Blue doorway in alleyway
CategoriesArchitecture

Bright colours fill converted brick structure in San Miguel de Allende

Architecture studios Oficina de Diseño Colaborativo and Atelier TBD have created a cultural space that preserves the “self-built essence” of San Miguel de Allende.

Created in collaboration with interior studio Maye Colab, Santa Tere Espacio is a cultural space and office that will primarily serve to foster reading in the surrounding neighbourhoods.

Blue doorway in alleywayBlue doorway in alleyway
OCD, Atelier TBD and Maye Colab have created a brightly coloured cultural space in Mexico

Santa Tere Espacio emerged from the idea of creating architecture through renovation, reuse, repair, and repurposing,” said the team. 

Based on the self-built essence of the neighbourhood, Office of Collaborative Design, TBD Atelier, and Maye Colab joined forces with a shared vision to propose a project that engages with the site’s legacy.”

A blue door open to red-tiled kitchenA blue door open to red-tiled kitchen
Located in San Miguel de Allende, the team sought to preserve the “self-built” nature of the city

According to the team, self-construction is a “common building practice in Latin America”, a technique they sought to preserve by repurposing both the existing architecture and materials from the site, which was a former six-room, single-story dwelling.

For Santa Tere Espacio, the team distributed several meeting rooms, a kitchenette, a bathroom and a central courtyard along the structure’s lateral plan with a second, detached bathroom tucked into a corner of the site. 

yellow chairs in front of a blue dooryellow chairs in front of a blue door
The site was a former single-story residence

A long alleyway, marked with a curving concrete path, runs along the length of the exterior and provides access to each space.

The intervention primarily involved demolitions to bring in light and allow ventilation of the spaces, and the incorporation of new elements such as doors, windows, and tile finishes that contrast with the pre-existing structure,” said the team.

Yellow walls facing a blue colored doorYellow walls facing a blue colored door
The team preserved much of the existing architecture and repurposed material found on-site

Openings were created in the form of doors, windows, and domes, and some walls were demolished to make way for the central courtyard.”

Colab worked with a palette of red, yellow and pink on the interior, based on hues found during construction.

primary colored officeprimary colored office
The interior palette was informed by colours found during the construction

“The idea of capturing the site’s essence is also reflected in the project’s colour palette, designed based on the colours found in the construction, with a contrasting colour being the blue of the ironwork.”

Bright blue windows and doors were distributed across the space and finished with geometric handles.

A red table and office chairA red table and office chair
Red was primarily used for furnishings

Interior furnishings were finished primarily in red, with the kitchenette covered in bright red tile and desks throughout the space trimmed in the same shade.

In a desk at the front of the building, the stalk of a plant grows through an opening carved in its surface, while a silver of a triangular skylight sits above.

Triangular skylightTriangular skylight
It features a central courtyard

The project’s landscape design incorporates both native plants and others commonly found around the neighbourhood’s rooftops, patios and facades.

A spindly palo verde plant was planted in the courtyard to provide shade, a species considered sacred to the Aztecs and associated with the feathered serpent god, according to the team. 

Santa Tere Espacio will act as a co-working and cultural space and will host OCD, Maye Colab and the bookstore Una Boutique de Libros.

Programming will focus on “reading, feminism, design and diversity”. 

Blue metal doorBlue metal door
Blue ironwork was used for windows and doors

Founded by Nadyeli Quiroz Radaelli, OCD and Maye Colab are design studios based in Mexico, while Atelier TBD, founded by Victor Wu, is an architecture office based between Brooklyn, Taipei and San Miguel.

Elsewhere in San Miguel de Allende, design studio Mestiz opened a studio to showcase its collaborations with local craftspeople.

The photography is by Leandro Bulzzano.


Project credits:

Architecture: Oficina de Diseño Colaborativo OCD, Atelier TBD
Interior design: Oficina de Diseño Colaborativo OCD, Atelier TBD, Maye Colab
Furniture and colorimetry: Maye Colab
Landscape architecture: Oficina de Diseño Colaborativo OCD, Atelier TBD
Principals: Maye Ruiz, Nadyeli Quiroz, Victor Wu
Design team: Alejandra Skinfield, Paola Bravo, Sara Lopez Farias
Structural consultant: Formula+, Yoyo Wu
Sources:
Steelwork: Crónica Estudio



Reference

Interior by Mexican studio RA!
CategoriesInterior Design

This week we looked forward to the architecture and design trends of 2024

This week on Dezeen, we looked forward to the buildings set to be completed in 2024 and the architecture, design and interiors trends that will impact the upcoming year.

We rounded up 12 key buildings that will be completing over the next year – these include projects by Kéré Architecture, Sou Fujimoto, Zaha Hadid Architects and Foster + Partners.

Interior by Mexican studio RA!Interior by Mexican studio RA!
We looked at the trends of 2024

We also looked at the architecture, design and interiors trends of 2024. Interior design will have a focus on individualism and see a backlash to the rise in AI design, while we will see less experimentation and more “safe spaces” this year in architecture.

Dezeen’s editorial director Max Fraser predicted that in design, we will see the rise of material intelligence and a rush for sustainable accreditation.

Mercedes-Benz skyscraperMercedes-Benz skyscraper
Mercedes-Benz is designing a skyscraper in Dubai

In architecture news, car brand Mercedes-Benz and developer Binghatti have revealed plans for a supertall skyscraper in central Dubai.

The car company’s first branded residential tower will reportedly be 341 meters high and located close to the Burj Khalifa.

“Our aim with our first branded real estate residential tower is to create new, desirable grounds that inherit our brand’s DNA and give our customers a place to arrive, unwind and come home to,” said Britta Seeger, a member of the management board for Mercedes-Benz Group AG.

The latest Neom region was revealedThe latest Neom region was revealed
The latest Neom region was revealed

In Saudi Arabia, the latest region of the Neom mega-development was revealed.

Named Norlana, the development designed by architecture studio 10 Design will be a town wrapped around a marina on the Gulf of Aqaba.

Venice Architecture Biennale 2022Venice Architecture Biennale 2022
Catherine Slessor wrote an opinion on Carlo Ratti’s Venice appointment

Following Carlo Ratti’s appointment as the curator of the next Venice Architecture Biennale, critic Catherine Slessor wrote an opinion piece that raises questions about how the event will be impacted by Italy’s far-right government.

“Viewed as a supposedly safe pair of Italian hands, Ratti’s appointment marks a screeching U-turn from [previous curator] Lesley Lokko, whose tenure was structured around narratives of decarbonisation and decolonisation,” she wrote.

Design Week magazine coverDesign Week magazine cover
Design Week announced it was closing

In the UK, online design magazine Design Week announced that it had ceased publication and that its website will be taken offline later this month.

“Design Week is ceasing publication with immediate effect,” said a statement.

“Design Week’s parent company, Centaur, has made the decision to close the publication as its strategy shifts towards its ‘core audience of marketers, and focuses on training, information, and intelligence’.”

Danish holiday homeDanish holiday home
A Danish summerhouse was one of this week’s most-read projects

Popular projects this week included a monolithic summerhouse on the Danish coast, a pitched-roof house in Massachusetts and a store arranged around a conversation pit.

This week on Dezeen

This week on Dezeen is our regular roundup of the week’s top news stories. Subscribe to our newsletters to be sure you don’t miss anything.

Reference

Photo of seven colours of CornWall tile in flatlay, ranging from a warm beige to a a muted reddish brown and a dark greenish grey. The tiles are arranged beside a bare corn cob, a full corn cob and a small bowl of shredded biomass
CategoriesSustainable News

CornWall gives discarded corn cobs new life as interior tiles

Materials companies Circular Matters and StoneCycling have used corn cobs – one of the world’s most plentiful agricultural waste materials – to make interior cladding that is biodegradable and almost entirely bio-based.

Available in the form of tiles and sheets, CornWall is intended as a more sustainable alternative to ceramic interior wall tiles or plastic laminate.

The material is derived from more than 99 per cent renewable, biological sources, is created at low temperatures using mainly solar power and emits less carbon dioxide in its production than was captured by the corn as it grew, the manufacturers claim.

Photo of seven colours of CornWall tile in flatlay, ranging from a warm beige to a a muted reddish brown and a dark greenish grey. The tiles are arranged beside a bare corn cob, a full corn cob and a small bowl of shredded biomassPhoto of seven colours of CornWall tile in flatlay, ranging from a warm beige to a a muted reddish brown and a dark greenish grey. The tiles are arranged beside a bare corn cob, a full corn cob and a small bowl of shredded biomass
CornWall is an interior cladding material that is 99 per cent bio-based

To give the products a long lifespan, Circular Matters and StoneCycling have produced the tiles with a mechanical fixing system, so they can be demounted and reused or given back to the company for cleaning and recycling.

The technology behind CornWall was invented by Circular Matters – a start-up spun out of a lab at Belgium’s KU Leuven University, where founder Pieter Dondeyne and his team found a way to process plants to enhance their natural biopolymers and create durable materials.

The team then partnered with Dutch company StoneCycling to channel their technology into a product.

Photo of a person, close-up on their hands, holding a small pile of bare corn cobs, their kernels removedPhoto of a person, close-up on their hands, holding a small pile of bare corn cobs, their kernels removed
Corn cobs make up most of the composition of the tiles

StoneCycling co-founder Ward Massa told Dezeen that the focus on corn came because it is one of the most grown crops on the planet and its waste is abundant.

“What happens when you grow corn for human consumption is when it’s ready to harvest, you take off the corn and the corn cob is a leftover material because it doesn’t hold any nutritious value,” he said.

“Usually, that means that these corn cobs remain on the field and rot away, or they are burned as biomass to generate energy,” he continued. “In both cases, you release the carbon that was stored in those fibres – it rots away and it gets released, or you burn it and it gets released.”

With CornWall, the carbon is locked away until the tiles reach the end of their life and are left to decompose.

The production process begins with the discarded cobs being collected, dried and shredded into biomass.

This material is then mixed with other agricultural waste, binders and pigments and pressed into a plate material at a relatively low heat of 120 to 150 degrees. As a final step, the tiles are given a thin coating for water resistance.

All of the ingredients are derived from biomass apart from the pigment, which accounts for the 0.5 per cent of the product that is not bio-based – a very low percentage in a field where even products containing small amounts of materials of organic origin are sometimes labelled as bio-based.

Photo of a person at a distance standing in a huge warehouse of bare corn cobs piled high into hillsPhoto of a person at a distance standing in a huge warehouse of bare corn cobs piled high into hills
The agricultural waste material was chosen because of its abundance

According to Massa, the companies were able to keep the product pure by focusing on interior wall applications only.

“If you want to create a product that can also be used on the exterior or as a flooring or in the shower, then you have to start adding chemicals to bind it, to make it more water resistant and stuff like that,” he said.

“We chose to start with this application because it’s relatively easy and the binder and the product is nothing else than the natural polymers that are already part of this biomass. Because of adding heat and pressure, these polymers are activated and bind together.”

Photo of four objects in flatlay — a full corn cob on the left, followed by a bare corn cob, then a small tray of shredded biomass, then a CornWall tilePhoto of four objects in flatlay — a full corn cob on the left, followed by a bare corn cob, then a small tray of shredded biomass, then a CornWall tile
The corn cobs are dried and shredded before being pressed into tiles

CornWall is also biodegradable according to official standards, with Massa saying it could be buried in a field and disintegrate in a couple of months.

The only thing that would remain is the water-resistant coating, which is not biodegradable but makes up less than 0,001 per cent of the total product meaning it does not affect its biodegradability overall, according to Massa.

“Unfortunately there are no 100 per cent biodegradable coatings on the market yet,” he said. “We’re working with our suppliers on this but it’ll take more time.”

Instead, the intent is to keep the product in use for as long as possible.

The companies wants to target retail and hospitality chains that frequently open and close locations – Starbucks is an example Massa gives – and work with them to make sure the tiles stay in a closed loop of material reuse.

He also believes CornWall offers good options for these kinds of businesses in the design stage, as it can be ordered in custom colours and embossed patterns to complement their branding.

Photo of seven colours of CornWall tile in flatlay, ranging from a warm beige to a a muted reddish brown and a dark greenish grey. The tiles are arranged beside a bare corn cob, a full corn cob and a small bowl of shredded biomassPhoto of seven colours of CornWall tile in flatlay, ranging from a warm beige to a a muted reddish brown and a dark greenish grey. The tiles are arranged beside a bare corn cob, a full corn cob and a small bowl of shredded biomass
The tiles are available in a base range of six colours

“As far as we are concerned, this will become the new retail material,” said Massa. “Especially in those places in retail where they now use materials that are either glued or take a lot more energy to make or create a lot of waste when the shops are being renovated or demolished.”

“Production can also be done regionally because you don’t need a very complicated factory for it.”

CornWall is currently available in a base range of six colours and two sizes, developed in collaboration with Dutch design practice Studio Nina van Bart. Massa says additional textures will soon be added to the line.

CornWall is the fourth product from StoneCycling. The first was the WasteBasedBrick, which is made from 60 per cent waste and was used by Dutch architects Nina Aalbers and Ferry in ‘t Veld of Architectuur Maken to build their own house in Rotterdam.

Reference

Deep learning tests for contaminants in food factories
CategoriesSustainable News

Deep learning tests for contaminants in food factories

Spotted: Almost all of the food that we eat is processed in some way in a factory setting. These factories need to be kept very clean to avoid bacterial contamination, which can be an expensive and time-consuming process, involving constant monitoring and testing. French startup Spore.Bio has developed a way to speed up this process without compromising on safety.

Spore.Bio’s pathogen-detection system works by using a laser to shine an optical light of a particular wavelength on surfaces. Bacteria then react to this excitation in specific ways and the company trains its computer vision and chemometrics models to recognise this spectral signature, identifying the presence of bacteria.

To train the system, the light was first shined on a huge variety of surfaces, some that held clean food, and some that held contaminated food. The images produced were analysed by machine learning models that compared the two datasets to learn how to recognise and detect the presence of bacteria on a surface.

The company has recently completed an €8 million pre-seed funding round led by London’s LocalGlobe VC, with participation from EmergingTech Ventures, No Label Ventures, and several others. The funding will be used to further develop the technology.

Combatting food pathogens is the focus of a number of recent innovations spotted by Springwise, including a spray that kills harmful bacteria on food and a technique that helps plants combat fungal pathogens by disrupting the pathogen’s ability to cause disease.

Written By: Lisa Magloff

Reference

Metacity by XMArchitect
CategoriesArchitecture

Brave New World: 6 Projects That Prove the Metaverse Isn’t Dead

Architizer’s 12th Annual A+Awards are officially underway! Sign up for key program updates and prepare your submission ahead of the Final Entry Deadline on January 26th.  

In the most simplistic terms, the built landscape is a tactile, physical construct. It is real to us; we can reach out and touch it, feel its envelope, and affect our senses. Yet architects and designers are starting to shift their gaze beyond the tangible realm, pushing applications of architecture into new frontiers.

The term ‘metaverse’ first appeared in the 1992 dystopian novel Snow Crash by Neal Stephenson. It refers to a virtual reality world that millions of people participate in via digital avatars, complete with its own economy. In more recent years, fiction has truly become (virtual) reality. The theoretical concept of the metaverse has spawned into a palpable world of its own — a three-dimensional digital playground where users can interact with each other in real time amid immersive, rendered environments.

As the industry navigates an untrodden and ever-changing digital terrain, architects eagerly explored the design potential of the metaverse. Accommodating everything from social events and virtual tourism to business meetings, marketing and educational endeavors, this new landscape has myriad functions. These six compelling projects recognized in the Architecture+Metaverse category of the 11th A+Awards demonstrate the creative possibilities of architecture untethered from the material world.

Yet, innovation is ever-accelerating, and architects are already focusing on the new frontiers of digital design (to reflect this, Architizer introduced the Architecture +AI category in the 12th Annual A+Awards). However, the following projects prove there may be life in the metaverse yet…


By XMArchitect

Jury Winner, 11th Annual A+Awards, Architecture +Metaverse

Metacity by XMArchitect Metacity by XMArchitectThis metaverse masterplan is designed for a futuristic, dystopian world in which global warming has flooded the Earth, rendering it uninhabitable. The Metacity will consist of five cities, the first of which will take the form of a Möbius strip, hovering above the ocean. The city will function as a self-contained eco-system, featuring a gravity-coated surface that generates perpendicular gravity.

In this pioneering co-creation platform, users have free rein to build their own structures — it’s a malleable surface where imaginations can run wild. What’s more, the decentralized model rewards users who contribute to the construction of the Metacity through integrated Build2Earn and Design2Earn gameplay. This immersive, otherworldly environment challenges the parameters of space as we know them, encouraging users to build in extraordinary new ways.


By HOOMAN ALIARY X VELIZ ARQUITECTO

Popular Choice Winner, 11th Annual A+Awards, Architecture +Metaverse

THE AGENCY METAVERSE By HOOMAN ALIARY X VELIZ ARQUITECTO THE AGENCY METAVERSE By HOOMAN ALIARY X VELIZ ARQUITECTOOne of the unique draws of the metaverse is its ability to bridge the voids of geography. You can share the same virtual space as someone thousands of miles away — no arduous traveling required. It makes sense then to leverage this new realm as a business and networking tool.

Designed for global real estate brokerage The Agency, this ground-breaking commercial space is nothing short of astonishing. Embracing fluid, organic lines, the sinuous structure is a celebration of cutting-edge architecture, blurring indoors and out and experimenting with scale, light and porous materials. It’s an evocative backdrop against which the firm’s realtors can talk business and convene with clients and potential buyers.


By Unusual Design Studio

Finalist, 11th Annual A+Awards, Architecture +Metaverse

Unusualverse by Unusual Design Studio Unusualverse by Unusual Design StudioDefined by its amethyst hues and the glass globe at its heart, the Unusualverse is conceived as a plain of artistic community. A reaction to the The term ‘metaverse’ first appeared in the 1992 dystopian novel, but in more recent years, fiction has truly become (virtual) reality. of the physical world, this new virtual reality universe offers a space for creativity to flourish, at a distance from the pressures of society and day-to-day life.

The globe houses a tree of life, an anchoring force symbolizing rebirth, a stark contrast to the barren moonscapes outside. Within the globe are exhibition halls where artists can share their work, their spatial configurations morphing and shapeshifting as required. This virtual cultural hub is a portal to a realm of unfettered creative freedom.


By UKAssociate

Finalist, 11th Annual A+Awards, Architecture +Metaverse

Nature Bloom in Metaverse by UKAssociate Nature Bloom in Metaverse by UKAssociateA car showroom with a difference, this innovative concept space deftly combines reality and virtual reality. In contrast to the other projects in this round-up, the exhibition hall was designed for a real-world location: Yongsan-gu, Seoul. Created to promote eco-friendly vehicles, the metaverse fuses with the material fabric of the space, conjuring up new horizons of exploration.

The project has a streamlined spatial flow, seamlessly guiding users between various exhibition zones. Model cars merge with VR technology for realistic driving simulations, holograms illustrate materials processes and the infinite lifecycle of natural resources is brought to life through immersive 3D technology. This collision of worlds ensures environmental lessons, so vividly illustrated in the metaverse, resound across the physical realm too.


By HWKN Architecture

Finalist, 11th Annual A+Awards, Architecture +Metaverse

PAXTON by HWKN Architecture PAXTON by HWKN ArchitectureHWKN Architecture was chosen to design a virtual cultural hub by metaverse company Pax.World. Dubbed a metaserai, the concept was inspired by caravanserais, which were roadside inns and trading posts peppered along the ancient Silk Road.

Nestled within a rolling desert topography, the geometric structure is fantastically whimsical. Its architects were careful to pair the futuristic with the familiar — recognizable architectural elements ground users, while revealing an extraordinary new social plain. Checkered ramps traverse the levels. From the vast events amphitheater where virtual tickets can be purchased, to the glass-walled art gallery, open-air conference rooms, rooftop sports areas and gardens, the digital architecture elevates the experiential.


By ATRIUM

Special Mention, 11th Annual A+Awards, Architecture +Metaverse

ATRIUM Virtual Gallery by ATRIUM ATRIUM Virtual Gallery by ATRIUMA virtual gallery showcasing the work of architecture firm ATRIUM, this dynamic, cave-like space envelops users with its curvilinear lines. Forming a rippling, multi-layered terrain, pale pink blurs into hot pink hues across the floor and walls, before cooling to white across the ceiling, where architectural elements hang in the air.

The walls’ irregular geometries ebb and flow around the exhibit pieces, which range from models of a skyscraper and a residential complex to intricate furniture designs. Ingeniously, users can view the furnishings in augmented reality through their phones, transporting items into their own interiors. An ingenious branding tool, the gallery expresses the firm’s architectural approach with captivating clarity.

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

Reference

Mid-century modern home
CategoriesInterior Design

Eight homes where mid-century modern furniture adds a stylish touch

Pieces by designers Charles and Ray Eames and Isamu Noguchi are on show in this lookbook, which features homes with eye-catching mid-century modern furniture.

Mid-century furniture, which often has simple lines and a sculptural feel, adds a modernist touch to these homes, which range from period properties to newly built and renovated houses.

Among the interiors showcased in this lookbook are iconic architect Le Corbusier’s own home and a residence in London’s upmarket Mayfair area that has been filled with mid-century modern and art deco details.

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring perforated brick-walls, budget home interiors and immersive saunas in peaceful settings.


Mid-century modern home Mid-century modern home
Photo by Mariell Lind Hansen

Zero House, UK, by Ben Garrett and Rae Morris

Owners Ben Garrett and Rae Morris updated Zero House, which was informed by Californian Case Study Houses, themselves in a way that would honour its mid-century roots.

The living room features a striking floor-to-ceiling fireplace clad in tiles, as well as a number of furniture pieces in warm colours. Among them is a classic Eames office chair in a dark-brown leather colour that matches the wooden panelling that decorates the room.

Find out more about Zero House ›


Hudson Woods house by Magdalena KeckHudson Woods house by Magdalena Keck
Photo by Jeff Cate

Hudson Woods home, US, by Magdalena Keck

Located in upstate New York, this holiday home has an interior that fuses Danish and Japanese design. A dinner table and chairs by designer Finn Juhl are among the Danish pieces used in the house, where they look both functional and elegant.

A simple lamp with a gold-coloured shade above the table adds a decorative touch and matches the brass fastenings at the backs of the chairs.

Find out more about the Hudson Woods home ›


Interior of Madrid apartmentInterior of Madrid apartment
Photo by Polina Parcevskya and Julie Smorodkina

Radikal Klassisk, Spain, by Puntofilipino 

The interior of this Spanish apartment in a former bank building has a moody, interesting colour palette and features richly textured materials including terrazzo, clay-rendered walls and marble tiles.

In contrast, the furniture is streamlined and unfussy, including a sculptural lounge chair by Danish designer Hans J Wegner in the living room.

Find out more about the Radikal Klassisk ›


City Beach residence in Perth by Design TheoryCity Beach residence in Perth by Design Theory
Photo by Jack Lovel

City Beach House, Australia, by Design Theory

American artist and designer Noguchi’s iconic coffee table, made from a heavy glass tabletop that rests on two undulating wooden legs, has pride of place in the living room of City Beach House.

The interior, created by Australian studio Design Theory, responds to the design and natural material palette of the house itself, which is from the 1960s.

Find out more about City Beach House ›


White home in Sweden by Asa Hjort ArchitectsWhite home in Sweden by Asa Hjort Architects
Photo by Jim Stephenson

Hallen, Sweden, by Åsa Hjort Architects

This newly built home in the southern Swedish region of Österlen has a blocky geometric design and large windows that provide views out across the Baltic Sea.

An Eames lounge chair adds a comfortable resting space in one of the rooms, where its dark hues contrast against sheer white curtains and pale wood flooring.

Find out more about Hallen ›


Moore HouseMoore House
Photo is by Joe Fletcher

Moore House, US, by Woods + Dangaran

A pair of vintage globe-shaped pendants by Dutch designer Frank Ligtelijn light up the bathroom in this 1960s California home designed by architect Craig Ellwood.

The bathroom also features a dark Emperador marble countertop and a wall clad in Japanese porcelain tiles.

Find out more about Moore House ›


Mid-century modern interior by Child StudioMid-century modern interior by Child Studio
Photo by Felix Speller and Child Studio

Mayfair residence, UK, by Child Studio

The “Pernilla” lounge chair by Swedish designer Bruno Mathsson is among the many mid-century modern furniture pieces on show in this London apartment.

Local practice Child Studio told Dezeen that the spacious lounge that houses the chair was informed by the grand salon in fashion designer Yves Saint Laurent’s Paris home.

Find out more about the Mayfair residence ›


Le Corbusier's studio apartmentLe Corbusier's studio apartment

Studio apartment, France, by Le Corbusier

Le Corbusier’s apartment in his Immeuble Molitor apartment building in Paris, where he lived for more than three decades, reopened to the public in 2018.

Visitors to the modernist flat can admire mid-century modern furniture pieces including a black leather edition of the designer’s signature LC2 lounge chair, which sits next to a cowhide rug at the entrance of the apartment.

Find out more about Le Corbusier’s apartment ›

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring perforated brick-walls, budget home interiors and immersive saunas in peaceful settings.

Reference

Pioneering period positivity with sustainable femcare
CategoriesSustainable News

Pioneering period positivity with sustainable femcare

Spotted: According to a survey conducted by Plan International, more than one in three boys believe periods should be kept a secret, believing menstruation to be an ’embarrassing’ topic. It’s unsurprising, then, that researchers suspect that ‘period positivity’ is declining. If negative stigma isn’t tackled, it will remain challenging for women’s health concerns to receive the attention they deserve from societies and medical systems. At the same time, advocates for universal free period care products report a rise in demand for supplies as the global economy continues to react to inflation and political instability. 

In the Netherlands, period care company Yoni provides healthy, non-toxic menstrual products, and works to raise the profile of campaigners who are normalising periods and other aspects of female reproductive healthcare. 

The company’s goal is to provide menstruators of any age with products that are good for the body and the environment. The period and incontinence underwear and menstrual cups are all available in a range of sizes and absorbencies. Menstrual cups are made from medical-grade silicone and are 100 per cent plastic-, latex-, and BPA-free. Many Yoni products contain organic cotton and are biodegradable, and each pack of tampons and pads contains a code for tracing the source of the cotton used in that batch. 

The company also offers customers the option to gift a pack of period care products to the charity Armoedefonds. And, as part of Yoni’s campaign to raise awareness of menstruation and break down misconceptions, the company features an online gallery of Game Changers that highlights various individuals who champion positive-impact social campaigns. The gallery provides information and resources for getting involved in the campaigns.  

Yoni currently ships products across the Netherlands, Belgium, and Germany and plans to expand availability as soon as possible.  

Other innovations from Springwise’s library that are making it easier for women to access relevant healthcare and products include a digital health clinic specifically for women and last-mile access and delivery of women’s health products.

Written By: Keely Khoury

Reference

makhno studio gnizdo
CategoriesArchitecture

MAKHNO studio plans gnizdo lodges to resemble sculpted caves

explore the cavernous gnizdo houses

 

These so-called Gnizdo Houses are unveiled as the latest project by Ukrainian architecture firm MAKHNO Studio. The eco-lodges are designed to occupy the studio’s planned village resort, envisioned for the remote and scenic landscapes of the countryside. Embracing a commitment to rest and recovery amid natural forms and meanings, these boutique holiday houses epitomize a unique blend of modern architecture and ecological harmony. The architects aimed to create a dwelling type whose very walls of hempcrete contribute to healing. Every aspect of the Gnizdo Houses, from materials to architectural solutions, reflects an holistic approach to sustainable living.

makhno studio gnizdovisualizations © MAKHNO Studio

 

 

Living Walls: Eco-Friendly Construction

 

Guided by the principle of naturalness, the team at MAKHNO Studio designs its Gnizdo Houses with a focus on natural materials, architecture as an extension of the landscape, and design embodying natural forms. The result is a set of buildings that eschew urban aesthetics, resembling futuristic caves or rocks shaped by the elements, blending fluidly into their natural surroundings. The structures are constructed with ‘hemp firewood concrete’ or hempcrete, a lightweight eco-absolute featuring hemp bark admixture. With this materiality, Gnizdo Houses stand out for their exceptional sound and heat insulation, moisture absorption, and resilience against rodents, insects, and mold. This innovative material facilitates air exchange with the surrounding space, contributing to the houses’ ability to ‘breathe.’ The exterior can be further enclosed with a reed screen, enhancing natural climate control.

makhno studio gnizdo
the Gnizdo Houses are designed as a unique and futuristic series of eco-lodges

 

 

MAKHNO Studio infuses Tradition with Futurism

 

By incorporating elements such as a reed roof, clay walls, and a traditional Ukrainian oven, MAKHNO Studio’s Gnizdo Houses represent the DNA of Ukrainian architecture in the third millennium. Tradition is reimagined to shape a modernized vision for rural architecture that aligns with contemporary living. Inside, a spacious hall welcomes visitors with a fireplace, a designer sofa, and a cast-concrete family table surrounded by unique designer lamps. The space is flooded with natural light to create a sunny yet intimate atmosphere. Gnizdo Houses embody MAKHNO Studio’s vision of a modern Ukrainian house in the countryside. With a focus on ecological sustainability, loyalty to rural architectural tradition, and a futuristic vision, these houses are designed to offer a unique and remote oasis away from the city.

makhno studio gnizdo
designed for rest and recovery, the eco-friendly walls of Gnizdo Houses contribute to a holistic sense of well-being makhno studio gnizdo
MAKHNO Studio integrates architecture with the landscape, creating structures that are both futuristic and natural MAKHNO studio's hempcrete eco-lodges resemble naturally sculpted caves
the dwellings will be built with hemp bark ‘firewood concrete’ and reed screens

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View through large opening into a neutral-toned interior
CategoriesInterior Design

Ibiza Interiors turns dry-stone stables into flexible guesthouse

A 200-year-old stable building in the mountains of Ibiza has been converted into a vacation home by local studio Ibiza Interiors.

The Atelier is one of four dwellings that make up Campo – a group of rentable guesthouses set in a finca, or farmstead, in the island’s Morna Valley.

View through large opening into a neutral-toned interiorView through large opening into a neutral-toned interior
Campo Atelier is located in a renovated dry-stone stable building

Ibiza Interiors founder Jurjen Van Hulzen has renovated these buildings one by one to enhance their original features and create a series of tranquil getaway spots.

“Nestled between carob and orange trees, the Atelier […] appears at the end of the path as a haven of peace,” said the Dutch architect, who founded the studio in 2014.

Room with wooden ceiling beams, polished concrete floor and a dining tableRoom with wooden ceiling beams, polished concrete floor and a dining table
The main space is designed for flexible use

The single-storey dry-stone structure is typical of the local vernacular but now features a large retractable glass wall across its front.

A polished concrete patio continues inside, where exposed timber ceiling beams and wooden doors complement the neutral colour palette.

“Textures and styles are not afraid to cohabit and the emphasis is on the interplay between old and contemporary, elegant and rustic,” said Van Hulzen.

A small kitchenette with wood-panelled cupboards and doors either sideA small kitchenette with wood-panelled cupboards and doors either side
A small kitchenette with wood-panelled cupboards matches the doors on either side

The main space contains a small kitchenette on one side and a dining table that doubles as a workspace on the other.

A seating area comprising low, comfy sofas is positioned towards the back.

A minimally furnished bedroom with built-in storageA minimally furnished bedroom with built-in storage
The minimally furnished bedroom includes built-in storage

The interior is designed to be as flexible as possible, with all of the furniture except the kitchen counters moveable to provide space for exercise or meditation.

Equally, the linen curtains can be drawn and the sofas reoriented for watching movies on a projected screen.

The bedroom is minimally furnished but guests can store their belongings within built-in closets while another glass door opens to the exterior.

In the bathroom, lit from above by a skylight, a large tub made of dark stone is accented with matte black hardware.

A grey stone bathtub illuminated by a skylightA grey stone bathtub illuminated by a skylight
In the bathroom, a grey stone tub is illuminated by a skylight

The landscaping around the Atelier was designed by Ibiza Exteriors, a new offshoot of Ibiza Interiors created by Van Hulzen and Alicia Uldall.

The pair chose local flora attuned to the island’s climate that requires minimal maintenance such as stipa grasses, aloe, rosemary and mastic trees.

A 200-year-old building sat into the hillsideA 200-year-old building sat into the hillside
The 200-year-old building sits on a hillside, with its flat roof accessible via stairs

Deep steps lead up to the flat roof that serves as a picnic or sunbathing spot overlooking the valley. The dining table and chairs can also be brought outside for al fresco dining among the vegetation.

“Like the Atelier, the garden preserves the wild essence of this land and its genuine beauty,” Van Hulzen said.

Wooden dining table outdoorsWooden dining table outdoors
The dining table can be brought outdoors for al fresco meals

Better known for its party scene, Ibiza is becoming ever more popular as a wellness and relaxation destination – particularly away from its coast.

Many of the island’s historic fincas have been converted into secluded accommodations including the remote Aguamadera resort and the members-only retreat La Granja.

The photography is by Ariadna Puigdomenech.

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Redefining dairy to produce sustainable 'pink gold' proteins
CategoriesSustainable News

Redefining dairy to produce sustainable ‘pink gold’ proteins

Spotted: An important ingredient that makes milk and dietary supplements good for the body is the lactoferrin protein. It promotes general immune health and supports the metabolic absorption of iron. Often called “pink gold” because of its value and scarcity, the protein is found naturally in cow’s milk in very small amounts, with one litre of cow’s milk containing around 100 milligrammes of lactoferrin. That isn’t enough to keep up with global demand, particularly as the limited quantities that are available are often used in infant formula to boost nutrition levels. 

Seeking high-quality milk without the environmental side effects, TurtleTree co-founders created a precision-fermented version of the lactoferrin protein. Called LF+, the new protein is gluten- and lactose-free, vegan, and sustainable. Using large fermentation tanks like those used by brewers, the TurtleTree team replicates the structure of the cow DNA that produces lactoferrin and adds it to yeast cells. 

Those genetically modified yeast cells then grow, via industrial fermentation, into large quantities of lactoferrin. Structurally and functionally identical to the protein made naturally in cow’s milk, LF+ has the benefit of being far less expensive to produce and therefore less expensive for brands to use in their products. 

TurtleTree envisions its new version of lactoferrin being used in everything from supplements to high-performance protein drinks, and a whole host of other products that would benefit from sustainably sourced, healthy protein. The affordability of LF+, compared with traditionally produced lactoferrin, makes it possible that most infant formula worldwide could contain the essential protein in future, contributing to significant improvements in global infant health.  

The company is currently undergoing regulatory review for LF+ and this regulatory label will make it clear that the protein is safe to add to almost anything. TurtleTree is also expanding its development of the precision fermentation process to create other types of proteins also found in milk.  

Other examples from Springwise’s library that make innovative use of fermentation include the production of human milk proteins for infant formula and bioengineered fabric dyes for the textile industry.

Written By: Keely Khoury

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