Retrofitting existing cooling towers with direct air capture 
CategoriesSustainable News

Retrofitting existing cooling towers with direct air capture 

Spotted: The International Energy Agency (IEA) says that in the net zero by 2050 scenario, direct air capture (DAC) needs to reach almost 60 megatonnes of CO2 every year by 2030. Currently, the 18 direct air capture plants in operation around the world are only sequestering 0.01 megatonnes of CO2. While experts consider 60 megatonnes of CO2 captured per year to be an attainable amount, additional large-scale plants are needed to reach that volume. 

As well as building new plants, retrofitting old structures could be another way of reducing global emissions. German company NeoCarbon has built a system that integrates with existing cooling towers to capture carbon dioxide from the circulating air. As well as being ten times less expensive than a new carbon capture plant, NeoCarbon’s design could remove several billion tonnes of CO2 if it was applied to Europe’s current industrial manufacturing infrastructure. 

NeoCarbon works with businesses to set up the carbon capture system and requires no upfront costs. Carbon dioxide is removed from the air as it circulates throughout the cooling towers, reducing companies’ emissions footprint without requiring any additional building expenses. 

NeoCarbon transforms captured emissions into newly usable formats, including industrial chemicals and food-grade materials. Brands can buy removal credits as well as the captured carbon dioxide for use in their plants, and the NeoCarbon team says that their technology is mass market ready.  

Sequestering carbon is an exciting area of growth, with Springwise spotting innovations improving ways emissions are captured, as well as expanding the uses of the waste carbon. In the fashion industry, one company is replacing traditional polyester fabrics with a net-positive version made from carbon dioxide. And another organisation is using geothermal energy to sustainably power its direct air capture systems.

Written By: Keely Khoury

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Exterior of the brick Casa de Musica school by Colectivo C733 with cantilevered timber roofs
CategoriesArchitecture

Colectivo C733 tops brick music school with soaring timber roof in Mexico

Mexican studio Colectivo C733 has created a brick music school in Nacajuca, Mexico that includes two structures and a lofty, cantilevered roof made of coconut wood.

The Mexico City-based collective completed the 1,325-square metre (120-square metre) Casa de Música in 2021.

Exterior of the brick Casa de Musica school by Colectivo C733 with cantilevered timber roofs
Colectivo C733 added a soaring coconut wood roof to the music school

The facility is part of the state’s urban development program and “provides a space for social gatherings with warm materials and natural ventilation, while musicians benefit from spacious, isolated classrooms with state-of-the-art equipment,” C733 told Dezeen.

Casa de Música is composed of two volumes connected by a public boulevard.

Exterior of the brick Casa de Musica school by Colectivo C733 with large windows and a cantilevered timber roof
The school is located in the Mexican city of Nacajuca

The larger volume – an open-plan community centre built on the foundations of a previous structure – boasts a large offset gable roof with one roof plane extending past the ridge line and cantilevering over a skylight and the opposite roof plane.

The north and south sides are supported by a series of double brick walls that hold the 24-metre trusses. The west end is transparent with rectangular glass panels shielded from the street by a porous brick screen, while the east end holds a service core.

Exterior of the Casa de Musica school with extended brick walls and cantilevered timber roofs
Double brick walls support the roof structure

The social space also holds a mezzanine stage for workshops and local musicians.

The smaller volume is the music school — consisting of eight classrooms, a cafeteria, restrooms and management offices — that reflects the rhythm of the community centre’s structure through compact spaces arranged in a line.

“The sloping roof of the building creates a double-height space in each of these areas, with an upper terrace offering views of the treetops,” the team said.

Both buildings feature local coconut wood, brick partitions, and clay tiles that provide warmth, natural freshness, and acoustic control. Wooden doors open between each structural bay, creating a loggia-like complex that opens the facility to the public.

An expansive interior space with a large pitched timber roof and glazed gable end
The larger of the two structures is a community centre

“The project draws inspiration from the traditional Mesoamerican pocho dance and contemporary expressions, incorporating warm materials, natural ventilation, and a focus on local resources to create a space that pays tribute to its location and enhances existing elements,” the team said.

The team looked beyond the site to prioritize the land on which the centre sits.

A covered exterior walkway with a brick floor and timber walls next to a glazed gable-ended building
Brick, wood and clay materials were chosen to add warmth

“It is essential that projects pay tribute to their location, particularly when they have the potential to highlight what already exists,” the team said.

The project faces a polluted creek; but the roof directs and collects rainwater, filtering it for use in restrooms, passing it through biodigesters and biofilters in a wetland-type treatment and discharging clean water into the local river as a water management alternative.

Two external brick walls topped with pitched timber roofs
A boulevard connects the school’s two structures

The locally sourced coconut wood captures carbon dioxide, generates a smaller carbon footprint than other materials and promotes both craftsmanship and employment for the local workforce.

C733 includes designers Gabriela Carrillo, Carlos Facio, Eric Valdez, Israel Espín and José Amozurrutia

In Matamoros just off the Texas-Mexico border, C733 created a brick shopping centre with inverted trapezoidal roof forms. Other projects with timber roofs in Mexico include a holiday home in Avándaro by Estudio MMX.

The photography is by Yoshihiro Koitani.


Project credits:
Colectivo C733: Gabriela Carrillo, Eric Valdez, Israel Espín, José Amozurrutia, Carlos Facio (TO)
Design team: Álvaro Martínez, Fernando Venado, Eduardo Palomino
Executive architect: Leticia Sánchez, Victor Arriata
Structures: LABG (Eric Valdez), GIEE, GECCO Ingeniería
Electrical and mechanical engineering: Enrique Zenón
Landscape architects: Taller de Paisaje Hugo Sánchez
Other consultants: Carlos Hano, Laurent Herbiet
Contractor: Francisco Tripp – Grupo Plarciac
Client: SEDATU, Municipio de Nacajuca



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Photo of a brightly coloured kitchenette in Camille Walala's London studio
CategoriesInterior Design

Camille Walala takes colourful style to the max in self-designed studio

London designer Camille Walala has worked with carpentry workshop Our Department to fit out her own studio with a no-holds-barred version of her colourful design style.

Electric blue floors, graphically patterned cabinetry and a kitchenette with cartoon-like proportions feature in the space, which is located in the Regent Studios building off Broadway Market in East London.

Photo of a brightly coloured kitchenette in Camille Walala's London studio
Camille Walala designed her studio to include a kitchen with exaggerated proportions

The seventh-floor space attracted Walala and her studio manager Julia Jomaa with its sweeping views.

Knowing they would be in no hurry to vacate, the duo took their time with the design, working side by side in the studio for over a year while adjusting the position of their space-dividing furniture until they arrived at a layout with the perfect functionality for them.

Photo of Camille Walala and her studio team in their London office in Regent Studios
The studio chose to embrace colour in the design

Once they decided to embark on the interior design, it was not a given that they would embrace Walala’s signature bold colour palette, as they worried about it potentially clashing with future work.

“We were like, how colourful should we go?” Walala told Dezeen. “Should we keep it quite simple or should we actually go for it?”

But ultimately, she says the desire to feel inspired by their workspace and “inhabit the aesthetic fully” won out.

Photo of the workspace in Camille Walala's London studio
The studio is divided into two rooms including one for “clean” computer-based work

The studio is divided into two rooms – one for “clean” computer-based work and the other for “messy” activities such as painting and model making.

Walala and Jomaa created a 3D model of the interior in SketchUp before bringing in their favourite carpenters” Our Department – a studio specialising in design and fabrication for the creative industries – to realise the design.

The duo of Simon Sawyer and Gustave Andre built all of the elements in the space with a focus on achieving clean lines and pure block colours along with maximum functionality.

Close-up photo of colourful cabinetry at Camille Walala's studio showing relief pattern of cut-out shapes glued onto black MDF doors
Our Department achieved clean lines by sticking coloured shapes onto MDF doors

For the cabinetry, they used doors made of melamine-faced medium-density fibreboard (MDF) and applied a decorative technique they had used on previous Walala projects.

This involved CNC-cutting shapes out of thin MDF, before spraypainting and precisely glueing them onto the doors to create a graphic pattern while avoiding the fuzzy lines that can sometimes come from painting directly onto surfaces.

In the kitchen, the group worked together to exaggerate proportions as much as possible, with Walala saying she dreamed of achieving a “Bart Simpson kitchen” through elements such as chunky handles and bold grout.

“We designed the Lego House a few years ago, this really colourful house,” she explained. “Especially the kitchen in that space was really quite bold and almost like a cartoon, and we thought we should do something similar in our studio.”

By contrast, a more subtle feature is the double sliding door between the studio’s two rooms, which consists of a transparent fluted screen set within a black frame.

While it may be less attention-grabbing, Jomaa says the mesmeric effect of the fluted panels sliding against each other is like a “little animation of colour”.

Photo of a colourful office space with a yellow sofa in front of a big worktable
The workspace also includes natural details like custom tulipwood desk legs

There are also a few natural wood elements throughout the interior such as tulipwood desk legs to balance the liberal use of colour.

As with all residents of Regent Studios, Walala will need to return the rented space to its original condition when her studio eventually leaves, so there are no permanent fixtures and everything is designed to be dismantled.

Even the central “wall”, which contains floor-to-ceiling storage on one side, is freestanding. But the team used kitchen-unit feet to wedge it against the ceiling for stability.

Photo of details in a colourful office space with bold cabinetry, bright blue floors and plants and colourful ornaments on display
Everything is designed to be dismantled when the studio one day moves out

Walala and Jamaa have been working together for eight years and started off sharing a desk in a basement studio. Their recent projects have included murals, installations and a proposal for a car-free Oxford Street.

Walala is often seen as being part of the New London Fabulous wave of maximalist designers, alongside Yinka Ilori, Morag Myerscough and Adam Nathaniel Furman.

The photography is by Taran Wilkhu.

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Improving the climate resilience of food production with better soils
CategoriesSustainable News

Improving the climate resilience of food production with better soils

Spotted: The Food and Agriculture Organization of the United Nations found that about one-third of the world’s soils are already degraded. This threatens global agricultural production and food security. But one company is aiming to improve soil quality. 

Initially founded in 2020 by Azadeh Farajpour Javazmi with the support of the European Union (EU) parliament, the BetterSoil movement launches national and international projects to improve the quality of soils for improved climate resilience and sustainable food production. The company aims to promote sustainable agriculture both in practice and the political environment, by mobilising decision-makers at the level of the European Parliament. 

The initiative’s goal is to close the gap between theory and practice in terms of knowledge about soils and their quality in sustainable agriculture. BetterSoil connects science and research with the knowledge of farmers around the world to understand how to best improve soil fertility and build up soil humus – a nutrient-rich substance made from decomposed plant and animal matter.

Video source BetterSoil

Working closely with scientific advisors, BetterSoil develops tailored soil recipes for different regions, since each country has its own specific climate, crops, and needs. All soils are created with the BetterSoil science-derived principles in mind: appropriate soil management and agroforestry, and the use of compost and biochar. 

BetterSoil also offers education on sustainable development in order to raise public awareness, motivating people to rethink how they use resources and contribute to sustainable development. The company addresses individuals, companies, teams, and schools – it is also launching a BetterSoil Inhouse Academy. 

Healthy soil is integral to the world and its inhabitants, and improving and maintaining soil quality is vital for sustainable and reliable food production. Springwise has also spotted pre and probiotics that improve soil health and plant patches that monitor crop stress.

Written By: Anam Alam

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Free Webinar Recording: Implementing Zero Waste Strategies into Your Design Practice
CategoriesArchitecture

Free Webinar Recording: Implementing Zero Waste Strategies into Your Design Practice

Do you ever sit back and wonder what happens to your waste? Do you ever ponder the environmental and economic impacts of waste on the planet?

Architizer was thrilled to have Jessica Jenkins, Environmental and Technical Project Specialist at Inpro, speak at the most recent Architizer live event. Hitting us with hard facts, the dos and don’ts and workplace initiatives for waste diversion, Jessica left the audience empowered to take matters into their own hands. Zero waste is attainable within the design industry, and Jessica thoughtfully broke down how to get there.

To reach a wider audience and for those who were unable to attend, the recorded session is available on-demand! Click the button below to watch Jessica Jenkins’ insightful presentation:

Register + Access

Waste is at the forefront of many global sustainable initiatives. Why? Because we all contribute to waste. It is part of our daily lives and, realistically, isn’t going anywhere. Currently, we are running out of space to house our waste. In the US alone, a whopping 292 million tons of trash was generated in a single year. To make room for all this waste, natural habitats have been destroyed, greenhouse gas emissions have risen, and taxes have gone up to offset the costs of running expensive landfills.

Zero waste has been defined as diverting 90% of total waste from landfills.

Thankfully, there are proactive ways to reduce our collective and individual contributions to waste. And such strategies can be implemented into building design. The benefits of designing for zero waste are immense, leading to more sustainable creations, increased property value and safety. Whether a boutique architecture firm or a large manufacturing company, waste diversion is possible within all parts of the design industry. All it takes is a little bit of elbow grease.

For some real-world context, Jessica shared a bit on Inpro’s zero waste journey. By 2025, Inpro aspires to become a zero-waste company. Currently, they have hit an impressive 85% diversion rate, and with only 5% to go, the company is thrilled to offer long-lasting, recycled products to their customers. Sharing a few of Inpro’s key strategies on waste diversion, here are three important factors to consider:

  1. Take ownership: Owning up to your company’s waste streams and processes is a must. It is the first step before implementing waste diversion strategies.
  2. Collect and use data: Striving for zero waste is not a linear process. Examining your company’s current processes through metrics and data is crucial to reaching this goal. Constant reevaluation and reassessment is key.
  3. Convenience is a must: Waste diversion initiatives must be made convenient and straightforward to use.

Looking beyond the workplace and towards the design process itself, Jessica also shared some helpful strategies for zero-waste design.

  1. Clearly communicate: Communicate valuable information (such as recycling guidelines) through legible signage.
  2. Prioritize easy access: Ensure your zero waste strategies (such as designated recycling areas) are accessible and conveniently placed within your building.
  3. Opt for sustainable products: While performance is key to waste diversion, so are the materials used within said processes. Ensure you have durable wall protection and long-lasting materials.

To hear Jessica Jenkins’ complete list of tips for zero-waste design, click the link below.

Register + Access

Striving for zero waste is attainable within all aspects of the architecture and design industry. At first, it may appear like a demanding and unattainable goal. However, in practice, all it takes is a solid waste diversion plan and a continual commitment to the cause.

Top image: The Cradle by HPP Architects, Düsseldorf, Germany

Reference

Barn House by Jon Danielsen Aarhus 
CategoriesInterior Design

Ten cherry red interiors that make colour their focus

For our latest lookbook, we’ve picked eight interiors that are blanketed in shades of red that include an office in Belgium, a bar toilet in London and a mansion in Mexico.

The colour red is most commonly associated with activity, passion, sexuality, love and joy. In this lookbook Dezeen has highlighted ways in which interior designers and architects have used the colour in different interior settings.

Red terracotta tiles cover the interior of a home in Barcelona and red-tinted glass creates a glowy magma-like hue within the interior of a home located at the base of a volcano.

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring terraces and balconies, marble-lined bathrooms and cave-like interiors.


Barn House by Jon Danielsen Aarhus 
Photo by Knut Bry

Barn House, Norway, by Jon Danielsen Aarhus 

Oslo based-architect Jon Danielsen Aarhus designed a gabled shed that sits on the grounds of a retired couple’s home in Lillehammer, Norway, which is used for painting, sculpting, craft and as additional living space.

The entrance hall of the gabled shed was covered entirely in red, including its window frames. The colour was chosen specifically to contrast against the structure’s raw timber exterior.

Find out more about Barn House ›


AEtelier office by Studio Anton Hendrik Denys
Photo by Hannelore Veelaert

AEtelier office, Belgium, by Studio Anton Hendrik Denys

In Belgium, Studio Anton Hendrik Denys and Steen Architecten transformed an industrial office building and added colourful graphics and bold hues to define areas across the interior.

The kitchen-cum-bar of the office was blanketed in an orangey-red hue, including its floor, walls, ceiling, fixtures and furnishings, which signifies and zones areas of the interior without the need for partition walls.

Find out more about AEtelier office ›


Social House by WAW Architects
Photo by Tim Van de Velde

Social House, Brussels, by WAW Architects

A vibrant red covers cabinet doors, drawers, floors, walls and the ceiling of a shared staff kitchen at a social services centre in Brussels, which was designed by WAW Architects.

The centre is located within a former orphanage and was converted into offices by the architecture studio. Bright hues were used throughout the interior to colour code the office space with red extending from a kitchen to an adjoining corridor.

Find out more about Social House ›


SOMA by Cake Architecture and Max Radford
Photo is by Felix Speller

SOMA, UK, by Cake Architecture and Max Radford

Located within a basement in London’s Soho, speakeasy-style bar SOMA was designed by Cake Architecture and Max Radford.

The restroom of the underground bar was painted bright red and paired with wooden fixtures and trimmings that were used to surround doorframes and recessed shelving in each of the cubicles.

Find out more about SOMA ›


House in Sant Antoni de Vilamajor by Arquitectura-G
Photo is by José Hevia

House in Sant Antoni de Vilamjor, Spain, by Arquitectura-G

Red was used as a running theme across this family home on the outskirts of Barcelona. It was designed by local studio Arquitectura-G and sits directly on top of a pre-existing garage.

Red features both inside and outdoors with many materials used across the exterior similarly used to decorate the interior, such as red bricks, red corrugated panelling and clay tiles.

Find out more about House in Sant Antoni de Vilamjor ›


Collective/Collectible by Masa
Photo is by Genevieve Lutkin

Collective/Collectible, Mexico, by Masa

Rich tones of red blanket the walls and floors of this abandoned mansion in the Lomas neighbourhood of Mexico City, which was used as the setting for an exhibition by gallerist Masa.

The 1970s home was decorated with furniture designed by 16 Mexico City-based designers and architects, including Esrawe, EWE Studio and Frida Escobedo. The interior features a grand staircase that was topped with a red runner.

Find out more about Collective/Collectible ›


Lookout House by Faulkner Architects
Photo is by Joe Fletcher

Lookout House, US, by Faulkner Architects

Although this room has no physical red elements Lookout House was fitted with red-tinted glass that provides the interior with a glowing red hue when light penetrates through the home.

The home is located in Truckee, California at the foot of Lookout Mountain volcano. It was designed by Faulkner Architects who wanted to mimic the colour of cooling magma within the home.

Find out more about Lookout House ›


Fox Head Inc office by Clive Wilkinson Architects

Fox Head Inc, US, by Clive Wilkinson Architects

A bright red interior was selected as a focal feature for the offices of a motocross apparel company in California. The headquarters was designed by Clive Wilkinson Architects which transformed a 7,600-square-metre warehouse into a flexible workplace.

A conference room at the headquarters was enclosed with red-tinted glass and fitted with a deep red carpet. A large white table and matching chairs, which have a bright red upholstered seat, were placed at the centre of the space.

Find out more about Fox Head Inc office ›

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring terraces and balconies, marble-lined bathrooms and cave-like interiors.

Reference

A label certifies products as built to last
CategoriesSustainable News

A label certifies products as built to last

Spotted: In March 2023, the European Commission adopted a proposal that sets out the rights consumers have to ask sellers to repair damaged goods. Advocates call the measures the ‘right to repair’, and so far, many products included in the directive are repairable up to 10 years after purchase. After many years of products being designed for almost instant obsolescence, consumers are pushing brands to improve the robustness of items and make it possible for items to be repaired. 

As well as seeking increased accessibility of repairable parts, consumers want more durable goods. With the plethora of products now available online, it can be difficult to ascertain a reliable estimate of the life cycle of a product. Helping to remove that obstacle for consumers is Longtime label, a tool developed by France-based Ethikis. The label indicates repairable designs that are made to last. 

Shoppers can shop more confidently, with the knowledge that should something break, the design is fixable. To earn the Longtime label for a product, companies complete an application and an audit of their processes, assisted by the Longtime team. For organisations seeking a more informal assessment, Longtime offers the Durability-Self-Diagnosis tool, which helps businesses gain an understanding of their product’s strengths, alongside areas needing improvement.  

Longtime provides an ever-growing list of items on its website that have earned the certification, and consumers are encouraged to nominate products and brands that they believe meet the requirements.  

Reducing waste is an essential part of the world’s fight against climate change and Springwise is spotting innovations in every industry that are creating new ways of producing less, or are re-using items that have been discarded. A new platform helps producers track and collect post-consumer products, and a novel type of rubber panel uses recycled tyres to cool buildings.

Written By: Keely Khoury

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residential unit in japan protrudes a two-meter cantilever concrete volume
CategoriesArchitecture

residential unit in japan protrudes a cantilever concrete volume

OHArchitecture reshapes apartment in Betsuincho

 

Kyoto-based OHArchitecture takes over the reconstruction of a two-leveled residential unit in Betsuincho, Japan. The concrete structure is cast with loose plates forming a rough texture that resembles abstract wrinkles. The first floor which serves as a rental module models a six-meter grid arrangement, while the second story protrudes a two-meter cantilever assembling separate residences. Each of the two floors is divided into maisonettes to enhance the strength of the space. The transformed collective housing makes use of the framework, forming several different living zones.

residential unit in japan protrudes a two-meter cantilever concrete volume
all images provided by OHArchitecture

 

 

interior applies nested iron black skin and wooden boxes

 

On the first floor, the space between the exterior eaves displays a full steel sash, while the ground floor area stands connected to the outdoor zone. On the second level, the slab is cut open and a steel staircase is installed to smoothly connect the upper and lower stories. The interior applies nested iron black skin and wooden box-like volumes. By compactly organizing the water and other areas, the design team at OHArchitecture achieves a high degree of free open space in the common center of the structure. Originally designed attached to a ground-floor shop, the construction transforms the house’s spaces and functions through a series of modifications that reserve the initial character.

residential unit in japan protrudes a two-meter cantilever concrete volume
the second story protrudes a two-meter cantilever

residential unit in japan protrudes a two-meter cantilever concrete volume
originally attached to a ground-floor shop, the construction transforms the house’s spaces and functions

Reference

Wood Ribbon apartment by Toledano + Architects in Haussmann-era building
CategoriesInterior Design

Six renovated Parisian apartments in historical Haussmann-era buildings

Period details are mixed with contemporary interventions inside these renovated apartments in Paris, built in the mid-19th century during Georges-Eugène Haussmann’s reconstruction of the French capital.

In his role as the prefect of the Seine département under Napoleon III, Baron Haussmann was responsible for creating the network of boulevards that still define the city’s urban landscape today.

The homogenous apartment buildings flanking these boulevards were designed to strict guidelines, all made from cream-coloured stone with a steep four-sided mansard roof and no more than six storeys.

Although Haussmann was less prescriptive about the building’s interiors, they generally feature high ceilings and parquet floors alongside elaborate mouldings and boiserie.

Read on for six examples of how architects and interior designers have brought these apartments into the 21st century, including a book lover’s loft and two flats combined to form a family home in the Marais.

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring bedrooms with minimalist interiors, concrete kitchens and marble-lined bathrooms.


Wood Ribbon apartment by Toledano + Architects in Haussmann-era building
Photo by Salem Mostefaoui

Wood Ribbon apartment by Toledano + Architects

Original details such as parquet floors and ornate ceiling plasterwork were retained in the renovation of this apartment, which had been left largely untouched since the end of the 19th century.

But local studio Toledano + Architects tore down several partition walls to create a more open floorplan, traversed by a snaking plywood wall that roughly divides the apartment into three zones while providing tactical storage in the living room and kitchen.

“I really wanted to enhance this dichotomy between ancient and contemporary,” founder Gabrielle Toledano told Dezeen. “It’s very relevant in a city like Paris where both are in a constant dialogue.”

Find out more about Wood Ribbon apartment ›


Canal Saint-Martin apartment by Rodolphe Parente
Photo by Giulio Ghirardi

Apartment Canal Saint Martin by Rodolphe Parente

French interior designer Rodolphe Parente made only a few minor architectural interventions when overhauling this apartment in Canal Saint-Martin, exposing long sealed-off doorways and creating a hybrid dining room and kitchen.

Instead, he modernised the apartment by contrasting original details such as mouldings with unexpected contemporary details, colours and the “radical” art collection of the owner.

In the bedroom, a vivid purple rug clashes with caramel-coloured walls while in the living room, period wall panelling highlights the modernity of the sofa and the glossy coffee table.

Find out more about Apartment Canal Saint Martin ›


Apartment XIV by Studio Ravazi in Haussmann-era building
Photo by Olivier Martin Gambier

Apartment XIV by Studio Razavi

With several partition walls removed, French office Studio Razavi created a new layout for this apartment by slotting a multi-faceted furniture block made from wood-fibre panels into the remaining gaps.

Its staggered profile creates sightlines between the different areas of the house while framing some of the building’s original Hausmann-style ceiling mouldings.

Painted in a muted slate grey, the furniture block performs a different function in every room – acting as a storage cabinet in the kitchen, a TV mount in the living room and a desk in the study.

Find out more about Apartment XIV ›


Apartment Paris Marais living and dining room by Sophie Dries
Photo by Stephan Julliard

Marais apartment by Sophie Dries

Two flats become one 100-square-metre residence in this renovation project that French architect Sophie Dries completed in trendy Marais for a family of four.

Period details were painted in simple white, providing a contrast with new additions such as the Hans J Wegner chairs and the dyed linen curtains in the living room

“The Haussmannian style was refined and pared down, in order to introduce minimal lines better suited to a modern family,” Dries explained.

Find out more about Marais apartment ›


Enter the diamond by atelier 37.2 in Haussmann-era building

Enter the Diamond by Atelier 37.2

An additional bathroom is housed inside the three-metre-high birchwood volume at the centre of this residence in the French capital, designed by local studio Atelier 37.2.

The sharp lines of the diamond-shaped structure contrast with the apartment’s ornate ceiling mouldings and white-painted walls.

“This tension generates a fictional potential that plays with the imagination of the inhabitants,” said the studio.

Find out more about Enter the Diamond ›


Arsenal loft by h2o Architectes
Photo by Stéphane Chalmeau

Arsenal loft by h2o Architectes

This three-room loft is set inside the mansard roof of a Haussmann-era building in the Arsenale district, which originally served as servant’s quarters for the apartments below.

Parisian firm h2o Architectes opened up its floor plan to make the most of the top-floor views while installing wooden bookshelves to define different areas and house the extensive library of the apartment’s book-loving owner.

Their timber construction creates a visual connection with the original parquet floors, while the white paint used to brighten walls and other structural elements continues onto some sections of the floor.

Find out more about Arsenal loft ›

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring bedrooms with minimalist interiors, concrete kitchens and marble-lined bathrooms.

Reference

Assessing the financial value of biodiversity
CategoriesSustainable News

Assessing the financial value of biodiversity

Spotted: How much value does an animal species, such as a shark or a peregrine falcon, offer? And how can this value be expressed financially? We are not used to thinking in these terms, but these questions are extremely important if nature is to be effectively considered in important decisions – from business investments to urban planning. 

Estonian startup Endangered Wildlife OÜ is providing answers. The company has developed a new, multidisciplinary technique for providing credible and reliable financial values for biodiversity. This delivers a total conservation value for an individual species that is composed of a broad range of considerations, from carbon value and aesthetic value to species existence value, among others. And, crucially, this value is applied to species within a specific location. 

How these valuations are used depends on the needs of the organisation. But, to name one example, a municipality calculating the ROI of an investment in green space could add the financial value of the species supported by such a green space to other considerations, such as carbon sequestration.  

Another tangible example came in 2022, when Endangered Wildlife OÜ worked with non-profit organisation Shark Allies to calculate the financial value of wild, living sharks in the entertainment industry.  

Organisations receive biodiversity valuations through Endangered Wildlife OÜ’s consulting services. And, on top of this, the startup has been developing a machine learning software solution – called the Biodiversity Valuator – that is also used as a tool to calculate the financial value of biodiversity. 

Making sustainability measurable is a task innovators are solving in a variety of ways. Springwise has spotted a platform that helps investors monitor the sustainability of their investment portfolios and an SaaS system that helps organisations ensure traceability and compliance along the entire supply chain.

Written By: Matthew Hempstead

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