Yurikago House by Mas-aqui
CategoriesInterior Design

Ten Spanish apartment renovations characterised by eclectic tiles

For our latest lookbook, we have collected 10 apartments in Spain that have been brought to life using decorative tiles, from preserved 20th-century features to speckled contemporary terrazzo grout.

Known for its abundance of colourful tiles, Spain has many period apartments with original details including ornate archways and eclectic tiling.

The following architecture and interior design studios have made the most of these traditions when renovating homes, which often involved refreshing the homes’ interiors while maintaining their history, or adding contemporary elements that nod to the past.

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring statement carpets, pop-up shops and homes with sliding doors.


Yurikago House by Mas-aqui
Photo is by José Hevia

Yurikago House, Barcelona, by Mas-aqui

Architecture studio Mas-aqui opened up an apartment in Barcelona by creating multiple levels lined with slabs of exposed concrete, slatted wood and reddish ceramic tiles.

The dwelling was named  Yurikago House after the Japanese word for a cradle, which references the shape of the timber structure that supports part of a new mezzanine that was created in the renovation.

Find out more about Yurikago House ›


Conde Duque apartment by Sierra + De La Higuera
Photo is by German Sáiz

Madrid apartment by Sierra + De La Higuera

Set within a 1940s building, interior spaces in this Madrid apartment were delineated with vibrantly hued Moroccan zellige tiles, from bold yellow accents in the living room to an emerald green kitchen.

The tiles are defined by imperfect hand-moulded surfaces and feature throughout the home in the form of decorative skirting as well as flooring and cabinetry.

Find out more about this Madrid apartment ›


Casa Cas 8 by DG Arquitecto
Photo is by Mariela Apollonio

Valencia apartment by DG Arquitecto

During the minimalist renovation of a 1920s apartment in Valencia, local studio DG Arquitecto preserved the original mosaic elements – flooring that the firm called “typical” of the city.

The studio paired mid-century rattan dining chairs and delicate timber elements with the colourful tiles while original mouldings and decorative arched doorways were also maintained.

Find out more about this Valencia apartment ›


Tiled bathroom in curved bathroom within apartment in the Torres Blancas building
Photo is by José Hevia

1040 Unit, Madrid, by Studio Noju

Working within Madrid’s iconic brutalist Torres Blancas tower, emerging practice Studio Noju created an apartment that balances contemporary details with the building’s brutalist history.

Each of the dwelling’s three bathrooms were individually colour-coded with small geometric mosaics that nod to the green ceramic tiles that clad the apartment’s terraces.

“The [mosaic] material allowed us to solve all the elements of the bathroom such as shower areas, vanities, walls and floors, referencing a similar material strategy used in the original design,” studio co-founder Antonio Mora told Dezeen.

Find out more about 1040 Unit ›


Tiled floors and bookcases within Barcelona apartment by Narch
Image is courtesy of Narch

Barcelona apartment by Narch

Eclectically arranged decorative floors dating back to the early 20th century take centre stage in this Barcelona apartment that was renovated by Narch architecture office.

Known as encaustic tiling, which is common in the city, each tile is created by pouring pigmented ceramics into moulds and pressing them to create a pattern.

Elsewhere in the apartment, doors made from laminated glass screen off its bedrooms. This material was chosen for its neutrality in order to emphasise the space’s ornate flooring.

Find out more about this Barcelona apartment ›


Casa Olivar in Madrid by Matteo Ferrari and Carlota Gallo
Photo is by Asier Rua

Casa Olivar, Madrid, by Matteo Ferrari and Carlota Gallo

Casa Olivar is a two-storey apartment by designers Matteo Ferrari and Carlota Gallo, which is characterised by handmade terracotta floor tiles that complement the home’s muted colour palette.

Created as a “sensorial refuge”, the dwelling includes two large windows in the living room that flood the space with natural light. Earthy-toned, simple materials feature throughout, including textured plaster finishes.

Find out more about Casa Olivar ›


Tiled kitchen within Barcelona apartment by Parramon + Tahull
Photo is by Judith Casas Sayós

Barcelona apartment by Parramon + Tahull

Barcelona studio Parramon + Tahull added bespoke birch plywood joinery and continuous tiled flooring to an apartment in the city’s Gracia neighbourhood, in order to blend with the building’s original features.

Created by Spanish manufacturer Wow, the terracotta tiles feature a mismatched geometric design that covers the entire apartment, including the kitchen and the bathroom.

Find out more about this Barcelona apartment ›


Terrazzo grout made from crushed tiles
Photo is by José Hevia

Laia and Biel’s House, Barcelona, by TEd’A

Architecture office TEd’A used crushed tiles to create playful terrazzo grout in a renovated apartment that belongs to the owners of the Mallorcan tile brand Huguet.

The grout was made from the original terracotta tiles that lined the home before its revamp, which were crushed into tiny pieces to form a reddish-hued aggregate that was mixed with existing white tile grout.

“Our idea was to keep the best parts of the old flat we bought,” Biel told Dezeen, citing sustainability and honouring the apartment’s original design.

Find out more about Laia and Biel’s House ›


End the Roc by Nook Architects
Photo is by Yago Partal

End of the Roc, Barcelona, by Nook Architects

Nook Architects redesigned another apartment in Barcelona while maintaining its distinctive historical details, including a striking mural-style wall that is over 40 years old, timber beams and intricately patterned floor tiles.

“Our approach to End of the Roc revolved around the restoration and consolidation of the building’s original character,” said the architecture studio.

Find out more about End of the Roc ›


Casa Burés by Vilablanch
Photo is by Jordi Folch

Casa Burés, Barcelona, by Vilablanch and TDB Arquitectura

Interior design studio Vilablanch collaborated with TBD Arquitectura to refurbish all 26 apartments within Case Burés – a 20th-century building constructed by the late architect Francesc Berenguer i Mestres.

The team selected “silent” contemporary furnishings to complement Case Burés’ original decorative features, such as stainless steel geometric cabinetry that was chosen so as not to “compete with” or “imitate” the colourful tiled flooring.

Find out more about Casa Burés ›

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring statement carpets, pop-up shops and homes with sliding doors. 

Reference

Modular photobioreactors use algae to capture carbon
CategoriesSustainable News

Modular photobioreactors use algae to capture carbon

Spotted: Almost all industrial facilities emit CO2, and while there are options for capturing the carbon emitted by large plants, there are few options for small- and medium-sized facilities. Now, Danish startup Algiecel has developed a modular photobioreactor (PBR) that can capture CO2 and transform it into algae-based derivative products.

Algiecel’s PBR’s are highly compact and fit into standard 40-foot shipping containers. The PBRs capture CO2 from industrial point emissions using algae, with energy for photosynthesis coming from LED lighting, and the only waste streams being oxygen and process heat – which can be reused. The containers can also be easily scaled for use by almost any facility.

The microalgae grown in the PBR are rich in protein, omega-3, vitamins, and carotenoids and can be split into biomass and bio-oil. This makes it especially useful in products such as aquaculture feed and as a human food supplement. So, not only do the bioreactors prevent CO2 from reaching the atmosphere – they are also a source of new products.

Algiecel adds: “We can thus achieve constantly efficient production with increasing scale compared with competing solutions. The container-based plug and play structure also means a more flexible capex solution for clients.”

In 2022, Algiecel successfully operated a pilot plant and has recently raised kr.10 million (about €1.3 million) in funding to further optimise the technology and create its first full-scale demonstration unit.

Springwise has spotted other flexible carbon capture and storage solutions, such as a novel way to remove carbon from the air and reuse it, and a process that can retrofit HVAC units to remove CO2.

Written By: Lisa Magloff

Reference

Photo of the exterior of the Finnish Design Shop logistics centre in Turku by Avanto Architects
CategoriesSustainable News

Finnish Design Shop creates forest-set logistics centre

Avanto Architects and Joanna Laajisto have designed a logistics centre for retailer Finnish Design Shop that features warm timber, a foraged-food restaurant for staff and visitors, and views of the surrounding forest.

Located on the outskirts of Turku, west of Helsinki, the logistics centre is the hub for storage, management and dispatch of products from the Finnish Design Shop, which says it is the world’s largest online store for Nordic design.

The company needed a new logistics centre after a period of high growth, but founder and CEO Teemu Kiiski also aimed for it to be a meaningful place for employees and visitors.

Photo of the exterior of the Finnish Design Shop logistics centre in Turku by Avanto Architects
The Finnish Design Shop logistics centre is located in the Pomponrahka nature reserve in Turku. Photo is by Kuvio

Employees of the logistics centre can enjoy plenty of light and forest views as well as warm timber environments and a restaurant run by Sami Tallberg, an award-winning chef who specialises in foraging.

The Finnish Design Shop had first explored whether it could convert an existing building in the Turku area, but, finding nothing suitable, chose to build on a site in the Pomponrahka nature reserve, where the surrounding forest would provide a calming work environment and reflect the appreciation for wood in Nordic design.

To undertake construction there responsibly, the Finnish Design Shop says the builders saved as many trees as possible and landscaped the area with natural forest undergrowth and stones excavated from the site.

Photo of the entrance interior to the Finnish Design Shop hub with light pouring through glass curtain walls and chairs displayed in shelves that reach high up the glazing
The entrance features glass curtain walls that connect the interior and exterior. Photo by Kuvio

Avanto Architects designed the 12,000-square-metre building to blend into the forest as much as possible — a challenge given its massing, a product of the warehouse layout.

The layout was created beforehand by specialist consultants to maximise the efficiency of operations, which are carried out by robots in an automated system.

Photo of a showroom featuring furniture by Nordic designers in pale woods and natural colours
The centre includes a showroom. Photo by Mikko Ryhänen

The architects opted for a dark facade with a vertical relief pattern that becomes visible on approach and echoes the tree trunks in the surrounding woodlands.

“The pattern forms a more human scale to the large facade surfaces,” Avanto Architects co-founder Anu Puustinen told Dezeen. “We also used warm wooden accents in the main entrance vestibule, balcony and windows.”

Photo of the wild food restaurant at the Finnish Design Shop hub in Turku
There is also a restaurant that specialises in foraged food. Photo by Mikko Ryhänen

The architects gave the office spaces large windows so the employees could enjoy frequent views of the forest and lots of light, and included a balcony for access to the outdoors on the first floor.

The entrance to the centre is through the showroom, which features glass curtain walls that showcase the use of the building and a long, straight staircase made from two massive glulam beams.

Photo showing views of a warehouse floor through large windows in an office corridor
The first-floor offices have a view of the warehouse floor. Photo by Kuvio

The interior was designed by Laajisto and her studio, who aimed to make the space feel well-proportioned and comfortable despite its size and to create a good acoustic environment by liberally applying sound-absorbing materials.

She kept the colour and material palette neutral and natural, with lots of solid pine and ash wood to continue the forest connection, but used furniture from the Finnish Design Shop in bright colours to punctuate the space.

“The aim was that every aspect in the interior should be done well and beautifully,” Laajisto told Dezeen. “Attention to detail was embraced in things that typically are overlooked, such as doors, plumbing fixtures and electrical hardware selections and applications, acoustic ceiling panels and ceramic tiles.”

The project is the first logistics building in Finland to be certified BREEAM Excellent, the second highest level.

Photo of an open office area with slatted pale wood room dividers and soft furnishings in neutral colours and turquoise
Special attention has been paid to creating a good acoustic environment with sound-dampening materials. Photo by Mikko Ryhänen

Kiiski, who positions the company as the opposite of multinational e-commerce players such as Amazon, aimed for the new centre to be the most socially and environmentally sustainable online store.

“The values that life in the Nordic countries is based on include transparency, equality and respect for nature,” said Kiiski. “It would have been impossible to create this company and our new logistics centre without unwavering respect for these values.”

Wood-panelled kitchen corner
Wood is featured throughout the interior

He believes that global online shopping can be socially and environmentally sustainable when issues in supply chains, logistics and operations are addressed.

“Many studies show that online shopping can have a lower carbon footprint as compared to in-store shopping,” said Kiiski. “This is due to the more efficient logistics in e-commerce and the fact that in-store shopping usually involves private transport.”

“We want to push the whole industry towards a more sustainable future,” he continued.

Photo of a timber-framed glass office door with warm light and a beige beanbag with throw rug in one corner
The hub is meant to offer employees a healthy and humane working environment. Photo by Mikko Ryhänen

Past work by Avanto Architects includes the Löyly waterfront sauna in Helsinki, which has a multifaceted exterior that visitors can climb, and the Villa Lumi, a house with a sculptural white staircase.

Laajisto’s previous projects include office interiors for service design company Fjord and the Airisto furniture collection for Made by Choice, which was inspired by Scandinavian holiday culture.

Reference

triangular metal roof crowns elevated assembly hall in taiwan school campus extension
CategoriesArchitecture

triangular metal roof crowns elevated sports hall in taiwan school extension

Office aaa attaches ‘Shui Yuan Assembly Hall’ in Taiwan school

 

Office aaa undertook the design of ‘Shui Yuan Assembly Hall’, a 2-story building on the north side of the campus in Hsinchu City, Taiwan. Occupying 1,894 sqm, the scheme hosts two badminton courts, a performance stage, and three multi-purpose classrooms. The site of the building is situated on the boundary line between Hsinchu City and the suburbs, surrounded by a picturesque landscape.

 

The design team raised the main building on colorful columns, thus creating a semi-outdoor playground below. This high-ceiling pilotis enables a smoother transition from the courtyard to the sports field, allowing for visual communication between the spaces. A vast triangular metal roof crowns the sports hall attachment, generating a generous space inside. triangular metal roof crowns elevated assembly hall in taiwan school campus extension

all images by Yu-Cheng Chao, unless stated otherwise

 

 

office aaa’s sports hall captures the picturesque surroundings 

 

The architects at office aaa sought to create a protected space that at the same time frames a sweeping view of the surrounding greenery. Thus, a large amount of glazing surrounds the building, forming a well-lit and protected arena. 

Construction-wise, the raised structure follows the original configuration of the school complex, connecting the yard directly to the main building through an external staircase. The stair is encased by a red mesh which visually matches a red A-shaped column at the corner of the building and adds some vibrant splashes to the otherwise muted palette. This column rises and penetrates the slab above, holding the roof in place.

 

‘The structural system and column spacing are optimized for the function of different spaces. The classrooms have small spans and are constructed with a simple concrete frame; the 2nd floor is a thick solid concrete slab with lattice beams to provide a bigger span lifting the stage and courts above; the big angled roof supported by slanted steel beams, the angle has been strategically designed to accommodate the flight path of badminton balls,’ explain the architects. The symbolic column, triangular roof, and red staircase become the key features of ‘Shui Yuan Assembly Hall’. 

 triangular metal roof crowns elevated assembly hall in taiwan school campus extension
vast triangular metal roof tops the sports hall attachment

 triangular metal roof crowns elevated assembly hall in taiwan school campus extension
image by Tze-Chun Wei | red grid wraps the external staircase

Reference

Pocket door in St John Street apartment
CategoriesInterior Design

Ten homes with pocket doors that disappear into the walls

Our latest lookbook explores homes where pocket doors slide into gaps within the walls, as a way of saving space or giving a more open feel to an interior.

A pocket door is a specific type of sliding door designed to slot into a wall cavity. This means that when the door is open, it is completely hidden from view.

For homes where an open-plan layout is desirable but not practical, pocket doors offer a viable alternative. When open they are almost invisible, allowing adjacent rooms to feel more connected.

Pocket doors can also be used for rooms where there isn’t enough space for a door to open outwards, or for locations where it makes sense for the door to integrate into surrounding joinery.

Read on to see 10 different examples, in homes that include a courtyard house in Arizona and a renovated 1920s apartment in New York.

This is the latest piece in our lookbook series, which provides visual inspiration from Dezeen’s archive. Other recent editions showcase cabins with cosy interiors and homes that make the most of narrow spaces.


Pocket door in St John Street apartment

St John Street, UK, by Emil Eve Architects

Pocket doors slot in behind bookcases in the entrance lobby of this converted loft apartment in London.

Emil Eve Architects designed various oak joinery elements to divide up the interior of the former industrial space. Pocket doors are made from the same wood, so they feel integrated.

Behind the doors are two bedroom spaces and a bathroom.

Find out more about St John Street ›


Pocket door in Riverside Apartment

Riverside Apartment, USA, by Format Architecture Office

In this 1920s apartment in New York’s Upper West Side, recently renovated by Format Architecture Office, a pocket door separates the main lounge and dining room from an adjacent study.

This means that, when the study is not required as a quiet workspace, it can become an extension of the day-to-day living space.

The door sits within a deep frame made from Anigre wood – an African hardwood commonly used for furniture and cabinetry – which matches the design of the kitchen entrance opposite.

Find out more about Riverside Apartment ›


Pocket door in Moss home and studio

Logan Certified, USA, by Moss

This converted bodega in Chicago serves as the home and workplace of Matt Nardella, founder of architecture and design firm Moss, and his wife and colleague Laura Cripe.

The couple’s bedroom is located behind an oak-panelled wall. By installing a pocket door made from the same material, they have made the entrance feel more discrete.

Find out more about Logan Certified ›


Pocket door in Apartment in Föhr by Karin Matz and Francesco Di Gregorio

Apartment in Föhr, Germany, by Karin Matz and Francesco Di Gregorio

Pocket doors lead through to cabin-style bedrooms in this converted attic apartment on the island of Föhr, designed by architects Francesco Di Gregorio and Karin Matz.

The doors are made from transluscent polycarbonate, giving them a soft glow that contrasts with the vivid blue-green colour of the walls.

Find out more about Apartment in Föhr ›


Pocket door in house by Tailored Design Lab

A Gabled Roof in Kawagoe, Japan, by Tailored Design Lab

A popular use of pocket doors is to make a patio deck feel like a continuation of the indoor living space, as Tailored Design Lab did at this family house in Saitama Prefecture.

The project features a three-panel pocket door system, allowing a four-metre-wide window to slot into a cavity that is significantly smaller.

Find out more about A Gabled Roof in Kawagoe ›


Pocket door in The Ranch Mine

O-asis, USA, by The Ranch Mine

This home for a musician in Arizona features a series of four glazed pocket doors that allow a combined living room, kitchen and piano room to be completely opened up to the elements.

Two of the doors connect the room with a secluded courtyard filled with desert plants, while the other two lead out to a sheltered terrace overlooking a swimming pool at the rear.

All four doors are full-height, making them feel more like moving walls.

Find out more about O-asis ›


Pocket door in Bank Street Apartment

Bank Street Apartment, USA, by MKCA

An unusually shaped pocket door was required for this renovation of an apartment in New York’s West Village, by Michael K Chen Architecture (MKCA).

The works included adding a continuous storage unit along one wall, extending from the lounge and kitchen into a small  home-office slotted in the corner.

The pocket door slots around this unit, thanks to a rectangular cutaway in one corner, meaning one of the owners could work from home without being disturbed by their partner.

Find out more about Bank Street Apartment ›


Writer’s Studio, USA, by Eric J Smith

Using a pocket door as a main entrance is less common but not impossible, as proved by this writing studio at the Connecticut home of poet John Barr.

The glass pocket door is set behind a stone facade, protected by a sliding panel made of distressed oak. It aligns with the owner’s desk, allowing the breeze to easily flow through.

Find out more about Writer’s Studio ›


Pocket door in Hipped House

Hipped House, UK, by Oliver Leech Architects

The dining room of this family home in Surrey is previously separate from the kitchen and living space.

In order to create more spacious, open living spaces, Oliver Leech Architects replaced the old door with a much larger opening. A pair of pocket doors mean it the room can still be closed up if required.

Find out more about Hipped House ›


Pocket door in apartment by Mas-aqui

Yurikago House, Spain, by Mas-aqui

Pocket doors are a favourable solution for en-suite bathrooms, where a standard door might get in the way of a basin, toilet or shower.

In this house in Barcelona, the pocket door extends all the way up to the ceiling to enhance the sense of spaciousness when it is open.

Find out more about Yurikago House ›

Reference

A revolutionary iron-air battery for grid-level energy storage
CategoriesSustainable News

A revolutionary iron-air battery for grid-level energy storage

Spotted: Lithium-ion (Li-ion) batteries were first developed in 1985 and have since become ubiquitous in products such as toys, wireless headphones, electric vehicles, and electrical energy storage systems. However, one issue with these batteries is the fact that they contain numerous toxic metals, which make their manufacture, recycling, and use environmentally problematic.

Startup Form Energy, which was spun out of the Massachusetts Institute of Technology (MIT), has found a way to make an alternative battery technology, metal-air batteries, more viable. Today’s metal-air batteries, such as the zinc-air batteries used in hearing aids, use fewer toxic materials than Li-ion batteries but are not rechargeable as they corrode quickly. The MIT researchers, however, have found a way to reverse the corrosion process, creating rechargeable iron-air batteries.

Iron was chosen for use in the new design because it is cheap and abundant, with the new batteries likely costing around $20 per kilowatt-hour, compared to up to $200 for Li-ion batteries. The company says they will be perfect for grid-level energy storage as they excel at long-term energy storage and can deliver more than three milliwatts output capacity per acre of batteries.

Form CEO Mateo Jaramillo explains: “We believe that to meet supply chain challenges and to run the grid reliably and affordably, we need new domestically manufactured energy storage technologies (…) The active components of our iron-air battery system are some of the safest, cheapest, and most abundant materials on the planet – low-cost iron, water, and air.”

Improving battery technology to make it cheaper, safer, and more efficient is the impetus behind a growing number of innovations spotted by Springwise. Some recent developments include a green method for recycling the materials used in Li-ion batteries, and improved, high-performance hydrogen fuel cells.

Written By: Lisa Magloff

Reference

Cranes in mist
CategoriesSustainable News

“COP27 was a deeply depressing experience”

The COP27 conference was made a miserable affair by its dreadful architecture as much as the disheartening tenor of the discussions and debates, writes Smith Mordak.


No! I don’t want to read another opinion piece on how COP27 was a disappointment and “we must” do better. I know. We all know. Attending COP27 was a deeply depressing experience. I heard nothing I hadn’t heard a million times before and even though I’d have been drunk under the table if I’d taken a sip every time someone said “breakthrough”, I heard nothing of any actual breakthroughs.

I’m not saying that no action on climate change is happening, or that there isn’t powerful thinking opening up universes of possibilities for better futures going on all around us – there are! But until these international forums give themselves permission to consider transformative social and economic policy, we’re not going to get anywhere.

I’d have been drunk under the table if I’d taken a sip every time someone said “breakthrough”

One anecdote to make this point if you’ll bear with me: at a panel in the Buildings Pavilion, one of the attendees asked for ideas from the panel for retrofitting the mobile homes of low-income residents in the US.

The panel bent over backwards to try to address this within their remits. Their frankly preposterous answers included things like creating district-wide projects that might convince investors that they can clinch a worthwhile profit from the scale of the work, showing investors that they can get a higher rental income from green buildings, and the “uberization” of construction. Nobody said anything about tackling the crippling poverty constraining these people’s access to resources (from food to insulation), or the redistribution of wealth (financial wealth and housing wealth) that could address this.

So long as we’re only allowed to use the tubes of paint marked “return on investment” or “profit motive” our vision of the future is monochrome. COP27 delegates were acting as if there wasn’t a rainbow of solutions to choose from. Hand me a gorgeous bright “equity” and some effervescent “deliberative democracy” and I’ll paint you a kaleidoscopic future. Meanwhile, is there anything worth learning from COP27?

Maybe it’s because I’m an architect, but the surprise take-home for me was a rekindled fervour for the importance of designing healthy, comfortable spaces. I attended the conference as part of the RIBA delegation during the second week, joining round tables and speaking on panel debates in the “Blue Zone”. What I experienced was that the COP27 campus of temporary buildings was not conducive to the expansive imagining and radical collaboration needed for a transition out of the climate crisis.

The COP27 campus of temporary buildings was not conducive to expansive imagining and radical collaboration

On the one hand, I hate to pile on the requirements: not only do we need to worry about energy use, water consumption, whole-life carbon, and, and, and, but now I’m also saying we need to design spaces that will facilitate the conversations needed for climate action – that’s a bit much isn’t it? It is a lot, but on the other hand, isn’t this what we’ve been training for? Advocates of “Good Design” have been arguing for impacts on learning outcomes in education settings, for productivity in office buildings, on health outcomes in hospitals and so on for a long time.

There’s a wealth of literature out there. I’ve seen John Zeisel’s Inquiry by Design inhabit numerous bookshelves in video call backgrounds over the last couple of years. Since the WELL Building Standard launched in 2014, more and more clients and design teams have focused attention on the ways that the buildings we design can enhance our health and wellbeing.

I’m not sure what the designers of the COP27 site had on their bookshelves, and I doubt they were given the scope and time and resources to go beyond a minimum viable conference centre. This is not a dig: we’ve all done less than our best work for difficult clients in difficult circumstances. But it’s still worth learning from a bad experience.

The complex consisted of several large temporary buildings: the brood that might ensue from a love affair between a wedding marquee and an airport hangar. Difficulty navigating the site was the first stressor. The buildings all looked the same with almost identical supergraphics and in a layout that didn’t appear to align with the maps.

I went on Google Maps while I was on site to help me get my bearings where the printed isometrics let me down and could see that the spot had recently been a bare bit of desert. Microphones from the various pavilions were competing with the thunderous aircon, each other, and various videos on loop.

The existential threat of the climate crisis provides enough doom and panic without turning the screws through the design of our negotiating spaces

Pavilions had numerous doors but no ceilings. My acoustician colleagues would have cried. The lighting was also challenging, with most pavilions opting for the slightly dressed-up cousin of the site light, oriented directly at the stages and audiences like every cartoon of an interrogation. It was too cold, and my portable VOC monitor (okay, my nose) detected high levels of off-gassing from the carpets, furniture, and the inhabitable 3D pdfs that passed for pavilions. Thanks to the Australian pavilion that kept us in coffee, I know it was the smellscape and not caffeine withdrawal maintaining a continuous low-grade headache.

All of this is to say it was always going to be a challenging few days, but the built environment didn’t help to manage this – instead, it added to my levels of discomfort and stress. The existential threat of the climate crisis provides enough doom and panic without turning the screws through the design of our negotiating spaces.

Many of us headed to COP armed with statistics of how bad things are today, together with bundles of reports setting out how we have the solutions for reducing carbon emissions, energy use, and resource use. We were met with what we’re always met with: “tell me how this is going to make me money and we’ll talk”. Well, we’re not going to profiteer our way out of climate change, I’m sorry.

It’s clear we need to be having a different conversation. Is it naive to suggest that a different space might help us have that different conversation? Am I clutching at straws or grasping the nettle?

There’s a lovely (and sometimes not so lovely) comments section below. If you know of examples of projects where a space has been created to facilitate working together to imagine social justice or transformative futures, please share it! What was done differently and how were the outcomes different?

Smith Mordak is a multi-award-winning architect, engineer, writer and curator and the director of sustainability and physics at British engineering firm Buro Happold.

The photography is by Kiara Worth via Flickr.

Reference

Aerial view of Forte House in Santo Tirso
CategoriesArchitecture

Pema Studio designs Forte House as “a dense and closed fortress”

Architecture practice Pema Studio drew on the idea of a protected fortress when creating the Forte House, a blocky, white-rendered home that replaces a neglected existing structure in Santo Tirso, Portugal.

The dwelling is set back from a retained facade and sits within existing stone perimeter walls on the site, creating an exterior space around its edges with private, skylit patios.

Aerial view of Forte House in Santo Tirso
Pema Studio drew on the idea of a protected fortress when creating the Forte House

“The house is designed in a complex balance between the creation of a dense and closed fortress and the reinterpretation of the typical patio house, looking for a protected oasis in its intimate relationship with the sky,” said Pema Studio.

“The intervention starts from a massive block that impertinently detaches from the limits and mimics the land plot outline.”

Sheltered outdoor space at Portuguese house
The white-rendered home is set back behind an existing facade

The retained facade and a metal gate of the former building now lead into an entrance courtyard, sheltered by a sloping roof punctured by a large opening.

Set back from the street, an entrance is tucked into the northern side of the home’s white exterior, leading into the more secluded study and bedroom at the front.

Courtyard outside Portuguese home
It sits within an existing stone wall

“The old facade, an element of the pre-existing [fabric], is one of the few remaining elements,” said the studio.

“With the necessary functional changes, it was restored and rehabilitated as an element of cohesion and framing with the adjacent urban fabric, reducing the intervention’s impact on the street,” it continued.

From the entrance, a corridor leads through to a more open living, kitchen and dining area at the rear of the home. This space is connected to a garden and swimming pool that can be independently accessed using the narrow pathways along each side of the site.

Two small planted courtyards have been cut out of the home’s southern edge, providing access to natural light and ventilation.

Swimming pool at Forte House by Pema Studio
There is a swimming pool

Stairs on both the interior and exterior lead up to Forte House’s first floor, where two additional bedrooms connect to rooftop seating areas and a balcony overlooking the street at the front of the site.

Inside, walls of white plaster in the circulation areas echo the design language of the exterior, while wooden panelling has been introduced in the bedrooms and living spaces, and used to create large areas of built-in storage.

White-walled living room with wooden cabinets
The living space echoes the white exterior of the house

Based in Santo Tirso, Pema Studio was founded by Tiago Pedrosa Martins in 2019.

Other homes recently completed in Portugal include a cork-clad dwelling near Lisbon by Inês Brandão Arquitectura and a minimalist white home on a narrow site in Ponta Delgado by Box Arquitectos.

The photography is by Ivo Tavares.


Project credits:

Architect: Pema Studio
Collaborator: Daniel Carvalho/Livre Atelier and Dário Cunha
Main architect: Tiago Pedrosa Martins
Construction: Construções Alves e Freitas, Lda.
Engineer: M2 – Gabinete de Estudos

Reference

ToSummer Beijing storefront
CategoriesInterior Design

FOG Architecture transforms Beijing courtyard house into fragrance store

Chinese studio FOG Architecture has turned a courtyard house in Beijing into a flagship store for fragrance brand ToSummer with exposed wooden roof trusses and columns.

Located within a 500-square-meter Siheyuan complex, the store occupies  a 280-year-old courtyard house that are common in the region.

ToSummer Beijing storefront
The store is located at a restored courtyard house in Beijing

FOG Architecture renovated the building to reveal its original architecture, which features triangle-shaped timber roof trusses and series of wooden columns.

Layers of decorations added on the structure over the years as well as some of the interior walls were removed to expose the core wooden structure of the building as well as to create an open view of the space.

Wooden roof trusses of ToSummer Beijing
The studio exposed the wooden roof trusses and columns of the original building

“We ‘skimmed’ the building to expose its ‘skeleton’,” said the studio. The resultant ‘column field’ became the visual centre of gravity of the space as well as what defines its outline.”

“One of the challenges of the project had to do with the building’s old and new functions – more specifically, how to transform this venerable courtyard which has stood for nearly 300 years as a private residence into a commercial space that is neighbourly, communal, and all-inclusive,” it continued.

ToSummer Beijing
Product display areas are arranged around the courtyards

Glass windows were installed at the storefront, inviting visitors on the street to observe the complex layout of the old courtyard house, while glass walls were used to divide the space.

Product display areas were arranged around three courtyards of various sizes at the ground level of the complex, each connected by a bridging hallway, which the studio described as “symbol of graduating from the past to the present”.

On the first floor,  FOG Architecture remodelled the roof space to create a lounge area overlooking the building’s roofs.

These roofs were restored with the same grey brick tiles from the original building layered in the same density.

Rooftop view of ToSummer Beijing
Grey brick tiles from the original building are restored

A rain chain was hung from the roof connecting to a hundred-year-old well of the site. The well-preserved brickwork of the well echoes the delicate crafts of the roof tiles.

FOG Architecture was founded by Zheng Yu and Zhan Di and has offices in London, Shanghai and Chongqing.

Previously the studio has completed flagship stores for ToSummer in Beijing and Shanghai. Other recent retail project from the studio include Super Seed’s Hangzhou store featuring kinetic display.

The photography is by InSpace Architectural Photography.


Project credits:

Design team: Zou Dejing, Wu Leilei, Wang Shengqi, Tang Mo, Lei Ronghua, Jiang Lu, Huang Yingzi, Zhuang Shaokai, Sun Yuan, Zhang Xinyue, Chen Yixuan, Zheng Yining, Tao Xinwei, Cao Xiaomao, Hou Shaokai, Xiong Aijie, Khoon Choi (client representative), Zhan Di, Zheng Yu
Project management: Shen Qianshi (client representative)
Lighting Design: Zhang Xu, Liben Design
Structural engineering Consultant: Tao Xinwei, Wang Haibo
Construction drawing: BS Design
Contractor: Youlong Jinsheng

Reference

Upcycling broccoli waste into sustainable protein
CategoriesSustainable News

Upcycling broccoli waste into sustainable protein

Spotted: Broccoli is a healthy food containing fibre, vitamin C, vitamin K, iron, and potassium. It also boasts more protein than most other vegetables, with virtually no fat. However, around 70 per cent of the entire broccoli harvest is left in the field. This is because only the small, centre portion of each plant – the florets – is harvested for food, leaving most of the stems and leaves to rot, even though they are perfectly edible.

Startup Upp is working to change this, with a two-pronged approach. The company is developing an automated harvester that uses artificial intelligence (AI) and computer vision to harvest the centre portion and stems separately. The harvester will then deliver the fresh broccoli for sale and the stems and leaves for upcycling into new products.

These upcycled stems and leaves will be used to produce protein by-products, as the company is looking to provide an alternative plant-based protein to pea and soya. Upp argues that using broccoli as a protein source is less carbon-intensive than soy or peas because the broccoli is already being grown for other uses.

David Whitewood, CEO of Upp says: “Upp is all about making the most of the crops that we already grow (…) In a future market of bioreactor and lab-grown alt-proteins, plant-based foods with good provenance will attract a premium like organic grass-fed beef does today.”

Upp has recently secured £500,000 (around €560,000) in pre-seed funding, in a round led by Elbow Beach Capital, to develop and commercialise its technology.

Food waste is a massive issue. Luckily, there is no shortage of innovations seeking to tackle it. Some that Springwise has spotted recently include a handheld system that uses AI to check freshness levels of fruit, and a closed-loop system that converts food waste into nutrients for use in hydroponics.

Written By: Lisa Magloff

Reference