Images created by Architizer via Midjourney
CategoriesArchitecture

Building Boundaries: Counter-Surveillance Architecture in the Era of Smart Cities

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“You had to live—did live, from habit that became instinct—in the assumption that every sound you made was overheard, and, except in darkness, every movement scrutinized.” — George Orwell, 1984.

Back in 1949, when George Orwell’s 1984 was first published, it was regarded as a powerful warning about the dangers of totalitarianism and omnipresent government surveillance. The best-selling book speaks of a reality where everything you do, say, and even think is observed, analyzed and meticulously evaluated for compliance. Yet, even though it ranks among the most extensively read novels in history, it appears that, in the 75 years since the text’s publication, Orwell’s stark warnings didn’t quite resonate with some readers, and as a result, our modern cities are increasingly resembling his dystopia to an extent that may have surprised even him.

With political and social instability fueling crime, corruption and chaos around the world, apprehension and perceived peril are consistently driving demand for safer cities. It was and remains a technology hailed as a savior to the plight. CCTV, monitoring and oversight are being lauded as the answer to all our troubles. However, it is clear that as technology has become increasingly sophisticated, our freedoms have gradually eroded, and while for some, this might seem a fair trade for safety and stability, there are many reasons why a surveillance state is counterproductive for society and why certain architects are likely to begin advocating for counter-surveillance measures to be included in their designs in the near future.

When it comes to surveillance rights, the fundamental question is this: How much surveillance is too much, even in the name of security?

Images created by Architizer via Midjourney

Images created by Architizer via Midjourney

Cities like London, Beijing, Singapore and New York are all criticized for their extensive use of CCTV and surveillance for reasons such as crime prevention, anti-terrorism and public order. However, the extent and nature of such surveillance have spawned advocacy organizations and sparked debates over privacy rights, the potential for state overreach, the impact on civil liberties and the effectiveness of this technology. With projects like NEOM, Amaravati and Telosa increasing trepidation about how much the cities of the future will know about its inhabitants.

In today’s cities, cameras have been installed to reduce crime and urban planning has been established to support the most continuous views possible. However, their effectiveness in achieving this goal remains unproven. In the United Kingdom, where public surveillance cameras are widespread, London being one of the most heavily surveilled cities in the world, expert sociologists found that they have not led to a decrease in overall crime rates. In one study, criminologists found that while there were reductions in some categories, they generally failed to establish a significant impact of cameras on reducing either crime or the public’s fear of crime.

A big issue is that surveillance is often disproportionately targeted at specific communities, particularly communities of color or religion. This problem highlights ethical concerns about discriminatory practices and the misuse of surveillance tools for racial profiling. A pertinent example is the use of facial recognition technology in public spaces. This technology can track individuals in real-time and is often utilized for identifying criminals. However, weaknesses in the technology mean it is particularly prone to errors when identifying people of color, trans persons and nonbinary individuals, and can often lead to misidentification and wrongful accusations. Additionally, there are many recorded instances where surveillance tools have been misused for personal gain or political oppression. Examples include law enforcement using surveillance databases for stalking or harassing individuals or the targeting of political activists during periods of social unrest.

Images created by Architizer via Midjourney

Images created by Architizer via Midjourney

The omnipresence of surveillance technologies in urban spaces has raised concerns that almost every movement of an individual can be tracked, recorded and analyzed, infringing on personal privacy and autonomy, with many privacy experts confirming that mass surveillance can lead to a chilling effect on human behavior, causing individuals to modify their actions and speech out of fear of being watched. In democratic societies, freedom of expression, association and movement are fundamental, and pervasive surveillance can inhibit these freedoms, creating a society where people feel constantly monitored and judged. Historical examples illustrate how surveillance can suppress dissent and erode democratic freedoms.

With ever more being understood about the level we are being monitored on and offline, many people are calling for measures that allow individuals a right to privacy. In recent years, personal data has become a highly valuable commodity bought and sold to corporations for any number of reasons, mostly without our knowledge or consent. Proponents of democratic values and civil liberties argue that the implementation of counter-surveillance strategies in our urban environments would reduce the transactional value of our personal information and the exploitation in the name of our data.

In addressing the challenges of privacy, autonomy and social ethics of surveillance, architects and designers are exploring a range of innovative counter-surveillance measures. These measures extend far beyond the evasion of surveillance cameras and are designed to uphold fundamental human rights and promote social equity.

Images created by Architizer via Midjourney

Images created by Architizer via Midjourney

A central aspect of these strategies involves the use of materials that disrupt surveillance technologies. Maintaining anonymity in public spaces can be vital for some individuals, for their own safety, if they are well-known or public figures, or for people who work in particular industries. By designing façades with anti-reflective coatings or patterns that confuse facial recognition software and incorporating infrared-blocking materials to counter thermal imaging, architect consciously aim to safeguard the freedom of individuals to live without the constant unease of being watched. This is significant as psychological studies indicate that the sensation of being monitored can lead to self-censorship and altered behavior.

The strategic planning of urban layouts and spatial organization has also become integral to counter-surveillance architecture. Where previously open and easily monitored spaces were preferred, architects and urban planners are now designing cities with irregular, complex layouts that naturally limit long sight lines and large open spaces favorable to surveillance. This includes introducing winding streets, varying building heights and incorporating dense foliage. These designs not only impede the effectiveness of surveillance cameras but also enrich the urban environment in terms of aesthetics and biodiversity. By crafting urban spaces that inherently limit surveillance capabilities, architects are promoting a sense of security and freedom among city residents, thereby enhancing their mental well-being and fostering a sense of community autonomy.

Finally, with conversations about Smart Cities on the rise, incorporating secure communication and data networks within the urban infrastructure is a critical measure. This kind of integration, encompassing encrypted WiFi networks and secure data centers, plays a crucial role in safeguarding the digital aspect of residents’ lives. Encrypted WiFi networks, employing advanced cryptographic protocols, ensure that personal information transmitted over public networks is protected against unauthorized access and cyber threats.

Images created by Architizer via Midjourney

Images created by Architizer via Midjourney

Secure data centers, functioning as the backbone of urban digital infrastructure, utilize robust security measures like firewalls, intrusion detection systems, and physical security controls to safeguard sensitive data. This approach helps build a commitment to the digital rights and privacy of urban residents. In smart cities, where digital connectivity is as fundamental as physical infrastructure, these secure networks and data centers are indispensable. They provide a shield against unwarranted surveillance and data theft.

These architectural and urban planning strategies represent a shift in how cities are soon to be designed and experienced. They are not ways to evade the gaze of surveillance cameras that will be celebrated by criminals; they are ways to create urban environments that respect and protect individual privacy, promote social equity and strive to foster a sense of community and well-being. By focusing on these broader societal benefits, architects and urban planners can address the concern of surveillance and can also contribute to the creation of more humane, dynamic and livable urban spaces.

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

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Neutral-toned dining room with dramatic vaulted ceilings and a checkered floor
CategoriesInterior Design

Studio Paolo Ferrari designs Toronto restaurant as a “world unto itself”

Toronto-based Studio Paolo Ferrari has created cinematic interiors for a restaurant in the city’s Downtown area, combining influences from filmmakers that range from Stanley Kubrick to Nancy Meyers.

Unlike a typical restaurant layout, Daphne unfolds as a series of rooms with distinct identities, each borrowing references from different cinema styles.

Neutral-toned dining room with dramatic vaulted ceilings and a checkered floorNeutral-toned dining room with dramatic vaulted ceilings and a checkered floor
Daphne is laid out across several spaces, including a Great Room designed to feel like Nancy Meyers movie

Studio Paolo Ferrari intended each space to offer a different experience for guests, and custom-designed all of the furniture and lighting for the restaurant to make it feel even more unique.

“Daphne is an elevated and exceedingly creative take on the American bistro, fusing the nostalgia of New England prep with wonder and eccentricity,” said Studio Paolo Ferrari. “At once intimate and grand, eccentric and sculptural, convivial and experimental, the deeply imaginative space is reminiscent of a great residence that’s evolved over time.”

Burnt orange dining area with a wavy banquetteBurnt orange dining area with a wavy banquette
Studio Paolo Ferrari designed custom furniture and lighting throughout the restaurant

Guests arrive into an intimate space that features a transparent full-height wine cabinet, which offers glimpses of the dining area beyond.

They then move through to the Great Room, a cavernous room framed by a dramatic vaulted ceiling and decorated in a warm neutral palette.

Dining room fully enveloped in a burnt orange hueDining room fully enveloped in a burnt orange hue
The Drawing Room is fully enveloped in a burnt orange hue

Through the centre is a line of dining tables, each paired with a rounded striped sofa and two boucle-covered chairs.

The open kitchen is fully visible through the arches on one side, while a darker, cosier dining area coloured a burnt orange hue runs along the other.

A mirrored corridor with a hand-painted landscape muralA mirrored corridor with a hand-painted landscape mural
A mirrored corridor with a hand-painted landscape mural leads to a separate bar area

“The grand space is reminiscent of the warmly luxurious spirit of a Nancy Meyers film, with custom furnishings that are deeply residential in feel and varsity-inspired checkerboard tiling,” said Studio Paolo Ferrari.

The Drawing Room beyond continues the burnt orange colour, fully enveloping the walls, ceiling and seating upholstery to create a monochromatic space.

Bar with wavy walls and green banquetteBar with wavy walls and green banquette
The mural continues across the wavy walls of the bar room and green banquette seating follow the curves

Cove lighting is installed behind louvres that cover the upper walls, adding texture and shadows as well as hint of “Cape Cod Americana”.

The bar area is reached via a long corridor that’s mirrored from floor to ceiling along one wall, and is lined with a hand-painted landscape mural across the opposite side.

Bar with glass countertop and fluted frontBar with glass countertop and fluted front
The glass bar countertop is illuminated from within, while the counter front is fluted

This verdant rural scene continues across the wavy surfaces in the bar room, above green banquettes that follow the flow of the wall.

“Daphne is a world unto itself, awaiting discovery,” the studio said. “Stepping into the bar is almost akin to stepping into an exquisitely-designed film set.”

The snaking glass-topped bar counter is illuminated from within, as a nod to the bar in the fictional Overlook Hotel from Stanley Kubrick’s movie The Shining.

The counter front is fluted in reverence to Beaux-Arts architect Henry Bacon, while reflective stainless steel across the back bar matches the circular tables and chair feet in the room.

Outdoor dining area between two brick buildingsOutdoor dining area between two brick buildings
An adjacent dilapidated building was razed to create an expansive outdoor terrace

A dilapidated building adjacent to the restaurant was demolished to make way for an expansive outdoor Garden Terrace with a dining area and bar.

Sandwiched between two brick structures, this exterior space features comfy yellow and white-striped seating surrounded by plants, and a row of tall trees in the centre – continuing the botanical theme from inside.

Yellow and white-striped seating running along a brick walYellow and white-striped seating running along a brick wal
Plants behind the yellow and white-striped seating continue the botanical theme from inside

A separate entrance from the street leads guests between tall columns clad in dark blue-purple iridescent tiles into the alley-like space.

“It was important that the space had depth and a quality of experimentation,” said Paolo Ferrari, founder of his eponymous firm. “Daphne is truly an active experience of discovery, where guests can uncover thoughtful and innovative details throughout.”

Columns of blue-purple iridescent tiles form a gateway into an alley-like outdoor terraceColumns of blue-purple iridescent tiles form a gateway into an alley-like outdoor terrace
Columns of blue-purple iridescent tiles form a gateway from the street into the alley-like outdoor terrace

The designer’s earlier projects in Canada have included a lake house with wood and granite interiors, and a showroom for a development in Ottawa that appears more like a home than a sales gallery.

Other recent additions to Toronto’s dining scene include Prime Seafood Palace, which features a vaulted-wood interior by Omar Gandhi Architect.

The photography is by Joel Esposito.

Reference

Lower-impact lithium extraction cuts process costs
CategoriesSustainable News

Lower-impact lithium extraction cuts process costs

Spotted: Lithium is a vital component in rechargeable batteries, including the batteries used in electric vehicles (EVs). However, the conventional process for extracting the element from its ore involves high levels of dangerous chemicals such as sulphuric acid. These are not only environmentally harmful, but also expensive.

As a more sustainable alternative, Novalith Technologies has developed a process that uses carbonic acid in carbonated water to extract lithium from rocks and clays in the form of lithium carbonate, leaving inert, CO2-infused rock as a by-product. This method, called LiCAL, cuts process costs by 65 per cent and plant costs by 50 per cent, while using 90 per cent less water than conventional processes.

If the energy for Novalith’s extraction process is taken from renewable sources, the overall production can even be made carbon-negative. The company also claims the process can achieve higher recovery rates and can operate at a much faster rate than other extraction methods.

Following seed funding in August 2021, Novalith built an R&D facility in Sydney, Australia, to demonstrate the process across several different ore resources. In April 2023, the company raised AU$23 million (around €13.9 million) in a series A funding round led by Lowercarbon Capital, with participation from the Clean Energy Finance Corporation and others. The funding will go towards a new pilot facility in Sydney, and help the company scale and commercialise LiCAL.

With the world’s demand for lithium batteries rising, more and more innovations in the Springwise Library are working to make their production greener. These include a cleaner way to recycle lithium batteries and a lithium extraction technique that uses far less land than conventional methods.

Written By: Lisa Magloff

Reference

eme 157's domehome emerges from foliage-covered brick house in spain
CategoriesArchitecture

eme 157’s domehome emerges from foliage-covered brick house in spain

EME 157 Studio’s DOMEHOME expands existing house in Aravaca

 

DOMEHOME project by EME 157 involves the expansion of a single-family home in Aravaca, Madrid, adding a new floor to accommodate an independent apartment for the family’s son. The renovation primarily focuses on transforming the previously unused terrace on the top floor into a habitable space. The design process begins with the consideration of the external appearance, emphasizing how to crown the existing brick house covered in vegetation. To maintain a balanced height without excessive increase, the design adopts a domed shape, allowing for increased internal height, spatial dignity, and reduced perception of height from the exterior.

 

The choice of cork for the new floor contributes to its distinctiveness, both in terms of materiality and insulation properties, contrasting with the solidity of the brick in the rest of the house. Zinc is employed for the vault, aligning with the overall design strategy. 

eme 157's domehome emerges from foliage-covered brick house in spain
all images by © Luis Asin

 

 

large circular skylight illuminates the house’s interior

 

The interior layout, driven by the desire to prioritize panoramic views, comprises 50 sqm on the ground floor housing the entrance, a bedroom, and a bathroom. The upper floor, spanning 130 sqm, is divided into private and public areas. The private zone features a bedroom and bathroom, while the public space integrates an open kitchen, dining room, and living room with expansive north-facing windows. A large circular skylight, originally illuminating the stairwell, floods the room with natural light.

 

Material simplicity characterizes the interior, with mortar floors, polished stainless steel for countertops and showers, and plywood and linoleum board for furniture. The design team at EME 157 experiments with the contrast between cold and warm materials. Exposed original concrete beams and pillars create a contrast with the new slender circular metal pillars painted in sky blue, seamlessly blending with the breathtaking views outside.

eme 157's domehome emerges from foliage-covered brick house in spain
EME 157 transforms a home in Aravaca, Madrid, adding a new floor for an independent apartment

eme 157's domehome emerges from foliage-covered brick house in spain
the architects crown the brick house with a distinctive domed shape covered in vegetation

eme 157's domehome emerges from foliage-covered brick house in spain
the renovation converts the previously unused top-floor terrace into a functional living space

eme 157's domehome emerges from foliage-covered brick house in spain
the domed design maintains a balanced height, offering increased internal space

Reference

Double-height lounge space with large windows and a red striped sofa
CategoriesInterior Design

Home Studios uses local materials to renovate Northern California hotel

Brooklyn-based Home Studios has turned a conference centre in Northern California back into a luxury hotel, as originally intended by the property’s founder: the inventor of the radio.

The Lodge at Marconi sits on a 62-acre site next to Tomales Bay, within the picturesque Marconi State Historic Park – a 1.5-hour drive up Highway Route 1 from San Francisco.

Double-height lounge space with large windows and a red striped sofaDouble-height lounge space with large windows and a red striped sofa
Home Studios created a variety of lounge areas across Lodge at Marconi to provide an informal atmosphere

Designed for Nashville-based company Oliver Hospitality, the hotel occupies a historic property that was first built by Guglielmo Marconi, an Italian physicist who invented the radio in 1896.

“Home Studios found inspiration in the property’s storied history – particularly in the pioneering spirit of Guglielmo Marconi, who worked with a New York-based engineering company to build the property’s initial building, a luxury hotel, in 1914,” said the design team, led by Oliver Haslegrave.

Hotel reception counter clad in oxblood-coloured tilesHotel reception counter clad in oxblood-coloured tiles
The reception counter is clad in oxblood-coloured tiles from Heath Ceramics

It took 17 months to overhaul the complex of blackened-wood buildings, which are topped with mono-pitched roofs of different heights and opposing directions.

The architecture is similar to that of The Sea Ranch Lodge further up the coast, which reopened in 2022 after its own extensive renovation.

Dining room featuring brick flooring, blue-green tilework and eclectic contemporary furnitureDining room featuring brick flooring, blue-green tilework and eclectic contemporary furniture
The Redwood Dining Hall features brick flooring, blue-green tilework and eclectic contemporary furniture

Home Studios looked to the iconic site – famed for its modernist style and sensitive land planning – for cues when developing the Lodge at Marconi’s 45 guest rooms and suites, which occupy freestanding buildings across the wooded site.

“Borrowing design language from Sea Ranch’s ‘living lightly on the land’ credo, the rooms blend into the environment and boast a tranquil and peaceful atmosphere,” the team said.

A series of coloured wooden cubes mounted on a wall above banquette seating and dining tablesA series of coloured wooden cubes mounted on a wall above banquette seating and dining tables
Artworks in the restaurant, including a series of coloured wooden cubes, were created in collaboration with Lukas Geronimas Giniotis

The hotel complex is made up of eight indoor and outdoor spaces, laid out “like a summer camp” to accommodate different activities in each area.

In the reception block, guests arrive to a series of lounges and other communal spaces that create a more informal setting than a traditional hotel lobby.

Bright guest suite with a double bed, day bed and blue lounge chairBright guest suite with a double bed, day bed and blue lounge chair
The bedrooms are bright and airy, with materials and colours that subtly reflect the hotel’s natural surroundings

A check-in counter is fronted with oxblood-coloured tiles by Heath Ceramics, which was founded in nearby Sausalito.

More of the company’s tiles, this time in blue-green hues, line the lower walls of the restaurant known as the Redwood Dining Hall.

Shower with colourful patchwork of tiles from the 1960sShower with colourful patchwork of tiles from the 1960s
Three of the guest room bathrooms feature original tiles that date back to the 1960s

Red bricks are laid in a basketweave pattern across the floor, contrasting with the bright blue bases of the custom dining tables, while warm cedar panels and beams cover the ceiling.

A mural comprising four-panel linen screens and a series of wood cubes mounted on a wall was made in collaboration with California-based artist Lukas Geronimas Giniotis.

The guest rooms are bright and airy, with the colours of the natural surroundings subtly reflected in the furnishings.

Some have cosy loft spaces, while larger suites feature a dedicated workspace and sitting area.

Buildings clad in blackened wood and topped with monopitched roofsBuildings clad in blackened wood and topped with monopitched roofs
The accommodations are split across several buildings clad in blackened wood and topped with monopitched roofs

“Northern California’s rugged environment served as a design influence, and is reflected in the natural woods and earth-tone textiles that adorn each room and weave together a cohesive connection throughout the property,” Home Studios said.

“Three guest room bathrooms feature original tile dated to the 1960s when the hotel served as a rehabilitation facility known as Synanon.”

Wooden chairs surrounding a fire pit with blackened wood buildings in the backgroundWooden chairs surrounding a fire pit with blackened wood buildings in the background
The property includes multiple outdoor areas for gatherings and events

Across the property, the indoor spaces are afforded scenic views of the forest and the water through large windows.

A variety of gathering and event spaces are available to guests both inside and out, including wooden chairs positioned around fire pits among the landscape designed by Bay Area firm Dune Hai.

View through the trees to Tomales Bay at sunsetView through the trees to Tomales Bay at sunset
Lodge at Marconi sits atop a hill overlooking Tomales Bay in Northern California

This is Home Studios’ third hotel project, following the Mediterranean-influenced Alsace hotel in Los Angeles and the boutique Daunt’s Albatross motel in Montauk.

The firm’s other recent projects include a revamped bar and restaurant on Nantucket, an Italian eatery close to Harvard University and a townhouse renovation in Fort Greene, Brooklyn.

The photography is by Brian W Ferry.

Reference

Could this app change your habits to cut carbon?
CategoriesSustainable News

Could this app change your habits to cut carbon?

Spotted: The Intergovernmental Panel on Climate Change’s (IPCC) 2022 mitigation of climate change report estimated that changes to individual “lifestyles and behaviour” could reduce global carbon emissions by 40 to 70 per cent by 2050. Helping to make that a reality is the One Small Step behaviour change app.

One Small Step uses proven psychology to support and encourage individual behaviour shifts that, when added together with thousands of others, equate to significant reductions in carbon emissions. The app helps users track their expenditures, travel, food choices, energy use, and waste production. And for every friend that a user helps to sign up, One Small Step also plants a tree.

After establishing a baseline for their behaviour, the app lets users track how different choices impact carbon emissions and receive personalised suggestions for ways to make their habits more eco-friendly. As users record shifts in behaviour and buying habits, the app also provides vetted alternatives for some of the most commonly used products.

The company’s goal is to work with 100,000 users of the app to prevent one million tonnes of carbon pollution from entering the atmosphere, as a first step in harnessing the power of community action. The company also challenges users to try to reduce their carbon footprint to two tonnes of CO2 per year, which is the UN’s 2050 goal for individuals. With the average American having a carbon footprint of over 14 tonnes, any reduction in that figure, when multiplied by millions of others doing the same, adds up to a substantial climate impact. Currently available in the USA and Australia, the company plans to expand access to the app to other countries.

There’s certainly work to be done by heavy-polluting industries to cut their emissions, but individuals also have the power to contribute to positive environmental changes. Springwise has spotted a countertop appliance that lets you compost easily in your kitchen and a platform that helps individual employees make their company more sustainable.

Written By: Keely Khoury

Reference

Aerial view of Neom construction
CategoriesArchitecture

This week photos revealed The Line megacity progressing in Saudi Arabia

Aerial view of Neom construction

This week on Dezeen, aerial images showed construction progressing on projects involved in the Saudi mega-development Neom, including The Line megacity, Oxagon port and Sindalah island resort.

In a bid to prove the controversial project was moving forward, The Line’s chief operating officer Giles Pendleton shared the images in a LinkedIn post titled “Neom is real”.

Xaynor members' club on the Gulf of Aqaba at Neom by Sordo Madaleno Arquitectos.Xaynor members' club on the Gulf of Aqaba at Neom by Sordo Madaleno Arquitectos.
Sordo Madaleno Arquitectos revealed designs for Neom’s Xaynor members’ club

The aerial shots revealed excavations for The Line, which will comprise two 170-kilometre-long skyscrapers set 200 metres apart, as well as preparation works on the Oxagon development and hotels being constructed at Sindalah.

In other Neom news, the development also revealed the designs for its beach-side members’ club Xaynor, courtesy of Mexican studio Sordo Madaleno Arquitectos.

The Museum of Masonite by Folkform at Stockholm Furniture FairThe Museum of Masonite by Folkform at Stockholm Furniture Fair
Folkform exhibited Masonite furniture at this year’s Stockholm Design Week

We reported live from Sweden this week to share exclusive previews of products, installations and events taking place at Stockholm Design Week.

The first day of our Dezeen Live blog from the event included new lighting and furniture collections from Färg & Blanche, day two saw a spotting of actor Will Ferrell and our day three coverage included an installation of Masonite hardboard furniture by design studio Folkform.

Medals for Paris 2024 Olympic and Paralympic Games by ChaumetMedals for Paris 2024 Olympic and Paralympic Games by Chaumet
The Paris 2024 Olympic and Paralympic medals were unveiled this week

Also this week, French jeweller Chaumet unveiled the Paris 2024 Olympic and Paralympic medals, which feature rear faces embedded with a piece of the Eiffel Tower.

The fragments were removed from the iconic monument during various renovation works during the 20th century and preserved. For the medals, the hexagonal pieces have been stamped with the emblem of the Paris 2024 games.

Allegiant stadiumAllegiant stadium
The Las Vegas Raiders’ Allegiant Stadium will host this year’s NFL Super Bowl

In other sporting news, the NFL Super Bowl will take place this weekend at the 62,000-seat Las Vegas Raiders’ Allegiant Stadium in Nevada, which opened in 2020.

Designed by Manica Architecture, the stadium’s cylindrical shape and black metal exterior were informed by the sleekness and power of sports cars.

Polestar 4 car from abovePolestar 4 car from above
Polestar 4 is the first mass-market car to have no rear window

After launching in China last year, the five-door electric SUV coupé Polestar 4 has now gone on sale in Europe and Australia, making it the world’s first mass-market car without a rear window.

Created by Swedish automaker Polestar, the car has a roof-mounted rear camera that gives a more reliable picture than rear-view mirrors in standard coupés.

The top of Legends TowerThe top of Legends Tower
Ryan Scavnicky believes making the Oklahoma City skyscraper the tallest in the US sends the wrong message

Following the news that Californian architecture studio AO and developer Matteson Capital plan to build the US’s tallest building in Oklahoma City, architecture critic Ryan Scavnicky argued that the project sends the wrong message.

“Legends Tower is a very 20th-century way to say that you are squarely entering the 21st century of cultural and economic change,” he wrote in an opinion piece for Dezeen.

Stradella Ridge by SAOTAStradella Ridge by SAOTA
An angular home in Los Angeles was among the most-read stories this week

Popular projects this week included a Los Angeles house clad in white aluminium screens, a home in Japan with a blackened wood and corten steel exterior and a minimalist Tokyo apartment with interiors lined in local wood.

Our latest lookbooks featured brightly coloured home renovations and playful houses with indoor slides.

This week on Dezeen

This week on Dezeen is our regular roundup of the week’s top news stories. Subscribe to our newsletters to be sure you don’t miss anything.

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The Museum of Masonite by Folkform at Stockholm Furniture Fair
CategoriesInterior Design

Folkform installs The Museum of Masonite at Stockholm Furniture Fair

Swedish design duo Folkform has presented a series of furniture pieces made using Masonite hardboard sourced from a factory that closed down over a decade ago.

On show at Stockholm Furniture Fair, The Museum of Masonite centres around a patented type of engineered wood board that is made by steam-cooking and pressure-moulding wood fibres.

Folkform founders Anna Holmquist and Chandra Ahlsell first started experimenting with this material 15 years ago, in collaboration with Sweden’s last remaining Masonite producer in Rundvik.

The Museum of Masonite by Folkform at Stockholm Furniture FairThe Museum of Masonite by Folkform at Stockholm Furniture Fair
The Museum of Masonite features furniture made from a patented type of wood board

When the factory closed in 2011, the pair took all the remaining stock.

“I felt a responsibility to tell the story of what happened to this material,” explained Holmquist, who has since completed a PHD exploring the cultural significance of Masonite.

“It created the Swedish welfare state in the 1930s, 40s and 50s,” she told Dezeen.

“It was made from leftover wood from the Swedish sawmills so it became bigger here than anywhere else. Everyone was using it, for everything from boats and caravans to houses.”

The Museum of Masonite by Folkform at Stockholm Furniture FairThe Museum of Masonite by Folkform at Stockholm Furniture Fair
Works on show include the Masonite Chair, a collaboration with Åke Axelsson

The Museum of Masonite follows the release of the Production Novellas, a book published by Folkform detailing the results of Holmquist’s PHD research.

Folkform is showcasing this book alongside some of their favourite Masonite designs created over the years.

Works on display include the Masonite Chair, a 2021 collaboration with Åke Axelsson based on an experimental design the Swedish interior architect produced in 1978.

Older pieces include a chest of drawers and a bedside cabinet, both created in 2012, which feature different material samples arranged in geometric collages.

“We combined materials with different ages, with this idea that the furniture becomes an archive,” said Holmquist.

The Museum of Masonite by Folkform at Stockholm Furniture FairThe Museum of Masonite by Folkform at Stockholm Furniture Fair
The exhibition follows the release of the book Production Novellas

The most recent designs in the show explore a more minimalist approach, suggesting how the material can create the suggestion of solid blocks.

“I feel like the compositions will be never-ending because we still have more of this board,” added Holmquist.

The works are presented alongside photographs, illustrations and artefacts that tell the story of the factory.

The Museum of Masonite by Folkform at Stockholm Furniture FairThe Museum of Masonite by Folkform at Stockholm Furniture Fair
The exhibition includes photos from the factory. Image by Amy Frearson

Later in the year, the exhibition will move to the Laurel Museum of Art in Mississippi, the city where Masonite was patented in 1924 by William H Mason.

Masonite is distinct from other engineered wood fibre boards, such as MDF, because it is made without glue. Holmquist believes the material could have a future in manufacturing.

The Museum of Masonite by Folkform at Stockholm Furniture FairThe Museum of Masonite by Folkform at Stockholm Furniture Fair
Masonite is made from pressure-moulded wood fibres. Image by Amy Frearson

“It’s a beautiful material and it’s very sustainable,” she concluded.

“We are already seeing a shift in food, where people increasingly care where the things they eat come from, so maybe it will also happen for furniture and objects.”

At Stockholm Furniture Fair this year, visitors could also enjoy the Wekino With exhibition by South Korean furniture designers and British designer Faye Toogood’s collaboration with Finnish company Vaarnii.

The photography is by Erik Lefvander unless otherwise stated.

The Museum of Masonite is on show at Stockholm Furniture Fair, which is open to the public from 7 to 11 February 2024. See Dezeen Events Guide for more Stockholm Dezeen Week exhibitions in our dedicated event guide.

Reference

Buying up threatened land to protect forests
CategoriesSustainable News

Buying up threatened land to protect forests

Spotted: Recent research into the productivity of mature trees as carbon sinks found that the average age of peak net primary productivity ranged from 35 to 75 years. As a result, the many millions of trees being planted as part of reforestation efforts are not going to be fully effective at helping to mitigate climate change for several decades. Reforestation should therefore not be seen as a panacea for climate change, especially if it normalises people to the destruction of forests on the mistaken belief that we can ‘bring them back’ at will.

This is the argument of Green Sanctuaries, which is focusing its attention on preserving the forests that are still intact. The French organisation connects financial supporters with forests and communities needing support. It oversees projects around the world, including forest ecosystems in Ecuador, Zimbabwe, and Namibia that are especially important to the world’s biodiversity. Companies can get involved by donating money, time, and equipment. Individuals can contribute financially via a one-off or regular monthly donation.

The Green Sanctuaries team includes a global network of ‘forest watchers’ – biodiversity experts who identify the most precious plots of forested land in private hands. Once a parcel of land is confirmed as at risk, Green Sanctuaries tries to buy or long-term lease as much of it as possible. Once ownership has been transferred, the organisation works closely with local communities to design and implement long-term management strategies that include water access, creation of conservation jobs, and the opening up of the forest to research projects. In some areas, the Green Sanctuaries team also helps local and Indigenous communities protect the land from neighbouring pollutants, such as runoff from industrial farms.

The world’s forests are such rich spaces for biodiversity that in just one of Green Sanctuaries’ projects, a 3,500-hectare habitat, protects more than 100,000 species of insects, around 200 species of amphibians and reptiles, and 550 species of birds, while providing critical habitat space for the endangered tapir.

From creating a database of the world’s forests to using forest products as new food sources, innovations in Springwise’s library highlight the diversity of the projects working to save some of the world’s most important carbon sinks.

Written By: Keely Khoury

Reference

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CategoriesArchitecture

The Rise of AI in Architectural Design: A Comprehensive Overview

Architizer’s Tech Directory is a database of tech tools for architects — from the latest generative design and AI to rendering and visualization, 3D modeling, project management and many more. Explore the complete library of categories here.

For the past couple of years, Artificial Intelligence (AI) tools have been dominating the architectural industry. From simple text-based image generators to more advanced software that “draws” architectural plans or calculates CO2 emissions, AI has been methodically transforming the architect’s workflows. Still, to comprehensively explore how AI is revolutionizing architectural processes, it is crucial to break down the various stages that constitute architectural design.

The process of making architecture is a balance between creative — almost instinctive — explorations and artistic endeavors and considering an array of information, such as program and function, building codes, material specifications etc. Ideation and concept design, for example, vary significantly compared to drawing technical details or conducting site analysis. Respectively, AI software has been developed to revolutionize the imaginative and data-driven aspects of architectural design.

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DALL·E with GPT-4, DALL·E 2023-10-08

Midjourney, DALL-E and Stable Diffusion are a few of the AI tools that aid the conceptualization and representation of architectural designs. More specifically, they are primarily text-to-image models that generate digital images through prompts. By defining the desired subject, tone, color and resolution of the image these AI tools can produce countless compositions that can act as a starting point for an architectural concept or become a series of representations of an already conceived idea. Stable Diffusion also has the ability to animate a concept through prompts, offering a more immersive spatial experience.

Nevertheless, their applications are not limited to text-based imagery. Architects can also upload their own image, for example an initial sketch or render, and modify it through additional prompts. This hybrid workflow essentially accelerates the design process, producing multiple iterations in a short amount of time, without “sacrificing” the most archetypal role of architectural drawing: thinking and problem solving. At the same time, it helps architects communicate their work more effectively to their clients, often pushing the boundaries of traditional architectural drawing and inventing new methods of representation. One example is architect Hamza Shaikh, who used his hand sketches and AI to create “Kinonic” (kinetic and sonic) drawings to express concept and narrative more effectively.

Moving beyond the conceptual phase, architects are required to make several design decisions that are based on site conditions, building codes, sustainability requirements and program specifications. AI software such as Aino and SiteAnalysis.ai are tools that produce highly detailed data for specific contexts. Climate conditions, historic building data, circulation maps and even crime densities can be easily reconfigured and mapped to provide a foundation for architectural planning. At the same time, a range of architectural planning AI tools enhance the more standardized aspects of design.

Software such as, Autodesk Forma, Finch and TestFit have the ability to produce highly optimized plans, both in terms of space division within a pre-established building shell as well as to achieve the desired conditions within the space, such as daylight or energy metrics. Architizer’s new Tech Directory aggregates tech tools for architects, allowing you to search, compare and review AI softwares before selecting which to you in your next project:

Explore Architizer’s Tech Directory

Naturally, architecture is closely interrelated with the construction industry. Often characterized as the most demanding stage of architectural design, construction drawings and specifications are crucial for the successful materialization of a project. The challenge lies in the effective collaboration between the different disciplines involved in the construction sector. Hypar is a cloud AI platform that brings structural, mechanical, electrical and plumbing systems together, all operating within a 3d model of the space. Its integration with BIM software as well as its web-based interface introduces a new, seamless workflow between raw architectural designs and technical construction drawings.

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Волгоградская городская Дума, General plan of Volgograd (2007) – transport 01

Even though there have been countless debates on whether AI technology will diminish the architectural profession, the way architects currently use such tools suggests otherwise. They acknowledge and utilize AI’s immense real-time analysis and strategic thinking capabilities, while being aware of its limitation for true, original innovation. Whether AI tools produce intricate floor plans or breathtaking fictional imageries in seconds, this technology is fundamentally based on past data, thus becoming only a part of the architect’s workflow, rather than replacing it altogether.

From concept to construction, the rise of AI in architectural design signifies a paradigm shift in the industry. In fact, Neil Leach, author of the book Architecture in the Age of Artificial Intelligence writes:

“The most revolutionary change is in the less sexy area: the automation of the entire design package, from developing initial options right through to construction.”

Admittedly, architects have barely scratched the surface of AI technology. They are, however, constantly inventing new ways to use these tools to prioritize design creativity and sustainability over standardized tasks and endless drawing loops.

Architizer’s Tech Directory is a database of tech tools for architects — from the latest generative design and AI to rendering and visualization, 3D modeling, project management and many more. Explore the complete library of categories here.



Reference