image of smartphones showing energy management/demand response app - photo
CategoriesSustainable News Zero Energy Homes

Demand Response Technology: Key to Decarbonizing Multifamily

As municipal and state regulations targeting carbon emissions in buildings slowly come online, multifamily building emissions are becoming most critical. These codes challenge owners, designers, facilities engineers, and even tenants to meet net zero commitments. Unfortunately, multifamily properties pose difficult obstacles to retrofitting with clean technologies and energy upgrades, given their split incentive between owners and tenants. One key is demand response technology, which lets homeowners and tenants voluntarily reduce energy use during grid emergencies.

For example, more than 30,000 New York City building owners must undertake energy transition upgrades to prepare for the city’s groundbreaking Local Law 97. The law propels New York City’s Climate Mobilization Act of 2019, which hopes to cut the city’s carbon emissions by 40% over the next 6 years. Starting in January 2024, these larger buildings must comply with mandatory greenhouse gas limits or face steep fines. Multifamily properties face the strictest rulings, as they comprise the largest energy consumption and overall contributions to carbon emissions.

Most of these buildings fail to comply with the new limits as they currently stand. Emissions reductions can only be achieved through building efficiency upgrades, like insulation; electrification of HVAC systems; and integration of smart home devices like thermostats. These properties demand research and widespread implementation initiatives as we head closer to 2024. First, owners and management companies must educate their tenants on the necessary changes and encourage them to play an active role in their building’s energy transition.

Demand response technology offers split incentives

How can multifamily properties overcome split incentives for making energy consumption changes and meeting emissions regulations? The primary answer lies with DR platforms, which provide financial incentives to both building owners and tenants. When electricity usage across a community spikes, utility companies are often forced to turn to polluting, fossil fuel–powered “peaker plants” to meet the excess demand. This leads to a mass increase in both carbon emissions and the cost of producing electricity–as well as local pollution.

image of smartphones showing energy management/demand response app - photoDemand response (DR) technology and pricing programs have proven to reduce energy consumption during peak periods, benefiting both local utility and the environment. Some DR programs allow utilities and grid operators to directly tap into participating customer assets, like energy storage systems, to use stored energy to support the grid. Other programs use customer engagement tactics, like alerts via app to encourage the resident to voluntarily reduce energy use themselves to help lower the peak.

Tenants and owners can receive direct cash payments from utility companies for participating. Most often, residents shift their energy consumption during peak demand times. This could be as simple as turning off a few lights or raising thermostats by a few degrees during warmer weather. These simple actions—multiplied across a city or region—add up! Collectively, they balance the strain on the grid and reduce the need for utilities to resort to peaker plants.

Automation makes it easy

Demand response technology can activate smart home devices deployed at scale in apartments, condos, and co-ops, to automatically adjust energy consumption during a grid event: thus creating “virtual power plants” (VPPs). Groups of residents living in the same building, or even spread across an entire utility territory, using the same DR platform represent a potentially significant amount of flexible energy use. When called upon to support the grid during times of high demand, their combined load reduction could offset several tons of CO2 emissions, or even negate the need for a utility to fire up a peaker plant. Utility companies benefit by cutting costs and emissions.

DR technologies also allow utility companies and building owners to compile data. Dashboards show how and when buildings are using energy, which can then be used to understand how energy is being used, further adjust schedules, and assess impact of reducing or shifting energy use. Access to data is instrumental for buildings and utility companies to understand existing emissions levels, manage energy usage, and maintain or achieve compliance after emission caps are instituted.

 

modern affordable housing project - exterior photo

 

How can multifamily properties participate in DR?

To help building owners get started with these DR technologies, rebates (most recently via the Inflation Reduction Act) can support investments in energy efficient capital improvements with smart load management. Tax incentives and rebates provide owners with a more accessible path to lower energy costs for themselves and residents, and reduce carbon emissions building-wide. Building owners can also take advantage of regional programs that provide financing for upgrading buildings. In New York for example, owners can participate in this local funding facility to accelerate VPP projects and overall decarbonization.

As climate laws similar to Local Law 97 pop up across the country, multifamily properties are adopting necessary DR technologies and encouraging changes among residents. The appliances and tools that multifamily buildings will need to meet emissions rulings and other climate laws are available now. Ultimately, owners must take control of their energy usage and include residents on the journey to a cleaner future, for their building and community.

The author:

Jeff Hendler serves as CEO and co-founder of Logical Buildings,

Reference

Glass canopy at buffalo museum
CategoriesArchitecture

Studio Other Spaces museum courtyard in “canopy of glass and mirrors”

Artist Olafur Eliasson and architect Sebastian Behmann’s firm Studio Other Spaces has created a sculptural work called Common Sky to enclose an open-air courtyard at the Buffalo AKG Art Museum.

Created as part of a renovation of the museum led by architecture studio OMA’s New York office, Common Sky is a massive glass and mirror canopy created from hundreds of overlapping mirror and glass panels.

The installation encloses an open-air courtyard in the 1962 modernist Seymour H Knox Building designed by American architect Gordon Bunshaft, which was largely unused.

Glass canopy at buffalo museum
Studio Other Spaces created a canopy to enclose a courtyard in a mid-century Buffalo museum

“Common Sky is a dynamic, sculptural statement that combines a geometric language and a playful, poetic approach,” said Studio Other Spaces (SOS) co-founder Olafur Eliasson.

“As an artwork, it sensitizes you to the world outside, to the surrounding environment of Buffalo.”

“It draws your attention to things that are difficult to measure, and to things that depend on emotion and on your active involvement.”

View of the canopy from under the canopy
The canopy is made of alternating glass and steels layered on top of each other with a steel frame

The canopy is made from alternating mirror and glass panels, with two layers supported by white-painted steel, giving the structure depth.

At the centre of the courtyard, the panels coalesce into a funnel that meets the ground at the place where a hawthorn tree once stood in order to reference the history of the space. This tree-like form also supports the structure so as to eliminate the need for an additional support system, keeping the canopy open.

The choice to use mirrors instead of having an all-glass canopy came from a desire to create an insulating effect for the canopy.

Close up view of panels
The glass panels reflect sunlight, minimising heat gain

The mirrors reflect sunlight away from the canopy, which minimises heat gain within the canopy and reduces the need for air conditioning.

Light coming through the alternating panels creates a play of glare and shadow on the stone floor of the space, which is lined by a covered veranda on two sides.

SOS said that the choice in material and form was chosen to keep the connection with the environment that existed with the courtyard through “non-classical architectural” while respecting the style of the Bunshaft design.

Museum exterior view
The new courtyard is accessible to the public

“The structure forms a unique design that takes into account all of the surrounding elements from the Buffalo AKG Art Museum, including the park, and neighboring buildings,” said SOS co-founder Sebastian Behmann.

“We created a site-specific artwork that amplifies the existing situation and combines it with the idea of a modern courtyard.”

The use of glass also mirrors the new museum building designed by OMA for the site, which is enveloped in a glass facade.

As part of the revamp of the museum, OMA also created a new entrance to the Seymour H Knox Building, so the public can access the courtyard from the adjacent Frederick Law Olmsted-designed Delaware Park.

The studio worked with engineer Herwig Bretis from ArtEngineering and Petersberg-based steel constructor Hahner Technik on the project.

Low-light view of the canopy
the canopy funnels down to the ground at the spot where a hawthorn tree once stood

Studio Other Spaces was founded in 2014 in Berlin by Behmann and Eliasson.

Its other works include an “anti-monument” consisting of several diverse buildings in Ethiopia and a colourful, conical glass pavilion for a winery in California.

The photography is by Marco Cappelletti and Studio Other Spaces.

Reference

Exterior sign post for the Asteroid City exhibition at 180 The Strand
CategoriesInterior Design

Asteroid City exhibition immerses visitors in Wes Anderson’s film sets

An exhibition of the 1950s sets, props, miniature models, costumes and artwork used in Wes Anderson’s latest film Asteroid City has opened at 180 The Strand in London.

The exhibition was designed to immerse visitors in the film’s fictitious world – a desert town in 1950s America famous for its meteor crater and celestial observatory.

Exterior sign post for the Asteroid City exhibition at 180 The Strand
The exhibition is on display at London’s 180 The Strand

Its aim was to give visitors insight into the “1950s Americana world the film is set in”, said Asteroid City associate producer Ben Alder.

Asteroid City was filmed on flat farmland in Spain, with the buildings made for the film set up to appear like a town.

A model train on a rail track
The exhibition features large sets

“Everything you see in the film was physically built and laid out in a way that gave the actors and crew the sense of living in this real town,” Alder told Dezeen.

“The exhibition is a great way for people to see how much work went into all the elements of the film, like the costumes, because you can spend more time looking at how they are made and how much care went into them.”

Three character costumes in the Asteroid City film arranged around a desert patch with wooden shacks in the background
Film sets used in the Asteroid City movie are on display

Pieces in the exhibition are spread across three main spaces, with audio clips and parts of the film projected onto walls referencing scenes relevant to the nearby displays.

“The idea was to use the largest open space for the sets to give people the sense of how big they were on the film, and you can imagine how massive our Asteroid City town was,” said Alder.

Film costumes and props displayed at the Asteroid City exhibition
Costumes and props are on display

“Then there’s another space that’s a more traditional gallery-type curation where you can see smaller objects and props, going into the details of the characters,” Alder continued.

Mimicking the exterior of the cafe featured in the film, a temporary wooden structure decorated with menu lettering and a desert scene spans the entrance of 180 The Strand.

Sets displayed in the exhibition include white wooden residential shacks, a train carriage and a bathroom scene.

Other life-sized scenery props include telephone booths, billboard posters and humourous vending machines that dispense martinis and bullets in the film.

A row of colourful vending machines as part of a film set
The exhibition provides a close-up view of the Asteroid City film props

“There are moments where visitors are invited to be in the sets and interact with them,” said Alder.

“Not only can visitors see all the pieces from the film really closely but they can go inside some of the sets – they can sit inside the train compartment, recreate the scene with [actor] Scarlett [Johansson] in the window, or go into the telephone booth – which is something really special that not a lot of exhibitions have.”

Asteroid City exhibition with a model train and cactus
Visitors can explore a desert set

Some of the character costumes are arranged together with set pieces to recreate scenes from the film.

Also on display are puppets made by Andy Gent, who previously created puppets for Anderson’s films Isle of Dogs and Fantastic Mr Fox, and a series of glass flowers used in a stop-motion animation sequence where they transition from blooming to wilting.

Interior of a 1950s-style diner with a chalk board menu
The Asteroid City exhibition showcases many details from the film

The exhibition ends with a recreation of a luncheonette featured in the movie, where visitors can order food and drink.

It has a 1950s-style decor, with stools lined up along the service bar, pastel-coloured blinds and the image of a desert landscape framed inside fake windows.

1950s diner film set with square brown floor tiles and steel stools along the service bar
A 1950s-style cafe is at the end of the exhibition

Asteroid City is out in cinemas now.

Anderson is known for his distinctive film aesthetic, typified by retro influences and pastel colours. Interiors that have been informed by the director’s style include a pastel-yellow breakfast cafe in Sweden and a bottle shop in Los Angeles with mid-century influences.

The photography is courtesy of Universal Pictures and 180 Studios.

The Asteroid City exhibition is on display at 180 The Strand in London from 17 June to 8 July 2023. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

Reference

Turning rainforests into tangible ESG assets
CategoriesSustainable News

Turning rainforests into tangible ESG assets

Spotted: Since 1947, the total area of tropical rainforests has been reduced by more than half, with around 100 acres of rainforest cleared every minute for agricultural and industrial development. Now, one organisation – Forestbase – has an idea about how to significantly slow this process by valuing forest land much higher.

Forestbase founder and CEO Kjell Clarysse points out that most forest land is priced so low that it is the main driver for deforestation, with buyers able to make high profits turning the forest land into timber, mining, agriculture, or tourism. Instead, Clarysse suggests moving conservation away from a donation basis and into financial markets as an infrastructure asset.

First, Forestbase buys tropical forest land when it becomes available, outbidding extractive and environmentally damaging industries. Then, in collaboration with local communities, Forestbase establishes a conservation plan that is mutually beneficial for locals and the land.

In order for the bought land to be turned into a formal infrastructure asset, Forestbase built its own legal assessment tool, the Land Tenure Stability Index (LTSI). The company then sets up special purpose vehicles (SPVs) for the land it buys. Investors can buy shares of the SPV, which equates to the number of hectares of land purchased, and this asset can be used to meet environmental, social, and governance (ESG) goals. Because the ownership of the land has been fractionalised and spread over multiple land titles, it de-risks the purchase for investors and makes the assets easier to trade.

By turning hectares of rainforest into tangible assets, Forestbase brings the price of the land much closer to its intrinsic worth, taking into account the value of the biodiverse ecosystem that exists in one block of land. The ultimate goal is to drive up the price of rainforest to the point where it is more profitable to trade it than to exploit it. As Clarysse summarises, the company is “re-calibrating the position of nature in our financial system”.

Forestbase is currently focusing on increasing its asset financing capacity.  

A variety of novel financial products and markets are working to improve sustainability. In the archive, Springwise has spotted CO2 insurance products and fossil fuel-free funds.

Written By: Lisa Magloff

Reference

These Terracotta Experts Are Redefining the Architectural Possibilities of an Ancient Material
CategoriesArchitecture

These Terracotta Experts Are Redefining the Architectural Possibilities of an Ancient Material

The One Rendering Challenge is now part of the Architizer Vision Awards, honoring the best architectural photography, film, visualizations, drawings, models and the talented creators behind them. Winners are published in print! Start your entry >

Great architecture marries function with aesthetics. Often, the expression of this negotiation between form and use plays out in materials, the many assemblies and combinations that define what we experience. Terracotta is a clay-based ceramic that can be glazed and has been used throughout history. But it wasn’t until the 19th century that the material began gaining new architectural applications outside roofing. With varying colors and textures depending on the type of clay, terracotta is now produced in a vast array of shapes, styles and varieties.

Shildan has become known for its rainscreens and terracotta products, which bring iconic and energy-efficient building façades to life. With over 300 institutional projects, they specialize in designing and engineering systems for high-performing facades. While a large majority of contemporary terracotta buildings include cultural institutions and arts facilities, the material can also be used in residential and commercial construction. Durable as it is beautiful, Shildan’s terracotta is used in contemporary architecture to redefine building envelopes in both rainscreens and cladding. Each of the following projects explores how Shildan rethinks terracotta and its application in diverse building types.


Mercy Corps Global Headquarters

By Hacker, Portland, OR, United States

Designed to teach and encourage visitors to engage with contemporary issues, the Mercy Corps building was built to exemplify a sustainable, community-focused approach. Doubling the size of the historic Portland Packer-Scott Building, the landmark project combined a green roof, with resource-friendly landscaping and a glass and terracotta envelope.

Certified LEED Platinum, the project uses the LONGOTON Terracotta Rainscreen Panels with extruded, double leaf, 1.6 inch (40 mm) panels. The panel has increased strength from a chain of internal I-beam supports. The panels were chosen because of their flexibility in being able to be incorporated in both horizontal and vertical support systems, as well as a flexible orientation in layout. The headquarters also includes the Action Center — a “window to the world” — featuring interactive exhibits that educate visitors about the changing nature of relief and development work.


NASA Langley Research Center – Headquarters Building

By AECOM, Hampton, VA, United States

For NASA’s Langley Research Center, a $23 million, 72,000-square foot administrative office building, AECOM provided full bridging architectural and engineering services for the headquarters. The building is conceptualized as a parallelogram on a triangular site with a two-sided entry at ground level linked by a continuous lobby. The southern entrance plaza links both through the lobby and around the building to the north plaza, which is oriented to the heart of the campus.

The headquarters building was required to achieve LEED-NC Gold certification but achieved LEED-NC Platinum certification, focusing on the reduction of operating and maintenance costs, energy efficiency, comfort for the occupants, and a low environmental impact. The project features the Shildan/Moeding ALPHATON Panel, an extruded, double leaf, 30 mm (1.18”) terracotta panel. The ALPHATON panels can be incorporated in both horizontal and vertical support systems, and they were used in the Langley project to for durability and to denote the change in building form.


NOAA Southwest Fisheries Science Center

By Multistudio, San Diego, CA, United States

For the design of the National Oceanic and Atmospheric Administration (NOAA)’s Southwest Fisheries building, the team partnered with the University of California San Diego to design a facility that would pay homage to a world-class site and create a sustainable building for environmental stewards of the ocean.

The Southwest Fisheries building takes advantage of the local microclimate while respecting the ever changing needs of the research scientists. The new facility continues the California-style legacy of an open architectural environment, and courtyards encourage interactions among researchers from different disciplines. Terracotta sun shades, green roofs, photo-voltaic panels, and a state-of-the-art 528,000 gallon ocean technology tank help this building rethink scientific building design.


UCLA Evelyn & Mo Ostin Music Center

By Kevin Daly Architects, Los Angeles, CA, United States

For this music center in Los Angeles ,the project includes a high-tech recording studio, spaces for rehearsal and teaching, a café and social space for students, and an Internet-based music production center. Music industry executive and philanthropist Morris “Mo” Ostin donated $10 million to UCLA for the music facility, now known as the Evelyn and Mo Ostin Music Center. Adjacent to the Schoenberg Music Building and the Inverted Fountain, the new structures provide faculty and students access to the latest advances in music technology, research and technology.

The design utilized Shildan’s Terracotta Baguette Sunscreen to provide subtle variation and add texture to a building. This was combined with the ALPHATON terracotta panel. Kevin Daly Architects utilized these materials and assemblies, as well as proposed a series of additions, subtractions, and modifications to the existing facilities that transformed the building into a dynamic complex that supports a new vision for music education at UCLA.


Lesley University, Lunder Arts Center

By Bruner/Cott & Associates, Inc., MA, United States

The Lunder Arts Center at Lesley was designed to be the new heart of the College of Art and Design. A center for art teaching and making, the campus is a crossroads for academic, artistic, and neighborhood communities. The terra-cotta and glass design foregrounds the site’s important historic church, initiating a dialog between 19th century religious and 21st century educational icons. An art gallery in the new glass building and a library in the historic church anchor the building at both ends; both are open to the public.

The complex is a transition from Porter Square’s large-scale industrial buildings to the smaller, finer-scaled residences and stores along the avenue. The scale and detail of the historic church inform the new building; terra cotta reflects back neighboring brick and clapboard. Registered for LEED Gold, the complex exceeds Cambridge’s strict new Stretch Energy Code. The project team used both the ALPHATON terracotta panel system, as well as Shildan’s Patinated Terracotta Rainscreen Panels.


Stephen M. Ross School of Business

By Kohn Pedersen Fox Associates, Ann Arbor, MI, United States

Key to the success of the design of the new Stephen M. Ross School building was relating the typical tiered classroom to group study spaces. To do so, the design team developed a model for early site planning studies to address the pedagogical needs of the school, which focused on assessing the capacity of existing buildings to accommodate new teaching spaces. Equally important was a sense of local identity, both for the building on the university campus and for distinct groups within the school.

Respect for the language and history of nearby buildings on campus had to be balanced with the goal of projecting a forward-looking image for the school. The new building meets these challenges set by the Ross School with an organization of elements around a central winter garden which opens directly to the street, providing a distinctive presence and a new “front door” for the school on the University of Michigan campus. Through both phases, glass, terracotta, and warm sandstone define the material vocabulary of the building. The mixture of textures offers smooth glass that is clear and fritted, machined terracotta, split-faced sandstone and water-jet finished granite to provide a contrast in color, texture and feel. Terracotta is the building’s most prominent material.

The One Rendering Challenge is now part of the Architizer Vision Awards, honoring the best architectural photography, film, visualizations, drawings, models and the talented creators behind them. Winners are published in print! Start your entry >

Reference

Exterior of Tokyo colourful bathrooms
CategoriesInterior Design

Tile-clad Tokyo toilets are drenched in bright green and yellow light

Local studio I IN has renovated two toilets in a Tokyo shopping centre, using lights that “propose new colours for genders” to create vivid interiors.

The interior design studio completely renovated the two toilets, which are located on the restaurant floor of the shopping centre Shin-Marunouchi in Chiyoda City, Tokyo.

It began by wrapping both restrooms in white tiles to give them a clean feel that would also function as an unobtrusive background for the coloured lights.

Exterior of Tokyo colourful bathrooms
The bathrooms are marked by bright green and yellow light

“We used a mosaic tile by Dinaone that is made in the Tajimi area, which is famous for tile-making in Japan, and it has a special non-slip treatment on its surface,” I IN told Dezeen.

“We wrapped the space in tiles to express the feeling of cleanliness; we think public restrooms need to offer a sense of purity so that this whole space can be cleaned easily,” the studio continued.

“Our aim was also to create a continuous floor, wall and ceiling using one material so that people can experience entering an unrealistic space.”

Interior of yellow bathroom
Stainless-steel sinks contrast white tiles inside

The all-white interior was then enhanced by hidden light fixtures that colour the female bathroom entirely yellow, while the male bathroom is all green.

“The main aim was to propose new colours for genders,” the studio said.

“The universal toilet signage is usually red and blue – we wanted to bring them closer together. In rainbow colours, which define diversity, yellow and green are next to each other.”

Green bathroom interior in Tokyo by I IN
The bathrooms are located in the Shin-Marunouchi building

The colours of the toilets can be changed for seasonal events, but will otherwise remain yellow and green.

The studio also designed sinks especially for the toilets, in which almost all the functions are hidden away to help create tidy spaces with a futuristic feel.

“We used silver metal – stainless steel – to create original sink designs for both the women’s and the men’s room,” I IN said.

“Here, you do not see typical equipment such as faucets, soap dispensers and hand dryers; these are designed inside the counters but you can easily find and use them,” it added.

“As the space is all about new restroom experiences, we designed a new experience for washing hands as well.”

Green toilet exterior in Chiyoda Tokyo
The spaces were designed to be “extraordinary”

I IN collaborated with architecture and engineering studio Mitsubishi Jisho Design on the design.

The studio hopes that the washrooms will create a memorable experience for visitors.

“The sensation of being saturated by the color of light transforms all elements of the restroom experience into something extraordinary, leaving a powerful lasting impression on the visitor,” the studio concluded.

I IN was longlisted for emerging interior design studio of the year at Dezeen Awards 2022 and has previously overhauled a 1980s apartment in Tokyo to give it an understated luxury feel.

The photography is by Tomooki Kengaku.

Reference

Monitoring ecosystem restoration in high resolution 
CategoriesSustainable News

Monitoring ecosystem restoration in high resolution 

Spotted: The World Economic Forum’s (WEF’s) new initiative, Giving to Amplify Earth Action (GAEA), seeks to raise $3 trillion (around €2.7 trillion) every year to scale and replicate successful conservation and restoration projects around the world. Helping to connect people and organisations running the projects with funders and other supporters is the Restor network. 

Restor provides analytic support and a global network of individuals, agencies, and companies whose goal is to support restoration at scale through collaboration and sharing of best practices. Scientists provide insight and help project managers apply the latest research to each conservation or restoration site.  

Conservationists seeking information on a particular plot of land can use Restor’s expertise and access to satellite imagery to assess land cover, annual rainfall, levels of carbon in the soil, and biodiversity. Satellite imagery is available from up to 10 years in the past, and project teams can add data and photos to track the progression of a site’s restoration.  

The platform includes a searchable map of projects, divided into categories of tree nurseries, botanical gardens, seed banks, offices, suppliers, educational centres, and wells or pumps. There are more than 130,000 projects across 140 countries, and interested parties can set up a personal or organisation-level account to connect with the many others around the world – including funders and subject area experts – working towards healthier, sustainable environments. 

Fintech is providing a range of innovative solutions to the climate crisis, with innovations spotted in Springwise’s archive including a startup helping organisations assess the financial value of biodiversity and a platform supporting farmers through the transition to regenerative agriculture.

Written By: Keely Khoury

Reference

6 Colorful Public Spaces Painting the Urban Canvas
CategoriesArchitecture

6 Colorful Public Spaces Painting the Urban Canvas

Architizer’s new image-heavy daily newsletter, The Plug, is easy on the eyes, giving readers a quick jolt of inspiration to supercharge their days. Plug in to the latest design discussions by subscribing. 

Amidst the ever-changing urban landscapes characterized by towering structures and bustling streets, there is a captivating force that deserves attention: color. In these concrete jungles, color holds the key to turning ordinary public spaces into vibrant havens that capture the imagination and uplift the spirits of passersby.

From the soothing blues that bring tranquility to the energetic bursts of red that ignite passion, color plays a vital role in shaping our emotions. It’s no wonder that architects and urban planners are constantly on the lookout for new and innovative ways to harness its transformative potential.

In this article, we’ll showcase six inspiring use cases that celebrate the magic of color and serve as a testament to its ability to create dynamic and engaging environments. From China to Canada, these chromatic interventions will demonstrate how color breathes life into spaces and offers enjoyable experiences for all.


Songzhuang Micro Community Park

By Crossboundaries, Tongzhou, Beijing, China

Popular Choice, 2022 A+Awards, Architecture +Community

Situated in the vibrant art village of Songzhuang, this park was specifically designed to cater to the diverse needs of both artists and the local population. Color plays a pivotal role in capturing attention and creating an inviting atmosphere within the park.

Along with connecting various outdoor “rooms,” a yellow track serves as a visual link between different areas. This track not only physically connects the spaces but also injects vibrancy and dynamism into the overall design. The park incorporates colorful accents, such as a vivid yellow room for children’s play and alternating perforated grey brick walls with double layers of perforated Corten steel. Through strategic color choices, the Songzhuang Micro Community Park stands out as an exemplary well-designed public space that promotes well-being, social interaction and artistic engagement within the community.


POPCourts!

By Lamar Johnson Collaborative, Chicago, IL, United States

PopCourts is a vibrant pop-up park in Chicago’s Austin neighborhood that served as an outdoor haven during the pandemic. It exemplifies the transformative power of community, collaboration and innovative design in revitalizing underutilized spaces. Color plays a central role in PopCourts, reflecting the neighborhood’s energy and cultural identity. The bold color palette creates an engaging backdrop for community events. Divided into three zones, the park offers versatile spaces. The basketball court doubles as a community plaza, while the gravel drive hosts food trucks and vendors. The shaded lawn becomes a food court with seating. Artwork, including murals of influential figures and a Pop Art theme, unifies the space and celebrates the community’s history.


Paint Drop

By 100architects, Shanghai, China

The Paint Drop project is a visually captivating public space intervention that effectively utilizes color to create a noticeable, attractive and vibrant environment. The primary goal of the installation was to draw attention to a newly opened retail space and entice pedestrians to explore it. To achieve this, a tunnel of splashing color paint was designed as the central theme.

The installation features a series of interconnected catenary arches that span along the intended path, resembling paint dropping from above. As the arches reach the ground, vibrant splashes of color form functional seating features and resting areas. The immersive floor graphics further enhance the experience, creating an engaging and visually striking atmosphere. To add an interactive element, the arches are equipped with a lighting system that is triggered by movement sensors, illuminating flexible LED strips embedded within the arches as people pass by. This combination of dynamic colors, interactive lighting and playful design successfully transformed the area into a hotspot, attracting both children and adults and increasing pedestrian circulation in the desired location.


Face to Face | Tête à Tête

By PLANT Architect Inc, Toronto, Canada

The Face to Face/Tête à Tête project is a charming installation that creates a space for shared conversation along a 44-foot (13-meter) roadway. Featuring two remarkably long tables accompanied by continuous benches and surrounded by lush greenery, its design stands out. Yet, what truly distinguishes this project is its brilliant utilization of color.

The narrow room is adorned with captivating blue and orange tones, which not only make it noticeable but also infuse it with vibrancy and a sense of excitement. With the combination of these bold colors and projections, the installation manages to catch the eye, even amidst the bustling King Street. By purposefully incorporating color and visual elements, an intimate atmosphere is created within the busy surroundings, enticing people and intensifying the ongoing conversations. The design accommodates individual occupations as well as larger collective gatherings, making it an appealing and welcoming space for various activities, from co-working to simply enjoying the lively ambiance.


Puzzle Maze

By 100architects, Shanghai, China

As an urban intervention within an open-air Retail Street, the Puzzle Maze project aims to transform a privately-owned public space into an engaging and lively area. To create an innovative kids’ playground that surpasses traditional expectations, the marketing team of Life Hub @ Daning sought to turn a stagnant pedestrian street into an attractive and bustling space.

The installation is a gigantic puzzle designed as a walkable urban object, serving as both a game and an openly used urban element. The use of color in the maze adds vibrancy and excitement, capturing the attention of children and families. By employing a vertical design, the maze optimizes the limited space available and allows for proper circulation along the corridor. The colors utilized in the maze not only make it visually appealing but also contribute to its role as an interactive and engaging play area, inviting visitors to explore, interact and have a memorable experience.


Industry City Courtyard 5-6

By terrain-nyc, Brooklyn, Kings County, NY, United States

Once a cargo loading dock, this space within the historic manufacturing complex has been reborn as a vibrant and diverse landscape, breathing new life into the old factory. Serving as a vital public green space for over 600 creative businesses and the local community, Courtyard 5-6 stands apart from the surrounding buildings with its captivating colors and an array of design elements.

The landscaping boasts a spectrum of hues, infusing the space with energy and visual allure. A welcoming grove of Honey Locusts creates a bright and shaded area for outdoor dining and work. For performances, relaxation and children’s play, a flexible turf and timber bleacher space accommodates diverse activities. Additionally, a native forest with meandering walkways hides scenic vistas and offers secluded seating nooks. The deliberate use of color throughout the courtyard cultivates an inviting and visually stimulating environment, fostering social interaction and contributing to the overall revitalization of the site.

Architizer’s new image-heavy daily newsletter, The Plug, is easy on the eyes, giving readers a quick jolt of inspiration to supercharge their days. Plug in to the latest design discussions by subscribing. 

Reference

Staircase and kitchen in Dragon Flat by Tsuruta Architects
CategoriesInterior Design

Dragon Flat by Tsuruta Architects features AI-generated engravings

UK-studio Tsuruta Architects has combined artificial intelligence with CNC cutting in a revamp of a home in London’s Notting Hill.

Dragon Flat features engraved wall panels and joinery incorporating AI-generated images, including a map of the River Thames and a graphic floral motif.

Staircase and kitchen in Dragon Flat by Tsuruta Architects
AI-generated engravings feature on both floors of the home

A CNC router – a computer-controlled cutting machine – allowed these designs to be directly transferred onto wooden boards, which have been used for surfaces within the interior.

Taro Tsuruta, founder of Tsuruta Architects, said that he decided to experiment with AI because there wasn’t room in the budget to collaborate with a graphic designer.

River Thames engraving in Dragon Flat by Tsuruta Architects
A map of the River Thames features in the living space

Using DALL-E 2, an AI program that transforms text instructions into high-quality images, he was able to create bespoke designs for the kitchen and bedroom space.

“I typed a series of prompts and ran a series of variations, then came up with an unexpected yet expected result,” he told Dezeen. “It was like sculpting a form with a keyboard.”

Tatami room in Dragon Flat by Tsuruta Architects
Upstairs, a tatami room features a row of engraved peonies

Tsuruta’s clients for Dragon Flat were a young Asian couple who moved to London five years ago. The property they bought was a two-level maisonette in a 1950s council block.

The renovation sees the home subtly reconfigured.

The lower level is opened up, allowing the kitchen to become part of the living space, while the upper level has been adapted to create more storage.

This revamped upper level includes a walk-in wardrobe and a tatami room – a typical space in traditional Japanese homes – as well as a main bedroom.

Floral engraving in Dragon Flat by Tsuruta Architects
The designs are etched into OSB wall panels

The River Thames image features in the new living and dining room. Engraved plywood panels front a grid of cupboards, creating an entire wall of storage.

The floral pattern, designed to resemble “an army of peonies”, can be found in the tatami room.

Images of these flowers are etched into white-washed oriented strand board (OSB), which forms wall panels. This creates a colour contrast that allows the design to stand out.

Tatami room in Dragon Flat by Tsuruta Architects
Whitewashed surfaces allow the floral design to stand out

“We did quite a few sample tests, changing the needle size of the CNC router to get it right,” said Tsuruta.

The aim here, he explained, was to create a design that playfully references Arts and Crafts, a movement that embraced floral imagery but rejected the technological advances of its time.

“Arts and Craft was very labour-intensive,” said the architect. “Our process is the opposite, but we share a common goal of enriching the lives of occupants.”

Bedroom in Dragon Flat by Tsuruta Architects
The addition of a walk-in wardrobe frees up space in the bedroom

CNC cutting has played a pivotal role in many of Tsuruta’s projects. Examples include The Queen of Catford, a group of five flats filled with cat faces, and Marie’s Wardrobe, a home with a highly intricate custom staircase.

Dragon Flat is his first completed project to incorporate AI, a process he said provides infinite options but requires human input in order to achieve a successful result.

Staircase and living space in Dragon Flat by Tsuruta Architects
A floating timber staircase allows light to filter through

“This process is pretty much the same as with any tool,” he said. “At the end of the day, we were the ones to select and move on to the next variation or stop there.”

The interior also features other playful details, including a floating timber staircase. Built in the same position as the original stairwell, this perforated volume allows more light to filter between spaces.

Bathroom in Dragon Flat by Tsuruta Architects
OSB and marble contrast in the bathroom

The bathroom combines marble with OSB, creating an intentional contrast between luxury and low-cost materials, and also includes some small motifs showing bats.

“The symbolic meaning of peonies, dragons and bats, together with the Thames River, is ambiguous,” added Tsuruta.

“We want people to keep thinking and talking about them, but overall they are believed to bring prosperity and a happy life.”

The photography is by Tim Croker.

Reference

A TikTok-style platform for gamified workplace learning
CategoriesSustainable News

A TikTok-style platform for gamified workplace learning

Spotted: Employee training is essential, not only for ensuring that companies have the right skills to thrive, but also for keeping employees satisfied and engaged. In fact, according to Deloitte, organisations with a strong learning culture have 30-50 per cent higher engagement and retention rates. 

But corporate training courses are too often delivered in a dry manner, which limits their effectiveness. Now, startup 5Mins claims to have found a way to boost course completion rates from 5-20 per cent, which it claims are typical today, to 85 per cent. Its secret: video micro-lessons delivered in bite-sized increments.  

The platform, which bills itself as ‘the TikTok of workplace learning,’ uses artificial intelligence (AI) to create personalised daily learning recommendations for each employee. These match employees to the skills their roles demand based on their specific needs and interactions. The platform then delivers lessons from its library of more than 15,000 options. These are delivered through a scrollable social-media-style feed.

Video source 5Mins

In addition to its focus on personalisation and wide selection of content, the platform offers a variety of gamification options aimed at making learning fun and keeping employees engaged. There are also options to purchase long-form courses from favourite instructors. And subtitles in more than 20 languages ensure that training is accessible across an organisation’s different operations.  

Techniques rooted in scientific research, such as spaced repetition, chunking, and active recall, are key to the stickiness of the company’s content and integrations with calendar notifications and email nudges help employees develop a learning habit.

Springwise has spotted other innovative training platforms in the archive, including one for budding venture capitalists and another that uses holograms to train doctors.

Written By: Lisa Magloff

Reference