Wood-framed seating booths in Bao Express
CategoriesInterior Design

Traditional Hong Kong diners inform interior of Bao Express in Paris

Design studio Atelieramo has completed a retro interior for a Chinese restaurant in Paris, featuring celadon-green walls and curvaceous wooden booths modelled on those found in Hong Kong diners from the 1970s.

Architect Tala Gharagozlou and designer Virginie de Graveron oversaw the interior concept for Bao Express, a restaurant near Bastille in the 11th arrondissement that serves dim sum and bao buns.

Wood-framed seating booths in Bao Express
Bao Express is a Chinese restaurant in Paris. Top photo by Géraldine Martens

Housed in a former button factory, the 500-square-metre space is divided into three areas: a bakery, a diner and a basement bar.

Atelieramo set out to create a series of distinct yet connected spaces that evoke the architecture and pop culture of 1970s Hong Kong – in particular its greasy spoon cafes, locally known as cha chaan tengs.

Wood-lined seating booth in Paris restaurant by Atelieramo
Diners can sit in the eatery’s cosy wood-lined booths

“We reinterpreted snippets of that vibrant Hong Kong urban atmosphere with its coloured pavings, pastel colours, neon lights and dense mix of patterns and motifs,” said the studio.

“The aim was not to create a decor but rather, with a playful nod to these references, create a new atmosphere distinct to Bao’s new space.”

Mint-green dining room of Bao Express restaurant in Paris
A larger skylit dining area is located in the rear. Photo by Géraldine Martens

The adaptation of the existing abandoned building involved significant alterations to the floor plates and structure, along with the addition of a new staircase and circulation.

From the street, customers enter a small bakery and cafe serving sweet and savoury snacks to eat in or take away. What appears as a simple neighbourhood cafe conceals the presence of the larger dining areas, which are set back in the building’s plan.

Pastel-hued staircase in Chinese restaurant by Atelieramo
A new staircase leads down to the basement bar. Photo by Bérénice Bonnot

The kitchens are visible from the street and guests walk past colourful crates of raw produce before passing through a metal curtain to reach the main Bao Express diner.

The long dining space features cosy booths with sinuous wooden frames. The pastel-green walls are contrasted with bespoke bright-red sconces and simple mosaic panels that echo the materials of the central bar.

Towards the rear of the building is a larger dining area topped with an expansive skylight. This bright and airy space is filled with plants that create the feeling of dining in a winter garden.

Exposed masonry walls painted in celadon-green form the basis for a playful colour palette featuring contrasting peach and pink elements as seen in the glossy tabletops.

Bar with hammered-metal ceiling in Bao Express restaurant in Paris
A hammered-metal artwork by SupaKitch decorates the ceiling in the bar

The studio’s eclectic use of colour and pattern extends to the geometric tiled floors and punchy black-and-white stripes that are painted on the walls of the staircase leading down to the basement bar Underpool.

This bar area features a hammered-metal ceiling installation by French artist SupaKitch, with a rippled surface that reflects the blue-green interior and creates the impression of looking up at an upside-down swimming pool.

Swimming pool ceiling installation in Chinese restaurant by Atelieramo
The artwork creates the impression of looking up at a swimming pool

Bao Express is part of a family of eateries in Paris owned by restaurateurs Céline Chung and Billy Pham. Atelieramo was responsible for designing several of the duo’s restaurants, each of which has a unique character inspired by different aspects of Chinese culture.

Another eatery informed by traditional cha chaan tengs is The Astor restaurant in Hong Kong’s Eaton hotel, designed by New York studio AvroKO, which mixes elements of the city’s diners and street food stalls with nods to the arthouse films of Wong Kar-Wai.

The photography is by Carole Cheung unless otherwise stated.

Reference

A device waters plants at their roots to save water 
CategoriesSustainable News

A device waters plants at their roots to save water 

Spotted: Smart water use is a necessity for almost all households. And for the green-thumbed among us, irrigation is a tricky aspect of gardening. Too much water is as dangerous to plants as too little, so working with the weather conditions presents a daily challenge. 

From a family desire to preserve plants passed down from previous generations, came the idea for a subsurface watering and irrigation system called the Root Quencher. Designed to minimise wasteful surface evaporation of water, while delivering water to the roots where it is needed most, the Root Quencher is available in two different sizes and can be used with existing sprinkler systems as well as a simple hose set-up. 

The devices are made from sturdy recycled plastic and last for years. They come in different sizes and can be inserted into the ground at a variety of depths, depending on the size of the plants. Fertiliser can also be added to the device for steady application as the water flows through, and a series of holes in the device can be plugged or uncovered as needed to direct the water.  

New products being released by the company in 2023 and 2024 include an in-ground device that connects to a drip line for hillside watering, and a lawn watering system designed to replace above-ground sprayheads.  

Being more efficient with natural resources is a key component of many innovations as communities strive to reach their SDGs and national carbon neutral goals. Springwise has spotted a system that harvests solar power while providing energy for growing plants, and a zero-emission boiler for home heating.

Written By: Keely Khoury

Reference

Diagram of the colour-changing material showing, from top, a layer of PE film, a gold grid, graphene, a layer where copper is deposited or stripped away, an aqueous electrolyte layer and copper foil
CategoriesSustainable News

Colour-changing facade material could help to heat and cool buildings

Researchers from the University of Chicago have invented a cladding material that changes colour to help with heating or cooling and could be retrofitted to improve buildings’ energy efficiency.

The composite material consists of several different layers including copper foil, plastic and graphene, and based on the outside temperature can change its infrared colour – the colour it appears under thermal imaging.

At the same time, it also changes the amount of infrared heat it absorbs or emits from the building. On hot days, the material appears yellow under thermal imaging, indicating that it is emitting more heat, while on cold days it appears purple because it is retaining that heat.

Diagram of the colour-changing material showing, from top, a layer of PE film, a gold grid, graphene, a layer where copper is deposited or stripped away, an aqueous electrolyte layer and copper foil
Top: the material appears yellow under thermal imaging when in heating mode and purple when cooling. Above: a layer of copper is deposited on a film to trigger heating mode

When used on a facade – for example in the form of shingles – the material could potentially reduce the need for heating, ventilation and air conditioning (HVAC) and lower a building’s overall energy consumption.

“We’ve essentially figured out a low-energy way to treat a building like a person; you add a layer when you’re cold and take off a layer when you’re hot,” said materials engineer Po-Chun Hsu from the Pritzker School of Molecular Engineering, who led the research.

“This kind of smart material lets us maintain the temperature in a building without huge amounts of energy.”

Cladding responds to temperature like a chameleon

The University of Chicago describes the material as “chameleon-like” because it can change its colour in response to the outside temperature.

At a chosen trigger temperature, the material uses a tiny amount of electricity to either deposit copper onto a thin film or strip it away.

This chemical reaction effectively transforms the material’s central layer – a water-based electrolyte solution – into solid copper. The low-emitting copper helps to retain heat and warm the interior of a building, while the high-emitting aqueous layer keeps a building cool.

The layer of water-based electrolytes also helps to make the material non-flammable, and the researchers describe the switching process from metal to liquid and back again as “stable, non-volatile, efficient and mechanically flexible”.

“Once you switch between states, you don’t need to apply any more energy to stay in either state,” said Hsu. “So for buildings where you don’t need to switch between these states very frequently, it’s really using a very negligible amount of electricity.”

Material could reduce energy consumption by eight per cent

As part of their study, published in the journal Nature Sustainability, the researchers also created models to test the energy savings that could be achieved by applying their material to buildings in 15 US cities, representing 15 climate zones.

In areas that experienced a high variation in weather, they found the material could save 8.4 per cent of a building’s annual HVAC energy consumption on average. At the same time, the material relied on just 0.2 per cent of the building’s total electricity for its operation.

As it stands, building construction and operations account for nearly 37 per cent of global carbon emissions, most of which is attributed to building operations including lighting, heating and cooling.

To slash these emissions, the material could be used to retrofit poorly insulated or historic buildings and improve their energy efficiency, as the researchers suggest it would be more convenient to install than insulation.

However, several of its components – including the monolayer graphene and gold microgrid used as transparent conductive layers – are currently still expensive and complicated to manufacture.

The researchers have so far created only six-centimetre-wide patches of the material but imagine assembling them like shingles to form larger sheets.

With the watery layer active, the material is a dark white colour, which turns a coppery brown when the copper layer is active.

But the material could also be tweaked to show different colours by adding a layer of pigments behind the transparent watery layer.

Another approach to keeping buildings cool is to paint them white. For this purpose, researchers at Purdue University recently developed the “whitest paint on record”, which reflects 98 per cent of sunlight.

Images courtesy of Hsu Group.

Reference

Warm-toned bedroom with timber wardrobe and floor-to-ceiling windows looking onto rocky terrain
CategoriesArchitecture

PPAA submerges bedrooms of Mexican house into stony terrain

Local architecture studio PPAA has completed the Echegaray house in the State of Mexico, which features bedrooms looking out to the rocky excavated ground and a communal living space on the top floor with panoramic views.

PPAA created the Mexican house to appear like a black stone rising from the rocky terrain.

Warm-toned bedroom with timber wardrobe and floor-to-ceiling windows looking onto rocky terrain
Rocky terrain surrounding the bedrooms provides privacy

Topped with a wooden pavilion, the Echegaray house has a reversed layout compared to typical houses, with communal spaces on the top floor and bedrooms on the floor below.

The stone terrain surrounding the bedrooms helps to add a sense of privacy and connection to nature.

A dark empty room with floor-to-ceiling window looking onto rocky terrain
Private spaces are located on the lower floor levels

Living and dining areas are on the top floor, inside the wooden structure where large glass sliding doors let in natural light and allow for panoramic views of the surrounding landscape.

“The house breaks with the construction paradigms of the area, where the usual thing is to place the public area on the ground floor and the private area on the upper level,” PPAA founding partner and creative director Pablo Pérez Palacios told Dezeen.

Open-plan kitchen with a timber roof structure and blue kitchen units
The top floor has a wooden structure

“Based on the topographic understanding of the land, as well as the analysis of the context, we decided to invert this arrangement of the programme, which allowed us to provide more privacy to the rooms and grant a panoramic view of that part of the city to the public area, which is turned into a lookout,” Palacios continued

“The house is like a mountain that you have to climb to finally appreciate and discover the view that the project gives you.”

The ground floor, which contains car parking, is finished in grey tones while the floor above where the bedrooms are is finished in warmer colours.

A skylight over the staircase illuminates the circulation space, which guides visitors to the public and social spaces on the top floor without having to move through the more private floor levels.

Terrace with large sliding glass doors leading to an open-plan living room with a white sofa and timber roof structure
Communal areas on the top floor have large glass sliding doors

“The project is a transition of atmospheres, you go from privacy to common, from darkness to light,” said the architect.

The ground floor and first floor are constructed from concrete block walls and according to the Palacios, excavation of the site was kept minimal.

Roof terrace with black dining table and chairs
The openness of the top floor stands in contrast with the lower floor levels surrounded by stone

“In terms of construction, this programme arrangement allowed us to make a minimal excavation on the site, while at the same time making the natural terrain part of the rooms and their natural landscape,” said Palacios.

“This also made the construction of the house more efficient, and in ecological terms, contributed to reducing CO2 emissions.”

PPAA, which stands for Pérez Palacios Arquitectos Asociados, has completed a number of homes in Mexico, including a pair of houses with large glass doors opening onto patio spaces and a home clad in board-formed coloured concrete.

The photography is by Fernando Marroquin.

Reference

Fireplace at the centre of a dining table
CategoriesInterior Design

Frank Architecture puts Japanese spin on cabincore at Hello Sunshine bar

A “psychedelic inverted cabin” provided Canadian studio Frank Architecture with the design narrative for this Japanese casual bar and restaurant in Banff, Alberta.

Located in the mountains of Alberta, Hello Sunshine offers barbecue, sushi and karaoke in a retro-influenced space by Frank Architecture.

Fireplace at the centre of a dining table
Fireplaces sit at the centre of special tables at Hello Sunshine

The team imagined an alternate reality, in which Japanese graphic designer Tadanori Yokoo ventured into the mountains and holed up in a cabin for years, and based the interiors on what the result might have been.

“Taking cues from the unlikely juxtaposition of Japanese psychedelia meets spaghetti western meets mountain cabin, Hello Sunshine is bold, playful, and distinct,” said Frank Architecture, which has an office in Banff.

Fire pit foregrounds a rounded bar behind
The wood-panelled restaurant features a rounded bar at the back

The eatery is located in the middle of the town, which is a popular destination for tourists and winter sports enthusiasts and is laid out to offer a sense of discovery.

“The spatial planning is intended to feel organic and meandering,” the team said. “Upon entry, the restaurant isn’t immediately visible but is slowly revealed as one moves through space.”

Paper lantern above bench seating
Japanese elements like paper lanterns and textile artworks and paired with plaid curtains and plenty of wood

The restaurant occupies a tall open space lined almost entirely in wood, with the rounded bar located at the back and a variety of table seating options scattered around.

Diners can choose between communal benches, four-tops, booths, bar stools, or sit at one of two special tables.

Booths beside angled shingle-covered walls
Booth seating is lined up against angled, shingle-covered walls

This pair of large circular counters both feature a raised fire pit at their centre, below fluid-shaped flues clad in glossy, glazed ceramic tiles.

Japanese design staples like paper lanterns and ceiling-hung textile artworks are combined with mountain tropes such as plaid curtains, exposed stone and plenty of wood.

Blue corduroy fabric is used to cover banquettes, while the booth seating is tucked into a niche formed by angled walls covered with timber shingles.

In the karaoke rooms tucked away at the back, patterned carpet, lava lamps and disco balls add colour and sparkle to the wood-panelled spaces.

Karaoke room with disco ball and lava lamps
Karaoke rooms are enlivened by disco balls and lava lamps

There’s also a concealed tiny bar based on those crammed into the alleyways of Golden Gai in Shinjuku, Tokyo.

“The result is a bold and encapsulating space that surprises and delights guests with unexpected moments and distinctive style,” said the team.

Tiny concealed bar
A tiny concealed bar is based on those found in Golden Gai, Shinjuku

This isn’t Frank Architecture’s only Japanese restaurant – the studio also created an intimate setting for the Lonely Mouth noodle bar in its other home city of Calgary.

For another spot in the Western Canada metropolis, the team drew inspiration from author Truman Capote to set a 1960s vibe at Major Tom on the 40th floor of a downtown skyscraper.

The photography is by Chris Amat.

Reference

Tackling bubbles to make green hydrogen more efficient
CategoriesSustainable News

Tackling bubbles to make green hydrogen more efficient

Spotted: Hydrogen is growing in popularity as a clean alternative to methane. While methane is a fossil fuel, it is possible to generate hydrogen using renewable energy – what is called green hydrogen. This alternative fuel is produced through electrolysis, which uses electricity to split water molecules to generate pure hydrogen, with no harmful by-products. However, today, most hydrogen is produced using steam methane reformation, which requires fossil fuels and produces carbon monoxide as a by-product.

One reason why green hydrogen is not more common is that electrolysis is less efficient because it produces bubbles. But that may be about to change. Assistant Professor Pourya Forooghi from Aarhus University has begun a study that hopes to shed light on the physics behind the bubble formation.

The project, called Heat and Bubble Transport over Complex Solid Surfaces, will run for five years. The goal is to develop reliable modelling tools that can be used to reduce excessive bubble formation in electrolysis, as well as in other technical situations in which bubbles cause problems – such as chemical reactions and drag on ship’s hulls.

The use of hydrogen is ramping up, and Springwise has spotted frequent developments in the field. Recent innovations include the production of hydrogen fuel out of thin air, and a method for vastly increasing the storage capacity of hydrogen.

Written By: Lisa Magloff

Reference

Photo of the Mill food waste bin in a kitchen
CategoriesSustainable News

Mill bin dries and shrinks food waste so it can be sent off for reuse

US start-up Mill aimed to create the ultimate solution to household food waste when designing this bin, which dries out any leftovers so they can be posted to the company and given a new purpose.

Developed by two former Nest employees, the Mill bin slowly heats and mixes any food waste on a low-power cycle to dehydrate and shrink the scraps, allowing the bin to be emptied less often.

Photo of the Mill food waste bin in a kitchen
The Mill bin offers a new way to deal with kitchen food scraps

After a few weeks, when the bin is full, the user tips the resulting “food grounds” into a prepaid box and schedules a pick-up to have it posted back to Mill as part of a membership-based service.

The process presents an alternative to sending food to landfill and composting, which can require specific conditions or combinations of waste to work effectively.

Photo of a woman tipping a tray of food grounds into a carboard box labelled Mill
The bin heats and dehydrates leftovers to become food grounds

The company is currently working through the scientific and regulatory processes to turn the grounds into a commercial chicken feed ingredient.

Mill’s goal is to keep leftovers in the food system and reuse them in the most valuable, resource-efficient way.

Mill box in front of a door
The dried food grounds can be placed into a prepaid box and sent to Mill for reuse

While the bin is in use, Mill promises that there should be no noticeable smell – even as the food scraps are heated.

The evaporating water and air from the bin are pushed through an odour management system that incorporates a charcoal filter before the air is expelled through an exhaust fan at the rear of the bin.

Rendering of three phone screens showing the Mill app showing how the app monitors the grinding of food scraps and schedules pickups of the boxes from members' front doors
Pickups can be scheduled via an accompanying app

Mill was founded by Matt Rogers and Harry Tannenbaum at the start of the pandemic, when the duo found themselves “stuck at home staring at and smelling our own trash”, and becoming increasingly obsessed with waste, according to Tannenbaum.

“We looked at what makes up landfills,” he told Dezeen. “The single largest inhabitant is food and our kitchens at home are the number one source.”

Photo of the Mill food waste bin in a kitchen
The design has a “friendly and approachable” pill shape

“And what’s worse is that, when food ends up in a landfill, not only do we waste all the nutrients and resources that went into growing it and getting it to your plate, it releases methane,” he continued.

Methane accounts for about 20 per cent of global greenhouse gas emissions but because of its potency, it is estimated to trap approximately 86 times more heat in the atmosphere than an equivalent amount of carbon dioxide on a 20-year timescale.

Rogers and Tannenbaum started by thinking about all the ways that the experience of dealing with home food waste could be improved – “no smell, no flies, less trips taking out the trash” – and tried to deliver all these solutions in one package.

“Some of these things are built into the hardware, where the bucket is transformed into a bottomless pit,” Tannenbaum said. “80 per cent of food is water, so it shrinks down significantly when dehydrated so you have to take out the trash less.”

Boy putting stickers on a white Mill bin
A wood veneer lid conceals its inner workings

“Some are more subtle, like the impact tracking so you can see how much you’re wasting and become a better buyer and start saving money at the grocery store,” he continued.

The duo designed the bin in-house, aiming for a minimalistic look and a “friendly and approachable” pill shape, with the LED display interface hidden underneath a wood veneer lid so as not to command attention.

Photo of a girl sliding food scraps into the Mill bin in her family kitchen
The product is currently only available in the US

Mill has recently launched and is currently only available in the US.

Other innovations in waste disposal in recent years include the Townew bin that automatically seals and changes bin bags and the prototype Taihi bin, which composts waste using a Japanese fermentation method.

Reference

One Drawing Challenge 2022: The 100 Finalists (Part 3)
CategoriesArchitecture

One Drawing Challenge 2022: The 100 Finalists (Part 3)

Explore a further 25 extraordinary architectural drawings, each one a Finalist in the 2022 One Drawing Challenge. Let us know which are your favorites on Instagram and Twitter with the hashtag #OneDrawingChallenge!

Previous 25 Drawings     Next 25 Drawings →


“Living Lemon Life” by Siyang CHENZiyue Zhou

The University of Melbourne

“‘Living Lemon Life’ responds to the current development dilemma in Ikuchijima, Japan. Ikuchijima, a trading hub in the Seto Inland Sea, is a beautiful island famous for its popular cycling route, best-selling domestic lemons and an abundance of museums. However, population loss has been affecting the island’s population structure and sustainable development.
Living Lemon Life is a communication center that combines industrial communication, incubation, culture experience, and product transaction. The hub will utilize the potential of the local lemon industry, fill in the gap in relevant comprehensive communication places, and attract industrial immigrants, so as to activate the local community and improve the population structure. Rather than relying solely on agriculture and tourism, the island will see a better lemon life and community atmosphere when combined with new industries and immgrants.”


“Up” by Thomas Schaller

Schaller Architectural Fine Arts

“Examples of architecture can too often be seen as solid objects, but of course, they are not. They contain spaces, voids in which humans interact, work and play, love and live. In this sense, the volumes contained by architecture are the collective kinetic stories of all who have gone before and will yet arrive. This drawing – “Up” – explores the energies of that process, the ideas of entrance and exit, of doors and stairways that we all employ to knit our internal lives to the external world and in some silent way, to one another and to time itself.”


“Lift Cabins” by Stéphane Bolduc

MGA | Michael Green Architecture

“Perched in the soaring West Coast treeline, accessed by pully operated elevator cabs, the Lift Cabins provide the ultimate nature-immersion experience. Ride up as a solo cabin’er or get extra cozy with a +1, enjoy your time way up high, just below the sky!”


“Mirror” by Kim Sao and Blake Wilcox

University of Houston

“In cold grey concrete and abstract forms, spomeniks are monuments imposed on remote historical sites as the symbol of unity during the socialist Yugoslavia. However, as they became associated with opposing ethnic groups during the 1990s Yugoslav Wars, many were destroyed and vandalized as the prime targets for hate crimes. Today, they are the embodiment of war and violence.

Ordinary and unindoctrinated, K-67 is a modular kiosk mass-produced in 1970s to be dispersed around urban centers as small shops. Due to this ability to adapt to the user’s daily life regardless of who they are, K-67 remained a timeless invention which people of Yugoslavia held dear in their memories through the days where the country no longer exist.”


“Destroyed Unity” by Kim Sao and Blake Wilcox

University of Houston

“In cold grey concrete and abstract forms, spomeniks are monuments imposed on remote historical sites as the symbol of unity during socialist Yugoslavia. However, as they became associated with opposing ethnic groups during the 1990s Yugoslav Wars, many were destroyed and vandalized as the prime targets for hate crimes.

Today, they are the embodiment of war and violence.”


“Star-Crossed: Urban Sijelo the Movie!” by Kim Sao and Blake Wilcox

University of Houston

“Long, long ago in a galaxy not so far away… there was a place named “Meeting of Cultures” which marked in Sarajevo where the eastern Ottoman empire kissed western Austro-Hungarian. On this historically diverse landmark where nobody is meeting, and among the ruins of Yugoslav Brutalist monument laid like scars to the ethnic division, clouds of simple materials – wood sticks and nails – formed modular polyhedron units. They bonded into seats, tables, movie screens, theatrical platforms… all of which allows for long-lost nostalgic dialogues. Eventually, Urban Sijelo was concieved.

This is the story of interstellar lovers who reunited in the embrace of Urban Sijelo. Together, the two explored endless possibilities brought by the assembly’s versatile functions and forms.”


“Urban Sijelo: Defining Space!” by Kim Sao and Blake Wilcox

University of Houston

“Urban Sijelo is the materialization of an old Yugoslav concept Sijelo – a social evening gathering featuring traditional music and amusement. The assembly intends to bring people together through endless possibilities in forms, allowing for various leisure communal functions illustrated. The versatile spirit is enabled by multiple 1′ – 6″ polyhedra, the homage to our inspiration K-67 – a modular, spaceship-lookalike kiosk associated with day-to-day memories of the united socialist Yugoslavia.”


“This Is Ecological” by Shawn Teo

DP Architects Pte Ltd

“Hsinta Ecological Power Plant really wanted an innovative design to establish its green corporate image. Yet is it possible to design the three chimney stacks that breaks away from the industrial past? How do we deal with this issue honestly while balancing the fact of energy consumption vis-à-vis conservation of wildlife? What if the building’s skin generates wildlife, becoming an interface for social and environmental uses?

Our design manifesto:

1. By stacking and compacting the facilities, we intensify the land to benefit Man and nature.
2. To be ecological is to understand and accommodate the needs of various habitats and communities.
3. Hsinta Ecological Power Plant brings together the needs of Man and nature for a better future.
This is an imagery, of what is perceived by society and what is imagined by dreamers. It lyricises, or chastises; revolving around what we know and not, what we see or not.”


“Sun-seeking” by Hamid Akhtarkavan

Iowa State University

“Every year, we build taller buildings. Our cities are becoming taller and taller without taking into consideration the natural surroundings. Our cities become more polluted as they become more crowded. Have you thought about the future? Have you considered our children? They are our future.

With the speed that our cities rise, their pollution increases, and we are increasingly missing nature; we are losing it. There will come a time when our children (our future) are searching for the sun (as a symbol of nature) amongst our tall buildings and polluted cities.”


“Unearthing Nostalgia” by bruno xavier and Michelle Ovanessians

University of Houston

“The people of Bosnia & Herzegovina yearn for a sense of unity, once shared by South Slavs during the golden years of late Yugoslavia. The loss of unification in a diverse field of ethnicities, coupled with following years of ravishing war, have instilled an intense feeling of what was now only a nostalgic memory. The government inflicted Spomeniks of the Yugoslav era, now represent the conflicts further perpetrating division and plaguing the Bosnian people.

Despite all plans of unification, a long-lost Yugoslav relic designed by architect Sasa Machtig became the natural unpartisan symbol manifesting a sense of community through its modularity, multifunctionality and temporal nature. The K-67 capsule adopted by all Yugoslavs as an integral part of daily life, naturally brings all walks of life together. Unearthing what was once a monument in its own right and reinventing a method of unification through the rediscovery of the historical K-67.”


“Great Room” by steve marchetti

Studio Marchetti Architecture PLLC

“Design Image for a Modern house in the Hudson Valley. The perspective drawing shows the easy transparency of the public rooms, fostering an inside-outside connection for the family who will dwell here. The house employs western red cedar, local sandstone, and salvaged oak flooring to lend a rustic feel to the architectural crispness. The soft pencil drawing helps to convey this feeling.”


“Hiroshima Hacchobori-no-zu” by Tomoaki Hamano

NIKKEN

“This is a drawing of the near future in Hiroshima Hatchobori intersection.
It creates a new landscape while preserving the traditional landscape.”


“Wheels of Exploitation” by Salmaan Mohamed

““Civilization has done little for labor except to modify the forms of it’s exploitation” – Eugene V. Debs

Overwork culture makes one think of long hours and constant exhaustion as a marker of success. Unpaid overtime work has increased substantially in the present times and people on top of the corporate ladder glamourize the hustle culture. Employees are taught to sacrifice their personal time and sleep to achieve success but in reality their efforts only keep the wheels of exploitation moving.

This scenario is compared to a giant wheel inside a warehouse which is powered by exploited labor. The warehouse being a metaphor to how mechanical the work culture is in the modern times and the workers are constantly reminded to keep the “wheel” moving. Harder they work, more is their depletion of mental and physical well being, with burnout as their only badge of honor.”


“Monsters in Architecture” by Naomi Vallis

Babbage Consultants

“The etymology of a Monsters is to not scare, but rather to show and reveal hidden truths.

The name of this drawing “Monsters in Architecture” attempts to shed light on the architectural hybridity that exists in Aotearoa (New Zealand), which had been previously suppressed in the nation’s historical, architectural narrative.

The drawing aims to showcase some of these culturally hybrid architectures, such as the Indo-Gothic style and the Bungalow style, but also allude to how these had been conceived – primarily from the global migration and transportation of people and cultures.

Digital collage helps to capture this migration of people, particularly from South Asia, who brought with them architectural styles and culture – that have come to merge and influence the environment these were transported to. The result of these movements is the formation of the “Architectural Monster” – a representation of the diversity that exists in New Zealand today.”


“The Woven City” by Shaun Jenkins

J2 Corporation

“The Woven City – an interlaced architectural landscape with a complex array of structures, materials and textures forming part of a cohesive whole.

The built environment is a definition of a city; a statement about its history, ambition or how it wants to be seen. This can affect how people feel about there city and how they identify with the space and place they occupy. The Woven City is an abstract exploration of the possible ways that the built environment can better intertwine with its culture and heritage taking inspiration from the cities of Salford and Manchester and its strong ties to the textile industry.”


“A Glimpse into Mercato” by Polen Guzelocak

Cornell University

“Mercato, Africa’s biggest open-air market located in Ethiopia, is a neighborhood of informalities under the danger of urban erasure by insensitive developer projects. Searching for a solution that can both densify and respect Mercato’s existing social networks, the project looks at architecture through the users’ daily lives and traditions rather than standardized formal methods architects are trained to use and investigates architecture’s potential as a stage that allows creating stories. Through the use of the section cut, the drawing reveals a glimpse of daily lives of Ethiopian women in the project. Nothing is static about the project but the constant dynamism. The section welcomes us to the center with all of the market’s smells, noises and textures, but finds calmness in its architectural expression.”


“The Gardener’s Diary” by Glory Kuk

KPF

“Dear Diary,

I recently rummaged through my old diaries and found melancholic entries.

Located in Renwick Ruins of Welfare Island, an island that housed the undesirables of the city, much like our rejection of mental health problems.

The drawing diary is informed by small details in life and on site, which is spatially translated. It grows as more details are noticed, the drawing itself as a growing diary where it is reconditioned daily by me, tending, caring and maintaining the space. There is a visitor within me who might create chaos within the garden based on their emotions, the other side of my psyche. We shall leave traces for each other as we will never meet.

The drawing is where the garden is architecturised, and the architecture is gardenised.
It is a safe haven to defuse my worries, through this drawing I shall find my peace…

Yours Truly, The Gardener”


“A Conversation of Residential Modernism” by Scott Lafferty

University of Nebraska – Lincoln

“Three iconic pieces of modernist architecture, one each of three architects that we might call pillars of modernism, stack upon one another forming a pedestal. Sitting atop rests a piece, studied and acknowledged, yet somehow less celebrated. Eileen Gray’s E-1027 built upon foundations developed by Le Corbusier, Mies Van Der Rohe, and Frank Lloyd Wright, to develop a design that would become coveted by at least one of them. The piece is held together by its own voids, also acting as the glue holding the pedestal intact to further build upon.”


“A Garden Reconsidered” by Zeb Lund

BVH Architecture

“A Garden Reconsidered explores the notions of divine beginnings/middles/ends and of earthly past(s)/present(s)/future(s) that exist simultaneous, cyclical, and linear. It is an exercise of what might lie behind the facade of divine follies conceived of centuries ago.

It asks questions of real and imaginary when occupying the same space; of dualities amongst groupings of threes. This piece is composed of pieces recalling futures that never came to be and pasts that never quite existed.

It is a visual study of seduction and liberties existing alone and partnered.”


“Trumpopolis” by Victor Enrich

“This drawing essentially warns us about what it would mean for a country such as the US to re-elect the ‘unmentionable’ back for president in 2024 — just in case people forgot about him already.”


“Emotional Structure” by Ying Chang

Ilinois Institute of Technology, Sheehan Nagle Hartray Architects

“The main character in the story is based on a building from hundreds of years ago, the Sendai Mediatheque.

With the rapid development of AI, buildings after hundreds of years will become a “machine for living in”. Buildings will have their own personalities under continuous renovation. In the future, buildings will live in buildings and will express their feelings. They will be happy, upset, and angry… They will express their emotions through their “mood channels”(the colorful pipes). It is a language that humans can easily read to feel their state and improve the “living environment of the building.” No matter which building humans live in, change will occur where humans and buildings live and work together.

Without a human reading of their language, they would die. Helping others to help themselves, human beings will be in this form of beautiful symbiosis with buildings, together with the future environment and resources.”


“un_bound” by Grace Gruverman

California Polytechnic State University San Luis Obispo

“Boyle Heights is often seen as a separate entity to the overall Downtown Los Angeles area. This separation translates physically by this historic district barriered between Eastern Los Angeles freeways and the LA river. However, part of this barrier renews and keeps Boyle Heights prominent and preserves the present Hispanic Community. But, part of this separation has been slowly deteriorating in certain sections like first street that bridges Boyle Heights with neighboring communities.

I decided to explore this complex topic of transportation in relation to my studio site this quarter beside the iconic Mariachi Plaza. I analyzed the various methods of transport to our site to highlight major barriers but also countless connectors as well. While my drawing is primarily black and white, I recognize that this urban fabric of Boyle Heights simply stands as several shades of gray and reiterates that not all borders are merely black and white.”


“BODY // ARCHITECTURE” by Katherine White

University of Kentucky

“The architecture we know now is created with the elements of the “body” that is the earth. A bird’s nest is just as architectural as any man-made structure, but one is considered “nature” while most man-made architecture is not. Partly this is because much of human architecture is, whether desired or not, harming the body of the earth.

What if our architecture was made from our bodies? Would we approach building differently or not? Where is the line between “man-made” and “nature” – is “human” not natural? Here the participants walk through the dreamscape- a sublime horror and beauty created with “somatic” architecture. Is this a design of the human hand and mind, or are we just experiencing it? All of these questions are either answered or left unanswered by the one who walks the path.”


“Cathedral crossroads” by Brian Varano

Silver Petrucelli

“The cathedral as a cross roads signifies a convergence of the community at large. The plaza opens wide to embrace all that approach. This edifice’s presence symbolizes the community’s strength and beckons all to gather. Its towers reach to the heavens reminding one to embrace the beauty in daily life. The cathedral endures and embodies the community’s past, present, and future.

The cathedral depicted shortly after a storm reminds one of the cathedral serving as a beacon even during the worst of times. As the image is dream like, the cathedral takes all who enter into another realm of awe and beauty, even for a fleeting moment. It forever remains present in one’s mind even after one departs. It is continuously cloaked and unveiled with the light and darkness of each day and night and amazes one with it’s monumentality and yet delicate details.”


“Vista Fragmentado” by Malia Marantan

California Polytechnic State University San Luis Obispo

“Through the interlacing of two distinctly different cities – Downtown Los Angeles and Boyle Heights – the relation of consistent, cyclical geometry provides a moment for distinct views to take place, fragmenting each cityscape into an abstract piece of solid and void that come together as one.”

Previous 25 Drawings     Next 25 Drawings →

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Dollis Hill Avenue by Thomas-McBrien
CategoriesInterior Design

Eight neutral home interiors proving that beige doesn’t have to be boring

A residence for retirees in Tel Aviv and a stripped-back Barbican apartment by minimalist architect John Pawson feature in this lookbook of beige interiors designed to bring a sense of calm into the home.

To compensate for their desaturated colour palette, these spaces rely on a varied material palette – ranging from pale timbers and limestone to textured plaster – in order to add visual and tactile interest.

Accompanied by plenty of storage, this helps to create peaceful, decluttered spaces even in tight urban areas.

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring cosy cabins, save-saving pocket doors and Spanish apartment renovations with eclectic tiles.


Dollis Hill Avenue by Thomas-McBrien
Photo by Ståle Eriksen

Dollis Hill Avenue, UK, by Thomas-McBrien

British architecture firm Thomas-McBrien used pale bricks and whitewashed oak joinery to create a “calm and relaxing” atmosphere inside this house extension in London’s Dollis Hill.

In the pursuit of continuity, the timber was used to line everything from the kitchen cupboards and the floors to a newly added partition wall, which conceals a hidden utility room on one side and forms a cosy reading nook on the other.

Find out more about Dollis Hill Avenue ›


Mureli House in Kozyn, Ukraine, by Makhno Studio
Photo courtesy of Makhno Studio

Mureli House, Ukraine, by Makhno Studio

Completed just two months before Russia’s invasion of Ukraine, this home near Kyiv was designed to celebrate Ukrainian craft traditions and is finished almost entirely in beige.

“All materials in the home are natural,” architect Serhii Makhno told Dezeen. “The team used almost all Ukrainian brands and worked with several local contractors to minimise the distance and logistics.”

Find out more about Mureli House ›


Plywood kitchen inside Iceberg apartment by Laila Architecture
Photo by Mikaela Burstow

Iceberg apartment, Israel, by Laila Architecture

Israeli architect Talia Davidi of Laila Architecture used only pale, muted colours when designing this apartment in Tel Aviv, with the aim of turning it into a calm refuge for its retired owners.

To form a brighter, more open floor plan, almost all of the home’s partition walls were removed, while many of the surfaces – including the kitchen and the storage volume-cum-room divider in the living room – were finished in light birch plywood.

Find out more about Iceberg apartment ›


Barbican apartment designed by John Pawson
Barbican apartment designed by John Pawson

Barbican apartment, UK, by John Pawson

In keeping with his typically minimalist style, British designer John Pawson stripped this Barbican apartment back to its bare bones, adding only a smattering of furnishings and pale surfaces all around.

Full-height cupboards were integrated into a central timber volume made of bleached maple wood so that all belongings can be stowed away rather than cluttering the space.

Find out more about the Barbican apartment ›


Minimal interiors of forest retreat designed by Norm Architects
Photo by Jonas Bjerre-Poulsen

Forest Retreat, Sweden, by Norm Architects

Sandy-hued Dolomite plaster, plump greige sofas and a sheepskin-covered lounge chair were used to dress the living room of this traditional timber cabin in a Swedish forest, which Danish studio Norm Architects has converted into a pared-back holiday home.

“Creating homes is often an exercise in restraint,” explained co-founder Jonas Bjerre-Poulsen. “And while the creation of a simple, authentic and welcoming space might seem effortless and natural once completed, the journey to simplicity and the exercise of finding essence is often rather complex and not an easy task.”

Find out more about Forest Retreat ›


Bedroom inside Low Energy House designed by Architecture for London
Photo by Lorenzo Zandri and Christian Brailey

Low Energy House, UK, by Architecture for London

Architecture for London founder Ben Ridley aimed to celebrate the “modest beauty” of this three-floor Edwardian house in Muswell Hill when turning the neglected building into his own home.

Instead of cement-based products, natural materials including limestone, lime plaster and timber were used throughout the scheme to emphasise the home’s original details while also lowering its embodied carbon footprint.

Find out more about A Brutalist Tropical Home ›


White bedroom with sculptural wooden furniture
Photo by Do Sy

Brown Box apartment, Vietnam, by Limdim House Studio

Creamy terrazzo features not just on the kitchen counters but spills out across all of the floors of this apartment in the Vietnamese port city of Huế, designed by local practice Limdim House Studio.

Curving walls covered in textural plaster provide a backdrop for the interior’s restrained colour palette, which is warmed up with a handful of wooden furnishings to evoke a sense of quiet sophistication.

Find out more about Brown Box apartment ›


Wood Ribbon apartment by Toledano + Architects
Photo by Salem Mostefaoui

Wood Ribbon apartment, France, by Toledano + Architects

A sinuous plywood wall snakes its way through this Haussmann-era apartment in Paris, forming integrated shelves in the sitting room and storage cupboards in the kitchen that can be pushed back to reveal the sink and appliances.

The pale wood complements the apartment’s original parquet flooring and ornate plasterwork, paired with tonal furnishings including an oatmeal-coloured sofa in one room and a travertine island in the other.

Find out more about Wood Ribbon apartment ›

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring cosy cabins, save-saving pocket doors and Spanish apartment renovations with eclectic tiles.

Reference

Natural food colourants made from fungi 
CategoriesSustainable News

Natural food colourants made from fungi 

Spotted: Food colourings have had a bad press in recent years. For example, following reports that artificial dyes in foods cause neurobehavioural issues in children, a petition was delivered to the United States’ Food and Drug Administration (FDA) seeking removal of the food colourant Red 3 from the country’s list of approved additives. And another issue is the fact that many artificial food colourants are petroleum-based, making their production environmentally unsustainable. 

Step forward the power of fungi. Biotechnology company Michroma is engineering fungi and utilising precision fermentation to create a new library of natural colourants and other ingredients crucial to the food and drug industries. The company’s first product is Red +, a temperature-resistant bright red shade that is pH stable across the entirety of the food ingredient spectrum. Made by bioengineering fungi that are then produced in batches via precision fermentation, the colourant is cost-effective to produce, unlike most other natural food colours that require significant agricultural resources to grow.

Video source Michroma

The company focused its launch on the warm colours of the spectrum because they are used in 90 per cent of food market products. Michroma’s ingredients are vegan, non-GMO, halal, and kosher, making them ideal for a diversity of uses. The combination of general stability and temperature resistance makes the colours ideal for use in baked goods, confectionary, dairy products, extruded foods, and more.  

The company recently raised $6.4 million (around €5 million) of seed funding that will be used for making other colours, scaling up general manufacturing, and beginning development of additional products to be used as direct replacements for petroleum-based items such as perfumes and flavours.  

Springwise has spotted fungi being used in other ways and the versatility of mycelium is reflected in the broad range of products that use it, including luxury hats and bioleathers.

Written By: Keely Khoury

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