Mississippi Civic: 6 Cultural Buildings in the Magnolia State
CategoriesArchitecture

Mississippi Civic: 6 Cultural Buildings in the Magnolia State

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

Mississippi’s architectural landscape tells a story of resilience, innovation and cultural identity. From earthen mounds built by indigenous peoples to the antebellum mansions of Natchez and modernist designs in Jackson, the state’s structures are a testament to Mississippi’s past and those who have called it home. To this day, one of the defining features of architecture in Mississippi is a deep connection to the state’s history and traditions.

Many buildings in Mississippi showcase a blend of architectural styles, ranging from Greek Revival and Victorian to Art Deco and Modernist, reflecting the state’s diverse influences. The subsequent projects showcase contemporary cultural and public buildings throughout the state. Designed and built across a range of programs and scales, they give a glimpse into both the state’s past and different construction methods. Together, they highlight buildings that continue to shape the state’s identity today.


Maritime & Seafood Industry Museum

By H3 Hardy Collaboration Architecture, Biloxi, Mississippi

The Maritime & Seafood Industry Museum in Biloxi, Mississippi, preserves and interprets the region’s maritime history. Destroyed by Hurricane Katrina, the museum now resides in a new 19,580 square foot building, featuring exhibits, meeting rooms, administrative areas, and storage. The main gallery showcases the 30’s loop Nydia, enclosed in glass to create a striking “ship in a bottle” effect. Adjacent, smaller boats are suspended in a double-height gallery for multiple viewing angles.

The museum’s design includes clapboard patterns on concrete panels and metal fins for sun-shading. Elevated to meet FEMA requirements, the building provides a safe space for artifacts, staff, and visitors, with the area underneath used for educational purposes. The museum is complemented by the Biloxi Waterfront Park, offering open-air pavilions and a playground for visitors.


Mississippi State University Riley Center for Education + Performing Arts and Grand Opera House

By Martinez+Johnson Architecture, Meridian, Mississippi

Meridian has emerged as a cultural destination thanks to the restoration of the 1891 Grand Opera House and the conversion of the interlocking 1890s Marks, Rothenberg Department Store, and Newberry Building into The Riley Center. These historic buildings, long vacant, were transformed into a center for education and the performing arts by Mississippi State University, with federal funding and oversight. Martinez+Johnson led the complex project, updating the Grand Opera House for modern use and planning an educational center around it.

The entire structure required new building systems, and additional performance systems were added to the theatre and event spaces. Back-of-house areas were expanded, and a new stage house was suspended within the existing envelope. The project involved restoring or recreating dozens of late 19th-century materials and required a complex life safety strategy to ensure all buildings worked together seamlessly. Through ongoing dialogue with the National Park Service and the Mississippi Department of Archives and History, the project achieved its goal of revitalizing these historic buildings for future generations.


James H. White Library Renovation

By Duvall Decker, Itta Bena, Mississippi

The James H. White Library at Mississippi Valley State University faced challenges in integrating with the campus and enhancing student life. Despite its functional use, the library’s solid exterior and central location left surrounding green spaces feeling disconnected. With limited funds, the university sought strategic interventions to transform the building.

To address these issues, Duvall Decker’s project focused on breaking the rigidity of the library’s façades. New two-story light bays were added, creating vertical strokes that distribute energy and open the building to the campus. These bays invite students into study spaces filled with natural light, enhancing the library’s appeal and functionality. Inside, the library stacks occupy the building center, surrounded by information kiosks and light-filled reading rooms that balance enclosure and openness. The design creates a dynamic interplay between interior and exterior, revitalizing the library as a vibrant hub for learning and community engagement.


Mississippi Center for Justice

By Duvall Decker, Indianola, Mississippi

The Mississippi Center for Justice’s Indianola office underwent a 6,000 square foot renovation to provide legal counsel to residents of the Mississippi Delta. Facing significant barriers to legal services, these residents are often exploited and marginalized. The project aimed to embody respect and hope for these individuals, offering storefront access to attorneys while ensuring privacy and dignity.

The renovation began with the cleaning and repair of an abandoned furniture store, serving as the project’s shell. Inexpensive gypsum board partitions were used to create rooms for legal service operations, strategically positioned to maximize natural light. Central to the design is a dynamically-shaped, clay-tile sheathed wall that arcs and leans through the space. This wall not only unites the rooms but also serves as a tactile, dynamic anchor, symbolizing security and hope for the future.


Marine Education Center at the Gulf Coast Research Laboratory

By Lake|Flato Architects, Ocean Springs, Mississippi

Jury Winner, 9th Annual A+Awards, Architecture +Climate Change

In 2005, Hurricane Katrina destroyed the previous Marine Education Center at the Gulf Coast Research Laboratory in Ocean Springs. The new facility faced additional challenges, with Hurricane Nate striking during construction. To ensure resilience, sustainability and durability, the new center was designed to withstand natural disasters. The center showcases sustainable coastal building techniques, emphasizing the use of wood to blend with the adjacent pine flatwood forest.

The project features outdoor classrooms, laboratories, administration offices, assembly spaces, exhibition areas and a pedestrian suspension bridge offering researchers a unique opportunity to study Mississippi’s bayou and tidal wetlands. To minimize impact on the environment, the team consulted biologists and site ecologists to select a building zone with the least sensitive ecosystem and suitable elevation. The buildings were sited within the existing tree canopy to act as a natural wind buffer. Materials were chosen for low impact on occupants’ health and to prevent ocean contamination in the event of a disaster, with white oak and southern yellow pine predominating for ease of future repairs using local resources.


Hattiesburg Church

By Suzane Reatig Architecture, Hattiesburg, Mississippi

The House of Prayer, a new church in Hattiesburg, was designed and built for a small congregation. The sanctuary features polished concrete floors, wooden pews, and a large pendant light above the altar, creating a bright and welcoming space. Steel joists with track lighting form the ceiling, and high storefront windows provide natural light and privacy.

Outside, the church is finished in light gray stone with a perforated metal screen, allowing daylight in while preventing excessive heat. Blue LED lights illuminate the façade at night, making it a beacon in the community. The fellowship hall offers a dining space with floor-to-ceiling windows and pendant lights, creating an open and bright atmosphere.

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

Reference

New York building facade
CategoriesInterior Design

Lissoni Architecture creates New York showroom with “melting pot attitude”

Local studio Lissoni Architecture has expanded the Design Holding flagship in New York City, creating an entirely new floor outfitted with light displays and curving metallic installations.

Lissoni Architecture, the US branch of Italian studio Lissoni & Partners, created an entirely new second floor and redesigned a portion of the first floor for the Design Holding showroom, which displays furniture and lighting brands including B&B Italia, Flos, Louis Poulsen, Maxalto, Arclinea and Azucena.

New York building facadeNew York building facade
Lissoni Architecture has created an expansion for the Design Holding showroom in New York

Lighting and design elements from the brands were distributed across the second-floor space, spread out amongst vertical stone-clad panels, transparent, metal showcases, and curving chrome benches and walls.

Each area of the floor was dedicated to a specific brand and the interior architecture was tailored to each brand’s identity, according to the studio.

Red chair in showroomRed chair in showroom
The project encompasses a new second floor and an expansion and redesign of the first

“We wanted to share the melting pot attitude of New York City where everyone and everything can blend together holistically so we went to the essence of the iconic brands,” said Lissoni Architecture founder Piero Lissoni.

“[We highlighted] their DNA and proposed a common ground that could host and enhance the design codes of each identity.”

A wall of lights and windowsA wall of lights and windows
The studio created dedicated areas for brands including Flos and B&B Italia

For lighting brand Flos, the studio created a series of display cases backed by a transparent mesh. A magnetized, geometric Bilboquet light by designer Philippe Malouin is on display, as well as the Almendra chandelier affixed with almond-shaped flakes by Patricia Urquiola.

A testing room for clients was also created for the brand, which consists of a curved, metal wall that meets a series of angled panels that act as an entrance for the room.

Tables in a showroomTables in a showroom
The various displays were informed by the “melting pot” attitude of New York City

Another corner of the floor was dedicated to the display of the Skynest chandelier by Marcel Wanders, which resembles an inverted basket interlaced with cords of light.

Displays for Flos and Louis Poulsen consist of inserted panels and curving planting beds that are populated with a number of lighting fixtures from both brands.

A room with a curving metal wallA room with a curving metal wall
Metallic panels, warm wood, and dark cladding were used throughout the second-floor space

Dark, metal cladding used in the Flos displays contrasts the off-white and beiges used throughout the Louis Poulsen space, but both flank a B&B Italia lounge that sits at the centre of the floor, which features a bright-red chair from the Up series by Gaetano Pesce.

A B&B Italia wardrobe was also created for the showroom, which sits next to an Arclinea kitchen display.

A black ash finish was used to clad a large cabinet unit, which sits behind a Thea island topped with a quartz waterfall countertop.

Lighting by Louis Poulsen, including the Patera Oval pendant by designer Øivind Slaatt, was tucked into the furthest corner of the space, with pieces distributed amongst wooden tables and a low-lying display unit.

A show room with white furnitureA show room with white furniture
A separate entrance leads to a Maxalto space on the first floor

On the first floor, a new space dedicated to Maxalto is accessible through a separate entrance, with pieces such as the brand’s Arbiter sofa system positioned against walls clad in black.

Design Holding, a global retailer founded in 2018, recently added furniture brands Menu, By Lassen and Brdr Petersen to its portfolio after an agreement with Denmark-based company Designers Company.

Piero Lissoni announced the founding of the US branch of his studio last year, saying that the US has become more “open-minded” in terms of architecture.

The photography is courtesy Design Holding.

Reference

Bio-mining lithium with microbes for greener extraction
CategoriesSustainable News

Bio-mining lithium with microbes for greener extraction

Spotted: Lithium is an essential mineral with a variety of applications, including in the production of electric vehicle batteries. However, mining the element is carbon intensive – generating 15 tonnes of CO2 for every tonne of mined lithium. So, even though lithium is playing a key role in the green energy transition, the sizeable impact of its production raises questions about its sustainability over the longer term. This is where startup BioMetallum comes in.

The Argentinian company hopes to meet the increasing demand for lithium, without the accompanying environmental cost. Instead of using a highly chemical-intensive process, BioMetallum’s system, called Lithium BioX, relies on biotechnology and microorganisms to extract useful metals like lithium from brine, even when the brine has low concentrations of such metals.

The bacteria act as a kind of biomagnet in the brine, absorbing the lithium into a biofilm that retains the minerals ready for extraction. After testing hundreds of bacteria, the team carefully selected those that had desirable qualities, such as brine resistance, and manipulated them to enhance their lithium-absorbing abilities. Because the method doesn’t use harsh chemicals, it means other elements in the brine, like potassium, can also be retrieved.

Unlike current methods, which can take a year and a half to extract the desired elements from evaporation ponds, BioMetallum’s technique takes a matter of weeks. Needing only five per cent of the land currently required, and achieving a lithium recovery rate over 90 per cent, Lithium BioX helps to make lithium production much more efficient and economically viable. And, the method of extraction also allows the brine to be returned after use, without producing any toxic chemicals or waste.

BioMetallum has also turned its attention to used Li-ion batteries, with its circular Lithium BioR biotechnological process that uses the same principles to enable the complete recovery of lithium from spent batteries.

Sourcing and retrieving precious minerals is crucial for the transition to green technologies. Springwise has also spotted this AI that aids in the locating of minerals like lithium as well as this lower-impact and cheaper lithium extraction method.

Written By: Archie Cox and Matilda Cox

Reference

pastel colors clothe athletes' village for paris olympic games 2024
CategoriesArchitecture

pastel colors clothe athletes’ village for paris olympic games 2024

Paris Olympic Games Athletes’ Village Reimagines Urban Space

 

The Athletes’ Village for the Paris 2024 Olympic Games, constructed by uapS Agency and captured by Géraldine Millo, represents the transformation of an industrial site in northwestern Paris. This development reorients towards the Seine River and establishes new urban connections with neighboring areas. Unlike traditional host city approaches, the primary focus is on creating a new district to accommodate approximately 20,000 athletes from around the globe for a month.

pastel colors clothe athletes' village for paris olympic games 2024
all images by Géraldine Millo

 

 

‘Les Quinconces’ is built from wood and recycled materials

 

Lot D, known as ‘Les Quinconces’ for its urban layout, primarily features a variety of residential units, including family homes, duplexes, triplexes, penthouses, townhouses, and patios. It also offers a diverse range of youth and sports facilities. This programming by uapS Agency addresses diversity and integration issues within a socially disadvantaged area. ‘Les Quinconces’ serves as a model of social inclusion, emphasizing universal accessibility, low-carbon construction, and environmental sustainability. Its integration with a nearby forest facilitates gravity-based water management and biodiversity enhancement.

 

Constructed primarily from wood and recycled materials, the project aligns with the Paris 2025 agreements, prioritizing comfort and practicality to create a vibrant and livable community.

 

Photographer Géraldine Millo captures the project.

athletes village paris olympics games 24 11

pastel colors clothe athletes' village for paris olympic games 2024

athletes village paris olympics games 24 8

pastel colors clothe athletes' village for paris olympic games 2024

Reference

Built-in couch in concrete home
CategoriesInterior Design

Ten Mexican holiday homes characterised by earthy hues

From a brutalist dwelling nestled in a pine forest to a beachy weekend retreat with a rooftop swimming pool, our latest lookbook features 10 holiday homes across Mexico.

While known for their often vibrant colours, Mexican interiors also include many examples of more muted designs. These earthy hues are often created through the use of natural and local materials, such as wood and stone.

Holiday homes are located all over the country, which has a varied landscape and is famous for its escapist destinations. Here are 10 Mexican holiday homes that combine pared-back colour palettes with getaway-style luxury.

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring metal furniture, breakfast nooks and living spaces with swings.


Built-in couch in concrete homeBuilt-in couch in concrete home
Top and above: photos by Rory Gardiner

Casa Alférez, Alférez, by Ludwig Godefroy

This holiday home is a brutalist dwelling clad in board-formed concrete and located in a pine forest in the country’s Alférez region.

French architect Ludwig Godefroy, who is Mexico City-based, added a conversation pit to the cathedral-like living area, which features a spindly double-height fireplace.

Find out more about Casa Alférez ›


Gardenia HouseGardenia House
Photo by LGM Studio

Holiday home, San Simón El Alto, by Estudio Atemporal

Local architecture office Estudio Atemporal designed a weekend retreat in San Simón El Alto village with an oversized gabled roof.

Inside, the studio created a statement brick wall in the angular, open-plan living space defined by timber and concrete accents. Generous glass doors lead to a covered outdoor patio.

Find out more about this holiday home ›


Villa CavaVilla Cava
Photo by César Béjar

Villa Cava, Tulum, by Espacio 18 Arquitectura

Neutral tones and textures define this house in Tulum that was informed by cenotes – ancient sunken water-filled limestone pits and caves found across Mexico’s Yucatán Peninsula.

Espacio 18 Arquitectura carved a circular window into one of the home’s ceilings, which reveals a rooftop swimming pool. Blue-coloured light filters through the opening, emphasising the cavernous atmosphere.

Find out more about Villa Cava ›


Interior design by Gala Sánchez-ReneroInterior design by Gala Sánchez-Renero
Photo by Diego Padilla Magallanes

La Extraviada, Mazunte, by Em-Estudio

Architecture firm Em-Estudio stepped a pair of concrete residential volumes down a rocky hillside overlooking the coastal town of Mazunte, Oaxaca.

Called La Extraviada, the holiday home includes an eclectic kitchen and dining space flanked by floor-to-ceiling timber shutters that open onto a terrace with a swimming pool.

Regional materials, including guapinol wood and local stone obtained from nearby quarries, feature throughout the earthy-hued project.

Find out more about La Extraviada ›


Lounge with red sofa, Casa Tres Árboles in Valle de Bravo by DireccionLounge with red sofa, Casa Tres Árboles in Valle de Bravo by Direccion
Photo by Fabian Martinez

Casa Tres Árboles, Valle de Bravo, by Direccion

Architecture studio Direccion took cues from “monastic” sanctuaries when renovating this weekend retreat in Valle de Bravo.

The open-plan living space includes exposed warm-toned wooden ceiling beams, which contrast against dark-painted walls. A soft-red sofa adds a rare pop of colour to the otherwise muted interiors.

Find out more about Casa Tres Árboles ›


Los Terrenos by Tatiana BilbaoLos Terrenos by Tatiana Bilbao
Photo by Rory Gardiner

Los Terrenos, Monterrey, by Tatiana Bilbao

Mexican architect Tatiana Bilbao added a multifunctional ceramic screen to the interior of Los Terrenos – a holiday home in Monterrey with mirrored glass facades that reflect the surrounding wooded site.

“[The screen] works as solid and permeable floor, a screen partition, a structural wall, and as a semi-open wall that allows ventilation and sunlight to bathe the interior spaces,” explained Bilbao’s eponymous studio.

Find out more about Los Terrenos ›


Tonalli House staircaseTonalli House staircase
Photo by Ansatz

Tonalli House, Jalisco, by Moises Sánchez 

This stucco-clad holiday home was punctuated with strategic openings and takes cues from architecture commonly found in Mexican villages, according to its designer Moises Sánchez.

Sánchez created an understated interior palette referencing the nearby architecture surrounding Lake Chapa, where the home is located. For example, the blocky terrazzo staircase doubles as a stepped plinth for sandy-coloured ornaments.

Find out more about Tonalli House ›


CO-LAB Design Office made the house out of concreteCO-LAB Design Office made the house out of concrete
Photo by César Béjar

Casa Areca, Tulum, by CO-LAB Design Office

Local studio CO-LAB Design Office created Casa Areca to merge with its lush Tulum setting.

The open-plan ground floor includes pivot doors and retractable glass walls, which enable the social area to flow into the jungle-like garden. Creamy walls and polished concrete floors were paired with local tzalam wood, jute accents and ceramic vases filled with hand-selected wild grasses.

Find out more about Casa Areca ›


Living space of El AguacateLiving space of El Aguacate
Photo by Dove Dope

El Aguacate, El Barrial, by Práctica Arquitectura

El Aguacate – or “The Avocado” – is a holiday home in El Barrial village made almost entirely out of concrete.

Práctica Arquitectura topped the main living area with a tall pyramidal roof featuring a boxy skylight. The studio added a built-in fireplace and alter-like dining table to the space – also made from smooth concrete.

Find out more about El Aguacate ›


A large table in the shady dining areaA large table in the shady dining area
Photo by Rafael Gamo

Casa Cova, Puerto Escondidio, by Anonimous

When designing Casa Cova in Puerto Escondido, Mexican studio Anonimous took cues from pre-colonial architecture.

Inside, the central living space is kept cool by a traditional thatched roof made of dried palm leaves, called a “palapa.” Tiny square openings were also cut into some of the walls, creating “a dynamic light pattern from dusk till dawn”.

Find out more about Casa Cova ›

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring metal furniture, breakfast nooks and living spaces with swings.

Reference

Cutting-edge tech captures pollution from vehicle brakes
CategoriesSustainable News

Cutting-edge tech captures pollution from vehicle brakes

Spotted: When vehicles slow down, brake pads press against the brake discs, emitting a fine dust of particulate matter. The dust is a major source of air pollution and is highly damaging to lung tissue. Ironically, because electric vehicles are heavier – and so take more braking force to stop – they actually contribute greater amounts of this toxic, braking-related particulate matter than fossil fuel equivalents.

Tallano Technologies is one company working to tackle this problem. Its TAMIC system can capture fine particulates emitted by braking systems, including the brakes of cars, heavy goods vehicles, and trains. The technology consists of a suction and filtration system that prevents fine particles from being dispersed into the air by retaining them at source.

The system is activated using an onboard electronic control and requires very little maintenance – changing of the filter every two years or 30,000 kilometres is all that’s required. The startup claims that its TAMIC system can reduce fine particle emissions from brake abrasion by up to 85 per cent.

From 2025, emissions standards (Euro 7) will come into effect on new vehicles sold in Europe, requiring a 27 per cent reduction in particulate emissions until 2035 and further reductions after that. It is therefore no surprise that Tallano won the Grand Prix Impact award for mobility and transport at the end of last year, and has already partnered with companies like Audi.

Reducing air pollution is the subject of several recent innovations spotted by Springwise, including a concrete that cleans the air in road tunnels and tyres that reduce pollution.

Written By: Lisa Magloff

Reference

Temple by Yussef Agbo-Ola
CategoriesArchitecture

Yussef Agbo-Ola creates jute temple for Sharjah Architecture Triennial

Architect Yussef Agbo-Ola has created a tent-like temple informed by Sharjah’s topography and biodiversity as part of the Sharjah Architecture Triennial.

Occupying a classroom within the former school that is now the triennial’s headquarters, the temple was designed by Agbo-Ola of London environmental design practice Olaniyi Studio as a place for incense burning and reflection.

Named Jabal: 9 Ash Cleansing Temple, the structure was made from jute, hemp and cotton yarns knitted into a fabric to encourage reflection on how climate change is impacting Sharjah’s biodiversity.

Temple by Yussef Agbo-OlaTemple by Yussef Agbo-Ola
Yussef Agbo-Ola created a temple for the Sharjah Architecture Triennial

“Jabal: 9 Ash Cleansing Temple is a living architectural entity for honouring non-human life and endangered species in the womb of a scared mountain,” Agbo-Ola told Dezeen.

“It honours ephemeral rituals across architecture, performance and art within Bedouin, Yoruba and Cherokee communities that respect the natural world and practice environmental consecration,” he continued.

“This sacred structure is an apparatus for collective aroma rituals of bakhoor or incense burning and invites visitors to partake in breathing ceremonies within the inner altars of the structure.”

Jabal: 9 Ash Cleansing TempleJabal: 9 Ash Cleansing Temple
The installation is called Jabal: 9 Ash Cleansing Temple

The tent-like structure, which is surrounded by dried mud, has a form and colour intended to evoke the Jebel Jais Mountain in Sharjah’s neighbouring emirate of Ras Al Khaimah.

“It is my core belief that mountains are the mothers that hold an environment’s wisdom and DNA within them,” said Agbo-Ola.

“They can speak to us and are seen as elements in a landscape that humble us in relation to their scale and presence. The truth is, they are also extruded from the land by the unseen tensions and movements of the tectonic layers under the surface.”

“The colours of the knit skins are inspired by the colour pallet of the mountains and rock formations in the landscape as well as light patterns that depict fractal fossilised micro-crustaceans,” he continued.

“When these organisms, which are symbolically represented in the knits, are linked together in the temple, they create a new visual ecosystem as a symbolic form of their dependence on each other for ecological balance.”

Jute, hemp and cotton fabricJute, hemp and cotton fabric
The temple is made from jute, hemp and cotton

According to Agbo-Ola, the structure was also designed to celebrate fertility and the natural process of transformation.

“I believe it is the things that we cannot hold on to, that we cannot possess or claim, that become meaningful and hold an essence of amazement or reverence within us,” he explained.

“Jabala: 9 Ash Cleansing Temple is designed in a similar way in the sense that each fabric skin in the design should be seen from the perspective of the single thread that holds it together,” he continued. “The decay that occurs when one microscopic organism eats the temple’s fibres or lays eggs on it is just as important as the overall form and shape of the temple from the macro scale.”

Temple in SharjahTemple in Sharjah
It was designed as a space for incense burning and reflection

Overall, Agbo-Ola hopes that the temple will act as a space for contemplation.

“As visitors walk through the temple they are invited to experience the perspectives and beauty of non-human entities while slowing down to reverence the presence of the sacred mountains,” he said.

“This element of contemplation is induced by the burning of bakhoor and incense in the temple as a collective ritual.”

Sharjah Architecture Triennial installationSharjah Architecture Triennial installation
The tent-like structure is surrounded by dried mud

“There is also a sound work that is connected to the piece, which acts as the voice of the temple,” he continued. “The sonic work draws from research into ritual, shamanism and the practices of healers, that can bring new and deeper connections to our ecological environments.”

“The experimental composition of orchestral and spatial gradients aims to mimic the multi-layered atmospheric acoustic conversations between botanical, geological and unseen environmental elements.”

The second edition of the Sharjah Architecture Triennial was curated by Nigerian architect Tosin Oshinowo, who explained the triennial’s theme of scarcity in a recent interview with Dezeen.

Elsewhere, we rounded up 12 intriguing pavilions and installations from the event.

The photography is by Edmund Sumner.

Sharjah Architecture Triennial 2023 takes place from 11 November 2023 to 10 March 2024 at various locations across Sharjah. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

Reference

Ready-made Home by Azab
CategoriesInterior Design

Eight home interiors where full-length curtains add a touch of drama

From a glitzy Parisian apartment to a converted garage in Buffalo, New York, our latest lookbook collects eight residential interiors where floor-to-ceiling curtains inject a theatrical feel.

Curtains aren’t just for covering windows. A set of statement drapes can be an easy way to significantly change the mood of a room, particularly in apartment renovations.

The selection below features curtains in stage-like living rooms, rough-edged bedrooms and cosy working nooks.

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring interiors with statement carpets, furry walls and colourful bedrooms.


Ready-made Home by AzabReady-made Home by Azab
Photo is by Luis Díaz Díaz

Ready-made Home, Spain, by Azab

Duck-egg blue curtains help to create a flexible open-plan layout at this apartment in Bilbao that was overhauled by architecture studio Azab, running the length of the living-dining-kitchen area to conceal storage space and a bathroom.

“The curtains have theatrical and playful connotations and invites the inhabitant to perform with it, to change the space and to play with the mysteries, contradictions and paradoxes that privacy offers us beyond morality,” said the studio.

Find out more about Ready-made Home ›


Ruckers Hill House by Studio BrightRuckers Hill House by Studio Bright
Photo by Rory Gardiner

Ruckers Hill House, Australia, by Studio Bright

In this extension to an Edwardian family home in Melbourne, architecture practice Studio Bright raised the sitting room on a curved plinth, giving it a stage-like quality.

Enhancing the effect is a heavy green curtain hung from the ceiling, which can be drawn across to turn the space into an impromptu theatre for the children to play in.

Find out more about Ruckers Hill House ›


Uchronia renovated a Haussmann-era apartment in ParisUchronia renovated a Haussmann-era apartment in Paris
Photo by Félix Dol Maillot

Avenue Montaigne apartment, France, by Uchronia

Sheer, rainbow-effect curtains cover the balconies of this opulent Haussman-era Parisian apartment, renovated by local studio Uchronia.

Even the walls echo the curtains’ gradations of colour, while the brightly toned furnishings are designed to resemble pieces of jewellery.

Find out more about this apartment ›


Roksanda Ilincic penthouse apartment in London's King's CrossRoksanda Ilincic penthouse apartment in London's King's Cross
Photo by Michael Sinclair

Gas-holder apartment, UK, by Roksanda Ilincic

Fashion designer Roksanda Ilincic brought her proclivity for bold colours and shapes to this London penthouse inside a former Victorian gas holder.

Pale pink Kvadrat curtains over the full-height windows cast a rose-tinted hue over the rooms, where the colour palette is kept mostly neutral apart from some pops of bright yellow.

Find out more about this apartment ›


Big Space, Little Space by Davidson RafailidisBig Space, Little Space by Davidson Rafailidis
Photo by Florian Holzherr

Big Space, Little Space, USA, by Davidson Rafailidis

Peeling paintwork, uneven concrete floors and distressed wooden beams lend a distinctly rough-and-ready feel to this home-slash-workspace in Buffalo created out of a garage conversion by design studio Davidson Rafailidis.

For the most part, the space is minimally furnished, apart from a set of high and wide drapes that introduce a luxurious twist.

Find out more about Big Space, Little Space ›


Silver curtains in hallway at Landscape House in JapanSilver curtains in hallway at Landscape House in Japan
Photo by Norihito Yamauchi

Landscape House, Japan, by FORM/Kouichi Kimura Architects

Upon entering Landscape House in central Japan, designed by Japanese studio FORM/Kouichi Kimura Architects, one is greeted by a lengthy corridor lined entirely on one side by a full-length silver curtain.

The fabric echoes a raw concrete feature wall on the opposite side of the corridor, as well as referencing the extensive use of metal throughout the building.

Find out more about Landscape House ›


Kitchen in Pops apartment by Furora StudioKitchen in Pops apartment by Furora Studio
Photo by ONI Studio

Pops, Poland, by Furora Studio

Furora Studio wanted the design of this holiday apartment in Kraków to be slightly more outrageous than the standard residential interior.

A velvety, salmon-pink curtain dresses an entire wall in the open-plan kitchen and living room, adding to a plethora of sugary colours and rounded edges.

Find out more about Pops ›


Maison-Boutique Coloniale by Michael Godmer and Mathieu TurgeonMaison-Boutique Coloniale by Michael Godmer and Mathieu Turgeon
Photo by Maxime Brouillett

Maison-Boutique Coloniale, Canada, by Michael Godmer and Mathieu Turgeon

Most of the spaces inside Maison-Boutique Coloniale in Montreal – renovated by designers Michael Godmer and Mathieu Turgeon as their own residence and studio – are pared-back and neutral.

But in an office space on the basement level, plush orange curtains line the walls, combined with dim pendant lighting and a black table arrangement by Muuto and &tradition for an intimate effect.

Find out more about Maison-Boutique Coloniale ›

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring interiors with statement carpets, furry walls and colourful bedrooms.

Reference

Turning sawdust into high-value green biochemicals
CategoriesSustainable News

Turning sawdust into high-value green biochemicals

Spotted: Petroleum-based chemicals are an essential part of various industries, from cosmetics to medicine. However, the reliance on fossil fuels also contributes large amounts of CO2 to the atmosphere – almost 4.6 million metric tonnes from the UK petrochemical industry alone. To change this, startup Sonichem has developed biorefinery technology that can convert low-value woody biomass, such as sawdust, into high-value renewable biochemicals.

Sonichem uses ultrasound technology to break the chemical bonds in biomass feedstock to free up the cellulose, sugars, and lignin. These fractions are processed through recovery units and can then be used to produce high-quality biochemical products. The company claims that for every £1 of sawdust, its technology can create £8 worth of sustainable chemicals.

The use of ultrasonic energy allows Sonichem to fractionate the biomass at lower temperatures and pressures than comparable processes, meaning less energy is used. The company is also able to recover the organic solvents it uses for the process, reducing the amount of virgin chemicals needed each time.

Sonichem recently raised £1.2 million (around €1.4 million) in a pre-series A round of funding. The investment will be used to accelerate the development of the technology, continue research, undertake intellectual property generation, and finalise the design and location of the company’s commercial biorefinery plant, which will be located in the north of the UK.

Springwise has spotted other innovations that use biomass to sustainably create chemicals and materials, including a company using rice husks to produce silica for tyres and a process that converts air pollution into plant fertiliser.

Written By: Lisa Magloff

Reference

Alárò City_Skidmore, Owings & Merrill (SOM)
CategoriesArchitecture

The Future of Urban Planning: How AI Technology is Impacting Smart Cities

Architizer’s Tech Directory is a database of tech tools for architects — from the latest generative design and AI to rendering and visualization, 3D modeling, project management and many more. Explore the complete library of categories here.

Urban planning has always been a complex, large-scale “brain teaser” for architects. It requires the collaboration of several disciplines: architects, urban planners, sociologists, anthropologists, environmentalists and transportation planners, and the coordination of many bureaucratic governing bodies. Throughout time, there have been many urban planning theories, such as Garden City by Ebenezer Howard or Le Corbusier’s modernist Radiant City concept, which explored new modes of city organization and ways of living by suggesting speculative social structures, resource management and nature integration practices.

Following the rapid technological advancements in the early 2000s, the concept of “smart cities” gradually emerged, eventually gaining significant traction during the AI boom. Today, AI technology has opened up new realms of possibility, where algorithms and data are added to the architect’s tool belt, aiming to create sustainable, efficient and livable environments for burgeoning populations. However, first, it is imperative to define what exactly constitutes a “smart city” as well as how architects can employ AI in today’s urban planning practices.

Delving into city design requires two distinctive modes of thinking: ways of designing urban networks and ways of maintaining them. AI-powered design tools can analyze vast amounts of data, such as environmental conditions, demographic trends and urban infrastructure, to propose optimized design solutions that meet specific criteria, such as energy efficiency, pedestrian flow or complex cultural norms.

Alárò City_Skidmore, Owings & Merrill (SOM)

Alárò City by Skidmore, Owings & Merrill (SOM), Lagos, Nigeria

At the same time, architects can leverage AI planning tools to explore a broader range of design possibilities and quickly iterate through multiple schemes, as well as create responsive architecture proposals, which can adapt to changing environmental conditions and user preferences in real time. Responsive architecture designs also foster dynamic interactions between buildings and their surroundings, blurring the boundaries between the built environment and nature and promoting sustainable urban ecosystems.

On the other hand, AI technology can be incorporated in the actual design of buildings, where for instance, sensors and actuators can adjust lighting, temperature and ventilation based on occupancy levels, weather patterns and energy demand. It can also serve as the backbone of interconnected infrastructure systems throughout a city. AI algorithms can analyze traffic patterns to optimize road networks, predict maintenance needs for public utilities, and even detect and respond to emergencies, enhancing the overall resilience and reliability of urban infrastructure. In other words, AI becomes an integral part of a city’s operation and maintenance.

Architizer’s new Tech Directory aggregates tech tools for architects, allowing you to search, compare and review AI softwares before selecting which to you in your next project:

Explore Architizer’s Tech Directory

These AI applications are essentially two sides of the same coin. They expose both implicit and explicit ways of using AI for urban planning and thus broadening the definition of “smart” cities. For instance, projects such as Liam Young’s Planet City, present a new mode of urban design which could potentially be characterized as an archetypal “smart city”. While the use of AI technology is not explicitly stated, Planet City introduces concepts of interactive solar panels for powering the ten billion population imaginary city. It also presents a rather eccentric idea of having a non-stop planetary festival, where different cultural celebrations are revisited throughout the year to preserve the cultural diversity of human civilization.

These two examples of AI-driven practices push the boundaries of traditional urban planning. More specifically, the first is an obvious case of responsive AI technology that leads to a more sustainable living, whereas the second one suggests employing AI algorithms to collect sufficient data and propose optimal cultural and social structures within the new city.

SmartCity Springpark Valley

SmartCity Springpark Valley  by planquadrat Elfers Geskes Krämer GmbH, Bad Vilbel, Germany

Another world-famous project, well-known for its AI integration, is The Line: a futuristic city currently being built in Saudi Arabia. NEOM, the company behind The Line, stated its ambition to create a digital twin backbone through the use of AI tools that will aid the city’s construction and minimize carbon emissions and material waste. Still, a “smart city” does not necessarily have to be a tabula rasa project. Using AI tools to improve existing cities that carry hundreds of years’ worth of human history might arguably be the most important endeavor in urban planning.

One example is the Barcelona Smart City Project, which revitalizes public squares and parks and integrates AI technology such as smart lighting and noise sensors, thus enhancing the city’s livability. Furthermore, Barcelona embraced open data initiatives, thus encouraging the development of numerous urban planning tools and real-time information hubs that continuously improve the city’s operation and maintenance.

Admittedly, designing as well as managing a city is no simple task. Still, whether acting as a medium through which provocative thought-experiments are designed (speculating about future urban design practices) or offering ways of utilizing data to physically realize innovative building environments, AI offers tremendous potential for reimagining urban spaces. By tackling the challenges of the world’s largest urban metropolises and striving for pioneering urban regeneration practices, AI becomes a catalyst for creating more equitable, inclusive, and resilient cities for generations to come.

Architizer’s Tech Directory is a database of tech tools for architects — from the latest generative design and AI to rendering and visualization, 3D modeling, project management and many more. Explore the complete library of categories here.

Reference