Exterior image Passive House Multifamily - photo by Triplecaña
CategoriesSustainable News Zero Energy Homes

Top Policies That Propel Passive House in North America

To further understand the policy structures and mechanisms driving Passive House adoption across North America, the Passive House Network (PHN) studied what, where, and how Passive House policies succeed. Beginning in 2017, a research team inventoried Certified Passive House projects and professionals, and then analyzed Passive House–focused (or Passive House–related) local policies. Three frontrunner regions shone through. And the final report examines how specific policies operating in those regions harness the power of voluntary standards, like Passive House, that are already delivering high performance; and the key patterns or mechanisms they share. Scaling and replicating these patterns has proven incredibly successful both here and abroad.

Passive House Network leader Bronwyn Barry is an architect and principal of Passive House BB. Her webinar presentation with green building resource Rate it Green deep dives into the Policy That Works report. According to Barry, “Our goal is to have everybody look at how to implement these patterns and use them in their own policies.”

Watch the 2022 video presentation on the report’s implications

 

 

The Passive House framework offers tools and training that target buildings’ operational energy use, aiming to create a long-lived built environment that is regenerative and restorative. Passive House strategies are proven to produce reliable, low energy-use intensity. And after years in practice, Passive House buildings actually cost less to build than code-compliant buildings.

The report identified New York, Pennsylvania, and British Columbia as having both a critical mass of trained Passive House professionals and a significant lead in terms of Passive House project numbers and square footage. The data confirmed that Passive House adoption in North America is primarily being driven by large, multi-family buildings.

Connecting policy to projects

The PHN research discovered a layered mix of cities, states, and utilities driving high-performance energy policies in these accelerated regions, most being state-mandated, utility-funded programs. These policies and programs were competitively run; included tiered incentives and options and/or stepped implementation; and required reporting and monitoring, so data was captured to inform further policy.

The report then distills specific features that these policies have in common:

  1. They all included training subsidies to achieve a critical mass of well-trained building professionals and civil service employees.
  2. They all included carrots: project subsidies that help to remove the risk burden of the developer and owner community.
  3. They all clearly identified, up front, the end goal.

Interestingly, the researchers determined that all three of these drivers must be in place for successful implementation at scale. They also found, in all of the frontrunner regions, a local community of advocates and practitioners who supported policymakers implementing these programs: a local, grassroots community of activists.

Further accelerating Passive House adoption, policies connected one area of regulatory framework with others. In addition, most of the frontrunner regions had removed roadblocks within the baseline code, allowing Passive House pathways to compliance.

Finally, required monitoring and cost reporting circularly fed back into either reach codes or baseline code adoption, or back into the existing incentive program to reconfigure and refine the next iteration.

Exterior image Passive House Multifamily - photo by Triplecaña

Working cooperatively

Starting the energy code process with an explicitly and clearly defined end goal helps to structure the interim steps (a back-casting structure, as contrasted with an iterative code update process). A stepped energy code can also replace a multitude of reach codes in different municipalities.

In the webinar, Barry points out that at the city, state, and utility level, all of these successful policies connect. They were “quilted together” to work effectively. Each civic entity developed programs that supported programs and incentives run by fellow entities.

As an example, Barry highlighted a Vancouver program that connected zoning variances to certified passive house projects. Vancouver’s zero-emissions building plan issued in 2016 includes training of municipal staff, for an integrated approach. Bary emphasized training repeatedly as an oft-overlooked but essential component of successful programs.

British Columbia also provided up to $80,000 to incentivize manufacturers to develop Passive House Certified windows. The local building codes and incentives then created the market for them, producing a “virtuous feedback loop.”

New York City required their public works buildings to be Certified Passive House: fire stations, school retrofits, affordable housing, etc. NYC also implemented a benchmarking law (all the large buildings must measure and report energy consumption) and then set carbon caps, driving emissions gradually toward net zero carbon. This goal-oriented approach motivates owners to leap ahead when retrofitting and to plan for net zero in new buildings.

Barry then highlighted New York State’s Buildings of Excellence Program, a competitive award that funds early design explorations. The feedback that tracks modeling methodologies is encouraging innovation, because it removes some of the developers’ risk.

Pennsylvania linked their affordable housing tax credits to high-performance buildings, giving far more points for Passive House Certification. “See how policies, programs, and incentives actually can quilt together with policies similarly operating, and make each of them work better together. [The] additional points make it more likely to get financing through the state-run financing program.” explained Barry. “And lo and behold, after three years of running this program, the Passive House buildings performed reliably and ended up costing less money per square foot than the baseline code-compliant buildings. Because the professional community figured out ways to do this cost effectively.”

Reference

Five climate solutions making a change for the better
CategoriesSustainable News

Five climate solutions making a change for the better

We live in an age of mass production and mass consumption – never before have so many products and services been so readily available to us. And at the same time, leaps and bounds in the transport industry over the past 100 years have made journeys quicker and easier than previously thought possible, allowing us to cross oceans in mere hours without lifting a finger. But all of these advancements come at a cost.

The modern era was largely built on fossil fuels, with our cars, homes, and production methods all emitting vast volumes of greenhouse gases. And these gases have been detrimental to our climate – since the 1880s, the Earth’s temperature has risen 0.08 degrees Celsius per decade, and this rate of warming has more than doubled to 0.18 degrees Celsius per decade since 1981. With this rising temperature comes an increase in the frequency and severity of extreme weather events, including drought, floods, hurricanes, and tsunamis, particularly in developing countries.

In 2021, the famous naturalist David Attenborough called climate change “the biggest threat to security that modern humans have ever faced”. If global warming isn’t stopped or drastically slowed, the results will be catastrophic. Such a huge challenge, naturally, does not have a simple answer, but collaboration across multiple industries to cut greenhouse gas emissions and prevent further pollution will allow us to get global warming under control. Slowing climate change is possible, but we will need to get creative.

Innovators across all industries are exploring ways we can all cut carbon and effectively tackle the climate crisis, as well as developing technologies to help build resilience in the face of changing climate and more extreme weather.

There are many exciting solutions fighting climate change that will be featured at ChangeNOW in Paris between 25th and 27th May. Take a look at five of the best.

Photo source Matthew Osborn on Unsplash

One global survey in 2015 revealed that over a third of all adults had never even heard of climate change. The researchers emphasised that basic education and public understanding of climate issues are vital to garner support for climate action. Awareness has grown since the survey, but 2021 UNESCO data from 100 countries still showed that only 53 per cent of the world’s national education curricula refer to climate change, and even when it is mentioned, it is not made a priority. This is where Climate Pitch comes in. The company delivers public sessions or workshops and conferences for a specific business to help build public knowledge of climate change. The sessions combine visual presentations with clear explanations and exercises to help audiences quickly understand the issues, and motivate them to engage on a personal, professional, and collective level. Read more

Photo source Minesto

As is set out in the European Green Deal, Europe aims to be the first climate-neutral continent by 2050. Central to achieving this ambition is encouraging the energy transition, and the European Union (EU) is well on its way – renewable energy sources made up 37.5 per cent of gross electricity consumption in 2021. But in order to make renewables the primary, if not only, energy source in Europe and beyond, we need to continue development of technologies that use reliable and consistent green energy sources. Doing just that is startup Minesto, which has created a ‘kite’ with a turbine that ‘flies’ underwater to generate electricity from predictable tidal streams and ocean currents. The device is attached to vessel with a tether, and a control system onboard autonomously steers the kite in figure-of-eight motions. This movement pulls the turbine through the water at a water flow much higher than the actual stream speed – and this faster speed generates extra power. Read more

Photo source Fermata

Around the world, the loss of crops caused by untreatable pest damage or plant disease is estimated to be between 20 and 40 per cent. And at the same time, increasing extreme weather is putting additional pressure on growers. With the global population continuing to rise, the agricultural industry needs to find effective and sustainable ways of building resilience. One way of doing this is taking advantage of technology. Data science company Fermata has created an artificial-intelligence-powered (AI) solution, called Croptimus, that helps growers spot disease early and track plant changes over time. With the technology, farmers can cut labour costs and reduce pesticide usage by 25 per cent. Read more

Photo source Rob Wicks on Unsplash

One study conducted by Oxfam in 2021 that analysed the investments of 125 of the world’s wealthiest billionaires discovered that up to 70 per cent of their emissions come from investments in polluting industries, resulting in an average of 3 million tonnes of carbon emissions every year. As much as we may be trying to fight climate change with daily actions, there needs to be a drastic change in where the world’s money is going and what it is funding. Enter Goodvest, a fintech that makes sure your savings are not going towards harmful sectors, such as the production and extraction of fossil fuels, armaments, tobacco. Goodvest analyses the entire carbon footprint of a user’s investments in order to limit the global warming trajectory of funds, helping individuals invest responsibly without contributing to climate change. Read more

Photo source Ryp Labs

The United Nations Environment Programme (UNEP) estimates that a staggering 931 million tonnes of food are thrown away in households, retail, and the food service industry every year. Not only does this mean resources are wasted with the growing of this food, but when it’s not disposed of properly and ends up in landfill, food products break down and release methane, which is detrimental for climate change. To help reduce the volume of food being thrown away unnecessarily, Ryp Labs developed StixFresh. Once placed on produce, these food-grade stickers make items last up to twice as long, reducing the chances of food getting thrown away due to spoilage. Read more

Springwise is a proud partner of ChangeNOW, which takes place in Paris 25-27 May 2023. As the world’s largest event for the planet, the three-day international summit brings together entrepreneurs, business leaders, and policymakers to accelerate change. Tickets are available now and Springwise readers can get a discount of 20% by using the code: SPRINGWISECN23

Words: Matilda Cox

Reference

Exterior of the Book Depository building transformed by Gensler for the Newlab Detroit headquarters
CategoriesArchitecture

Gensler and Civilian transform Detroit post office into technology centre

American architecture studio Gensler and interior design studio Civilian have restored the historic Book Depository building in Detroit and transformed it into the headquarters for technology company Newlab.

Gensler and Civilian transformed the art deco building to be usable by tech companies, adding purpose-built prototyping labs, open-plan co-working spaces and outdoor green spaces.

Exterior of the Book Depository building transformed by Gensler for the Newlab Detroit headquarters
Gensler and Civilian transformed a 1930s post office into a workspace and technology centre

The 270,000-square-foot (25,083 square metres) building will be used as a centre for startups, entrepreneurs, engineers and scientists working in mobility technology.

The Book Depository building was originally built in 1936, designed by American architect Albert Kahn as a post office and mail-sorting facility. It was later used as a place to store books by Detroit Public Schools, from which it draws its name.

Exterior of the Book Depository building transformed by Gensler for the Newlab Detroit headquarters
The building will be used as Newlabs Detroit headquarters

The building now includes an exhibition space, an event space, a robotics and prototyping facility, and two open studio spaces with desks, lounge areas, classrooms and meeting rooms.

The interior has an industrial appearance with concrete floors and exposed services.

Lounge chairs, circular tables and planting fill the central atrium space, which provides a collaborative workspace lit by the skylight above.

Interior atrium space with large skylight and open-plan co-working space
An atrium space lets natural light into co-working spaces

“The building has been repositioned to meet the demands of the city’s top innovators, including ample access to daylight, open internal connectivity and destinations for exchange, and an engaging ground floor as a connective intersection within the overall development, serving as a boulevard for the community, industry partners, and the neighbourhood,” said Gensler.

“Embracing the rich history of the building, juxtaposing design elements with the industrial strength and structure associated with Albert Kahns work, Gensler reimagined the building with a focus on connection and collaboration,” added Newlab.

Newlab has an existing headquarters in Brooklyn, New York, and hopes that transforming the Book Depository building into the company’s Detroit headquarters will attract jobs to the area.

“Building on its success in Brooklyn, Newlab is scaling its model of applied innovation to create the conditions for a sustainable high-tech startup ecosystem to take hold in the region,” said the company.

Technology labs at the Newlab Detroit headquarters by Gensler
The building includes and robotics and prototyping facility

“Projected to attract thousands of new jobs to Michigan Central, the campus will offer high-design innovation and collaborative workspace, dozens of acres of green and open space for the community,” Newlab continued.

Architecture studio Ghafari assisted Gensler and Civilian with the interior design of the project and landscape design studio MYK created the landscaping scheme.

Interior of the Newlab Detroit headquarters
The interior has an industrial appearance

The building is situated on the Michigan Central campus, a district dedicated to mobility innovation that also includes Ford’s restoration and transformation of the Michigan Central Station.

Other large-scale projects set to be built in Detroit include a slanted glazed building designed by Kohn Pedersen Fox for the Detroit Center for Innovation campus and OMAs design to transform a derelict bakery into a mixed-use art and education facility.

The exterior photography is by Jason Keen. The interior photography is by Brian Ferry.

Reference

Bedroom and mirror in Ember Locke hotel
CategoriesInterior Design

Ember Locke hotel channels Kensington’s decadent heyday

Warm saturated colours and maximalist touches are combined inside Locke Hotels’ latest outpost in west London, designed by local studios Atelier Ochre and House of Dré.

Occupying an imposing Victorian mansion block in Kensington, the Ember Locke hotel was designed as a homage to some of the area’s historic architecture.

Bedroom and mirror in Ember Locke hotel
Atelier Ochre and House of Dré have designed the Ember Locke hotel

Among the references brought in by the designers were the art deco Kensington Roof Gardens and the now-defunct Biba department store, which rose to popularity in the Swinging Sixties.

“We wanted to create interiors that are an extension and interpretation of the neighbourhood, a space that reflects the cultural heritage of Kensington but also somewhere that shows the area’s evolution over time,” Atelier Ochre founder Pauline Dellemotte told Dezeen.

“We wanted to delve into the world of bold patterns, rich colours, eclectic furniture and art deco details, to tap into the sense of opulence that once dominated the Kensington scene.”

Kitchen and seating area in Kensington hotel by Atelier Ochre and House of Dré
The hotel accommodates 121 serviced apartments

Instead of traditional guest rooms, Ember Locke accommodates 121 serviced apartments over eight floors, alongside a bakery, restaurant and conservatory cocktail bar, a stage for live performances, a co-working space, a gym and a garden.

Its interiors were designed to offer a contrast to the hotel’s location on bustling Cromwell Road – home to three of London’s most important museums including the V&A and the Natural History Museum.

Seating area of guest room in Ember Locke hotel
Velvet banquettes in the rooms are trimmed with ultra-long fringing

The building’s original arch-topped windows are mirrored in the arches and curves found in each room, from tubular-backed banquettes and chairs to the sculptural meandering clothes rail of the deconstructed wardrobe.

“The curved edges of the banquette, the rotating mirror and the wardrobe rail are attempts to combine the unlikely trio of playfulness, comfort and practicality,” said House of Dré founder Andreas Christodoulou.

“We’ve introduced some bold furniture and sculptural objects to spark a sense of curiosity and playfulness, and to allow guests to interact and reflect themselves within the space,” Dellemotte added.

Kitchenette in guest room of Kensington hotel by Atelier Ochre and House of Dré
Each apartment also has a small kitchenette

The velvet banquettes are trimmed with ultra-long fringing, echoed by the fringed pendant lights that hang low above the circular table in each room to zone the seating area.

Brass detailing across coat hooks, wall lights and clothes rails adds to the sense of opulent modernity.

An intense colour palette, which layers red, orange and mustard tones, is offset by the deep green of the apartment kitchenettes, highlighting the more practical nature of this area.

“With the fringing and warm earthy colours, the rooms flirt with maximalism but still possess the calm and contemporary sophistication that one would expect from a Locke hotel,” said Christodoulou.

Bed and kitchen in Kensington hotel by Atelier Ochre and House of Dré
The bed is separated from the kitchen via a cotton curtain

Heavy recycled-cotton curtains in a claret colour, custom-created by London textile company Yarn Collective, track around the walls and create a flexible room divider, separating the bed and kitchen areas when needed.

Many of the communal spaces feature art by local and up-and-coming artists alongside specially created works by House of Dré.

Bathroom with striped shower curtains in Ember Locke hotel
Striped shower curtains jazz up the bathrooms

The project was a close creative collaboration between Dellemotte and Christodoulou.

“We are old friends who met at a previous practice,” said Dellemotte. “Our friendship grew to include exciting collaborations across hospitality projects, where we combined our passions for design and art.”

“At Ember Locke, we’ve been given the opportunity to blend the interior aesthetics and art curation of the spaces with the overall branding of the hotel in a holistic way.”

Bathroom sink in guest room of Kensington hotel by Atelier Ochre and House of Dré
Surfaces are finished in a salmony peach colour

Locke Hotels already has a number of other outposts in London. Among them is one in Bermondsey – with interiors designed by Holloway Li to echo sunny California deserts – and one near St Paul’s Cathedral that is housed in a converted 1970s office block.

The photography is by Kensington Leverne

Reference

Finnish Pavilion at the Venice Architecture Biennale 2023
CategoriesSustainable News

Finnish Pavilion “declares the death of the flushing toilet”

A Finnish huussi, or composting toilet, has been built in the centre of the country’s pavilion at this year’s Venice Architecture Biennale, which aims at critically exploring the world’s unsustainable approach to sanitation.

Declaring the “death of the flushing toilet as we know it” the pavilion, called Huussi – Imagining the Future History of Sanitation, was designed by The Dry Collective – a group of architects, designers and artists, and curated by Arja Renell.

Finnish Pavilion at the Venice Architecture Biennale 2023
The Finnish Pavilion is called Huussi – Imagining the Future History of Sanitation

The project is a response to the theme of the 2023 Venice Architecture Biennale, The Laboratory of the Future, curated by Lesley Lokko and asking participants to consider what it means for architects to be “agents of change”.

Finland’s display begins with a mock archaeological excavation of a typical flushing toilet – responsible for 30 per cent of domestic water use in developed economies – in the grounds of the Alvar Aalto-designed pavilion, symbolically consigning it to the distant past.

Internal shot of the Finnish Pavilion by The Dry Collective
It explores the world’s unsustainable approach to sanitation

“We cannot live on a planet where billions of people use rapidly diminishing fresh water resources to flush their waste,” said curator Arja Renell.

“The whole system needs to change,” she continued. “A shift will come as we begin to see our waste as a valuable resource, and transition to treating it as such.”

Composting toilet surrounded by CLT panels
The pavilion features a composting toilet

Inside the pavilion, a cross-laminated timber (CLT) structure contains a domestic-scale huussi, surrounded by wooden planters that have been fertilised using human urine-based fertiliser.

While the huussi toilet cannot be used by visitors during the biennale, it will afterwards be donated to VERAS, a local non-profit organisation that owns an agricultural part and allotments on the nearby Venetian island of Vignole.

Accompanying the huussi is a fictional documentary film set in the year 2043 demonstrating the “absurdity” of our current attitude to sanitation and waste, along with other video works presenting information about alternative sanitation solutions.

“We want to share the domesticity and utility of the Finnish huussi to inspire a dialogue about the state of what is possible… what considerations become critical, and how will solutions vary in different parts of the world?” said Renell.

“Huussi inspires and invites all professionals to start looking for alternative solutions which would better serve the world we inhabit today,” she continued.

Screens showing a documentary film at the Finnish Pavilion
Accompanying the huussi is a fictional documentary film

The Finnish Pavilion is one of several that will be opened exclusively on Dezeen during the Venice Architecture Biennale 2023. Other pavilions that were seen first on Dezeen include the Danish pavilion, which focuses on rising Sea levels and the US pavilion that aims to question plastic dependency.

The photography is by Ugo Carmeni.

Dezeen is live reporting from the Venice Architecture Biennale, which takes place from 20 May to 26 November 2023. See Dezeen Events Guide for all the latest information you need to know to attend the event, as well as a list of other architecture and design events taking place around the world.

Reference

US Energy Information graphic showing energy consumption by major sources 1950-2021
CategoriesSustainable News Zero Energy Homes

The Unsung Success Story of Increased Efficiency (And Why We All Need More of It)

A number of organizations have charted a path to a decarbonized world by 2050 and broken down required action in four areas or “pathways.” The third pathway is often the unsung hero of our climate successes to date: efficiency.

Simply put, efficiency means using less of a resource to achieve the same result. The 1970s oil embargo and energy crisis inspired the modern energy efficiency movement in the United States, which led to a $360 billion energy efficiency industry. This industry managed to keep both energy and electricity usage flat over the past 20 years, despite the fact that the population has grown by 10% from 301 million to 331 million over the same period.

According to the American Council for an Energy Efficient Economy, over a 25 year period from 1980 to 2014, efficiency investments resulted in a 50% improvement in US energy intensity. This means that while energy use increased by 26%, overall gross domestic product (GDP) far outpaced energy use, increasing by 149%.

These decades of unsung progress have significantly reduced energy use in buildings, industry, and transportation and thus lowered demand for more fossil fueled power. Amidst the doom and gloom of the climate crisis, it’s important to remember to celebrate and amplify what we humans are doing right. Efficiency falls on the bright side of the “best of times, worst of times” dichotomy, so let’s make sure to give ourselves credit for our successes.

We might call efficiency the low hanging fruit on the pathway to decarbonization. There’s so much more to be picked.

Efficiency sometimes gets a bad rap because it so often includes messages of scarcity like “reduce” and “limit,” and can feel like doing less bad rather than more good. This narrative suggests that people have to sacrifice or change their lifestyle, which few of us want to hear. But this is largely a communication problem.

Amazing advances in technology mean that our homes and vehicles can use less energy without anyone noticing, and without sacrificing our quality of life. For example, refrigerators use 75% less energy now than they did a couple decades ago, and they perform better and cost less. Light bulbs have followed the same trend, accounting for 10% of an average home’s electricity consumption in 2015 and only 4% in 2021, thanks to LEDs. A decarbonized life has many advantages and thus offers a narrative of abundance rather than scarcity. Denmark uses about 40% of the energy that the US uses and yet it’s recognized for the second highest quality of life in the world.

Taking efficiency to the next level

While we celebrate all these society-wide gains in efficiency, in our family we find it easy to take efficiency to the next level. We believe the climate crisis asks this of us. For us, being efficient and wasting less involves both:

  1. Technologies—the products, appliances and fixtures in our home that reduce energy use through their operations. Think efficient appliances, insulation, LED lighting, etc. (shower heads are a personal favorite), along with what we call the “big moves” of heat pumps for space and water heating, which cut home energy use by a whopping 50% to 75%.
  2. Behaviors—the routines, habits, and practices we form that have a measurable impact on carbon reduction. Think hang-drying laundry and eating less meat.

Combining both strategies will supercharge energy savings and make it easier for utilities, or rooftop solar panels, to provide all the clean power our household needs.

But it’s also clear that efficiency isn’t a silver bullet, and we can’t collectively “efficiency our way out” of the climate crisis. Many of the efficiency solutions of recent decades included enhanced methane and petroleum burning technologies, but no matter how efficient your gas furnace or gas car is, it’s still burning fossil fuels that emit the greenhouse gases that are changing the climate. This is why efficiency and the electrification pathway go hand in hand. It’s much easier to electrify everything and run our lives on clean electricity if we first reduce our energy needs.

At the same time, while some proponents of electrification believe we can decarbonize without worrying much about efficiency, a commitment to efficiency is undoubtedly the best way to make electrification work. Efficiency lowers how much new renewable electricity we’ll need in the coming decades.

Household efficiency strategies

Our family’s efficiency strategies (which mostly now feel old school) include blowing in extra cellulose insulation into our attic, to increase home comfort, and air sealing all the penetrations so conditioned air doesn’t sneak out. Other strategies include installing low-flow shower heads and faucet aerators to reduce both water use and the energy needed to heat the water.

Over the past decade, we also replaced most of our old appliances with ENERGY STAR–certified, all-electric, super-efficient ones, and opted for heat pumps to heat our home and water and to dry our clothes, because heat pumps are the most efficient way to create heat. We also practice easy passive cooling techniques during our increasingly hot summers, which most of the time means we don’t need air-conditioning. Finally, we bought our home in a neighborhood with a high walk score so that we can move efficiently and walk, bike, and ride transit whenever possible. All these efficiency measures make it easier for our family’s 28 solar panels to meet most of our home and transportation energy needs.

All in all, efficiency is a crucial pathway to both personal and societal decarbonization. And whether you sing it’s praises or not, we’ve all gotten a lot more efficient in how we use energy over the past decades. It’s time to build on this success and continue to find ways to use electric, renewable energy better.

This article is part of a series by Naomi Cole and Joe Wachunas, first published in CleanTechnica. Through “Decarbonize Your Life,” they share their experience, lessons learned, and recommendations for how to reduce household emissions, building a decarbonization roadmap for individuals.

The authors:

Joe Wachunas and Naomi Cole both work professionally to address climate change—Naomi in urban sustainability and energy efficiency and Joe in the electrification of buildings and transportation. A passion for debarbonization, and their commitment to walk the walk, has led them to ductless heat pumps, heat pump water heaters, induction cooking, solar in multiple forms, hang-drying laundry (including cloth diapers), no cars to electric cars and charging without a garage or driveway, a reforestation grant from the US Department of Agriculture, and more. They live in Portland, OR, with two young children.

 

Reference

A backpack made from recycled plastic and captured carbon
CategoriesSustainable News

A backpack made from recycled plastic and captured carbon

Spotted: Stand.earth’s 2022 review of the fashion industry’s global carbon emissions found an alarming increase. Of the 10 major brands that were assessed, all were committed to the United Nations Fashion Industry Charter for Climate Action, yet only one company is on track to reduce supply chain emissions enough to keep global warming at the 1.5 degree Celsius or below mark.  

Ways to reduce emissions include working with recycled materials and designing products for longevity. Materials science company GroundTruth is doing just that for its bags and accessories. The company makes carbon-neutral, vegan, recycled plastic backpacks and carryalls that have a 10-year performance guarantee. The latest product is the 38L Hybrid Duffle Pack that incorporates the company’s latest technology – hardware made from captured carbon.

Video source GroundTruth

The packs can be carried by hand, on the back, and across the body, with bottle holders on the front of the pack to make hydrating easy. The bags also open a full 180 degrees for swift accessibility. Notably, each duffle uses 123 plastic bottles for the exterior fabric, and the interior fabric is made from recycled fishing nets.  

In tests, the captured carbon material performed 40 per cent better than virgin plastic. The waterproof coating on the material contains no volatile organic compounds, and the company works with Bluesign-certified manufacturers that meet Global Recycled Standards for safe and healthy production processes. Explorer Ed Stafford helped design and test the functionality of the pack’s features and in May 2023, GroundTruth closed a successful Kickstarter campaign and started production of the Hybrid Duffle in Jakarta.  

The complexity of the fashion industry supply chain is inspiring an equally impressive number of improvements to its ecological footprint, and Springwise has spotted the growing of cotton indoors and fabrics made from banana fibres.

Written By: Keely Khoury

Reference

Paper Architecture: What's the Point?
CategoriesArchitecture

Paper Architecture: What’s the Point?

Architizer’s Vision Awards is a global awards program for architectural media and representation, recognizing the world’s best architectural photographs, videos, visualizations, drawings and models, and the creators behind them. Enter for a chance to see your work published in print: Start Entry > 

At first glance, one might assume the question posed in the title of this article is a rhetorical one. With a growing number of industry leaders advocating — with good reason — for students and young architects to receive more real-world construction experience, you could be forgiven for thinking that conceptual projects are a distraction, getting in the way of the invaluable education awaiting designers on the building site.

Make no mistake, though — anyone who tells you paper architecture is pointless needs reminding:

Ideas are the lifeblood of architecture.

Behind each award-winning project we see come to fruition each year, there lie countless sketches, models, and renderings created during the design process, as well as unrealized, theoretical concepts, commonly known as paper architecture. At their best, unbuilt architectural projects — just like their constructed counterparts —  hold the potential to tell a powerful story, communicate fresh concepts and advance our profession through ideation.

Left: “Mind Palace” by Mylan Thuroczy, Manchester School of Architecture; right: “Break and Float” by Michael Turner; finalists in Architizer’s One Drawing Challenge competition.

These architectural images, and the ideas they embody, are worth their weight in proverbial gold to the next generation of architects. From the outlandish drawings of Archigram to the abstract paintings of Zaha Hadid, conceptual works form a vibrant exhibition of ideas and inspiration, each contributing to the global discourse over the advancement of the profession and our built environment as a whole.

For this reason, it’s vital that we provide a platform to recognize architectural ideas and visual creations, no matter whether they are built or not.

Enter the Architizer Vision Awards. This brand new awards program is designed to celebrate every form of paper architecture — from napkin sketches and lost competition entries to thesis projects and early models — and give them the global spotlight, now and long into the future.

Enter the Vision Awards

Vision Awards Winners will be published in the inaugural ‘Visions of Architecture’ Anthology, as well as being celebrated year-round through innovative storytelling by Architizer’s team of architectural writers. Film Winners will be premiered in Architizer’s first ever Architectural Film Festival, a unique digital event to air later this year. Every Winner and Finalist will be exhibited on Architizer’s iconic Winners’ Gallery, the definitive directory of world-class architecture and design and an evergreen source of inspiration for the profession.

“Concrete Atla(nti)s” by Hannah Christy and Craig Findlay, University of Nebraska-Lincoln; Winner in Architizer’s One Drawing Challenge

Showcasing the Unending Value of Paper Architecture

Whether it is ultimately realized or not, paper architecture is a critical creative outlet for the profession. Drawings, renderings and models provide a perpetual record of the ideation process that architects go through when developing concepts, offering insights into how they approached design problems in the past. To honor the many mediums of architectural ideation, Vision Awards categories include:

  • Best Architectural Drawing
    (2 categories: Hand-drawn, Computer-aided)
  • Best Architecture Model
    (Special category for physical models)
  • Best Architectural Visualization
    (3 categories: Photorealistic, Illustrative/Artistic, AI-Generated)
  • Architectural Visualizer of the Year
    (Portfolio award for studios and professionals)
  • Architect Creator of the Year
    (Mixed media portfolio award for professionals)
  • Student Creator of the Year
    (Mixed media portfolio award for students)

Together with categories for architectural photography and video, these awards will honor the best in architectural representation today, including the most compelling examples of paper architecture. By entering their work, architects can help to build a rich archive of ideas and designs that will motivate future generations of architects and push the boundaries of what is possible in the built environment.

Left: “The Built Pension” by Yehan Zheng; right: HIGH- RISE TOPOLOGY. Infrastructure for energy creation” by Daniel Garzon; Finalists in Architizer’s One Drawing Challenge competition.

A Second Life for ‘Lost Projects’

The Vision Awards presents a golden opportunity for architects to showcase their unbuilt works, including former competition entries, speculative creations, and drawings or models for projects that stalled due to forces outside of their control. There are countless reasons why many brilliant architectural projects are ultimately left on the drawing board: budget cuts, site complications, changes in a client’s strategy or direction, or even some larger and impossible to foresee — like the COVID-19 pandemic.

Sometimes, an initial design might contain ideas that are ahead of their time, or deemed too ambitious to be realized when first conceived. Revisiting these ideas in the context of the Vision Awards may inspire new approaches to architecture in future, as new technologies emerge and changing social conditions give rise to new creative possibilities.

By bringing the best unrealized projects and conceptual designs together through the Vision Awards, Architizer is aiming to create a powerful repository of ideas, one that can be a touchstone for emerging architects long into the future. By entering their work for the program, architects can help to build on the legacy of the great ‘paper architects’, contributing to the ongoing creative conversation that fuels the wider profession.

If you are an advocate for the power of paper architecture and its potential to advance the profession, the Vision Awards needs you. Submit your most innovative work before the Main Entry Deadline on June 16th, and let your ideas and those of your firm inspire the next generation of architects!

Start Entry

Reference

Reception desk wrapped in glossy oxblood-coloured tiles
CategoriesInterior Design

And And And Studio brings 1970s elements to Century City Law Office

And And And Studio has overhauled the offices for one of LA’s top entertainment law firms, opting for a look that’s “more akin to a hotel lobby”.

The firm, which represents several Hollywood actors, tasked And And And Studio founders Annie Ritz and Daniel Rabin with designing interiors for its offices in Century City, a commercial district south of Beverly Hills.

Reception desk wrapped in glossy oxblood-coloured tiles
Visitors to the law offices in Century City are greeted by a desk wrapped in glossy oxblood-coloured tiles

The design studio convinced the clients to stay in their current building rather than move – a decision that required a complete redesign of the 22,000-square-foot (2,044-square-metre) space and the gutting of the interiors to make room for a brand-new layout.

The clients required over 30 private offices within the floor plan, so it had to compromise on the size of the rooms to leave enough area for lounges and other communal facilities.

Wood-panelled seating area with two slingback chairs and a marble table
The wood-panelled reception area sets the tone for the rest of the interiors

“The goal was for Ritz and Rabin to make the space feel airy, open and more akin to a hotel lobby than an office,” said the studio.

“[The lawyers] traded slightly smaller private offices in order to provide the entire office with inviting and functional communal spaces.”

Lounge area with teal-coloured bookshelves, two armchairs and a coffee table
And And And Studio drew references from a variety of design styles, most noticeably the 1970s

Visitors arriving at the wood-panelled reception area are met by a counter wrapped in glossy oxblood Rombini tiles from Mutina, which also surround curved columns in meeting spaces.

Bassam Fellows sling lounge chairs and an Angelo M Marble Table from Alinea Design Objects were also placed in reception, setting the tone for the rest of the interiors.

Kitchen featuring green marble countertops, backsplash and shelves
In the kitchen, green marble forms countertops, backsplash and shelves

Furnishings found throughout pull references from a variety of design styles, including art deco and 1970s, as seen in the Brasilia chairs by Menu, sofas by Arflex, and a Phillipe Malouin sofa for SCP.

Brown and yellow velvet upholstery in the lounge spaces also nods to the 1970s, while in the kitchen, green marble forms the countertop, backsplash and open shelving.

“The 1970s-inspired design transcends through warm wood tones, and bold-hued gold and green fabrics,” said And And And Studio.

Designing and executed during the Covid-19 pandemic, the team was met with various hurdles during the project, which resulted in multiple last-minute changes.

Conference room
The red tiles from the reception area are repeated in conference rooms

“[Our] approach to the re-design of this office embraces the goals and ethos of this law firm, giving a unique design to the space that is distinct,” And And And Studio said.

“This goal was met with several challenges due to the pandemic, creating delays and changes, specing and re-specing products, all while balancing a tight timeline.”

Meeting rooms with chairs around a circular table
The interior is designed to look more like a hotel lobby than an office

Ritz and Rabin’s studio has offices in both Los Angeles and Toronto.

Other law office designs include one created by Studio Arthur Casas for a firm in São Paulo with a chocolate-coloured space that’s brightened by hundreds of books, while Vladimir Radutny Architects used minimal white partitions to divide a lawyers’ office in Chicago.

The photography is by Chris Mottalini.

Reference

A next-generation propeller is quieter and more efficient
CategoriesSustainable News

A next-generation propeller is quieter and more efficient

Spotted: Though it suffered a decline during the pandemic, the marine vessel industry has been rapidly growing in recent years and is likely to continue on that trajectory, with demand increasing for cargo ships and recreational vessels. As demand grows, though, we need to find ways of mitigating the environmental impact of these vehicles, given that many boats are fuel-intensive and emit large volumes of CO2. And, the noise of boat propellers also disturbs, and can even harm, marine life

Now, Sharrow Marine has created the Sharrow Propeller, which helps increase speed and efficiency, produces less noise and vibration, and enables greater control of the vessel while docking and superior handling of tight turns even at high speeds.  

When it comes to boats, cavitation can be an issue – a process where, as the propeller spins, areas of high and low pressure are created at the blade tip, and the pressure changes create cavities of air that make bubbles. As the bubbles pop, it creates a lot of noise, and these multiple implosions gradually damage the leading edge of the propellor and erode the blades, impacting performance and potentially making boats unsafe over time. 

Instead, Sharrow Marine has created the loop-based Sharrow Propeller with its True Advance technology that – because it has no tip – drastically reduces or eliminates cavitation. The technology allows the Sharrow Propeller to achieve its maximum advance rate and efficiency much earlier than standard propellers. Because it is more efficient, boats with the Sharrow Propeller can travel at faster speeds with the same engine RPM (revolutions per minute).

Video source Sharrow Marine

In March, the company unveiled its Sharrow XO series, which brings the innovative technology to large outboard engines. 

Springwise has spotted many innovations in the boating industry, including a solar-powered passenger catamaran that causes no engine noise, and an autonomous electric ferry.

Written By: Anam Alam

Reference