffee shop are limited to only wood and concrete. The simplicity of the design makes it almost a meditative space.
The coffee shop has a large, glazed front that welcomes late afternoon sunlight into the shop. Natural light gets through the open-plan interior. A few seats are available by the window and by the counter. Sunset, the visual and smelling experience of coffee-making are presented all at once.
Tsubomi House (Tokyo Bud House)
By FLAT HOUSE, Tokyo, Japan
This small house has a footprint of only 280 square feet, yet it accommodates a biscuit shop and the shop owner’s family. Tsubomi House has seven different levels with no solid partitions between them. Each level is half a story higher/lower than the next one. Without walls separating each functional area, residents can move quickly from one space to another.
The interior finishing is largely in plywood which produces a gentle reflection of light. Natural light, therefore, comes in through openings on different levels and travels in the whole space. Paired with ivory steel, the light-color plywood makes the compact interior bright and continuous.
Sandra Weil Store
By Zeller & Moye, Mexico City, Mexico
Instead of presenting the garments all at once, Sandra Weil Store’s design gradually reveals the collections as customers walk around. Floor-to-ceiling slats made of local tropical wood stand in line with equal intervals between them. They form rhythmic partitions that are visually permeable only from certain angles. This allows a comfortable level of privacy in the shop without cutting the small store space into tiny fragments.
Garments hide between the slats, not showing themselves fully until the customer is in front of them. Meanwhile, the light and view change as well from one rack to another. The shopping experience in Sandra Weil is all about exploration.
RE x SUGAR
By CHINA ONDO Studio, Nanjing, China
This community bakery uses large areas of warm-color timber to create a relaxing atmosphere. Like Blackhills Café, RE x SUGAR also has a transparent shop front that embraces the sunlight. A large folding window connects indoors and outdoors while the window sills become seats.
Woods of different textures create a harmonic yet interesting space. Some wooden surfaces are smooth, for example, the front door, walls, window frames and chairs. Cupboards, the display area of bread and the floor around it are covered in rather rough and pattern-intensive wood.
How can architecture be a force for good in our ever-changing world? During Future Fest, we’re pose this question to some of the world’s best architects. We’re hosting daily virtual talks from September 12th to 30th, which are 100% free to attend. Check out the full schedule!
Reclaimed architectural timber and wood from a felled street tree form the furnishings of two hotel suites that designer Jan Hendzel has revamped for London’s Town Hall Hotel in time for London Design Festival.
Suites 109 and 111 are set on the first floor of the Town Hall Hotel, which is housed in a converted Grade II-listed town hall in Bethnal Green dating back to 1910.
Each of the apartment-style suites features a living room with a kitchen alongside a bedroom and en-suite, which Hendzel has outfitted with bespoke furnishings. Like all of the furniture maker’s pieces, these are crafted exclusively from British timbers.
Jan Hendzel has overhauled suites 109 (top) and 111 (above) of the Town Hall Hotel
But for his first interiors project, Hendzel took an even more hyper-local approach with the aim of finding all of the necessary products inside the M25 – the motorway that encircles the British capital.
“We started out with the idea that we could source everything within London,” he told Dezeen during a tour of the suites.
“Some timbers have come from Denmark Hill, some are reclaimed from Shoreditch. And we used Pickleson Paint, which is a company just around the corner, literally two minutes from here.”
The living area of suite 111 features green upholstery by Yarn Collective
The reclaimed timber came in the form of pinewood roof joists and columns, which Hendzel found at an architectural salvage yard.
These had to be scanned with a metal detector to remove any nails or screws so they could be machined into side tables and tactile wire-brushed domes used to decorate the suites’ coffee tables.
Rippled wooden fronts finish the kitchen in both suites
In Suite 111, both the dining table and the rippled kitchen fronts are made from one of the many plane trees that line the capital’s streets, giving them the nickname London plane.
“This London plane is super special because it has come from a tree that was taken up outside Denmark Hill train station in Camberwell,” Hendzel explained. “We couldn’t find timber from Bethnal Green but it’s the closest we could get.”
The dining table in suite 111 is made from London plane
For other pieces, materials had to be sourced from further afield – although all are either made in the UK or by UK-based brands.
Hendzel used British ash and elm to craft mirrors and benches with intricate hand-carved grooves for the suites, while the patterned rugs in the living areas come from West London studio A Rum Fellow via Nepal.
“People in the UK don’t make rugs, so you have to go further afield,” Hendzel said. “Same with the upholstery fabrics. You could get them here but if they are quadruple your budget, it’s inaccessible.”
Hendzel’s aim for the interior scheme was to create a calm, pared-back version of a hotel room, stripping away all of the “extra stuff” and instead creating interest through rich textural contrasts.
This is especially evident in the bespoke furniture pieces, which will now become part of his studio’s permanent collection.
Among them is the Wharf coffee table with its reclaimed wooden domes, worked with a wire brush to expose the intricate graining of the old-growth timber and offset against a naturally rippled tabletop.
“It’s a genetic defect of the timber, but it makes it extra special and catches your eye,” Hendzel said.
Grooves were hand-carved into the surfaces of mirrors and benches featured throughout the suites
The coffee table, much like the nearby Peng dining chair, is finished with faceted knife-drawn edges reminiscent of traditional stone carving techniques. But while the table has a matt finish, the chair is finished with beeswax so its facets will reflect the light.
Unexpected details such as loose-tongue joints, typically used to make tables, distinguish the Mowlavi sofa and armchair, while circular dowels draw attention to the wedge joint holding together their frames.
Reclaimed architectural timber was used to bedside tables in room 109
Alongside the bespoke pieces, Hendzel incorporated existing furniture pieces such as the dresser from his Bowater collection, presented at LDF in 2020. Its distinctive undulating exterior was also translated into headboards for the bedrooms and cabinet fronts for the kitchens.
These are paired with crinoid marble worktops from the Mandale quarry in Derby, with roughly-hewn edges offset against a perfectly smooth surface that reveals the fossils calcified within.
“It’s a kajillion years old and it’s got all these creatures from many moons ago that have fallen into the mud and died,” Hendzel said. “But then, when they get polished up, they look kind of like Ren and Stimpy.”
A rippled headboard features in both suites
Going forwards, the Town Hall Hotel plans to recruit other local designers to overhaul its remaining 94 rooms.
Other installations on show as part of LDF this year include a collection of rotating public seating made from blocks of granite by designer Sabine Marcelis and an exhibition featuring “sympathetic repairs” of sentimental objects as the V&A museum.
London Design Festival 2022 takes place from 17-25 September 2022. See our London Design Festival 2022 guide on Dezeen Events Guide for information about the many other exhibitions, installations and talks taking place throughout the week.
Spotted: Having experienced life in a bike seat as a bicycle messenger in Vienna, the founder of GLEAM e-bikes put his on-the-road experience into creating a multi-use vehicle that easily handles the complexities of urban cycling. To create something that can easily compete with the carrying capacity of a car, yet with the freedom that biking provides, GLEAM uses a three-wheeled base to carry a multitude of types of cargo.
Leisure users can carry up to two children as well as bags and other goods. Businesses can choose from two sizes of cargo boxes, as well as an insulated option, and all versions are customisable for branding and advertising. The cargo containers lock, and for other transport needs, there is a further three sizes of covered trailer to choose from.
Dynamic Tilting Technology ensures that passengers and cargo stay level when travelling over uneven surfaces, and the base can be resized as needed depending on what is being carried. The motor is quiet and reaches top speeds of more than 25 kilometres per hour. The company provides a range of manuals and video guides for setting up and using the bike and offers a variety of custom design options. Each order takes four to six weeks to fulfill, and customers only need to mount the front wheel when the bike arrives.
The need to make cycling more accessible in order to combat air pollution is leading to innovations such as zip-on tyre treads for cold weather biking and e-rickshaws that reuse old EV batteries.
Design agency Morrama has devised a concept for a Covid-19 test that is biodegradable and fully recyclable, right down to its packaging – potentially eliminating a common source of plastic waste.
The ECO-FLO test – which is, for the time being, a concept design only – would be the first in the world to be 100 per cent recyclable and biodegradable, according to Morrama.
The design agency devised the solution to cut down on the amount of single-use plastic generated by the pandemic. While both face masks and Covid-19 tests are at least partially recyclable, it is only through specialised facilities and not through residential collection, so must users have been advised to place them in the waste bin.
The ECO-FLO test has fewer parts than today’s lateral flow test (left)
“At Morrama, we were inspired to create a test kit that doesn’t contribute to the amount of plastic ending up in our landfills, so ECO-FLO was born,” said the agency’s founder and creative director Jo Barnard.
Morrama’s proposal achieves this goal by making the test itself from moulded paper pulp, and its outer packaging from biodegradable NatureFlex film, which would both break down in approximately four to six weeks.
The other plastic elements – the swab, test tubes and their associated packaging – are all eliminated, as the agency rethought every step of the testing process to minimise materials and maximise ease of use.
The test would be made from paper pulp and the sachet from biodegradable film
Instead of the two mainstream test types on the market, polymerase chain reaction (PCR) and rapid antigen (lateral flow), ECO-FLO applies a new method called the Parallel Amplified Saliva rapid POint-of-caRe Test (PASPORT).
It works with only a saliva sample, so there is no need for buffer solution or a nasal swab – an element that can be difficult to use for those with disabilities or impairments, or when testing children.
The user would only need to spit on ECO-FLO’s absorbent pad, close the test package and push the moulded button to transfer the sample from the absorbent pad to the test strip.
All of the instructions are printed directly on the test
All of the instructions are printed directly on the test so there is no need for additional leaflets, and it is made more readable by replacing the currently used scientific notations – such as “C” for “control” and “T” for test – with simple checkboxes. In Morrama’s conceptualisation, the packaging is the product.
“Thinking about the test as less of a product and more a piece of functional packaging really influenced the direction,” Barnard told Dezeen.
“Packaging by its nature should always be designed for end-of-life, so we started not with a design, but with materials that can be recycled and recaptured.”
While the need for Covid-19 tests may be in decline, Barnard says the ECO-FLO design remains relevant for countries still undertaking mass testing, such as China, which is disposing of over a million kits a day.
It would also assist groups with accessibility requirements, such as the young, old and those with mental health or learning difficulties.
Results in simple English make the test easier to read
However, Morrama is also positioning ECO-FLO as a provocation for the world to start thinking about sustainable design for future pandemics now.
“Whilst much of the Western world has moved on from mass testing of Covid-19, there has been regular warnings from experts that pandemics are only set to become more likely,” said Barnard.
“With the failures from our response to Covid still fresh in our mind, we need to act now to ensure we are better prepared in the future.”
The moulded paper design includes a push button to activate the test
For the concept to become a reality, PASPORT would need to be approved for use in at-home test; currently, it is still in trials. Cost should not be a barrier, as Morrama expects the required paper injection moulding or dry moulded fibre processing to be cost-competitive with plastic injection moulding at volume.
Morrama was founded in 2015. The agency’s past projects include the minimal Angle razor, also aimed at reducing plastic waste, and a series of “smarter phone” concepts aimed at improving wellbeing.
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