Paper made from fallen leaves
CategoriesSustainable News

Paper made from fallen leaves

Spotted: The global e-commerce packaging market is expected to reach a total market value of almost $100 billion (around €92 billion) by 2027, a huge increase from the 2020 value of $35 billion (around €32 billion). Many retailers recognise the high environmental costs such a volume of packaging incurs and are actively seeking recyclable, reusable, and compostable alternatives.  

Paper is often considered a better option than plastic, yet some innovators are seeking ways to avoid deforestation by finding alternative sources of cellulose. One of the most successful so far is Valentyn Frechka and his company, Releaf. As a young student in Ukraine, Frechka spent years studying cellulose to find an alternative way of making paper. After testing fallen leaves, he began working on the technology that is now the base for Releaf, an international distributor of paper and paper packaging.  

Releaf paper is made exclusively from collected biowaste and recycled fibre. The new manufacturing process uses 15 times less water than traditional paper production and reduces carbon emissions by 78 per cent. Much of the feedstock for the company’s products comes from urban street cleaning teams.  

After collection, the leaves are cleaned, dried, and then turned into granules for long-term storage. The granules are stable, allowing the company to keep raw materials on hand for steady production cycles. Releaf produces paper ranging in weight from 70 to 300 grammes per square metre, along with a range of wrapping papers, bags, and e-commerce envelopes. Not only does the Releaf process relieve pressure on the world’s forests – it also helps city governments sustainably dispose of biowaste that would otherwise clog street drains and sewage pipes.

Other paper innovations Springwise has spotted recently include a single-use paper cup with integrated lid and a recyclable paper-based alternative to plastic bubble wrap.

Written By: Keely Khoury

Reference

Pushing the Envelope: 6 Innovative Façade Designs in Higher Education Buildings
CategoriesSustainable News

Pushing the Envelope: 6 Innovative Façade Designs in Higher Education Buildings

Judging for the 11th A+Awards is now underway! While awaiting the Winners, prepare for the upcoming Architizer Vision Awards, honoring the best architectural photography, film, visualizations, drawings, models and the talented creators behind them. Learn more and register >

A building’s façade is like the skin that does not only allow the building to breathe but also allows it to see and converse with its context and users, responding to many social, environmental and historical factors, such as climate, building identity, program, interior-exterior relationships and user experience, among other considerations. Through this collection, the innovative façade designs of a number of higher education buildings are shown, with more responsibility falling on the façades of this building typology for the way they are expected to show and not only teach students about architectural design and the values of the educational organizations they represent.


Architecture Faculty in Tournai

By Aires Mateus, Tournai, Belgium

Photo by Tim Van de Velde Photography

Photo by Tim Van de Velde Photography

The new Architecture Faculty in Tournai building has its form shaped by the surrounding historical city block, both used and getting used by the adjoining buildings that manage to coexist, despite the difference in their identities and time periods. Designed to connect the existing structures together through a set of vertical and horizontal circulation elements while housing different interior spaces for architectural education, the building evokes the architectural heritage of the city through its use of iconography.

The completely solid main elevation, constructed out of concrete and steel and covered with sanded plaster and grey paint, diverts the attention to the neighboring buildings and allows the new building to comfortably fit into the context, boldly subtracted with a distinctively house shaped three dimensional volume that accentuates the entrance and welcomes users.

Photo by Roberto Ortiz Giacoman and Jorge Taboada

Photo by Roberto Ortiz Giacoman and Jorge Taboada

The façade of this majestic concrete building is three-dimensional, changing directions between the vertical and horizontal planes and artfully mastering the relationship between the building’s interior and exterior while blurring the lines between both, framing the ‘Sierra Madre’ mountain range and opening up the building to the sky and the surrounding landscapes.

The three-dimensional volume that is called “The Shell” almost looks like a solid shape from a distance, especially for the way it spans a distance as long as 80 meters and the way its concrete panels seamlessly align across the building’s several sides and faces. The design of “The Shell” would have not been possible without its innovate structural design, utilizing a principle called composite action where concrete works alongside the structural steel to carry the weight of the building and its materials.


Masdar Institute

By Foster + Partners, Abu Dhabi, United Arab Emirates

The façade design of the residential buildings at the Masdar Institute offers a modern interpretation of Al Mashrabiya, which is a traditional Islamic architecture element where turned wood is used to produce latticed patterns adorning oriel windows facing that face the streets, for shading and privacy. For materials, the façades are constructed out of sustainably developed glass-reinforced concrete and colored with local desert sand to integrate the building with the context, with the buildings being completely powered by solar energy. Through an alternation of the façade elements between recession and protrusion and proper building orientation, the building is not only self-shading but is also sheltering of the neighboring buildings and the pedestrians at street level.


Scottsdale Community College Business School And Indigenous Cultural Center

By Architekton,Scottsdale, AZ, United States

Built on the land of the Salt River Pima Maricopa Indian Community (SRP-MIC) in Arizona, the building rose from the ground holding traces of the native saguaro cactus, in a notion that celebrates the indigenous community’s connection to their land. Technically speaking, the façade design utilized imbedding saguaro ribs into concrete tilt panels, organized into the formwork during construction and protected against concrete by pouring sand into the ribs.

After the panels were cast, the architectural team and the contractor determined the final appearance of the building by deciding which saguaro to burn, remove or conceal. The design of the façade allowed the building, which also houses the Business School, to visually converse and connect with the context and the adjacent east Red Mountain, while also teaching visitors about the native history of the community who views the saguaro as a symbol of life.


Faculty of Architecture and Environmental Design

By Patrick Schweitzer et Associés Architectes, Kigali, Rwanda

For design of the new Faculty of Architecture and Environmental Design in Kigali, the architectural team drew inspiration from the surrounding landscape and topography, reflected on the thirteen distinctively shaped prism volumes that house the classrooms and design studios. The façade design further emphasized the distinctiveness of the prism shapes, alternating in materials between the local lava rocks and rammed earth on the exterior side of the prisms and a striking orange color on the interior sides.

The use of the former represents Earth and the later represents Fire, as part of the four natural elements that guided the design conception, alongside Water represented in the inner gardens and Air in the building’s circulation. The design of the openings on the building’s exterior aimed to maximize the use of natural sunlight to reduce running costs and create more pleasant interiors, with the project serving as a pedagogic tool that shows and not only tells students how to design.


Coil School for the Arts, Riverside Community College

By LPA, Riverside, CA, United States

The music that plays inside the new Coil School for the Arts could be seen reflected on the façade design of the main elevation, constructed out of phenolic wood panels that evoke the craftsmanship of wooden music instruments, with a pattern that is inspired by the sheet music notations. In response to the desert climate of the area and the building program’s acoustical requirements, heavy concrete grouted masonry was used as the main construction material of the LEED Silver certified building, with openings kept minimum on the building’s exterior and the building mass pushed back at street level to create a sheltered outdoor lobby where visitors can gather. On the southeast façade, an intimate courtyard is designed for students for gatherings and informal concerts, shaded with a trellised structure that filters out the noise from the street and the harshness of the sun.

Judging for the 11th A+Awards is now underway! While awaiting the Winners, prepare for the upcoming Architizer Vision Awards, honoring the best architectural photography, film, visualizations, drawings, models and the talented creators behind them. Learn more and register >

Reference

Architectural Details: Adjaye Associate’s Winter Park Library Is a “Village of Knowledge”
CategoriesArchitecture

Architectural Details: Adjaye Associate’s Winter Park Library Is a “Village of Knowledge”

Judging for the 11th A+Awards is now underway! While awaiting the Winners, prepare for the upcoming Architizer Vision Awards, honoring the best architectural photography, film, visualizations, drawings, models and the talented creators behind them. Learn more and register >

Great civic buildings resonate with people and place. Between vaulted rooflines and sweeping windows, the Winter Park Library in Florida was inspired both by local fauna and the region’s vernacular architecture. Adjaye Associates teamed up with HuntonBrady Architects to create a series of arched pavilions with a porous relationship between interior and exterior for the library and events center. The project’s signature rose-colored precast was brought to life through careful coordination with manufacturers and consultants to create a “village of knowledge.”

The library’s design team aspired to establish a new civic and cultural hub on the northwest corner of Martin Luther King, Jr. Park in Winter Park, Florida. The library was made to embody the values of the park’s namesake as a space for community empowerment. Seven years in the making, the project spans 50,000 square feet across a trio of canted pavilions.

The “village” includes a new two-story library, an event center with rooftop terrace, as well as a new welcome portico to unify the three structures. Each has a different scale and function, but they share a common formal language inspired by Winter Park’s extensive tree canopy.

Arches establish the form of the pavilions, where compound, convex exterior walls are made with a series of scalloping, frond-like patterns. The volumes of the library, events center, and porte cochère come very close to touching. Hoping to draw light deep into the new library, the team created the angled exterior walls that lean outward as they rise from the base.

The rose-pigmented architectural precast concrete was developed with GATE Precast, who fabricated the complex panels framing the arched openings on each façade. The façade alludes to Florida vegetation while establishing durability in a tropical, hurricane-prone environment.

For the precast façade, it was determined that concrete was the only cladding material that could achieve the quality and durability needed for the exterior walls. The texture, color, aggregates and concrete matrix were carefully selected for aesthetics, durability and low maintenance. The curved walls are realized with back-up framing made up of structural steel.

In turn, a series of sloping, arched curtainwalls in the enclosed buildings meet the curved, solid surfaces. The architects mirrored the concrete edge to create continuous seating along the curtain wall. Shallow foundations are used to support the building loads, while the elevated floor and roof are framed using structural steel beams and girders.

The site’s physical constraints required efficient use of space for the buildings, the belvedere and parking. The team worked with TLC Engineering General to form the façade and the shaded indoor-outdoor spaces. They evaluated several structural and envelope systems including concrete and steel, cast-in-place concrete and precast concrete cladding.

The diverse program includes flexible floor plates for both the library and events center, maximizing adaptability for each. All three pavilions rest on a raised belvedere that provides views onto Lake Mendsen and exterior green community spaces that run between the structures.

The library has become a place where the entire community can interact, learn and gather. Inside, open spaces are framed by four timber-lined cores that contain Winter Park’s historical and archival collection spaces, support zones, and private reading rooms. Designing with the community in mind, the event center was made with a flexible auditorium space and a rooftop terrace that offers views of the lakeside park setting.

Creating parity between the civic library space and the commercially focused event center, both buildings feature a signature sculptural stair. As monumental as it is grounded in its context, the Winter Park Library and Events Center is an ensemble made possible through a diverse team with shared values. The new landmark was made possible through bold ideas and thoughtful detailing alike.

Judging for the 11th A+Awards is now underway! While awaiting the Winners, prepare for the upcoming Architizer Vision Awards, honoring the best architectural photography, film, visualizations, drawings, models and the talented creators behind them. Learn more and register >

Reference

Infinite mirror reflections in pale pink Glossier store
CategoriesInterior Design

Glossier Boston store features pastel green mouldings

Decorative architectural mouldings are recreated in pastel green to frame openings at the Boston store for the cosmetics brand Glossier.

Designed by the company’s in-house team, the permanent Glossier Boston location on the city’s bustling Newbury Street follows a pop-up at the Seaport in 2019.

Infinite mirror reflections in pale pink Glossier store
Mirrors positioned to face one another create infinite reflections at the Glossier Boston store

For the space, the designers took influences from historic local architecture and Boston’s status as a college student hub, with Harvard University and MIT located just over the Charles River in Cambridge.

“With our 10th Glossier location, we wanted to bring something special to the city that honors its metropolitan and scholastic personality,” said the team. “Our influences for Glossier Boston’s design include collegiate fashion and the decorative characteristics of Boston’s local architecture.”

Glossier logo affixed to pale pink wall
The brand’s signature pink hue covers the walls

They also cited the “blush pink stucco, verdant green stone and verdant plant life” of the nearby Isabella Stewart Gardner Museum, which is modelled on a Venetian palazzo, as a source of inspiration for the store interior.

Glossier’s signature Millennial pink shade covers the walls, while cased openings are framed with stylised versions of architectural mouldings found on neighbouring buildings.

Product display in front of large mirror
Products are displayed on wavy trays

Mirrors are positioned to face one another in order to create infinite reflections of customers testing makeup and skincare products.

The merchandise is displayed on the wavy trays, cylindrical displays and rectangular tables found in many of Glossier’s stores.

Soft seating
The store is Glossier’s 10th permanent retail location

Pale wood floors contribute to the soft colour palette, while bright lighting is designed to be flattering.

On the exterior, the tall windows and brass doors are surrounded by marble panels and bronze detailing.

These details contrast the pale hues inside.

“There is also a large step-back from the curbside, filled with lush trees that invite visitors to connect and hang out,” the team said.

Brass doors
Stylised versions of historic architectural mouldings frame cased openings

When Glossier launched in 2014, it became known for its pop-up stores that opened across the US.

The temporary spot that the company installed in Seattle, which was filled with plant-covered mounds, was named small retail interior of the year at the 2020 Dezeen Awards.

Glossier Boston store exterior
The store’s marble and bronze exterior contrasts the interior colour scheme

The brand has since opened permanent locations in cities including Seattle, Los Angeles and London.

All of these share a similar aesthetic and colour scheme, with subtle differences that nod to the specific location and context.

The photography is by Brian W Ferry.

Reference

A software platform for supply chain decarbonisation
CategoriesSustainable News

A software platform for supply chain decarbonisation

Spotted: Supply chains are saturated with carbon. In fact, supply chain emissions are estimated to be 11.4 times higher than the operational emissions of an average company. Industries must cut these emissions drastically to meet worldwide sustainability targets like the Paris Agreement, but for many companies, this is easier said than done. Enter The Climate Choice, a climate-based intelligence software platform set to decarbonise industrial supply chains. 

By combining an assessment with its software, The Climate Choice can show companies how climate-ready they are before generating a specialised, cost-effective, action-oriented solution. The startup also invites suppliers to be a part of the solution too, offering its intelligence and guidance to meet net-zero needs. 

“There is still a large disconnect between the aspirational climate targets and the reality of actions taken – and yet every company now requires a clear and effective approach for reducing their emissions. Data-informed, streamlined processes are key for monitoring, tracking and engaging suppliers in their decarbonization journey for any large supply chain,” said Yasha Tarani, Co-founder & CEO at The Climate Choice. 

Earlier this month, the company announced $2 million (around €1.8 million) in pre-seed funding and is planning to use this to grow further and expand its Climate Intelligence Platform. 

Springwise has previously spotted other innovations that use computers for decarbonisation, including a software platform that makes carbon counting affordable for businesses and an AI (artificial intelligence) that helps high-polluting industries optimise cutting their emissions.

Written By: Georgia King

Reference

Elon Musk Shocks the World With Plans for New Twitter HQ on Alcatraz Island
CategoriesArchitecture

Elon Musk Shocks the World With Plans for New Twitter HQ on Alcatraz Island

Architizer’s Vision Awards is a global awards program for architectural media and representation, recognizing the world’s best architectural photographs, videos, visualizations, drawings and models, and the creators behind them. The inaugural edition opens for entries this spring: Register now.

Elon Musk, everybody’s favorite eccentric billionaire, has done it again. This time, he’s set his sights on the infamous Alcatraz island, which he plans to transform into a futuristic new Twitter headquarters. Yes, you read that right. The prison, once home to some of the country’s most dangerous criminals, will soon be home to some of the country’s most passionate Twitter employees.

A mock up rendering of Musk’s proposal; image courtesy of MJ.

According to Musk, the move is all about efficiency. “We need our most dedicated employees working around the clock to monetize Twitter,” he declared in a recent press conference. “And what better place to do that than a former prison? The isolation, the lack of distractions, it’s perfect.”

But certain details of Musk’s plan aren’t as dystopian as you might fear, given the project’s controversial context. He’s promised to outfit the entire island with the latest and greatest technology, including self-driving golf carts and robot chefs. “All employees who are willing to sign their life over to me deserve the best,” he said. “And that’s what we’re going to give them.”

A sketched sectional drawing for the dramatic structure overlooking San Francisco Bay; image courtesy of MJ.

Not everyone is on board with Musk’s plan. Critics have raised concerns about the historic preservation of the island, and have questioned whether or not it’s appropriate to turn a former prison into a corporate headquarters. But Musk isn’t worried. “Look, Alcatraz has been closed for years. It’s just sitting there, unused. Why not put it to good use?” he argued.

As for the prisoners who once called Alcatraz home? Musk has promised to honor their legacy by turning their old cells into luxury offices. “We’re going to keep the bars on the windows, of course,” he joked. “But we’ll add some beanbag chairs and free snacks to make it more comfortable.”

Mock up renderings of the proposed interiors for the new Twitter HQ; images courtesy of MJ.

Perhaps the most interesting part of Musk’s proposal is his plan for employee incentives. Every time an employee comes up with a new monetization strategy that proves successful, they will be given a “get out of jail free” card that will allow them to leave work early that day. And if an employee comes up with a particularly brilliant idea, they may even be able to earn a day off from work altogether.

In the end, the success of Musk’s proposal will depend on whether or not he can strike the right balance between innovation and preservation. Alcatraz is a place with a complex history, and it will take a careful touch to turn it into something that everyone can be proud of.

Elon Musk toured the interior of Alcatraz last week to size up the changes that will be needed to transform the historic building into Twitter’s new HQ; images courtesy of MJ.

What will Musk come up with next? Maybe he’ll buy the moon and turn it into a giant amusement park. Or maybe he’ll finally unveil his plans for a flying car. Whatever it is, you can bet it’ll be out of this world.

Architizer’s Vision Awards is a global awards program for architectural media and representation, recognizing the world’s best architectural photographs, videos, visualizations, drawings and models, and the creators behind them. The inaugural edition opens for entries this spring: Register now.

Reference

Eye Eye retail space with cutout ceiling to add extra height
CategoriesInterior Design

Glass blocks divide Eye Eye optical store by Best Practice Architecture

Local studio Best Practice Architecture has used punchy colours, glass bricks and dichroic glass inside an optometry store in Seattle’s Leschi neighbourhood.

For Eye Eye‘s second location, founder Will Pentecost got back in touch with Best Practice Architecture, which had completed the brand’s first brick-and-mortar store back in 2015.

Eye Eye retail space with cutout ceiling to add extra height
Cutouts in the low ceiling add extra height to the Eye Eye retail space

Unlike the inaugural space, the new store does not benefit from tall ceilings and a strong street presence.

So the architects had to get creative to turn the “drab” commercial building into a fun and inviting environment.

Glass block partitions divide the store
Glass block partitions are angled to create a more dynamic space

“The client gave Best Practice free range to transform the interior with only three requests: include glass blocks, use lit signage, and incorporate design language from the original location without being too repetitive,” said the studio.

The retail area is situated at the front of the space, facing the street through large windows, while the examination rooms and staff facilities can be found at the back.

Glasses displayed on shelves with the glass block partitions
Niches in the partitions contain mirrors and product displays

The specified glass blocks are used to divide the store, forming angled walls with openings that feature mirrors, product displays and furniture that spans both sides.

“Carefully placed to create an interesting circulation flow and contrast with the orthogonal layout, the clever design provides both form and function, welcoming filtered daylight deep into the space while accommodating basic retail needs,” said Best Practice.

Purple banquette beneath illuminated graphic of concentric arcs
A purple banquette is tucked in a corner for casual consultations

Cutouts in the low ceiling add extra height and expose ductwork that is painted purple – a hue that’s repeated in the upholstery of a banquette tucked in the corner for consultations.

More purple covers the walls in the examination reception area, which is separated from the store by a screen of dichroic glass that changes colour depending on the angle from which it’s viewed.

The glass blocks appear again as a partition between the clinic reception and the exam rooms behind, which are outfitted with custom medical equipment and wood cabinetry.

Signage that echoes the original Eye Eye branding is also installed in the retail space, including a concentric circle that echoes vintage eye tests and two large “E” letterforms.

Dichroic glass partition
A dichroic glass screen separates the retail space from the examination area

“With this new space, Best Practice brings Eye Eye’s vision to life once again through an exploration of materiality, the patient experience, and a fresh take on a commercial space,” said the studio. “It’s an eye care clinic reimagined.”

Founded in 2011 by Ian Butcher, Best Practice Architecture has completed a variety of projects in and around its home city of Seattle.

Exam room at Eye Eye
Exam rooms are outfitted with custom medical equipment and wood cabinetry

These range from updating a historic bungalow and transforming a storage shed into backyard studio, to designing a men’s footwear store.

The photography is by Rafael Soldi.


Project credits:

Architect: Best Practice Architecture
Design team: partner in charge: Kailin Gregga; partner/principal architect: Ian Butcher; lead designer/project architect: Sarah Smith
Contractor: Metis Construction
Graphics and branding: Drew Hamlet
Custom signage: Western Neon
Custom casework: Creoworks

Reference

Electronic yarn woven into sportswear measures exhaustion levels
CategoriesSustainable News

Electronic yarn woven into sportswear measures exhaustion levels

Spotted: According to a survey conducted by the European Commission, 38 per cent of people exercise or play sport once a week. Of course, exercise is great for physical and mental wellbeing, but pushing ourselves too far during a workout is easy, and this over-exertion can make people more prone to injury. 

This is why researchers at ETH Zurich have developed an electronic yarn that can carefully measure how a person’s body moves. The textile sensor, which is integrated directly into close-fitting sportswear or work clothing, can predict and detect the wearer’s exhaustion levels. 

Video source ETH Zürich

The new sensor reveals when you have reached your physical limits during exercise and when you should take a break by simply glancing at your smartphone. Sensors and electronics can be integrated into clothing thanks to the yarn’s structure, in which the inner fibre is made of conductive, elastic rubber. “These two fibres act as electrodes and create an electric field. Together, they form a capacitor that can hold an electric charge,” says Tyler Cuthbert, a central figure in the research and development of the invention. 

Because this stretchable sensor can be woven into the material fibres of flexible and close-fitting clothing, large-scale production is easier and cheaper. And because the sensor is worn so close to the body, it’s possible to capture bodily movements extremely precisely. 

Right now, the researchers are working on turning their prototype into a market-​ready product. 

Springwise has previously spotted other smart clothing innovations, including one that monitors the wearer’s heartbeat and another that measures a customer’s precise body shape to avoid online clothes returns.

Written By: Georgia King

Reference

warm nest by ark-shelter combines neuroscience with design to comfort patients
CategoriesArchitecture

warm nest by ark-shelter uses neuroscience to achieve comfort

Warm nest provides a calming environment for recovery

 

Ark-shelter showcases their expertise in creating calm environments with Warm Nest, a Maggie Center in Belgium. The healthcare facility is designed to provide a comfortable setting while patients receive cancer treatment and heal. Maggie Keswick Jencks conceptualized the Maggie Center after experiencing cancer diagnosis, treatment, remission and recurrence. Her insights were valuable in pioneering a new architectural approach to cancer care. In Warm Nest each room is specifically designed to reflect the level of intimacy and the emotions that occur within.

warm nest by ark-shelter combines neuroscience with design to comfort patients
Ark-shelter showcases their expertise in creating calm environments with Warm Nest

images by BoysPlayNice@boysplaynice

 

 

ark-shelter uses neuroscience to design different spaces

 

The design practice Ark-shelter specializes in prefabricated dwelling constructions with organic materials, dark tones and heavy glazing, exuding a sense of peace. The feelings evoked in these dwellings are what AZ Zeno wished to capture in the healing center. Throughout the design process, Ark-Shelter consulted a neuroscientist in order to better grasp the influence of space on the human consciousness. The task was to carefully analyze the various emotional touchpoints that occur through cancer treatment and to construct ‘brain healthy spaces’.

warm nest by ark-shelter combines neuroscience with design to comfort patients
the healthcare facility is designed to provide a comfortable setting while patients heal

 

 

a calming and comfortable space where patients regain strength

 

The concept for Warm Nest is a welcoming, non-intrusive space that focuses on calm gatherings, time to regain strength, and the journey to recovery. A soft ramp leads to the entrance and almost every inch of the building has views to the outdoors. The light wood interiors coupled with abundant windows removes the hospital look and feel from the facility. A comfortable courtyard provides a serene slice of nature while protecting from the wind.

warm nest by ark-shelter combines neuroscience with design to comfort patients
Maggie Centers pioneer a new architectural approach to cancer care



Reference

Interior image of the Moschino flagship
CategoriesInterior Design

Moschino store in Millan designed to reference the “history of ancient Italy”

Italian studio Andrea Tognon Architecture has collaborated with former Moschino creative director Jeremy Scott to renovate the brand’s flagship store in Milan.

Located on Via della Spiga, one of Milan’s famed shopping streets, the store sits within the 18th-century Palazzo Perusati, which was recently transformed by real estate company Hines into a luxury retail development.

The store was designed by Andrea Tognon Architecture in collaboration with Scott who aimed to recreate and allude to the history of ancient Italy through a minimalist yet ornamental interior scheme.

Interior image of the Moschino flagship
The Moschino Milan store was designed by Andrea Tognon and Jeremy Scott

“I was inspired by the rich history of ancient Italy and the beauty and decadent opulence of its design,” said Scott.

“Sometimes we start to design from memories, sometimes from form, materials and colours,” added Andrea Tognon Architecture founder Andrea Tognon.

“For this project, I started only from words.”

Photo of the interior of the Moschino Milan store
It is located within a recently renovated retail hub

The Milan flagship spans two floors and covers 380 square metres.

Its ground floor is dedicated to the brand’s women’s ready-to-wear collections and accessories, while its first floor is dedicated to its men’s and kid’s collections.

Photo of the Moschino store
Oversized columns and capitals fill the store

Throughout the interior, Andrea Tognon Architecture used rich materials that speak to Moschino’s baroque flair, which was also highlighted through decorative and oversized architectural elements.

A checkered floor constructed from Botticino marble and green stone, sourced from Brazil, covers the ground floor retail area while the above floors were clad in yellow Siena marble.

A vast stone spiral staircase connects the two floors of retail space and forms a continuation of the oversized checkered floor – with the tread and rise of each step similarly clad in green stone and marble.

Patinated brass lighting stretches rhythmically in horizontal rows across the ceiling of the store. Curving tubular display rails line the boundaries of the interior and were constructed in the same brass finish.

Pale pink spiral staircase
Marble and stone cover the floors

Pops of colour were introduced to the interior through bright yellow lacquered wood shelving that flank the walls of the store and follow its curving profile.

Oversized columns and capitals were placed throughout the interior and function as furniture and display areas for the brand’s products and accessories.

Interior photo of the Milan store
It was designed to reference the ancient history of Italy

Also scattered throughout the store are additional custom furniture pieces that were created by Scott in homage to Moschino’s founder Franco Moschino.

These tables combine two tables which were spliced in the middle, joined together and decorated with marble tops and gold leaf ornamentation.

Photo of shelving at the store
Pops of colours were incorporated throughout the store

Last week news broke that Jeremy Scott was leaving Moschino after a decade-long tenure at the Milanese fashion house. In 2020, Scott replaced models at his Spring Summer 2021 show with puppets that wore the brand’s womenswear collection.

Elsewhere in Milan, London design studios Brinkworth and The Wilson Brothers created a caravan-shaped artist studio for Marni’s flagship store in the Italian city.

The photography is by Adriano Mura.

Reference