Frame store Marylebone, London, by Studio FB and Erik Tortensson
CategoriesInterior Design

Studio FB creates gallery-like interior for Frame store in Marylebone

French interior design Studio FB and the co-founder of fashion brand Frame, Erik Torstensson, have designed a California-informed store for the brand in London.

The store’s concept draws from the brand’s Californian origins as well as European influences, which is reflected in the lighting, furniture and materials.

Frame store Marylebone, London, by Studio FB and Erik Tortensson
Studio FB designed a minimalist store for Frame

“The Californian universe with these modernist architectures with a free plan, skylights and the opening of spaces to the outside was our inspiration basis,” Studio FB told Dezeen.

“We imagined this new concept design layout as open as possible, which can be compared to a gallery.”

Seating area in London Frame store
The store is arranged round a large central pillar

To create a greater connection with the street, the studio redesigned the facade by adding a curved, full-height glazed wall, which was set behind the original piers.

“We designed a long-curved glass like a contemporary insert which contrasts radically with the classic London pillars preserved,” said the studio.

Frame Marylebone by FB Architects and Erik Tortensson
The studio aimed to create a gallery-like atmosphere

Within the store, the studio aimed to mimic the atmosphere of an art gallery with a polished concrete floor serving as a base for a central pillar constructed from stained birch wood veneer.

The store’s rails were custom-designed with a distinctive hand-moulded abstract-shaped end-piece serving as the highlight

With in the fitting room, the ceiling, walls and doors were upholstered in fabric by textile company Kvadrat.

Steel railing in fashion store
Custom-designed rails were created for the store

“The rounded central wooden element was designed as a sculptural object, which gives a residential feeling from the 50s,” the studio explained.

“The backspace invites the cabins and lounge area becomes more intimate all-in fabric and brings sophistication to the space. Pieces of furniture and artwork sublimate the atmosphere,” the studio continued.

“The general atmosphere is similar to an art gallery with raw materials such as concrete on the floor and white walls.”

Fabric-covered walls in store changing area
The stores changing areas have fabric walls

FB Architects and Torstensson worked together to acquire artwork and collectable design pieces to reinforce the gallery atmosphere.

“It was a thorough process to ensure the most unique response possible to Frame,” said the studio.

“Erik had a precise vision of his brand, so we exchanged a lot together on many artistic fields to build the brand’s architectural DNA.”

A sculpture by Serbian visual artist Bojan Šarčević crafted from wood and limestone sits in the display window. Also in the store are two original 1950s Gio Ponti stools, crafted from wood and textiles.

The store was decorated with wall-mounted fixtures designed by French lighting designer Jean Perzel, as well as geometric fixtures created by French architect Pierre Chareau, to create a soft and gentle lighting ambience.

FRAME Marylebone by FB Architects and Erik Tortensson
Artworks feature throughout the store

Torstensson used AI as a sketching tool to design custom objects for the space, such as large brutalist stone tables and chrome custom-made sculptures that were then realised by architecture studios including Bucktron Studio Sweden.

“I’ve been learning and expanding my skills with AI for the last year, it creates a superpower when it comes to speed, as it allowed me to generate the visual concept at a greater pace and scale,” said Torstensson.

“This creates exciting results and provides a new outlook on design. I simply use it to visualise my initial ideas in greater detail in order to bring my ideas to life.”

Frame Marylebone
The store is Frame’s second in the UK

Other retail interiors recently featured on Dezeen include a stationery store interior made from white-oiled wood by Architecture for London and a store interior for Ms MIN in Shanghai, China, by Neri&Hu.

The photography is by Ollie Tomlinson.



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A child sitting underneath a tree with their foot on a stool
CategoriesSustainable News

Anne-Sophie Rosseel creates colourful furniture that kids can assemble

New York-based interior designer Anne-Sophie Rosseel has created a sustainable children’s furniture collection that locks together for easy assembly.

Called the Interlockables, the collection includes tables, seating and storage for children and is the debut collection from Rosseel‘s House of RoRo brand.

A child sitting underneath a tree with their foot on a stool
Interior designer Anne-Sophie Rosseel has created a collection of children’s furniture

“Inspired by children and their ability to grow and learn at an astonishing speed, the collection consists of multifunctional and versatile children’s furniture that is sustainable, playful, and practical,” said the team.

“The designs are unselfconscious and simple in their use of materials, provoking a feeling of delight.”

A table in the sunlight
The collection is made of natural materials and dyes

Primarily made of Birch plywood and finished with non-toxic, plant-based dyes, the collection consists of furniture made of geometric shapes just slightly askew.

“I was looking for ways to combine toy storage with functional furniture that would look good in our home while reducing the clutter,” said Rosseel.

A wooden table and chair for children
The furniture comes flat-packed and locks together so that children can assemble them, with the help of a guardian

“Kids grow fast and if I was going to make a product, I wanted it to be as sustainable as possible and not have it end up in landfill after 2 years.”

The furniture comes flat-packed and slides and locks together so that children – with the help of a guardian – can assemble the pieces.

A blocky rocky chair
The collection includes chairs, tables and storage

The pieces were designed to be gender-neutral and not age-specific, with some elements that can be adjusted as a child grows.

The Box Table rests on rectangular legs that double as storage containers, which are accessed with removable panels on the table’s countertop.

A stool with small eyes cut into it
The pieces are sustainably sourced and manufactured in Canada out of birch plywood

Once a child outgrows the table, the countertop can be removed and the boxy legs converted into nightstands or side tables.

The Raymond Rocker chair fits flat-pack in a pizza-sized box and features slightly curved legs for “the child that doesn’t like to sit still”.

Artisanal dyer Audrey Louise Reynolds created a series of stains for the collection made out of plant-based pigments including mushrooms, flowers, mica and moss.

The dyes include a natural oil stain and five bold colours, although they will change seasonally and custom colours can be requested.

A small side table with wide legs
They are made of playful, geometric shapes

The pieces are ethically sourced and manufactured in Canada, with leftover scraps from CNC cuts reperused into “small toy wood pulls or puzzles”.

A pair of permanent sticker sketchy “eyes” comes with each purchase to be applied to the furniture at will.

Anne-Sophie Rosseel is a Belgian-born New York-based interior designer. She founded Rosseel Studio before launching House of RoRo in 2023.

Other furniture designed for children includes sloping wooden chairs that encourage “active sitting” by Studio Lentala and playful stools made of olive pits by Eneris Collective and NaifactoryLAB.

The photography is courtesy House of RoRo.

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AI streamlines clinical workflow by analysing images and text
CategoriesSustainable News

AI streamlines clinical workflow by analysing images and text

Spotted: In 2021, the use of artificial intelligence (AI) in healthcare reached a global market size of $11 billion (around €10.4 billion). Researchers expect that figure to continue growing and surpass $188 billion by 2030 (around €178 billion). As of 2021, around a fifth of healthcare organisations around the world were in the process of introducing the technology to some part of their workflows. 

In Brazil, healthcare technology company NeuralMed provides an AI-powered diagnostic tool for prioritising patients in care pathways. NeuralMed’s algorithm reads a variety of documents, including plain text, PDFs, X-rays, EKGs, and CT scans. After analysing the information, the system lists patients in order of urgency. The process reduces the amount of time it takes a patient to see a doctor after undergoing testing. Patients with an abnormality identified in screening results are automatically moved to the top of the list of clinical priorities. 

The NeuralMed team emphasises that the role of doctors is paramount in healthcare and that the AI is a powerful tool of assistance, not a replacement for human expertise. NeuralMed provides its AI through two programmes that easily and quickly integrate with an organisation’s existing technology infrastructure. 

TrIA helps accident and emergency teams sort patients by the seriousness of symptoms after initial scans and further improves a doctor’s effectiveness by ensuring that the most at-risk patients on their list for the day are seen first during each shift. HarpIA has two options, BI for the creation of a historical database of patient data and Assist for day-to-day record keeping.  

AI in healthcare is an exciting area of innovation, with projects in Springwise’s database highlighting the ways the technology is helping diagnose kidney disease from photos of the eye and confirming breast cancer diagnoses by speeding up the medical review process.

Written By: Keely Khoury

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studio albori casa paglia
CategoriesArchitecture

studio albori rebuilds this ‘casa di legno e paglia’ with wood and hay

casa di legno e paglia: reimagining tradition

 

Rising amidst in the picturesque town of Laveno, Italy, overlooking the serene Lake Maggiore, the Casa di Legno e Paglia by Studio Albori is a stunning example of sustainable architecture that pays homage to the region’s rich history. Adhering to local regulations, the small residential reconstruction mirrors the structure of its predecessor, while embracing eco-friendly and repurposed materials. This combined influence from both tradition and modernity creates a dwelling that is both aesthetically pleasing and environmentally responsible.
studio albori casa pagliaimages © Luca Bosco

 

the house of wood and hay

 

The architects at Studio Albori construct the foundation of Casa di Legno e Paglia with metal gabions — caged walls filled with locally sourced stones — a technique that reinforces the building’s structural integrity while reducing environmental impact. The primary framework is made of Piedmontese larch wood, a deep-rooted connection to the region’s natural resources that ensures both aesthetic beauty and sustainability. One unique feature of the house is its perimeter walls, which are filled with straw bales. Straw is a sustainable and energy-efficient material that provides excellent insulation, keeping the house cool in the summer and warm in the winter. The straw-filled walls are then plastered with lime, imparting a timeless aesthetic and reinforcing the commitment to eco-friendliness. This structure of larch wood and hay lends the dwelling its name in Italian: Casa de Legno e Paglia.

studio albori casa paglia
salvaged materials include window frames, roof tiles, and stone to breathe new life into the project

 

 

circular design by studio albori

 

In a nod to circular economy principles, Studio Albori has incorporated a number of salvaged materials into the project, breathing new life into the remnants of the past. The house proudly features external and internal window and door frames, roof tiles, parapets, gates, grates, and stones in the garden, all thoughtfully salvaged from the pre-existing building or sourced from local scrapyards. This commitment to reclamation not only enhances the project’s sustainability but infuses it with a sense of historical relevance. The Casa di Legno e Paglia exemplifies the power of architecture to bridge the past and the present. Through its thoughtful design and sustainable practices, Studio Albori has created a residence that is both timeless and innovative.

studio albori casa paglia
the renovation integrates into Laveno’s historic context by replicating the profile of the pre-existing structurestudio albori casa paglia
natural materials and an exposed wooden structure merges traditional and contemporary design studio albori rebuilds this 'casa di legno e paglia' with larch wood and hay
foundations of stone-filled gabions, contribute to its structural stability while minimizing environmental impact.

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Five days left to book early-bird tickets to Dezeen Awards 2023 party
CategoriesInterior Design

Five days left to book early-bird tickets to Dezeen Awards 2023 party

There are just five days left to save on tickets for the Dezeen Awards 2023 party. Book now to secure your place at our reduced early-bird rate and see this year’s winners announced.

Early-bird tickets will be on sale until 23:59 London time on 31 October 2023. Save 20 per cent and book your ticket for the special early-bird price of £145 (excluding VAT) if you order before 23:59 on 31 October 2023.

You can also save a further 10 per cent if you book a package of 10 tickets or more.

Buy your early-bird tickets now!

Taking place at Shoreditch Electric Light Station in London on 28 November, we will celebrate the winners of Dezeen Awards 2023 with food, drink, live entertainment and music throughout the night.

The winners of all 39 Dezeen Awards project categories will be revealed, as well the overall architecture, interiors, design and sustainability projects of the year.

We will also be announcing the six Designers of the Year and revealing the winner of the inaugural Bentley Lighthouse Award.

Stay at One Hundred Shoreditch

If you are travelling to London for Dezeen Awards 2023 you can save further on your stay with our hotel partner, One Hundred Shoreditch. Located just under a 10 minute walk away from the venue in the heart of Shoreditch, it is the ideal spot for your stay in London.

Use the code Dezeen23 as a “rate access/corporate code” when booking to save an extra 20 per cent off the best available price.

Book your Dezeen Awards 2023 party ticket now via Eventbrite: dezeenawards2023.eventbrite.co.uk

Email [email protected] if you have any questions. Sign up to our Dezeen Awards newsletter to get updates on the winners party and future editions of Dezeen Awards.

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Fuelling the hydrogen revolution with green ammonia
CategoriesSustainable News

Fuelling the hydrogen revolution with green ammonia

Hydrogen is the most abundant element on Earth and has been identified as an important clean fuel for the energy transition, emitting only water when burned instead of carbon dioxide. However, producing hydrogen can be carbon intensive, and storing and transporting it is a challenge due to the extremely low temperatures and high pressure needed to keep it stable.   

For it to be a feasible alternative to fossil fuels, new methods for storage and transportation are required. Enter Nium, a spinout company from Cambridge University in the UK, which is pioneering a ground-breaking process for getting hydrogen from A to B using ‘green’ ammonia.

Turning hydrogen into ammonia – which is made up of hydrogen and nitrogen from the air – makes it much easier to move around. Nium uses nano catalysis, powered by renewable energy, which achieves this conversion at significantly reduced temperatures and pressures compared to the Haber-Bosch process – the way that ammonia has been produced for nearly 100 years. When the ammonia reaches its destination, the decentralised nature of Nium’s system means it is easy to turn it back into hydrogen using the same green process.

Green hydrogen provides a way to decarbonise hard-to-abate sectors such as transportation by truck or train, or heavy industry. Green ammonia, meanwhile, replaces ammonia produced through the traditional polluting process, which emits around 500mt of CO2 annually. And, in addition to being a means of transporting hydrogen, ammonia itself can be used in new applications such as shipping fuel, and it remains a key ingredient in fertilizers, which around 50 per cent of the world’s food production relies upon.

Nium’s new process is turning ammonia into a tool for the future, while cleaning up its use in the present.   

Video and article credit: RE:TV

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ste murray captures bristol's modernist clifton cathedral in latest 50th-anniversary series
CategoriesArchitecture

ste murray captures bristol’s modernist clifton cathedral on its 50th

Clifton Cathedral in bristol marks its 50th anniversary

 

Architectural photographer Ste Murray expands his quest to document modernist buildings on their 50th anniversary with a fourth-part series — this time, spotlighting the Clifton Cathedral in Bristol. Using his approach as a means to reflect and represent these mid-century icons to a contemporary audience, Ste Murray began this photographic journey in 2018 with the CAA building (1968) in London, followed by the John Hancock Centre in Chicago (1969) in 2019, and then the Brunswick Centre in London last year — 50 years after it was built in 1972. Take a tour inside the impressive modernist cathedral, where light, glass, and height collide into a majestic architectural body seeped in spiritual grandeur 

ste murray captures bristol's modernist clifton cathedral in latest 50th-anniversary series
all images © Ste Murray

 

 

ste murray honors the building’s renovated grandeur

 

The Clifton Cathedral in Bristol was completed and designed 50 years ago, in 1973, by Ronald Weeks, alongside his colleagues Frederick Jennett and Antoni Poremba at the Percy Thomas Partnership. Between 2015 and 2018, the Bristol’s Grade II landmark, previously known as the Roman Catholic Cathedral Church of SS. Peter and Paul, underwent a £3 million renovation by British Architecture firm, Purcell — during which the cathedral remained open and in use. ‘The renovation replaced 86 tons of lead on the roof and finally made the building watertight after 45 years of leaks, slightly altercating the design, but making the cathedral safer for use, while honouring and celebrating the aesthetic intentions of the original roof design,’ writes Ste Murray (see more here). 

ste murray captures bristol's modernist clifton cathedral in latest 50th-anniversary series
Clifton Cathedral photographed by Ste Murray

 

 

During Ste Murray’s photographic pilgrimage, as he describes it, he placed particularly emphasis on spotlighting one of the Clifton Cathedral’s most noticeable changes; the replacement of the initial wire mesh glass with a new thermally-broken, self-cleaning glass system. ‘The mesmerising stained glass windows and heavenward roof draw further attention to the silence within this spiritual space, now that it’s so much more difficult for draughts, rain, noise and other outside elements to intrude,’ concludes the photographer. 

ste murray captures bristol's modernist clifton cathedral in latest 50th-anniversary series
documenting the modernist building’s 50th anniversary

ste murray captures bristol's modernist clifton cathedral in latest 50th-anniversary series
the cathdral was renovated in 2018 by Purcell Architects

ste murray captures bristol's modernist clifton cathedral in latest 50th-anniversary series
natural light floods the dramatic interiors

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Linehouse Cape Drive residence
CategoriesInterior Design

Linehouse designs coastal living for Cape Drive residence in Hong Kong

Chinese studio Linehouse has designed the interiors of Cape Drive Residence in Hong Kong to respond to the surrounding coastal views.

Located on the south side of Hong Kong Island, the three-floor home is a short walk from the beaches of Stanley and Chung Hom Kok and has panoramic ocean views to the east and west from its elevated position.

“The design harnesses a costal essence through materiality, light and an easy flow, seamlessly connecting the interior and exterior spaces,” Linehouse explained.

Linehouse Cape Drive residence
The home is located on the south side of Hong Kong Island with expansive ocean views

An open living area on the ground floor connects to the kitchen and dining space while an internal courtyard was inserted between theses areas and includes a centralised tree and surrounding seating.

The living area extends to the main terrace with full-height windows that frame the expansive ocean views.

Clad in stone, the terrace forms a sunken seating area with pockets of greenery surrounding it, which shelters the sea wind.

Linehouse Cape Drive residence
A timber staircase framed by a shuttered screen connects all three floors

White timber louvers were used as a continuous ceiling plane in the living area which also extends to the terrace as a canopy.

“The design of the home reflects the relaxed and laidback lifestyle of a beach setting,” said the studio. “Warm tones, tactile surfaces and textures, a clean and simple material palette, and a seamless flow between inside and out.”

Linehouse Cape Drive residence
An outdoor terrace was clad in stone with a sunken seating area

“Cape Drive Residence offers the fitting backdrop for coastal living,” it continued.

A warm oak timber staircase was punctuated by a shuttered screen that runs vertically through all levels of the home while arranging more private areas such as bathing and dressing.

The whitewashed timber material of the screen echoes the coastal location and reflects light through the spaces.

A white metal rod screen can be slide open at each level, offering transparency and light through different spaces.

Linehouse Cape Drive residence
An internal courtyard was inserted between the dining and kitchen area

Bedrooms, a second living area and a study were placed on the upper two levels, all with coastal views.

The same whitewashed timber material used on the shuttered screen was adopted to form storage, seating and shelving in these private spaces, providing a textural contrast to the hand-raked plaster walls.

The bathrooms add a fresh moment of colour into the space, using patterned tiles handmade in Portugal by Elisa Passino.

Linehouse Cape Drive residence
Shelving and storage spaces were created from whitewashed timber material

Linehouse was founded by Alex Mok and Briar Hickling in 2013 and the duo went on to win emerging interior designer of the year at the 2019 Dezeen Awards.

The studio has recently completed a guesthouse in Hong Kong that evokes the comfort of home and a Mediterranean restaurant in Shanghai with natural, tactile materials.

The photography is by Jonathan Leijonhufvud.


Project credits:

Design: Linehouse
Design principal:
Briar Hickling
Design team: Ricki-Lee Van Het Wout, Cindy Pooh

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Pulpatronics paper ID tags
CategoriesSustainable News

Pulpatronics tackles single-use electronics with paper RFID tags

A group of design graduates from London’s Royal College of Art have come up with a way to make RFID tags entirely from paper, with no metal or silicon components in a bid to cut down on waste from single-use electronics.

Under their start-up Pulpatronics, the team has devised a chipless, paper-only version of a radio-frequency identification (RFID) tag – a type of electronic tracker that is attached to products and is most commonly found in clothing stores.

These types of tags have succeeded barcodes in many big retailers, where they allow self-checkout machines to “magically” identify items without scanning anything, while also facilitating inventory management and theft prevention.

Pulpatronics paper ID tags
Pulpatronics’ paper RFID tag contains no metal or silicon

However, these types of tags – 18 billion of which are produced every year – are “overengineered”, according to Pulpatronics.

The devices rely on a circuit with a microchip and antenna, usually embedded into a sticker adhered to the paper swing tag. Due to the mix of paper, metal and silicon, they are unrecyclable and tend to end up in landfills.

By contrast, Pulpatronics’ alternative RFID design requires no other material than paper. The company simply uses a laser to mark a circuit onto its surface, with the laser settings tuned so as not to cut or burn the paper but to change its chemical composition to make it conductive.

Life cycle diagram of a Pulpatronics RFID tag compared to a regular RFID tag, showing fewer steps and circularity for Pulpatronics
There are fewer steps involved in making Pulpatronics tags than standard RFIDs

This circuit is carbon-based and the tag can be recycled with household waste as easily as a piece of paper marked with a pencil scrawl.

“This approach streamlines the manufacturing process, eliminates the need for metal and silicon components and significantly reduces the environmental footprint of RFID tag production as a result,” Pulpatronics said.

Pulpatronics estimates its tags will reduce carbon dioxide emissions by 70 per cent compared to standard RFID tags while halving the associated price for businesses.

Photo of Pulpatronics prototypes
The design is now being prototyped and tested

The company’s three co-founders came up with the idea for the RFID tags while working on a group project along with a fourth student as part of their Innovation Design Engineering masters course, jointly run by Imperial College London and the Royal College of Art.

Chloe So, Barna Soma Biro and Rui Ma have different backgrounds, ranging from engineering to biological sciences to fashion design, and wanted to consolidate their skills to come up with a design that would have a positive impact on the environment.

“Our approach was slightly different to the rest of the teams in our course,” said Biro, who is Pulpatronics’ tech lead. “We never really started with a problem and then tried to identify a solution to it as you would normally do in a conventional design process.”

“Rather, we investigated various types of interesting technologies that we thought were cutting-edge from a scientific perspective and then brainstormed around what we could create out of them by trying to stay aligned to our values of reducing waste and making technology more accessible,” he continued.

In addition to the paper circuitry, Pulpatronics also applied another of these experimental technologies to dispose of the RFID’s microchip, which is responsible for storing data about the item that is then communicated to the reader via an antenna.

Instead, the “chipless” Pulpatronics tag uses the geometric pattern of the circuit itself to convey the information. In the company’s concept designs, for instance, it’s a labyrinthine pattern of concentric circles.

“This mechanism is similar to barcodes and QR codes in the sense that the information is encoded geometrically, but it doesn’t need to be scanned visually,” said Biro. “It’s basically storing the information in the antenna.”

Render of a Pulpatronics paper RFID tag next to a regular RFID tag, showing the metal circuitry inside the partially torn sticker
The tags can easily recycled together with household waste

So far, Pulpatronics paper RFID tag has passed its first round of testing, where the technology was found to match the performance of a copper-based control RFID tag.

The company – which is longlisted for this year’s Dezeen Award in the sustainable design category – will now stress test the product, looking at its shelf life, durability and whether it is affected by environmental factors.

Pulpatronics is targeting the retail industry first, particularly smaller companies that have not yet made the switch to RFID due to cost. And a preliminary trial with a retail partner in the redeveloped Battersea Power Station is already on the horizon.

Pulpatronics is also pushing for the introduction of a new symbol to designate recyclable RFID tags and raise awareness about the environmental issue of e-waste generated from hidden electronics.

Other single-use electronics in circulation today include disposable vapes and digital pregnancy tests, which show the results of a paper strip test on a tiny screen.

Last year, Australian company Hoopsy launched a paper-based pregnancy test to tackle both the electronic and plastic waste created by these devices.

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Helping companies and individuals access a circular economy for electronics
CategoriesSustainable News

Helping companies and individuals access a circular economy for electronics

Spotted: Researchers predict that the refurbished electronics market will reach more than $94 billion (around €88 billion) by 2030. Such growth suggests an increase in the accessibility of devices based on cost as well as more robust reuse and recycling systems.

Contributing to the big strides being taken in keeping used electronic devices out of landfill is technology recycling company GreenDice. The Estonian company partners with a range of businesses to place their used equipment with members of communities in need of connectivity.  

With a starting monthly fee of €5.9 per month, individuals can choose a refurbished laptop, desktop, or both. Every plan comes with GreenDice’s guaranteed IT support and full transparency on how old the device is and who owned it. Borrowers can feel confident that they are getting quality devices as all equipment comes from globally known manufacturers and businesses upgrading their tech. 

If a device is no longer needed, borrowers can return it at any time, with no costs involved in cancelling. And when a computer reaches the end of its usable life, GreenDice takes it back and oversees the responsible, sustainable recycling of its parts.  

For businesses, GreenDice offers a way to reduce environmental impact without having to resort to offsetting emissions. The company’s programme also makes it possible for organisations to complete reliable full life cycle assessments of their device inventory.

Affordability is a cornerstone of the company’s programme, and the team plans to decrease monthly fees in proportion to a growth in the number of commercial partners. 

A non-toxic, low-energy material recovery process, along with a used electronics marketplace are two other methods of increasing circularity that are highlighted by innovators in Springwise’s database.

Written By: Keely Khoury

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