Elevating wind power with spiral welding technology
CategoriesSustainable News

Elevating wind power with spiral welding technology

Spotted: To reach net zero by 2050, we need to drastically reduce our reliance on fossil fuels, and that means ramping up green energy generation. According to the International Energy Agency (IEA), that involves adding 390 gigawatts of wind power generation capacity every year by 2030. But, rising upfront construction costs, particularly for offshore farms, could compromise that goal, with several offshore projects in the US needing to be cancelled or renegotiated due to issues around financing. Hoping to make wind farm construction more affordable is Colorado-based Keystone Tower Systems. 

The company has devised a revolutionary manufacturing process that streamlines and cuts the cost of making turbine columns. In the company’s spiral welding process, which is a well-established technique used to create pipelines, large pieces of steel are fed into a machine, so they curve around into a spiral shape to form a turbine base. The process can be done quickly and continuously by one machine that completes the joining, rolling, fit-up, welding, and severing of a tower section. 

With this method, it’s easy to vary the diameters and wall thicknesses, which means that wind towers can be built twice as tall as existing structures, enabling turbines with bigger blades that can also reach greater wind speeds further up in the sky. This means greater wind energy generation.  

Keystone’s manufacturing facilities have a relatively small footprint, meaning they can be placed near proposed wind farms for on-site production. Developers therefore don’t need to worry about making long, expensive, and energy-intensive journeys to transport the massive pre-manufactured components required for larger-scale turbines. Instead, steel can be shipped flat, making for much easier transportation. This is particularly helpful for offshore farms, as a temporary manufacturing facility can be easily deployed on the coast, for the creation of tall, structurally optimised towers. 

Wind is playing a key role in the green transition, and innovators are working to make it more efficient than ever. Springwise has also spotted small turbines for wind microgrids as well as this novel design that cuts the cost of wind power.

Written By: Archie Cox and Matilda Cox

Reference

Aerial view of Sabater House by Fran Silvestre Arquitectos
CategoriesArchitecture

​​Fran Silvestre Arquitectos references pathways for Sabater House in Spain

Spanish studio Fran Silvestre Arquitectos has created a minimalist white house in Alicante, which winds through the landscape to enhance its relationship with the outdoors.

Named Sabater House, the Spanish dwelling unfolds through a series of intersecting, elongated forms that ascend upwards over its 780-square-metre site.

Its slim volumes adapt to the site’s natural topography, navigating existing large trees and framing a series of terraces and courtyards.

Aerial view of Sabater House by Fran Silvestre ArquitectosAerial view of Sabater House by Fran Silvestre Arquitectos
Fran Silvestre Arquitectos has created a minimalist white house in Alicante

According to Fran Silvestre Arquitectos, the sprawling design takes cues from local pathways that are carved into the terrain and lead to a hermitage.

“We were struck by how these winding paths adapt to the terrain, generating a very interesting architecture,” Fran Silvestre Arquitectos told Dezeen.

“This was the starting point to develop a home on a plot with similar characteristics in terms of width and slope of the land.”

Facade of Sabater House by Fran Silvestre ArquitectosFacade of Sabater House by Fran Silvestre Arquitectos
Sabater House winds through the landscape

Sabater House is designed for a client who wanted a home to accommodate his large family while ensuring “enough independence to guarantee the privacy of all family members”.

To accomplish this, each floor of the home features a distinct programme.

Aerial view of white home in AlicanteAerial view of white home in Alicante
Each floor of the home features a distinct programme

The highest level, described as the “nighttime area” of the home, features five bedrooms and bathrooms oriented to look out to the sea above the tree line.

Meanwhile, the middle floors contain an open-plan kitchen, dining and living area with floor-to-ceiling windows framing views out to the garden and outdoor swimming pool.

Exterior of white house in Spain by Fran Silvestre ArquitectosExterior of white house in Spain by Fran Silvestre Arquitectos
The house winds around existing trees

The living spaces are stretched across the long and narrow floor plan in a bid to avoid compacting them and open them up to the outdoors.

“The project is drawn with a very clear geometry of straight elements that are joined by a soft radius of curvature,” said the studio. “Each piece has a relationship with the environment.”

Accommodated on the lower level are the pool basin, a wine cellar, storage facilities and additional sleeping quarters.

With each floor stacked at an angle to create a zigzagging floor plan, a series of courtyards, terraces and bridges are created, further opening the relationship with the outdoors.

All-white interior of Spanish houseAll-white interior of Spanish house
The middle floor features open-plan living spaces

“Something unexpected about the house for us is the character of the interstitial spaces between the blocks and how they envelop you,” explained Fran Silvestre Arquitectos.

“The first acts as an access garden that directs you towards the entrance door, and the second as one of the main terraces. They are versatile spaces that allow you to make the most of the different orientations.”

Bedroom of Sabater House in AlicanteBedroom of Sabater House in Alicante
The top level contains the bedrooms

Fran Silvestre Arquitectos was founded in 2005 by architect Fran Silvestre. The studio is known for its minimalist style, which is applied throughout Sabater House.

Its previous projects that feature its signature pared-back style include an overhanging Hollywood Home and a residence with a T-shaped roof in Valencia.

The photography is by Fernando Guerra.

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Custom-built walnut podiums with olive trees growing through the centre
CategoriesInterior Design

Kith Women Flagship in Soho combines walnut and pink marble

American fashion brand Kith has returned to the location of its first Manhattan flagship to open a women-dedicated store, in which olive trees grow up through display podiums.

The inaugural Kith Women Flagship in Soho opened last December at 644 Broadway, the same historic landmark building where the brand debuted its Manhattan retail offering in 2011.

Custom-built walnut podiums with olive trees growing through the centreCustom-built walnut podiums with olive trees growing through the centre
Custom-built podiums run through the middle of the Kith Women flagship store in Soho

Previously the Manhattan Savings Institute Bank, the red sandstone and brick structure’s exterior features wrought iron gates at the entrance and set the tone for the materials palette inside.

Kith founder and creative director Ronnie Fieg designed the interiors to include signature elements of the brand’s retail concepts, but with adjustments to acknowledge its context.

Kith Women store with apparel and accessories displayed in walnut and brass-trimmed nichesKith Women store with apparel and accessories displayed in walnut and brass-trimmed niches
The main room displays apparel and accessories in walnut and brass-trimmed niches

“The ambiance exudes modern elegance with its warm and calming aura, constructed with materials like Venetian plaster, travertine, and rosa aurora [marble],” said the Kith team.

The spacious main room benefits from tall ceilings and an open floor plan, and presents Kith Women in-house and multi-brand ready-to-wear apparel against Venetian plaster and Kith monogrammed suede wallpaper.

Footwear room with shoes presented on travertine shelvesFootwear room with shoes presented on travertine shelves
In a room dedicated to footwear, shoes are presented on travertine shelves

Clothing is displayed on rails installed in walnut and brass-trimmed niches around the perimeter, with accessories like hats and bags placed on shelves above.

A row of square walnut podiums runs through the middle of the room, each with an olive tree growing up through the centre of its pink marble surface.

A cafe and flower shop featuring mosaic floors and a fluted marble service counterA cafe and flower shop featuring mosaic floors and a fluted marble service counter
A cafe and flower shop is run in partnership with PlantShed, and features mosaic floors and a fluted marble service counter

Custom-built by Brooklyn-based woodworker Mark Jupiter, these units contain drawers for product storage, and alternating ones are topped with glass vitrines for showcasing jewellery and other small accessories.

Oak flooring is laid in a grid pattern transversed by walnut strips, and the darker wood also lines the fitting rooms.

Footwear has a dedicated room, in which shoes are displayed on shelves with integrated lighting that run from one end to the other.

“Entering the footwear space, you will find a grand arched plaster ceiling, travertine shelves, and a custom chandelier from Italy by Viabizzuno,” the team said.

Cafe in a courtyard behind historic wrought iron gatesCafe in a courtyard behind historic wrought iron gates
The cafe leads out to a courtyard behind the historic building’s wrought iron gates

In the final room is a cafe run in partnership with New York-based flower and plant shop PlantShed, which serves light bites and drinks and offers custom floral arrangements.

The space features a mosaic tiled floor, walnut wall panelling, a service counter with a fluted pink marble front and floral displays on stepped stone plinths.

The cafe leads out to a courtyard area behind the building’s impressive iron gates, which furnished with cafe tables and chairs in between topiary plants shaped into spirals.

Exterior view of red sandstone building at 644 BroadwayExterior view of red sandstone building at 644 Broadway
Kith Women is located at 644 Broadway, the same building where the brand opened its original flagship retail space in 2011

Feig also designed Kith’s recently opened Williamsburg store, located in the 25 Kent Plaza office building where the brand also has its corporate offices.

The company had previously worked with design studio Snarkitecture on its retail spaces around the world, including outposts in Miami, Los Angeles and Paris.

The photography is courtesy of Kith.

Reference

Making waves with a smart, electric-powered tugboat
CategoriesSustainable News

Making waves with a smart, electric-powered tugboat

Spotted: Maritime analysts expect “ever-increasing levels of digitisation and system interconnectivity [for] improved operational efficiency” to be one of the forthcoming improvements in the industry. As electrification of land vehicles continues apace, similar changes to the aviation and marine industries are beginning to gain traction.

In addition to the ships themselves, port traffic contributes to the industry’s considerable carbon footprint. To play a part in improving the sustainability of such busy industrial locations, Turkish marine design and engineering company Navtek created the ZEETUG. According to the company, the novel vessel is the world’s first zero-emissions, electric tugboat.

The tug is smart, efficient, and produces no noise or emissions. Fully electric, the ZEETUG’s operations are managed by smart tug energy management system (STEMS) software. STEMS works on desktops as well as mobiles and coordinates all data related to an entire fleet of tugs. From the position and route of the ship being assisted to wind speed, battery motor charge, and distance to the nearest charging station, STEMS allows the tug to self-manage its energy output.

The platform integrates with marine traffic charts and enables online diagnostics for maintenance needs. That helps operators minimise the amount of time a tug needs to spend in the yard for repair, and the smart system also enables updates and performance improvements as Navtek continues its R&D. Additionally, the tugs can be custom-built to provide a range of power outputs depending on the size of the ships and ports with which they work.

From zero-emissions cruise ships to the generation of energy from a ship’s movement water, Springwise’s library contains a number of innovations that are helping the maritime industry work more sustainably.

Written By: Keely Khoury

Reference

alt="Midjourney"
CategoriesArchitecture

7 Top AI Tools for Architectural Rendering and Visualization

Architizer’s Tech Directory is a database of tech tools for architects — from the latest generative design and AI to rendering and visualization, 3D modeling, project management and many more. Explore the complete library of categories here.

Architectural rendering is not a foreign concept. During the Renaissance, Italian architects such as Leon Batista Alberti, Filippo Brunelleschi and Donato Bramante used axonometric sketches and carefully hand-drawn perspectives to communicate their designs. In the late 20th century, however, the hand-drawn renderings gave way to computer-generated images. Suddenly, what took countless hours of careful color washing and shadow hatching became a task of playing around with sun values and texture mapping within a three-dimensional, digital environment. With the emergence of AI, the art of rendering has transformed into an act of guided wordplay: a new, innovative way of digital collage-making.

Still, the “original” artistry of architectural rendering is not lost. Even though the architect’s hand has been replaced by computer algorithms and machine learning processes, utilizing AI visualization tools requires the same amount of ingenuity, creativity and exploration. Architects can push architectural visualization’s boundaries through word prompt testing, digital collage exploration, and even hand-sketch-to-rendering experiments, producing more vivid and immersive designs than ever.

Without further ado, here are the top seven AI tools that unlock unprecedented architectural rendering and visualization capabilities.


Best AI Rendering Tool for Text-Prompt Imagery

alt="Midjourney"Midjourney is perhaps the most well-known AI visualization tool in the architectural industry. It is currently available via the Discord server, where users collaborate with the Discord bot to generate conceptual imagery. Midjourney has three basic operational commands: the “/imagine” command uses text prompts to produce a set of renderings, the “/blend” command which enables architects to blend two images together and finally, the “/shorten” command which suggest alternative, shorter, prompts to achieve better results. It also offers additional text abbreviations such as image ratio control and negative prompting – i.e., elements that are excluded from the composition.

Learn more and review this tool >


Best AI Rendering Tool for Modifying Images

akt="Stable Diffusion"Stable Diffusion is also a text-to-image and image-to-image model released in 2022, based primarily on diffusion techniques, which — in the case of computer generated images — include tasks such as denoising, inpainting and super resolution. Apart from generating visual renderings through text prompts, Stable Diffusion is an amazing tool for image modification. More specifically, features such as inpainting involves selecting specific portions of an existing image (layer masks) for more precise rendering editing. Adding or removing noise and depth or enhancing specific image details through a combination of text and image prompts, allow architects to create sharper quality renderings.

Learn more and review this tool >


Best AI Rendering Tool for Cohesive Visualizations

DALL·E is an AI rendering tool developed by OpenAI, a research organization renowned for releasing the famous text-to-text model, ChatGPT. DALL·E’s immediate interrelation with ChatGPT, provides a great advantage regarding the tool’s text-to-image capabilities. More specifically, DALL·E is often able to “fill in the blanks” when generating an image, without necessarily relying fully on text prompts. For example, it might suggest additional reflections and shadows to make the composition more holistic or even remain consistent to a predefined visual style, distinguishing for example between painting or photorealistic imagery. Similarly to Stable Diffusion, DALL·E is able to alter specific parts of an image through text prompts.

Learn more and review this tool >


Best AI Rendering Tool for Fine-Tuning Images

alt="Evolvelab Veras"Veras is a powerful AI-visualization app. The software can be used as a plug-in for popular architecture programs such as SketchUp, Revit and Rhinoceros, as well as a standalone web-based rendering tool. It is ideal for effortlessly manipulating BIM generated visuals, modifying their ambiance, style and lighting and even their geometry. Features such as the Geometry Override Slider, the Render Selection and the Render Same Seed allow architects to fine-tune their designs, while exploring multiple concept iterations in real-time rendering and without any 3d-modeling constraints.

Learn more and review this tool >


Best AI Rendering Tool for Early-Stage Concepts

LookXAI is an AI rendering tool that is ideal for early-concept iterations. As a highly customizable (and trainable) AI model, it allows architects to upload a series of reference images or precedents to generate initial design ideas. LookXAI includes features such as Style Adapter, Vocab Template and even a Prompt Assistant to aid architects in enhancing the quality, depth, architectural precision and style of their renderings. It also incorporates an Upscale Image feature to easily correct imperfections and enhance the quality of the image.

Learn more and review this tool >


Best AI Rendering Tool for Stylizing Images

mnml.ai is a revolutionary AI tool that eliminates the endless tinkering of lighting parameters in 3d visualization software. By simply uploading a rough image of the design, mnml.ai has the ability to convert it into numerous visualization styles: from day to night shots and from sketches to realistic imagery. In fact, the software has the ability to transform plain sketches into fully rendered shots and even use text prompts to control details such as colors, finishes and lighting in both exterior and interior visuals.

Learn more and review this tool >


Best AI Rendering Tool for Quick Visualizations

alt="ArkoAI"Similar to Veras, ArkoAI is also a plug-in for popular architecture software. Being, however, a cloud-based platform, its powerful rendering capabilities are ideal for quick and flexible material iterations on existing 3d models. Using simple text as well as added parameters to control the amount of effect the prompts will have on the model, architects can transform their clay renderings and shaded views into complete design proposals.

Learn more and review this tool >


How to Better Leverage AI Rendering Tools in Architecture

The following tips and considerations will help you maximize the potential of AI in architectural visualization, as well as avoiding common pitfalls associated with this fast-emerging technology.

Watch out for the elephant in the room: It is true that AI rendering software holds an impressive ability to transform ideas into very “convincing” realities. Text prompts, image-to-image models and sketch-to-rendering features enable architects to quickly reach to a finished design. Oftentimes, however, these designs may lack refinement, consideration and partially the human touch leading to proposals that may not be plausible or realistic. AI rendering tools are ideal for inspiration, experimentation and early idea representations. Nevertheless, it is important to retain creative control over an AI generated image, paying close attention to details such as material textures, lighting effects, and spatial proportions.

Beware of the plagiarism trap: It is widely known that AI technology is trained through an array of information found on the web. In the case of AI-generated renderings, architects may use preexisting images to feed into the AI tool in order to reach the desired result. Even though there have not been any clear guidelines so far on how to approach this subject, being mindful of image copyrights and licensing principles might spare users future complications and ethical considerations. In fact, using originally produced sketches and other forms of imagery to feed the AI tools may not only prove to be more ethically sustainable but also generate far more authentic and unique results.

Don’t reinvent the wheel in every rendering: Similar to any other creative process, using AI tools to produce rendered visualizations is a matter of trial and error. Writing prompts, setting AI parameters and experimenting with different image combinations are some of the skills architects need to cultivate in order to master AI visualization. Still, since the AI Spring – and as it happens in any major technological bloom – there have been numerous courses, communities and even cheat sheets for successfully operating AI technology. Architizer’s Ultimate AI Cheat Sheet for Architects and Designers! as well as its Instagram midjourneyarchitecture page provide great tips, insights and inspiration for every aspiring architect who wishes to enter the world of AI architectural visualization.

Architizer’s Tech Directory is a database of tech tools for architects — from the latest generative design and AI to rendering and visualization, 3D modeling, project management and many more. Explore the complete library of categories here.



Reference

Paris apartment by Hauvette & Madani
CategoriesInterior Design

Hauvette & Madani restores Paris apartment to “former glory”

Local design studio Hauvette & Madani drew on the Haussmannian history of this Paris apartment to create a gallery-like interior for its occupant’s vast art collection.

Located in the city’s historic Triangle d’Or, the dwelling previously featured minimalist marble surfaces and gilding leftover from a recent renovation.

Hauvette & Madani “re-appropriated” the apartment, originally designed as part of Georges-Eugène Haussmann’s famed reconstruction of the French capital during the mid-19th century, to reflect its architectural past.

Paris apartment by Hauvette & MadaniParis apartment by Hauvette & Madani
Hauvette & Madani added cornices and mouldings to the apartment to reflect the dwelling’s Haussmannian roots

“The challenge was to completely revamp the apartment, which had just been refurbished,” said studio co-founder Samantha Hauvette, who designed the dwelling with Lucas Madani.

“We carried out meticulous research to find the right motifs and decorations to restore the place to its former glory and Haussmannian charm,” she told Dezeen.

Artworks within the Hauvette & Madani-designed living roomArtworks within the Hauvette & Madani-designed living room
The living room features various artworks

The designers recreated delicate white cornices and mouldings – hallmarks of Haussmannian design – within the apartment, which had been previously stripped of these details.

This created a considered but neutral backdrop for the resident’s eclectic collection of artwork and a curated selection of furniture “mixing eras and styles,” according to Hauvette and Madani.

Turquoise fireplaceTurquoise fireplace
Sarah Crowner designed a bold fireplace for the dining space

Visitors enter at a small round vestibule clad in straw marquetry – a “common thread” that also features on a pair of curved sofas and a sleek coffee table as well as sliding doors, the main bedroom’s headboard and the dining table.

The light-filled living room is characterised by sculptural furniture and art pieces, including rounded vintage armchairs finished in a dark green hue and metallic base.

An amorphous ceiling work by Austrian artist Erwin Wurm was suspended above the sofas, while a deep blue painting by Swiss practitioner Miriam Cahn adds a bold hue to the room.

“It’s a real living space, where the homeowner shares a lot with her artist and designer friends,” said the designers. “All the pieces have a strong identity.”

Pink and green kitchen within Paris apartmentPink and green kitchen within Paris apartment
The kitchen balances traditional elements with more alternative details

For the dining room, American artist Sarah Crowner created a striking turquoise fireplace, which was clad in a blocky mosaic of geometric tiles and positioned alongside a burnt orange vintage egg-shaped chair.

“We wanted to take the codes of classicism and break free from them,” explained Hauvette and Madani, who aimed to balance traditional interior details with more contemporary colourful touches.

Blocky wooden drinks barBlocky wooden drinks bar
A blocky drinks bar was finished in the same design as the kitchen table

Continuing this theme, the designers sandwiched a bright green stove between more subtle, light pink cabinets in the kitchen, which includes a patterned feature wall.

Blocks of light-coloured timber were stacked by French furniture maker Hervé van der Straeten to create a singular lumpy leg for the kitchen table as well as the base of a drinks bar elsewhere in the apartment.

Hauvette and Madani also constructed an in-house sauna for the home, finished in dark wooden slats and tucked behind a bespoke green-hued daybed, made by the designers themselves.

“We have a strong belief that everything that you love independently will work perfectly once put together,” said Madani, who highlighted the power of trusting your instincts when curating eclectic interiors.

Home saunaHome sauna
Hauvette & Madani also added a home sauna

Summarising the overall look and feel of the apartment, the pair declared, “it’s Paris Haussmannian style, with a hint of craziness!”

Hauvette & Madani is not the first studio to renovate a traditional Parisian apartment with contemporary touches.

Local studio Uchronia recently filled a home for jewellery designers with multifaceted furniture pieces crafted to mirror the appearance of precious stones. The studio also previously added a wine-red kitchen to an otherwise neutral flat in the French capital.

The photography is by François Coquerel



Reference

Shower sustainably: a greywater recycling solution
CategoriesSustainable News

Shower sustainably: a greywater recycling solution

Spotted: The World Economic Forum (WEF) calls the reuse of greywater – lightly used waste water – “one of the most promising avenues for water innovation.” One of the main challenges in increasing this reuse, though, is the highly energy-intensive process required to power the treatment processes and plants.

Renewable energy could be the solution that makes greywater recycling sustainable. French company Geopure designed a system that provides an endless loop of zero-waste, sustainable showers. The company’s WTS100 system was created particularly for organisations and communities living in remote areas or off-grid. The shower requires 100 litres of water from almost any source, including groundwater sources and rain.

Water drains directly from the shower and accompanying taps into the recycling system, to be purified immediately without using chemicals or generating emissions. Once the water has been disinfected and is ready for reuse, the system pumps the water back to the shower.

The WTS100 system is modular and portable, enabling custom sizes and bespoke layouts. Geopure’s systems are currently being used in locations that include an off-grid glamping camp in Australia and a self-sufficient cabin in Finland.

The UN Environment Programme calls wastewater “an invaluable resource” that could supply over 10 times the water currently provided by global desalination. Springwise’s library showcases a number of innovations seeking to make use of that resource, from beer to biomanufacturing feedstocks.

Written By: Keely Khoury

Reference

In the Mood for Love: The Architecture of Neo-Romanticism
CategoriesArchitecture

In the Mood for Love: The Architecture of Neo-Romanticism

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

Whether it’s the quality, feeling or act, most would argue that a world void of romance is a world incomplete. And while Romanticism may have had its glory days back in the 18th century, romance and allure still pervade today’s built environment

Thankfully, that sought-after feeling is right at our fingertips. Romance is not just realized in the literal sense; there is a physicality that prevails through form, space and structure. The built environment is filled with romance — just have a look around. From the interior and exterior to the landscape, romance ceaselessly permeates like a beating heart.  Listed below are eight built projects, all of which remind us of the love we are all surrounded by, a romance that never leaves our side.


Manshausen Island Resort

By Stinessen Arkitektur, Steigen, Nordland, Norway

Jury & Popular Choice Winner, 2016 A+Awards, Architecture +Cantilever; Popular Choice Winner, 2016 A+Awards, Architecture +Glass; Popular Choice Winner, 2016 A+Awards, Hotels & Resorts

Nothing screams the quintessential “romantic getaway” quite like the Manshausen Island Resort in Norway. Sited in the Steigen Archipelago, this island resort is sandwiched by the Lofoten mountain range and the Barents Sea. Each cabin is partially cantilevered above the sea and has been carefully positioned to create individual panoramic views that equally ensure privacy. The landscape and the changing Northern lights make for an emotional and dramatic experience, underpinned by romance and beauty.


The Mushroom – a wood house in the forest

by ZJJZ Atelier, China

Jury Winner, 10th Annual A+Awards, Architecture +Joy

This guest suite is located in a pine forest, home to a 1600-year-old tale where a fairy is said to have fallen in love with a young farmer. A reminder of the romance in folklore, this guest suite mimics the shape of sprouting mycelium and offers a unique circular resting space. With a horizontal window encircling the entire suite, guests are confronted by panoramic views of the wondrous pine forest.  


Romantic Nest in Amalfi Coast 

By Ernesto Fusco Interior Designer, Amalfi, Italy

Perhaps it’s the magic of the terrace overlooking beautiful Amalfi or the blend of contemporary elements with evocative art and colorful tiles, but this apartment has a charming allure that makes you want to indulge in the riches of the Italian mercattos and sing along to Al Bano. 


Little Cottage

by Bettini Architetto, Bologna, Italy

Photo by Brando Cimarosti

Courtyards are inherently magical spaces — the seclusion and privacy gives way for intimate connections. Located near the historic center of Bologna, this 50 square meter cottage offers guests an intimate yet well-functioning living space. During the day, the home radiates with sun and at night, carefully studied artificial lighting has been selected to produce a soft atmosphere. From the painting choices to the wallpaper, the apartment was designed with intentionality and makes room for individual experience.  


The Painterly Approach

By Arterra Landscape Architects, Tiburon, Belvedere Tiburon, California

Jury Winner, 2015 A+Awards, Private Garden

Photo by Michele Lee Willson

Just like its name, this landscape feels like a piece of art and embraces the romantic art form of hand painting. Conceived to address both functional and aesthetic purposes, this landscape addresses the site’s existing draining issues while creating an exterior space to draw in the family. Designed as a winding swale, the landscape offers a beautiful walking path that leads towards a seating area and outdoor pool. Incorporating many native Californian plants, the bright tones of yellow, red and purple create a painterly effect. Flowers that connect with the beautiful backdrop, almost touching the sky and reminiscent of the Romantic landscapes of the 18eme siècle. 


The Number 6

By Building, Turin, Italy

This project is a complete revitalization of the 17th-century Palazzo Valperga Galleani, realized into a vibrant city landmark and residence. By way of art, lighting and plants, this residential building is both cutting-edge and dramatic. The original garden was completely reconstructed, incorporating decorative elements in two horizontal and vertical planes which creates a romantic gesture towards the city. From the inside flats to the exterior communal courtyard, the warm tones transform this complex into an atmospheric wonder which heightens the site’s beauty and overall sensation of romance.


Shan-shui: A Duality | The Chuan Malt Whisky Distillery

By Neri & Hu, Emeishan City, Leshan, China

Finalist, 2022 A+Awards, Architecture +Branding

With the spiritual landmark of Mount Emei nestled the backdrop, this distillery is located on revered land and carry’s the responsibility of retaining memory while embracing growth. The project explores the notion of duality, otherwise known as shan-shui in Chinese culture, and aims to balance the concept of permeance and transformation. This paradigm is captured in the reckoning between Chinese vernacular architecture and contemporary geometries. As visitors move throughout the distillery’s numerous spaces –– both subterranean and above ground –– they are followed by a powerful romantic sensation. 


Garden Shed

By Avanto Architects Ltd and Linda Bergroth, Finland

Needless to say, the romance in this project speaks for itself. Built with Finish pine, safety glass and an automatic temperature control system, this prefabricated garden can also double as a whimsical outdoor bedroom. With large floor-to-ceiling windows and a glass gabled roof, the interior space is an extension of the outdoors –– creating a profound connection with the surrounding flora and fauna. Emerging like a delicate glass box, this secluded structure intermingles with the sounds of the nearby water and makes for a magical oasis –– a scene right out of A Midsummer Night’s Dream.  

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

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Table with silver base
CategoriesInterior Design

Gharib Studio outfits Austin jewellery store with pink walls and arches

Los Angeles design studio Gharib Studio has contrasted concrete floors and exposed ceilings with soft-pink walls and clean lines for a jewellery store in Austin.

Created for the friendship jewellery brand Little Words Project (LWP), Gharib Studio used elements of the merchandise to inform the store’s pink material palette and incorporated arches throughout the space to contrast the industrial elements of the building, which were left exposed.

Table with silver baseTable with silver base
Gharib Studio has outfitted a jewellery store in Austin with dusty pink

According to Gharib Studio founder Nora Gharib, the team followed the common phrase “everything is bigger in Texas” when designing the concept store.

“I wanted to amplify the brand in a grand way by taking the LWP brand aesthetic and localizing it to Texas by pushing the standard design elements, such as the brand’s bracelet arches and beading table experience, then accentuating it,” said Gharib.

A retail store with silver with long white tablesA retail store with silver with long white tables
Arches and soft tones contrast with the space’s industrial elements

Visitors enter the store into a large, primary space, where built-in display cases were integrated into the walls.

On one side, the display resembles small bookcases and on the other, the bracelets are displayed throughout a series of arches.

Archways with tables and chairsArchways with tables and chairs
Long tables lead to the seating area at the back of the space

At the centre of the primary space are two long tables with metallic-coated bases, also used for display. A circular display table in the middle was created to resemble a vanity, with merchandise incorporated throughout.

Gharib inserted three arches along the back of the space, in part to accentuate the height of the space, and to draw visitors to the space beyond them, which serves as a beading area.

Velvet chairs underneath aluminum light fixtureVelvet chairs underneath aluminum light fixture
Metallic details were informed by the charms found on the bracelets

This space was outfitted with CB2 Castell Chairs in burgundy, with similar tables as the main space, except with pink bases instead of silver.

A neon sign that reads, “You can sit with us” hangs above the tables.

Textured dusty-pink wallpaper by Belarte Studio was used to line the space, while the remaining interior was covered in a rose pink hue.

Metallic accents throughout the store, including aluminium light pendants, a metal trimmed mirror and the display table’s metallic bases, were informed by the metal charms found in LWP bracelets.

Space with velvet chairs and textured wallpaperSpace with velvet chairs and textured wallpaper
It is the brand’s first store in Austin

The space’s utility elements were left exposed on the ceiling, with red track lighting running the perimeter of the space.

Other retail projects recently completed in Austin include a mid-century post office turned grocery by Side Angle Side.

Gharib Studio is a Los Angeles-based studio founded by Nora Gharib in 2023, focused on retail and brand design.

The photography is by Casey Woods Photography 


Project credits:

Architectural designer: Gharib Studio

General contractor: Paco Santander Construction

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Bou bag by Ganni made using plant-based BioFluff fake fur in pink
CategoriesSustainable News

The allure of the ‘bio’ prefix must be taken with some healthy scrutiny

Biomaterials have the potential to significantly cut carbon emissions but designers should approach them with caution to avoid creating a whole new set of problems, warns Sioban Imms.


The vision of a civilisation based on biomaterials is compelling: products, clothes and buildings made from materials that have been “grown”, rather than derived from polluting, extractive fossil industries. The promise is not only lower emissions, but products that are more in tune with the environment – manufactured objects that are part of the natural cycle of life. And consumers are willing to pay a premium for such ostensibly “sustainable” products – 12 per cent more, according to a recent study by Bain.

However, in a bid to gain competitive advantage, marketing narratives surrounding biomaterials are regularly inflated or gloss over important details. Prefixing “bio” to a material name conjures a sense of being natural, compostable, and better all round for personal and environmental health.

Marketing narratives surrounding biomaterials are regularly inflated

But these claims can unravel, or at least become complicated, when researching a little deeper than the material classification, product name and strapline. A report from RepRisk found a 70 per cent increase in incidents of greenwashing between 2022 and 2023. Incoming legislation in the EU is specifically targeting this issue.

The definition and terminology around biomaterials is still evolving. For clarity, we’re not talking here about biomaterial designed for implanting into the body, but biologically derived materials used in product, fashion and architecture.

Often grown using living micro-organisms like yeast, bacteria, cellulose and mycelium, they can be finely tuned at the nanoscale by engineering DNA sequences to produce specific properties. For example, UK company Colorfix tweaks the DNA of bacteria so that they excrete coloured pigments for dyeing textiles. Microbial manufacturing organisms like these tend to be fed, fermented and modified in controlled environments.

The substitution of fossil-derived, high-carbon materials for biomaterials is urgently important. A recently published study by Radboud Universiteit in the Netherlands concluded that biomaterials reduce greenhouse-gas emissions by an average of 45 per cent compared to fossil-based materials.

But biomaterials are not a magic bullet to the multi-faceted nature crisis industrial civilisation is causing. Especially important is avoiding what are sometimes called “regrettable substitutions” – whereby one material is replaced with another that merely introduces a new set of problems.

For example, BioCane disposable food packaging is an alternative to plastic food packaging made from bagasse – pulped sugarcane-fibre, a waste product from the sugar industry. The design is geared to express its natural origins and circularity, from the subtly flecked, neutral colour and matte finish to the embossed logomark featuring a plant within a gradated circle.

Biomaterials are not a magic bullet to the multi-faceted nature crisis

However, for BioCane to be grease repellant (so it doesn’t fall apart before you’ve consumed the contents) it needs an oleophobic coating, unlike plastic packaging. BioCane uses a polyfluoroalkyl substance (PFAS) for this coating. PFAS are termed “forever chemicals” due to their damaging long-term persistence and accumulation in the environment – not to mention our own bodies.

BioPak, which produces BioCane, transparently publishes information about this on its website, highlighting it as an industry-wide problem. The company also includes a timely pledge to phase out PFAS-containing packaging by June 2024, which happens to coincide with a move to phase out PFAS by the Environmental Protection Agency in the US.

Not all manufacturers are as responsible; it’s common to find unlisted additives – or perhaps a fossil-based lamination to improve a material’s durability – under a headline claim of biological origins.

Bioplastic is another material experiencing significant growth, partly driven by high oil prices making fossil-fuel-derived plastic less competitive. Most bioplastic is made from ethanol, commonly sourced from corn, wheat or sugarcane. Sugarcane, for example, is planted in monocultures in tropical and sub-tropical countries like Brazil. The sugar is extracted, fermented and distilled to produce precursor chemicals for bioplastics.

But to assess the environmental value of using this bioplastic, we need to know about how the crops are managed – for example, the pesticides and synthetic fertilisers used to increase crop yield, the land-clearance practices, and the effect on food prices if the bioplastic became widely adopted. At the end of the product’s life, specialised infrastructure for disposal will need to be in place, further complicating the picture.

Biodegradable bioplastic would seem to offer a solution to the worst ravages of plastic – the alarming buildup of microplastic pollution across the world. How much better if the material could be absorbed back into the environment?

Biodegradable doesn’t mean a material will break down in the environment over useful timescales

The market opportunity for biodegradable plastics is alluring, and forecasts predict that they will account for the majority of the bioplastics market – 62 per cent, by 2028. This opportunity is attracting investment and also the potential for greenwashing as companies vie for a competitive advantage over others.

But biodegradable doesn’t mean a material will break down in the environment over useful timescales. A 2022 UCL study of supposedly “home compostable” bioplastics revealed that 60 per cent did not fully degrade within the tested timespans – a finding that unravels the whole purpose for investing in compostable packaging.

Claims relating to bioplastics were at the crux of a recent legal case brought against US biotech firm Danimer Scientific Inc. The manufacturer of biodegradable products had claimed that its proprietary plastic material Nodax PHA is able to biodegrade not only in industrial composting facilities but in landfill and in the ocean.

Danimer’s share prices rocketed, sparking an investigative report in the Wall Street Journal, which stated that “many claims about Nodax are exaggerated and misleading, according to several experts on biodegradable plastics”. Danimer refutes this statement, but what came out in court was that the company performed biodegradability tests on Nodax in a powdered form, which doesn’t relate to real-world product formats like bottles that have variable thickness.

The legal case was eventually dismissed, but nonetheless the alleged greenwashing spiked Danimer’s share price, shaking investors’ trust in the company and having knock-on effects for the wider industry.

Going forward, manufacturers will need to be transparent about what goes into their products. In the EU, legislation tackling greenwashing in product labelling will come into effect in 2026. The new law is a direct response to the rise in misleading claims that companies use.

When specifying a biomaterial, it’s important to dig into its provenance

It comes after a study commissioned by the bloc found that 53 per cent of green claims on products and services are vague, misleading or unfounded, and 40 per cent have no supporting evidence. In the UK, the Competition and Markets Authority has published the​​ Green Claims Code – a six-point guide to help businesses ensure they are not unwittingly misleading customers.

These two initiatives highlight the importance of using the right language when promoting products and materials, and as the impact of the EU’s legislation ripples through the industry, there will be a natural calibration to more transparency.

The takeaway for designers is that, as ever, the picture is complex. When specifying a biomaterial, it’s important to dig into its provenance, as well as to look at the material use and disposal. The allure of the “bio” prefix from an ethical – and marketing – perspective may be strong, but must be taken along with some healthy scrutiny.

Sioban Imms is a colour, material and finish (CMF) and sustainability strategist with a background in design and manufacturing. She is co-founder of consulting agency Substance and a contributing editor at trend forecasters Stylus and WGSN.

The photo, of MarinaTex designed by Lucy Hughes, is courtesy of the University of Sussex.

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