Entrance hall of Canal Saint-Martin apartment
CategoriesInterior Design

Rodolphe Parente respectfully rethinks Haussmannian apartment in Paris

French interior designer Rodolphe Parente has completed a contemporary overhaul of a 19th-century Parisian apartment, reflecting both the building’s heritage and the “radical” art collection of its owner.

Originally built during Haussmann’s major reconstruction of Paris, the 150-square-metre flat is located in the Canal Saint-Martin neighbourhood in northeastern Paris.

Entrance hall of Canal Saint-Martin apartment
Rodolphe Parente has renovated a Haussmann-era apartment in Paris

As part of the renovation, Parente sought to celebrate the apartment’s extensive period details. In the entrance hall, a band of gold leaf now highlights the geometry of the circular ceiling and missing sections of the mouldings were painstakingly reinstated.

“The main idea was to preserve and at some points restore the classic Haussmannian codes of a Parisian apartment,” Parente told Dezeen. “It was important for me to keep the Parisian vibration as well as the radical tone of my client’s art taste.”

Dining room of Parisian apartment by Rodolphe Parente
Redfield & Dattner created an abstract fresco behind the dining table

Parente began by opening up the apartment to improve the sense of flow, exposing long sealed-off doorways and connecting the dining room with the kitchen.

Taking cues from the craftsmanship inherent in the apartment, Parente drafted in several contemporary craftspeople including custom painting studio Redfield & Dattner, which created an abstract fresco on the new wall behind the dining table.

Kitchen of Canal Saint-Martin apartment
The kitchen balances cabinet finishes of stainless steel and pastel pink

“I wanted to bring the hand of craftsmanship into this project,” said Parente.

“The people I have worked with on this apartment bring something to the creativity in general.”

Living room of Parisian apartment by Rodolphe Parente
A sculptural vintage sofa centres the living room

Throughout the space, a palette of warm neutrals was used to create a sense of immersion.

“I chose neutral tones to subtly enhance the classical heritage of the apartment and keep an enveloping atmosphere,” the interior designer explained.

Against this cohesive backdrop, surprisingly colourful elements leap out including the lacquered yellow light above the dining table – Parente’s own design – and the vivid purple rug used against caramel-coloured walls in the main bedroom.

The kitchen balances cabinet finishes of stainless steel and pastel pink with a frame-like marble splashback, created by French artist Alice Guittard for Double V Gallery.

“The kitchen is a deconstructed block sitting in the Haussmanian environment,” Parente said. “It is connected to the historical elements through its composition.”

Reading room of Canal Saint-Martin apartment
Period wall panelling remains in the reading room

In the living room, a sculptural vintage sofa is sited in the centre of the space, anchored by a graphic rug and positioned to disrupt the angles of the room.

Parente played with contrast via the material and colour palettes throughout the apartment. In the reading room, period wall panelling highlights the modernity of the sofa and chair with their highly lacquered side panels.

Reading room of Parisian apartment by Rodolphe Parente
Parente designed a custom chair and sofa for the space

“For this room, we have designed custom-made furniture with contemporary and radical shapes bringing a form of reflection to the space,” the designer said.

The idea of juxtaposition continues with the art displayed in the apartment, with the client’s often provocative pieces completing the aesthetic in each room.

Detail shot of bedroom in Canal Saint-Martin apartment
Colours clash in the main bedroom

“The client showed total faith in this balance between modernism and legacy for the interior design. He also wanted to keep this dialogue for the decoration and focused on staying eclectic in his choice of furniture and art,” said Parente.

“The client has a radical point of view regarding art and design. It was a real pleasure to create a dialogue between the existing pieces and the interior design.”

Bedroom of Parisian apartment by Rodolphe Parente
A vivid purple rug contrasts with caramel-coloured walls

Other Hausmann-era apartment renovations in Paris have seen interior designers make more dramatic interventions, with Atelier 37.2 adding a sculptural wooden volume to house a new bathroom while Studio Razavi inserted a multifaceted furniture block that takes on a different function in each room.

The photography is by Giulio Ghirardi.

Reference

Restoring the strength of soils using natural elements
CategoriesSustainable News

Restoring the strength of soils using natural elements

Spotted: After decades of the intensification of farming, and the ensuing harm it has caused to environments, growers and policy makers are beginning to more seriously consider regenerative farming as the means of achieving a carbon-neutral future. Regenerative agriculture focuses on soil health and a circular agricultural economy, where resources are used in harmony with the natural environment. And, the World Economic Forum (WEF) estimates that farming regeneratively on 40 per cent of the world’s cropland would save around 600 million tonnes of emissions. 

The challenge is the slow pace of change. Regenerative agriculture must scale more quickly in order to cover 40 per cent of global cropland by 2030. Changing soil health can take years, so French agrobiotechnology company Gaïago has created a suite of products designed to help growers make faster improvements to their land. 

Using organic elements that plants already use, such as hydrogen, proteins, and fungi, Gaïago’s products encourage the fertility of the soil and therefore the growing environment of crops. Nutrigeo is a soil prebiotic that stimulates the growth of humidifying fungi. Two different probiotics provide additional nitrogen to the roots, and a foliar prebiotic, Stimulus, supports plants in resisting environmental stressors.  

And for the plants themselves, Gaïago created Vitam’in, a prebiotic for seeds that boosts general vigour at germination to help maximise full genetic growth. Improvements in the fertility of soil can be seen in as little as six months, and when integrated into a regenerative style of farming, will have long term environmental health and biodiversity benefits.  

Other ways in which Springwise is spotting agriculture creating more healthful growing environments include plant patches that monitor stress and eco-friendly insect treatments that do not harm pollinators.

Written By: Keely Khoury

Reference

lina ghotmeh brings sweeping arches to brick-clad hermès workshop in normandy
CategoriesArchitecture

lina ghotmeh brings sweeping arches to new hermès workshop

hermès maroquinerie de louvriers by lina ghotmeh 

 

On April 7, 2023, Hermès inaugurated a new Maroquinerie, a high-performance, and low-carbonbrick-clad building in Louviers, France. Completed by French-Lebanese architect Lina Ghotmeh, the 6,200 sqm leather workshop occupies a second site in Hermès’ Normandy hub, perpetuating the house’s artisanal and human culture, as well as its ecological ambitions. The workshop will welcome 260 artisans trained at the Louviers École Hermès des savoir-faire, its apprenticeship training center (CFA) accredited by the French Education Department, which delivers the CAP vocational diploma in leatherworking. This manufacture also includes a saddlery workshop to support the dynamic equestrian métier, historically at 24 rue du Faubourg-Saint-Honoré, Paris.

lina ghotmeh brings sweeping arches to brick-clad hermès workshop in normandy
image © Iwan Baan | all courtesy Hermès and Lina Ghotmeh — Architecture

 

 

the first industrial building to earn the french e4c2 label 

 

Drawing on her unique approach, rooted in what she calls ‘the archaeology of the future,’ Lina Ghotmeh (see more here) focused her quest on the architecture of the space and how it enhances and preserves its site, in line with the house’s values. The Hermès workshop is thus a true technical achievement serving the brand’s environmental goals: it is, to date, the first industrial building to have earned the French E4C2 label. This label assesses the performance of a new facility according to two criteria: energy (E) and carbon (C). Level E4, the highest level, means that the Louviers leather goods workshop is a positive energy building. Level C2, also the highest, denotes the most efficient operation for carbon footprint reduction.

 

The wooden-framed building was constructed on an industrial brownfield site using more than 500,000 bricks, produced 70 kilometers from Louviers to minimize the impact of construction while showcasing the know-how of Normandy’s brick-makers. As the main material used, the brick attests to the local embedding of the project in its environment and offers a palette of red and violet tones that vary according to daylight and the time of the year,’ writes the architectural practice. 

lina ghotmeh brings sweeping arches to brick-clad hermès workshop in normandy
a brick-clad, low-carbon, environmental workshop | image © Iwan Baan

 

 

preserving and celebrating the local site 

 

Indeed, the building’s location takes full advantage of natural light and ventilation to limit the need for artificial lighting, heating, and air conditioning. These needs are met by geothermal energy (with 13 probes at a depth of 150 meters) and more than 2,300 sqm of solar panels, which combine to ensure energy autonomy. Using the soil excavated from the site and the expertise of the Belgian landscape architect Erik Dhont, three hectares of undulating gardens have been created, retaining most of the site’s original trees. Designed to preserve local biodiversity, these gardens are equipped with a system for recovering and directing rainwater into the water table.

 

From its construction to its day-to-day operation, everything has been designed to ensure that the building embraces, extends, and complements its natural environment. This ‘archaeology of the future’ approach also permeates its appearance: echoing the motifs dear to Hermès, the square shape of the workshop is reminiscent of the house’s silk carré, while its graceful arches evoke the trajectory of a jumping horse. This innovative and timeless form, thought of from the smallest scale of the brick and as a new layer in the landscape, also recalls the gestures of artisans, the precision of the hand, and the constant pursuit of excellence and beauty in their leather work. The gardens’ gentle undulations recall the arches of a building that blends into its landscape, down to the materials used to construct it,’ concludes Ghotmeh. 

lina ghotmeh brings sweeping arches to brick-clad hermès workshop in normandy
image © Iwan Baan

 

 

Last but not least, in this precise and harmonious setting, the artist Emmanuel Saulnier was invited to design a piece of art for the ‘village square’, the workshop’s courtyard and meeting place. Inspired by ‘The Epsom Derby’, a painting by Théodore Géricault from 1821, the work consists of seven stainless steel needles suspended by leather stirrup straps custom-made by the house’s bridle-makers. These horizontal lines evoke the movement of horses beneath a light-filled stormy sky and connect it to the artisanal gesture of the expert hand.

lina ghotmeh brings sweeping arches to brick-clad hermès workshop in normandy
image © Iwan Baan

lina ghotmeh brings sweeping arches to brick-clad hermès workshop in normandy
art installation by Emmanuel Saulnier | image © Iwan Baan

lina ghotmeh brings sweeping arches to brick-clad hermès workshop in normandy
image © Iwan Baan

lina ghotmeh brings sweeping arches to brick-clad hermès workshop in normandy
inside the leather workshop | image © Iwan Baan

Reference

View inside ICHI Station restaurant
CategoriesInterior Design

Space tourism informs design of Ichi Station sushi restaurant in Milan

Valencian design studio Masquespacio has completed a dine-in restaurant for takeaway sushi chain Ichi Station in Milan, with interiors designed to resemble a futuristic spaceship.

Set in a historic building in the Brera district, the chain’s latest outpost builds on the same travel and transport concept established across its other outlets – including eight in Milan and another in Turin.

View inside ICHI Station restaurant
Masquespacio has designed Ichi Station’s Brera outpost

But Masquespacio wanted to take this idea to the next level for the new restaurant by drawing on the visual language of sci-fi and space tourism.

“We proposed approaching the travel concept as a trip to the future,” said Masquespacio co-founder Christophe Penasse.

“When you enter Ichi, it’s like entering a capsule-like spaceship travelling through light, where you will disconnect from reality in order to get in touch with the food.”

Takeaway counter of sushi restaurant in Milan by Masquespacio
Customers can pick up orders at the takeaway counter

Masquespacio completely redeveloped the layout of the 80-square-metre site – previously another restaurant – creating a central dining area along with a tunnel where diners can observe some of the sushi-making process.

A pick-up bar close to the entrance was added to separate the circulation routes of take-away customers and diners.

Dining area of ICHI Station restaurant in Brera
The dining area is housed in a cylindrical tunnel

The tunnel motif was developed as a way to express the idea of travel and make a reference to Japan without falling into cliches.

“Some elements were incorporated to remind the customer of Japan, like the huge lighting circles, although we tried to avoid making typical references to Japan such as using wooden structures,” Penasse explained.

The tunnel motif also informed the circular and cylindrical details that pop up throughout the space across seat backs, bar stools and decorative elements such as the circular feature light in the main dining area.

“The shapes and forms give the project the futuristic look that it needed,” the designer said.

Counter seating in Milan restaurant by Masquespacio
Diners can also watch sushi being prepared at the counter

Masquespacio opted for a simple and restrained material palette that includes glass and micro-cement, which was used along with fully integrated tables and seating to create a seamless look reminiscent of a spaceship.

The restaurant’s custom-made furniture brings in another reference to transport design tropes. “You can recognise it as a reinterpretation of the seating in a station and especially on a train,” Penasse explained.

Dining booths in ICHI Station restaurant
LED light panels are integrated into the walls, ceilings and table tops

The interior is finished in neutral shades of beige and off-white but is cast in different vivid colours thanks to the LED lighting system that is integrated into the walls, ceilings and even the table tops.

The lights alternate between shades of blue, green, purple and peach at variable speeds and, according to Penasse, create a veritable “explosion of colour”.

Toilets of restaurant in Milan by Masquespacio
The toilets are finished in contrasting navy blue

Although based in Spain, Masquespacio has completed a number of projects in Italy in recent years.

Among them are two colour-block restaurants for fast-food chain Bun – a blue-and-green interior in Turin and a green-and-purple version in Milan.

The photography is by Luis Beltran.

Reference

Interior of Touch Wood exhibition
CategoriesSustainable News

Yuma Kano creates ForestBank material out of unusable wood

Japanese designer Yuma Kano has created a decorative material that resembles terrazzo from wood, foliage, bark, soil and seeds that was shown at Milan design week.

Kano, who showed his work together with fellow designer Sho Ota as part of the Touch Wood exhibition at the Alcova venue, says the idea behind the project was to find value in not just lumber, but all of the forest.

Interior of Touch Wood exhibition
ForestBank was shown at Alcova in Milan

After gathering unusable wood and other forest materials, he mixes them with a water-based acrylic resin that does not use any reactive mineral bases or volatile organic solvents.

“In the Japanese forest industry, these small pieces of wood are a waste material,” Kano told Dezeen. “I wanted to reuse the waste.”

Seat by Yuma Kano
The material is made from waste wood

The technique invented by Kano creates a material with patterns that vary depending on the angle and depth of the cut into it, as well as on what ingredients – such as foliage, wood, bark, soil and seeds – were combined.

It means that the furniture made from the trademarked ForestBank material might also change how it looks as it grows older.

“The green leaves mixed in change to orange and brown as the seasons change,” Kano said.

“In addition, earth from the forest floor can be mixed in, adding browns and blacks, you can see the complex patterns of the cross sections of roots and seeds ordinarily hidden in the earth, and take notice of the different coloring that different species of trees have.”

ForestBank table by Yuma Kano
The finished material resembles terrazzo

Kano has made a collection of furniture from the material that includes a table, seats and a clothes hanger, and said the pieces can eventually be recycled to create more ForestBank material.

“I’m actually reusing the dust from the original pieces for future pieces,” he explained.

Hanger at Touch Wood exhibition
A sculptural hanger was on show at Touch Wood

The focus of the Touch Wood exhibition in Milan was to showcase ways of using wood that would have otherwise gone to waste.

Here, Kano’s furniture pieces were juxtaposed with Ota’s furniture collection, called Surfaced, which is made using wood that was scheduled to be discarded from workshops and factories.

The designers hoped that the exhibition would showcase designs that mass-production cannot achieve.

“The material can show the uniqueness of each little piece of wood,” Kano said.

ForestBank seat
A chair has a back made from ForestBank

This year’s Milan design week featured a number of projects by emerging designers. We looked at five emerging designers showing in Salone del Mobile’s Salone Satellite section and rounded up ten standout installations in Milan as part of our coverage.

Touch Wood was on show from 17 to 23 April 2023 as part of Milan design week. See Dezeen Events Guide for more architecture and design events around the world.

Reference

A jellyfish-like robot could clean the oceans
CategoriesSustainable News

A jellyfish-like robot could clean the oceans

Spotted: Ocean waste has become a serious problem. The ocean is filled with an estimated 5.25 trillion pieces of plastic debris, equating to 46,000 pieces per square mile. To hopefully rid the waters of this problem, roboticists at the Max Planck Institute for Intelligent Systems in Stuttgart (MPI-IS) have developed an underwater robot inspired by jellyfish to collect waste from the bottom of the ocean. 

Other scientists have thought to combat ocean waste using robots, but existing underwater devices tend to be inconveniently bulky and rigid, which means they cannot explore complex environments. Often, they are also noisy because of their electrical motors or hydraulic pumps. 

Instead, the MPI-IS team took inspiration from the ocean and created the ‘Jellyfish-Bot’ – a versatile, energy-efficient, virtually noise-free robot that is just the size of a hand. It can also operate alone or with several others in combination. In the Jellyfish-Bot, the team decided to mimic a jellyfish’s ability to swim upwards and trap objects along its path. This function helps the robot collect waste particles that can then be transported to the surface, where they can be recycled. The robot is even able to collect fragile biological samples like fish eggs. 

Video source MPI for Intelligent Systems

Compared to similar inventions, the Jellyfish-Bot works faster – up to 6.1 centimetres per second, and only requires a low power input of around 100 megawatts. Crucially, if the robot breaks or is torn apart in the water, the polymer material is safe for both humans and fish. 

The team is currently working on making the Jellyfish-Bot completely wireless, and has already incorporated the necessary parts to enable wireless manipulation.  

The Jellyfish-Bot is not the only robot tackling ocean waste. Springwise has also spotted the SeaClear system, which uses a combination of robotics and machine learning to locate and remove marine debris.

Written By: Anam Alam

Reference

Tomoaki Uno Architects-designed workspace in Japan
CategoriesArchitecture

Wooden logs frame Forest Office in Japan by Tomoaki Uno Architects

Columns made from thick wooden logs fill this office in Nagoya City, Japan, created by local studio Tomoaki Uno Architects at the base of a former apartment block.

Named Forest Office, the small workspace was commissioned by a client who simply requested that “something interesting” be created within half of his office space.

It was Tomoaki Uno Architects‘ second commission by the client, with the first being a sky-lit dwelling nearby named Ogimachi House.

Tomoaki Uno Architects-designed workspace in Japan
Tomoaki Uno Architects has created Forest Office in Japan

“There were no specific requirements for [the project],” studio founder Tomoaki Uno told Dezeen.

“As someone who usually works within functional constraints, this was an exciting opportunity for me,” he continued.

Drawing on the site’s natural surroundings and a nearby shrine, Tomoaki Uno Architects prioritised natural materials and rough finishes to create an atmospheric, multipurpose space.

Tree-trunk columns inside Forest Office in Japan
The workspace is filled with columns made from thick wooden logs

“I had long been inspired by the unique atmosphere I felt every time I walked along the approach to Ise Shrine,” said Uno.

“I knew that the irregular rows of large trees had a strong influence on this feeling. Therefore, I thought about using thick logs as a metaphor and seeing if I could recreate something similar,” he continued.

Interior of Forest Office by Tomoaki Uno Architects
A table is nestled at the centre

Inside, the concrete of the existing structure has been left exposed. It is teamed with a new floor and wall with a circular opening, both made of concrete with a rough aggregate.

Large wooden logs, stripped of their bark and spaced equally in a grid, are set into the concrete floor to create the feeling of being in a forest.

Due to their size, the trunks had to be brought into Forest Office horizontally, before being hoisted into position and cast into the concrete floor.

One of these trunks could not fit in the planned location, and all of them ended up being slightly tilted and displaced during construction, which Uno embraced as “serendipity”.

Japanese workspace filled with tree trunks
The columns are set into the rough concrete floor

“In a nutshell, this is a question of how to deal with nature,” said Uno. “Whether consciously or not, architects are constantly being questioned in every aspect of how they approach nature and their thoughts,” he continued.

“I explored unbuilt boundaries with this project, and I wanted to confirm that the presence of the spirit felt in nature is the origin of architecture.”

Concrete wall inside Forest Office by Tomoaki Uno Architects
A wall with a circular opening has been added

A kitchenette and bathroom occupy one corner of Forest Office, while a small table and chairs nestle between the large trunks at the centre.

Tomoaki Uno Architects was founded by Uno in Nagoya in 1990. Its previous projects include a concrete home with an Aztec-informed pyramid and a minimal concrete home illuminated by dramatic light wells, both of which are also located in Nagoya.

The photography is by Edmund Sumner.

Reference

Two holiday residences in Fira by Kapsimalis Architects
CategoriesInterior Design

Eight cave-like interiors that celebrate curved forms

A spa with a spherical swimming pool and holiday homes with sloping plaster walls feature in our latest lookbook, which showcases eight cavernous Greek interiors.

Cave-like interior designs are becoming increasingly popular, as seen in the Gilder Center by Studio Gang – a recently completed museum extension in New York with a large grotto-like atrium.

In Greece, which is known for its caves, there is a wide variety of cave-like architecture either built from existing geological structures or designed to mimic these natural dugouts. Thick, curved walls are often chosen to protect interior spaces from the country’s Mediterranean climate.

As the weather becomes warmer in the northern hemisphere, here are eight cave-like interiors from Greece that are defined by their curved shapes.

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring homes with striking bookshelves, outdoor showers and offbeat bakeries.


Two holiday residences in Fira by Kapsimalis Architects
Photo is by Yiorgos Kordakis

Summer houses, Santorini, by Kapsimalis Architects

Local studio Kapsimalis Architects converted two underground caves at an old property in Santorini into summer houses with bright white facades.

Inside, the homes are characterised by smoothed-out interiors finished with earthy-hued plaster, while arched doorways and niches nod to the property’s history.

Find out more about these summer houses ›


Interior of house on the island of Nisyros
Image is courtesy of Greg Haji Joannides

Sterna Nisyros Residences, Nisyros, by Greg Haji Joannides

Designer Greg Haji Joannides renovated the interior of an earthquake-damaged house on the island of Nisyros using historic photographs as a guide.

On the ground floor, wide brick archways create an open-plan layout that allows the space to double as an exhibition site for artists in residence.

“The inspiration behind this design was to keep as much as possible of the original way the Nisyrians would build houses,” Joannides told Dezeen. “They would use the ground floor as a storage or working space.”

Find out more about this island house ›


Wooden Cave by Tenon Architecture
Photo is by Spyros Hound Photography

Wooden Cave, Trikala Korinthias, by Tenon Architecture

Wooden Cave is a timber-clad suite that forms part of Hyades Mountain Resort – a hotel in the mountainous village of Trikala Korinthias.

Tenon Architecture split the suite into two sections that intend to mirror the appearance and experience of entering a cave. The front half features ashy black tiles arranged in a linear formation, while the rear half is made from almost 1,000 pieces of curved hand-cut spruce.

“This division intends to create a clear distinction between the hard, ‘protective’ shell and the curved, ‘inviting’ interior, reminiscent of the form of a cave,” explained the architecture studio.

Find out more about Wooden Cave ›


Curved interior of hotel in Santorini
Photo is by Giorgos Sfakianakis

Saint Hotel, Santorini, by Kapsimalis Architects

Kapsimalis Architects converted a cluster of former homes, barns and cellars in Santorini into the Saint Hotel – the volumes of which are arranged in a stepped formation down a sea-facing cliffside.

Inside, smooth cavernous walls were finished in white plaster that creates a subtle backdrop for minimal fittings and amorphous furniture.

Find out more about Saint Hotel ›


House interior in former stable on Greek island
Photo is by Sylvia Diamantopoulos

Retreat in Tinos Island by Ioannis Exarchou

Retreat in Tinos Island is a 100-year-old stable that was transformed into a cosy holiday home for two by architect Ioannis Exarchou.

Exarchou set large stones and thick tree branches into the dwelling’s ceiling, clad the walls in smooth white plaster and covered the floors in coloured concrete.

“My main objective was to retain and preserve the cavernous unique feeling of the space,” the architect told Dezeen.

Find out more about Retreat in Tinos Island ›


Santorini holiday home by Kapsimalis Architects
Photo is by Yiorgos Kordakis

Holiday home, Santorini, by Kapsimalis Architects

The cave-like subterranean spaces and vaulted rooms within this Santorini holiday home were renovated by Kapsimalis Architects to retain the building’s existing architecture.

The studio worked to simplify the complex interior layout, which features a labyrinthine arrangement of spaces that are brightened by all-white plaster walls.

Find out more about this holiday home ›


Euphoria spa in the Euphoria retreat by decaARCHITECTURE
Image is courtesy of DecaArchitecture

Euphoria Spa, Mystras, by DecaArchitecture

Carved into the base of a mountain in Mystras, Euphoria Spa is made up of differently scaled elliptical spaces that are connected by a web of catacomb-style passages.

One of these areas contains an indoor spherical pool that is characterised by a dark central structure that can be accessed via curved archways.

“Floating in the centre of this dark orb there is a sense of being suspended in the void of a platonic volume, but also a sense of womb-like calmness,” said DecaArchitecture.

Find out more about Euphoria Spa


Santorini apartment
Photo is by Julia Klimi

Holiday apartments, Santorini, by Kapsimalis Architects

Arched niches and grey cement plaster floors create neutral living spaces within these four holiday apartments, which were built near Santorini’s highest point.

The complex’s terraces and retaining walls were formed from rocks excavated from the site to create a continuity between the architecture and the surrounding mountains.

Find out more about these apartments ›

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring homes with striking bookshelves, outdoor showers and offbeat bakeries. 

Reference

Image of a forest being logged by Maksim Safaniuk
CategoriesSustainable News

Dezeen In Depth explores the sustainability of mass-timber buildings

Image of a forest being logged by Maksim Safaniuk

The third edition of our monthly Dezeen In Depth newsletter features a dive into why the sustainability of mass-timber buildings can’t be taken for granted. Subscribe to Dezeen In Depth now.

Architects are increasingly using mass timber in the hopes of creating net-zero buildings but carbon assessments are missing key sources of potential emissions, researchers tell Dezeen in this feature from our Timber Revolution series which ran throughout March.

The standard method for determining a building’s overall carbon footprint is a whole-building life-cycle assessment (LCA) that breaks down emissions at every stage – from the sourcing of raw materials to their ultimate disposal.

These calculations tend to indicate significantly lower emissions for timber structures compared to those made entirely out of concrete and steel. But experts warned that LCAs only tell part of the story. Read the feature ›

Aerial render of W350 Plan by Nikken Sekkei
Building tall with timber “does not make sense” say experts

This month’s newsletter also features an opinion piece from architecture critic Aaron Betsky which argues David Chipperfield did not deserve to win the 2023 Pritzker Architecture Prize and an exclusive interview with urbanist Carlos Moreno who responds to the “shocking” conspiracy theories surrounding his 15-minute city concept.

The lead image is by Maksim Safaniuk via Shutterstock.

Dezeen In Depth

Dezeen In Depth is sent on the last Friday of every month and delves deeper into the major stories shaping architecture and design. Each edition includes an original feature article on a key topic or trend, an interview with a prominent industry figure and an opinion piece from a leading critic. Read the latest edition of Dezeen In Depth or subscribe here.

You can also subscribe to our other newsletters; Dezeen Agenda is sent every Tuesday containing a selection of the most important news highlights from the week, Dezeen Debate is sent every Thursday featuring a selection of the best reader comments and most talked-about stories and Dezeen Daily is our daily bulletin that contains every story published in the preceding 24 hours on Dezeen.

Reference

Using biotech for sustainable chemical manufacturing
CategoriesSustainable News

Using biotech for sustainable chemical manufacturing

Spotted: The global chemical industry emits more than two gigatons of carbon dioxide each year, according to Deloitte. And many of the catalysts used to accelerate reactions today contain heavy metals which can contaminate the environment if not disposed of properly. This has sparked the interest of new generation of innovators who are looking to make the chemicals industry more sustainable.

One way to do this is to replace metallic catalysts with something healthier that can underpin less energy-intensive processes. To this end, Oxford biotechnology company HydRegen has created a bio-based manufacturing material that replaces heavy metal catalysts. Using a bio-based catalyst allows the production process to work on lower temperatures and lower pressure. That decrease then reduces the amount of energy needed to run the process, which contributes to a significantly lower carbon footprint.

Video source HydRegen

HydRegen’s compounds are designed to slot into existing infrastructure as direct replacements for the toxins used by the pharmaceutical and chemical manufacturing industries. One of HydRegen’s investors estimates that if Paracetamol production switched over to biocatalysts, the industry would save hundreds of thousands of tonnes of CO2 emissions every year. 

The company works with organisations at all stages of production and can supply a range of biocatalysts from very simple to complex new materials that work with a business’s proprietary enzymes. HydRegen recently raised £2.6 million (around €3 million) in investment to use for licensing its technology and expanding the team in order to support commercial deployment of the innovation.   

Industrial manufacturing contributes so many toxins to the environment that Springwise has spotted a range of innovations – such as artificial intelligence (AI) used in net-zero metal casting and a copper replacement that stores carbon – that are helping to clean up the industry.

Written By: Keely Khoury

Reference