Spotted: Data centres are a significant but often overlooked contributor to climate change, responsible – along with their accompanying data transmission networks – for around one per cent of global greenhouse gas emissions. Computer processes generate a lot of heat as a by-product, and cooling systems therefore account for a significant proportion of the energy consumption of a typical data centre.
Now, however, French startup Hestiia is looking at the heat generated by computing differently, using it to create a new kind of domestic radiator, called the myEko.
The startup collects and upgrades used ASIC chips from data centres and places them on a custom-made electronics board, which forms the core of the radiator. Conductive layers and piping then transfer the heat produced when the refurbished chips perform calculations to the space that needs heating.
Hestiia provides the compute capacity embodied in the radiators to companies that need it for heavy workloads such as scientific research, 3D modelling, crypto mining, and blockchain. The startup’s customers, meanwhile, install the radiators to heat their homes.
In addition to being highly efficient, the radiators use smart sensors to automatically regulate the temperature of a room, and users can tweak preferences on the app, such as setting day and night modes to automatically adjust temperatures for each space depending on the time of day. And, the system further detects temperature changes from actions such as opening a window and alerts owners, signalling them to turn the temperature down to avoid wasted energy. In ‘geolocation mode’, the system can detect when a user is coming home and turn on the heating accordingly.
Hestiia’s initial product was a water heater system called SATO that similarly reused the heat from computer chips to supplement a standard boiler. The startup is now pivoting to focus on myEko, which it believes is an even more accessible, mass-market solution.
Other innovations in Springwise’s library working to decarbonise computing include a new power distribution unit that maximises efficiency, and the use of AI to reduce the number of calculations required.
B.L.U.E. Architecture Studio designs compact café in Beijing
Located within the lively SanYuanLi Food Market in Beijing, this café designed by B.L.U.E. Architecture Studio offers a modern twist amidst the traditional marketplace. Occupying a small 25 sqm space, it stands out at the northern entrance, blending modernity with the market’s historic charm. Inspired by the market’s vibrancy, the café’s design aims to harmonize past and present, revitalizing the community and connecting with the urban environment. ‘Our focus is on establishing both the ‘uniqueness’ and ‘everyday sensibility’ of the community space, seamlessly integrating the distinctive spatial ambiance into daily life,’ describes the team.
B.L.U.E. Architecture Studio‘s design captures attention with its juxtaposition of concrete framing and a copper door. Despite its small footprint, this project aims to spark conversations about street life, community renewal, and urban connectivity, exploring innovative ways to enhance public spaces. The facade design maintains coherence with the market’s aesthetic, featuring a clever window mechanism. ‘When open, it showcases interaction and integrates communication between urban life and community scenes. When closed, the hand-hammered copper plate forms a contrast with the bustling market, resembling a piece of art,’shares the team.
The unique shape of the concrete framing mirrors the market’s vibe, while the copper door adds visual interest without overwhelming the space. ‘With this design, our objective is to initiate a discourse on street, community revitalization, and urban connections, aiming to explore innovative approaches to communal public life’. Inside, the design fosters the ritual of enjoying coffee on the go, with the sculptural bar efficiently dividing the space. The windows blur the lines between the café and the market, encouraging interaction. Material choices, from oxidized copper to hand-cast ribbed facades and elm wood surfaces, further integrate the café with its surroundings.
the handcrafted copper door, in contrast with the rough and weighty concrete
windows on the inner façade foster interaction among various stalls and blur the boundaries between the café and the market
Swedish furniture brand IKEA has released two images from a series of photographs taken by Annie Leibovitz, its first-ever artist-in-residence, showing people in their homes across the world.
The American photographer, who is best known for her portraits, travelled to twenty-five homes around the globe to take photos of people in their residences. She visited houses and apartments in Sweden, India, Italy, Japan, Germany, England and the US.
“The home has always been important in my work,” Leibovitz said when appointed artist-in-residence in 2023.
“I’ve been photographing people in their homes since I began,” she added. “It’s a way to understand who a person is. The advice I give to young photographers is to photograph their families. It’s one of the best ways to start.”
Annie Leibovitz photographed 25 homes for IKEA, including this one in Germany
Leibovitz’s photos for IKEA show a variety of different interiors in seven different countries.
“The result is a powerful photographic document that illuminates the nuances of life at home – across borders, ethnicities and professions,” the furniture brand said of the project.
The series, which comprises 25 photos in total, was commissioned by IKEA after its IKEA Life at Home Report showed that 48 per cent of people globally don’t feel the media represents their home.
The first two images released by IKEA, show the homes of Yusuke Onimaru in Japan and Maria Arrechea in Germany – specifically Onimaru’s ceramic workshop and Arrechea’s living space filled with friends.
Leibovitz’s photos will be shown as part of the IKEA+ exhibition in Paris, which will take place during Paris Fashion Week.
It will also feature a collaboration with online radio station Rinse and showcase the Tesammans collection made by IKEA together with Eindhoven-basd design duo Raw Color.
Six emerging designers from the Casa93 fashion education program are also taking part in the IKEA+ showcase. They worked with “home furnishing mentors” from IKEA to create designs that focus on upcycling and sustainable design.
The photography is by Annie Leibovitz for IKEA.
IKEA+ will take place on 28 Rue de Lappe, Paris, from 29 February to 3 March. For more worldwide events, exhibitions and talks in architecture and design, visit Dezeen Events Guide.
Spotted: In all the talk of technology to help various sectors reach climate targets, less attention has been paid to nature-based solutions. Often, nature restoration projects are met with long and cumbersome processes, which hinders fundraising, scaling, and speed.
Nature tech company Arkadiah Technology has developed a solution to bring traceability and transparency to these projects, making it easier to unlock financing and scale land restoration projects. Arkadiah has built a platform designed especially for climate mitigation projects in Southeast Asia, a region that saw greenhouse gas emissions rise faster than anywhere else in the world between 1990 and 2010.
Arkadiah’s approach uses artificial intelligence (AI), LiDAR, satellite imagery, and ground truthing to provide transparent and verifiable data. Project developers, landowners, and corporations can then use this information to streamline the deployment of nature-based climate solutions, such as reforestation projects, and quickly issue quality carbon removal and biodiversity credits.
The company has recently closed a successful seed funding round led by Golden Gate Ventures, with participation from The Radical Fund and Money Forward Venture Partners. Oriana Soryo, Head of Marketing at Arkadiah, told Springwise that the company is “now working on developing the technology and onboarding project partners and investors. Our focus is on restoration and regenerative agriculture, where there is a shortage of such high-quality carbon removal projects.”
Platforms like Arkadiah’s can help make it easier and quicker for climate projects to attract the funding they need. Springwise has spotted other platforms that are boosting essential nature-based projects, including the use of AI to unlock climate investments and prevent wildfires.
Seoul studio AOA Architects has created Hoji Gangneung, a series of uniquely shaped concrete dwellings linked by a raised, circular path in the South Korean countryside.
Located in Gangwon-do, Hoji Gangneung includes a family house for the owner and three guesthouses, along with a communal building.
Five buildings are arranged around a raised concrete ring
AOA Architects designed one of the four homes with an octagonal shape and central courtyard while another, named the Round House, has a semi-circular end.
The remaining two dwellings and the communal building have rectangular floor plans and differ from each other by their roof shape.
AOA Architects designed each structure with a different shape
The communal building has a mono-pitch roof and one rectangular house has a regular gable roof. The final house, named the Long House, features a gable roof with a raised central section topped with a skylight, creating an elongated light well.
“Every building has its own shape, size and character, allowing guests to enjoy each space distinctly through shadow play,” said AOA Architects principal Jaewon Suh.
Hoji Gangneung is located in the countryside in South Korea
AOA Architects took cues from countryside structures, such as warehouses and cabins, when designing Hoji Gangneung, aiming to create a project that references its surroundings while establishing itself as something new.
“The main concept and goal of the design is to build something familiar and also unfamiliar in a rural area,” Suh told Dezeen.
“For some, the Octagonal House looks like a nomadic tent and feels like an octagonal pavilion, the Long House looks like a milk carton or a grain warehouse, and the Round House looks like a slender piece of wood or a face with a hat, but these associations do not matter.”
A concrete ring elevated above the grassy landscape connects the five buildings, a decision the studio made to prevent the need for multiple paths.
“A circular shape was the best gesture to connect the five buildings at once,” Suh said. “As a result, while avoiding typical countryside alley shape and showing the main concept of the design, an artificial circular raised walkway was created.”
The buildings are made from textured concrete
According to the studio, the choice of concrete also deliberately juxtaposes the grassy landscape below.
“By raising a walkway slightly from the land, a tension between the gently floated concrete walkway and weak grasses of the land occurs,” said Suh.
AOA Architects covered the interiors of the homes in wood
The buildings are all built from textured concrete and topped by corrugated metal roofs.
In the communal building, the concrete structure is left exposed. Large glass doors spanning one wall open onto the concrete walkway and give views of the dwellings.
The concrete structure of the communal building is left exposed inside
The interiors of the houses are finished with wood to add a sense of warmth and “make one feel that they have entered a box of musical instruments”, according to Suh.
AOA Architects was founded in 2013 by Jaewon Suh and Euihaing Lee. The studio previously designed a Minecraft-themed apartment in Seoul with a stepped roof and red- and white-tiled exterior.
Elsewhere in South Korea, architecture studio Atelier Koma recently created a concrete chapel and YounghanChung Architects designed a two-storey study space for a retired university lecturer.
Interiors studio Barde vanVoltt has renovated this early 1900s house in the Dutch city of Haarlem to forge a strong connection between the building’s past and present, grounding the space with warm woods and tactile textures.
The owners – a young family of four – wanted a home that would stand the test of time while telling Dutch practice Barde vanVoltt to “surprise us”.
Barde vanVoltt had overhauled an early 20th-century house in Haarlem
In answer, the studio worked to create an interior that fuses the past and the present.
“Stepping into this house is a journey through time, a reminder that architecture is a dialogue between generations,” the studio told Dezeen.
“Meticulously preserving its historical charm, the house’s design seamlessly integrates contemporary features, creating a harmonious blend that transcends eras.”
The studio added an extension to the rear of the home
To address the narrow footprint of the house – a typically Dutch feature – internal walls were either removed, widened or replaced with glass panel doors.
The back of the property was transformed with an extension and concertina glass doors to maximize the sense of light and space.
The extension houses the kitchen and dining area
“With the extension on the ground floor, we wanted to create contrast with the original architecture,” said Barde vanVoltt. “The understated square modern architecture, due to its shape and angular position, blends perfectly with the past.”
“With the historic facade at the front, we took advantage of the space at the rear, extending the kitchen and living areas into the garden.”
A vintage sandstone table centres the living room
The practice carefully aligned the new design elements with shapes drawn from the architectural features of the house, with the new full-height door openings echoing the proportions of the living room’s original windows.
In the attic, a guest room doubles as a playroom. Barde vanVoltt infused this once-dark space with natural light via a skylight, “allowing guests to sleep under the stars”.
Barde vanVoltt retained Haarlem House’s original stained glass windows
“Dutch houses are noted for their sloping attic roof lines,” the studio said. “For the children’s bedrooms, we followed this structural line and created custom bunk beds that combine sleep, storage, and space for play.”
The material palette includes a range of mid- and dark-toned timbers that bring a sense of warmth and tactility to the home.
These are complemented by natural materials including stone and linen.
“Our colour scheme always consists of earthy colours like moss green, a faded terracotta, grey concrete and off-whites,” the studio said. “For this residence, we brought them in line with the original colours from the existing tiles and stained glass.”
Custom bunk beds feature in the children’s bedrooms
The furniture edit features Barde vanVoltt’s favoured mix of statement pieces alongside handmade and bespoke elements.
Selected pieces reflect the architectural style of the building such as the Lot table by Tecta in the study, as well as Gerrit Thomas Rietveld’s 1934 Zig Zag chair and his Steltman chair from 1963, which was the last chair ever created by the Dutch designer.
The playroom, dining area and bedroom all have specially-made seating upholstered in Kvadrat fabrics, while the bedrooms and study feature bespoke beds and closets.
Wooden blinds mirror the linear pattern of the bathroom tiles
“We love creating interiors full of handmade, bespoke furniture pieces with refined details,” said Barde vanVoltt. “The headboard of the master bedroom is an art piece in itself. The walnut slats are slightly curved and give it a very sophisticated look.”
The square coffee table in the living room – made from a single piece of sandstone – is a vintage piece from Atelier Uma.
Barde vanVoltt created a custom headboard in the primary bedroom
For the lighting scheme, Barde vanVoltt set out to create the right balance between functional and decorative lighting, collaborating with lighting experts PSLab to create a “warm and cosy atmosphere.”
Other Dutch homes that have recently been featured on Dezeen include a house with a hexagonal footprint in Amsterdam and a Hobbit-style residence that is partially buried underground.
Spotted: Food waste is a major problem, with around one-third of all food produced for human consumption going to waste and 13 per cent of that happening between harvest and retail. That is a lot of wasted resources and nutrition. One thing that could help is extending the shelf life of crops while preserving their quality.
In Switzerland, AgroSustain, a spinout from the University of Lausanne, is hoping to tackle this problem by becoming a one-stop-shop for natural and biological fungicides and coatings that prevent food waste from farm to fork.
The company’s first product is an invisible, odourless, and tasteless coating that extends the shelf life of fruit. This coating, which is called AgroSFruits, has been in use since 2022, but the company is not resting on its laurels and is committed to ongoing research to develop further products for both pre- and post-harvest applications.
These new products include similar natural coatings for flowers and vegetables, as well as a new category of ‘next-level’ biocoatings. Beyond this, AgroSustain is also working on a biostimulant that will improve the productivity of crops and boost their resilience to emerging environmental stresses, such as drought.
The company claims that its natural coatings can extend the shelf life of some goods by up to one month, while reducing water use by up to 70 per cent.
Increasingly, innovators are interested in developing new ways to reduce the vast amount of emissions from agriculture. Springwise has spotted a number of these, including using farm waste as fertiliser and turning fruit waste into delicious new products.
Architizer’s A+Product Awards is open for submissions, with the Extended Entry Deadline fast approaching on Friday, February 23rd. Get your products in front of the AEC industry’s most renowned designers by submitting today.
The time we spend at home has been on a steep incline over the past few years. Much of this time is accounted for by the considerable rise in people working from home. However, it’s not all work. Spending time on other activities at home has also seen a dramatic surge. For many people, their home has become their sanctuary, opting for intimate dinner parties over visiting lavish restaurants and cozy movie nights on the sofa above dancing in crowded nightclubs. Our homes are our offices, our gyms, our libraries, our playgrounds, and, in some cases, even our supermarkets. It is thanks to this shift in societal behavior that we are changing our view of what our homes are and what we need them to do for us, and with that, how we choose to furnish them is changing, too.
Homeowners are investing more in their homes, aiming to make their places of refuge as functional, comfortable, and efficient as they can — adopting new technologies to create spaces that are adaptable and places that can cater to an evolving lifestyle.
As of 2024, there are over 400 million smart homes worldwide, expected to reach 478.2 million by 2025. In the United States alone, over 60.4 million households are using smart home devices as of 2023, and this figure has grown to approximately 69.91 million households actively using smart home devices in 2024. Ease of use and functionality have become key factors in how we use our homes. The following products were designed to be as practical as they are stylish — as A+Product Awards winners, they also all received accolades from Architizer’s stellar jury of industry experts, comprising 200+ renowned architects and designers that truly understand what it takes to create great buildings and spaces:
If you’ve been on social media any time in the last year, you’re bound to have seen a workstation sink. The multifunctional units are the envy of every avid home chef, and this version by Delta Faucet is terrific. Designed to meet the evolving needs of modern kitchens, the workstation sinks are a blend of Delta Faucet water-delivery expertise and functional design. Each Workstation sink is sleek in design and offers a multifunctional workspace through its built-in WorkFlow™ ledge. The adaptable sink space is equipped with integrated accessories like cutting boards, dish racks, utensil holders and even a ledge to hold your phone or tablet. Constructed from durable TRU16 gauge stainless steel and featuring noise-reducing soundproofing, these sinks are designed for both durability and quiet operation.
Often, the goal of technology is to increase functionality and make things easier, but sometimes, it’s about pure luxury, and that was Kohler’s goal when creating the Statement Shower Collection—exquisite design paired with innovative performance to create the ultimate well-being experience.
The Kohler Statement™ showering collection transforms the shower experience, offering a unique blend of form, function, and flair. Drawing inspiration from furnishings and lighting, the collection’s designs integrate seamlessly into any space, encouraging personal expression through a variety of shapes, sizes, finishes and innovative spray experiences. This global line is designed for universal appeal, ensuring easy installation and specification across different regions. Kohler’s approach reimagines modern minimalism, blurring the boundaries between rooms and promoting a cohesive and warm aesthetic. The Statement collection marries powerful functionality with design sophistication to create an immersive environment.
The average kitchen extractor or cooker hood has never been the most attractive of appliances. While they have a valid purpose in most homes, bulky, shiny and painfully noisy are but a few choice descriptives for the standard extraction system, and because of these unfortunate characteristics, these silver suckers have been rapidly falling out of favor with designers and homeowners alike. But what do you do when you have poor ventilation and a fondness for aromatic foods? The answer— downdraft extractors. A relatively new innovation in kitchen design, downdraft extractors offer a sleek and discreet alternative to traditional overhead cooker hoods. They’re designed to be flush with the kitchen countertop and extract air directly from the hob when in use, making them especially suitable for kitchen islands or where a clear line of sight is preferred.
Fisher & Paykel have taken this innovation to the next level and integrated a downdraft extractor into their 36 Induction Cooktop. A true two-in-one appliance, the induction cooktop, with accurate temperature control, combines the precision of induction cooking with powerful extraction, meaning no more ugly overhead extractor.
A fridge is a fridge, right? Wrong! The 30-inch Column Refrigerator by Dacor is the epitome of refrigerator technology. Placing technology at the forefront, the innovative fridge boasts intuitive features such as the iQ Remove View, which allows users to control temperature and lighting remotely and even view the contents of their refrigerator to simplify grocery shopping and a hidden touch-control display panel regulates temperature, helping to preserve food freshness and extending the lifespan of your groceries.
The refrigerator doesn’t just stop at technological prowess, though; its sleek design comes in three high-end finishes and can be fully integrated to sit flush with other kitchen cabinets, while the water dispenser is ingeniously fitted inside the unit to maintain the uninterrupted exterior finish.
There’s nothing quite like sitting in front of the fire on a cold winter’s evening, but the thought of cleaning it out and lighting it, alongside environmental concerns, can quickly take the romance out of the idea of having a fireplace in your home.
The Wilderness Front Facing 31H by Ortal removes those problems altogether. Drawing inspiration from the natural world to redefine the fireside experience, the beautiful feature fire uses advanced ceramic log technology with a soothing, nature-inspired aesthetic. The collection aims to provide a tranquil and memorable ambiance while the Wilderness Burner technology, available in variations like Wilderness Burner Dark Brown and Wilderness Burner Chopped Wood, pays homage to the timeless tradition of humans gathering around the hearth to tell tales and watch the world go by.
Ortal’s Front Collection takes the whole concept a step further by achieving the seamless integration of high-end contemporary frameless fireplaces into a building architecture with passive cool wall technology and powerful vent systems, and over 100 models with various media options to create unique and extraordinary focal points in any space.
Architizer’s A+Product Awards is open for submissions, with the Extended Entry Deadline fast approaching on Friday, February 23rd. Get your products in front of the AEC industry’s most renowned designers by submitting today.
From monolithic concrete pillars to ornately decorated columns, this lookbook collates ten living room interiors that embrace existing structural columns.
It is not always cost-effective or practical for designers and architects to remove preexisting columns from interiors, especially if they are load-bearing and thus vital to the structural integrity of the building.
In the past, the structural components of buildings were often concealed within walls; however, this changed with the increase in popularity of open-plan spaces over the course of the 20th century.
Columns are sometimes placed at irregular intervals, especially in older buildings, and consequently the interior design scheme must be adapted to fit around them.
Pillars can provide a strong focal point that can be enhanced by both the choice of interior finishes and the placement of furniture around them.
Depending on their materiality and style, they can also serve as an immovable reminder of the building’s design style and the historical period in which it was built.
This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring interiors animated by textural burl wood, multicoloured interior design schemes and contemporary interiors that make a feature of historic ruins.
Photo by Pier Carthew
Kerr, Australia, by SSdH
The industrial past of this mezzanine apartment in Melbourne is apparent thanks to the I-beams that crisscross the space and the pair of thick plastered columns in two corners of its living room.
The functional aesthetic of the pillars is complimented by the presence of streamlined metal furnishings and offset by floor-to-ceiling wooden panelling.
Find out more about Kerr ›
Photo by Jose Hevia
JJ16, Spain, by Lucas y Hernández-Gil
Situated in the Salamanca district of Madrid, local studio Lucas y Hernández-Gil created a playful interior for a high-ceilinged 19th-century apartment that combines pops of colour with original features.
A pair of elegant columns made from cast iron frame the entrance to the walk-through kitchen, contrasting the contemporary units with their fluted shafts and ornamented capitals.
Find out more about JJ16 ›
Photo by Fran Parente
Curitiba apartment, Brazil, by Leandro Garcia and Amanda Dalla-Bona
Eclectic furniture and glossy herringbone flooring contrast the weathered concrete pillar that sits on the boundary between the living and dining spaces of this apartment in the Brazilian city of Curitiba.
It has a rectangular footprint and a characterfully rough surface, which are both echoed in a gnarled wooden stool sitting at its base.
Find out more about Curitiba apartment›
Photo by Sarah Elliott
Tribeca Loft, USA, by Andrea Leung
Public and private zones have been delineated by a partially mirrored wall tucked behind a sequence of three original, intricately formed columns in this loft apartment in New York’s Tribeca area.
The Corinthian-style iron pillars are characterised by gracefully fluted shafts topped by opulent capitals that feature acanthus leaves. The style was popular in ancient Greek and Roman architecture.
Find out more about Tribeca Loft ›
Photo by Felix Speller and Child Studio
Mews house, UK, by Child Studio
A quartet of smooth, statuesque pillars blend in seamlessly against a backdrop of art deco and mid-century modern furnishings in the living area of this mews house in London’s Mayfair area.
The thick, pale pillars bring a dramatic air to the space, which was designed for lounging as well as hosting, entertaining and dining.
Find out more about the mews house ›
Photo by Seth Caplan
Dumbo Loft, USA, by Crystal Sinclair Designs
Walls made from floor-to-ceiling glass panels and an opulent crystal chandelier create a sense of luxury in this Brooklyn apartment.
The living room is grounded by a double-height structural pillar, which has a bottom half clad in pale pink vertical, subway-style tiles.
Find out more about Dumbo Loft ›
Photo by José Hevia
Can Santacilia, Spain, by OHLAB
A pillar with a faceted stone shaft and an ornately carved and painted wooden capital is the focal point of this living area inside an apartment in Palma de Mallorca by local studio OHLAB.
The stately pillar and dramatic coffered ceiling are contrasted by the sleek modern kitchen, but united by the use of stone in both the column and kitchen island.
Find out more about Can Santacilia ›
Photo by Nao Takahashi
Casa Nano, Japan, by Bosco Sodi
This modest home in Tokyo features slender struts made from wood that form part of the building’s exposed structure.
Wooden seating, tables, cabinets and shelving create a harmonious interior scheme, which is dominated by both the skeletal wooden frame of the building and an open-tread staircase.
Find out more about Casa Nano ›
Photo by Salva López
Casa Vasto, Spain, by Mesura
This apartment in Barcelona (above and main image) is studded with white-rendered columns dating from the 18th century, which anchor the unique vaulted ceiling to the expansive floor.
Low-slung furnishings provide a horizontal emphasis in the interior while the columns create a rhythm of upright pillars, which nod to the building’s industrial heritage.
Find out more about Casa Vasto ›
Photo by Johan Dehlin
Brutalist Chelsea townhouse, UK, by Pricegore
London-based architecture studio Pricegore refurbished the interior of this brutalist townhouse to celebrate its concrete materiality.
In the lofty, double-height living space, a cylindrical pillar stretches from floor to ceiling in front of the backdrop provided by the house’s verdant garden.
Find out more about Brutalist Chelsea townhouse ›
This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring interiors with textural burl wood, colourful interior design schemes and contemporary interiors that make a feature of existing historic ruins.
Spotted: The European Commission recently warned France that, as a nation, it lags “far behind on its targets for recycling household waste and (…) it will have to step up efforts considerably to achieve them.” Helping the country close the gap between its goals and reality is French waste management technology company Akanthas.
Akanthas calls waste a ‘resource’ and combines Internet of Things (IoT) hardware with artificial intelligence (AI) analysis to identify, categorise, and more efficiently manage it. The company’s intelligent, AI-powered digital waste production and management platform helps organisations reduce the volume of waste sent to landfill.
Co-founder and CEO Viviana Contreras told Springwise that the system helps companies reduce their waste transport needs by 15 per cent a year and improves the sorting of their waste by 20 per cent. Currently focused on businesses, including heavy industry, Akanthas creates custom KPIs for waste management companies, recycling centres, construction and demolition companies, asphalt plants, manufacturers, and retail brands.
For waste management companies, the platform identifies sorting errors, flags cross-contamination and tracks the effectiveness and efficiency of pickup locations, driving routes, and fill rates. One sensor can monitor up to four containers, and the AI-powered image analysis blurs human faces so the focus is on the waste. The data gathered by the system lets organisations better allocate their vehicles and pickup times and work more closely with customers to support them in taking the most sustainable actions.
For industrial spaces and construction sites, the system is customised for the materials being generated, including liquid and toxic waste, and monitors volumes to ensure that pickups are booked for the right times to keep a space safe. The system also generates automatically required reports and certifications.
Akanthas is already working with Veolia and Bouygues Travaux Publics, among other waste management companies in France. Now in the process of closing a €2.5 million funding round, Akanthas plans to use the capital to expand the availability of its system globally.
Other innovations in Springwise’s Library that are also working on cutting waste and improving waste management include AI food scanners and real-time communication between waste generators and disposal companies.