We Shall Reward The Thankful. Surah Al Imran Ayat No. 145 JUMMAH MUBARAK
We Shall Reward The Thankful. Surah Al Imran Ayat No. 145
We Shall Reward The Thankful. Surah Al Imran Ayat No. 145
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List of Best Furniture Manufacture Showroom Shops in Golra Rd Islamabad, Rawalpindi
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GOOGLE’S TOP RATED LIST:
List of Best Real Estate Builders & Developers Construction Companies in Islamabad and Rawalpindi
A self-organising shelter that adapts to environmental stimuli and ceramic tableware designed to stimulate the senses are included in Dezeen’s latest school show by students at Birmingham City University.
Also included is a Russian recreational area designed as a multifunctional park to meet residents’ needs, and a chair that explores hair-based discrimination while celebrating black, afro and textured hair.
School: Birmingham City University, Birmingham School of Architecture and Design
Courses: Foundation, BA Architecture, BA Interior Architecture and Design, BA Landscape Architecture, BA Product and Furniture Design, BA Design Management, MArch and MA Landscape Architecture
School statement:
“A vibrant and inspiring learning community, the school identifies strongly with the civic university movement and has a dynamic and growing reputation in practice-led research, enterprise and knowledge exchange, encompassing disciplines across the scales from Product and Furniture through Interiors, Architecture, Urban Design (from September 2021) Landscape Architecture with cross-cutting courses in Design Management and Conservation of the Historic Environment.
“We deliver an outstanding and distinctive student experience and embrace a practice, research and knowledge-based approach to our teaching demonstrated by our KTPs, our innovative BA (Hons) Design for Future Living in partnership with George Clarke’s Ministry of Building Innovation and Education (MOBIE), our transdisciplinary collaborative Co.LAB live projects and Experimental Sustainability Studio initiatives.”
Heirs of Time by Laura Hastings
“Heirs of Time explores how the memories of local communities could be archived, restored and recollected through the ‘apparatus of the heirloom’. This thesis explores key themes of time, memory, depth and transformation. Following research and investigation into the changes of a Birmingham high street, the heirloom became a physical manifestation of the built environment.
“Programmatically, underground spaces have been developed to represent long-term, consolidated memories that are not so regularly recollected, functioning as archives and experience rooms. Instead of public-facing, the overground spaces represent short-term memories, those that are regularly made and forgotten.”
Student: Laura Hastings
Course: BA(Hons) Architecture
Tutors: Dr Matthew Jones, Matthew Hayes and Rebecca Walker
Email: ljhastings-1@talktalk.net
Equilibrium 2.0 by Pasha Jeremenko
“Equilibrium 2.0 explores self-organising architecture and its adaptations to environmental stimuli. In an extreme climate, conventional architecture cannot sustain itself, which causes the architectural paradigm to shift – from static to dynamic.
“The designed shelter adapts itself to external conditions by working together with nature in its response. The equilibrium between the synthetic and the organic opens up more opportunities for evolving architecture. The evolution, in this case, appears in the form of the technological assembly of machines.”
Student: Pasha Jeremenko
Course: BA(Hons) Architecture
Tutors: David Capener, Amrita Raja, Bea Martin, Rob Annable and Ian Shepherd
Email: pasha.jeremenko@outlook.com
How can the music industry rebuild in a post-pandemic environment while securing its future and maintaining its culture? by Azita Maria Rushton
“Access talent is a music industry tour programme that aims to create a supportive, coherent and connected professional journey for young music enthusiasts. The programme comprises three courses taught by industry professionals, hosted in grassroots music venues located in areas of high deprivation in the UK otherwise forgotten by industry and government.
“The programme features an initiative that offers opportunities provided by industry sponsors to work and study within the music. This concept was designed to address threats to the British music industry’s ecosystem, such as poor creative careers education, inequality in music education and lack of support for grassroots music venues.”
Student: Azita Maria Rushton
Course: BA (Hons) Design Management Level 6 Top-up
Tutors: Nicholas Irvin
Email: azita-maria.rushton@mail.bcu.ac.uk
How can design innovation and digital technology be used to create the shopping experience of the future? by Nontawat Nowarit (Addy)
“Neo – X is the integration and utilisation of Augmented Reality (AR) technology in brick-and-mortar stores to reinvigorate retail shopping experiences of the future. The project explores the challenges and opportunities of how AR could be used in retail to enhance window shopping experience and entice customers to come back into physical stores after the pandemic. The concept demonstrates the promising use of AR in window shopping and how it could become a part of the new and enhanced in-store experiences of the future.”
Student: Nontawat Nowarit (Addy)
Course: BA (Hons) Design Management Level 6 Top-up
Tutors: Nicholas Irvin
Email: Nontawat.Nowarit@mail.bcu.ac.uk
Box For Life by Luke Reynolds
“The Box For Life project is a national tiny home community network designed to bring the tiny home movement to urban cities. I have developed both the ultimate tiny home that can be purchased at an affordable price and a flagship community site on George Street in Birmingham’s Jewellery Quarter.
“It combats the growing economic issue that sees struggling young people attempt to juggle work and social lives whilst reaching for the property ladder. The project aims to increase ‘urban opportunity’ for people in a tiny home and sustainable living communities and attract a new generation of tiny dwellers.”
Student: Luke Reynolds
Course: BA Interior Architecture and Design
Tutors: Christopher Maloney and Josephine Bridges
Email: Ljwreynolds@gmail.com
The Emporium of Possibility by Georgia Ruscoe
“This project aims to prepare for a post-pandemic world and become the key to the escapist dream-world that people so deeply desire. Its spatial strategy will disregard hierarchy and instead focus on forming an economy built on human communities.
“It enhances creative potential through the freedom of exploration, epistemic emotions and knowledge production. Providing people with the opportunity to explore their entrepreneurial aspirations whilst combating social and environmental issues. Its goal is to move away from fast output and stop the machine age, centring on the human again by forming an age of experience and creative exploration – something that cannot be automated.”
Student: Georgia Ruscoe
Course: BA Interior Architecture and Design
Tutors: Christopher Maloney and Josephine Bridges
Email: georgiaruscoe@gmail.com
Comfort Valley Murmansk by Linyun Jiang
“Comfort Valley is a large recreational area outside the city centre of Murmansk, Russia. This innovative design provides an opportunity to identify and implement a vibrant multifunctional park area revitalisation that can meet local residents’ needs, increase the connection between people and the site, and enhance the community environment. It utilises the natural and climatic conditions of the Arctic with sustainable technical innovations in the form of warming huts dotted through the landscape, connected with green infrastructure.”
Student: Linyun Jian
Course: BA (hons) Landscape Architecture, LI
Tutors: Lucas Hughes, Eccles Ng, Dawn Parke and Rasha Sayed
Email: Linyun.Jiang@mail.bcu.ac.uk
Regeneration Design in Tuanjie Village by Shiyun Huang
“This landscape-led urban redevelopment creates public space for residents to live, entertain and relax. There is a diversity of activities, forming active street venues which address nighttime and daytime uses. The Unity Village will be a “new life”, a “new symbol”, and a “new landmark”.
“Inspired by the symbolic language abstracted water-towns in the Yangtze River Delta, a new symbol of a Central Park with a series of dynamic connected spaces is created. It is a new landmark integrating traditional and contemporary characteristics, enlightened by the abstract artistic conception of courtyard and landscape forms.”
Student: Shiyun Huang
Course: BA(Hons) Landscape Architecture
Tutors: Lucas Hughes, Eccles Ng, Dawn Parke and Rasha Sayed
Email: Shiyun.Huang@mail.bcu.ac.uk
Dolcio by Katarzyna Kozlowska
“Dolcio is a collection of experimental ceramic tableware developed in response to the study of gastrophysics – the scientific analysis of how our experience of food and drink is affected by our senses and surroundings.
“Carefully composed, this series of dessert plates stimulate the senses through colour, form and texture, increasing the sweet taste of puddings and creating a more positive and mindful eating experience. By using rounded tableware, users can reduce the amount of sugar used in dishes without compromising on the taste, therefore helping to promote healthier eating habits.”
Student: Katarzyna Kozlowska
Course: BA (Hons) Product and Furniture Design
Tutors: Richard Underhill, Malcolm Hastings, Brian Adams and Natalie Cole
Email: Katarzynakozlowskadesign@outlook.com
Zewadi by Katy Thompson
“Inspired by personal experiences growing up in a predominately white town and the Black Lives Matter movement, this chair explores hair-based discrimination and how design can celebrate black, afro and textured hair. Zewadi was designed as a functional and educational furniture piece, intended to initiate conversations surrounding this underrepresented issue.
“Zewadi uses textured black cork and rounded forms to represent black hair, whilst its throne-like scale brings empowerment to its users. Additionally, the gap in the headrest not only highlights the user’s hair but also reduces the risk of friction damage.”
Student: Katy Thompson
Course: BA (Hons) Product and Furniture Design
Tutors: Richard Underhill, Malcolm Hastings, Brian Adams and Natalie Cole
Email: Katyt1998@gmail.com
Cardboard Products for the Design Museum by Thomas Whiskens
“Taking inspiration from the ecological principle of the edge effect, the project questions and explores how design can respond to uncertainty with creativity and dynamism while recognizing its role in Fairbourne’s narrative.
“The proposition is to create a community-owned visitor destination, together with enabling landscapes, aimed at changing the collective mindset for Fairbourne, encouraging a vision for the territory as having multiple future identities and uses beyond the engineered utility topography.
“The spectrum of landscape systems and settings draw on the unique characteristics of the existing estuary topography, from the engineered edge of the seawall, through the shifting edge of marsh and wetland to the relic uplands.”
Student: Thomas Whiskens
Course: Foundation/BA Product Design
Tutors: Myles Cummings, Tom Tebby, Andrew Trujillo and Anastasiya Luban
LAxArch – Canal Side Regeneration Project by Matthew Harris
“This Landscape and Architecture project was based on a location within Birmingham’s sprawling canal network. The challenge was to rejuvenate an area of the Grand Union canal in Digbeth, rethink the landscape for people using the site, and provide a kiosk to find information or buy products. This piece of work shows a section through the site.”
Student: Matthew Harris
Course: Foundation/BA Architecture
Tutors: Myles Cummings, Tom Tebby, Andrew Trujillo and Anastasiya Luban
Grow your own highstreet by Anita Brindley
“Imagine if our cities could become closed-loop systems where all construction materials are produced and harvested just a few metres away from the site. This scheme aims to achieve this by reforesting our high streets. Through reforesting, timber becomes a local and sustainable material source that, during its growth, absorbs vast amounts of carbon dioxide.
“Over time, the timber grown on the high street can then be harvested by locals and used to develop the local surroundings. The high street no longer becomes made up of static objects but encompasses the active processes related to the community and ecology which inhabit and support its construction.”
Student: Anita Brindley
Course: MArch Architecture (RIBA Pt.2), unit: Extinction Rebellion Architecture
Tutors: Professor Rachel Sara and Elly Deacon Smith
Email: anitalb24@gmail.com
The Pleasure Gardens by Chloe Luvena Dent
“Inspired by the Festival Pleasure Gardens in Battersea – one of the major exhibitions organised by the post-war Labour government during the Festival of Britain in 1951 to give the British a feeling of recovery in the aftermath of WW2.
“The thesis uses hedonistic ideas of pleasure based on Jeremy Bentham’s theories to create contemporary pleasure gardens as a response to the isolating and disengaging social constraints of Covid-19. Envisioned as a series of raised platforms above London, ‘socially undistanced’ moving gimbals, as well as ornate festival structures embedded within landscaped gardens, create an ambient and fun urban experience.”
Student: Chloe Luvena Dent
Course: MArch Architecture (RIBA Pt.2), unit: arena
Tutors: Alessandro Columbano and Valeria Szegal
Email: chloedent09@gmail.com
Fairbourne 2070 – The New Gold Rush by David Mahon
“Given its position on a low-lying salt marsh, Fairbourne can no longer be protected from flooding with rising sea levels and increased risk of storms due to climate change. Fairbourne 2070 – the new gold rush is a project to relocate and design a new Fairbourne that is resilient to climate change and fit for social demands of the year 2070 and beyond, using the principles of a circular economy.
“The new gold rush does not take resources from the landscape. It reuses those that have already been extracted and replenishes those that have been depleted.”
Student: David Mahon
Course: MA Landscape Architecture
Tutors: Russell Good and Dr Sandra Costa
Email: davidedwardmahon@outlook.com
Fairbourne – Landscape at the Edge by Sam Rule
“Taking inspiration from the ecological principle of the edge effect, the project questions and explores how design can respond to uncertainty with creativity and dynamism while recognizing its role in Fairbourne’s narrative. The proposition is to create a community-owned visitor destination, together with enabling landscapes, to change the collective mindset for Fairbourne, encouraging a vision for the territory as having multiple future identities and uses beyond the engineered utility topography.
“The spectrum of landscape systems and settings draw on the unique characteristics of the existing estuary topography, from the engineered edge of the seawall, through the shifting edge of marsh and wetland to the relic uplands.”
Student: Sam Rule
Course: MA Landscape Architecture
Tutors: Russell Good and Dr Sandra Costa
Email: sam.rule@outlook.com
Forest Hub by Gertruda Blazaityte
“Forest Hub is a wood innovation centre bringing researchers, students, businesses, and local residents together to collaborate and share their passion and knowledge to build a healthier and more sustainable urban city. Forest Hub also provides the local community with a space to connect with nature – both indoors and outdoors along with private and spacious studios designed for multiple uses.
“The concept focuses on sustainable and innovative design solutions by using Biomimicry where biological strategies are being used to improve building’s energy efficiency and create a multi-sensory forest-like journey that brings the user closer to nature.”
Student: Gertruda Blazaityte
Course: BA Interior Architecture and Design
Tutors: Christopher Maloney and Josephine Bridges
Email: blazaitytegertruda@gmail.com
Partnership content
This school show is a partnership between Dezeen and Birmingham City University. Find out more about Dezeen partnership content here.
Multifunctional plywood structures that create spaces for sleeping, storage and drinking tea feature in this compact apartment in Beijing designed by Rooi.
Rooi aimed to create a unique apartment in the block of thirty-six identical units that was built in 1950 to provide accommodation for the families of workers employed at a nearby research institution.
At the time the apartment was built, China faced an influx of people moving to its cities, meaning that living spaces were often tight.
“There was no living room, no dining room or shower in each household,” Rooi explained.
“This type of layout represents the standard post-war Chinese apartment.”
As the cost of tearing down old buildings is so high in Beijing, Rooi was tasked with coming up with a modern but economical apartment concept, called T101, that could be replicated in each of the 36 units to make them more private, functional and livable.
“The project’s core was to find a way to adjust the old collective residence into modern city life and retain its previous structure, recovering the degraded green areas,” said ROOI.
“The budget was limited to ¥150,000 [£16,800] per apartment and T101 would be the first experimental renovation example.”
Rooi came up with a floor plan that incorporates a bedroom, living room, kitchen, dining room and bathroom all within the unit’s tight 50-square-metre footprint.
Designed to appeal to the city’s college students and white-collar workers, the layout features an open-plan area for cooking and dining with a work table at its centre.
This area provides enough space for residents to receive guests, work from home, relax in an armchair or exercise.
An original column is positioned in the centre of the space and has been clad in stone to protect it and turn it into a design feature.
Running along one side of this flexible space, an enclosed north-facing structure made from birch plywood serves as a reception, tea room or temporary guest room.
Above the wooden enclosure, a large storage area can hold suitcases, outdoor sports equipment and other bulky items. A small toilet and a shower room are located on the opposite side of the space next to the apartment’s entrance.
The bedroom is separated from the rest of the apartment and features a custom plywood bed with shelving built into its tall headboard, while a compact desk is located next to the window. The walls are lined with slim cabinets for additional storage.
Neutral colours and materials were chosen throughout so that the owners can put their own stamp on the interior.
“The apartment was designed as open as possible and functionally very compacted,” the architecture studio told Dezeen.
“Natural materials and colour have been used throughout the design to create a comfortable and peaceful feel in contrast with contemporary city life.”
Elsewhere, design studio I IN has created concept apartment in Tokyo to reframe the way that Japanese homeowners perceive renovated apartments.
Photography is by Weiqi Jin.
Design studio Daytrip looked to Margate’s dramatic beach landscape when designing this shop for the Turner Contemporary gallery, which sits perched on the town’s seafront.
The David Chipperfield-designed gallery, distinguished by its opaque glass shell and expansive ocean views, recently reopened after a renovation project that included the shop along with a new cafe and common areas.
Located in the lobby, the shop’s existing retail shell was designed to be highly flexible and to reflect the building’s gallery spaces, with poured screed flooring, linear glazing and a prominent ribbed concrete ceiling.
Daytrip designed a new fit-out for the store that reflects both the building’s architecture and the lifelong admiration that the gallery’s namesake, landscape painter JMW Turner, held for Margate and its surrounding landscape in southern England.
“As we began putting materials together for the scheme, we wanted to capture the light and patterning of the beach,” Daytrip studio co-founder Iwan Halstead told Dezeen.
“Margate beach and its seafront changes dramatically from season to season. As the tide pushes out, the beaches transform into radical landscapes of striation and patterning,” he added.
“On a sunny day, the rippled beaches are captured with shadows and glistening pools of water. We also noticed the effect of the salt spray and rainwater on the metal architectural elements – a dappled weathering effect that adds natural patina and cloudy lustre to the exterior.”
This natural texture is referenced in the mottled grey veneer panels that line a portion of the walls.
Their unique, painterly pattern was created using a method developed by Berlin studio Llot llov, which involves covering pigment-dyed timber with salt crystals that absorb a portion of the colour.
“It felt naturally appropriate and subtle enough to line the display wall of the gallery and a number of the tables’ surfaces,” said Halstead.
“We paired this with textured cathedral glass shelving, chosen for its fluid, water-like appearance that allows light to transfer dappled shadowing on the veneered surfaces and the existing Chipperfield concrete floor.”
A vertical shelving system, which showcases artworks, prints and posters, is backed with a translucent layer of fibreglass.
“Its inherent gossamer nature when illuminated by the sunlight creates beautiful patterning and highlights its fibrous textures – cloudy and ethereal – like many of JMW Turner’s artworks,” Halstead explained.
The store’s furniture was constructed from “humble” materials such as grey Valchromat – a wood fibreboard that is treated with several coats of lacquer to create a high, reflective sheen. This is paired with matt, white-oiled oak, which the studio chose for its sandy hue.
Daytrip’s renovation also includes the creation of a merchandising system based on the approach of a magazine editorial.
The display tables and plinths can be organised into formations that create narratives with and around the products, linking back to Margate’s wider creative community and its makers.
The display system also includes a workbench that is used for group discussions and workshops and invites visitors to congregate. All of the fixtures can be moved to accommodate large-scale events and talks.
Previously, Daytrip has created an eclectic office for a media company in London’s Clerkenwell and renovated a five-storey townhouse in Clapton.
Photography is by Ståle Eriksen.
Designer Christopher Al-Jumah has created Daughter, a community-oriented cafe in Brooklyn’s Crown Heights with interiors informed by the staircases of local brownstone buildings.
Daughter is a long and narrow space defined by an L-shaped block of brown seating that can be seen from the street through the cafe’s large windows.
Interior designer Christopher Al-Jumah said that the seating, which was informed by the stoops – small staircases – of local brownstone buildings, is Daughter’s standout design feature.
The indoor stoops are made from a plywood base that was given a coating of concrete and sand with a top resin coat for durability.
“We spent months researching and testing different combinations of concrete, sand, plaster and resin to get the right look, feel and durability,” Al-Jumah told Dezeen.
Interspersed with planters, the casual seating aims to invite people into the cafe and also influenced the rest of the project’s design decisions.
“Everything started from the brownstone stoop. Once a representative brownstone colour was selected, everything else in the space was designed around it to complement,” explained Al-Jumah.
Custom-made tables with chairs by Danish brand Menu are placed opposite the stoops, next to the cafe’s large windows that feature playful illustrations.
A curved bar designed in the same brown material as the stoops is tucked into a corner, while orb-like lights, also from Menu, glow above the stepped seating.
The furniture is positioned against exposed brick walls that are painted white in contrast to the cafe’s bright yellow ceiling.
With their rough texture and appearance, the stoops are juxtaposed against smoother elements throughout the space.
“The walls have a soft white, tan colour to soften the space. Natural wood furniture and plants work as an organic complement to the stoop,” said Al-Jumah.
The designer explained how the vernacular architecture of the Crown Heights area informed Daughter’s interior, which was designed to create an inviting community atmosphere.
“Daughter is partly black-owned and is situated in a historically black neighbourhood, so it was important to capture the local culture and ethos and implement it into the cafe,” explained Al-Jumah.
“Stooping, or sitting on the large steps in front of the local brownstone buildings, is a staple outdoor activity for the local community,” he added.
“With ‘community’ and ‘gathering’ being central to the ethos of Daughter, we decided to bring the idea of stooped seating into the cafe itself.”
In line with its aim to include the local community in its culture, Daughter plans to donate 10 per cent of its quarterly profits to various organisations including Ancient Song Doula, a group that seeks to eliminate infant mortality rates in the black community.
Christopher Al-Jumah is a New York-based architect and designer.
Other cafe designs include a doughnut-themed cafe in Russia with walls that look almost edible and a cafe in Tokyo with brick-like tiles made from volcanic ash by design duo Formafantasma.
Photography is by Sean Davidson.
A gender-inclusive hair salon and a cafe that aims to help break down mental health barriers are included in Dezeen’s latest school show from students at the University of Huddersfield.
Also included is a project that aims to revolutionise up-cycling in the retail industry and an adventure and learning centre designed for the elderly.
School: University of Huddersfield, Arts and Humanities school
Course: Interior Design BA (Hons)
Tutors: Penny Sykes, Jen Leach, Natasha Crowe, Joanne Pigott Hakim, Claire Diggle and Anna Gurrey
School statement:
“We are proud to present a selection of ten pieces of award-winning work that aim to demonstrate the range and scope of projects students undertake in their final year of study. Throughout each project, they selected a site and developed their project brief. Through in-depth research and explorative processes, projects are designed and developed, becoming realised through technical and visual communication.
“Here at Huddersfield, we think that interior design transforms ideas into experiences. We allow students to create entirely new experiences and relationships between people and the places they spend time in. The emphasis is on creativity as we explore and extend current design thinking, pushing boundaries to innovate, providing new ways of looking at human and spatial interactions in response to our changing world.
“This group of students has had to cope with unprecedented circumstances during the Covid-19 outbreak and are a credit to themselves and the course in producing exciting projects that help us to glimpse the future. They are on the cusp of new approaches and changing parameters in design, able to adapt and offer reflexive approaches to future projects. To view the university’s virtual showcase click here and to view its Instagram, visit its profile.”
22 Degrees by Paccelli Sowerby
“This project aims to democratise wine tasting for the younger consumer. It seeks to mix up the traditional wine bar, reintroducing wine to the younger consumer in a fun, informal environment that focuses on learning through experience.
“The project intends to create a reactive space with a hands-on approach to wine tasting, bringing people closer to natural wine by echoing the hand-crafted winemaking process through design elements.
“The space gives people the tools and info to embark on their own journey of wine discovery whilst learning about the making process and being inspired by the urban vineyard environment.
“22 Degrees offers more than just a huge variety of natural wines – it also hosts a selfie label-booth, interactive wine quiz, contact-free bottle shop, self serve wine bar, sensory wine experience and roof terrace with sensory grape pods. This project has a full technical pack and feasibility study, both of which are available for download on my website.”
Student: Paccelli Sowerby
Award: Best Visual Communication
Tutors: Penny Sykes, Jen Leach and Natasha Crowe
Millennium by Adam Kendall
“Today, millennials represent about 32 per cent of the luxury market but will grow to command 50 per cent of the market by 2025. It is clear that technology is advancing and is a significant part of younger generations lives. Through primary research, 48 per cent of millennials spend more than five hours a day looking at a digital screen, and 35 per cent spend between 75 -120 minutes on social media.
“Millennium is a space influenced by social media, and tech aims to create a unique but relatable experience for younger people, making them feel more involved and connected. The issue discovered through the project research is that there is a growing millennial customer base in the luxury industry.
“However, a change or development has not been seen to suit this audience in the commercial sector. In fact, luxury bars and restaurants are more suitable for the older generations. This leads to the isolation of their younger audience, who are digitally savvy and constantly connected. I propose a solution – to create a space that relates to younger generations. A space that is familiar, comfortable and digitally enhanced.”
Student: Adam Kendall
Award: Best Technical Detailing
Tutors: Penny Sykes, Jen leach and Natasha Crowe
Re-Fashioned by Heather Martin
“This is a project that aims to revolutionise up-cycling in the retail industry through the manipulation of contemporary retail and technology. Often the clothing industry does not recycle materials it cannot sell.
“This means an increasing amount of materials are being thrown away instead of being recycled and reused which, further contributes to the global environmental crisis.
“The solution seems obvious: employ artists who love up-cycling and using material which usually gets discarded to craft new items people will love to wear! Research showed that many people feel pessimistic about purchasing pre-owned items. Re-Fashioned places a luxurious twist on up-cycled clothing to encourage more people to do more to save the environment and to look good doing it!
“The concept was developed by the silhouettes and shapes inspired by the human body – seen in the lighting features. Materials within the space were also essential to consider as it needed to be luxury as well as sustainable and natural.”
Student: Heather Martin
Award: Best Creative Process
Tutors: Penny Sykes, Jen Leach and Natasha Crowe
Sip + Sculpt by Alyssia Hanson
“Sip + Sculpt is designed to allow its customers to unwind in a space where they can work through their stress and break down barriers around mental health. It aims to facilitate connection, inspire imagination and create an oasis of positivity and comfort.
“The project’s concept was influenced by the ‘slow living movement’ alongside the keywords, balance’ and ‘floating’. Customers are encouraged to lock away their devices, distancing themselves from the use of social media, allowing themselves to embrace their creativity and get messy with clay.”
Student: Alyssia Hanson
Award: Best Conceptual Approach
Tutors: Penny Sykes, Jen Leach and Natasha Crowe
New Horizons Cub House by Amy Rigby
“New Horizons is an experiential adventure and event planning space including digital booking hubs and learning zones. It has been created for the retired generation to create a place to counteract any regrets they have through life.
“Through research, I found that retired people have many regrets about things they have missed out on during their working lives but don’t have anywhere to explore and resolve them.
“The space has been created to encourage and support a second life with access to fun and exciting activities. Activities include participating in new experiences by trying them out in the VR zone, booking experiences, learning about the digital world and improving skills, or just socialising and meeting new people of similar ages and interests.
“The concept is based around ‘a walk in the park’ which makes entering the clubhouse an experience in itself, as the concept can be seen in the layout and other features.”
Student: Amy Rigby
Award: Best Use of Materiality
Tutors: Penny Sykes, Jen Leach and Natasha Crowe
Parmilla by Luke Pierce
“Parmilla is dedicated to the people of Huddersfield and is a creative community workplace and social hub, driven by the concept of perspective. The centre celebrates the creative culture the town has to offer and provide co-working spaces and meeting hubs for hire.
“With the ground floor open to the public, it offers the opportunity for exhibitions and offers space for creative events and performances, to provide new experiences and introduce people to new cultural arts.
“It also has a kitchen space located on the ground floor that features a local guest chef every Friday to offer new food experiences to its guests and give the restaurants the chefs are representing more exposure.
“Parmilia will also send out lengths of fabric to local schools, care homes and stands in the streets of Huddersfield to have people tie knots in the fabric. This fabric will then be exhibited from the ceilings throughout the space. Serving mainly as wayfinding, it also highlights essential areas in Parmilla and represents the people of Huddersfield and celebrates individuality.”
Student: Luke Pierce
Award: Best Spatial Exploration
Tutors: Penny Sykes, Jen Leach and Natasha Crowe
Derma-Tech by Rhiana-Dean Robinson-Hine
“Derma-Tech is a multi-functional, fully immersive retail experience that provides information on skincare knowledge. Consumers are given access to current dermatology technology and DNA driven retailing.
“Developing a forward-thinking ‘go-to’ space for all things skincare by providing numerous experiences for consumers. With technology at the forefront of the design, it harnesses artificial intelligence teledermatology and implements smart technologies throughout each step of the customer journey.”
Student: Rhiana-Dean Robinson-Hine
Award: Best Future Focussed Project
Tutors: Penny Sykes, Jen Leach and Natasha Crowe
Unite Wellness by Jordan Marzetti
“The Wellness and Respite Centre focuses on delivering a new experience to both dependants and carers. It is a new brand that combines leisure with respite, tackling the disadvantages adults with learning disabilities face and addressing the mental and physical wellbeing of both the dependant and carer.
“It is a purpose-built space located within a residential area, but placed conveniently with other complimenting businesses, providing on-site support through counselling and information. Design is purposely minimal to aid adults with learning disabilities, corridors are direct in layout, and all essential rooms can be found on main corridors.
“There are no curves, or complicated shapes, no distracting patterns, or textures and information points on each main corridor aid navigation acting as way-finding. It includes a new staircase with handrails spaced to be held on either side, including an emergency evacuation slide. Automatic doors into all changing and restroom entrances and two new extra-large lifts have been added to the site.”
Student: Jordan Marzetti
Award: Best Socially Focused Project
Tutors: Penny Sykes, Jen Leach and Natasha Crowe
Undefeated by Sarah Parkes
“Research has shown that an overwhelming number of females are faced with physical, mental and social barriers when participating in physical activities. Therefore, a key objective of the design proposal was to challenge and support the journeys women face by offering a personalised and unique fitting service within a female-only sportswear store.
“The building is split into three key areas: physical, mental and social. Physical is on the ground floor and is focused on enhancing the body through high-performance sportswear. This zone also includes RFID technology self-checkout, collection points, beacon technology touchscreens and AR smart mirrors.
“The mental section is on the basement floor and is concentrated on re-energising the customer’s mind and body by creating a multi-sensory experience. This includes a relaxation massage pod that indulges all the customer senses and helps them to escape from the busy retail stores on Oxford Street.
“Social is on the first floor and is focused on maintaining customer’s wellbeing by encouraging social interaction within the environment of a nutrition cafe. The material palette includes fresh and light materials that correspond with nutrition and healthy eating.”
Student: Sarah Parkes
Award: Best Commercially Focussed Project
Tutors: Penny Sykes, Jen Leach and Natasha Crowe
Dare Hair by Jasmin Hardy
“Dare is a non-binary, gender-inclusive hair salon that looks towards the new generation of gender-inclusive hairstyling salons. After researching the importance of hair in gender/self-identity it became apparent that the hair industry needed a new approach to its mainly binary format.
“Using the concept of fluidity, which was also inspired by the limitless creativity of the metaverse, Dare Hair aims to create a gender-inclusive environment for people to experiment with their appearance aided by the integration of smart technology.
“Whether it be someone wanting to experiment with a bold alternative hairstyle or someone exploring their gender expression, everyone is welcome and encouraged at Dare Hair.
“Throughout my time at university, my projects have been driven with the edges of society in mind, so being able to create Dare Hair with the concentration being on the LGBTQ+ community has pushed me to create a thorough, well researched final design. I am thankful to those who are part of the community who were willing to share their experiences with me and I dedicate this project to them.”
Student: Jasmin Hardy
Award: Best Overall Project
Tutors: Penny Sykes, Jen Leach and Natasha Crowe
Partnership content
This school show is a partnership between Dezeen and the University of Huddersfield. Find out more about Dezeen partnership content here.
Design studio Halleroed has used travertine podiums to display sneakers like sculptures in the Paris store of streetwear label Axel Arigato.
Located in the Marais district on Rue Vieille du Temple, the boutique stocks the brand’s full range of footwear, clothing and accessories, in addition to a curated selection of design objects.
The store occupies two rooms divided by a freestanding wall of light-yellow travertine, which references the columns and beams found in classical architecture.
Walls and floors are finished in raw concrete while overhead, a punctured grid ceiling conceals the store’s lighting system.
A series of sculptural display plinths made from honed, bush-hammered or raw travertine stone help to create a “grandiose” entrance, designed to emulate the feeling of stepping into an art gallery.
“The normal model for a sneaker brand is to cover every centimetre of the back walls in products from floor to ceiling,” Axel Arigato‘s co-founder and creative director Max Svärdh told Dezeen.
“We do the opposite by displaying our product on podiums in the centre of the room instead, like a piece of sculpture.”
Travertine was also used to form a series of shelves in the rear of the store and custom chairs in the dressing room.
According to Svärdh, the stone has been a key element in all of Axel Arigato’s retail locations so far.
“Our brand colour is a pale yellow so we were naturally drawn to the light yellow travertine,” he explained.
“We worked with different finishes to bring out its characteristics and more specifically highlight its impurities, which in itself makes it more beautiful.”
To contrast with the travertine, Halleroed wrapped an upholstered bench seat around one of the columns and introduced a chunky, stainless steel clothes rail.
This lines the store’s back wall and extends out into a courtyard filled with white gravel.
Axel Arigato was launched in 2014 as an online store for luxury streetwear. It opened its first brick-and-mortar space in London’s Soho in 2016 and has since expanded into four standalone spaces.
“We always look to the neighbourhood and the specific building that we are in [when designing a store],” Svärdh said.
“Paris is the home of luxury and the use of rich travertine stone really embodies that. All standalone stores have a gallery-esque feeling to them with mutual design codes but offer completely unique experiences.”
A large freestanding LED screen is used for displaying creative content in the Paris store.
The brand has previously worked with Halleroed – founded in 1998 by Christian and Ruxandra Halleroed – on its London, Stockholm and Copenhagen flagship stores, which all feature monochromatic colour palettes and concrete surfaces.
Photograhy is by Benoit Florençon.
A 10th-century castle in the Umbrian hills has been restored and transformed into a hotel by Count Benedikt Bolza and his family, who created custom furniture for its 36 suites, restaurant and spa.
Welcoming its first guests in spring 2021, Hotel Castello di Reschio comprises 30 suites within the historic castle.
The hotel sits within the sprawling Reschio estate, which was acquired by Count Antonio Bolza in 1994, lies on the border between Umbria and Tuscany and is dotted with farmhouses.
The crumbling buildings were slowly restored into private homes by his son Benedikt and daughter-in-law Donna, before they turned their attention to the site’s impressive 1,000-year-old castle and surrounding structures.
The family lived in the stone “castello” for a decade while they worked to protect and restore the architecture, then create interiors that respect the ancient building while offering modern comforts.
In total 30 suites were built within the castle itself, with some rooms having views of the central courtyard garden, while others look out over the rolling hills.
A further six suites were built next to the parish church.
All of the rooms were decorated with terracotta-brick or wooden floors, hand-stitched linen curtains, Italian fabrics, and locally crafted marble and brass vanities.
Benedikt Bolza also designed and crafted bespoke beds and lighting for the hotel via his own furniture brand, BB for Reschio. These are mixed with portraits, photos and other curios sourced from local antique markets.
“Benedikt has embraced an organic approach to the design, championing local craftsmanship and creating thoughtful, whimsical spaces that are filled with comfort and wit, while artfully nodding to the fascinating characters who once resided within the castle walls,” said the family.
The Tower Suite, which is entered over the castle’s gateway and spread over five levels, boasts two bedrooms, a living room, study, and roof garden with an open-air bathtub.
Dining options for guests include the Ristorante Al Castello, located in the castle’s western ramparts and serving Italian dishes made with produce grown on the estate.
The verdant Palm Court is a new structural addition modelled on iron-and-glass Victorian conservatories, which is intended as a space for reading, conversation or enjoying cakes and cocktails from the adjacent bar.
Another alternative is Il Torrino, the converted watchtower that serves light fare and drinks, and overlooks an oval swimming pool.
The hotel spa is situated in the vaulted stone cellar, where hammams, saunas and plunge pools are atmospherically lit by shards of sunlight through the arrow slits and windows.
Guests seeking a more active experience can explore the estate on foot or bicycle, or take horse-riding lessons at the Equestrian Centre.
Many of the region’s historic towns and cities are also a short drive away, for those who wish to explore further afield.
Castles and ancient buildings across Italy have been converted into guest accommodation while maintaining their original charm and character.
Another example, also in Umbria, is a 12th-century watchtower that was reconstructed and turned into a holiday retreat.