Photo of Parconido Bakery Cafe
CategoriesInterior Design

Sukchulmok adds curved brick forms to rooftop of Parconido Bakery Cafe

Curved forms and arched openings feature in this cafe, which Seoul studio Sukchulmok has added to an existing building in South Korea’s Gyeonggi-do province.

Named Parconido Bakery Cafe, the cafe is made from red bricks and features playful curved shapes and rounded walls designed to create an illusion-like effect.

Photo of Parconido Bakery Cafe
Parconido Bakery Cafe was designed by Sukchulmok

“The space, created through one rule, was designed to give a sense of expansion and the experience of an optical illusion image,” lead architect Park Hyunhee told Dezeen.

Arranged across three floors including a rooftop level, the cafe was designed by architecture studio Sukchulmok to resemble European public squares in reference to the client’s time spent in Italy.

Photo of the rooftop at Parconido Bakery Cafe
The studio topped the roof with curving brick volumes

“The client who spent his youth living in Italy is a clothing businessman, opening the cafe as a business expansion to provide people with a space for peaceful rest,” said Park.

“These two aspects naturally reminded me of the image of the European square, where people are huddled together talking on a sunny day between red brick buildings and stone pillars.”

Photo of Parconido Bakery Cafe
The design drew references from nostalgic memories of Italy

On the rooftop level and terrace, the outdoor dining spaces are punctuated by clay brick columns with arched connections and walls with U-shaped openings.

Built around steel frames that extend into curved forms above the brick walls, the curved elements are coated in bricks cut to two-thirds of their original thickness to lighten their weight.

Interior photo of the Seoul cafe
The walls and floors have curved edges

A long stainless steel table with a curved underside, along with circular stools and planting, is shaded by a removable canopy made from green, orange and white fabrics.

Curved walls lined with white tiles join with the tiled floor and ceiling to create rooms with rounded forms on the interior levels of the cafe.

The rooms are covered in small tiles of travertine limestone, selected for its use in the fountains of European squares.

Kitchens are built into recesses in the curved walls, while wooden elements, including wall panels and pipes that line a portion of the ceiling, add a feeling of warmth to the interior.

Throughout the spaces, uniquely designed seating areas and bespoke circular furnishings provide spaces for dining.

Photo of the interior of the cafe
The interior was covered in different textural materials

Comprising twelve different designs, the cafe’s set of furniture was designed to exhibit a variety of shapes, textures, and materials, including leftover finishing materials, wood, overlapping pipes, and concrete castings.

“Although they have slightly different shapes and textures, the pieces of furniture are all in harmony with the space and show good synergy with space as an object,” said Park.

Photo of a kitchen
The cafe’s curved edges all have a radius of 600 millimetres

To maintain a sense of uniformity, the studio based the design of each element, including the walls, columns and furniture, around a circle with a constant radius of 600 millimetres.

“A radius of 600 millimetres was used as an act of connecting spaces that were not monotonous,” said Park. “It was simply based on the idea that the distance from the height of the door and window to the ceiling finish is 600 millimetres.”

Photo of Parconido Bakery Cafe
Furniture was specially designed for the interior

Other South Korean cafes recently featured on Dezeen include a bakery with a curved courtyard designed to act as an “artificial valley” and a Seoul cafe with a vertical farm.

The photography is by Hong Seokgyu.

Reference

The first-ever 3D silk material
CategoriesSustainable News

The first-ever 3D silk material

Spotted: Silk production is a multi-billion-dollar industry, but silk still only makes up under 0.2 per cent of the global fibre market. While natural silk is considered a more sustainable fibre than synthetics because of its biodegradability and renewability, silkworm disease and the increased availability of cheaper manmade alternatives have hit the industry hard in recent decades. 

Hoping to revolutionise the silk industry and expand the material’s capabilities is Parisian-based company Sericyne. With its patented technology, Sericyne’s silkworms can directly produce many different shapes instead of cocoons. 

Before they arrive in the factory, Sericyne’s silkworms are raised for 30 days by local silk growers. In the factory, the silkworms are placed on moulded supports, where they spin silk into the two or three-dimensional shapes on which they are placed. The 100 per cent natural material produced and collected is a shiny and non-woven fabric. And because each fibre spun is approximately one kilometre long, the final product is also extremely strong. 

Sericyne’s craftsmen then harvest this silk, which can then be dyed, embroidered, pleated, hot stamped, or embossed to enhance its appearance. On its website, the company offers a range of products, from beauty items to candle holders and soft bedding. 

The company has reignited sericulture in France and has trained more than 15 silkworm breeders and is also launching a mulberry plantation programme to revive the industry – with mulberry leaves being the sole nutrition source for silkworms. 

The textiles industry is a hub of innovation. Springwise has also spotted a silk-based alternative that is biodegradable, safe to digest, and easily manufactured, as well as a new technology for creating natural fibres.

Written By: Anam Alam

Reference

Architectural Details: How to Create a Stunning Minimalist Residence That Brings the Outside In
CategoriesArchitecture

Architectural Details: How to Create a Stunning Minimalist Residence That Brings the Outside In

Brevity is one of the most powerful tools in the architect’s apparatus. This astonishing glass house, perched on the banks of Minnesota’s Lake Minnetonka, is proof of precisely that. Clean, crisp lines define its striking structure, which emerges from the trees like a modernist specter.

The brief for the project called for a design that maximized light and forged an intimate relationship with the external world. Thanks to magnificent expanses of glass, the residence is a conduit for the surrounding landscape — an elegant, architectural “picture frame”. Yet creating a home that is visually defined by its glazed skin is not a straightforward endeavor, and its successful resolution hinges on the integration of resilient, high-performing materials.

Photo courtesy of Spacecrafting.

Making a Glass House Structurally Sound

Less is more, or so the mantra of modernism goes. Somewhat ironically though, achieving minimalism is no simple task. Subtracting as much as possible from a building’s fabric is an act of bravery, a challenge that Charlie & Co. Design and John Kraemer & Sons Custom Builders admirably rose to.

Charlie Simmons, the founding principal of Charlie & Co. Design, shared the formative questions they asked themselves at the start of the project: “You strip out all the unnecessary things. What’s the limited amount of structure you need? Could you really go floor-to-ceiling with glass? How high can you make it? And then you start whittling away and whittling away and what’s left?”

The team turned to Marvin to help them deliver the seamless, streamlined esthetic their client wanted. The Marvin Modern product line, comprising a modular series of durable, fiberglass products with narrow sightlines, was the ideal fit for the ambitious design. The doors and windows feature an integrated structural cavity that adds up to half an inch of mull reinforcement to aid structural performance.

But there was still a fundamental obstacle at the heart of the scheme: glass is not typically made to hold significant weight. The project architect and the Marvin engineering department crunched the numbers and came up with an innovative solution: unobtrusive, load-bearing components were integrated into the design without compromising its sleek finish.

“There are very few actual walls in this place, particularly on the first floor … so we have these structural elements that we need to keep the house up and prevent it from twisting,” Simmons explained. A stone fireplace at one end of the home anchors the building, bookended by what Simmons calls “a box within a box” at the opposite end – a wood structure that houses the kitchen, laundry room and powder room.

Photo courtesy of Spacecrafting.

Ensuring Impressive Thermal Efficiency

Minnesota is a land of climatic extremes, from frigid, frosty winters to humid summer months. For a form dominated by glass, extreme fluctuations in temperature posed another major challenge. Unsurprisingly, the home’s thermal envelope was of paramount concern for the architects, and it was vital that the material structure could stand up to snowstorms and heatwaves alike.

Marvin Modern doors and windows proved strong enough to endure the site’s environmental demands. Made from solid pieces of high-density fiberglass, they provide powerful insulation and an impressive U-factor of 0.28. Shielded from the elements, the residence’s interior is comfortable and inviting all year round, while maintaining a palpable connection with the natural topography. Remarkably, no additional insulating materials were required to aid the glazing’s thermal efficiency.

Photo courtesy of Spacecrafting.

Blurring the Boundary Between Inside and Out

The result of this innovative project is a stunning, living glass box that shifts organically with the light levels, weather conditions and seasons. The stretches of glazing are punctuated with Accoya wood cladding, while interior millwork in the same warm grain establishes a sense of continuity between indoors and out.

Yet however you look at this modern masterpiece, glass is the star of the show. Imbued with the Marvin Modern product line, the structure is a skillful and poetic negotiation of transparency. A trellis and purlins frame the skylight above the main living area, while latticework fragments the full-height windows that flank the stairwell. “It becomes a very subtractive and additive design process but in the end, it’s all about transparency and keeping things as simple and clean and minimalist as possible,” Simmons says.

 

The most staggering feats of engineering are the two 60-foot-long glass walls, which line opposing aspects of the residence. Each wall is made up of three sets of 20-foot sliding doors with only 4 inches of steel structure in between them, allowing for uncompromised views throughout. Like the other Marvin Modern products, the profile of each door is slim and inconspicuous. Recessed channels in the frames conceal motorized insect screens and blackout shades, while still providing consistent, narrow sightlines of less than three inches.

The swaths of glass are a portal to the organic terrain, rather than an obstruction. To that end, internal covers across the frames disguise fasteners and rubber gaskets, while low-gloss aluminum interior finishes and black spacer bars ensure an unimpeded outlook. This seamless finish allows inner and outer worlds to collide. In the warmer months when the doors are retracted, the covered deck becomes a natural extension of the interior floor plan.

Photo courtesy of Spacecrafting.

An interplay of modernist finesse and material resilience, this incredible waterfront home is a masterclass in building with glass. Negotiating challenging contextual and structural obstacles, the residence epitomizes the virtues of architectural minimalism. Simmons succinctly summarizes the scheme’s dual nature: “When you have this much glass, you feel like you’re a part of something out here, but you’re also being protected as well … Marvin gives us the tools to create environments such as this.”

To explore more case studies featuring Marvin Modern and learn how to harness windows and doors like these for your next project, click here.

All architectural drawings courtesy of Charlie and Co. Design; photography courtesy of Spacecrafting.

Reference

Marble bathroom in Habitat 100, Sweden, by Note Design Studio
CategoriesInterior Design

Ten bathrooms where marble lines the walls

Our latest lookbook shines a light on homes where marble and similar natural stones have been used as the primary material in the bathrooms.

Marble can be a great solution for bathrooms, as it is durable enough to withstand a wet environment better than alternative materials such as wood or concrete.

Many homeowners opt to use the same material across all surfaces, creating a uniform aesthetic that extends from the sink and shower areas across the walls.

Read on to see 10 different examples, featuring a range of marbles that include Carrera and Verde Aver, as well as similar natural stones such as travertine and quartzite.

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. Other recent editions showcase Scandinavian kitchens, outdoor showers and eclectic interiors.


Marble bathroom in Habitat 100, Sweden, by Note Design Studio

Habitat 100, Sweden, by Note Design Studio

Note Design Studio used two types of marble in its renovation of this 1920s Stockholm apartment, echoing the tones of an Italian marble floor in the hallway.

For the main bathroom, the designers opted for a pale Swedish marble known as Ekeberg. Some slabs were polished, while others were milled in different directions to create a subtle chequered pattern.

Elsewhere in the home, green-toned Brännlyckan marble offers a striking counterpoint.

Find out more about Habitat 100 ›


Eastern Columbia Loft, USA, by Sheft Farrace

Eastern Columbia Loft, USA, by Sheft Farrace

Tasked with redesigning an apartment in Los Angeles’ Eastern Columbia building, a block with an iconic turquoise art-deco facade, architecture studio Sheft Farrace decided to work with the same palette in the main bathroom.

The architects did this with a statement wall of Verde Aver marble, an Italian stone with a similar green hue.

The marble forms a counter that spans the width of the room, integrating two basins, and also forms a splashback that extends all the way up to the ceiling.

Find out more about Eastern Columbia Loft ›


Travertine bathroom in Botaniczna Apartment, Poland, by Agnieszka Owsiany Studio

Botaniczna Apartment, Poland, by Agnieszka Owsiany Studio

A warm-toned travertine features in the bathroom of this apartment in Poznań, which was renovated by Agnieszka Owsiany Studio for a professional couple.

While travertine is a limestone, so not technically a marble, it has a similarly patterned finish.

The stone wraps the walls and the bath, and also forms a cuboidal washbasin. The same stone also features in the home’s kitchen, where it was used to create an island counter.

Find out more about Botaniczna Apartment ›


Marble wall above bath in The Village apartment by Gisbert Pöppler

The Village, Germany, by Gisbert Pöppler

Wood and marble are combined throughout this apartment renovation by Berlin designer Gisbert Pöppler, in the city’s Mitte district, but the juxtaposition is particularly striking in the bathroom.

The room features a bathtub set within a niche that is lined with highly variegated South American marble.

The warm tones of the stone are echoed by the wooden flooring, as well as by a basin unit that combines dark oak with white-glazed lava stone.

Find out more about The Village ›


Marble shower room in Flat #6, Brazil, by Studio MK27

Flat #6, Brazil, by Studio MK27

Studio MK27 chose highly textured materials for this renovation of a four-bedroom flat in São Paulo, home to a couple and their three teenage sons.

For the washrooms, the designers selected grey Armani, a Mediterranean marble that combines dark tones with white accents.

The stone has been carefully arranged to ensure the white streaks run through niches set into the walls, which provide space for storing soap and shampoo.

Find out more about Flat #6 ›


D2 Townhouse, UK, by Jake Moulson

Multi-coloured stone offered a good fit for the eclectic interiors of this renovated townhouse in Dublin, designed by architect Jake Moulson.

The most striking example can be found in an under-stairs toilet, where a Brazilian quartzite called Azul Imperial combines shades of purple, blue and gold.

Find out more about D2 Townhouse ›


Marble bathroom in ER Apartment, Brazil, by Pascali Semerdjian Arquitetos

ER Apartment, Brazil, by Pascali Semerdjian Arquitetos

This family home in São Paulo, designed by Pascali Semerdjian Arquitetos, features different types of Brazilian stone.

In the bathroom, white Parana marble forms the walls and floor, and also provides surfaces within a trough-shaped bronze sink that was custom-made to echo the curves of a mirror above.

Elsewhere in the home, panels of jade-coloured onyx serve as surfaces and also conceal an in-wall light fixture.

Find out more about ER Apartment ›


Marble bathroom in Twentieth, USA, by Woods + Dangaran

Twentieth, USA, by Woods + Dangaran

A marble known as Bronze Vena, or “bronze vein”, is the focal point of the en-suite in the main bedroom of this Santa Monica home by Los Angeles-based Woods +Dangaran.

Large-format slabs of this stone cover the walls, floor and ceiling of the bath area, toilet and walk-in shower.

The slabs were cleverly book-matched at the centre of the room for a symmetrical effect. Slabs effectively mirror each other, creating zigzags within the vein patterns.

Find out more about Twentieth ›


West 76th Street, USA, by Messana O’Rorke

This apartment on Manhattan’s Upper West Side is home to the founders of the skincare brand Malin + Goetz, so special attention was naturally paid to the bathrooms.

New York-based studio Messana O’Rorke combined brass fittings with Carrera marble – the hugely popular Italian stone – with the ambition of creating a “spa-like” feeling.

One bathroom features a marble recess with an integrated sink and mirror, while the other boasts a shower that is illuminated by a hidden pocket in the ceiling.

Find out more about West 76th Street ›


Villa Waalre, Netherlands, by Russell Jones

Villa Waalre, Netherlands, by Russell Jones

To match the minimal aesthetic of this woodland home in Waalre, near Eindhoven, bathrooms are finished in Statuario, a white marble quarried in Italy.

The effect works particularly well in the main bedroom, where a free-standing partition wall divides off part of the space for an en-suite. This volume incorporates a marble basin, as well as timber-fronted drawers.

Find out more about Villa Waalre ›

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. Other recent editions showcase Scandinavian kitchens, outdoor showers and eclectic interiors.

Reference

Turning harmful ocean algae into everyday products
CategoriesSustainable News

Turning harmful ocean algae into everyday products

Spotted: When water becomes enriched with minerals and nutrients, a process starts called eutrophication, where algae grow rapidly and accumulate, causing algal bloom, which can smell bad, block sunlight, and even release toxins. However, the plants also offer a sustainable, clean, and biological source of raw materials, ideal for many applications. They can be harvested and processed without affecting the environment, and Origin by Ocean is doing just that.  

The startup has found that marine overgrowth can be removed and converted into ecological, healthy, and oil-free ingredients for use in everyday consumer products. The company’s patented biorefinery technology, Nauvu, turns invasive and harmful algae and ecologically farmed seaweed into many products in one industrial process. The technology uses selective chemistry to extract valuable bio-based chemicals, which can be used to replace traditional high-carbon chemical ingredients in industries like food, cosmetics, hygiene, and textiles. To make the process as sustainable as possible, Origin by Ocean also recycles chemicals and water.  

In addition, the company’s algae harvesting platform can provide employment opportunities to coastal communities around the world, while clearing oceans of potentially toxic seaweed. Origin by Ocean employs individuals directly, from the algae farmers and harvesters to the feedstock producers. 

The startup recently raised €7.5 million in a seed funding round which will be used to grow operations and develop an industrial-scale algae refinement plant. 

Algae, while essential, can become a danger to our oceans, which is why Springwise has spotted so many innovations trying to use the plant and clean up our seas. One startup has developed bio-based plastics made from macroalgae as a friendly alternative to conventional plastics, and another is turning seaweed into sustainable packaging.

Written By: Anam Alam

Reference

Buildings with Social Impact
CategoriesArchitecture

Brighter Futures: 7 Purpose-Filled Projects for Justice and Equality

Browse the Architizer Jobs Board and apply for architecture and design positions at some of the world’s best firms. Click here to sign up for our Jobs Newsletter.

What is the purpose of architecture? On a base level, the profession is about conceiving and creating spaces where life can exist. But the question becomes much more complex when considering the stark difference between surviving and thriving.

This collection is inspired by the latter — designs based on ideas like freedom, access, equality, education and humanitarianism. Words that individually can mean different things but have strong, unbreakable ties to one another. In some cases, they cannot exist in isolation: education, for example, opens access to many freedoms, and without freedom, education does not function properly.

The following projects are varied and range from small schools already filled with students to huge conceptual blueprints aimed at rethinking how entire areas are used for the good of everything living there. But what they all share is a clear intention to make the world a better and fairer place.


Council 8 District Navigation Center

By: John Friedman Alice Kimm Architects (JFAK), Los Angeles, USA

Buildings with Social Impact

According to figures published by the Los Angeles Homeless Services in 2022, LA County has the largest homeless population in the US — with almost 70,000 people in urgent need of housing. Completed in 2021, the Council 8 District Navigation Center was designed to offer assistance and some degree of security for those living on the streets of the city’s southwestern neighborhoods.

A modular design, the two-story structure is a resource that helps users ‘navigate’ their existing lives. Services include storage for personal items, alleviating fears of valuables such as ID cards being stolen, showers, sinks, toilets and laundry facilities, with specific areas delineated by color to emphasize their specific purpose.


São Francisco Library

By: SPOL Architects, Sao Paulo, Brazil

Buildings with Social Impact Libraries are one of the few remaining spaces we can spend time in without the obligation to spend money. SPOL Architects’ concept for a new São Francisco Library in São Paulo is a prime example of how these institutions need to be adapted to continue playing such a vital role. The focal point of Brazilian democracy and justice, the existing facility has gradually expanded into an untenable, confusing and unwelcoming muddle.

A rethink is needed, so the firm has done just that. Focused on a central void, which cuts the building down the middle, this proposal sees nine individual subject libraries separated by that emptiness, but also connected through it. This offers maximum natural light and ventilation, provides optimum working conditions, and makes the huge facility easy to get around. Inviting the city into the structure, the design democratizes access to documents, texts, and therefore, in theory, justice itself.


Ecole Primaire Santiguyah

By: PBSA / University of Applied Sciences Düsseldorf + RWTH Aachen Univeristy + ISAU Conakry, Santiguah, Guinea

Buildings with Social Impact

In Guinea, there is an urgent need for investment in education, with more than half the population illiterate, and rural areas defined by subsistence farming of staple foods and almost non-existent healthcare. Ecole Primaire Santiguyah is a school project founded by the Guinean Ministry of Education and German-owned development bank KfW, based on previous projects the latter has been involved in across West Africa.

Here, though, adaptations and improvements have been made, including passive ventilation and a thermal double roof, addressing the climactic and interior problems past designs threw up — such as the need to quickly cool a room that has been baking in the tropical heat for hours. The campus has two buildings, housing six classrooms — room for 250 children from eight villages — two basic toilets with water points, a staff area, vegetable garden (fertilised by the bathrooms) and sports field. Local materials dominate, with dry-stacked and interlocked methods achieving a 70% reduction in mortar use.


Greenwood Rising

By: Local Projects, Tulsa, USA

Buildings with Social Impact In 1921, a white mob destroyed the historic Tulsa district of Black Wall Street, killing and injuring thousands in an act of racially-motivated violence. Finished 100 years later, Greenwood Rising is a 10,000 square foot exhibition center honoring the memory of the victims, and challenging visitors to consider ideas around oppression, resilience, equality and justice through four adjoining areas.

An immersive experience shows life before the massacre, and presents the socio-economic makeup of that time. The structures that directly contributed to the horrific event are explored next, before we walk through an 80 year period in which the famously entrepreneurial community rebuilt, expanded, and rehabilitated itself. Finally, visitor interaction is brought to the fore as we are asked to discuss the institution, and thoughts on overcoming anti-Blackness. When looking for buildings with social impact, there are few more fitting examples.


Gulmeshwori Basic School

By: MESH Architectures, Kavrepalanchok District, Nepal

Commissioned by the NGO Kids of Kathmandu, MESH used a sustainable approach to construction for this school building located on the hills outside the Nepalese city. Relatively simple in design — just three classrooms, one computer room, and a library — nevertheless it shows how much can be delivered with limited resources, a very tight budget and scarcity of materials.

Coming in at well under $500,000, the school has been erected using the ‘rammed earth’ technique, which gives results comparable to reinforced concrete but with natural materials. Significantly lowering the footprint, that approach provides thermal mass for temperature regulation and fire resistance, ensuring this cheap and easily replicable building is comfortable, safe, and fit or purpose.


Parque Ecológico Lago de Texcoco

By: Iñaki Echeverría Arquitectura, Texcoco Lake, Mexico

Mexico’s Texcoco Lake basin is dominated by Mexico City, and the mega-metropolis has had a stark impact on the area. Extensive draining has wreaked havoc, leading to frequent water shortages, subsidence, loss of habitat and species decline. Parque Ecológico Lago de Texcoco looks to reclaim 35,000 acres of marshland to form the world’s largest urban park in a bid to reverse some of that damage.

Vast open areas, over 70 miles of cycle paths, a mind-boggling array of sports equipment, extensive water habitats, and an on-site research facility for environmental education are all included in the masterplan. The hope is to create 11,000 jobs in the process, reduce pollution, reintroduce nature and improve social justice for those living nearby, with the local population considered to be among the country’s most economically disadvantaged.


GHETTO: Sanctuary for Sale

By: Henriquez Partners Architects, Venice, Italy

Buildings with Social Impact GHETTO is a theoretical project addressing Venice’s biggest problem: tourism. Wresting economic control from visitors, and handing it to the city’s largely overlooked refugee community, Henriquez Partners’ design was developed with the UNHCR and ECC, and is highly controversial. Simply put, it involves building eco homes for 1,000 people fleeing war and persecution with money from the sale of timeshares owned by wealthy foreigners.

Based on four islands, each with view of an iconic Venetian landmark, the locations purposefully spotlight some of the most influential factors in the town’s social makeup, such as the Jewish Ghetto and over-tourism. Meanwhile, the overall concept asks us to consider use and ownership in places where there is exceptional pressure on space. In principal, it could be applied to almost any other urban centre.

Browse the Architizer Jobs Board and apply for architecture and design positions at some of the world’s best firms. Click here to sign up for our Jobs Newsletter.

Reference

Colourful garments on display at the Design Museum in London
CategoriesInterior Design

The Offbeat Sari exhibition opens today at London’s Design Museum

The first sari to be worn at the Met Gala and sequins made from discarded X-ray film sourced from hospitals feature in the Offbeat Sari exhibition, which showcases around 60 contemporary saris at London’s Design Museum.

The Offbeat Sari is the first UK exhibition to explore the contemporary sari, according to the Design Museum. The show opens today in a cavernous space within the museum’s subterranean gallery, illuminated by thin neon pendant lights.

Hailing from India and wider South Asia, a sari is traditionally thought of as an unstitched drape wrapped around the body from shoulder to waist.

Colourful garments on display at the Design Museum in London
The Offbeat Sari opens today at London’s Design Museum

In recent years, designers have been reinventing the 5,000-year-old garment to serve young people’s growing interest in the sari, which has led to its revival, according to Design Museum head of curatorial Priya Khanchandani.

“Women in cities who previously associated the sari with dressing up are transforming it into fresh, radical, everyday clothing that empowers them to express who they are, while designers are experimenting with its materiality by drawing on unbounded creativity,” said the curator.

First sari worn to the Met Gala
The first sari worn to the Met Gala features in the exhibition

Split into various themes such as identity and resistance, the exhibition presents around 60 contemporary saris created by a range of established and emerging designers.

Among the garments is the first sari to be worn at New York’s Met Gala in response to the annual ball’s 2022 theme, Gilded Glamour.

Embellished with semi-precious stones, the tulle Sabyasachi-designed sari worn by Natasha Poonawalla features a statement train and was paired with a gold Schiaparelli bodice with protruding, orbit-shaped elements.

A sari embellished with sequins made from recycled X-ray film
Fashion brand Abraham & Thakore created sequins from recycled X-ray film

Another navy blue sari by Abraham & Thakore is characterised by delicate sequins that were made using discarded X-ray film salvaged from hospitals – a design that aims to address the issue of sustainability within the fashion industry.

Also on display is a purple georgette silk sari embroidered with shimmering acrylics, sequins and crystals. Founder of the #DeGenderFashion movement, author and comedian Alok previously wore the garment to highlight their belief that saris can be worn by anyone, regardless of gender identity.

Blue wall with photographs of women wearing saris
Photographs showing different ways of wearing saris are pasted across a blue wall

Contrasting textiles such as distressed denim and woven stainless steel make up other saris in the exhibition, highlighting the garment’s versatile evolution.

Within the show’s “movement” section are a number of saris worn by young people while engaging in sports. These include a garment adorned with cherry blossom motifs that was donned during a cricket match as well as a polyester chiffon sari, which is among the outfits worn by a group of women who have begun to skateboard in saris – a growing trend, according to the museum.

A mannequin in a colourful outfit holding a skateboard
Sari wearers are increasingly wearing the garments to engage in sports, especially skateboarding

There is also an area dedicated to the craftsmanship involved in sari-making that explores how its history has transformed over the 21st century.

“The sari is experiencing what is conceivably its most rapid reinvention in its history. It makes the sari movement one of today’s most important global fashion stories, yet little is known of its true nature beyond South Asia,” explained Khanchandani.

“For me and for so many others, the sari is of personal and cultural significance,” reflected the curator.

“But it is also a rich, dynamic canvas for innovation, encapsulating the vitality and eclecticism of Indian culture.”

The
There is also an area dedicated to materials and craftsmanship

Chinese artist Ai Weiwei’s first design-focussed exhibition is another show that is currently on display at the Design Museum until late July. In other recent fashion news, designer Rick Owens has released a collection of wearable helmets that double as fluorescent floor lamps.

The photography is by Andy Stagg

The Offbeat Sari is on display at London’s Design Museum from 19 May to 17 September 2023. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.


Project credits:

Curator: Priya Khanchandani
Associate curator:
Rashmi Varma
3D design:
Studio Mutt
2D design: 
Stuthi Ramesh



Reference

Software for more sustainable batteries
CategoriesSustainable News

Software for more sustainable batteries

Spotted: Advancing battery technology is a main pillar of the transition to clean energy. But batteries themselves are not that ‘clean’. In order to make the move to net zero, batteries will need to be more efficient. A major step in this direction is now being taken by French startup Otonohm.

While other innovators are focusing on making changes to battery hardware, Otonohm is concentrating on the software – battery management systems (BMS). Its switched BMS technology allows manufacturers to remove the charger, converter and/or inverter on a drivechain or powerchain.

By paring down the battery, Otonohm’s switched BMS system offers big improvements in efficiency, battery lifespan, and reliability, which also translates into big carbon savings. The system can also monitor the state of charge of each cell in the battery, providing more available energy and a longer battery life, and allowing damaged cells to be disconnected without preventing the operation of the others. 

The company claims its system will work with almost any type of battery, and will provide 20 per cent more available energy over conventional batteries and cut carbon dioxide emissions by 20 per cent.

Battery technology is taking off – and given its importance in renewable energy and net zero – even more will need to be done. Springwise has recently spotted a material recovered from seaweed that could boost the lifespan of electric vehicle (EV) batteries and a more environmentally-friendly process for recycling EV batteries.

Written By: Lisa Magloff

Reference

ecological wooden cabin nestles in rural finland's lakeside setting
CategoriesArchitecture

ecological wooden cabin nestles in rural finland’s lakeside setting

Villa K by Saukkonen+Partners stands on a remote Finnish island

Architectural firm Saukkonen + Partners designs an escape retreat located on a remote island in lakeside Finland, surrounded by nature. Dedicated to a couple’s occasional stay in the rural site, the hideaway cabin is a thought-through entity that adapts to the changing seasons and landscapes. The main cottage and a separate sauna building are carefully positioned on the island. The two separated volumes are connected by their overlapping roof structures. A bridge leading to the island is also a part of the designed whole. The beautiful views of the lake are generally westwards where the sun sets in the evening. The building’s main living spaces and generated views are developed following the sun’s patterns.

ecological wooden cabin nestles in rural finland's lakeside setting
all images by Timo Pyykönen

material selection and color scheme reflect the natural setting

The design is based on respect for the surrounding nature, aiming to place the buildings on the terrain as naturally as possible, without overpowering the environment. Thereby, the villa aims to become one with the lake scenery. The design team opts for the effective maximizing of all available building permits to allow for a practical and desired program for leisure purposes. The intention is to create a design that would be as maintenance-free as possible while bringing the surrounding nature into the atmosphere of the spaces. From a technical point of view, the buildings are formed to be ecological and low-energy-consuming. The material selection and color scheme of the building merge the architecture with its natural environment. The villa is made to be as long-lasting and durable as possible.

ecological wooden cabin nestles in rural finland's lakeside setting
the hideaway cabin is a thought-through entity that adapts to its landscape

ecological wooden cabin nestles in rural finland's lakeside setting
the main cottage and a separate sauna building are carefully positioned on the island

ecological wooden cabin nestles in rural finland's lakeside setting
the villa aims to become one with the lake scenery

ecological wooden cabin nestles in rural finland's lakeside setting
the buildings are placed on the terrain as naturally as possible, without overpowering the environment

Reference

Norman Foster looking through a circular hole in a large sculptural structure at his exhibition in the Centre Pompidou
CategoriesInterior Design

Norman Foster retrospective exhibition opens at Centre Pompidou in Paris

An exhibition dedicated to the work of British architect Norman Foster has opened at the Centre Pompidou in Paris, showcasing drawings and original models produced by the architect over the last six decades.

The exhibition, which according to the Norman Foster Foundation is the largest-ever retrospective display of Foster’s work, features around 130 of the architect’s projects including the Hong Kong and Shanghai Banking Corporation Headquarters, Hong Kong International Airport and Apple Park.

Norman Foster looking through a circular hole in a large sculptural structure at his exhibition in the Centre Pompidou
The exhibition was designed by Norman Foster

Designs that informed Foster’s work are also exhibited, including works by Chinese artist Ai Weiwei, French painter Fernand Léger, Romanian sculptor Constantin Brancusi and Italian painter Umberto Boccioni, and even cars, which the architect is passionate about.

The exhibition, simply called Norman Foster, was designed by Foster with his architecture studio Foster + Partners and nonprofit organisation the Norman Foster Foundation.

Model of a yellow structure by Norman Foster at the Centre Pompidou
On display are sketches, drawings and models of the architect’s buildings

Curated by Centre Pompidou deputy director Frédéric Migayrou, the exhibition aims to showcase examples of Foster’s innovation and technology, his approach to sustainability and his ideas for the future of the built environment.

“This exhibition traces the themes of sustainability and anticipating the future,” said Foster.

“Throughout the decades we have sought to challenge conventions, reinvent building types and demonstrate an architecture of light and lightness, inspired by nature, which can be about joy as well as being eco-friendly.”

Architecture and cars models at the Norman Foster exhibition at the Centre Pompidou
Examples of Foster’s work are interspersed with cars that have inspired him

The 2,200-square-metre exhibition begins with a room dedicated to Foster’s sketches and drawings, a practice he uses to communicate ideas and log design inspiration.

“For me, design starts with a sketch, continuing as a tool of communication through the long process that follows in the studio, factories and finally onto the building site,” said Foster.

“In 1975 I started the habit of carrying an A4 notebook for sketching and writing – a selection of these are displayed in the central cabinets, surrounded by walls devoted to personal drawings.”

Architectural drawings in the Centre Pompidou in Paris
Visitors begin the exhibition in a room filled with Foster’s sketches

The exhibition continues in a large space with partition walls that separates it into seven themes: Nature and Urbanity, Skin and Bones, Vertical City, History and Tradition, Planning and Place, Networks and Mobilities, and Future Perspectives.

The Nature and Urbanity section explores Foster’s approach to preserving nature by building “dense urban clusters, with privacy ensured by design,” the studio said.

Referencing a critic’s comment that the external appearance of Foster’s projects could be categorised as having a smooth “skin” facade or expressing its skeletal structure, the Skin and Bones portion of the exhibition showcases projects that illustrate the relationship between structure, services and cladding.

In the Vertical City section, the studio showcases how it created “breathing” towers by designing open, stacked spaces.

Architectural models and drawings in the Centre Pompidou in Paris
The exhibition features around 130 Norman Foster projects

“We were the first to question the traditional tower, with its central core of mechanical plant, circulation and structure, and instead to create open, stacked spaces, flexible for change and with see-through views,” said Foster.

“Here, the ancillary services were grouped alongside the working or living spaces, which led to a further evolution with the first ever series of ‘breathing’ towers.”

Architectural models and drawings at the Norman Foster exhibition in the Centre Pompidou in Paris
It showcases projects spanning Foster’s six-decade-long career

“In the quest to reduce energy consumption and create a healthier and more desirable lifestyle, we showed that a system of natural ventilation, moving large volumes of fresh filtered air, could be part of a controlled internal climate,” the architect continued.

The History and Tradition section aims to provide insight into examples of historic and vernacular architecture that influenced Foster, while the Planning and Places portion explores masterplanning and placemaking in urban spaces.

Architectural models and drawings in the Centre Pompidou in Paris
The exhibition is on display at the Centre Pompidou in Paris

Towards the open exhibition space’s exit, the Networks and Mobility section displays examples of transport and infrastructure and leads to the final room, Future Perspectives, which exhibits concepts for future methods of travel and communication.

On display are details of autonomous self-driving systems and designs for habitats on Mars and the moon that were developed with NASA and the European Space Agency.

Foster recently spoke with Dezeen about his views on sustainability in architecture, in which he said “there are lots of dangerous myths”.

The photography is by Nigel Young from Foster + Partners.

The Norman Foster exhibition is on display at the Centre Pompidou in Paris, France, from 10 May to 7 August 2023. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

Reference