Counter seating with oak veneer walls in Sequel restaurant interior
CategoriesInterior Design

Ashiesh Shah creates “visually soft” restaurant interior in Mumbai

Textured surfaces and sinuous forms populate this outpost of vegan restaurant chain Sequel in Mumbai, which was designed by local architect Ashiesh Shah.


Located in an office development in the city’s Bandra Kurla Complex, the interior was conceived as a calming antidote to the busy business district beyond.

“The restaurant alludes to a timeless charm, celebrating the ethos of subtle luxury, slow living and refined lifestyles,” Shah explained.

Counter seating with oak veneer walls in Sequel restaurant interior
The dining area of Sequel’s Mumbai outpost features counter seating (above) as well as a number of standalone tables (top image)

Divided into two zones, Sequel features a grab-and-go counter on one side and a cafe on the other, which serves as a formal dining area for customers looking for a break from work.

The two areas are divided by a central partition with a doorway on either side for easy circulation.

Seating area with sheer curtains and rounded seating in restaurant by Ashiesh Shah
Sheer curtains cover the restaurant’s wrap-around window

Shah designed the restaurant as a reflection of Sequel’s philosophy, which it described as “futuristic in form and earthy at its core”.

Textured materials are paired with neutral colours and soft edges to create a “visually soft interior”.

Spherical lights and counter seating in Sequel restaurant interior
Shah had a number of furniture items, such as these stools, custom-made for the project

“The material choices for the space pay homage to Indian craftsmanship and handmade processes,” Shah explained.

A sculptural lighting fixture, handmade using lacquered channapatna beads from the Indian state of Karnataka, hangs in the centre of the seating area.

Seating area with oak veneer walls and sculptural chandelier made from wooden beads in restaurant interior by Ashiesh Shah
A chandelier made from lacquered wooden beads hangs above the dining area

Here, walls are lined with oak wood veneer that runs from the ground onto the walls and along the gridded facade, while a sheer curtain covers the wrap-around window. A matching console unit is finished in the same oak wood veneer.

The grab-and-go section of the restaurant is enveloped by curved walls clad in louvred wooden panelling that was handmade on site, before being finished in an open-grained veneer with grey lacquer.

A monolithic serving counter enveloped in moulded off-white Corian resin emerges from the wall and snakes out into the dining area.

Its curved lines are echoed in the false ceiling overhead, where globe-shaped lights are positioned like pearls within oyster-shaped reliefs made from textured lime plaster.

The same bumpy plaster was applied to parts of the walls and a series of oyster-shaped shelves that appear to grow out of the wall, while patterned terracotta bricks line the floor.

Oyster-shaped ceiling relief with spherical lights in Sequel Mumbai
The ceiling is decorated with oyster-shaped reliefs

Many of the furniture pieces, including the rounded chairs and sofas in the formal dining area as well as the consoles, bar units, coffee counters, communal tables, shelving and storage cabinets, were custom-made for the project.

“The lighting, materiality and form together celebrate a narrative of perfect imperfection,” Shah explained.

Integrated white shelving in restaurant interior by Ashiesh Shah
An integrated shelving system seems to grow from the walls

In his work, the architect says he practices the Japanese aesthetic philosophy of wabi-sabi,  which finds beauty in imperfections.

Other restaurants with textured surfaces include a Kyiv eatery by Yakusha Design
 with rough concrete walls and this fine-dining restaurant where Valencia studio Masquespacio employed uneven surface finishes such as rough stucco, ceramic and terracotta tiles.

Photography is by Atelier Ashiesh Shah.

Reference

Pieces displayed at The Radford Gallery
CategoriesInterior Design

Uncommon Found physically showcases 19 designers found on Instagram

The Radford Gallery’s debut exhibition brings together a series of work on fringes of design, art and craft that the curator found on Instagram.


Titled Uncommon Found, the exhibition physically showcases work by contemporary makers, artists and designers who usually display their work on Instagram.

Pieces displayed at The Radford Gallery
Top: a collection of lamps by Amelia Stevens, John Henshaw, Matthew Verdon, Isabel Alonso, Elliot Barnes and Carsten in der Elst were displayed in a fabric-lined room. Above: 19 designers showcased work at the exhibition

“The key part of this exhibition for me had always been for people to see work in real life that otherwise they would only see on their Instagram feed,” said Radford Gallery founder Max Radford.

“When people came to visit the show they would ask if they could sit on or touch the pieces and often seemed surprised when the answer was yes,” he told Dezeen.

Furniture at The Radfird Gallery was constructed using wood
A trio of etched furniture by Katy Brett and a piece by Eduard Barniol were placed beneath a print by Ben Dawson

Founded in 2020, The Radford Gallery put out an open call for its debut exhibition, Uncommon Found, after recognising a lack of shows of its kind in London.

“The Gallery came into existence as myself and some Instagram, now real life, friends would be prowling peoples pages looking at all this amazing tactile work being made on the boundaries of art and design but you never got to see it in the flesh, only the perfectly angled Instagram image,” said Radford.

Artwork was displayed on brick walls at The Radford Gallery
A sand and turmeric painting by Meryl Yana was placed above pulp stools by Nicholas Sanderson

“We knew the work was being made here but there didn’t seem to be the gallery structure to show it, so we decided to do it,” said Radford.

“I was already aware of quite a few artists and designers through Instagram but was also aware that the algorithm would only let me see so much… in order to try and reach as many people as possible, we put out an open call.”

Objects were places atop fabric draped plinths at The Radford Gallery
Plank stool by Carsten in der Elst, Dross Table by Rashmi Badisaria and The Snoopy Table by Eddie Olin

The exhibition took place at Hackney Downs Studio in east London and although the work did not share a common theme, the 19 designers presented functional, interactive and sculptural pieces to be physically seen, used and touched.

A four-layered chair by set and furniture designer Jaclyn Pappalardo was upholstered in tones of ecru while Eduard Barniol created a striped-sock wearing, four-legged side table crafted from branches that were stripped of bark.

“I am particularly fascinated by the process behind Rashmi Bidasaira‘s ‘Dross’ Collection where she has been able to use the waste product of steel production to create a new material to make her works out of with the pieces themselves having a beautiful form,” said Radford.

“Also Nicholas Sanderson‘s cardboard pulp-based ‘History of a Future’ series of stools, where the pulp has been coated around a found stool to transform them into ethereal objects.”

A red and orange art piece covers the brick wall at The Radford Gallery
A red and orange gingham print by Amy Johnston covers the wall above a wooden console by Lewis Kemmenoe

Shaped like, and etched with ornate imagery from pieces of found porcelain, a trio of plywood chairs by Katy Brett combine the decorative style of the arts and crafts movement with fragmented, primitive forms.

London-based designer, Elliot Barnes presented a collection of steel objects including an orange-hued leather chaise lounge, a rotating half-light and a part-oak smoking perch.

A chair was upholstered with green velvet
A tubular-legged chair titled Cove Chair by Lewis Kemmenoe

Radford told Dezeen that the title of the exhibition came from an amalgamation of the wide array of works presented at the show as well as the 2013 British Land Exhibition, Uncommon Ground.

“The title for the show is a bastardization of the British Land Art exhibition Uncommon Ground from 2013 by the Arts Council,” he said.

“The show had a profound effect on my own practice at the time and has always been at the back of my mind. ‘Uncommon Found’ seemed like a perfect title to sum up the width and breadth of works we were showing.”

A contracting and unfolding sculpture was on display
A sculpture by Jean-Baptiste Coulomb

Uncommon Found is the first of a series of cultural collaborations between Max Radford and Hackney Downs Studios.

The partnership stemmed from both Radford and Hackney Down Studios’ shared interest in providing a platform to showcase grassroots and local design talent. Works exhibited in the show can still be viewed by appointment via the gallery.

A collection of cement and stone vases and sculptures
A stepped sculpture carved from Whitbed limestone by Samuel Collins was placed beside three vases by Tessa Silva

Founded in 2020 by Max Radford, The Radford Gallery aims to forge an honest, democratic and supportive space for makers and emerging artists.

Recently, Olivier Garcé transformed his New York home into a show space for contemporary art and design.

While New York’s Friedman Benda gallery showcased Split Personality, an exhibition that explores the value of design objects.

Photography is by Genevieve Lutkin.



Reference

The American University in Dubai
CategoriesInterior Design

The American University in Dubai spotlights 14 student projects

A residential building typology that challenges Dubai’s standalone towers and a community hub that connects a neighbourhood via sport are included in Dezeen’s latest school show by students at The American University in Dubai.


The projects also include a tent designed to unite religious communities in Dubai and a tower intended to educate people on sustainability while promoting biofuel-producing architecture.


School: The American University in Dubai, SAAD School of Architecture Art and Design – Bachelor of Architecture
Courses: ARCH 502, Architectural Design Studio X, Final Senior Project
Tutors: 
Anna Cornaro, Takeshi Maruyama and Abdellatif Qamhaieh

School statement:

“This is a final course in which students implement their thesis research by developing a project that incorporates all the principles of design, demonstrating a comprehensive understanding of architectural design and evidence of professional capability.

“The course outcomes are exhibited in a senior showcase where a jury of experts was invited to vote. The 2021 architecture senior showcase ran online on Behance from 27 April to 29 April.

“A jury of 40 international experts, coming from academia, professional realm and press, voted the projects – first, second, third, honourable mentions and design awards. Another series of awards involved an internal academic jury – professors, alumni, faculty – and an external jury included students and the public.”


The American University in Dubai

First Place Award and the Faculty and Alumni Award: The Cessation/Memorial Museum by Joe Sassine Finianos

“The project aims at being the cessation of relationship, civilian and historical losses witnessed by the Lebanese people. It aims at fixing the relationship loss that was broken in 1975 when the city of Beirut got divided between Christians and Muslims.

“The demographic distribution of the people shows a clear evident line in the separation of the two religious groups. The thesis highlights the citizens who died, making their memory live and making them a lesson for the upcoming generations.

“The thesis also studies the numerous destructions in historical monuments and art crafts after every explosion or war. The repeated cycle is evident after every war where museums lose historical artefact due to poor storage, people lose their loved ones as a result of the explosions and the relationship between the two religious group worsens.”

Student: Joe Sassine Finianos
Course: ARCH 502, Architectural Design Studio X
Email: Joesassine.finianos@mymail.aud.edu


The American University in Dubai

Second Place Award: The Isle by Rhea Khoury

“The Isle is a micro-city where students have the freedom to explore their passions and make their own decisions on what and how they want to learn. New teaching methods encourage new solutions on how educational spaces should be organised and designed – moving from a still and disciplined environment to a student-centred, flexible and adaptable space for all different kinds of people.

“The young adults from the schools around the Isle and beyond come from different backgrounds and gather to learn from each other and coexist. The different typologies of spaces encourage learning, collaboration, innovation, identity, inclusion and communication. The environment becomes the teacher.”

Student: Rhea Khoury
Course:
ARCH 502, Architectural Design Studio X
Email:
rhea.khoury@mymail.aud.edu


The American University in Dubai

Third Place Award: Pedestrian Enclave by Dalia Qasem

“The concept of Pedestrian Enclave revolves around the nature of social gathering and interaction in the site. These encounters have a unique identity and result from multiple factors that include but are not limited to: overcrowding, vibrant street life, and the presence of low-income residents that feel a disconnect from the rest of the city.

“The goal was to integrate a structure into the chosen site to refine the pedestrian experience and create pleasant gathering spaces by inserting elevated platforms with different levels connected to the roofs of the existing buildings and create a central hub to host some of the missing amenities.

“Overall, this decreases the congestion on the ground level of the site, responds to the need for gathering spaces, and provides a more three-dimensional pedestrian experience as opposed to the flat urban fabric of the current area.”

Student: Dalia Qasem
Course: ARCH 502, Architectural Design Studio X
Email: Dalia.qasem@mymail.aud.edu


The American University in Dubai

Honorable Mention: A Child’s Place by  Klara Bekhet

“A Child’s Place proposes a residential building typology that challenges the current standalone towers present in Dubai with a focus on how children perceive and react to residential spaces cognitively, physically and emotionally. The proposed project takes inspiration from the traditional Sha’biyaat housing.

“It tackles three main design approaches an abundance of communal spaces for frequent interaction between the children, the rejection of the vertical void created by elevator-dependent multi-story buildings, and the importance of child-scale for the younger residents to be able to perceive their homes and surrounding.

“The project aims to provide ‘homes’ rather than transitory sellable units, encouraging children to form a sense of place attachment to these spaces and the city of Dubai.”

Student: Klara Bekhet
Course:
ARCH 502, Architectural Design Studio X
Email:
klara.bekhet@mymail.aud.edu


The American University in Dubai

Honourable Mention: Bridging The Gap by Zinah Al Asad

“Internally displaced people (IDPs) are continuously being viewed as a threat to a host society’s security, history, and cultural relationships, and are therefore excluded and restrained.

“The objective is to gradually merge IDPs into the urban fabric of their host city, rather than exclude them. Here, architecture creates a physical bond between the host society and the ‘new society’, the IDPs, and creates a link between the two histories. Moreover, it allows them to benefit society and themselves through the incorporation of self-build structures.

“The project comes to life through a continuous path that physically connects the three different plots while occasionally becoming the roof of recessed volumes. The path starts from an archaeological site to a final site of a refugee accommodation, with an intermediate museum in the second plot.”

Student: Zinah Al Asad
Course:
ARCH 502, Architectural Design Studio X
Email:
Zinah.alasad@mymail.aud.edu


The American University in Dubai

Sustainable Design Award: Plantae Tower by Basant Abdelrahman

“Our planet is in dire need of saving. Humanity’s eradication of nature has had a devastating impact on every aspect of our lives, including our health, population and wildlife. Nature is targeted for its non-renewable fuels, which has continued to contribute to the heating of the planet and has caused severe climate change.

“This should concern every human since it affects animal ecosystems, food production and essential biodiversity. To save our planet, we need to focus on alternative energy resources. There have been many surges in technology and advancements that have helped find solutions other than using non-renewable fuels as sources of energy.

“The main goal of my project is to raise awareness of these emerging integrated innovative technology and help visualise a sustainable building community. I propose to design a tower that advertises a biofuel-producing architecture. It will become a beacon of hope for a sustainable future and will raise awareness about the crisis of climate change. The purpose of the tower is to educate people about the necessity of protecting the environment.”

Student: Basant Abdelrahman
Course:
ARCH 502, Architectural Design Studio X
Email:
Basant.abdelrahman@mymail.aud.edu


Cultural Design Award: Tentmod by Noor AlHashemiThe American University in Dubai
Cultural Design Award: Tentmod by Noor AlHashemi

“Dubai is one of the most luxurious cities in the world, but around 90 per cent of its population are migrant workers who earn 19 dollars a day. This brings up the obvious reality of Dubai being a city built just for the rich while there are people who are in poverty.

“The city is known for being the melting pot in the middle east, and so it has residents from different incomes, nationalities, and most importantly, different religions. Unfortunately, all of these aspects create classism between the poor, the middle class, and the rich. TentMod was inspired by a mosque – there is a harmonious interaction between the poor and the other classes during the five prayers.

“I aim to create a Ramadan tent-inspired project that everyone can enjoy together. All classes, religions, and nationalities of the city can come together in union to build the temporary structure of the tent during the month of Ramadan while enjoying the structure during the rest of the year.

“This project creates a sense of unity and harmony between people while forming a connection between the occupants and the project. Furthermore, TentMod is designed to be placed and built on any site beside a mosque since it is designed to be adaptive. This characteristic will help in spreading the awareness of community and culture that comes with Ramadan tents.”

Student: Noora AlHashemi
Course:
ARCH 502 – Architectural Design Studio X
Email:
noora.alhashemi@mymail.aud.edu


The American University in Dubai

Community Design Award: Goodbye Slumbai by Mahima Aswani

“The project revolves around the redevelopment of one of the biggest slums in the world, Dharavi, Mumbai, India. The objective is to provide the slum dwellers with more than just shelter. To create an affordable housing option and to improve their quality of life.

“The design of the project is adaptable, sustainable and incorporates social distancing between dwellers to prepare the project for future uncertainties.

“It is designed as a place where dwellers can work in workshops to live in a type of housing module while enjoying and expressing themselves in the public spaces. In addition to this, there are also several stalls on the deck, main market, research centre, reading square to support the dwellers and the strengthening tourism financially.”

Student: Mahima Aswani
Course: ARCH 502, Architectural Design Studio X
Email:
mahima.aswani@mymail.aud.edu


The American University in Dubai

Innovative Design Award: Vertical Voids by Yash Rochani

“Vertical Voids tackles the issue of expansive sprawl and urban verticality found in Dubai. It proposes to densify the existing urban cloud further, allowing people to live closer and avoid the need to commute. Densification is achieved by studying the negative spaces within the existing skyline of Dubai and proposing an infill development between the current urban fabric.

“A development built within the voids but does not connect to the urban tissue and instead floats above the existing urban fabric and suffices on itself. Densifying the neighbourhood above the grade level will help retain the existing infrastructure while creating new horizontal connections between the existing and new buildings. Thus, creating various levels of interaction besides the ground level.”

Student: Yash Rochani
Course:
ARCH 502, Architectural Design Studio X
Email:
yash.rochani@mymail.aud.edu


The American University in Dubai

Professor Award: Convergence by Hiba Al-Sharif

“The project objective aims to connect the Jebel Ali religious complex with its surrounding and create a unity between the existing religious buildings. Instead of an isolated island of religious buildings, the project will form a series of connections between one building and another and between the complex and its adjacent surrounding.

“Here, the concept converges the religious buildings and considers the ‘in-between passages’ under the canopy theme. This will be achieved through enhancing these passages by integrating culturally shared architectural elements, and by elevating the passages, so connecting the complex with the new cultural park.”

Student: Hiba Al-Sharif
Course: ARCH 502, Architectural Design Studio X
Email:
hiba.alsharif@mymail.aud.edu


The American University in Dubai

Professor Award: Ori-folds by Maghi Alkhen

“This project aims to be taken into consideration in any country that has faced war – one that aims to build its future again. As a first step, I have taken the country Syria as a proposed location.

“In this project, I aim to try and heal the country step by step back to its life-filled days. The healing process adapts to the concept of “mitosis”, where the healthy cells start to divide themselves to cure a scar on the skin.

“The three phases of healing start with the shelter. It provides a temporary structure that is fast to build, low in cost, and safe for the people who have lost their original homes.

“The second phase focuses on transforming these temporary residentials into permanent ones and creating full residential units. The third and final phase that coexists with phase two is to conceptually include some Arabic and Islamic inspired elements within the final outcome.”

Student: Maghi Alkhen
Course:
ARCH 502 – Architectural Design Studio X
Email:
maghi.alkhen@mymail.aud.edu


The American University in Dubai

Professor Award: Excavation by Nawara AlMandeel

“The kingdom of Bahrain is one of the wealthiest islands in the Arabian Peninsula with cultural monuments that date back to the Sumerian and Assyrian times. It is the heart of captivating temples and forts that bind the kingdom together for its profound culture.

“It is essential that all demographic slates of people get to learn and embrace the kingdom of Bahrain’s profound cultural heritage and get inspired to revive what is lost. The project is a livable, sustainable educational cultural centre, hosting multiple activities that would invite all demographics worldwide to visit and immerse in Bahrain’s true architectural identity.

“The former would include contemporary livable areas such as resort hotels that overlook museums and refabricated historical monumental sculptures and exhibition areas.”

Student: Nawara AlMandeel
Course:
ARCH 502 – Architectural Design Studio X
Email:
Nawara.almandeel@mymail.aud.edu


The American University in Dubai

Students Award: Oneness by Ahmed Hussein

“When designing this project, we were told to try to relate to things we love or to our hobbies, so the first thing that came up to my mind was football or sports in general. The goal is not only to facilitate people with utilities but also how to make sports better and more accessible.

“The title of this project is oneness. I have chosen a site in a relatively poorer neighbourhood and managed to facilitate them with a sustainable hub that connects the neighbourhood that includes a stadium and a hospital. This zero-carbon emission hub offers not only sports facilities but also offices, galleries and restaurants for all types of people to connect.”

Student: Ahmed Hussein
Course:
ARCH 502, Architectural Design Studio X
Email:
Ahmed.hussein@mymail.aud.edu


The American University in Dubai

People’s Choice Award: Platform by Ayesha Changaai Mangalote

“Platform is an integrated rehabilitation program while activating, reflecting and incorporating new functions that would revive the central importance to the city’s fabric. The project is built around the primary goal of ordering integrated public spaces. These public spaces go from the ground floor to the leading platforms and roof gardens leading to roof gardens.

“The main intention here is to create a hub between the Gold Souq and the ultimate site, which acts as a surprise element or a hidden gem. The site includes old buildings, demolished and certain included and revamped and connected to new extensions to give continuity while ensuring a clear hierarchy and articulation of space.

“The main struggle for this project was its dense urban fabric, and the knitted area had to be well planned. That’s where the modularity of the project comes in. Balconies with roof gardens and the park below give the place a revamp where public and private realms converge. Social and physical boundaries are dissolved when different groups can meet on the ground floor of the central park.”

Student: Ayesha Changaai Mangalote
Course:
ARCH 502, Architectural Design Studio X
Email:
Ayeshasuha.changaaimangalote@mymail.aud.edu


Partnership content

This school show is a partnership between Dezeen and The American University in Dubai. Find out more about Dezeen partnership content here.

Reference

White Brooklyn apartment kitchen renovation with tiles
CategoriesInterior Design

Schissel Montgomery Architects renovates Brooklyn flat for art gallerist

New York City-based architecture office Schissel Montgomery has completed a minimalist renovation of a three-bedroom apartment in the Park Slope neighbourhood.

Named Wendy’s, the studio decluttered the 1,300-square-foot (120-square-metres) apartment’s living spaces to create “a quiet, generous background for art and life”.

Schissel Montgomery Architects also converted one of the bedrooms facing the street into a study.

White Brooklyn apartment kitchen renovation with tiles
The kitchen uses only lower cabinets to create a sense of openness

The renovation centres around a new kitchen, which is partially open to the living and dining space. Previously, these two areas were separate.“The intervention focuses on creating connections between the shared spaces of the apartment and selectively removing materials accreted over time,” said the studio.

Brooklyn apartment living room with minimalist furniture
A key move was to declutter the apartment’s living room

A new banquette along the wall integrates storage beneath the seat while consolidating the previously separate spaces.

At the end of a corridor, the studio repurposed an existing bedroom to create a study for the owner. Furniture selections here include a table by midcentury designer Eileen Gray and a Barcelona Daybed by Ludwig Mies van der Rohe.

Since the apartment is at street level, Schissel Montgomery designed sheer fabric curtains to cover the bottom portion of the windows.

This gives residents more privacy, while still admitting light into the space.

Office with Mies van der Rohe Barcelona daybed
The new study occupies a former bedroom at the far end of the apartment

The project has a restrained palette with light wooden floors, white painted walls and selectively curated furnishings and artwork.

“The intervention focuses on creating connections between the shared spaces of the apartment and selectively removing materials accreted over time,” Schissel Montgomery explained.

Brooklyn apartment foyer with built-in closets
The entrance includes a full-height mirror and built-in storage

Custom details include a handmade concrete enclosure to protect the building’s steam pipe.

It is made of stacked, textured cylinders that resemble a classical column’s fluting motif.

Brooklyn kitchen dining table with custom pipe cover
Custom details include a concrete sleeve to cover the building’s steam pipe

Another additional at the apartment’s entrance is a floor-to-ceiling mirror that was to expand the space and brings more light to a darker area of the apartment.

“The intervention uses painted surfaces, whitewashed floors and window sheers to maximise bounced light in the space,” explained Schissel Montgomery.

Renovated Brooklyn apartment with custom classical details
The pipe enclosure nods to similar classical columns visible from within the apartment

These pipes are left exposed in many New York City apartments and can become so hot that they are hazardous to residents, in addition to being unsightly.

Schissel Montgomery was established in 2019 and is led by two graduates of Columbia University’s architecture school, Michael Schissel and Talene Montgomery.

Other apartment renovations in the Brooklyn area include a townhouse by GRT Architects that is filled with eclectic art objects and a monochrome interior renovation by local firm Arnold Studio.

Photography is by Daniel Terna.


Project credits:

Architect: Schissel Montgomery Architects
Construction: WK Renovation

Reference

Exterior of Cunningham Street residence with protruding glazed volume
CategoriesInterior Design

Studio Four opens up “dark and compartmentalised” Melbourne residence

A series of portal openings improve connections between rooms and bring extra light into this 1970s residence in Melbourne renovated by Australian practice Studio Four.


Studio Four aimed to renovate the home, which was designed by Australian architect Wayne Gillespie in 1972, to improve the internal plan and bring it up to date for contemporary living.

Exterior of Cunningham Street residence with protruding glazed volume
A series of portal openings provide views of the garden beyond (top and above)

“While the existing house was of solid build, the interiors felt lightweight by comparison and did not flow or function as desired,” said Studio Four.

“Some spaces, in particular the existing kitchen, were dark and compartmentalised and did not fully harness the possible connections with the garden.”

Kitchen interior Studio Four with wooden chairs and table and view of garden
Solid wood furnishings create a sense of warmth in the otherwise monochrome kitchen

Located in the city’s South Yarra neighbourhood, the Cunningham Street Residence was designed by Gillespie as his first independent project and his first home.

The architect, who died in 2001, was known for his use of pure, clean lines, and combining classical design features with modern technology.

Wooden kitchen table setup with integrated planter in Cunningham Street residence
A planter is integrated between the dining table and kitchen island

“The client’s brief was to provide a holistic solution,” explained Studio Four.

“Their brief was to strengthen Gillespie’s original vision, as opposed to creating an alternate vision that would directly contrast it.”

Cunningham Street residence by Studio Four
The kitchen was relocated

Studio Four replanned the rooms to enable the occupants to spend time both together and separately.

For example, the existing kitchen was relocated to the centre and rear of the home so it could be used as a central space for the family to gather in.

To make the spaces appear larger and more connected with each other and the outside space, the architects inserted a series of portal openings between the spaces.

It decorated the spaces with a palette of light and neutral colours.

Reading nook with blue carpet and view of garden in interior by Studio Four
One of the portals features an integrated reading nook

“The design response reflects the integrity of the existing built fabric. The focus is on the experience rather than the form, and all emphasis is placed on the quality of the experience rather than a visual statement,” concluded the studio.

“The result is a house where the architectural form and its interiors act as one, and the transition between built form and landscape is blurred.”

Bedroom with floor to ceiling windows and green bedding in Cunningham Street residence
The bedroom features panoramic views of the trees outside

Studio Four, which is led by directors Annabelle Berryman and Sarah Henry, has a track record of creating homes that blur indoor and outdoor space.

Previous residential projects include an all-white family home with a garden at its centre, and a grey-brick home with a central olive tree-dotted courtyard.

Photography is by Shannon McGrath.

Reference

Bold bathrooms: Unit 622 in Habitat 67 by Rainville Sangaré
CategoriesInterior Design

Eight bold bathrooms that make use of more than just white tiles

Bathrooms can easily be dismissed as the dullest room of the house, but there’s plenty of opportunity to play around with material and colour. Interiors reporter Natasha Levy has selected eight striking bathing spaces to learn from.



Bold bathrooms: Unit 622 in Habitat 67 by Rainville Sangaré

Unit 662 by Rainville Sangaré

A statement shower screen adds interest to the otherwise greyscale interior of this bathroom, which sits inside a brutalist Montreal apartment.

Made from diochroic glass, the screen casts the cubicle behind in shifting shades of green, coral-orange and aqua-blue. The vanity stand has also been completed in navy blue.

Find out more about Unit 662


Bold bathrooms: San Francisco Residence by Jamie Bush

San Francisco Residence, USA, by Jamie Bush

Blue, gold and white wallpaper printed with aqueous bubbles and streaks covers the bathroom of this San Francisco home, which belongs to a tech entrepreneur.

The rest of the home has been completed in a similarly bold aesthetic to avoid seeming “too done and perfect” – its secondary bathroom boasts ombre walls which fade from pink to blue.

Find out more about San Francisco Residence


Bold bathrooms: And Y cafe by Eduard Eremchuk

And Y, Russia, by Eduard Eremchuk

In a nod to the aesthetic of subway stations, architect Eduard Eremchuk used different tiles to deck out this Russian cafe: floor tiles in the main eating area are white, and those in the kitchen are pale blue.

A surprise is offered in the tiled bathroom, where every surface – including the sink – features a crazy black-and-white cow print. Simple white tap faucets finish the space.

Find out more about And Y


Bold bathrooms: The Siren Hotel by ASH NYC

The Siren Hotel, USA, by ASH NYC

Bathrooms are just as striking as the guest suites inside The Siren Hotel, which ASH NYC designed to “call people back” to the city of Detroit.

Flecked, cherry-red terrazzo covers the walls, clashing against the diamond-pattern monochrome floors and veiny marble shower stools.

Find out more about The Siren Hotel


Bold bathrooms: Saku by Rane Interiors

Saku, Canada, by Rane Interiors

Vintage wallpaper originally produced in Italy during the 1970s covers the surfaces of this bathroom, which sits inside Vancouver restaurant Saku.

The room’s yellow hue is meant to emulate the “light, inviting and soothing” ambience of traditional Japanese eateries.

Find out more about Saku


Bold bathrooms: Annabel's by Martin Brudnizki

Annabel’s, UK, by Martin Brudnizki

The bathrooms that designer Martin Bruznizki created for Annabel’s – an affluent members-only club in London – offer a perfect lesson in opulence.

Walls are upholstered in chintzy wallpaper, while the ceiling is lined with thousands of hand-made silk flowers. Pink onyx washbasins and gold-framed vanity mirrors add an extra dose of decadence.

Find out more about Annabel’s


Bold bathrooms: Canari House by Naturehumaine

Canari House, Canada, by Naturehumaine

To “energise” this compact bathroom, Naturehumaine completed all of its surfaces in a hard-to-miss hue of neon-orange. Graphical interest is added by the micro-hexagonal tiles that cover the floor and splashback.

The vivid space is in perfect keeping with the rest of the Montreal home, which also features a canary-yellow staircase.

Find out more about Canari House


Bold bathrooms: House P by MDDM Studio

House P, China, by MDDM Studio

Sunny yellow walls run throughout the living spaces of this Beijing home, which MDDM Studio wanted to reflect the liveliness of its occupants – a young family.

This bright aesthetic extends into the bathrooms, which feature terrazzo surfaces inlaid with large chunks of peach, yellow and dark-green aggregate. An extra splash of colour is provided by translucent blue screens that separate the bathtub from the sink.

Find out more about House P

Reference

Colourful apartments roundup:
CategoriesInterior Design

Seven of the best colourful home interiors

A growing number of designers are ridding homes of nondescript magnolia walls and instead painting surfaces a rainbow of colours. We pick out seven striking examples.



Colourful apartments roundup:

Nagatachō Apartment, Japan, by Adam Nathaniel Furman

Sugary shades permeate this Tokyo apartment designed by Adam Nathaniel Furman. In the kitchen, candy-pink cabinetry juxtaposes watermelon-green vinyl on the floor, while lilac carpet in the dining room is meant to recall icing on a sponge cake. There are also “zesty” lemon-yellow fixtures in the bathrooms.

“The colour scheme became a matter of choosing ingredients for a beautifully calibrated visual feast,” Furman told Dezeen.

Find out more about the Nagatachō Apartment


Colourful apartments roundup:

Waterfront Nikis Apartment, Greece, by Stamatios Giannikis

Architect Stamatios Giannikis selected three hues to organise living spaces within this Grecian apartment. Functional areas like the kitchen and bathroom are pistachio green, while deep-blue paint has been applied across street-facing rooms, channelling the colour of the nearby waves.

Spaces that have direct views of the Mediterranean Sea have been completed in a contrasting shade of coral-pink.

“The use of bold colour in the design of [the apartment] is done in an effort to complement and strengthen the power of the sea view, not to suppress it,” Giannikis explained.

Find out more about the Waterfront Nikis Apartment


Colourful apartments roundup:

Hidden Tints, Sweden, by Note Design Studio

Note Design Studio decided to shun the typically restrained Scandinavian colour palette for the overhaul of this 19th-century family home.

The main shades that have been applied across its ornately bordered walls – pink, sage-green, and pale yellow – were inspired by the colour of three original tiled ovens which were found on the property.

“The approach to colour in architecture in the old days was much braver than we see today,” the studio explained, “it deserves it’s place again.”

Find out more about Hidden Tints


Colourful apartments roundup:

Twin Peaks Residence, Hong Kong, by Lim + Lu

Design studio Lim + Lu added colour to the formerly bland interiors of this apartment in Hong Kong to more acutely reflect the flamboyant personality of its owner, a fashion designer hailing from Paris.

To avoid the home seeming “over the top”, coral-orange and sunshine-yellow furnishings are offset by soothing pale-pink walls. Some of the cabinets have also been clad in shiny gold-hued panels to add textural interest.

Find out more about Twin Peaks Residence


Colourful apartments roundup:

Polychrome House, Australia, by Amber Road and Lymesmith

Designed to offer a “joyful” living experience, the aptly named Polychrome House is decked out with an explosion of different hues – as well as a brick-red kitchen, it also boasts pink bathrooms and a lounge area anchored by a lime-green sofa.

The focal point of the property is a bold wall mural that features multi-coloured abstract patches, intended to resemble land formations on a map.

Find out more about Polychrome House


Colourful apartments roundup:

London house, UK, by R2 Studio

A vibrant colour palette helped R2 Studio reinvigorate the formerly cramped and light-starved rooms within this Victorian-era home in London’s Kennington neighbourhood.

The ground floor is mostly green – in a nod to the foliage seen in the back garden – while the two staircases have respectively been completed in orange and vermillion red. “Cold and shiny” surfaces in the kitchen have also been traded for playful blue and yellow cabinetry.

Find out more about London house


Colourful apartments roundup:

Mixtape Apartment, Spain, by Azab

Azab applied vivid hues throughout this Bilbao apartment after its retired owner said they felt the home had become “blurred in a greyish mood”.

It now includes a baby-pink kitchen suite, cherry-red sliding doors and a colourful abstract carpet, offering a bold backdrop to the client’s array of ornate wooden furnishings.

Find out more about the Mixtape Apartment

Reference

A Room in the Garden by Studio Ben Allen
CategoriesInterior Design

Twelve back-garden offices for working from home

Houses with garden studios are ideal places for working from home during the coronavirus pandemic. Here are 12 that support focused work and creativity in our latest Dezeen Lookbook.



A Room in the Garden by Studio Ben Allen

A Room in the Garden by Studio Ben Allen, London, UK

Shaped like an artichoke, this garden studio was designed by London’s Studio Ben Allen and is coloured green inside and out.

It is made from a flatpack kit of CNC-cut timber pieces, so it can easily be re-built if the owners move.

Find out more about A Room in the Garden ›


Garden Studio by Six Four Five A, Toronto, Canada

Oliver Dang, founder of Toronto architecture firm Six Four Five A, created this workspace for himself modelled on a saltbox shed.

The unit was clad in vertical timber strips that were designed to emphasise its asymmetrical roof.

Find out more about Garden Studio ›


The Enchanted Shed by Sue Architekten, Eichgraben, Austria

This garden studio, which doubles as a guest bedroom, was an outhouse that was built in the 1930s.

Vienna studio Sue Architekten renovated the structure to accompany a two-storey family home in the Austrian town of Eichgraben.

Find out more about The Enchanted Shed ›


Garden Room by Indra Janda

Garden Room by Indra Janda, Belgium

White polycarbonate shingles cover the exterior of this garden structure in a pattern that resembles snakeskin.

Architect Indra Janda, co-founder of Ghent-based studio Atelier Janda Vanderghote, designed the project for her parent’s house in northern Belgium.

Find out more about Garden Room ›


Brexit Bunker by RISE Design Studio

Brexit Bunker by Rise Design Studio, London, UK

Rise Design Studio sunk this sturdy-looking building, designed to be a sanctuary from the UK’s divisive Brexit, into the garden of a house in London.

The project is clad it in weathered steel with plywood lining the walls and ceiling inside to provides a surprising contrast to its rough exterior.

Find out more about Brexit Bunker ›


Brooklyn Garden Studio by Hunt Architecture

Brooklyn Garden Studio by Nick Hunt, Brooklyn, USA

Brooklyn architect Nicholas Hunt built this wood-clad studio in his backyard in the Boerum Hill neighbourhood to provide “solitude within the immense landscape of New York City”.

It is painted all-white inside and topped with an angled roof covered in grass.

Find out more about Brooklyn Garden Studio ›


The Light Shed by Richard John Andrews

The Light Shed by Richard John Andrews, London, UK

London-based architect Richard John Andrews constructed a shed for himself with a sliding glass door so that it is filled with plenty of natural light.

It features a desk built into the wall and two office chairs, while the exterior is formed from black, corrugated fibreglass panels.

Find out more about The Light Shed ›


Writing pavilion by Architensions

Pavilion for a Writer by Architensions, Brooklyn, USA

Pine plywood covers the floors, ceilings and walls of this garden studio for two writers in New York City.

Brooklyn studio Architensions clad the petite structure with black cedar boards to create a stark contrast.

Find out more about Pavilion for a Writer ›


Garden Gallery by Panovscott

Garden Gallery by Panovscott, Sydney, Australia

Named Garden Gallery, this project garden office was built by Panovscott with contemporary, white interiors to highlight the creations of a couple in Sydney, Australia.

It was built for two artists who wanted a space to create and photograph their work while staying at home.

Find out more about Garden Gallery ›


Writer's Shed by Matt Gibson

Writer’s Shed by Matt Gibson, Melbourne, Australia

Ivy covers this writer’s retreat in Melbourne in order to camouflage it from its lush surrounds.

“Sitting inside at the desk, there’s a certain inherent delight in bunkering down to look out to the garden and house beyond,” said local architect Matt Gibson, who worked on it with landscape designer Ben Scott.

Find out more about Writer’s Shed ›


Cork Study house by Surman Weston

Cork Study by Surman Weston, London, UK

This workspace, designed by London architecture practice Surman Weston, was built for a musician and a seamstress who live in the north of the city.

Cork cladding weatherproofs the structure and provides acoustic and thermal insulation, while the interiors are plywood.

Find out more about Cork Study ›


Writer's cottage by Jarmund/Vigsnæs Arkitekter

Writer’s Studio by Jarmund/Vigsnæs Architects, Oslo, Norway

Norwegian studio Jarmund/Vigsnæs Architects built this two-storey structure for a couple in Oslo with an irregular, dark shape to frame certain views.

“The clients wanted a space that would allow them to isolate themselves to focus on their writing and work, while at the same time offering a generous view over the surroundings,” the studio said.

Find out more about Writer’s Studio ›

Reference