Stracker Solar – Going Beyond Rooftops
CategoriesSustainable News Zero Energy Homes

Stracker Solar – Going Beyond Rooftops

Strackers are elevated dual-axis solar trackers that produce significantly more power than same-sized rooftop or fixed ground-mount systems while maintaining full use of the property below. As a result, Strackers are a perfect photovoltaic (PV) solution for homes and businesses with roofs that have no solar access; for parking lots of any kind; for industrial and agricultural operations; and for open fields and schoolyards. Keeping their powerful large PV arrays pointed directly at the sun throughout the day, Strackers are the most efficient solar energy harvesting systems available. 

These robust units, designed and manufactured by Stracker Solar in Ashland, Oregon, are currently the only UL-listed dual-axis PV trackers in the U.S. and are the only ones that qualify for Energy Trust of Oregon incentives. In addition, the all-steel Strackers are certified for 120 mph winds and come with 30-year production and structural warranties. Additional options like pole lighting and EV charging stations are available, and customers can choose from a wide variety of colors for their units.

Strackers Versus Rooftop Solar

A Stracker holds an array of 28 PV panels atop a 20-foot high single pole, making the system look like a giant mechanical sunflower. And just like young sunflowers, the array moves with the sun — something rooftop solar cannot do — assuring maximum energy collection at all times. As a result, Strackers produce up to 70% more solar power than an equivalent-sized fixed rooftop installation.

Strackers Versus Other Ground-Mount Solar Systems

Compared to traditional ground-mount solutions that sit low to the ground and require that the owner dedicate a specific area to solar power generation, often with fencing all around, Strackers’ 14-foot ground clearance allows the continued use of the grounds below. This clearance makes them ideal for farms, playgrounds, yards, and parking lot applications. Not just people and cars, but even tractors, semis, and firetrucks can pass easily under the Stracker array. Beyond the ground usage benefit, Strackers also provide up to 70% more solar power than same-sized fixed ground-mount systems and up to 30% more power than single-axis solar trackers. 

While Strackers do require a minimum of maintenance, such as annual greasing, it can be done by the owner or through Strackers’ maintenance services; and snow removal is not an issue. Snow does not remain on Strackers as it does on fixed systems since the tracking movement of the array naturally sheds snow in its most vertical position, which occurs twice a day. If additional snow shedding is needed, a press of a button brings the array into a full-tilt position at any time.

Where Strackers Excel 

Strackers excel where rooftop solar is not feasible or wouldn’t provide the desired amount of electricity and do so without compromising the usage of the property.  Commercial, industrial, governmental, and residential customers, as well as community solar developers, who have sites where land use and maximum solar generation are important, will find Strackers the most suitable solution. 

Even when a home or building has an excellent solar orientation, Strackers may still be a good choice if:

  1. Net zero is the goal, but the customer doesn’t have enough roof area to achieve that.
  2. The customer prefers not to deal with any needed upfront roof preparation and has concerns about future leaks or having to remove the system for future re-roofing. 
  3. The condition of the roof doesn’t allow solar installation, or roof replacement would be due during the lifetime of the solar installation.
  4. The customer prefers not to have electric equipment installed on their roof with its potential fire hazard, even though the risk is slight.

Parking Lots

Parking lots are a natural fit for Strackers. Traditionally carport systems have been the chosen PV solution for parking areas, but due to their fixed nature, they lack harvest efficiency, one of Strackers’ key benefits. Instead of closing in parking lots with stationary carport systems, several stand-alone Strackers can meet customers’ energy needs while minimally affecting property use and aesthetics. In addition, Strackers come fully ready for Level 1, 2, or 3 EV charging stations. As a result, auto dealerships can power their operations and charge their electric vehicles without hiding their cars on display under carport solar installations. 

That’s why Ashland’s TC Chevrolet chose Strackers as their solar power generating system, which they will install later this spring. The elegant lot display lighting the units provide with their state-of-the-art LED lights will be a bonus. 

Agricultural Applications

For farms with crops or livestock, Strackers can be installed without interfering with agricultural operations. Strackers offer customers the opportunity to either produce solar power for their facilities without compromising the use of their land or generate additional income by participating in a community solar program and selling the electricity to participating members.

Cost-Effectiveness 

Strackers’ patent-pending drive core, all-steel structure, fail-safe control system, accurate GPS validated 220-degree tracking range, and optimal bifacial capability make them one of the highest quality products available.  They combine the best of solar with high-quality state-of-the-art engineering. 

Yet the cost difference per installed kWh between a Stracker solar installation and a rooftop solar one is usually minimal. For example, in recent competitively bid Southern Oregon projects, Strackers came out as the solar solution with the lowest cost per kWh compared with local residential rooftop systems. However, every project is site-specific, and it’s often difficult to define the cost difference between installations in different markets. For example, in Ashland, Oregon, residential rooftop solar prices might be much higher than residential or commercial prices in Austin, Texas. So Stracker Solar develops site-specific cost and energy production analyses for each project that allows customers to compare the cost-effectiveness of Strackers with other PV solutions. 

Net Zero with Strackers

Homeowners and businesses with poor solar orientation or lack of sufficient roof space often have difficulty achieving net zero energy. This is where Strackers come in. Their sales team discusses the option of net zero energy with every potential customer, and those who haven’t originally identified it as their goal are usually very receptive to choosing that path. As a result, Stracker Solar has helped many customers successfully meet their net zero energy goals while competitive solutions fell short for both power production and cost-efficiency. Of the Stracker installations to date, there are seven net zero residences, a net zero dental facility, and an off-grid ranch fully powered by Strackers. Also, seven vacation rental cottages and an office have become net zero thanks to a 6-Stracker community solar installation. 

The Stracker Vision

Stracker Solar is a growing start-up on a mission: to provide the most efficient solar solutions that allow homes and businesses to get on the net zero path and enable communities to maximize their solar production via land-use preserving community solar installations. To make Strackers available beyond their current service area, they are planning a targeted national expansion in the second half of 2022 through licensing of prequalified welding facilities in several promising markets, combined with a certification program for area PV installers. The expansion plan will be supported by targeted marketing campaigns and direct partner outreach. 

Strackers Solar has an excellent opportunity to make a difference for many homeowners, businesses, and communities looking to go solar who have inadequate roofs or no land to give up. Working with local solar installers, Stracker Solar can provide efficient solar solutions that best utilize available spaces and resources and make solar available to those for whom it otherwise would not be feasible.

By Joe Emerson, Founder of the Zero Energy Project. 

Based on an interview with Jeff Sharpe, Founder of Stracker Solar, who welcomes inquiries from solar installers interested in becoming Strackers resellers.

 

Reference

Breathing New Life into The Procuratie Vecchie in Venice
CategoriesArchitecture

Breathing New Life into The Procuratie Vecchie in Venice

Browse the Architizer Jobs Board and apply for architecture and design positions at some of the world’s best firms. Click here to sign up for our Jobs Newsletter. 

Few cities in the world have been for so many centuries a melting pot of different languages, religions and lifestyles as Venice: here, the salty air of the lagoon not only gave rise to the city’s trade relationships, but also continues to create an intoxicating atmosphere that lays fertile ground for cultural exchange and dialogue.

Procuratie Vecchie is an iconic building that occupies the north side of St. Mark’s Square: completed in the first half of the 16th century, the complex — once the seat of the Procurators of St. Mark’s, high officials with offices inferior only to those of the Doge and responsible for assisting the poor — since the 19th century has housed Generali, one of the largest global insurance and asset management providers.

Introduction tunnel. Photo by Andrea Martiradonna

“The Human Safety Net”. Photo by Andrea Martiradonna

After the completion of the restoration, commissioned by Generali and designed by David Chipperfield Architects Milan, a large portion of the complex has finally opened to the public. The restoration, which involved the renovation of the first and second floors, the reorganization of the accessibility of the building through the insertion of new stairs, and a renewed central entrance on the third floor, has not only brought back to its original splendor one of the most fascinating places in Venice but it is also re-established the building’s link to the original social dimensions of the larger Renaissance complex.

In addition to being a place of work, the building’s third floor houses the 32 291 square foot (3000 sq m) home of the Generali Group Foundation, “The Human Safety Net,” which works to improve the living conditions of people in vulnerable situations around the world. To convey the spirit of the Foundation, the third floor hosts the interactive exhibition “A World of Potential” curated by Orna Cohen and Andreas Heinecke, founders of Dialogue Social Enterprise and designed for the interior, exhibition, graphics & multimedia design by the Milan-based studio Migliore+Servetto under the artistic direction of Davide Rampello.

Sketch by Ico Migliore

Exhibition itinerary. Sketch by Ico Migliore

In addition to the exhibition, the Migliore+Servetto studio developed the design of the reception and commercial areas on the ground floor and the spaces for interaction on the third floor: a café, a coworking area, event rooms and an auditorium.

Achille Castiglioni used to say that “we don’t design objects or spaces but behaviors”: and this statement can only be more apt in relation to this exhibition. In fact, the exhibition offers visitors a cognitive experience to recognize the potential in themselves and in others, according to the “learning by doing” method by John Dewey and on the basis of the ” values in action” outlined by the positive psychology of Martin Seligman and Christopher Peterson, and selected by the curators (creativity, kindness, perseverance, gratitude, curiosity, hope, social intelligence, teamwork): the result is a project halfway between a science and technology museum and an anthropological experience.

The café. Photo by Andrea Martiradonna

The coworking. Photo by Andrea Martiradonna

The entire itinerary is characterized by three recurring symbols: the table, the nest and the mirror. The table is an emblem of meeting and dialogue, and is present throughout the interactive installations and in the convivial spaces. Meanwhile, the nest symbolizes welcome and bonds, and recalled in the structures of the bookshops. Finally, the mirror, which in Venice boasts a centuries-old tradition, recurs in the furnishings of the café and in various installations as an allegory of reflection and of the comparison with oneself.

The café with optical chamber. Photo by Andrea Martiradonna

The Venetian theatre. Photo by Andrea Martiradonna

The entire narrative space, suspended between craftsmanship and refined technologies, tells of a strong bond with the city. Venice’s pulsating life is filtered uninterrupted through the “oculi” — the openings on the façade of the third floor. Some of these openings create a system of visual enlargement that recalls the optical machines of Canaletto.

At the beginning of the exhibition, the wooden puppets of Harlequin, Pantalone and Columbine — masks of Venetian theater — animated by sophisticated technology interact with visitors by answering questions about the history of the city in several languages. The installation “Window on Venice” allows visitors to take a leap back in time, exploring in 3D what some places in the city looked like in the 16th century.

Team work. Photo by Andrea Martiradonna

Team work. Photo by Andrea Martiradonna

The partitions of the spaces and the furnishings, all designed by Migliore+Servetto, enter into conversation with the existing structures. This dialogue enhances the presence of local materials such as glass, copper, wood, mirrors. The characteristic Venetian “bricole” constitute the supporting structure of the installation of the exhibition route dedicated to team working; the benches of the café, in natural wood, recall those of the historical Venetian cafés; the patterns of the carpets rework traditional motifs, such as the ornate arches of the Doge’s Palace or the “millefiori murine”; the chandeliers made by local master glassmakers create an evocative dialogue between natural and artificial light.

The studio also contributed to the selection of the contents of the Art Studio, the space dedicated to temporary exhibitions that hosts “CHUTZPAH. A tent that is not a tent, animals that are not animals”, curated by Gabi Scardi, is a project created by the collective “Atelier dell’Errore BIG” that gives voice through art to a community of young people marked by neurodiversity.

Image by Migliore + Servetto architects

Social intelligence. Photo by Andrea Martiradonna

The temporary installation, also by the studio, of 100 external tapestries on the façade of the Procuratie Vecchie facing St. Mark’s Square and 22 tapestries on the internal façade of Corte Maruzzi tells about the actions and the identity of the Foundation.

An intervention under the banner of a holistic approach that, through the culture of inclusion, social innovation and sustainability, and through an effective design language, opens new possibilities for self-awareness and awareness of others, in the perspective of transforming more and more the concept of “me” into that of “us”.

Browse the Architizer Jobs Board and apply for architecture and design positions at some of the world’s best firms. Click here to sign up for our Jobs Newsletter. 

Reference

3D-printed aquatic reefs made from cremated remains
CategoriesSustainable News

3D-printed aquatic reefs made from cremated remains

Spotted: What if, instead of scattering your loved ones’ ashes into the ocean, you could give them a more permanent resting place that would also help regenerate marine ecosystems?

This is the idea behind Resting Reefs, a system of 3D-printed artificial reefs designed to be made from cremated remains. The project was developed by Louise Lenborg Skajem and Aura Elena Murillo Pérez, graduates of the Royal College of Art in London.

The Reefs are designed to provide a habitat for marine life, helping to restore biodiversity in areas where natural coral reefs have been destroyed. According to the developers, each reef can support up to 16 different species of marine life.

To test their design, the team used animal bones and pulverized oyster shells—in place of human remains—to make a composite that may be 3D-printed into stippled mounds. The mounds resemble the form and natural growth pattern of stromatolite reefs, which are made up of microorganisms like blue-green algae.

Forming cremated ashes into solid reef mounds also provides surviving family members with a permanent place to pay respects to their loved ones.

The reefs are intended to be placed in shallow waters near the shore – where they can provide a home for small fish and other creatures. Eventually, the developers hope to create a version of the reef that can be used in deeper waters.

The Reefs are designed to provide a habitat for marine life, helping to restore biodiversity in areas where natural coral reefs have been destroyed. According to the developers, each reef can support up to 16 different species of marine life.

Other reef-related innovations spotted by Springwise include underwater ‘coral cities’ that revive marine life, ‘coral IVF’ used to re-populate damaged reefs, and bacteria that protect reefs from heat stress.

Written By: Katrina Lane

Website: restingreef.co.uk

Contact: restingreef.co.uk/contact

Reference

CategoriesArchitecture

What Do We Lose When We Demolish a Meaningful Megastructure?

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The brutalist megastructure Cumbernauld Town Centre in Scotland is to be demolished and replaced with a new one. Many historians deem the demolition damaging to architectural heritage while supportive comments about the demolition are widely heard from the town residents.

The town center was part of a plan that founded the new village of Cumbernauld, Scotland in a bid to diffuse the population from Glasgow to surrounding towns. The building, designed in the 1950s aimed to provide convenience to the community living by bringing apartments, retail, healthcare, a hotel, a skating rink and even educational facilities altogether under a single roof; it was at the forefront of the defining the new typology that later became known as a megastructure. Construction continued from the 1960s to the 1980s in different phases and later refurbishments painted the form colorful.

Cumbernauld Shopping Centre, By Ed Webster

The idea driving the design was to an urban one. When planning for the new town of 50,000–80,000 people, urban designers came up with a scheme where the community’s shops and amenities would be concentrated within a single building, sot that the residents of the high-density housing that surrounded it would all be required to converge under a single roof. The various neighborhoods would be connected to the structure via pathways (covered and uncovered). Notably, the design was completed and the design had began before the term ‘megastructure’ had even been coined (in 1964). The concept would play a leading role in architectural discussions — especially those led by radical architecture groups like the Metabolists, Archigram and Superstudio — over the subsequent decade, though few were ever built.

The Cumbernauld Shopping Center served as a case study for megastructures in many university classes. Yet, as time passed, the already complicated form became even more visually fragmented. Aside from those with a nostalgic appreciation for the original design, hardly any positive comments could be made on its aesthetics. Meanwhile, it is difficult to recognize its brutalist identity from its current appearance. Looking at the photos, one is more sympathetic to the town center’s crude two-time title as the “most dismal” place in Scotland.

The Unfashionable Style

robinhood gardens_exterior

Robin Hood Gardens (1968-72) by Peter and Alison Smithson, image by stevecadman via Wikimedia Commons.

Cumbernauld Town Centre is just one of many brutalist buildings to be abandoned by the 21st century; however, as a megastructure, it is rather unique. The 1.5-hectare estate Robin Hood Gardens in London by Peter and Alison Smithson has been under demolition since 2017. Two campaigns were mounted to save the massive Brutalist residential complex from demolition but failed. Only a three-story section will be preserved by the Victoria and Albert Museum for historical records, including two maisonette apartments, their facades and a walkway. Even listed structures are not 100% secured, as their listed status could be revoked to make way for redevelopment.

Brutalist architecture was not only fashionable in the UK but also gained widespread international favor after WWII. The massive, straightforward forms and honest, intensive use of concrete were avant-garde at the moment not only for the style but also for the idea of bringing multiple facilities together in one complex. Concrete was often the language of build megastructures. The elimination of decorations and the use of cast-in-situ concrete allowed for fast establishment or re-establishment of communities in the post-war recovery period when resources were generally short and the need for build space overwhelming. The material and the new typology were also free of historical baggage; just what was needed in the wake of a war that seemingly marked the end of history.

Yet, many of the buildings were done in hurry or lacked sufficient budgets for their upkeep; they therefore required careful management and regular maintenance to ensure they remained useable. Indeed, while the concrete structures are strong enough to stand for decades because of the tough nature of the material, the softer parts like lighting, electricity, interior finishing etc. are easily damaged and degradated, influencing the quality of living and use-value.

Living With Brutalism

Boston City Hall

Boston City Hall Renovation by Utile Design, Boston, MA, United States.

Fashion changes every season every year so does the preference for architecture, although less frequently. Taking the outdated ones down and building new ones on top of them is the easiest way to execute while also favoring the market with trending styles. However, we should not wipe off traces of urban history for trends that are eventually going to change again. It is the rich history of a city that makes the city stay unique under globalization and it is the collective memory associated with every corner of the city that makes our city special to us.

Take, for example, the Boston City Hall — a typical brutalist structure that, being typical, received criticism over years. Instead of demolition, surgical interventions are employed to make the building civic again. The design team improved the security system, redesigned the navigations and lit up the space with brighter and more energy-efficient LEDs lighting to make the building more welcoming. A coffee kiosk and seating areas are added to improve visitors’ experience. The urban landscape around the city hall is also under renovation with the aim of neutralizing the cold concrete buildings and inviting visitors with more vegetation, seats and areas for gathering.

barbican_interior_2

The interior design of an apartment in the Barbican by Quinn Architects, London, England.

The Grade II listed Barbican Estate in London is another great example of a “living” brutalist building, which is also a megastructure. Unlike the suburban Cumbernauld Town Centre, the Barbican stands on a bombed site of 14 hectares within the tight urban context of central London. It includes some 2,000 residential units, galleries, schools, a theater, a conservatory, a library, water gardens and elevated pedestrians that connect everything. Refurbishments, including one in 2007 which spent £35 million, were carried out to meet contemporary needs. Its brutalist appearance has been honestly preserved — much to the chagrin of some loud voices. Meanwhile, there are plenty of those who embrace the form and the idea of living in a community held within one complex.

The “Notorious” Megastructure

Compared to its successful contemporaries, the refurbishments of Cumbernauld Town Centre were not critical enough for it to catch up with nowadays standards, either functionally or aesthetically. As one of a few megastructures ever built, is there a historical argument to be made for restoring this rare building? After all, the Cumbernauld Town Centre represents more than just brutalist aesthetics; it is a concrete implementation of innovative urban design concepts from the post-war period. (This is not to mention the environmental argument: it is a waste to demolish the massive concrete structure, which consumed a considerable amount of resources to build. One can only hope that it will be recycled into secondary materials.)

On the other hand, even though the “notorious” megastructure is going to be replaced by a new one of nothing recognizable in design and style, one could argue that it is unfair to maintain a dysfunctional building that is not improving life quality in any way for the locals. Perhaps a good renovation could save the Cumbernauld Town Centre, but we are probably going to miss it forever.

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletter.    

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An AI negotiation chatbot powers the circular economy
CategoriesSustainable News

An AI negotiation chatbot powers the circular economy

Spotted: As e-commerce continues to grow, so too does the need for scalable technology solutions that help businesses maximise their sales. Nibble Technology is an artificial intelligence (AI) e-commerce negotiation chatbot that creates a pleasant, customised connection between customers and merchants. The chatbot—which can be integrated with leading e-commerce platform Shopify—lets customers make an offer for a product when browsing a retailer’s product pages. The negotiation process is very quick, with customers able to strike a deal in under a minute.

Nibble has recently released an updated version of its Shopify app, while securing a new funding round anchored by UK-based venture capital firm Venrex.

The updated app features improved AI negotiation capabilities, and is specifically focused on supporting businesses in the circular economy and B Corporations. Half price fees will be offered to these clients to support their sustainable business practices. Following the update, Shopify store owners will also be able set up Nibble in minutes. Non-Shopify customers can also use Nibble through the company’s API.

Pre-owned marketplaces (both offline and online) have always utilised negotiation to reach a mutually beneficial agreement for both the customer and seller. Nibble brings this concept into today’s environment, providing customers with the feeling of an in-person negotiation, while increasing customer interaction, and boosting conversion.

Other AI-powered retail solutions spotted by Springwise include an AI solution for the fashion industry that personalises customer experiences and avoids supply chain waste, an AI-powered sensory quiz that provides wine recommendations, and computer vision used for fashion cataloguing.

Written By: Katrina Lane

Website: nibbletechnology.com

Contact: nibbletechnology.com/#get-in-touch

Reference

Upcycling barley byproducts into high-protein flour
CategoriesSustainable News

Upcycling barley byproducts into high-protein flour

Spotted: Seoul-based food upcycling startup RE:Harvest has created a new flour alternative made from upcycled barley from the production of beer and sikhye – a traditional sweet Korean beverage. So far, the company has raised ₩200,000,000 (around €150,753) in seed funding from Sopoong and SparkLabs Accelerator.

RE:Harvest says that its powder is not only more sustainable than traditional flour, but that it also has a higher protein content. The company is currently working on scaling up its production so that it can meet the demand from both domestic and international customers – as well as expanding their byproduct sourcing.

The company believes that it is a ‘perfect fit’ for food and beverage firms looking for options to hit the Korean government’s 2050 net-zero carbon emission goal. The new flour is produced through a patented process which upcycles these byproducts into a high-protein, low-carbohydrate powder. RE:Harvest says that one kilogramme of their flour can save up to 1.1 kilogrammes of carbon dioxide emissions, and that the flour can be used in a variety of baked goods and other products such as pasta and pizza dough.

The company is currently liaising with six major breweries in South Korea—including brewing giant Oriental Brewery—who will supply barely byproducts to them at no cost. Conversations are also being carried out in Indonesia with Heineken subsidiary Bintang.

Other sustainable food alternatives recently spotted by Springwise include alternative fats produced through fermentation, a replacement for vegetable oil made, an environmentally sustainable alternative to egg whites.

Written By: Katrina Lane

Email: info@reharvest.net

Website: reharvest.net

Reference

100 Renderings That Tell Stories About Architecture and Our World in 2022
CategoriesArchitecture

100 Renderings That Tell Stories About Architecture and Our World in 2022

The largest exhibition of architectural renderings in 2022 is officially here! We are thrilled to reveal the 100 Finalists for the 3rd Annual One Rendering Challenge, each one telling a unique story about architecture’s role in the shaping of modern society. Below, you’ll find every amazing image that made the Top 100, forming an extraordinary showcase of architectural visualization and narrative-driven design.

Our stellar line up of expert jurors are now reviewing each of these images in minute detail, and their decisions will revealed with the publication of the Official Winners’ Announcement towards the end of April. The renderings will be judged according to the competition criteria. For the One Rendering Challenge, jurors’ rankings are converted into scores, which then give us our two Top Winners and 10 Commended Entries.

You can explore those 100 renderings below (published across 4 posts and in no particular order), accompanied by their stories. Tell us which is your favorite on Instagram and Twitter with the hashtag #OneRenderingChallenge! Below, “Part 1” presents the first 25 architectural visualizations — you can jump to part 2, 3 and 4 using these buttons:

Part 2     Part 3     Part 4


“Kaiserwagen” by Zana Bamarni

“Depicted in this image is my hometown Wuppertal. The world famous Schwebebahn, which was build over one hundred years ago as a result of advancements in steel production and metal fabrication, still remains to awe visitors when it meanders through narrow streets above the river Wupper. Shown here is a speculative redesign of the city in the spirit of the early Schwebebahn designs and its historic “Kaiserwagen”.

A lot of motivs were drawn from historic Schwebebahn Stations and the Art-Nouveau movement. A combination that is very fitting in a historical context. Both were made possible due to the progress in metal fabrication and could have been natural evolutions of each other. This image celebrates the joyful mingling of architecture and craftsmanship and carries this spirit into the scenery itself. People mingling.”

Software used: V-Ray, Rhino


“REMEMBRANCE” by Zoe Russian Moreno

“Memories and dreams sometimes go hand in hand. The combination of reality and fantasy is an intrinsic force that supplies the creative portfolio of an artistic mind with endless possibilities. Nevertheless, even with all the infinite pieces put together sometimes one can’t help but look into triggers of certain spaces that take you back into specific moments of life. This particular studio is a combination of said moments in time; clutter in respective areas, materiality, scale, objects and the conglomeration of mechanical pieces grounds the imagery, which brings a sense of character that many people resonate with. It’s a sense of remembering a space that does not exist. A remembrance.”

Software used: V-Ray, 3ds Max, Photoshop


“The Lantern” by Evan Mott

“On December 21, 1848, a white plantation owner, traveling with his enslaved servant, passed through the Central of Georgia Railroad terminal in Savannah, seeking medical care in Boston.

Or so it seemed.

In actuality, the pair were Ellen and William Craft. Enslaved since birth, the married couple devised an artful plan of escape in which fair-skinned Ellen disguised herself as William’s white owner. Four terrifying days and 1,000 miles later, they successfully carried their lantern to freedom. They would devote their lives to exposing the dark brutalities of slavery, lighting the way to liberty for others.

Today the same railroad terminal, reimagined as the SCAD Museum of Art, carries its own lantern. The glow of the 85-foot glass tower reminds us that Craft-like creativity and courage are essential in building and protecting the delicacy of equity and freedom.

Thank you, SCAD, for telling this story.”

Software used: V-Ray, 3ds Max, Photoshop, Other


“Up In The Air” by Vittorio Bonapace

“The First Settlement on Mars.

The author imagined the first Colony – not so far in the future – inhabiting the sky into high-altitude balloons, leaving Mars’s surface for laboratories, roads, research and science experiments. “Up In The Air ” is part of a set of three illustrations. It’s not about the first epic human’s landing on the planet; the whole concept is about the confidence of living there, enjoying home.”

Software used: 3ds Max, Corona Renderer, Photoshop, Other


“Halo Funeral Center” by Pablo Emilio Vázquez Ramos

“Located near a highway between two major cities in the north of Mexico, Monterrey and Saltillo, the site generates from the hillside of the mountain chain. A ring with an inner radius of 47m, a section of 18m and an outer radius of 65m. Embedded in the ground giving the appearance of rising or detaching from it. The intention of the project is to guide the farewell process of a loved one through the natural and architectural environment. HALO Funeral Center stands out for its morphology and relationship with the context that generates a farewell process for both the bereaved and the deceased. In this way achieving a liberation and a healthy duel.”

Software used: Blender


“About Storeys and Stories” by Guilherme Marcondes

“People is what gives architecture life. With all their different lights and colors, they make the spaces alive. When designing a façade, a lot of effort is put into the relation with the exterior environment. With this rendering I wanted to focus on the role that the interior spaces play in a façade. Each of these windows have a story to tell, a feeling to show, a thought going on.

Home can have a lot of meanings: it’s where we come after work, rest, see our loved ones. It’s where we process the thing that happened outside, where we plan the things we want to do outside. Most importantly, it’s where we can show our true colors: sometimes bright, strong and warm. Sometimes soft, cold and blue. Through the day and the night the façade is where we see not just the city, but also the people’s light.”

Software used: 3ds Max, Corona Renderer, Photoshop


“Layers of the Underworld” by Keyhan Khaki

“A boundless generative study for a spatial understanding of an infinite archive dedicated to letters and stamps in the context of Campo Marzio. Inspired by “The Library of Babel” by Jorge Luis Borgestry, the drawing tries to incorporate the idea of sauntering and browsing through ramps. It explores the layers beneath the Campo Marzio in relation to the accumulation of historical letters and records. This is a result of moving upward and downward into the layers of Campo Marzio imagined by Giovanni Battista Piranesi (1720- 1778).”

Software used: Rhino, Lumion, Photoshop


“Foot of The Hill” by qiantailong Shi

“Overlooking the sky, the water,the mountains and the small houses, they form a long picture that is deeply touching. The combination of a long time and strong strength reveals a solemn scene and makes people linger and forget to return. I suddenly had a strong desire and shouted at the mountain opposite. Bursts of pleasant echoes reverberated in my young heart, and my heart suddenly gushed a kind of magnanimity I had never had before. I felt that I had melted into the mountain.”

Software used: 3ds Max, SketchUp, Corona Renderer


“Gravity” by jingwei li

“The illustration explores a future in which architectural forms grasp to reach beyond Earth’s gravity. Density and population lead some to choose a nomadic life-style, free to roam the open plains below…”

Software used: V-Ray, 3ds Max, Photoshop


“Museum of Memories” by Hristo Rizov and Arthur Panov

“What are memories if not frozen fragments of time?
Locked there in the museum.
Screaming for attention.
Wrestling to keep you restless.
Some full of sorrow and unrealized dreams.
Some… of uncried tears.”

Software used: V-Ray, 3ds Max, Photoshop


“Fainted Hope” by Dennis Grimm and Renato Aguilar

“Faced with the cruel reality everybody witnessed on TV in 2021, we were moved and felt responsible to act.

The image was to grab the viewers’ attention, evoke a feeling of affectedness, and make them reflect on the situation. The ambiance was inspired by several images we found of Afghan habitations. We aimed for realism, so we tried our best to capture the arid and vast landscapes we saw in these references and model authentic regional architecture. Finally, the young women are the focal point of the entire scene, they are quite literally in the middle of everything.

The environment, the architecture, and especially the characters – everything had to look and feel as real and convincing as possible. The women’s postures and facial expressions are crucial in conveying this feeling of uncertainty and helplessness, so we put a lot of effort into their appearance.”

Software used: 3ds Max, Corona Renderer, Photoshop


“Sunset Love” by Mark Eszlari

“Churches are sacred spaces where people unite spiritually with a higher power. We enter churches when faced by pure and meaningful emotions like true love. Churches are therefore unique types of architecture where humans can express their deepest feelings through prayers influencing their psychology, philosophy and lifestyle. Love at first sight usually culminates in a church during the wedding ceremony.

The illustrated couple expresses their love for one another, sharing a kiss at sunset, before climbing the stairs to enter this sacred space while the priest looks after them with his prayers, binding the souls together to be one. The design of the church is inspired by praying hands pointing towards heaven, the location by Greek islands. The elements such as the red roses, symbol of love, the sunset and staircase to the church contribute to the romantic emotions adding warmth to the image, a metaphor for hearts in love.”

Software used: 3ds Max, Corona Renderer, Photoshop


“Shanty Stack” by Arnaud Imobersteg

“The sun is warming the air as the market is closing now. My shirt is already sticking to my skin. They advised to avoid going out, but I feel good, I’m only coughing. Uncle Alisha is saying he got sick because it’s not air anymore, he says that before we used to see the sky and it was blue. But I don’t know; maybe he’s just getting old, he’s already 37. The Stack is constantly growing as new people are moving in. Are they coming from Above?”

Software used: Blender


“Cheese Factory” by Artem LT and Mykola Mondich

“Cheese factory. A place that is sure to please guests, especially fans of healthy eating preservation of national traditions, local cuisine. The landscapes there are also quite beautiful – the peaks of the Carpathians are clearly visible. Shepherds work here from spring to autumn. During this time, many sheep can be seen on the slopes. Various cheeses, Budz, Bryndza, Vurda are prepared on the fire. You can see with your own eyes a difficult but pleasant process, the preparation of Hutsul cheeses.

Architecture is organically integrated into the environment. Polonyna is a forestless area of the upper belt of the Ukrainian Carpathians, which is used as pasture and hayfield. Hutsul cheese becomes first Ukrainian product with protected geographical indication. Hutsul Bryndza is made of mountain sheep milk in accordance with traditions dating back to the 15th century on the summer high mountain pastures of the Carpathians.”

Software used: 3ds Max, Corona Renderer, Photoshop


“SHINE” by Alexis Bossé

“I dreamed of a circle room with countless thin arkd who fall in the center. At first, I tried to make a subtile natural light like a overcast sky. I worked shaders of walls and arks with dressed stone for remind stuctures like abbayes and churchs. After that I really wanted to make a old dark wood floor with a lot of wear but in the same time I want to make it elegant with strong reflections. I choose a dark Floor because this helped me contrast the image, the room is globally dark except for the center of the image. I placed a tree with a soft shape to stay close to the arks shape. After that I added few artificial lights with warm color to have more reflections on the floor. I tried to make a place which is perceived like sacred and silent.”

Software used: V-Ray, 3ds Max, Photoshop


“Victory St” by Dániel Ócsai

“My story depicts a dystopia that is mostly driven by the cold and insensitive brutalism of Orwell’s 1984 novel and the post-soviet era in Middle-Eastern Europe. These types of buildings are called “panel houses” in Hungary, which means houses made of reinforced concrete blocks. Most of these were built right after World War II, when suddenly many people had to be accommodated.

I love the negative charm of these monsters that makes them look like they will stand forever and beyond. On my image the inhabitants have either left the building or taken them away – who could tell. The man in the cap can be a propagandist or some kind of servant who is a faceless, impersonal part of the omnipresent, yet intangible system. Life is unknown down there, but presumably everyone is doing an automated, meaningless job. I think less information says more here.”

Software used: Cinema 4D, Photoshop, Other


“The Remnant” by Sai Lam Ma

“Day 1947

This is it, the tales are true. I’ve found the remnant of human civilization from all those years ago.

It was said people used to turn to technology for all their problems, almost worshiping it as if it was the solution to everything. But only if they would look closer, they would have noticed all the pollution, inequality, conflict and harm they were causing. Instead of going to the roots of these problems, they slowly trapped themselves in this concrete tomb scrambling for some miraculous device to save them all. Maybe only then, when it all come crashing down would they realize how they should have treasured it all. Maybe only then, would they start to let nature heal.

They could have left us with so much more than a monument of regrets…”

Software used: V-Ray, Rhino, Photoshop


“THE SECRET LIFE OF A DAM” by Dominic Maslik

“This is the story of an old industrial building with a new form of life. One idea was popping in my mind to take the most industrial function and to make it not only a practical source of energy, but also architecturally and publicly friendly. Looking over different dams around the world I realized that’s the perfect ground for the imagination. Brutalist aesthetics, and the almost military look of the dams, made me overthink their use.

What if it can be used by the public, attract tourists? When I realized It can be redesigned also as a garden, lookout, integrated into nature as a beautiful architectural element there was no hesitation where it potentially could be. I took as a location lush Australian forest with its amber rivers coming from the mountains. My inspiration for the scene and color-grading were coming from Austrian landscape painters such as John Wilson, John McCartin, Frederick McCubbin.”

Software used: V-Ray, 3ds Max, Photoshop


“Tokyo Rift” by Felix Manibhandu

“Growing up in urban South-East Asia, I’ve found there’s nothing in comparison to the chaotically beautiful sensory overload.

The typical high-rise modular architecture above provides enclosure to the sprawling hustle and bustle of micro communities below, night time transforms high density spaces to a fluorescent techno-visual feast.

This work in progress it to develop in to an environment camera pan shot. The first frame is a reimagining of what could be the sights, sounds and smells of a city I’ve never visited, referencing heavily on past experiences and emotions.”

Software used: Photoshop, Other


“The Meditation Temple” by Fatimah Ishmael

“The project is an anti-surveillance monastery in the mountains of China named the ‘Blind Spot’. Located more specifically in Fengdu ghost city, Chongqing, the Blind Spot is a retreat/sanctuary where you can escape the pressures of a heavily surveilled society. It is temporary living off the grid and houses sleeping chambers, meditation rooms, learning centres, and is influenced by the design of Buddhist monasteries.

The Meditation Room is constructed by metal mesh (influenced by a Faraday cage) and is a retreat within a retreat. It conveys a peaceful yet eerie feeling; though the cage-like construction stops the electromagnetic fields (WiFi, etc), the exposed and semi-transparent walls and floors still give the feeling of being watched.”

Software used: V-Ray, Other


“Celadon City (Saigon, Vietnam)” by Nhi Hoang (Producer), Lucien Bolliger (Executive Producer), Trinh Thai (Art Director & Visualizer) Quynh Luong (Model), Ng Lee (Model), Thanh Ho (Model photographer), Gamuda Land (Developer), Soyon (Creative agency), and createdby.ma (Architecture Visualization Agency)

“Saigon has evolved from the ’70s-nowhere else in Vietnam can one experience the quickly changing cultural and economic shift that takes place before our eyes. The 10+ million inhabitants seem to be constantly moving…Locals and foreigners, looks, sounds, smells, tastes all mix, and create something so eclectic and excitingly new that is impossible to capture in words. The city’s constantly buzzing. Moving. People yearn to break the shackles of the past, the shackles of society’s expectations. Poverty, traditional values, and collectivism are quickly shifting to consumerism and individualism.

Our CGI aims to captures the hustle, bustle and buzz one can feel in Saigon. The two models embody the modern people of Saigon, whereas the rest of the city moves around them at lighting speed. We used a neo-noir, cyberpunk-inspired mood to imply how this place isn’t stuck in the past, but very much representing the future.”

Software used: 3ds Max, Corona Renderer, Photoshop


“Group Therapy” by Gourav Neogi

“We heard the thump of music. A door swung open, LED lights bleeding into the night. The space was packed but it felt familiar, like being reunited for the first time with people you didn’t really know. Some whose first names you know but whose numbers are not in your phone. You have no idea what they do for a living, or where they are from, or how old they are. You see them on the dance floor, where you have been hanging out for years.

This images captures a moment from the future as the pandemic restrictions are lifted. This ordinary corner of the Schaulager museum designed by the Swiss firm Herzog & De Meuron, becomes the destination for an underground techno party in Basel.”

Software used: V-Ray, 3ds Max, Rhino, Photoshop


“Cabins in the Woods” by Behzad Keramatih and Hizir Kaya

“City life can be vibrant, diverse, and dynamic. But it can also be crowded, polluted, and noisy; It is overstimulating which can make people feel stressed and overwhelmed. So the question is what’s the antidote to modern life stress? That is why we in the DD Studio decided to design a cabin in the woods in our style with minimum interference with nature as a building and maximum view. In this image, we are trying to show the communication between nature and humans and how the cabin sits in context.”

Software used: 3ds Max, Corona Renderer, Photoshop


“Reclaim the Air – AirKeepers” by Minsung Kim

“Along the Passaic River from Port Newark through Jersey Turnpike, air pollution caused by toxic factories and transportation leads to increased health concerns and affects families’ health and vulnerable communities in Newark and the entire New York Metropolitan area.

The rendering shows AirKeepers’ interventions to combat air pollution along the Passaic River. The Mist Towers emit mist to capture toxic chemicals and particulate matter and drop them down to the ground. Then, Hyper-accumulating plants absorb the fallen pollutants and keep them away from the river. Additionally, Drones monitor the air quality and alert polluted air by emitting lights, helping people avoid being exposed to the pollutants.

While the scale of pollution is far greater than the Newark area alone, AirKeepers view these design interventions as a framework that can be used in the future to guide design efforts for combating pollution around the region and creating a healthier environment.”

Software used: V-Ray, Rhino, Photoshop


“The Construction of the Mihama Nuclear Shrine” by Sabina Blasiotti

“In 2012, Japanese architect Katsuhiro Miyamoto made the extraordinary proposition to erect giant Shrine-style roofs over the ruined reactors of the Fukushima Daiichi Nuclear Power Plant after the 2011 nuclear disaster. The conceptual idea of using the roofs to signify the presence of a powerful force on site extends to a workable proposition, based on the Japanese culture where shrines are rebuilt every 20 years to ensure that traditional building techniques are passed on generations. Likewise, the upkeep of the reactors’ decommissioning will extend in centuries, therefore the construction of these roofs is chosen as a form of preservation, to transmit the knowledge of Nuclear Waste management to future generations.

This drawing retells the story of Miyamoto, the construction of the Nuclear Shrine further influences the regeneration of the surrounding abandoned coastal landscape, repurposed as a sanctuary integrating ceremonial and commercial activities such as fishing and rice farming.”

Software used: V-Ray, Rhino, Photoshop

Next 25 Renderings →

Reference

Global innovation spotlight: South Korea
CategoriesSustainable News

Global innovation spotlight: South Korea

Global innovation spotlight: South Korea

Global Innovation Spotlight

South Korea Innovation Facts

Global Innovation Index ranking: 5th

Climate targets: reduce emissions by 40 per cent below 2018 levels by 2030, carbon neutral by 2050.

Sustainability issues:

Air quality – Air pollution is a significant issue in South Korea. In one survey by the Ministry of Environment, 97 per cent people of people said that air pollution was causing them physical or psychological pain. Some of this pollution is home grown, but experts estimate that around 60 per cent of South Korea’s air pollution is blown into the country from China.

Coal power – South Korea’s continued reliance on coal power contributes to the country’s homegrown air pollution and greenhouse gas emissions. Coal accounts for nearly 30 per cent of South Korea’s total primary energy supply, and nearly 45 per cent of the country’s electricity supply is generated from coal

Water management – South Korea suffers from both high population density and water scarcity – which is exacerbated by pollution from livestock and storm water run-off. Moreover, the country faces a higher risk of flooding than other developed countries. As a result, the country faces significant water-related risks, which makes water management a critical issue.

Sector specialisms:

Transportation

Health

Social and leisure

Source: Startupblink

Three Exciting Innovations From South Korea

AI device translates images and webpages into Braille
Photo source Dot

AN AI-POWERED DEVICE TRANSLATES IMAGES AND WEBPAGES INTO BRAILLE

With only around three per cent of the world’s accessible texts available in Braille, people living with sight impairments have an extremely limited library from which to choose. Set to transform this situation is South Korean assistive device company Dot. With its new artificial intelligence (AI) powered software, the company is making more content—including images—available to Braille readers. Read more.

Partnership creates sustainable plastic recycling eco-system
Photo source Innerbottle

A PARTNERSHIP CREATES A SUSTAINABLE PLASTIC RECYCLING ECO-SYSTEM

LG Chem, the chemical unit of South Korea’s LG Group, has joined forces with a local reusable plastic bottle manufacturer and a leading logistics company to establish a more efficient and sustainable recycling system for plastic cosmetic containers. The move comes as part of the company’s wider efforts to tackle the global issue of plastic waste. Startup InnerBottle produces reusable plastic bottles with a replaceable elastic silicon inner layer, while CJ Logistics collects used bottles from customers. LG Chem itself sources materials for the production of the reusable bottles. Read more.

Sustainable flour alternative from barley
Photo source Olga Kudriavtseva on Unsplash

UPCYCLING BARLEY BYPRODUCTS INTO HIGH-PROTEIN FLOUR

Seoul-based food upcycling startup RE:Harvest has created a new flour alternative made from upcycled barley from the production of beer and sikhye – a traditional sweet Korean beverage. The powder is not only more sustainable than traditional flour – it also has a higher protein content. As society moves towards plant-based diets, protein-rich nutritious flours could be an important part of the solution to feeding the world sustainably. Read more.

Words: Matthew Hempstead

To keep up with the latest innovations in sustainable investment and beyond, sign up to our free newsletters or email info@springwise.com to get in touch.

Reference

How Mega Project Iconsiam Pushes the Boundaries of Material Science
CategoriesArchitecture

How Mega Project Iconsiam Pushes the Boundaries of Material Science

Mega projects inherently push limits. As the largest design efforts to shape the built environment in a given age, they naturally drive innovation simply due to the sheer scale of their undertaking. But while their development tends to bring about novel approaches to design and construction when considered in whole, the innovations they realize in the application of individual architectural materials is often overlooked.

Mega projects need mega materials, which is why cutting-edge technical porcelain stoneware from FMG Fabbrica Marmi e Graniti was a perfect fit for the larger-than-life Iconsiam development in Bangkok, Thailand. A massive, mixed-use complex featuring two residential skyscrapers, various cultural attractions and two malls, FMG’s high-performance MaxFine White Calacatta surfaces were used on the interior floors and exterior façade of Iconsiam’s malls.

The malls themselves, named Iconsiam and Iconluxe to differentiate each other’s brand offerings, are a maximalist fusion of all things Thai. Aspects of Thailand’s culture including art, food, and works from traditional and contemporary artisans are all synthesized under one roof in ways never before attempted. Designed to accommodate 150,000 daily visitors, Iconsiam and Iconluxe needed equally pioneering flooring and façade materials to perform well under extremely taxing conditions.

Designed to be utilized in large public spaces, Iconsiam’s floors are covered in FMG’s MaxFine White Calacatta surfaces, in both matte and glossy finishes depending on their location. MaxFine White Calacatta Active Surfaces® slabs, featuring antimicrobial and air purifying properties, wrap a majority of the building’s exterior. Together they employ the latest technological innovations to achieve superlative scales of application, long-term durability, ease of maintenance, and environmental health.

Size is the defining feature of most mega projects, and that is certainly true for Iconsiam, with 5.6 million square feet of retail between its two malls. As a result, FMG’s MaxFine White Calacatta surfaces cover over 118,000 square feet of floor space, while White Calacatta Active Surfaces® slabs clad more than 10,000 square feet of exterior façade.

At that scale, floor and wall panels need to cover a massive area without adding too much weight to the building’s structure or appearing unnatural. In this case, FMG’s MaxFine White Calacatta surfaces were picked for their lightness and dimensions, with thicknesses between just one quarter and one half of an inch, and slab dimensions of up to five feet by ten feet.

The natural wear and tear that such a large area of wall and floor surfaces are subject to is substantial, requiring them to both perform well and appear fresh after years of foot traffic and environmental exposure. FMG’s MaxFine White Calacatta slabs inherently resist wear over time by combining the good looks of stone with the durability of porcelain stoneware. As a result, they are fully waterproof, and resistant to chemicals, scratching, heat, fire, scaling, moisture, staining, and scuffing.

Maintenance and upkeep are likewise major concerns for a project with vast material quantities. FMG’s MaxFine White Calacatta slabs on the floors of Iconsiam are non-absorbent, allowing them to be cleaned with minimal effort before drying quickly. Outside, the mall’s wall surfaces feature FMG’s Active Surfaces®, with antibacterial and antiviral (including anti Covid-19), anti-pollution, anti-odour and self-cleaning properties. Thanks to their self-cleaning properties, when subject to light and humidity these surfaces are able to mitigate the buildup of dirt on the slabs and allow for the natural action of rain to accomplish a majority of their needed cleaning.

Available for almost any application, FMG’s Active Surfaces® slabs on Iconsiam’s façade greatly contribute to outdoor air quality. In fact, under the action of light and humidity, FMG’s Active Surfaces® are able to convert polluting molecules like nitrogen oxides and volatile organic compounds into harmless substances, improving the well-being of an entire neighborhood. Beneficial to both Iconsiam’s visitors and its neighbors.

Iconsiam’s Active Surfaces® also have an antibacterial and antiviral action. Using the photocatalytic properties of titanium dioxide combined with silver, when exposed to light these materials neutralize up to 99% of bacteria and viruses. A recent study by the University of Milan further confirmed that these surfaces eliminate up to 94% of SARS-CoV-2 (the virus responsible of Covid-19) after 4 hours of light exposure. Moreover, thanks to the presence of silver, these properties remain effective even in the dark.

To see how FMG’s MaxFine White Calacatta surfaces can bring innovative solutions to your project, check out their website.

All images courtesy Fabbrica Marmi e Graniti

Reference

Startup converts existing buildings to net-zero with innovative process
CategoriesSustainable News

Startup converts existing buildings to net-zero with innovative process

Spotted: One of the big challenges to reaching net zero is converting existing buildings to reduce their carbon footprint. It is simply not feasible to tear down existing structures and replace them with purpose-built net zero buildings, and in many cases, it is also not economically viable to add elements such as insulation or heating pumps to older buildings. In response, German startup Ecoworks is tackling this problem from the outside . The company develops a second skin with built-in insulation designed to help buildings radically cut energy use.

Ecoworks begins with a 3D scan of the building, which is used to create a digital twin. Using this twin, the company develops plans for panels which will fit over the existing walls. Robots then assemble the panels, which are complete with windows, ventilation, channels for pipes, and solar panels on the roof. On-site, skilled workers can install the panels rapidly, completing the project in a few weeks.

This approach works best with buildings that have a simple exterior structure, such as apartment complexes. However, Ecoworks has plans to expand the concept to less uniform buildings, such as schools and single-family homes. In one project—which involved a 1930s apartment complex—the building went from using 450 kilowatt-hours of energy per square metre, to having negative emissions and feeding excess energy back into the grid.

The push to decarbonise existing buildings is just getting started, but already we are seeing some fascinating innovations in this space. Springwise has already covered a number of these, including an SaaS platform geared to helping real estate investors lower their environmental impact, as well as zero carbon buildings made from ceramics. 

Written By: Lisa Magloff

Website: ecoworks.tech

Reference