Spill The Tea: How Architects Can Transform Workplace Culture and Call Out Toxic Office Environments
CategoriesArchitecture

Spill The Tea: How Architects Can Transform Workplace Culture and Call Out Toxic Office Environments

Wandile Mthiyane is an Obama Leader, TedxFellow, architectural designer, social entrepreneur and the founder and CEO of Ubuntu Design Group (UDG) and The Anti-Racist Hotdog. He is proud to introduce The Tea, a peer-to-peer inclusion rating platform.

For far too long, companies have chosen to remedy discrimination after the fact rather than proactively cultivating prevention tactics to ensure employees don’t endure negative and potentially traumatic experiences. This reactive default means that the people who plan our homes, neighborhoods and cities don’t have a plan preventing them from facing harmful and dangerous workplace situations. It’s too easy to simply blame architecture culture; architects shouldn’t have to depend on Plan B–lawsuits, support groups or even have therapists on speed dial. What if you had all the information you needed on a company’s culture before applying?

Recently, I asked some friends what they wished they had known before entering the workforce, and their responses shed light on the challenges they faced. Each told me a harrowing story about intersectional discrimination in the workplace: significant pay gaps, inadequate maternity leave and administrative reluctance to address these issues and others. Comparing their stories exposes how similar problems can be found anywhere in the world, with women and people of color trying to combat workplace discrimination while simply trying to do the jobs they were hired for.

One experience was shared by a Black female friend who worked as an architectural designer in South Africa. After her first year, the company hired her white male classmate from university, assigning her the task of mentoring him for six months and teaching him about the firm’s design philosophy. One day over lunch, he unexpectedly expressed his dissatisfaction with his salary and, in the process, revealed the significant pay gap between them. Surprised by this revelation, my friend confronted her boss, and the conversation that followed is almost unbelievable.

Library in Anzin by Dominique Coulon & Associés, Anzin, France

The boss initially justified the disparity by explaining that her classmate had financial responsibilities, such as paying rent to his mother. She pointed out that she paid rent to an actual landlord. The boss mentioned that his colleague — again, who she was mentoring — had a car, so they need to uphold his living standard, to which she responded she’d also have a car if she were compensated fairly. Only when she threatened to quit did she gain a raise to match her classmate’s salary.

These problems persist in North America, too. My Asian friend from Canada shared a comparable account of discovering that she was being paid significantly less than her colleagues. When she confronted her boss about the inequity, her boss quickly deflected the issue to the HR department, adopting a stance of concern and promising action. A week later, the boss informed her that the matter had been resolved and presented her with a list of goals she needed to achieve within a specific timeframe to earn a raise. Frustrated, she questioned the idea of needing to prove herself for a job she was already overqualified for just to receive equal pay. In the face of her threat to resign, the matter was resolved within a week.

Meanwhile, one of my white female friends in Germany revealed an age-based layer to gender discrimination. As she approached her mid-20s, she encountered difficulties securing a job. Once gainfully employed, she faced even greater hurdles in obtaining promotions. Companies perceived her as a potential liability because she could get pregnant, thus hindering her progress at work. Almost ironically, policies favoring maternity leave have led male bosses to view women as liabilities.

Clearly this problem is pervasive worldwide and is linked to problematic workplace cultures. While relevant in most workplaces, architecture is an industry well known for its toxic work culture. Architects have to deal with unnecessary competition between colleagues, work long hours, and pay off a mountain of school debt in the meantime. In 2023, Architecture Journal reported that over 40% of architects work at least 10 hours of overtime per week, largely unpaid, according to an AJ study completed by 400 architects. This work-pace leads to high burn-out rates, with almost 97% of architects reporting burn-out.

Take into consideration women and People of Color have to fight their own struggles against workplace discrimination while doing their own work in these already-toxic spaces. According to the National Council of Architectural Registration Boards (NCARB), out of the 121,603 licensed architects in the U.S. as of 2022, only 2% (2,492) are Black. Among them, only 566 are Black women, despite Black people making up 12.6% of the country’s population, with 52% of the Black population being Black women. These statistics clearly highlight the significant underrepresentation of people of color, particularly Black individuals and women, exposing them to vulnerability in white male-dominated studio spaces. Moreover, disparities in power structures within firms further exacerbate the situation, as women face additional challenges and are less likely to complete licensure, impeding their progression to principal roles. As one of my American friends noted, employees should have the ability to go to work and focus solely on their tasks without the added burden of being the unofficial and unpaid advocates for DEI within their companies.

Clearly, DEI programming is not enough to change our workplaces. Over the past two years, my team and I have partnered with leading social psychologists from Harvard, Columbia, Deloitte, and The Resolution Project, and closely studied company culture while consulting with architecture firms, both large and small. Throughout our research, we engaged with young professionals to understand what they wish they had known before entering the workforce, particularly what would have helped them make better decisions about the places where they would spend the majority of their adult lives.

Building upon this work, we developed The Tea: a demographic-specific, peer-to-peer inclusion rating platform that connects women and people of color to workplaces where they are truly valued. The Tea uses key workplace indicators that matter the most to individuals of similar demographics, based on research that shows why women and people of color leave or stay in workplaces. The platform uses ratings based on key workplace indicators such as salaries and benefits, path to growth, internal advocacy, external advocacy, authentic self, and valued expression. Users can also filter based on race, gender, sexual orientation and age to find how people that look like you have experienced a particular workplace.

The Tea is also built for firm leaders and HR directors, helping them know exactly what they need to improve in their own workplaces and the steps they have to take. Instead of providing negative anecdotes without clear solutions, The Tea’s data-driven key indicators show more precisely where companies need to improve. Companies can even upload their own efforts to address each indicator, so applicants can see how a company is dealing with certain problems. Above all, we value everyone’s identity and security, online and in the workplace: just log in with your LinkedIn, and your reporting remains anonymous.

In the end, The Tea benefits everyone involved. It provides employees with a safe space to identify companies that truly value their labor, eliminating the need for them to be BIM managers and the office’s designated MLK just because they’re a person of color. Simultaneously, employers gain valuable insights on how to create the most culturally diverse and inclusive firms in the world. We are transforming DEI from a mere aspiration into a tangible reality. Let’s join forces and spill the tea together, ensuring we never have to face these challenges again!

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

Reference

Dezeen Awards China 2023 judge Alex Mok interior project
CategoriesInterior Design

Five key projects by Dezeen Awards China judge Alex Mok

Shanghai-based interior designer Alex Mok has joined Dezeen Awards China 2023 as a judge. Here she selects five projects that best reflect her work.

Mok and Briar Hickling are the co-founders of architecture and interior design practice Linehouse. The female duo’s work has been recognised internationally and won a number of international design awards, including Emerging interior designers of the tear at Dezeen Awards 2019.

Linehouse‘s approach is purposeful, creating poetic concepts through research of cultural, urban and historic contexts that respond to the program, site and function,” Mok told Dezeen.

“Each project has a strong narrative, a focus on craft and unique spatial experience with a dynamic intersection between disciplines,” she continued.

Currently, Mok is working on hotel projects in Hangzhou and Hong Kong, a food market in Shanghai, and a series of retail projects in Bangkok.

Alex Mok among Dezeen Awards China 2023 judges

Dezeen Awards China 2023 launched in June in partnership with Bentley Motors. It is the first regional edition of Dezeen Awards, celebrating the best architecture, interiors and design in China.

We have announced 10 out of the 15 Dezeen Awards China judges, including architects Ma Yansong and Rossana Hu, furniture designer Frank Chou and interior designer Andre Fu, who will be joining Mok on the interior design judging panel.

Entries close on Thursday 24 August. Submit your entry before midnight Beijing time on 24 August to avoid late entry fees.

Read on to find Mok’s views on the five projects that best represent her work.


Dezeen Awards China 2023 judge Alex Mok interior project
Photo is by Jonathan Leijonhufvud

Wework Weihai Road, Shanghai, 2016

“Linehouse worked with Wework in 2016 to create their headquarters in a spectacular turn of the century brick building in Shanghai. Linehouse celebrated the grandeur of the former opium factory and artist residence, encapsulating the feeling of a grand hotel, transporting guests and members on an unexpected journey of whimsy, voyeurism and festivity.

“The heritage facade surrounds the central atrium. A curved terrazzo tray was inserted to define the space, and pastel diagonal strips in blue, green, pink and grey wrap the floor and wall, creating a hardscape carpet.

“A bespoke lighting installation is suspended in the triple-height space. A new sculptural staircase was inserted to connect all three levels of the main public areas.”


Dezeen Awards China 2023 judge Alex Mok interior project
Photo is by Dirk Weiblen

Tingtai Teahouse, Shanghai, 2018

“Tingtai Teahouse was completed in 2018 in a former factory space and art gallery in Shanghai’s Moganshan Road art district. We stripped the space completely to reveal the beautiful patina of the original factory with concrete beams and columns as well as the brick walls.

“The teahouses are modern architectural responses to the raw factory interior. They read as singular insertions that contrast with the rough brick and concrete interior and reflect the surroundings. The upper rooms in particular have strong relationships with the existing building in the way they connect to the original clerestory windows.

“With each of these rooms bookended with full-height glazing, guests become spectators to the activities below. Each room has a different roofline, which forms modern architectural puzzle spaces where tea drinkers can enjoy this age old drink with a new perspective. “

Find out more about Tingtai Teahouse ›


Dezeen Awards China 2023 judge Alex Mok interior project
Photo is by Wen Studio

Coast, Shanghai, 2022

“The Coast restaurant in Shanghai recalls a deep connection with coastal elements and Mediterranean soul. Linehouse transformed a three-storey building into a vertical journey of refined rusticity.

“Colours and materials across the three floors change, telling different parts of the story. Green earthy tones on the ground floor link the garden to the open cafe space, while the red fire tones on the first floor reflect the dining room centred on the parrilla grill. On the second floor black yakisugi wood contrasts against the whitewashed flanked stone walls and the existing traditional timber trussed ceiling.”

Find out more about Coast ›


Dezeen Awards China 2023 judge Alex Mok interior project
Photo is by DOF Sky|Ground

Central World, Bangkok, 2023

“Central World is our largest architectural project to date; a renovation project of an existing shopping centre called Isetan in Bangkok. Linehouse was commissioned to design the exterior facade and seven floors of retail space including a food court.

“The project was located in an area once abundant in lily pads. Linehouse examined the stemming, radiating and circular profile of the lily pads, translating this into a spatial narrative of the exterior and interior condition.

“The exterior is a double-layered, arched facade. The front layer was defined by concrete form and the back layer rendered in black. The arches stem in various heights and widths shifting on the two planes, creating interesting intersections which operate as framed views through to the interior.

“Linehouse punctuated the arches to allow green terraces, providing a depth to an otherwise flat elevation, and blurring the exteriors and interiors.”


Dezeen Awards China 2023 judge Alex Mok interior project
Photo is by Jonathan Leijonhufvud

Ying’n Flo, Hong Kong, 2023

“Aiming to break the traditional hotel narrative of serious spaces and strict boundaries, Ying’n Flo is a lifestyle guesthouse for modern day travellers in Hong Kong.

“The spaces were designed to have a warm, welcoming and familiar feel, emphasising functionality and quality. Against this backdrop of curated simplicity is an edge of youthful attitude and local context, with vibrant elements giving the hotel its own unique flavour.”

Find out more about Ying’n Flo ›

Dezeen Awards China 2023

Dezeen Awards China is the first regional edition of Dezeen Awards, to celebrate the best architecture, interiors and design in China. The annual awards are in partnership with Bentley Motors, as part of a wider collaboration that will see the brand work with Dezeen to support and inspire the next generation of design talent in China.

Reference

Plants and trees in Rambla Climate-House by Andrés Jaque, Office for Political Innovation and Miguel Mesa del Castillo
CategoriesSustainable News

We are neglecting areas where our industry causes harm

Architects must start placing greater emphasis on protecting biodiversity in their projects, writes RSHP sustainability lead Michelle Sanchez.


It’s time to make peace with nature. Architects should add strong biodiversity mitigation principles to their projects no matter the scale and constraints.

Since the 2015 Paris Agreement, some organisations in the construction industry have advocated deploying all our efforts into implementing guidance, targets, and calculation tools to allow us to achieve net zero by 2050.

Sustainability as a concept goes beyond environmental impact

No doubt there is much to do in terms of carbon reduction in the industry, but by focusing all our energies and resources down that road we are forgetting two major things.

First, sustainability as a concept goes beyond environmental impact. Sustainability was defined back in 1987 by the UN as the balance of the environmental, economic, and social impact of any project – this is the Sustainability Triple Bottom Line. We are forgetting that sustainability engages with a far greater range of issues than carbon emissions alone.

Secondly, our industry has a much wider negative impact beyond the 38 per cent contribution to carbon emissions and greenhouse gases. Now that we have a way forward to reducing operational and embodied carbon, we need to look at sustainability as a whole and see other areas where our industry is causing harm.

Biodiversity comes out as one of the big-ticket items that we need to tackle next. Infrastructure and the built environment are responsible for 29 per cent of threatened species, according to the World Economic Forum.

And biodiversity is more crucial to our way of life and our economy than we realise. Forty-four per cent of global GDP in cities is estimated to be at risk of disruption from nature loss. Business as usual is no longer an option – we as an industry need to do better.

It will benefit people, too. To return to the Sustainable Triple Bottom Line concept, having nature-based solutions embedded into our designs has a positive social impact on the local communities and building users. The enhancement of biodiversity is directly linked to the improvement of health and well-being, especially with respect to mental health. There is a direct correlation between having access to external, green spaces and the well-being of the user of that space.

Adding a 10 per cent net-gain is not enough

Politicians are slowly waking up to the issue. The COP15 summit has started work towards a new global pact on nature protection. In the UK, the government’s 25-year Environment Plan will require all new development in England to provide a biodiversity uplift of at least 10 per cent according to a habitat-based metric.

This legislation is expected to come into force in November and will need to be considered by all stakeholders in the built environment – from designers and architects to financial institutions and property consultants. But adding a 10 per cent net-gain is not enough to be able to reduce the negative impact that our way of life has had on biodiversity.

We need to be creative and innovative. We need to find clever ways to provide green spaces, wildlife corridors and shelter for different kinds of animals. We need to encourage pollination and generate green infrastructure at scale whenever we can.

I am calling all architects and building-industry stakeholders to review their current projects against the BiodiverCities report from the WEF, where experts have listed a series of five key strategies that we can add to all construction projects to enhance biodiversity.

First, we must make the built environment more compact. Higher-density urban development will free up land for agriculture and nature. It can also reduce urban sprawl, which destroys wildlife habitats and flora and fauna. Existing cities and settlements should be considered for strategic densification. Just like we are starting to review existing buildings and their possibility to be retained or fully retrofitted before making the decision to demolish, we should have a similar approach with any land that does not have an existing structure that could be used for other purposes than urbanising the environment.

Second, we must design with nature-positive approaches by having buildings that share space with nature and are less human-centric. Nature-positive strategies should not be an afterthought or a tick-box exercise to comply with a planning requirement. All developments must include nature-friendly spaces and eco-bridges to connect habitats for urban wildlife. Should we start placing biodiversity at the core of project design I am sure that we will end up generating greener and more appealing places.

It’s time to rethink what we are doing as an industry

We also need planet-compatible urban utilities. To stall biodiversity loss, we need utilities that effectively manage air, water, and solid waste pollution in urban environments. In addition to benefiting nature, this will provide universal human access to clean air and water. We can implement new technologies that could transform urban utilities and make them planet-compatible.

Nature as infrastructure involves incorporating natural ecosystems into built-up areas. Instead of developments destroying floodplains, wetlands, and forests, they would form an essential part of the new built environment. This approach to development can also help deliver clean air, natural water purification and reduce the risk from extreme climate events.

Finally, we need nature-positive connecting infrastructure such as roads, railways, pipelines, and ports. Transitions in these areas mean a change in our approach to planning to reduce biodiversity impacts, with a willingness to accept compromises to enhance biodiversity. Building in wildlife corridors and switching to renewable energy in transport are key elements of nature-positive connecting infrastructure.

It’s time to rethink what we are doing as an industry and realise that by focusing so much on carbon reduction we are neglecting other areas where our industry causes much harm. We need to tackle climate change and sustainability from all fronts. We need to design in a holistic way that considers the Sustainability Triple Bottom Line and every impact related to it.

I would like to start a call for action and to encourage architects, developers, contractors and consultants to rethink the way we design buildings and public spaces, to find strategies to add biodiversity enhancement, and to truly assess the impact that our projects have on biodiversity.

Michelle Sanchez is sustainability lead at RSHP.

The photo, by Joas Souza, shows the green roof of the Macallan Distillery in Scotland, designed by RSHP.

Dezeen In Depth

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Reference

Used EV batteries for on-site energy storage
CategoriesSustainable News

Used EV batteries for on-site energy storage

Spotted: When it comes to on-site renewable energy, a key challenge facing many businesses is that sources such as solar and wind are intermittent, generating power only when the sun shines and the wind blows. Energy-storage solutions are therefore crucial for ensuring sufficient power is available when it’s needed most. 

Enter Connected Energy, a UK startup that has created E-STOR, a commercial-scale, energy-storage system that leverages 24 second-life Renault EV batteries. Easily installed at modern commercial and industrial sites within a 20-foot shipping container, E-STOR can optimise a site’s energy use, reducing costs and carbon emissions.  

Another key benefit of the system is that it’s completely modular. Units can be installed individually or as multiple systems working together, meaning storage can be scaled-up as the client requires. Servicing businesses across the UK and Europe, the company even offers free feasibility studies to ensure that battery energy storage is the right solution for any given site. 

Clients use E-STOR for active load management. The system can be charged from existing building supply or from solar panels and on-site wind, flexibly storing surplus energy generated when demand is low for use at peak times. Companies can also use E-STOR to generate revenue by offering load-balancing services to the grid.

Springwise has spotted other energy storage solutions in the archive, including one designed for homeowners in the event of a power outage, and another made from recycled batteries.

Written By: Rachel Ward

Reference

The Mobile Joy-city Community Commerce Beijing, China_MAT Office
CategoriesArchitecture

Dense and Sensibility: How Architects Can Help Shape More Sustainable Cities

Architizer is thrilled to announce the winners of the 11th Annual A+Awards! Interested in participating next season? Sign up for key information about the 12th Annual A+Awards, set to launch this fall.

How can cities have high urban standards and improve residents’ quality of life? As history has demonstrated, if the choices and strategies to achieve positive results are appropriate, the outcome delivers inclusive, safe, resilient and sustainable cities; if wrong, the outcome is devastating, forcing cities to face challenges such as pollution, high energy consumption, insufficient affordable housing, inequalities and health risks, among many others.

Architecture must generate urban quality and environmental sustainability while reflecting the cultural heritage and empowering residents. The growing process of cities leads to transformations, and such transformations need to be associated with sustainable models to improve the social, economic and environmental conditions of cities, ensuring the quality of life of current and future residents.

The Mobile Joy-city Community Commerce Beijing, China_MAT Office

The Mobile Joy-city in Jingxi Xiangyun, Beijing, China, offers creative solutions for a community plan that integrates work, home, shopping, transportation and green spaces. The design focuses on three design concepts: “open archipelago concept”, “landscape urban place”, and “community space shaping.” Design and images by MAT Office.

Architecture as a Contributor to the Sustainable Growth of Cities

Architecture can incorporate social and environmental factors as a core part of its design strategy and contribute to cities’ goals as centers of economic growth, culture and innovation, which will translate into improved quality of life. Understanding architecture as an isolated discipline aimed at creating buildings uniquely might lead to a lack of cohesion and functionality. On the other hand, if we see it as one in dialog with other urban domains, such as landscape design and transit, we can build urban areas that are accessible, livable and affordable, ensuring that cities are engines of sustainable economic growth.

Alárò City_Skidmore, Owings & Merrill (SOM)

SOM‘s master plan for Alárò City lies in the growth path of Lagos, one of Africa’s fastest-growing cities with a population of over twenty million. Alárò City reinforces Lagos as the economic and cultural center in West Africa through a new sustainable community. The master plan highlights the site’s unique conditions enabling long-term resiliency. Design and renderings by SOM.

Co-Living, Transit-Oriented Developments and Sustainability

The examples of projects illustrated below show how different cities address their growth challenges through a mixture of spaces, functions and services that are accessible to the population. Each responds to the specifics of their economic, social and environmental situation differently but with a common goal: achieve quality of life and efficiency.

These examples are mixed-use developments that integrate housing, retail and community spaces to promote urban connectivity and social inclusion while making cities safer for pedestrians, motorized vehicles, and bicycles. Most of them feature an architecture that incorporates green strategies aiming at minimizing environmental impact.

Super Babylon_MAT Office

Super Babylon is conceived as a co-living community. The concept prioritizes sustainable living and shared communal spaces while giving privacy equal due. Design and renderings by MAT Office.

MAT Office proposes a series of linked transformable structures inspired by the New Babylon, a megastructure that Dutch visual artist and Situationist Constant Nieuwenhuys developed a half-century ago. MAT Office‘s Super Babylon is a modular structure composed of units that can generate four types of spatial and social relations: individual basic units, small family spaces, communal spaces and collective community buildings with access to commercial spaces at ground level. Following the shared community  — or, co-living — model, New Babylon attracts a diverse population of young professionals, retirees, singles, and families, all working together to create a lifestyle that reflects their shared core values.

Periferico 2008_BRAG Arquitectos

Periferico 2008 is a residential high-rise with public amenities on the ground floor and a rooftop terrace with panoramic views. Project by BRAG Arquitectos. Image by Felix Fernández.

Periferico 2008 is a multi-unit residential tower close to San Angel, a neighborhood south of Mexico City known for its colonial history, monuments and religious architecture. The abundant greenery in the area set the tone for Periferico’s design: a thirty-story tall parallelepiped with two carved-out sections to make room for green terraces. The building’s 184 apartments — with areas ranging from 700 to 2,690 square feet (65 to 250 square meters) — feature spacious layouts and optimal orientations to maximize views and optimize natural lighting and ventilation. The ground floor amenities include a gym, swimming pool, spa, business center, playroom, library, and a movie theater. The rooftop terrace offers opportunities for relaxation and entertaining with views of the city and beyond.

Connecting Cooksville_SvN Architects + Planners

Connecting Cooksville in Mississauga, Ontario, Canada is a development project that offers many connections for pedestrians and vehicles, highlighting opportunities to prioritize the human scale and overall urban connectivity. Design and renderings by SvN Architects + Planners.

SvN‘s design for Connecting Cooksville is a vision for an integrated transit-oriented development in Mississauga, one of Canada’s fastest-growing cities. The project will transform a site dominated by surface parking into an interconnected, transit-oriented, mixed-use development with interior streets and a regenerative landscape. At nearly 1.7 million square feet (157, 900 square meters) , the development will provide nearly 2,200 new apartment units and close to 100,000 square feet (9,290 square meters) of commercial space, including a community gathering space covering almost half of the site.

Walking trails, outdoor kitchens, classrooms, cafe seating, areas for recreation, exercise and outdoor daycare play zones provide additional ground-level programming. SvN, in collaboration with WHY Architecture Workshop, designed an urban forest as part of the development, which prioritizes climate resiliency by strategically designing the cluster of towers and the landscape responding to the City of Mississauga’s Climate Action and Strategic Plans.

Quayside_Norm Li

Quayside in Toronto, Canada, is conceived as an electrically powered, zero-carbon community where residents will have easy access to their daily needs, including jobs, education, healthcare, food, and recreation. Design and renderings by Norm Li.

Quayside is a mix of market-rate and affordable housing in Toronto for individuals and families of different backgrounds and incomes. A total of six buildings, including Canada’s largest mass-timber residential building, will also provide commercial and institutional spaces, as well as access to a three-and-a-half-acre public space. Additionally, a one-acre urban farm on the rooftop of the mass-timber building will be accessible to residents and the public. The project was conceived with sustainability in mind resulting in an all-electrically powered, zero-carbon community. The use of environmentally friendly materials and technologies will promote biodiversity and create comfortable and accessible green spaces, which will reduce greenhouse gas emissions and contribute to the efficient management of severe weather risks.

Aiming for Sustainable and Livable Cities

The creation of high-density buildings offering easy access to daily needs and the use of sustainable building solutions can be considered good examples of how architecture can bring social and environmental change. City growth is inevitable but manageable with the right tools and the right decisions. The prominent role of the architectural community in envisioning and designing cities demonstrates that it can be beneficial to the betterment of citizens’ quality of life, social equity, health and the environment. Healthier places — no matter what their functions are — will result in healthier people, communities and cities.

Architizer is thrilled to announce the winners of the 11th Annual A+Awards! Interested in participating next season? Sign up for key information about the 12th Annual A+Awards, set to launch this fall.

Reference

Exterior of Larch Loft extension
CategoriesInterior Design

Whittaker Parsons crowns London mews house with “bolthole” extension

Using a combination of copper, larch and structural insulated panels, architecture firm Whittaker Parsons has added an additional storey to a contemporary mews house in Stoke Newington to house a bedroom suite.

Originally built in 2005, the property belongs to a couple with two older children, who have lived here for the last decade.

Exterior of Larch Loft extension
Whittaker Parsons added an additional storey to a London mews house

The family asked Whittaker Parsons to provide more space with the addition of a loft, as well as to revamp the lower floors including the studio on the second floor, which was reconfigured to create a well-proportioned workspace complete with its own library.

Daylight floods the new third storey, bouncing off lime-plastered walls while carefully positioned windows provide views of tree canopies and across rear gardens from window seats and the bespoke bed.

“We set out to design a beautiful, healthy, serene retreat, in which the homeowners could immerse themselves in the beauty of natural materials, a bolthole in the middle of north London,” Whittaker Parsons told Dezeen.

Larch staircase leading up to Larch Loft extension in London
The extension is accessed via a larch-clad staircase

With efficiency and quality in mind, the studio used prefabricated structural insulated panels (SIPs) to construct the additional storey, with the aim of minimising waste and saving time.

“Compared to standard timber construction, it is simpler to control the quality of onsite workmanship and achieve a more robust, air-tight building envelope,” the team explained.

Larch Loft extension in London by Whittaker Parsons
Generous windows provide views of the surrounding area

Externally, the extension is set back from the street elevation and finished in materials that mirror the surrounding architecture, including black-stained timber cladding, brick slips and patinated copper to tie in with the copper facade on the second floor below.

Internally, the triangular arrangement of the larch beams was developed to work with the load path of the existing building and the irregular form of the loft.

“The intention was to make visible and celebrate the structural effort that went into creating this new space,” Whittaker Parsons explained.

Man sitting on window seat of London extension by Whittaker Parsons
Integrated window seats provide a place to rest

The practice created a tranquil master bedroom with a larch-clad and lime-rendered interior, bespoke larch bed frame and walk-in wardrobe made from low-formaldehyde furniture board.

As the unsealed lime plaster wall finish cures, the lime will absorb almost as much carbon as was emitted in its production, the studio claims.

“Lime render is a calming tactile material, characterful and soft,” said Whittaker Parsons. “It is a low-carbon alternative to gypsum plaster. It’s also a hygroscopic material, so it naturally moderates the moisture level in the bedroom.”

Used alongside the render, white oiled larch panelling spans the spaces between the exposed larch beams, improving acoustic absorption.

“Often in bedrooms, the ceiling is the most important yet neglected surface,” the studio said. “The larch adds a sense of warmth, calm, and character to the space, creating an articulated ceiling at the top of the house – almost a reward for climbing all those stairs.”

Custom larch bed by Whittaker Parsons
Whittaker Parsons also created a custom larch-wood bed for the interior

In the adjoining skylit shower room, fluted travertine tiles line the walls, enveloping the shower area and complementing the travertine floor tiles.

“The roof light to the shower oversails the fluted travertine tiles, creating the impression that one is showering outside under the sky,” said Whittaker Parsons.

The basin, splashback and vanity unit are formed from unsealed Calacatta Rosato marble, which according to the studio provides a lower-carbon alternative to fired tiles.

Marble bathroom in Larch Loft extension
The vanity in the adjoining bathroom is formed from Calacatta Rosato marble

Overall, Whittaker Parsons says the project is “exceptionally low-carbon”, with the bulk of its embodied emissions coming from the triple glazing, thermal insulation and a single steel beam used to create the opening for the staircase.

Founded by Matthew Whittaker and Camilla Parsons in 2015, Whittaker Parsons has completed a number of projects in the British capital including The Naked House, which was longlisted for sustainable interior of the year at the 2021 Dezeen Awards.

View from bathroom to bedroom in Larch Loft extension
The marble is paired with fluted travertine tiles

Other sustainably-minded extensions in London include Low Energy House in Muswell Hill, designed by local studio Architecture for London founder for its founder Ben Ridley.

The photography is by Jim Stephenson.

Reference

Affordable, low-carbon fertilisers - Springwise
CategoriesSustainable News

Affordable, low-carbon fertilisers – Springwise

Spotted: Agriculture is directly responsible for up to 12 per cent of all greenhouse gas emissions, with fertilisers alone accounting for around 5 per cent of total emissions. To reduce this, a partnership between EIT InnoEnergy, RIC Energy, MAIRE, Siemens Financial Services, InVivo, and Heineken has recently launched FertigHy, a green fertiliser provider.

The agricultural sector is responsible for over 10 per cent of the European Union’s (EU’s) total greenhouse gas emissions, and European farmers apply around 10 million tonnes of nitrogen fertilisers each year. This is why the European Commission has identified the fertiliser sector as critically important to reducing CO2 emissions.

FertigHy will build low-carbon fertiliser plants that will use green hydrogen to replace the natural gas-based feedstock used in traditional fertiliser plants. The green hydrogen itself will be produced using electrolysis powered by renewable or low-carbon electricity.

The initial plant, due to start construction in 2025, will produce more than one million metric tonnes of low-carbon fertilisers per year and will be based in Spain. FertigHy also plans to build and operate a number of large-scale low-carbon fertiliser projects in other European countries.

FertigHy is coming at a time of increasing awareness of the high CO2 and energy cost of fertiliser production. In the archive, Springwise has spotted other innovations aimed at improving sustainability in this space, including the use of biochar – produced from waste – to enrich the soil and capture CO2, and increasing support for regenerative agriculture.

Written By: Lisa Magloff

Reference

expo 2025 osaka netherlands
CategoriesArchitecture

netherlands plans luminous, rippling pavilion for expo 2025 osaka

the netherlands pavilion: exploring the power of water

 

The Netherlands has recently announced its participation in Expo 2025 Osaka, set to take place from April 13th to October 13th, 2025 in Osaka, Japan. The pavilion will be characterized by its unique circular design and integration of clean, anthropogenic energy creation.  This innovative structure promises to showcase the Netherlands’ creative solutions to global energy challenges, particularly in the realm of sustainable power generation through water-based technologies — visitors to the Netherlands Pavilion will discover new technologies that can harness the power of water.

 

Making clean, renewable energy accessible to everyone is the key to a sustainable society and a sustainable economy,’ says Netherlands Minister for Foreign Trade and Development Cooperation Liesje Schreinemacher.The Russian war in Ukraine has put energy security higher on many countries’ agendas. I’m proud of the Dutch design, which showcases the innovative solutions that the Netherlands has to offer and introduces visitors to the possibilities of a zero-emission future driven by circularity.’

expo 2025 osaka netherlandsvisualizations © Plomp | @plo.mp

 

 

a luminous ‘rising sun’ symbolizes circular design

 

The Netherlands Pavilion at Expo 2025 Osaka will addresses one of humanity’s most critical challenges — the recognition that finite resources are not sustainable. Embracing this principle, a circular design will incorporate renewable materials and zero-emission energy sources as the foundation of the structure. Water, as an abundant and clean energy source, plays a prominent role, elegantly reflected in the facade and roof of the circular structure. An important element of the design is its ability to be dismantled and reassembled as needed.

 

The theme of the Netherlands Pavilion is ‘Common Ground: creating a new dawn together.’ This vision explores new technologies which harness the power of water to produce emission-free energy, providing access to clean power for all. The illuminated sphere, or abstracted ‘rising sun’ will shine brightly at the center of the architecture to symbolize infinite clean energy, sustainability, and circularity.

the netherlands plans luminous and rippling pavilion for expo 2025 osakathe architecture symbolizes a rising sun over rippling waters

 

 

dutch design to arrive in japan

 

To be built in time for Expo 2025 Osaka, the Netherlands Pavilion is the result of a collaboration between RAU Architects, engineering consultancy DGMR, experience design studio Tellart and Japanese construction company Asanuma.

 

We are nearing the end of materials and fossil resources,’ says the team at RAU Architects.Our solution is the circular design, with circular materials and zero-emission energy sources. As the pavilion has water as its theme, this is reflected in the design of the facade, the roof and the fact that we consider water as emission-free energy. The entire pavilion is designed to be reassembled and is circular. All materials are registered in a material passport on the Madaster platform. Inside, guests take an interactive journey that builds to an immersive show that brings these transformative ideas to life.’

expo 2025 osaka netherlandsthe fluid facade shades the interiors and lends irregular shadows

 

 

expo 2025 osaka: the master plan by Sou Fujimoto

 

The overall master plan for Expo 2025 Osaka has been designed by Sou Fujimoto. In a recent interview with designboom (see here), the Japanese architect describes the project:The biggest project I am working on is the master design of the Expo Osaka 2025. For this, I proposed a huge ring-shaped roof that serves as a circulation map. The roof not only protects people from sunlight and rain but is also enormous, with a diameter of almost 700 meters. We are designing it using a wooden structure, which presents unique challenges due to the scale and materials involved. However, Japan has a wonderful tradition of historical wood construction, and I aim to draw inspiration from it and blend it with new technology in the construction process.

the netherlands plans luminous and rippling pavilion for expo 2025 osakathe pavilion will include interactive exhibits to explore the power of water

 

 

This work is not only a wonderful trial for working on such a large scale but also an exciting challenge in terms of innovative construction techniques,Sou Fujimoto tells designboom, describing his master plan for the Expo.On the rooftop, visitors can go up and experience a lifted surface that resembles a bank, allowing them to appreciate the sky above and feel completely immersed in the environment. As the location is in the middle of Osaka Bay, no tall structures are around, offering a clear view of the sky in a pure circle. And that must be a very impressive experience that people will look up at the same circle in the sky. And you can imagine we are really sharing this precious nature, and everybody is under it. It’s not just about technical construction but also about creating unforgettable experiences for everyone to cherish.

 

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physical model

physical model

elevation

elevation

project info:

 

project title: Netherlands Pavilion@nlexpo2025

event: Expo 2025 Osaka@expo2025japan

architecture: RAU Architects@rau.architects

engineering: DGMR@dgmradviseurs

experience design: Tellart@tellart

construction: Asanuma

visualizations: © AND BV, © Plomp | @plo.mp



Reference

Holzweiler Chengdu store by Snøhetta
CategoriesInterior Design

Snøhetta creates Holzweiler’s store informed by Norwegian coastline

Architecture studio Snøhetta has completed a shop for fashion and lifestyle brand Holzweiler in Chengdu, China, informed by its Norwegian heritage.

Located in Taikoo Li mall in central Chengdu, the 130-square-metre store is Norwegian brand Holzweiler‘s first outpost outside of Scandinavia.

Holzweiler Chengdu store by Snøhetta
The exterior of the store is covered with LED screen

“The store features recurring themes of currents, reflections and contrasts inspired by landscapes and coastal movements, a bespoke concept of the forces of norwegian nature playing on our shared heritage,” Snøhetta explained.

“With the aim of transporting Holzweiler’s love and deep respect for its origins, there is an immediate and consistent reference to the natural world that harks to the brand’s home country.”

Holzweiler Chengdu store by Snøhetta
The interiors nod to the Norwegian coastal lines

The exterior of the store features a full-size LED screen, which will be used to display campaigns that showcase that brand’s connection to nature.

A glass wall framed with wavy lines divides the LED screen into two parts, revealing the store’s warm clay-toned interiors to visitors.

Holzweiler Chengdu store by Snøhetta
The reflective surface of the ceiling resembles sky and ocean

The entrance of the store was crafted from floor-to-ceiling sand-blasted stone that extend to the product display area where mechanical arms present Holzweiler’s signature silk, lambswool and cashmere scarf designs.

Wavy lines were widely adopted inside the store, as a nod to to the shorelines along Norway’s extensive coastline. A series of hanging lights were suspended from the reflective surface of the ceiling, which was clad in steel with a sandblasted finish.

The clothing racks made with the same steal material run along the curved wall, while the forms of the display tables placed in the centre of the space were designed to evoke coastal rock formations.

Natural materials were used throughout the store, sourced locally from China. Meanwhile, all fixtures within the store were designed to be flexibly dissembled and repurposed in the future.

Holzweiler Chengdu store by Snøhetta
A hero wall with mechanical arms is used to present Holzweiler’s signature products

The point of sale area is tucked away at the back of the store separated from the main shopping area to provide privacy for customers.

Snøhetta is a long-term collaborator of Holzweiler’s, having designed the company’s flagship store and showroom in Oslo, as well as its first international outpost in Copenhagen.

The Studio has recently completed a planetarium in France, featuring two domes surrounded by sweeping wooden walls and a shingle-clad viewing tower in Austria.

The photography is courtesy of Holzweiler.

Reference

An intuitive human-centric lighting system
CategoriesSustainable News

An intuitive human-centric lighting system

Spotted: As summer brings us brighter, longer days, the effects of sunlight on our energy levels and mood are undeniable. But did you know that light also affects our health? Working for prolonged periods in poor quality lighting can cause eyestrain and trigger migraines – particularly in harsh artificial lighting – as well as amplifying feelings of fatigue and anxiety. 

This is an issue Barcelona-based startup Kumux has set its sights on tackling. The company creates what it calls automatic human-centric lighting solutions. This technology acts as an ‘indoor sun’, working with the body’s natural rhythms rather than against them, mimicking natural daylight patterns with artificial dynamic light. 

Video source Kumux

Kumux works via a cloud-based API that can easily be integrated into any lighting control system with tunable lights. It then automatically alters light intensity and colour temperature, taking into account variables such as geolocation, date, time, and the type of activity or work occurring inside a room.  

The startup, which raised €500 million in it latest funding round, offers its solutions across various sectors, including healthcare, offices, schools, and hotels. The company also claims that its system can help with reducing light-related electricity consumption by up to 20 per cent and boost productivity by 4.5 per cent.

In the archive, Springwise has spotted other solutions fostering greater indoor well-being and productivity, including a lighting panel that boosts mood while working from home, and an artificial intelligence (AI) planting system.

Written By: Amanda Simms

Reference