Could this system cut the carbon cost of air-con?
CategoriesSustainable News

Could this system cut the carbon cost of air-con?

Spotted: Climate change has led to more frequent and severe heatwaves, and the increasing need to stay cool indoors is, in turn, speeding up global heating. Researchers have calculated that air conditioning is responsible for around 3.9 per cent of annual global greenhouse gas emissions and startup Blue Frontier Inc. has developed an ultra-efficient, sustainable air conditioning (AC) technology to tackle this climate footprint.

The company’s AC system is designed to replace the energy-intensive Packaged Rooftop Units used to cool commercial buildings. The system uses a liquid saltwater solution as a ‘desiccant’, which is a substance that removes moisture – like the silica bead packets used when shipping products to prevent damp.

First, air is passed over a thin layer of the dessicant, which absorbs moisture. The dried air is then split into two streams. The first air stream gets directed over a thin layer of water, which absorbs the air’s energy (heat) to leave it cooler. This cooler, now-humid, air cools a metal surface, before being funnelled outside. Finally, the cool metal sucks heat out of the second (still dry) air stream, which is then blown into the building. As well as cooling down the building, the system also dehumidifies it to improve indoor air quality and create a healthier indoor environment.

The dessicant will periodically need to release water and be ‘recharged’ for the system to keep working. Typically, this would require fossil-fuel-powered heating, but Blue Frontier instead uses a heat pump. This recharging can occur at night when electricity is cheaper and grid demand is lower.

Depending on weather or usage, the system reduces electricity use by 50 to 90 per cent and reduces peak electricity demand. The company points out that its AC system also enables the replacement of traditional ACs with an ‘HVAC-as-a-service’ business model that’s designed to speed up market adoption by removing the need for large capital investments.

Luckily, recognition of the huge energy footprints of heating and cooling systems is leading to a wave of innovations. These include more viable heat pumps and the use of geothermal energy.

Written By: Lisa Magloff and Matilda Cox

Reference

Take Our Survey on AI in Architectural Design and Win a $500 Amazon Gift Card!
CategoriesArchitecture

Take Our Survey on AI in Architectural Design and Win a $500 Amazon Gift Card!

For architects looking to stay at the forefront of their profession, embracing cutting-edge technologies is key. Arguably the hottest topic in this realm is artificial intelligence (AI), with emerging AI-powered tools promising to revolutionize creative workflows and practice as a whole. However, the rapid evolution of these tools and their implementation makes it challenging to uncover the true state of AI in architecture today — and understand how AI might shape the future of the industry.

To this end, Architizer has partnered with AEC software developer Chaos to launch a new global survey in an effort to gain valuable insights into the present and future possibilities of AI in architectural design. This survey has been created primarily to gather perspectives of architects and other designers who have begun experimenting with AI in their daily workflow.

As a token of appreciation, one lucky respondent will win a $500 Amazon gift card courtesy of Chaos! (Terms and conditions apply). The survey is open until February 9, and should take no longer than 10 minutes for participants to complete. Hit the button below to get started:

Take the Survey

Help Us Measure the Impact of AI in Architecture

In collaboration with Chaos, this industry survey aims to capture insights about how architectural firms are currently integrating AI into their design processes and their expectations for the future. Your participation will contribute to a comprehensive understanding of the industry, influencing the direction of AI implementation in architectural design.

The survey will delve into various aspects, including demographic details of you and your firm, the types of projects you specialize in, your experience with current AI tools and techniques in use, and which stages of the design process AI is impacting most.

Additionally, we seek your views on the future of AI in architectural design, exploring potential advancements in collaboration, design tools, cost-effectiveness, ethics and the impact of AI on creativity and innovation.

Share My Insights

Benefits of Participation

By participating in the survey, you not only contribute to the collective knowledge of the architectural community but also gain valuable insights into the present and future trends of AI in architectural design. The results will be summarized in a white paper, shared exclusively with survey respondents, providing benchmarks and information to enhance your firm’s approach to AI-driven design.

Moreover, your participation automatically enters you into a draw to win a $500 Amazon gift card, providing a fantastic opportunity to invest in tools, resources, or treat yourself to something special.

We encourage you to share this article with your colleagues and peers in the architectural community. The more responses we gather, the richer the data, and the better insights we can offer about the present and future of AI in architectural design!

Start Survey

How to Participate

Participating in Architizer and Chaos’s AI in Architectural Design Survey is easy. Simply click here to access the questionnaire. Endeavor to ensure that your responses accurately represent your firm’s practices and opinions, as far as possible.

Architizer and Chaos invites you to contribute your insights on AI to help move the profession forwards. Your responses have the potential to inform the trajectory of AI implementation in the industry, identifying areas for improvement and innovation.

We value your participation and appreciate your dedication to advancing architectural design with AI. Begin the survey today and be part of envisioning the future of architectural innovation!

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AI images generated using Midjourney.

Reference

Bar area with stools surrounding a purple-fronted counter
CategoriesInterior Design

ALA draws on West Village history for Talea taproom interiors

New York studio Alda Ly Architecture has designed a taproom for female- and veteran-owned brewery Talea in the city’s West Village neighbourhood, which includes a place for groups to “scheme”.

Talea West Village is the beer company’s third outpost and its first Manhattan location, following two established in Brooklyn.

Bar area with stools surrounding a purple-fronted counterBar area with stools surrounding a purple-fronted counter
The main dining and drinking area at the Talea West Village taproom is anchored by a colourful bar

The space is located in a 1920s building on Christopher Street, an iconic thoroughfare that’s home to several landmarks, businesses and historic spaces associated with the LGBTQ+ rights movement.

“This new taproom on Christopher Street reclaims the masculine identity of a West Village saloon to celebrate voices of women and LGBTQ+ communities in the Village, all while serving Talea’s popular sour brews in an elevated, vibrant space,” said Alda Ly Architecture (ALA).

Bar with built-in seating on the left and counter on the rightBar with built-in seating on the left and counter on the right
Bright hues chosen by ALA for the space include yellow for tiles, green seat backs and red dining chairs

Flooded with natural light thanks to large windows along the street facade, the main space is anchored by a purple-fronted bar with a curved white quartz countertop in one corner.

Behind, numerous beer taps are mounted onto a yellow-tiled partition, while glassware and cans are displayed on shelves above.

View towards an exposed brick wall with seating in frontView towards an exposed brick wall with seating in front
Exposed brick and stone floors allude to a saloon-style aesthetic

The bar is lit by Junit oak pendants from Schneid Studio and brass Dottie sconces by Visual Comfort are mounted around the perimeter.

“We opened up the space to provide as much open area for the front dining room, and brought the bar front and centre to highlight the taps with their extensive selection of beers,” said ALA founder Alda Ly.

Dining area and bar counter with street windows behindDining area and bar counter with street windows behind
The taproom was designed to celebrate its location in the West Village, which has played an important role in LGBTQ+ history

“We wanted the bar to be a welcoming beacon for all people in the neighborhood,” she added.

The other side features built-in, stained-oak seating and small circular tables against an exposed brick wall.

Brick-wrapped room with a skylight over a large tableBrick-wrapped room with a skylight over a large table
Behind the bar is The Revolution Room, intended for larger groups to gather

Pale green backrests and muted red Scroll dining chairs from Industry West continue the interior’s bright colour palette, which is also echoed in the works by local artists displayed on the walls.

“It was important to us to capture the spirit of Talea in a space that felt elevated but also very warm and welcoming,” said ALA project director Marissa Feddema.

Past the bar is a more intimate space called The Revolution Room, designed for groups of eight to 10 people to “scheme, hang and gather” according to the team.

A large table sits below a Nuura Miira 8 Oval chandelier that’s suspended from a skylight, and more brickwork is exposed to add to the saloon-like vibe.

Dimly lit room with dark walls and colourful furnitureDimly lit room with dark walls and colourful furniture
At the back is the Snug, a cosy space furnished with jewel-tone pieces

Further back still, patrons will find the Snug – a much darker and cosier room decorated with jewel-toned furniture, navy limewash painted walls and a vintage fireplace mantle.

The moody bathrooms are adorned with images of prominent local residents and gender activists through the years, further emphasising the neighbourhood’s importance to the LGBTQ+ community.

Bathroom with dark blue tiles, paintings on the walls and an oval mirror above a sinkBathroom with dark blue tiles, paintings on the walls and an oval mirror above a sink
Images of prominent local residents and gender activists are displayed in the moody bathrooms

The West Village is packed with bars and restaurants, from upscale dining spots like Cecchi’s to casual cocktail places like Donna.

Close by, in the Union Square area, ALA has previously designed the interior for a doctor’s office and clinic with earthy and homey details.

The photography is by Brooke Holm.


Project credits:

Architect and interior designer: ALA (Alda Ly, Marissa Feddema, Sheridan Treadwell, Marlee Anderson)
MEP engineer: Tan Engineering
General contractor: Aerial Design & Build

Reference

Super-strong nanofibres made from emissions
CategoriesSustainable News

Super-strong nanofibres made from emissions

Spotted: We must rapidly decarbonise existing global systems, and capture carbon already emitted, to prevent global warming from exceeding the 1.5 degrees Celsius threshold outlined in the Paris Agreement. But the scale of the problem is huge: to meet this target, 10 gigatonnes of carbon dioxide needs to be captured every year by 2050.

Scientists at the US Department of Energy, Brookhaven National Laboratory, and Columbia University may have found a good use for this captured CO2 – carbon nanofibres, which are versatile materials that can be used in everything from batteries and sensors to wound dressings and filtration technology. 

The technique the team has developed uses a combination of thermochemical and electrochemical reactions to turn captured CO2 and water into nanofibres. In breaking the nanofibre production up into two parts, the researchers made it possible for the method to require only relatively low pressures and temperatures. 

To begin, the scientists worked backwards from the idea that carbon monoxide (CO) is far more useful for producing carbon nanotubes than CO2. So, they began working out how to efficiently convert CO2 to CO and went from there. Electrocatalysts work to break CO2 and H2O into CO and H2.  

In the next step, an iron-cobalt thermocatalyst helps to form the carbon nanofibres. Previous direct strategies, which convert CO2 directly into nanofibres using heat, require temperatures exceeding 1000 degrees Celsius. As the thermocatalyst is dealing with CO, however, the researchers were able to produce nanofibres at temperatures of 400 degrees Celsius. 

The nanofibres have a wide range of uses, but the researchers point to their potential in strengthening cement and concrete, where the carbon could be stored for a minimum of 50 years. 

Carbon capture technologies are on the rise, as innovators work to mitigate the impact of global warming. Springwise has also spotted this company that captures carbon straight into concrete as well as this ultra-fast CO2 direct air capture material.

Written By: Archie Cox

Reference

Bayou Buildings: 8 Cases of Architectural Ingenuity Beyond the Banks
CategoriesArchitecture

Bayou Buildings: 8 Cases of Architectural Ingenuity Beyond the Banks

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

From economic and cultural conditions to local climate, landscapes and ecology, architecture is a product of the forces that shape it. One unique contextual force typically found in flat, low-lying areas is a bayou, a slow-moving creek or a swampy section of a river or a lake. Often associated with the southeastern part of the United States, these areas include landscapes that are shallow and can be heavily wooded. Bayou landscapes are also home to an incredible array of inventive architectural approaches.

New buildings and landscapes are designed to embrace these bayou wetlands and marshes. Whether resting lightly upon a site, opening to the surroundings, or drawing inspiration from lowland conditions, these designs rethink the lines between architecture and landscape. Bayou buildings and landscape architecture are also incredibly diverse in program and scale, ranging from small homes to large visitor centers and civic projects. The following projects represent an exploration of bayou architecture across the Southern United States, each a study in balancing new designs and natural systems.


Bridge House

By Lake|Flato Architects, Houston, Texas

Bridge House is a distinctive Houston residence. Nestled on a wooded property with a private ravine leading to Buffalo Bayou, the house draws inspiration from the lightness of a bridge. Approaching from across the ravine via a narrow footbridge, the house stands as a sleek, two-story structure in dark metal, parallel to the ravine. The double-height living room, a glass pavilion, serves as the heart of the home. A suspended second bridge connects private bedrooms, creating an airy atmosphere complemented by steel structure and white walls showcasing a large art collection.

The design prioritizes the unique urban-natural site, preserving trees and minimizing disturbance. Ideal solar orientation and alignment parallel to the ravine enhance the connection with the natural landscape. The LEED-for-Homes Platinum residence integrates renewable energy sources and sustainable practices with a photovoltaic array, rainwater collection, and geothermal system. To enhance the landscape connection, the existing wood vehicular bridge was replaced with new bridges, both in the landscape and inside the house. The ravine restoration earned certification as a Wildlife Habitat.


Marine Education Center at the Gulf Coast Research Laboratory

By Lake|Flato Architects, Ocean Springs, Mississippi

Jury Winner, 9th Annual A+Awards, Architecture +Climate Change

The Marine Education Center at the Gulf Coast Research Laboratory emerged after the destruction of the previous center in 2005 by Hurricane Katrina. The design prioritizes sustainability, integrating coastal building techniques that align with the marine environment. Emphasizing the use of wood, the design connects the center to the adjacent pine flatwood forest. The facility encompasses outdoor classrooms, laboratories, administration offices, assembly spaces, exhibition areas and a pedestrian suspension bridge providing researchers with a unique opportunity to study the bayou and tidal wetlands of Mississippi.

Biologists and site ecologists were consulted to assess flora and fauna in three zones, leading to the selection of a building zone with the least sensitive ecosystem, open water access and suitable elevation for disaster protection. The buildings are strategically placed within the existing tree canopy, utilizing trees as a natural wind buffer. The design, focused on natural disasters and durability, leverages the land as the first line of defense. Low-impact materials were chosen for the health of occupants and to prevent ocean contamination in disasters.


Jacksonport State Park Visitor Center

By Polk Stanley Wilcox Architects, Jacksonport, Arkansas

With the decline of river commerce and levee construction, the town of Jacksonport, Arkansas faced a series of challenges. Situated at the confluence of the White and Black Rivers, a state park was established, and later the design team was tasked with creating a visitor center that not only serves its purpose but also connects visitors to the town’s history and the river. Elevating the park both physically and visually became crucial to overcome the separation caused by levee construction. The design, inspired by the historic “dog-trot” structure, features two glass cubes symbolizing the divided North and South, connected by a bridge representing reunification.

The outdoor classroom allows visitors to view the river above levee height for the first time since its construction. The second level of the center offers three distinct exhibit experiences, overlooking the port, park/courthouse, and housing light-sensitive displays. Metal and wood-clad volumes are inserted like cargo, providing circulation and views along the glass exterior. The roof’s tension rod structure pays homage to steamship details. An aluminum shade protects exhibits, extending the roof and minimizing its edge. The glass enclosure blends with the park’s historic structures, creating an elegant platform.


Grosse Tete Volunteer Fire Department

By Chase Marshall, apac, Grosse Tete, Lousiana

Situated west of Baton Rouge along Grosse Tete Bayou, The Village serves as a gateway to Iberville Parish. Legend attributes the bayou’s name, “big head” in French, to a Choctaw Indian. The community is characterized by majestic live oaks, green pastures, front porches, and the grace of the bayou. The volunteer fire station, a tribute to everyday heroes, is the result of the Fire Chief and Mayor’s initiative.

Solely funded under the 2009 American Recovery and Reinvestment Act, the station replaces the existing warehouse and supports fire response within the village and along a 35-mile stretch of Interstate 10. Designed to reflect the Village’s essence, the building meets the fire chief’s programmatic needs. Chase Marshall secured funding through the Firefighters’ Fire Station Construction Grant, making it the only Louisiana fire station funded under this grant. Strict federal procurement guidelines were followed in the design and construction process.


Zachary House

By Stephen Atkinson Architecture, Zachary, Louisiana

Designed for a retired couple in Zachary, Louisiana, this small weekend house connects them to 44 acres of land and a more rural architectural tradition. The 550-square-foot house, based on the dogtrot layout, features a full kitchen, living/dining area, bedroom, and basic bath facilities. The project’s thoughtful reinterpretation of residential design ideas in Louisiana separates public and private areas with glazed doors for views and cross-ventilation.

From a material standpoint, corrugated metal walls and roof evoke local agricultural structures and shutters provide abstract sealing. Translucent windows maintain the monolithic exterior, while a freestanding chimney symbolically detaches the hearth, emphasizing heat dispersion and recalling traditional kitchen separation. The design facilitates owner construction with simple materials and techniques.


Houston Midtown Park

By Design Workshop, Houston, Texas

Houston’s Midtown Park was designed to redefine an innovative and resilient approach to stormwater management. It features the “Midtown Bayou” channel and detention system inspired by “natural bayous, shrub swamps, bottomland hardwood forests and wetlands” of Houston. The project’s integrated hydrology system works with bioswales and rain gardens, includes an assortment of native plant materials. The park’s design includes a multi-purpose lawn, a “Rain Fountain” for storm emulation and sculptural berms providing relief to the flat topography and views of the Houston skyline.

In collaboration with local artists, dynamic art pieces enhance community outreach. Proven to protect against flooding and enhance ecological resilience, Midtown Park was designed to be SITES certified, combining sustainability with vital park space in a diverse urban setting. The design team set out to make Midtown Park a “marker of sustainability” while providing park space in one of the nation’s largest and most diverse cities.


Holy Rosary

By Trahan Architects, Saint Amant, Louisiana

In the rural campus of the Holy Rosary Complex, simple volumes emerge from Louisiana’s flat landscape, creating a distinctive sense of place. The design embodies a spiritual experience through balanced spatial relationships and a limited palette of concrete, plate glass, and cast glass. Apertures in the walls channel natural light symbolizing the Paschal Mystery of Christ. The complex includes an oratory, administrative building, and religious education building, forming a thoughtful meditation on sacred spaces. Linear secular components surround the courtyard, emphasizing the oratory’s significance.

The design, using poured-in-place concrete and glass, prioritizes spatial characteristics and light play. The oratory is inspired by the womb—a universal, pure, and sacred space. Equal sides create an encompassing and mysterious interior. Light, entering through various openings, symbolizes the paschal mystery without revealing its source, providing occupants with orientation and a spiritual experience.


Bray’s Island I

By Surber Barber Choate + Hertlein Architects, Brays Island, South Carolina

Situated on a captivating site between a pond and freshwater marsh, the design of this single-family house was shaped by its surroundings. Surrounded by tall and thin live oak trees, a departure from a more typical and denser form, the house embraces the unique setting. The functional program includes a spacious living/gathering room, kitchen and dining area, a screened porch, and utility functions. Instead of a separate bedroom, the owner opted for a sleeping loft seamlessly connected to the main living space, opening to a covered porch with marsh views.

Emphasizing the great natural beauty, the house features a large room with glass walls offering panoramic views. Positioned on an isthmus, the house utilizes materials like cedar, copper, board-formed concrete, and stacked stone to age gracefully and blend harmoniously with its environment.

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

Reference

Paul Smith LA store interior is stone-clad partitions and exposed rafters
CategoriesInterior Design

Standard Architecture refreshes interior of pink Paul Smith store in LA

British fashion label Paul Smith’s iconic pink store in Los Angeles has received an interior makeover from Standard Architecture.

Standard Architecture collaborated with the Paul Smith design team to reimagine the 4,740-square-foot (440 square metres) store on Melrose Avenue, West Hollywood.

Paul Smith LA store interior is stone-clad partitions and exposed raftersPaul Smith LA store interior is stone-clad partitions and exposed rafters
Standard Architecture and the Paul Smith team reorganised the LA store to better define the brand’s different collections

The studios also created a new VIP entrance patio for the building, which is notorious for its bright pink exterior that has become a pilgrimage spot for amateur photoshoots.

“The primary goal was to enhance the overall customer experience within the store, which was achieved by creating a more cohesive and immersive shopping environment across the different brand departments,” said Standard Architecture.

Seating area with clothing displays on either sideSeating area with clothing displays on either side
Stone-clad partitions help to define areas, but don’t reach the exposed timber ceiling

The entrance to the store – the only opening in the giant pink wall that faces the parking lot – leads shoppers through a glossy red metal vestibule into the main retail space.

Clearly defined yet interconnected areas for the menswear, womenswear and homeware collections help with navigation around the store.

Suits displayed in colour order on long brass railsSuits displayed in colour order on long brass rails
Long brass rails are used to present tailoring

Partitions clad in dappled beige stone frame these zones, but don’t reach the exposed timber ceiling, to retain the sense of openness.

In places, the stone walls are inlaid with mosaic-style artworks depicting abstract flora, which add splashes of colour to the warm-toned surfaces.

Paul Smith homeware collaborations displayed in a corner of the storePaul Smith homeware collaborations displayed in a corner of the store
Paul Smith’s collaborations with Gufram and Anglepoise are among the pieces on show

Black track lighting is suspended from the rafters, spotlighting the various clothing displays and lounge areas furnished with midcentury-style sofas and armchairs that are dotted around the store.

Long brass rails that appear to be suspended in midair are used to display suit jackets, which are carefully arranged by colour.

Shoes presented on stepped white ledges that resemble bleacher seatingShoes presented on stepped white ledges that resemble bleacher seating
Shoes are presented on stepped white ledges that resemble bleacher seating

In an area dedicated to accessories, the shoes and bags are lined up on stepped white ledges that resemble bleacher seating.

Walnut is used for accents including shelving, door frames, and podiums, as well as for a large open storage system with compartments for presenting individual products and a row of sculptures by Alexander Calder.

Founded by fashion designer Paul Smith in 1970, his eponymous brand is synonymous with the brightly coloured stripes applied to many of its apparel products and other collaborations.

Many of these appear throughout the store, including a colour-tinted Anglepoise desk lamp and a striped version of Gufram’s cactus-shaped coat stand.

Glossy red metal vestibule with store interior beyondGlossy red metal vestibule with store interior beyond
Entry to the store is via a vestibule wrapped in glossy red metal

“Overall, the design reflects a deep understanding of the brand’s identity, which places a strong emphasis on the use of colour and attention to detail,” Standard Architecture said.

Paul Smith retail spaces around the world are equally playful. On London’s Albemarle Street, its boutique has a patterned cast-iron facade by 6a Architects, while the shop in Seoul is encased in a curving concrete shell by System Lab.

Bright pink exterior of Paul Smith store on Melrose AvenueBright pink exterior of Paul Smith store on Melrose Avenue
The store on Melrose Avenue is an icon in Los Angeles thanks to its bright pink facades

Standard Architecture was founded by Silvia Kuhle and Jeffrey Allsbrook, who discussed their work with Dezeen during our Virtual Design Festival in 2020.

Past projects by the firm include a Hollywood Hills residence with a cantilevered swimming pool and a minimal showroom for fashion brand Helmut Lang – which was located just a few blocks from the Paul Smith store before it shuttered.

The photography is by Genevieve Garruppo.



Reference

Can coal be converted into sustainable protein?
CategoriesSustainable News

Can coal be converted into sustainable protein?

Spotted: It’s well-established that the food we eat has a huge impact on the planet, with food production generating over a quarter of global greenhouse gas emissions. But, do you ever consider the impact of what we feed our livestock? For instance, feed production accounts for between 50 and 85 per cent of the climate change impact of pigs and poultry. And often, countries must rely on imports for quality feed, including China, which has been heavily dependent on imported soy – raising concerns over supply and food security in the country.

Now, however, researchers at the Tianjin Institute of Industrial Biotechnology at the Chinese Academy of Sciences believe they have a more sustainable and affordable alternative protein source: coal.

The team, led by Professor Wu Xin, converted coal into methanol via coal gasification, and this methanol was then fermented using a type of yeast called Pichia Pastoris to create single-cell proteins. This particular yeast strain is optimised for growth in methanol, achieving a methanol-to-protein conversion rate of 92 per cent the theoretical value. According to Professor Wu Xin, this makes the novel process far more efficient at producing crude protein than any other process in the food chain at the moment.

The proteins produced contain a holistic profile of amino acids, vitamins, and minerals, which makes the resource a viable substitute for foodstuffs like fishmeal, soybeans, meat, and skimmed milk powder. For the future, the team aims to continue refining the process and use of methanol to make protein, hoping to make it even cheaper and more efficient.

There’s a lot of room for improvement in the global food system, and luckily innovators are rising to the challenge. Springwise has also spotted this AI-driven approach to making tastier alternatives to meat as well as these compact urban farms that tackle food insecurity.

Written By: Archie Cox 

Reference

vincent callebaut's biophilic hospital campus in belgium unfolds around flower-shaped atrium
CategoriesArchitecture

vincent callebaut’s biophilic hospital campus in belgium unfolds around flower-shaped atrium

Vincent Callebaut’s Hospital Campus in belgium

 

Vincent Callebaut has designed HOSPIWOOD, a biophilic hospital campus in Belgium with the aim of enhancing sustainability as well as patients’ experience and recovery. The project brings together local hospital networks on a 14-hectare campus designed to prioritize sustainability and offer high-quality healthcare. HOSPIWOOD serves as a link between the Buset and Longtain sites, situated along the Boulevard Urbain de l’Est, positioned to accommodate various functions within the cityscape, contributing to its overall vitality. At its core, HOSPIWOOD is committed to environmental responsibility and community well-being. The project’s masterplan promotes efficient resource management, incorporating features such as solar car parks, rainwater harvesting systems, and green spaces to mitigate environmental impact and enhance the local ecosystem.

vincent callebaut's biophilic hospital campus in belgium unfolds around flower-shaped atrium
all images by Vincent Callebaut 

 

 

a Modern and patient-friendly Hospital Infrastructure

 

The architects implemented a range of structures, such as The Building K, The Ponte Vecchio, The Vertical Forest, and The Medical Logipole, signaling a departure from traditional hospital design towards a more integrated and environmentally conscious approach. Building K connects to the core of the Tivoli Hospital’s Tripod, and its construction is now underway. The Ponte Vecchio acts as an inhabited bridge, linking various medical staff facilities like restaurants, meeting rooms, and administration offices, along with an amphitheater. Spanning Avenue Max Buset, it forms a direct link between the K building and the new Longtain hospital, featuring dynamic, spiral architecture symbolizing hospital partnership. The Vertical Forest embodies the new Longtain Hospital, featuring 600 rooms across 66,500 sqm within a mid-rise building. Its soft curves create a biophilic atmosphere promoting well-being and serenity. The circular base houses technical platforms around large patios, atriums, and gardens.

vincent callebaut's biophilic hospital campus in belgium unfolds around flower-shaped atrium
a biophilic hospital campus promoting sustainability and patient-centered care

 

 

On the ground floor, a flower-shaped atrium integrates the admissions hall and shops, while various medical services are distributed across the circular plane’s four petals. The first floor hosts intensive care, interventional platforms, and other specialized units, following a similar layout. The logistics basement, accessed via a peripheral circular moat, facilitates seamless flow management while minimizing visual and auditory disturbances. The Medical Logipole serves the logistical needs of the La Louvière site and other network locations. Situated on the northern roundabout side of Boulevard Urbain de l’Est, it offers direct road access and connects to the Longtain Hospital via a glass footbridge. The Campus consolidates complementary functions such as intergenerational housing, nursing homes, and recreational facilities within a masterplan promoting urban diversity and integration.

vincent callebaut's HOSPIWOOD is a biophilic hospital campus in belgium
promoting a nature-infused design

 

 

Green Infrastructure & Sustainable Solutions

 

HOSPIWOOD aims to develop a real eco-neighborhood where residents can enjoy living, working, and seeking medical care. The project focuses on efficient and balanced management of resources and flows, maximizing the site’s assets while preserving its environment. The project integrates elements of ecological and solidarity transition, such as urban greening, renewable energy use, and sustainable transportation. The masterplan adopts a radial and concentric layout, directing flows toward a central atrium, which serves as a public urban hub. The architecture blends harmoniously with the landscape, incorporating features like wind turbines and repurposed mining residues. Preserving the landscape involves combatting soil artificialization by transforming the Longtain site into a lush urban forest. This includes planting endemic trees, fostering native biodiversity, and implementing rainwater harvesting systems. A prominent feature is the tree-lined valley along the New Boulevard Urbain de l’Est, which serves as a rainwater filtration pond and provides a serene environment for residents. This holistic approach honors the industrial, cultural, and natural heritage of the region, enriching the identity of the community.

vincent callebaut's HOSPIWOOD is a biophilic hospital campus in belgium
an eco-neighborhood where residents can enjoy living, working, and seeking medical care

 

 

The solar car parks, equipped with photovoltaic canopies, are designated for staff, patients, visitors, and logistics. They are strategically located near the hospital in concentric bands, bordered by large hedgerows, with 50% of parking spaces covered with grass to promote soil drainage. Trees within the site are planted along these concentric hedges. Vertical landscaping is also prominent. Rooftop gardens, including a medicinal garden, adorn the eco-district, providing a shared space for caregivers and patients. These gardens are sheltered by solar canopies, generating electricity and hot water for patient rooms. Geothermal probes ensure year-round comfort, with additional solar canopies covering the logipole, totaling 7,350 m² of solar roofs for Longtain Hospital. Over 2.5 kilometers of planters line the care unit windows, offering hospitalized patients a soothing green environment. Rain chains connect these planters, guiding rainwater from the rooftop garden. The vertical forest hosts over 20,000 plants, capturing up to 120 tons of CO2 annually and aiding in bioclimatization, reducing temperatures by 3 to 5 degrees for patient comfort. This comprehensive approach reflects a commitment to citizen well-being and environmental stewardship.

vincent callebaut's biophilic hospital campus in belgium unfolds around flower-shaped atrium

Reference

Facade of UNStudio Huawei flagship store in Shanghai
CategoriesInterior Design

UNStudio unveils Huawei flagship store with “petal-like” facade

Dutch firm UNStudio has revealed a two-storey flagship store for Chinese technology company Huawei in Shanghai with a facade clad in ivory-coloured petal-like forms.

Drawing from Huawei’s global operating system, named Harmony, UNStudio‘s design aimed to generate biophilic associations between the brand and its technology by integrating organic geometric shapes throughout the scheme.

Facade of UNStudio Huawei flagship store in ShanghaiFacade of UNStudio Huawei flagship store in Shanghai
UNStudio has completed the Huawei flagship store in Shanghai with a petal-like facade

“Among the many interfaces found in retail nowadays, the flagship store we have created for Huawei in Shanghai is one that blends interactive experiences, technology and community creation,” UNStudio founder and principal Ben van Berkel said.

“The new store reimagines modern retail spaces as inviting environments that promote a sense of community and provide a contemporary venue for consumers and visitors to meet, share and innovate,” he continued.

Southern facade of UNStudio Huawei flagship store in ShanghaiSouthern facade of UNStudio Huawei flagship store in Shanghai
The store’s southern facade integrates undulating floor-to-ceiling glazing. Image courtesy of Huawei

The store’s double-height frontage is defined by a series of overlapping elements that the studio described as “petal-like”, which fold together to form a raised band across the facade glazing.

Each ivory-coloured ‘petal’ weaves down to meet the ground as ‘stems’, configured to hide the structural mullions between glass panels and create the sense of a frameless facade.

Soft lighting was also integrated between the petal edges to illuminate the store’s exterior at night.

Internal tree column in UNStudio Huawei flagship store in ShanghaiInternal tree column in UNStudio Huawei flagship store in Shanghai
A spiralling column was positioned as a visual marker within the central atrium

Positioned directly behind the facade, a spiralling column named the Tree of Harmony continues the organic geometries internally.

The column was positioned to the side of the central atrium as a focal point for visitors and is wrapped by stairs that lead to the upper mezzanine floor.

To further the store’s biophilic character, the southern facade was finished with undulating glazing and seating that folds around the building’s curves.

Display zones in UNStudio Huawei flagship store in ShanghaiDisplay zones in UNStudio Huawei flagship store in Shanghai
The studio used neutral and clean internal finishes to complement the ivory-coloured store frontage

Internal finishes were kept warm and neutral to match the facade’s clean tones and extensive white overhead lighting.

The studio used wood and glassfibre-reinforced cement for the store’s ceilings, floor and columns, while product tables and furniture were also made from wood and natural-toned materials to add to the organic feel of the space.

According to UNStudio, the store integrates high-performance materials and prefabricated, detachable finishes to increase the building’s longevity, while the quality of the air inside the store is monitored by climate control technology.

“Huawei TKL flagship store re-crafts Huawei’s innovative technology into a design aesthetic,” UNStudio partner Hannes Pfau said.

“It seamlessly creates a unified facade and interior narrative, while using high-performance, certified and recycled materials.”

Display zones in UNStudio Huawei flagship store in ShanghaiDisplay zones in UNStudio Huawei flagship store in Shanghai
A central product display avenue spans the length of the store

The store has a central product display avenue that spans the length of the ground floor, with two further experiential zones interspersed for increased user interaction.

A Signature Experience zone will host featured events and exhibits, while the Consumer Full Scenario Experience zone lets visitors use and test Huawei products.

Undulating glazed facade in UNStudio Huawei flagship store in ShanghaiUndulating glazed facade in UNStudio Huawei flagship store in Shanghai
Undulating floor-to-ceiling glazing was used for the store’s southern facade

Both floors were designed with open and flexible spaces in which the store can host lectures, activities and classes.

To complete the store’s functional offerings, UNStudio also created a minimalist interior cafe to blend with the rest of the store for customers awaiting after-sale services.

Open gathering spaces in UNStudio Huawei flagship store in ShanghaiOpen gathering spaces in UNStudio Huawei flagship store in Shanghai
The store hosts flexible spaces to be used by the community

UNStudio was founded in Amsterdam in 1998 by Van Berkel and Caroline Bos.

The studio has also recently completed the Booking.com headquarters in Amsterdam and the YG Entertainment headquarters in Seoul featuring metallic surfaces and geometric forms.

The photography is by Wen Studio unless otherwise stated

Reference

Greener lubricants to decarbonise heavy industry
CategoriesSustainable News

Greener lubricants to decarbonise heavy industry

Spotted: As renewable energy infrastructure expands, so do the maintenance requirements. And, similarly, the growth of e-commerce requires ever-faster production and distribution networks. Facilitating that growth are new machines, including robots, capable of technical tasks older ones are not. As materials technology develops, heavy machinery is increasingly smart, connected, and made from more environmentally healthy components.  

A crucial aspect of many industrial machines is the lubricant that allows the pieces to move at incredibly high speeds and temperatures. When contaminants get in the oil, machines can fail, jeopardising worker safety and causing production costs to skyrocket. Dutch industrial lubricant manufacturer Fluitec provides new-generation lubricants and management systems. The company’s lubricants are designed to withstand the new workloads of cutting-edge machinery, and the management systems provide laboratory-level quality analysis on the plant floor as well as in the field. 

Fluitec’s Fill4Life programme is a circular method of improving the life span of a lubricant while reducing a company’s carbon emissions. Rather than the linear model of adding new oil to a machine and then disposing of the old, Fill4Life uses Fluitec’s turbine oil and healthier, greener additives to significantly prolong the life of a machine and the lubricant that allows it to run. Fill4Life is customisable and can reduce every machine’s CO2 footprint by 85 per cent and save a company at least 50 per cent of its previous expenditure on oils.  

Fluitec also provides the Ruler V Antioxidant Monitoring solution to analyse and predict the longevity of the lubricants currently in a machine. The monitor works in full sunlight and includes dictation capability and a camera for fast, accurate reports from the field. And with a small Membrane Patch Colorimetry (MPC) test, Fluitec provides a visual inspection of a lubricant’s health in under two seconds. The system stores the data for trend analysis and pre-emptive maintenance to help reduce machine failure.  

Fluitec is a carbon-negative company and claims to be the only one of its kind to attain B Corp certification.  

From electricity-powered paving vehicles to industrial waste materials replacing cement, innovations in Springwise’s library are working to help decarbonise heavy industry as quickly as possible.

Written By: Keely Khoury

Reference