Two-wheeled robots for on-site security
CategoriesSustainable News

Two-wheeled robots for on-site security

Spotted: The global security industry is growing rapidly – worth around $113 billion (around €108 billion) in 2022, the global physical security market is projected to reach almost $210 billion (around €200 billion) by 2032. However, at the same time, there is a growing shortage of security workers.

One way to plug the labour gap is with robots, and Ascento is one company that is hoping to do just that. Ascento has developed autonomous, wheel-legged Ascento Guard robots that are designed to navigate any terrain. Because it’s all-weather capable, it can help secure outdoor warehouses and campuses, as well as outdoor venues.

Ascento Guards can detect unwanted people on premises, verify perimeter integrity, check that doors and windows are closed, record property lights, identify floods and fires, and control parking lots. Using artificial intelligence (AI), the robot analyses videos and creates reports, integrating with existing video management systems. Helpfully, the Guard can be installed and deployed in just a few hours and can be hired by the hour, just like human guards.

At the same time as announcing the release of the Guard, Ascento also reported the completion of a $4.3 million (around €4 million) pre-seed funding round, led by Wingman Ventures and Playfair. According to the company, new customers are signing up every month and its fleet mileage has grown by more than 70 per cent month-on-month since the start of 2023.

Robotic guards join a wide number of innovations in robotics spotted in the Springwise archive, including robots that can pack produce and provide mobile, on-demand electric vehicle (EV) charging.

Written By: Lisa Magloff

Reference

old japanese timber farmhouse transforms into modest hotel with U-shaped gardens
CategoriesArchitecture

old japanese farmhouse transforms into modest hotel with U-shaped gardens

Shotaro Oshima Design Studio restores a 1950s farmhouse

 

KOMORU Goshogawara by Shotaro Oshima Design Studio stands as a quaint hotel on the outskirts of Goshogawara in Aomori, Japan. Surrounded by the scenic Mount Bonjyu and the Iwaki River, the hotel embraces the vast Tsugaru Plain. The building, originally a 1950s farmhouse left vacant for five years, undergoes a sustainable transformation while preserving the existing timber structure. The renovation alters significantly the interior, arranging four guest rooms, a dining room, a kitchen, and ground-floor bathrooms, complemented by an additional guest room and staff space on the upper level.

old japanese timber farmhouse transforms into modest hotel with U-shaped gardens
all images by Yuki Motegi

 

 

KOMORU Goshogawara preserves the existing timber structure

 

Retaining a mindful connection to history, the refurbishment maintains iconic architectural elements like the traditional Japanese alcove, ‘Tokonoma’, enriching the space with a narrative of the original building’s cultural heritage. The interventions extend to various facets, including the creation of U-shaped inner gardens, known as ‘Tsuboniwa’, providing serene outdoor experiences for each guest room.

 

The design concept expresses intimacy and sensitivity, intricately manifested in the small courtyard of ‘Tsuboniwa’. For KOMORU Goshogawara, the design studio engages in a new front garden design, incorporating local trees and stones to craft a welcoming ambiance for arriving guests. Guests are invited to embark on a spiritual journey, resonating with the harmonious blend of history, culture, and nature.

old japanese timber farmhouse transforms into modest hotel with U-shaped gardens
the project, retaining a mindful connection to history, maintains the original architectural elements

old japanese timber farmhouse transforms into modest hotel with U-shaped gardens
the sustainable transformation preserves the existing timber structure

old japanese timber farmhouse transforms into modest hotel with U-shaped gardens
the refurbishment includes the creation of U-shaped inner gardens

Reference

Fireplace at Il Gattopardo by Dion & Arles
CategoriesInterior Design

Dion & Arles creates “salon in which you can dine” for Il Gattopardo

French design and interiors studio Dion & Arles drew on the work of 20th-century Italian designers Carlo Mollino and Gio Ponti for the interior of Mayfair restaurant Il Gattopardo in London.

“We envisioned Il Gattopardo to be a salon in which you can dine – not just a restaurant,” the designers told Dezeen.

The studio looked to Mollino’s apartment in Turin for its balance between modernity and heritage.

Fireplace at Il Gattopardo by Dion & Arles
The inner dining room has curved crushed-velvet seating and a large fireplace

“Modernity, heritage and sophistication are the three elements we think together define the Italian sensibility, which we tried to translate into the interiors,” Dion & Arles said.

Il Gattopardo – which is Italian for leopard – is located in Mayfair in central London and aims to “celebrate the golden era of mid-century Italian design in an intimate setting” across five dining spaces, the studio said.

The main dining room and crudo bar lead through to an inner dining area and second bar, which in turn reveals the intimate “salon”, or living room, which seats 10 people in soft-upholstered armchairs.

Banquette seating looks out onto the courtyard lattice
Banquette seating is complemented by groupings of tables and chairs

There is a separate private dining room on the lower ground level.

The salon room is characterised by crushed-velvet curved seating and a substantial fireplace featuring a bas-relief on its canopy.

Tables are topped with sepia drawings after artist Piero Fornasetti, which complement the muted amber seating.

Blue panthers on the walls that lead to the dining room
Blue panthers feature on the walls in the entrance space

In the main dining room, banquette seating has been kept to a minimum, with tables and chairs otherwise arranged in close groupings.

A signature leopard print motif appears on rugs, cushions and artworks in various tones ranging from amber to blue.

“Each project should belong to its specific location,” the studio said.

“We do not believe in cloning, as it gives the feeling of being everywhere, anywhere. We are trying to make people feel they are in a unique space that cannot be found anywhere else; ‘somewhere’ that belongs to ‘someone.”

Italian stone tops the crudo bar in the corner of the dining room
An Italian stone crudo bar sits in the corner of the dining room

The spaces are decorated with an eclectic mix of free-form sculptures, objets, lamps, picture frames and carpets in vibrant colours.

These “speak to the influence of the master of Italian flair, the interior designer and architect Gio Ponti,” the studio said.

A striped fabric informed by the linings of Italian tailoring covers the ceiling. Panelled walls are intended to mimic the dashboard of a vintage Fiat coupé and, in the corner, Italian stone tops the crudo bar.

Informed by the eclectic, mix’n’match style of Mollino’s apartment, the private dining room – which features a leopard-print carpet from French interior designer Madeleine Castaing – was designed to feel like a secret refuge.

“We see patterns as a variation of colour which add density to the palette,” the designers said. “We generally prefer to work with a small-scale pattern, which is less intrusive.”

Dining room at Il Gattopardo Mayfair
The private dining room has soft lighting diffused through fabric

Classical sepia frescoes run around the wall of the private dining room above rich navy blue, textured fabric panels.

Soft lighting is diffused through fabric resting between the ceiling beams, which was designed to mimic a sunset. An illuminated onyx bar adds to the warm lighting scheme.

The bar
The crudo bar has a polished wood-panelled ceiling

Designing the interiors of Il Gattopardo was “a dream commission” the studio said, as it gave it the opportunity to work in a style the designers love.

“We are always referring to earlier periods when every house and family inherited antique furniture and juxtaposed it with futuristic pieces,” the studio said.

Reference points for the space also included project by interior designer David Hicks and movies by director Stanley Kubrick.

“We don’t have rules and we like to take inspiration from great painters, as in most recent compositions by Peter Doig, or the way [Pedro] Almodóvar approaches colour in his films,” the studio added.

“Everything can go together; bad or good taste is merely a place of refuge for under-confidence. Walking along the borders of taste is more exciting to us.”

Other restaurant interiors recently featured on Dezeen include GRT Architects’ “vacation Italian” restaurant in New York and Lorenzo Botero and Martín Mendoza’s conversion of a Bogotá residence into a brick-lined restaurant.

The photography is by James McDonald.

Reference

The SmartThings Home section in Samsung's flagship New York store
CategoriesSustainable News

Samsung’s flagship New York store offers immersive smart home experience

Samsung’s flagship experience store in New York City, which has been captured in this exclusive video produced by Dezeen, has been designed to enable visitors to envision living in a smart home.

Located in Manhattan’s Meatpacking District, the Samsung 837 store is described by the brand as an “interactive playground” and allows visitors to interact with Samsung’s latest connected home devices.

Located on the second floor, the SmartThings Home section allows visitors to test its connected products in a simulated smart home environment.

The section features a connected kitchen where products, such as Samsung’s Bespoke Refrigerator, are on display, allowing users to test its touchscreen capabilities.

The SmartThings Home section in Samsung's flagship New York store
The SmartThings Home on the second floor allows visitors to test Samsung’s latest smart products

The store also features a gaming lounge in which visitors can use consoles to play games in real-time.

Additionally, the SmartThings Home section includes a children’s bedroom, which features a projector where visitors can experience watching movies in bed.

Samsung children's bedroom
The children’s concept bedroom features a projector to watch films

Samsung customers can download its SmartThings app to connect and monitor all of their smart home devices in one place. Users can monitor their energy consumption in a bid to reduce their energy bills using the SmartThings Energy activation within the app.

Also exhibited in the space is Samsung’s Bespoke service, which allows visitors to customise Samsung products to suit their individual style, including custom colour combinations and finishes.

Samsung bespoke refrigerators
Samsung’s bespoke refrigerators can be customised to fit a user’s individual style

Samsung uses the flagship experience store to host a variety of talks and events throughout the year. Recently, Dezeen partnered with Samsung to host a live panel discussion in the flagship store, exploring the topics of technology and sustainability.

The talk was moderated by Dezeen’s US editor Ben Dreith and featured a panel including Barent Roth, Matthew Spencer and Claudia Santos, who discussed how connected homes can enable more sustainable lifestyles.

Partnership content

This article was written by Dezeen for Samsung as part of a partnership. Find out more about Dezeen partnership content here.



Reference

Electrifying motorcycles in Southeast Asia
CategoriesSustainable News

Electrifying motorcycles in Southeast Asia

Spotted: Electric motorcycles, while currently a small percentage of vehicles on the road, are becoming more common, and the global market is expected to grow steadily between 2022 and 2030. Currently valued at more than $30 billion (around €28.7 billion), electric motorcycles are becoming more desirable as technology develops and governments provide incentives for their use. Personal transport by motorbike is particularly common in the 10 countries that make up the Association of Southeast Asian Nations (ASEAN). Indonesia, Vietnam, the Philippines, and Thailand are exhibiting the highest rates of growth of sales of motorcycles. 

Determined to be a part of that expansion while also pushing the industry to become more sustainable is Singapore-based Sleek EV. The electric motorcycle company offers three models designed for all aspects of urban driving. The Sleek One is the most affordable model and is designed for relatively smooth daily commutes. The Sleek Type V is stronger, heavier, and made for more robust rides. The Sleek Type V – GT is the sportiest model with the biggest power capacity. All the models use Bosch motors and Samsung batteries, with the dashboards providing dashboard easy-to-read information in daylight and at night. 

The bikes range in power from 1500 to 4000 watts and are drivable in one of three modes: eco, standard, or sport. In all three motorbikes, the battery reaches a full charge in three and a half hours or can be charged more slowly overnight. Users can either charge their battery while it’s in the bike or remove it for charging via a home electrical socket.  

The company recently closed a pre-series A funding round led by venture capital fund Orzon Ventures. The money raised is earmarked for the expansion of its partnerships with motorbike dealers throughout Thailand. 

Springwise’s archive includes other examples of electric motorbike startups and redesign projects that are making it easier for communities to make the switch from petrol-powered to renewable energy transport options.

Written By: Keely Khoury

Reference

Green trimmed concrete reuse project
CategoriesArchitecture

Productora converts Mexico City textile factory into artist spaces

Mexican architecture studio Productora has restored a concrete industrial complex in Mexico City into a series of studios including its own office.

Productora has been gradually renovating the building, which was originally a textile factory built in the 1920s, since it moved its offices to the structure following an earthquake in 2017.

Green trimmed concrete reuse project
Productora has renovated an industrial site in Mexico City where it has an office

The studio originally took up residence in an empty “nave” in the factory in Mexico City’s Doctores neighbourhood along a furniture company.

Since then, the studio has been “slowly rebuilding the complex while inhabiting it” and more than twenty other companies have moved into the complex, which is now called Laguna,

Concrete and green trim in Mexico City
New buildings were added to the cleared courtyards in the middle of the complex

For the renovation, the studio focused on the interior of the complex while leaving the street-facing, painted-concrete exterior, generally untouched so that one might not know the complex is there at all.

The complex is now orientated around two courtyards that were cleared of existing structures to create new circulation and gathering areas.

Green metal screen with concrete breeze blocks
The site was once a textile factory

Within these courtyard spaces, a mix of newly built concrete workshops and the renovation of existing brick-and-mortar and concrete buildings will continue to take place over the next several years. The studio said it hopes that the project will be one of “constant adaptation and transformation”.

Now, the most significant aspects of the renovation have been the cleared courtyards and added buildings, as well as expressive walkways and a new freight elevator that towers above the site.

Green detailing was chosen because it was prominent in the trim of the windows and roof on the facade of the original structure, and these green details continue along the causeways and in the gridded window frames.

People on benches in Mexico City art space
Gathering spaces have been included in the courtyards. Photo by Camila Cossio

Social spaces have been installed in the courtyards so that members of the various companies can gather.

In the future, Productora plans to build wooden workshops on top of the preexisting structure to create flexible and modular extensions to the current program.

Jozz Gómez, a coordinator for Laguna, said that the presence of the complex has also positively changed the environment around the complex.

“It started to bring more employment, but also changed the neighbourhood,” she told Dezeen.

“It was known to be a very dangerous neighbourhood, but after the project started, you can see foreigners, students, and young people walking around the streets.”

Office spaces in industrial spaces
It holds office space for creative studios. Photo by Camila Cossio.

Productora was founded in 2006 and has additional offices in Brooklyn. Recent projects include a hotel in San Miguel de Allende clad in red and green tile as well as a bright-blue cohousing project in Denver, Colorado, USA.

The photography is by Pablo Manjarrez. Top photo by Camila Cossio. 

Reference

Open living room with a variety of midcentury and contemporary furniture
CategoriesInterior Design

Pascali Semerdjian creates Aurora Apartment to hold “two universes”

Gut-renovating this São Paulo apartment has allowed Brazilian studio Pascali Semerdjian Arquitetos to incorporate the personalities of it occupants, particularly in the bedrooms of the family’s two children.

The Aurora Apartment is home to a family of four, and sits on a private street in the Alto de Pinheiros neighbourhood to the west of the city.

Open living room with a variety of midcentury and contemporary furniture
Renovating the Aurora Apartment involved opening up the living spaces

A total overhaul of the residence was needed to open up its spaces, bring in more light, and incorporate new materials and decor that reflect the owners’ tastes.

Without complete structural plans of the apartment or building, the demolition process revealed multiple hidden elements.

Dining room with oval table, Jean Prouvé chairs and dark wood panelling
The dining room is sometimes used for business meetings and dinners

Only when the apartment had been fully stripped back to its bare bones was Pascali Semerdjian Arquitetos able to design the floor plan to work around the structure.

“When we saw the remaining columns and slabs, we were able to continue sketching the client’s necessities as well as our ideas onto paper,” said the studio.

Wood door opened to reveal a hidden bar
A wall panel opens to reveal a hidden home bar

Once the layout was “settled”, the architects began to examine the walls and space volumetrically to discover ways to add interesting design moments that would reveal more about the family.

“One of the most important things about this project is how every single space, both social and private, has the family personality, with a unique design that results in harmony with the whole,” said Pascali Semerdjian Architects.

Floor-to-ceiling wood panelling and a gridded cabinet
Close to the entrance, a gridded cabinet houses a coat closet

The apartment is divided into a large, open social space that’s occasionally used for hosting business meeting and dinners, and a private area that contains the bedrooms and bathrooms.

“We wanted to create two universes in the same apartment: an intimate and cozy one, and another minimalist and social,” the studio said.

Room wrapped with thin fibrous curtains
Pascali Semerdjian Arquitetos has played with volumes and materials throughout the apartment

Dark wood panelling lines the entryway, concealing a storage area for keys and shoes, and the same floor-to-ceiling wood panels are used in the corner of the dining room. Here, a hidden door swings open to reveal a bar, and a brass container built into a plastered counter serves as a cooler for bottles.

Stone flooring in the living area is laid in thin planks to match the pattern of the wooden boards that run through the private spaces.

Home office with wood panelling and matching desk
Designed during the pandemic, the apartment contains several multifunctional spaces

Several classic midcentury designs were chosen for the living space, including Jean Prouvé dining chairs and a pair of salmon-coloured Ondine armchairs by Jorge Zalszupin.

These are mixed in with contemporary furnishings like the Thin Black side tables by Nendo and a leather chaise by Studiopepe.

A variety of furniture and lighting pieces custom-designed by Pascali Semerdjian also feature in the apartment, such as the main sofa, the office chairs, and the bar sconces.

There’s also a coat closet housed within a gridded cabinet, which is affixed to a mirror and features a cluster of square lights in its top right corner.

Minimal bedroom with wood and white surfaces
In the home’s private section, the primary bedroom is minimally decorated

In the private quarters, the primary suite is minimally finished in white and wood surfaces, while the children’s rooms are much more expressive.

For example, the younger son’s room is designed to resemble a small house, formed from wood panelling that covers the walls and is pitched on the ceiling.

View from bedroom through sliding doors to a planted area
Natural light floods the primary bedroom when its sliding wooden doors are opened

His bed and a sofa are raised to create space for a “hide-and-seek” tunnel underneath, while the older daughter’s room includes arched white closets.

“We seek to bring originality to all rooms, with special attention to the children’s room, where we’ve pursued solutions that are close to playful, without exaggeration,” Pascali Semerdjian said.

Bedroom shaped like a house using wood panelling
The bedroom of the family’s younger son is designed like a house

The renovation work began during the height of the Covid-19 pandemic in 2020, so special attention was paid to creating multifunctional spaces.

“The project seeks to balance and bring fluidity between the different possible uses of a house, allowing residents to experience moments together as well as the possibility of having privacy, including the couple,” said the architects.

House-shaped wood volume with bed and sofa inside
The son’s bed and a sofa are raised to accommodate a hide-and-seek tunnel underneath

Pascali Semerdjian Arquitetos was founded by Domingos Pascali and Sarkis Semerdjian in 2010, and the studio has renovated many apartments across São Paulo.

They include a residence imbued with a “deeply Brazilian and vividly cosmopolitan” flavour and a home organised around a semi-circular wooden library.

The photography is by Fran Parente.


Project credits:

Project and interiors: Pascali Semerdjian Architects
Team: Sarkis Semerdjian, Domingos Pascali, Ana Luisa Cunha, Fernando Spnola
Production: VC Artwork
Execution: S Macedo Engenharia

Reference

Turning pineapple waste into natural textiles
CategoriesSustainable News

Turning pineapple waste into natural textiles

It wasn’t that long ago that pineapples were seen as a luxury – but now they can be found on supermarket shelves all year round, fuelling a 400 per cent increase in global pineapple production since 1960. The downside of this phenomenal growth is 25 million tonnes of pineapple waste a year from the plant’s discarded leaves. Most of them are either burned or left to rot, generating high volumes of methane emissions, perhaps the most dangerous of the greenhouse gases.

Fast fashion has gone through a similar period of rapid growth in the last fifty years, with a similar impact on the environment. The sector is responsible for an estimated 10 per cent of greenhouse gas emissions and uses around 93 billion cubic metres of water per year – or four per cent of all freshwater extraction globally. This is set to double by 2030.

Ananas Anam has come up with a solution to both of these problems. Through repurposing the agricultural waste that comes from pineapple production it has created a series of natural textiles, Piñatex and Piñayarn, using the fibres from the discarded leaves. The leaves are collected in bundles before the long fibres are extracted using semi-automatic machines. The fibres are washed, dried naturally by the sun (or in a drying oven during rainy season) and then combined with a corn-based polylactic acid to create a non-woven mesh that forms the basis of the textiles.

As the name suggests, Piñayarn is a compostable and biodegradable yarn, while Piñatex offers a viable alternative to leather, doing away with the tanning process needed for animal skins that usually uses around 250 polluting chemicals. By not burning the leaves, there is also a CO2 emissions saving – the equivalent of 6 kilogrammes of CO2 for each 1 kilogramme of yarn produced.

Not only does this solution offer a circular approach to textile production, but it’s also good for the farmers who produce the pineapples – Ananas Anam supports rural farming communities in Bangladesh like Eco-Fresh Agro, fostering strong partnerships through their transparent supply chain, and demonstrating that by reusing resources, we can do so much more than just follow fashion.

Video and article credit: RE:TV

Reference

What’s So Luxurious About Luxury Vinyl Tile, Part III: The Poison Plastic and Why "Recycling Will Not Save Us"
CategoriesArchitecture

What’s So Luxurious About Luxury Vinyl Tile, Part III: The Poison Plastic and Why “Recycling Will Not Save Us”

This article was written by Burgess Brown. Healthy Materials Lab is a design research lab at Parsons School of Design with a mission to place health at the center of every design decision. HML is changing the future of the built environment by creating resources for designers, architects, teachers, and students to make healthier places for all people to live. Check out their podcast, Trace Material.

Between 1950 and 2019, more than 7,000 million metric tons of plastic waste were generated. We add roughly 400 million metric tons to that figure every year. If your eyes glazed over while reading these frankly incomprehensible numbers, just know that our plastic waste problem is out of control. Recycling, the solution long promoted by the plastics industry as a panacea, is deeply flawed at best and entirely unfeasible at worst.

So, if recycling as we know it won’t save us, what do we do with the mounds of plastic clogging our waterways and landfills? Even if we could recycle plastics effectively at scale, does it make sense to recycle a toxic plastic like Luxury Vinyl Tile?

This article is Part III of a three-part series on the hazards of vinyl flooring.

  • Part I explores the “dirty climate secret” behind the popular material and shares some healthier, affordable alternatives.
  • Part II considers the long history of worker endangerment by the vinyl industry and how this legacy continues in China today.
  • Part III, this article, explores the dark side of recycling.

The Guilt Eraser

Municipal Solid Waste – Worker in recycling facility, The U.S. National Archives, Library of Environmental Images, (ORD), image via GetArchive

As early as the 1970s, plastics industry officials warned that effective recycling of plastic wasn’t feasible. One said in a 1974 speech that “there is serious doubt that [recycling plastic] can ever be made viable on an economic basis.” And yet, the plastics industry forged ahead with its recycling messaging. Plastic’s enemy number one was the guilt people felt about the wastefulness of single use products. So even if the industry wasn’t actually recycling or protecting the environment, they needed consumers to think that they were.

One industry lobbyist called recycling the great “guilt-eraser”. “Recycling assures people that plastic isn’t just an infernal hanger-on; it has a useful afterlife. As soon as they recycle your product,” he explained, “they feel better about it.”

Throughout the ‘90s, as environmental pushback mounted, the plastics industry fought back. Recycling was their most important message, so they spread it far and wide. The industry spent over $250 million on public campaigns about the usefulness of plastic and its ability to be reused. They wanted people to feel safe and comfortable with their products. They also invested millions in recycling efforts, but those efforts have come up dramatically short. In 2021, the U.S. (by far the world’s biggest plastics polluter) only recycled around 5% of plastics.

We spoke to Kara Napolitano who is the Education and Outreach Coordinator for the Sims Municipal Recycling Center in Brooklyn, New York for an episode of our podcast, Trace Material. We cover the sordid history of plastics recycling and its uncertain future. Kara, who lives and breathes recycling, had this to say about how we should set our plastics priorities:

“My job is to teach people about recycling. But I have to bring attention to the fact that recycling is only halfway up that waste hierarchy of preferred methods for managing our waste. Recycling is not number one. Recycling will not save us. At the very top of that waste hierarchy — the most preferred thing to do to manage your waste — is to not create any waste in the first place.”

Kara reminded us that the well known waste management hierarchy goes: “Reduce. Reuse. Recycle.” If we are to reverse the course of our plastics crisis, we must focus our efforts on drastically reducing production and consumption of plastic all together.

The Poison Plastic

Image generated by Architizer using Midjourney

There are lots of questions that need answering about the future of recycling. While there is consensus that we should focus on reducing plastics production, there are debates raging about what to do with the mounds of plastic we’ve already created. There is, however, no question about PVC’s place in that future. From a health standpoint, PVC has no place in a circular plastics economy.

That’s because PVC is toxic at every stage of its life cycle. The building block of PVC, vinyl chloride, is a known human carcinogen. Then there are performance additives: plasticizers to make PVC flexible can disrupt the body’s endocrine system and heavy metals used to make it rigid are toxic too. These toxic chemicals are in the millions of homes across the country that utilize the number one flooring choice in the US: Luxury Vinyl Tile. And, these dangerous chemicals don’t magically disappear if PVC is recycled. When companies advertise recycled LVT or tout its ability to enter the circular economy, ask yourself: Would I paint my house with recycled lead paint?

Problematic and Unnecessary

The U.S. Plastics Pact is a group of “stakeholders across the plastics value chain” that are trying to create a circular economy for plastics in the United States. To be clear, this group is certainly not anti-plastics nor anti-recycling. Yet, they have labeled PVC plastic to be a “problematic and unnecessary” material and are working to eliminate it from all packaging by 2025. This is because PVC is “not currently reusable, recyclable or compostable with existing U.S. infrastructure at scale” and “contains hazardous chemicals or creates hazardous conditions that pose a significant risk to human health or the environment (applying the precautionary principle) during its manufacturing, recycling (whether mechanical or chemical), or composting process.”

PVC is incredibly difficult to recycle and it interferes with the recyclability of other plastics too. Even if recycling PVC at scale could be figured out, its carcinogenic and endocrine disrupting chemicals remain. These chemicals pose a threat to residents in the use phase and again to humans and the planet at disposal. The vast majority of PVC ends up in landfills and incinerators. When PVC is burned, a host of toxic chemicals, including dioxins, are released into the air, soil and water. While there may be hope for a future where some plastics are able to be effectively recycled at scale, PVC should not and will not be a part of that future.

Rethink, Redesign, Reform

We should continue to support innovations in plastics recycling. Exciting progress is being made in the field of biological recycling, which uses enzymes from bacteria, fungi and insects to break plastics down into their component parts. This allows for theoretically infinite recycling of plastics that could have a smaller carbon footprint than making virgin plastics.

What we should not do is continue to use recycling as a guilt eraser. No innovations in recycling can justify the continued production of materials as toxic as PVC, and therefore LVT. The most effective thing that we as designers and architects can do to protect humans and our planet, is stop specifying plastics (especially PVC) wherever possible. In part one of this series we shared a list of healthy, affordable alternatives to vinyl flooring. You can find other thoroughly vetted flooring options in our materials collection on the Healthy Materials Lab website.

We’ll leave you with a re-imagining of the waste management hierarchy (“reduce, reuse, recycle”) mentioned earlier from Chief Scientist of Environmental Health Sciences and friend of Healthy Materials Lab, Pete Myers:

Re-Think

Many applications of plastics are non-essential. Serious efforts should be made to identify the essential uses of plastics vs. non-essential.

Redesign

Chemists should be given the challenge of creating safer materials to use when the services of plastic are required.

Reform

The regulatory system needs to be reformed by incorporating 21st century biomedical science in its assessments of safety.

As architects and designers our charge as pivotal members of the design and construction industry is to re-think the design decision making process that has been “business as usual” for the last several decades. If we put the health of our bodies, the planet, and all those living there at the center of our design decisions, the way we build will radically change. That thinking has to extend to the entire lifecycle of the materials we use.

If we consider their impact from the time they leave the earth to the time they are returned to the earth, we will have no choice but to re-design our systems of production. These shifts in thinking will leave no place for toxic plastics or any other toxics in our work. Centering human and ecosystem health in design and construction will positively change the future for everyone.

Architizer is thrilled to announce the winners of the 11th Annual A+Awards! Interested in participating next season? Sign up for key information about the 12th Annual A+Awards, set to launch this fall.

Reference

Y27 House by Estudio Estudio with an inbuilt studio
CategoriesInterior Design

Estudio Estudio unveils “architectural treasures” in Mexico City house

Arched doorways and a rooftop studio feature in the Y.27 House, which has been overhauled by architecture firm Estudio Estudio in a way that honours the historic building’s original character.

Located on a 195-square-metre site in Mexico City’s Hipódromo Condesa neighbourhood, the project serves as a full-time residence for a client who is a social entrepreneur and collector of Mexican craftwork.

Y27 House by Estudio Estudio with an inbuilt studio
The house been overhauled to honour the historic building’s original character

Originally built in the 1930s, the stucco-clad dwelling had endured years of neglect, said local firm Estudio Estudio.

The design team set out to revamp the home’s interior, aiming to restore its original charm while enhancing its functionality.

Revamped home interior design
Estudio Estudio set out to revamp the home’s interior

The project involved removing walls, reconfiguring the layout and making structural improvements, in addition to adding new finishes. Moreover, a small storage room on the roof was replaced with a 43-square-metre studio building.

“The main goal was to unveil the hidden architectural treasures beneath layers of past modifications, meticulously restoring them to their original state to reveal the essence of the time,” the team said.

Kitchen entered via an arched doorway
In the rear, one finds a kitchen

“Architectural interventions aimed to preserve the authentic character of the house, rejuvenating ornamental elements while avoiding unnecessary embellishments.”

Rectangular in plan, the home has a mix of communal and private spaces spread across three levels. Curves and arches – many of them original – create a “harmonious flow”.

Rounded skylight that illuminates a staircase
Curves and arches create a “harmonious flow”

On the ground level, the layout “seamlessly integrates daily living requirements”. The front portion holds an entry hall, garage and office, while in the rear, one finds a kitchen, dining area, service rooms and a patio.

At the heart of the ground floor is an airy living room with a 5.9-metre-high ceiling. A tall shelving system with a metal-and-wood ladder acts as a focal point.

Tall shelving system
A tall shelving system acts as a focal point in the airy living room

A gently curved, skylit staircase leads to the first floor, where the team placed a primary bedroom, two bedrooms and a family room.

Atop the building is the new studio, which was constructed using pine. In addition to the studio, the building contains an onsen room with a barn-style door.

Barn-style door
The building contains an onsen room with a barn-style door

The studio opens onto a terrace with terracotta flooring. Rainwater is collected on the roof and channelled to a reservoir below.

“The roof terrace serves as a space to gather but also works as a rainwater collector, where rain travels throughout the house into a water reservoir and filter system beneath the back patio,” the team said.

Throughout the home, the team used earthy materials and neutral colours. The lighting design – created in collaboration with lighting expert Luca Salas – is meant to balance “ambiance, functionality and aesthetics”.

Notable finishes include oak parquet flooring and closets faced with cotton-canvas. Oak was used for window frames, kitchen cabinets and other elements.

Pisos de pasta flooring
Pisos de pasta flooring features in the kitchen

In the kitchen, the team took a sample of existing checkered tiles, made of pigmented concrete, to a local craftsman, who then replicated them.

This style of flooring – called pisos de pasta – is very common in older homes in Mexico City and southwest Mexico, said Estudio Estudio.

Stucco-clad building
The stucco-clad dwelling had endured years of neglect

Overall, the house is meant to balance historic elements with a contemporary lifestyle.

“This house proudly stands as a harmonious blend of past and present, inviting residents to embark on a captivating journey of refined and simple ways of living,” the team said.

Other projects in Mexico City’s Condesa district include a renovated house by Chloé Mason Gray that embraces its lack of natural light, and an apartment block covered in small, wooden squares that were inspired by vegetable crates.

The photography is by Zaickz Moz Studio.

Reference