A sparkly revolution in eco-friendly glitter
CategoriesSustainable News

A sparkly revolution in eco-friendly glitter

Spotted: As most parents can tell you, glitter is something of a scourge – it gets everywhere and is very difficult to clean up. It is also an environmental nightmare — made from plastics, metals, and dyes, it is essentially a microplastic and easily enters the food chain. Some of the materials used to colour glitter are also toxic. In fact, Europe has already banned titanium dioxide, a compound often used to colour glitters, from use in food products.

Startup Sparxell is working to make glitter safer for everyone by using plant-based pigments specially designed to deliver the intense colours and bright shine needed for glitter and sequins. The biodegradable pigments are made from cellulose nanocrystals, which form helix-like structures that reflect light, in a similar way to how birds and butterflies achieve their bright colours.

To make the glitter, the crystalline part of cellulose is extracted and dispersed in water. On drying, the crystals form a film that reflects light and colour over a large area. The film can then be ground into a range of sizes and shapes to produce glitter. By controlling the interactions between the crystals, Sparxell can tailor-make the crystals to match a specific appearance.

Sparxell was spun out of Cambridge University and is currently seeking to raise a $2 million (around €1.9 million) seed round of funding. The money will be used to scale up production to deliver large quantities of the product.

Sustainable glitter joins a host of other eco-pigments. Recent innovations spotted by Springwise range from eco-paints made using graphene to low-heat, low-energy bio-pigments.

Written By: Lisa Magloff

Reference

twenty-eight curved townhouses compose the fold residential complex in dubai
CategoriesArchitecture

twenty-eight curved townhouses compose the fold residential complex in dubai

The Fold by Tkdp pops up in Jumeirah district

 

Architectural studio Tkdp – Tariq Khayyat Design Partners presents The Fold, a low-rise urban development along Al Wasl Road in Dubai‘s Jumeirah district. Comprising 28 terraced townhouses, The Fold seeks to redefine residential living in the United Arab Emirates and the Gulf Cooperation Council, introducing a new architectural paradigm that seamlessly integrates sophistication, refinement, and inclusivity. The design draws from the elegant simplicity of a field of tulips, deviating from the repetitive architectural language that has characterized the neighborhood for the past 50 years. Tkdp’s approach involves extensive research to address the social, environmental, and lifestyle needs of residents, resulting in a design that stands out for its daring yet functional solutions. 

twenty-eight curved townhouses compose the fold residential complex in dubai
all images by Luke Hayes

 

 

long central axis organizes the terraced townhouses

 

The townhouses feature bespoke 12m double-curved Glass Reinforced Polymer components, resembling connecting points that bring cohesion to the overall ensemble. Tkdp enhances the design with Exterior Insulation Finishing Systems for a silky finish and improved insulation, ensuring both aesthetic appeal and thermal performance. The residences, organized along a 200-meter central axis, promote community-building through a wide pedestrian artery, offering a platform for interaction, socializing, and sports activities.

twenty-eight curved townhouses compose the fold residential complex in dubai
the houses are organized along a 200-meter central axis

 

 

terraces incorporate wooden louvers for shade and privacy

 

Each villa, boasting three or four bedrooms, incorporates high ceilings, spacious living and entertainment areas, and a screened private garden on the ground floor. The upper floor features wood-powder-coated aluminum louvers for shade and privacy on balconies connected to bedrooms, walk-in wardrobes, and bathrooms. To enhance the overall residential experience, the roof serves as a fully accessible terrace and spa with a secluded jacuzzi, providing panoramic views of Downtown Dubai, Burj Khalifa, and the Jumeirah area. The Fold redefines urban living and fosters a sense of community engagement in its immediate surroundings.

twenty-eight curved townhouses compose the fold residential complex in dubai
the upper floors feature wood-powder-coated aluminum louvers

twenty-eight curved townhouses compose the fold residential complex in dubai
the concept revolves around elegant simplicity

twenty-eight curved townhouses compose the fold residential complex in dubai
the townhouses feature bespoke double-curved GRP components

twenty-eight curved townhouses compose the fold residential complex in dubai
the roof serves as a fully accessible terrace

 

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main entrance front view

main entrance front view

pathway

pathway

street view

street view

floor plans

floor plans

roof plan

roof plan

site plan

site plan

project info:

 

name: The Fold

architect: Tkdp – Tariq Khayyat Design Partners | @tkdp.design

design team: Tariq Khayyat, Xiaosheng Li

location: Dubai, United Arab Emirates

photography: Luke Hayes | @lukehayesphotography

 

 

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

 

edited by: christina vergopoulou | designboom



Reference

Dark tunnel with arches illuminated with blue light
CategoriesInterior Design

ICRAVE unveils sci-fi interiors of MSG Sphere Las Vegas

US studio ICRAVE has revealed images of the public spaces inside the world’s largest spherical structure in Las Vegas.

Chosen through an international competition, ICRAVE was tasked with designing the interiors of the public spaces within the MSG Sphere Las Vegas by Sphere Entertainment – the giant venue’s operator.

Dark tunnel with arches illuminated with blue light
Upon entering the MSG Sphere Las Vegas, visitors are ushered through an arched passageway

The scope included the building’s entry bridges, lobby and guest welcome areas, the main concourse, food and beverage outlets, as well as private artist dressing rooms, and VIP clubs and suites.

The 20,000-person venue, designed by architecture firm Populous, was unveiled over the summer.

Atrium with shiny black floors and walls lit up in blue
In the main atrium, the building’s curves continue across the intersecting balconies and bridges. This photo and top are by Rich Fury / Sphere Entertainment

While the building’s exterior is covered with 580,000 square feet (53,900 square metres) of programmable LED panels, the inside glows with bands of coloured indirect lighting.

“The spectacle that is Sphere on the outside sets the stage and bar for how magical the designed experience ICRAVE was tasked with must be on the inside,” said the studio, which has offices in New York City and Miami and is led by Lionel Ohayon.

Pink lighting in the atrium
The colourful indirect lighting throughout the public spaces can be customised for different performances

Upon entering the venue, visitors are ushered through a series of repeated illuminated archways before arriving in a vast eight-storey atrium.

Here, the building’s curved form is continued through a series of sweeping balconies and bridges, which intersect at different points across multiple levels to create “a sense of continuous motion”.

Thresholds and doorways are also shaped as either circles or ovals, while beside the escalators, a 160-foot-tall (49-metre) scrim wall hanging acts as a huge lenticular light installation.

Reflective black terrazzo flooring creates a sci-fi feel within the public spaces, which is further enhanced by the coloured lighting.

Arched opening in a pink-lit wall
Thresholds and doorways are shaped as circles and arches, while black terrazzo flooring reflects the light

“The lighting sets the tone and ‘performs’ as part of the Sphere experience from entry, to Atrium activation, to showtime, and as you transition out of Sphere and back to the bustle of Vegas,” ICRAVE said.

The studio also designed the various food and beverage spaces within the venue, each carrying a distinct character.

Dark bar area with gold-lit counter and column
Each of the food and beverage outlets features a different design

Tucked into areas where the ceiling height is lower, these bars and food vendor spots include fluted panels, dark counters, and more indirect lighting.

Throughout the building, mathematical graphics added to surfaces are derived from the equations used in the Sphere’s construction.

In the dressing rooms, artists can enjoy lounge areas and massage chairs, as well as makeup stations, private bathrooms and showers.

Meanwhile, the VIP viewing suites feature a mix of absorptive and reflective materials intended not to distract from the performances.

Long bar with lighting installations
The venue can accommodate up to 20,000 visitors

“In an effort to create a transformative entertainment space that takes artists and fans out of the mundane and into the future, ICRAVE sought to bring life to every inch of Sphere, not just the stage,” said the studio.

“With a sophisticated mix of lighting, soundscape, visuals, ambiance and tactile elements, audiences and the artists will have a captivating experience like nowhere else in the world.”

Scrim wall behind an escalator bank, with spherical pendant lights in the foreground
A huge scrim wall behind the escalators acts like a lenticular lighting installation. Photo by Rich Fury / Sphere Entertainment

The Sphere began its programming in October with a concert by U2, featuring visuals by designer Es Devlin, artist John Gerrard and more on an enormous wrap-around screen.

A similar venue was also planned for London, but the government put the project on hold earlier this year to give the Secretary of State more time to review the proposal.

The photography is by ICRAVE unless stated otherwise.


Project credits:

Owner and developer: Sphere Entertainment
Architect: Populous
Interior designer: ICRAVE
Lighting designer: Journey
Audio engineer: ARUP
Audio tech / manufacturer: Holoplot

Reference

Digital reefs for protecting vulnerable coasts
CategoriesSustainable News

Digital reefs for protecting vulnerable coasts

Spotted: Rising demand for leisure trips is fuelling a rapid growth in global coastal and maritime tourism, with a market size worth more than $2.9 trillion (around €2.7 trillion). Many of these coastal destinations rely on reefs to protect wildlife, beaches, and communities from erosion and severe climate events. But the world’s reefs are in danger – around 14 per cent of the world’s coral was lost between 2009 and 2020.

CCell is working to heal damaged reefs, with artificial reefs powered by renewable energy that allow corals, bivalves, and other organisms to thrive. The company’s reefs use a steel frame and calcareous rock is grown around this, acting as a substrate for plants and coral to attach. Units are constructed in sections and transported to reefs that need repair.

Once in place, a safe low-voltage current is passed between a small metal anode and the steel structure. At the anode, oxygen is produced, nourishing marine life. On the main steel structure, which acts as the cathode, the pH rises and prompts the precipitation of dissolved minerals in seawater. The result is a calcareous rock, mainly Aragonite and Brucite, that fills in missing reef sections. The electrolysis is powered using energy from the waves.

CCell’s innovation relies on a digital management system – CCell Sense – allowing power output to be optimised and renewable energy to be distributed carefully across a structure.

Research and development of CCell’s concept was funded using £2 million (around €2.3 million) in government, non-equity funding last year. In 2022, the company also launched various pilot projects to prove the viability of its solution, including in Yucatan, Mexico.

Saving the world’s coral reefs is the subject of a wide range of recent innovations, from using natural antioxidants to stop coral bleaching to 3D-printed reefs made from cremated remains.

Written By: Lisa Magloff

Reference

Durable Wall Protection for Resilient Buildings
CategoriesArchitecture

Durable Wall Protection for Resilient Buildings

Every structure, much like matter, inevitably shows signs of wear over time. From pristine finishes to eventual wear, the journey of a building is evident on its walls. But what if we could delay the inevitable? This webinar addresses exactly that — preserving the interior aesthetics and integrity of buildings and as a result, empowering architects and designers to think long-term.

Leading the conversation is Ryan Roessler, Product Manager for door and wall protection at Inpro, an industry leader in interior and exterior architectural products. With over six years of product management, a certification from PDMA and deep insights garnered during his nearly three years at Inpro, Ryan brings invaluable expertise to the architectural community. His discussion will focus on the strategic choices architects and designers can make to ensure building interiors stand the test of time.

If you missed the live session or want to delve into Ryan’s insights again, we have the recorded session ready for you. Click the button below to access the recording:

Register + Access

In the webinar, Ryan thoroughly explored the ins and outs of wall protection — from materials and installations to key decision-making processes, highlighting the main challenges architects often face.

All in all, in this webinar you can expect to learn how to:

  • Explore how the proper installation of wall protection materials — when specified with standard wall construction options — determines their effectiveness in interior applications.
  • Recognize when to specify wall cladding vs. targeted wall protection.
  • Examine the best-practice options for achieving effective and aesthetically pleasing interior protection.
  • Discover strategies to successfully design for the long term by avoiding the trap of first-cost value engineering.

The presentation offers deep insights, real-world examples and straightforward guidance, making it a must-watch for every architect and builder. Dive in to strengthen your designs and focus on lasting interiors.

Register + Access

The essence of a building’s long-lasting interior isn’t merely in its design but in the foresight of its lifespan and safeguarding it against wear and tear. So, don’t miss out on the opportunity to explore the tools and insights needed to design  spaces that not only shine today but for years to come.

Reference

Dezeen Awards 2023 party tickets now on general release
CategoriesInterior Design

Dezeen Awards 2023 party tickets now on general release

Remaining tickets for the Dezeen Awards 2023 party in London on Tuesday 28 November are now available to buy on general release. Book your tickets now before they sell out!

Early-bird ticket sales ended last night, Tuesday 31 October, at 11:59pm London time. All remaining tickets are now available at our general release price of £175 + VAT. You can also save a further 10 per cent if you book a package of 10 tickets or more.

Taking place at Shoreditch Electric Light Station in London on 28 November, we will celebrate the winners of Dezeen Awards 2023 with food, drink, live entertainment and music throughout the night.

The winners of all 39 Dezeen Awards project categories will be revealed, as well as the overall architecture, interiors, design and sustainability projects of the year.

We will also be announcing the six Designers of the Year and revealing the winner of the inaugural Bentley Lighthouse Award.

The party will be a chance for everyone to come together to celebrate their achievements with fellow nominees and winners, as well as our illustrious Dezeen Awards 2023 judges.

Judges this year include Patrik Schumacher, Patrizia Moroso, Giulio Cappellini, Sabine Marcelis, and Tola Ojuolape. See who they crowned as winners when they collect their trophies, and join in the celebrations.

Tickets selling out fast

With three quarters of all tickets already sold for this year’s glamorous event, make sure to grab the final few tickets before they are gone. Don’t miss out on this year’s celebrations!

Book your ticket now via Eventbrite: dezeenawards2023.eventbrite.co.uk

Email [email protected] if you have any questions. Sign up to our Dezeen Awards newsletter to get updates on the winners party and future editions of Dezeen Awards.

Reference

Locally owned networks of air quality sensors 
CategoriesSustainable News

Locally owned networks of air quality sensors 

Spotted: The World Bank estimates that the cost of health damages associated with air pollution exposure worldwide is $8.1 trillion (around €7.7 trillion) – equal to 6.1 per cent of global GDP. Indonesia has some of the world’s most polluted air, a public health challenge that led clean air technology experts Nafas to set up networks of local air sensors to help communities better manage their health.  

The Nafas app is free to use and provides real-time data on the current quality of the air. Users set their preferred locations and can sign up for alerts when conditions change. Using a green, yellow, and orange colour-coding system, Nafas makes it easy for families to decide when to travel or spend time outside. For users interested in more detail, the platform also provides in-depth articles by experts covering the latest air quality news and research.  

Nafas combines its proprietary technology with Airly air sensors to build its network. Airly sensors are designed for outdoor use and are robust enough to withstand high temperatures and significant quantities of rain. Nafas experts calibrate each sensor for its particular location, and the company invites businesses and other organisations to financially support and physically host a sensor.  

From schools and transport to retail and hospitality, all industries are affected by the health of their employees and customers. With more than 180 sensors already installed in Jabodetabek, Nafas is well on its way to providing hyperlocal air quality information for neighbourhoods and families. The company plans to continue expanding its network to increase the density of its coverage and its ability to map changes across some of the country’s most populous cities.  

Air quality has become so poor that innovators are creating cleaning products for every area of life. Examples in Springwise’s database include light-sensitive concrete that cleans the air in road tunnels and a lampshade coating that combines with pollutants to transform them into harmless compounds.

Written By: Keely Khoury

Reference

7 Public Buildings Redefining the Architectural Identity of Amman, Jordan
CategoriesArchitecture

7 Public Buildings Redefining the Architectural Identity of Amman, Jordan

Architizer’s new image-heavy daily newsletter, The Plug, is easy on the eyes, giving readers a quick jolt of inspiration to supercharge their days. Plug in to the latest design discussions by subscribing. 

Considered one of the fastest-growing cities in the region, the capital of Jordan is striving to find its place in the modern world while holding on to its heritage and culture. The architecture in Jordan has been shaped by these two polarities, developing and transforming in response to the needs of the people and their shift towards a more globalized way of living. In Amman, stone has always been considered the marker of the city’s identity, used widely in construction as one of the country’s natural resources and the most reliable building material in terms of efficiency and performance.

Through this collection, 7 public projects in Amman will be showcased, designed by local and international offices, as examples of projects that are changing the face of architecture in the city through their innovative designs, building technologies and ability to strike a balance between the local and the universal.


Amman Compound

By UPA Italia, Amman, Jordan


Located directly adjacent to the 3rd circle in Amman, at the threshold between the old historical center and the more recently developed areas of the city, this compound was designed to reflect the spirit of the place and its location. Housing a number of floors of serviced apartments on top of a commercial center, spa, gym and underground parking, the mass of the building is divided over a number of layers with free curves that dynamically change shape around the building’s edges. On the plot, an existing historical building was reserved, turned into a restaurant with a commercial area.


Queen Alia International Airport

By Foster + Partners, Amman, Jordan


For anyone visiting Amman for the first time, the experience of arriving at Queen Alia Airpot is one that welcomes passengers with open arms, which might have been a notion that inspired the airport’s layout. Inside the airport, activity seems to seamlessly flow across the terminals’ multiple platforms, which are together covered by a massive concrete shell structure that imitates the traditional design of domes.

Inspired by the vernacular architecture of the region, the designing team utilized a number of passive design strategies that helped regulate the indoor environment, with the use of courtyards, horizontal louvres, vegetation and the openings in the roof that allow sunlight in and help regulate the temperature.


Al Rawda Mosque

By Uraiqat Architects, Amman, Jordan

How can the design of a mosque become more contemporary and reflective of its time? That was the question that guided the local designing team of Al Rawada Mosque in Amman, who worked together to create what they described as the first contemporary mosque in Amman.

After a process of extensive research, the team deduced a number of progressive practices that helped them abstract a mosque’s different components and reinterpret them in new ways that could be seen in the building’s exterior and interior. The team also used computational design to design and construct the modern geometrical patterns on the facade, which complemented the building’s dynamic geometry and unconventional aspirations.


Amman Rotana Hotel

By Architecturestudio, Amman, Jordan

Photo by Aiman AlAkhras

Photo by Antoine Duhamel

The new Rotana Tower could be spotted from almost anywhere in Amman, boldly imposing itself on the city’s skyline, erected as a strong landmark that signals the capital’s transformation towards a new era. Built as part of the new Abdali project at the center of Amman, Rotana Tower and the entirety of the Abdali development impose a new layer to the city’s identity, with its bold use of steel and glass among other elements of the international style.

Consisting of 615 feet (188 meter) tower on top of a platform, Amman Rotana hotel offers a 360 view of the city of Amman, opening a window towards the city’s past through views to its historic center, while opening another towards the city’s globalized future.


Amman Baccalaureate School – IB Diploma Collage

By Tahhan and Bushnaq Architects, Amman, Jordan

Through the design of this school, the designing team proved that less is more. Consisting of simple rectilinear forms, the design of the school depended on the use of strong horizontal and vertical lines that produced the building’s geometry and guided the process of designing the openings.

The buildings’ form was further emphasized by the use of motorized vertical louvres that helped regulate temperature between summer and winter, while also stressing on the rectilinearity of the building. Stone was used in the design of the facades, in a manner that reflected the local identity of the city, nicely contrasted with the shape and color of the tall vertical trees that further integrated the buildings into their setting.


Farah General Hospital

By Tahhan and Bushnaq Architects, Amman, Jordan

The designing team of Farah General Hospital understood the healing powers of nature, and for those reasons, designed a hospital that was in conversation with its environment, utilizing green strategies that maximized patient comfort and care. The design of the building also made use of advanced medical technologies that helped serve the patients, while also allowing the building to enhance its environmental efficiency and performance.

Stone was used as a cladding material for a number of the hospital’s buildings, in a manner that better integrated the hospital with the surrounding context and created a more grounded relationship with the neighbourhood at entry level.


The Commercial Office of the Republic of China (Taiwan)

By maisam architects & engineers, Amman, Jordan

Within the walls of this complex sits the Visa Center for the Republic of China-Taiwan, the ambassador residence and a public garden. Through an intricate yet dynamic design, the local design office managed to organize the space in a manner that ensured the needed privacy for the embassy and ambassador residence, while also opening up the space for the public to enjoy the garden and access the visa center. The architecture of the buildings also aimed to celebrate the Taiwanese and Jordanian culture, and present a space that merged notions and values of both nations.

Architizer’s new image-heavy daily newsletter, The Plug, is easy on the eyes, giving readers a quick jolt of inspiration to supercharge their days. Plug in to the latest design discussions by subscribing. 

Reference

Overview of the Nest nursery in east London by Delve Architects
CategoriesInterior Design

Delve Architects designs “nurturing but playful” The Nest nursery

English practice Delve Architects has used joyful colours and natural, tactile materials to outfit a newly established kindergarten by the River Thames in east London that can be accessed via boat.

The Nest daycare centre is part of a wider housing development in the Royal Wharf area, occupying a commercial unit at the base of a 19-storey housing block.

Overview of the Nest nursery in east London by Delve Architects
The Nest nursery was designed by Delve Architects

As a result, the primary challenge was to bring the towering newbuild space down to child scale and make it feel more homely while forging a greater connection to the riverfront.

“We wanted to create a calm, nurturing but playful space that reflected the values of the nursery,” Delve Architects co-founder Alex Raher told Dezeen.

“Their ethos is for children to have a positive learning experience through a healthy relationship with the environment around them and a connection to the outdoors.”

Stairway and wooden arches inside east London nursery
The studio used timber arches to define the space and envelop the new staircase

To boost the internal floor are, the studio installed a new mezzanine with a bespoke, powder-coated metal staircase that rises through a double-height space defined by a series of arched timber fins.

These maple-veneered arches – each around 4.5 metres tall – were conceived by Delve Architects to subdivide the space, creating zones without physical barriers.

Area with low benches inside The Nest nursery
The timber fins taper off into low benches for the children

“We wanted to connect the spaces visually and physically between the mezzanine and lower level, and to soften the hardened edges of the space,” said Raher.

The arches are formed from a series of fins that merge into benches and individual seating as they approach the ground.

View from stairs of east London kindergarten by Delve Architects
The stairs lead up to a new mezzanine level

“The grand scale of the arches for a small child could feel overwhelming, so we brought this down into child-height seating, benches and joinery to play with the scale and make it more familiar to them,” said Raher.

“The material flows seamlessly between the two levels and creates a natural material palette that the children could recognise and read through different heights and spaces.”

The arches also span over the main staircase, where Raher says they suggest a canopy of trees.

“We wanted it to be a centrepiece that was exciting, functional and exploratory, almost like a meandering joinery up to a treehouse-style level on the mezzanine, through a network of arches and branches on the way,” the architect explained.

“One of the first concepts we explored was the treehouse idea, developing ideas around the nursery name The Nest and how we could bring a playful part of nature into the design.”

Given its inner-city location, the nursery is fortunate to have a large garden overlooking the riverfront, which is connected to the nursery via a double set of six bi-folding doors.

Pink-toned mezzanine of The Nest nursery
The upper level is finished almost entirely in baby pink

The external fencing was designed by Delve Architects “to merge with the rhythm of the existing tower’s balconies” and powder-coated in a matching colour.

“We wanted to celebrate the connection to the outside space, the riverfront location and the child-height views from the mezzanine to the water, as it was unique to the space and to the nursery setting,” said Raher.

“Children can arrive and parents can commute using the river boat directly outside the nursery. The new pier designed by Nex Architecture is a beautiful backdrop to the site.”

Pink-toned mezzanine of kindergarten in east London by Delve Architects
The mezzanine houses cosy play areas

To cope with the demands of a nursery setting, materials and finishes are resilient as well as being natural and tactile. Among them is recycled and recyclable Marmoleum flooring, maple-veneered joinery and low VOC paint.

A colour palette of soft muted shades helps to create a homely atmosphere inside The Nest.

“This palette works better than bolder primary colours, as these create too much visual noise for younger children,” Raher said.

Outdoor play area of The Nest nursery in east London
The Nest’s garden overlooks the riverfront

A panel of dark teal blue creates a datum line around the walls, designed to be “resilient to little fingers” while making the tall spaces feel more relatable to children.

“We always try to design from a child’s perspective, putting ourselves at that level, quite literally in some cases,” Raher said.

The soft blue of the flooring gels with the tones of the pale maple veneer and the matt pink that wraps around the ceiling and upper walls, covering almost the entire mezzanine.

Twig house in kindergarten play area
It can be accessed via river boat

“It both draws your eye upwards but also manages to change the scale of the space,” said Raher. “In some areas there is a five-metre ceiling height, so we wanted to break this up visually.”

“The services for heating, cooling and ventilation were also left exposed, giving a little insight for children to explore and imagine what they could be – a network of intriguing forms and geometry running through the nursery.”

Other kindergartens that hope to forge a greater connection to nature include this English nursery by Feilden Clegg Bradley, which makes use of natural materials to reflect the surrounding woodland, and a timber kindergarten extension in Austria by Bernardo Bader Architekten.

The photography is by Fred Howarth.

Reference

Planet Champions: Jennifer Droguett - Springwise
CategoriesSustainable News

Planet Champions: Jennifer Droguett – Springwise

One thing we often hear when we talk to innovators and corporates alike, is the importance of partnerships as we pursue our climate goals. We take a closer look at this trend and talk to Jennifer Droguett, Creative Director of Anciela, a London-based conscious womenswear label.

Founded in 2019, Anciela is a homage to Jennifer’s South American heritage. Taking inspiration from art, literature, and historical costumes, the brand offers re-worked tailoring and eccentric Ready-To-Wear, interwoven with a hint of the magical. The brand has been featured in Vogue, Harper’s Bazaar, L’officiel, and Forbes, among other independent publications.

Jennifer has seen the fashion industry from the vantage point of both established brands and her own startup. She spent 10 years at the start of her career working in brands like Viktor&Rolf and House of Holland. However, she took the plunge and started her own brand, after growing frustrated with the way big fashion works. She shares her views on the importance of partnerships and the ability of small producers to drive positive change by experimenting and taking risks.

A discussion with Jennifer droguett

“After four years I started feeling: wow, you don’t have a lot of influence,” she explained when she sat down with Springwise. Often, Jennifer highlights, you’re just a “small piece” of a much bigger machine. “I think what they don’t teach you at uni, it’s just this system – how fashion operates – is very out of necessity sometimes, it’s not really thinking about ‘how can this work for everyone?’”

“I did think: we need to do better. That really bothered me. Even if you have very little resources, or if you’re a massive giant – why aren’t we doing more? Why are we wasting things? It didn’t feel like everyone was on the same wavelength of: reduce, reuse, recycle. And sometimes with the choice of materials, people didn’t think, hang on a minute, this is super plastic, super oil-based, or polluting.” 

Materials matter

By contrast, Jennifer founded Anciela with sustainability as a core principle, and the brand works withlow-impact naturalmaterials such as Tencel, Hemp, Linen, wool, silk, and organic or recycled cotton.  

“The first principle when you have no resources is to work with what is already there, the famous deadstock that we all know. So then it’s just going to the warehouses and seeing what’s there,” Jennifer explained when asked about material choice.  

Offcuts were how Jennifer started, but as Anciela developed she was drawn to new experiments, and she ageed to collaborate with freelance textile designer Alice Timms. “At the beginning, we all wanted to try recycled yarns – recycled plastic was all the rage,” she explains. “Everyone was using NewLife yarns [made from recycled plastic bottles] for very nylon-y, outerwear, sporty things. But I was like, could we use it for something else?” That ‘something else’ was a jacquard weave (a complex woven fabric) made from NewLife yarns instead of silk. 

The next step was embracing more natural fibres like wool, hemp, and linen, while maintaining the focus on circularity. Jennifer added a compost bin to her studio that mixed food and textile waste – a move that proved to be extremely successful: “I was shocked, the worms loved the hemp and linen, it was gone in 12 or 15 days,” she explained. This was followed up with a weave made from recycled wool yarns, again in collaboration with Alice Timms.

Material choice is important for Anciela, but it is not the full story. Developing patterns that make the best use of material plays an important role, as does careful, low-volume ordering from local mills for the small portion of the collection that uses new fabrics. “We’ve been really strict on my collection plan, understanding exactly what I need,” Jennifer explains. You can’t be ordering extra ‘just in case’.

“That’s why I was transitioning to naturals, because that’s already so thin and small that [any offcuts are] perfect for the compost. So, all of that production waste can just go directly to the compost and that’s really beautiful as well.”

Collaborative efforts

With all these developments, Jennifer emphasises the freedom enjoyed by smaller producers: “As a small player you can do that… I can have my experiments.” This touches on an important question: how can small players like Anciela – which does everything made-to-order and most things in-house – have an impact in a market dominated by large, high-volume companies? 

“As a small player, you make all the decisions so there’s no excuse not to try anything. We have that advantage as a small business that you can pivot… When you keep things small, there is no risk, you’re not making thousands of garments,” she explains. And that’s something big companies can tap into through partnerships.  

Jennifer highlights her collaboration with Tencel Luxe – a luxury fabric made by multinational chemical company Lenzing. Normally, the company works with big brands that buy in large volumes. But Jennifer discovered that they too had an appetite for experimentation: “They wanted to help small designers make more experimental things.”  

To Jennifer that is the value to big companies of partnerships, which she believes are the way the world is going: “We’re all people, we all want to do something, whether you work for a big or a small company.”  

What can big brands do differently?

Beyond taking a risk and working with smaller, more agile companies, Jennifer highlights that the bigger fashion labels need a culture shift if they really want to commit to sustainable change.

“Don’t overproduce, there’s no need for that. It’s better to really put out there what needs to be out there,” says Jennifer. “Of course, it’s not as simple as it sounds – I understand because I’ve worked for bigger brands. I understand the machine – those companies are machines. But I feel there needs to be a shift at a business model level.”

“We have to be more mindful of what we’re putting out there and prioritise the quality of our supply chain, the quality of the life of the people in that supply chain and tracing all the way back.”

True sustainability goes beyond environmental concerns. Jennifer stresses: “We talk about climate change but it is about people, it is about looking after each other as people, from the farmers onward. You hear so many horror stories from every single step of the supply chain…When we can relate personally to a cause, the changes can happen very quickly. That’s the shift. Climate change is about people and it’s going to affect us all, whether we like it or not.”

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Words: Matthew Hempstead and Matilda Cox

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