MVRDV plans new green district in düsseldorf with colorful residential complex
CategoriesArchitecture

MVRDV plans new green district in düsseldorf with colorful residential complex

MVRDV and LOLA plan new green district in Düsseldorf

 

MVRDV has collaborated with landscape architects LOLA to conceptualize the Grüne Mitte project in Düsseldorf, prioritizing open communication, negotiation, and compromise in urban development. Initiated by Cube Real Estate, the project aims to introduce nearly 500 new apartments, with 50 percent allocated to social or affordable housing. Additionally, the development incorporates community spaces to enhance the overall well-being of the neighborhood. The proposed site in Flingern-Süd currently hosts an underutilized shopping center, supermarket, and car park complex built just 11 years ago. The neighboring Kiefernstraße, known for squatting since the 1980s and vibrant street art, adds a unique aspect to the community dynamics. To ensure community involvement and support, the team engaged in a participation process, collaborating to align development objectives with the diverse needs of the community. This approach has facilitated the integration of social and affordable housing and the creation of community spaces that contribute positively to the neighborhood.

MVRDV plans new green district in düsseldorf with colorful residential complex
Grüne Mitte in Düsseldorf, all images © MVRDV

 

 

A Sustainable and Community-Informed Design

 

MVRDV (see more here) and LOLA (see more here) conducted a series of workshops to involve residents in the development process. Interviews were held, and brainstorming sessions took place to gather ideas. Through this collaborative process, key requirements emerged, including the importance of retaining the supermarket as a social meeting spot, improving connectivity to neighboring city districts, and incorporating public spaces for an inclusive social environment. Designers presented three outline proposals for residents to discuss, with the Grüne Mitte design, featuring blocks around a central green space, being the most popular choice. The central park-like space within the block reduces paved or built surfaces from 98 percent to 62 percent, serving as a community hub accessible through various passages. This green area features amenities like kiosks, sports facilities, and playgrounds, contributing to increased biodiversity and a pleasant microclimate.

MVRDV plans new green district in düsseldorf with colorful residential complex
the green open space contributes to increasing the biodiversity in the neighborhood 

 

 

To economically support this large green space, a spatial compromise led to the inclusion of an office high-rise on the southwestern corner. Despite not aligning with the city’s high-rise plan, community support prompted special approval. The design team, considering community preferences, presented three proposals for the high-rise. The final 17-story design incorporates stacked blocks, with the lower one aligning with the Grüne Mitte, and the upper block twisted to complement the neighborhood’s features. Sustainability measures include green roofs, photovoltaic panels, cross-laminated timber floors, and an urban mining approach. The building’s façades celebrate diversity, with different treatments for each block, and some walls proposed for street art collaborations with Kiefernstraße residents.

MVRDV plans new green district in düsseldorf with colorful residential complex
the lower block of the 17-story building aligns with Grüne Mitte, while the upper block is twisted to complement the features of the neighborhood

MVRDV plans new green district in düsseldorf with colorful residential complex
different façade treatments for each block celebrate diversity and make the building more inviting

MVRDV plans new green district in düsseldorf with colorful residential complex
green roofs, photovoltaic panels, and cross-laminated timber floors contribute to the project’s sustainability

 

 

project info:

 

name: Grüne Mitte

architects: MVRDV | @mvrdv and LOLA@lolalandscapearchitects

location: Düsseldorf, Germany

christina petridou I designboom

jan 13, 2024



Reference

Blue doorway in alleyway
CategoriesArchitecture

Bright colours fill converted brick structure in San Miguel de Allende

Architecture studios Oficina de Diseño Colaborativo and Atelier TBD have created a cultural space that preserves the “self-built essence” of San Miguel de Allende.

Created in collaboration with interior studio Maye Colab, Santa Tere Espacio is a cultural space and office that will primarily serve to foster reading in the surrounding neighbourhoods.

Blue doorway in alleywayBlue doorway in alleyway
OCD, Atelier TBD and Maye Colab have created a brightly coloured cultural space in Mexico

Santa Tere Espacio emerged from the idea of creating architecture through renovation, reuse, repair, and repurposing,” said the team. 

Based on the self-built essence of the neighbourhood, Office of Collaborative Design, TBD Atelier, and Maye Colab joined forces with a shared vision to propose a project that engages with the site’s legacy.”

A blue door open to red-tiled kitchenA blue door open to red-tiled kitchen
Located in San Miguel de Allende, the team sought to preserve the “self-built” nature of the city

According to the team, self-construction is a “common building practice in Latin America”, a technique they sought to preserve by repurposing both the existing architecture and materials from the site, which was a former six-room, single-story dwelling.

For Santa Tere Espacio, the team distributed several meeting rooms, a kitchenette, a bathroom and a central courtyard along the structure’s lateral plan with a second, detached bathroom tucked into a corner of the site. 

yellow chairs in front of a blue dooryellow chairs in front of a blue door
The site was a former single-story residence

A long alleyway, marked with a curving concrete path, runs along the length of the exterior and provides access to each space.

The intervention primarily involved demolitions to bring in light and allow ventilation of the spaces, and the incorporation of new elements such as doors, windows, and tile finishes that contrast with the pre-existing structure,” said the team.

Yellow walls facing a blue colored doorYellow walls facing a blue colored door
The team preserved much of the existing architecture and repurposed material found on-site

Openings were created in the form of doors, windows, and domes, and some walls were demolished to make way for the central courtyard.”

Colab worked with a palette of red, yellow and pink on the interior, based on hues found during construction.

primary colored officeprimary colored office
The interior palette was informed by colours found during the construction

“The idea of capturing the site’s essence is also reflected in the project’s colour palette, designed based on the colours found in the construction, with a contrasting colour being the blue of the ironwork.”

Bright blue windows and doors were distributed across the space and finished with geometric handles.

A red table and office chairA red table and office chair
Red was primarily used for furnishings

Interior furnishings were finished primarily in red, with the kitchenette covered in bright red tile and desks throughout the space trimmed in the same shade.

In a desk at the front of the building, the stalk of a plant grows through an opening carved in its surface, while a silver of a triangular skylight sits above.

Triangular skylightTriangular skylight
It features a central courtyard

The project’s landscape design incorporates both native plants and others commonly found around the neighbourhood’s rooftops, patios and facades.

A spindly palo verde plant was planted in the courtyard to provide shade, a species considered sacred to the Aztecs and associated with the feathered serpent god, according to the team. 

Santa Tere Espacio will act as a co-working and cultural space and will host OCD, Maye Colab and the bookstore Una Boutique de Libros.

Programming will focus on “reading, feminism, design and diversity”. 

Blue metal doorBlue metal door
Blue ironwork was used for windows and doors

Founded by Nadyeli Quiroz Radaelli, OCD and Maye Colab are design studios based in Mexico, while Atelier TBD, founded by Victor Wu, is an architecture office based between Brooklyn, Taipei and San Miguel.

Elsewhere in San Miguel de Allende, design studio Mestiz opened a studio to showcase its collaborations with local craftspeople.

The photography is by Leandro Bulzzano.


Project credits:

Architecture: Oficina de Diseño Colaborativo OCD, Atelier TBD
Interior design: Oficina de Diseño Colaborativo OCD, Atelier TBD, Maye Colab
Furniture and colorimetry: Maye Colab
Landscape architecture: Oficina de Diseño Colaborativo OCD, Atelier TBD
Principals: Maye Ruiz, Nadyeli Quiroz, Victor Wu
Design team: Alejandra Skinfield, Paola Bravo, Sara Lopez Farias
Structural consultant: Formula+, Yoyo Wu
Sources:
Steelwork: Crónica Estudio



Reference

Metacity by XMArchitect
CategoriesArchitecture

Brave New World: 6 Projects That Prove the Metaverse Isn’t Dead

Architizer’s 12th Annual A+Awards are officially underway! Sign up for key program updates and prepare your submission ahead of the Final Entry Deadline on January 26th.  

In the most simplistic terms, the built landscape is a tactile, physical construct. It is real to us; we can reach out and touch it, feel its envelope, and affect our senses. Yet architects and designers are starting to shift their gaze beyond the tangible realm, pushing applications of architecture into new frontiers.

The term ‘metaverse’ first appeared in the 1992 dystopian novel Snow Crash by Neal Stephenson. It refers to a virtual reality world that millions of people participate in via digital avatars, complete with its own economy. In more recent years, fiction has truly become (virtual) reality. The theoretical concept of the metaverse has spawned into a palpable world of its own — a three-dimensional digital playground where users can interact with each other in real time amid immersive, rendered environments.

As the industry navigates an untrodden and ever-changing digital terrain, architects eagerly explored the design potential of the metaverse. Accommodating everything from social events and virtual tourism to business meetings, marketing and educational endeavors, this new landscape has myriad functions. These six compelling projects recognized in the Architecture+Metaverse category of the 11th A+Awards demonstrate the creative possibilities of architecture untethered from the material world.

Yet, innovation is ever-accelerating, and architects are already focusing on the new frontiers of digital design (to reflect this, Architizer introduced the Architecture +AI category in the 12th Annual A+Awards). However, the following projects prove there may be life in the metaverse yet…


By XMArchitect

Jury Winner, 11th Annual A+Awards, Architecture +Metaverse

Metacity by XMArchitect Metacity by XMArchitectThis metaverse masterplan is designed for a futuristic, dystopian world in which global warming has flooded the Earth, rendering it uninhabitable. The Metacity will consist of five cities, the first of which will take the form of a Möbius strip, hovering above the ocean. The city will function as a self-contained eco-system, featuring a gravity-coated surface that generates perpendicular gravity.

In this pioneering co-creation platform, users have free rein to build their own structures — it’s a malleable surface where imaginations can run wild. What’s more, the decentralized model rewards users who contribute to the construction of the Metacity through integrated Build2Earn and Design2Earn gameplay. This immersive, otherworldly environment challenges the parameters of space as we know them, encouraging users to build in extraordinary new ways.


By HOOMAN ALIARY X VELIZ ARQUITECTO

Popular Choice Winner, 11th Annual A+Awards, Architecture +Metaverse

THE AGENCY METAVERSE By HOOMAN ALIARY X VELIZ ARQUITECTO THE AGENCY METAVERSE By HOOMAN ALIARY X VELIZ ARQUITECTOOne of the unique draws of the metaverse is its ability to bridge the voids of geography. You can share the same virtual space as someone thousands of miles away — no arduous traveling required. It makes sense then to leverage this new realm as a business and networking tool.

Designed for global real estate brokerage The Agency, this ground-breaking commercial space is nothing short of astonishing. Embracing fluid, organic lines, the sinuous structure is a celebration of cutting-edge architecture, blurring indoors and out and experimenting with scale, light and porous materials. It’s an evocative backdrop against which the firm’s realtors can talk business and convene with clients and potential buyers.


By Unusual Design Studio

Finalist, 11th Annual A+Awards, Architecture +Metaverse

Unusualverse by Unusual Design Studio Unusualverse by Unusual Design StudioDefined by its amethyst hues and the glass globe at its heart, the Unusualverse is conceived as a plain of artistic community. A reaction to the The term ‘metaverse’ first appeared in the 1992 dystopian novel, but in more recent years, fiction has truly become (virtual) reality. of the physical world, this new virtual reality universe offers a space for creativity to flourish, at a distance from the pressures of society and day-to-day life.

The globe houses a tree of life, an anchoring force symbolizing rebirth, a stark contrast to the barren moonscapes outside. Within the globe are exhibition halls where artists can share their work, their spatial configurations morphing and shapeshifting as required. This virtual cultural hub is a portal to a realm of unfettered creative freedom.


By UKAssociate

Finalist, 11th Annual A+Awards, Architecture +Metaverse

Nature Bloom in Metaverse by UKAssociate Nature Bloom in Metaverse by UKAssociateA car showroom with a difference, this innovative concept space deftly combines reality and virtual reality. In contrast to the other projects in this round-up, the exhibition hall was designed for a real-world location: Yongsan-gu, Seoul. Created to promote eco-friendly vehicles, the metaverse fuses with the material fabric of the space, conjuring up new horizons of exploration.

The project has a streamlined spatial flow, seamlessly guiding users between various exhibition zones. Model cars merge with VR technology for realistic driving simulations, holograms illustrate materials processes and the infinite lifecycle of natural resources is brought to life through immersive 3D technology. This collision of worlds ensures environmental lessons, so vividly illustrated in the metaverse, resound across the physical realm too.


By HWKN Architecture

Finalist, 11th Annual A+Awards, Architecture +Metaverse

PAXTON by HWKN Architecture PAXTON by HWKN ArchitectureHWKN Architecture was chosen to design a virtual cultural hub by metaverse company Pax.World. Dubbed a metaserai, the concept was inspired by caravanserais, which were roadside inns and trading posts peppered along the ancient Silk Road.

Nestled within a rolling desert topography, the geometric structure is fantastically whimsical. Its architects were careful to pair the futuristic with the familiar — recognizable architectural elements ground users, while revealing an extraordinary new social plain. Checkered ramps traverse the levels. From the vast events amphitheater where virtual tickets can be purchased, to the glass-walled art gallery, open-air conference rooms, rooftop sports areas and gardens, the digital architecture elevates the experiential.


By ATRIUM

Special Mention, 11th Annual A+Awards, Architecture +Metaverse

ATRIUM Virtual Gallery by ATRIUM ATRIUM Virtual Gallery by ATRIUMA virtual gallery showcasing the work of architecture firm ATRIUM, this dynamic, cave-like space envelops users with its curvilinear lines. Forming a rippling, multi-layered terrain, pale pink blurs into hot pink hues across the floor and walls, before cooling to white across the ceiling, where architectural elements hang in the air.

The walls’ irregular geometries ebb and flow around the exhibit pieces, which range from models of a skyscraper and a residential complex to intricate furniture designs. Ingeniously, users can view the furnishings in augmented reality through their phones, transporting items into their own interiors. An ingenious branding tool, the gallery expresses the firm’s architectural approach with captivating clarity.

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

Reference

makhno studio gnizdo
CategoriesArchitecture

MAKHNO studio plans gnizdo lodges to resemble sculpted caves

explore the cavernous gnizdo houses

 

These so-called Gnizdo Houses are unveiled as the latest project by Ukrainian architecture firm MAKHNO Studio. The eco-lodges are designed to occupy the studio’s planned village resort, envisioned for the remote and scenic landscapes of the countryside. Embracing a commitment to rest and recovery amid natural forms and meanings, these boutique holiday houses epitomize a unique blend of modern architecture and ecological harmony. The architects aimed to create a dwelling type whose very walls of hempcrete contribute to healing. Every aspect of the Gnizdo Houses, from materials to architectural solutions, reflects an holistic approach to sustainable living.

makhno studio gnizdovisualizations © MAKHNO Studio

 

 

Living Walls: Eco-Friendly Construction

 

Guided by the principle of naturalness, the team at MAKHNO Studio designs its Gnizdo Houses with a focus on natural materials, architecture as an extension of the landscape, and design embodying natural forms. The result is a set of buildings that eschew urban aesthetics, resembling futuristic caves or rocks shaped by the elements, blending fluidly into their natural surroundings. The structures are constructed with ‘hemp firewood concrete’ or hempcrete, a lightweight eco-absolute featuring hemp bark admixture. With this materiality, Gnizdo Houses stand out for their exceptional sound and heat insulation, moisture absorption, and resilience against rodents, insects, and mold. This innovative material facilitates air exchange with the surrounding space, contributing to the houses’ ability to ‘breathe.’ The exterior can be further enclosed with a reed screen, enhancing natural climate control.

makhno studio gnizdo
the Gnizdo Houses are designed as a unique and futuristic series of eco-lodges

 

 

MAKHNO Studio infuses Tradition with Futurism

 

By incorporating elements such as a reed roof, clay walls, and a traditional Ukrainian oven, MAKHNO Studio’s Gnizdo Houses represent the DNA of Ukrainian architecture in the third millennium. Tradition is reimagined to shape a modernized vision for rural architecture that aligns with contemporary living. Inside, a spacious hall welcomes visitors with a fireplace, a designer sofa, and a cast-concrete family table surrounded by unique designer lamps. The space is flooded with natural light to create a sunny yet intimate atmosphere. Gnizdo Houses embody MAKHNO Studio’s vision of a modern Ukrainian house in the countryside. With a focus on ecological sustainability, loyalty to rural architectural tradition, and a futuristic vision, these houses are designed to offer a unique and remote oasis away from the city.

makhno studio gnizdo
designed for rest and recovery, the eco-friendly walls of Gnizdo Houses contribute to a holistic sense of well-being makhno studio gnizdo
MAKHNO Studio integrates architecture with the landscape, creating structures that are both futuristic and natural MAKHNO studio's hempcrete eco-lodges resemble naturally sculpted caves
the dwellings will be built with hemp bark ‘firewood concrete’ and reed screens

Reference

A long industrial building
CategoriesArchitecture

Santiago Viale and Juan Manuel Juarez use screens for Córdoba offices

Local architects Santiago Viale and Juan Manuel Juarez have wrapped the offices of an animal feed plant in Córdoba with a perforated metal screen.

The 18,040 square foot (1,676 square metre) administrative building is part of a larger 199,000 square foot (18,460 square metre) industrial complex for Biofarma, which produces feed for animals including poultry, swine and cattle.

A long industrial buildingA long industrial building
Local architects Santiago Viale and Juan Manuel Juarez have wrapped an office building in a metal screen in Córdoba

Santiago Viale and Juan Manuel Juarez organized offices, meeting rooms, printing areas and lounge areas across two rectangular floors, punctuated by two internal courtyards at the centre.

The courtyards, along with wood-clad staircases at either end of the building, create collaborative and interactive spaces for employees across the two levels, according to the team.

The front doors on a facade of an industrial buildingThe front doors on a facade of an industrial building
The building is part of an industrial complex that produces animal feed

The office and meeting spaces were distributed along the internal perimeter, with one side abutting floor-to-ceiling windows that span the exterior and the other, a central passageway.

Glass partitions enclose several office spaces, while others were left open.

A building wrapped in a metal skinA building wrapped in a metal skin
A perforated metal skin wrapped around the exterior provides sun protection

“The company managers’ offices are distributed around a double-height space that connects with a hierarchized entrance on the ground floor, reinforcing the sense of institutional identity,” said the team.

Visitors enter the building’s lobby through a concrete vestibule that extends out from underneath a metal screen enclosing the exterior.

Wooden staircase in a lobbyWooden staircase in a lobby
Two internal courtyards and staircases create interactive spaces for employees

A small auditorium sits next to the lobby, clad in wooden panelling with integrated lighting running through its ceiling and walls. Large windows extend along its side.

Lounge areas and a coffee break space provide additional gathering spaces on the second floor, while a dining area opens onto a roof terrace.

Couches and chairs in the lobby of an animal feed buildingCouches and chairs in the lobby of an animal feed building
The offices line the internal perimeter

Reinforced concrete was used for the building’s structure, which was then wrapped in pre-painted grey galvanized expanded metal sheet skin.

A gap of 27 inches (70 centimetres) sits between the metallic screen and the building’s exterior to create sun protection.

Lobby area with concrete ceilingLobby area with concrete ceiling
Concrete was used for the building’s structure

“This skin plays a significant role in the project, as it forms an intermediate shaded space between the glass closure and the exterior, reducing direct sunlight radiation and, consequently, the building’s energy consumption,” said the team.

Moveable panels were also integrated into the cage-like wrapping, while integrated vertical blinds provide further sun protection for inhabitants.

“It also gives the building the language and institutional character of the company,” said the team.

Two large metal-framed openings were placed on either side of the building, which open onto the outdoor dining area.

A small wood paneled room with theatre seating and large windowsA small wood paneled room with theatre seating and large windows
A small auditorium, dining spaces and terrace were also integrated

A metal “Biofarma” sign was also placed on the exterior.

Other projects recently completed in Córdoba include a black concrete house by AR Arquitectos and two modular cabins by Set Ideas.

The photography is by Gonzalo Viramonte.


Project credits:
Collaborators: Salvador Viale, Tito Maximiliano Gonza, Francisco Gavilán, Nicolás Macasso, Santiago Viale Beviglia, Rocío Cornacchione, Emiliano Pino, Nicolás Borra, Lourdes Bruno, Fiama Ríos, Ricardo Cortesse, Eduardo Storaccio, Sonja Czeranski, Juan Macías
Deployed metal: ETC.
Integral front: Abest
Curtains: Suquía Curtains
Vinyl floor: Julia Sol
Auditorium Seats: Rassegna



Reference

Sustainable Practice: When Will Architectural Localism Become a Norm Instead of an Exception?
CategoriesArchitecture

Sustainable Practice: When Will Architectural Localism Become a Norm Instead of an Exception?

Architizer’s 12th Annual A+Awards are officially underway! Sign up for key program updates and prepare your submission ahead of the Main Entry Deadline on  December 15th.  

The climate crisis has a number of fundamental ironies. Action is paralyzed by fear of upending the same economic system killing the planet. We need to think about the issue globally, but what happens in our own neighborhood will define how livable the future is. 

Writing for the British newspaper The Guardian, Sarah Newton, a member of the UK’s Science and Technology Select Committee, used the rather acerbic term “biophilia” to describe a unit of people whose motives are driven by love for their home. This connotes a kind of small-minded NIMBYism — more interested in the locality than the global community. Yet concerns for both are unarguably interconnected and far from mutually exclusive. 

This is particularly pronounced in architecture, construction and development. Sticking with Great Britain, its urban powerhouses exemplify the failure of abandoning localism. Cities such as London and Manchester present gleaming glass and steel skylines, which lifelong residents often take umbrage with, branding them intrusive enclaves. 

Qingxi Culture and History Museum by The Architectural Design & Research Institute of Zhejiang University (UAD)

Whether we know the lease holders or not, the assumption is such structures are built with foreign money for overseas investors in need of a crash pad in a country they pay zero tax towards maintaining. Others are buying properties for short term rental on platforms like Air B&B, marketing to more out-of-towners who want to experience life in a metropolis for a few days. 

On the other side of the world, China offers a fascinating juxtaposition. Home to 145 cities with over one million inhabitants, the sheer scale of urban in the second most populous nation on Earth is overwhelming. And yet the size of this landmass also means remote hamlets are in abundance. Like Sangzhouzhen Town, in Ninghai County. Connected to neighbouring villages by a single road, it’s here we find Qingxi Culture and History Museum, an institution built on, and celebrating, all the region has to offer. 

Although modern in design, the structure is made to be at one with a landscape defined by tradition. Age-old practices, local stonemasons, and materials chosen for regional authenticity all contribute to this effect. Sat on terraced fields in an area that still relies on agriculture, overlooked by mountains that have stood here for eternity, the facility looks like it has always been here and is very much part of the scenery. And the fact projects like this are even worthy of comment raises a serious red flag about our prevailing approach to architecture.

Terraced fields at the Qingxi Culture and History Museum by UAD, Zhejiang, China

Just over eighteen hours from eastern China by plane, the Komera Leadership Center makes another great case for localism in building design and use. Providing health, education and mentorship to young women, with a flexible modular interior adaptable to different purposes, the workforce that put this address together comprised a minimum 40% women, and everyone on site lived in the area. The process of making the structure matched its purpose in directly responding to local needs, in this instance high unemployment and low access to training and education, particularly for women.

Materials such as woven eucalyptus help deliver a contemporary space with the kind of low ecological impact most associated with traditional construction practices. And, again, there’s an elephant in the room. For all the lip service paid to keeping things local — cutting emissions from transport and logistics, contributing to the nearby economy — in 2023 this method remains the exception, rather than the norm. 

Komera Leadership Center by BE_Design, Rwanda

Of course, both Qingxi and Komera’s localized approach was almost unavoidable — these are institutions set up specifically to promote, support and celebrate their locations, associated populations and indigenous cultures. To tender employment opportunities they create internationally, or even nationally, would have felt misguided and, more than likely, raised eyebrows.

But this only emphasizes the overall point — that localism is often only adopted when deemed ‘appropriate’ or even essential. Given what we know about its environmental advantages at a time when the built environment accounts for around 40% of global emissions and rising, surely it’s time we stopped thinking of this approach as novelty, brought out to hammer a message home, and instead start considering this as preferred practice.

Architizer’s 12th Annual A+Awards are officially underway! Sign up for key program updates and prepare your submission ahead of the Main Entry Deadline on  December 15th.  

Reference

modular cabins made of aluminum and glass embed into village houses of rural china
CategoriesArchitecture

modular cabins made of aluminum and glass embed into village houses in china

Superposition Village Initiative Transforms Rural China

 

The Superposition Village Initiative, developed by IBR – Shenzhen Institute of Building Research Co. Ltd., focuses on the concept of ‘sojourning’ in rural areas of China. The project introduces a ‘concept city’ called ‘superposition village,’ facilitating the transfer of green technology and lifestyles across different rural locations. The ‘concept city’ evolves through experiences, enhancing its utility and effectiveness. The prototype modules, initially assembled in urban factories, are then transported to rural areas, benefiting from established material supply and industrial processing support, minimizing carbon emissions during production.

 

The Superposition Village prototype is modular, emphasizing simplicity in disassembly, transportation, and reassembly. Designed for temporary use, the modules are easily relocated to new destinations after fulfilling their specific purpose. The interior of the cabin modules optimizes space utilization, promoting module intensification and recycling to economize on materials, space, transportation, and energy consumption throughout their life cycle, aligning with low carbon objectives.

modular cabins made of aluminum and glass embed into village houses of rural china
all images courtesy of IBR – Shenzhen Institute of Building Research Co. Ltd.

 

 

pods are inserted into the houses’ existing structures

 

The renovation strategy by IBR – Shenzhen Institute of Building Research Co. Ltd. aims to introduce a modern, low-carbon lifestyle in the village without disrupting the original residents’ habits. The cabin modules, inserted without altering the existing structures, maintain the framework and cultural elements of the houses, leaving no visual impact on the original architecture and minimizing construction waste. The cabins, composed of aluminum alloy and glass, seamlessly integrate with the original wooden structures. This integrated space serves as a retreat for living, working, and studying, preserving and incorporating local village cultures into the fabric of the project. Special efforts include inviting artists to illustrate daily activities, farming events, and local figures on village walls, creating a collaborative visual narrative between travelers and local residents.

modular cabins made of aluminum and glass embed into village houses of rural china
the pod is designed to perfectly fit the old building’s frame

modular cabins made of aluminum and glass embed into village houses of rural china
IBR’s Superposition Village Initiative explores ‘sojourning’ in rural China

modular cabins made of aluminum and glass embed into village houses of rural china
a plant wall made of modular boxes decorates the courtyard

modular cabins made of aluminum and glass embed into village houses of rural china
designed for temporary use, modules relocate easily after fulfilling specific purposes

Reference

Black-stained artist studio
CategoriesArchitecture

Hamptons artist studio by Worrell Yeung is tucked among the trees

Architectural studio Worrell Yeung has completed a two-storey, black-coloured home extension called Springs Artist Studio that is meant to offer the “experience of being perched in the trees”.

The Brooklyn-based firm was tasked with designing the 800-square-foot (74-square-metre) addition for a Long Island house belonging to a florist and a painter.

Black-stained artist studioBlack-stained artist studio
Worrell Yeung tucked a Hamptons artist studio among the trees

The couple has an extensive collection of art and special objects. Their home is located in Springs, a hamlet in East Hampton that is popular with artists.

“The hamlet of Springs has a strong history of painting,” said Max Worrell, co-founder and principal of Worrell Yeung. “We were drawn to that lineage; Jackson Pollock, Willem de Kooning, Helen Frankenthaler and Jane Freilicher all painted out here.”

Artist studio interior by Worrell YeungArtist studio interior by Worrell Yeung
It is an addition to a Long Island home

The team conceived a two-storey addition that contains a painting studio on the upper level and an exhibition space down below that doubles as a garage.

The ground floor also has a powder room.

Artist studio interior featuring a gabled roofArtist studio interior featuring a gabled roof
The building has a gabled roof

In response to strict zoning rules and environmental sensitivities, the studio created a small-footprint building that preserved existing trees and minimised the overall impact on the landscape.

Rectangular in plan, the building has a gabled roof and walls clad in pine boards that were stained black to match the main house.

Birch plywood interiorsBirch plywood interiors
Interior finishes include birch plywood

Different-sized boards were used “to create a sense of shifting, lateral scale that counters the vertical massing of the structure”.

The lower portion of the building is covered in 12-inch-wide boards (30 centimetres), while the upper areas are clad in 4-inch and 1-inch versions (10 and 2.5 centimeters).

In the power room, the birch plywood has been stained blue

“From afar the studio reads as an abstract volume,” the architects said.

“Up close, the textured wood and varied-sized planks break down the scale of the building to something more accessible and rich with detail.”

The black cladding is interrupted on the upper level by a band of ribbon windows.

The architects worked with Silman Structural Engineers to create the continuous windows, which are supported by steel-rod cross bracing and slender steel columns that match the mullions.

Within the building, the four-foot-tall (1.2-metre) ribbon windows offer immersive views of the landscape.

“Natural light streams in while unique views appear from each direction, framed by unobstructed glass corners,” the team said.

Ribbon windows in extension by Worrell Yeung Ribbon windows in extension by Worrell Yeung
These offer immersive views of the landscape

“We wanted to create this experience of being perched in the trees – a retreat for working,” added Jejon Yeung, cofounder of Worrell Yeung.

Interior finishes include birch plywood, which was used for flooring, walls and cabinetry. In the powder room, the plywood is stained a rich shade of blue.

The decor includes vintage Eames molded fibreglass chairs and a vintage chandelier by David Weeks.

Black cabin in the woodsBlack cabin in the woods
The siding was painted black to match the main house

The addition is connected to the main home by a glazed passageway that brings in the natural surroundings while “providing a moment of respite between home and the studio/work environment”.

Other projects by Worrell Yeung include a series of gabled timber buildings on a New York farm and a refresh of a cedar-clad dwelling on Long Island that was originally designed by famed US architect Charles Gwathmey.

The photography is by Naho Kubota.


Project credits:

Architecture: Worrell Yeung
Design team: Max Worrell, Jejon Yeung, Yunchao Le Structural Engineer: Silman
Contractor: Fifth and Dune

Reference

Dense Cities, Open Homes: 8 Multifamily Housing Projects Built for Modern Life
CategoriesArchitecture

Dense Cities, Open Homes: 8 Multifamily Housing Projects Built for Modern Life

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Housing is central to architecture and cities. Across generations and socio-economic backgrounds, a mix of housing options makes cities more lively, sustainable and human. Amidst global housing scarcity, the need to build more multifamily and affordable housing is widespread. Equitable housing begins with policy and planning, but it’s also tied to design. Architects worldwide are considering this idea and how to create more beautiful, integrated housing that reflects how we live today.

Multifamily housing is key to creating more equitable cities. In this type of housing, multiple separate units are contained within one or several buildings within one complex. A key benefit of multifamily in the current market is that it’s usually more affordable than single-family housing. With real estate today, it’s increasingly difficult for people to buy a home, especially for first-time buyers. In multifamily housing, less land is needed, and it helps to meet the growing demand for households of all ages and income levels. As architects consider the impact of housing, the following projects represent multifamily housing design across the world. Made for residents to either rent or own, they represent a cultural shift and underline the importance of housing in architecture today.


Timber House

MESH Architectures, Brooklyn, NY, United States

Jury Winner, 11th Annual A+Awards, Multi-Unit Residential Building

New York is a city known for housing scarcity, and a place that’s defined by reinvention. For Timber House, MESH Architectures was inspired by natural finishes and “botanical architecture.” The idea was not only to foster well-being, but create a new model for timber construction in the city. The project is the first mass-timber condominium in New York, and the structure was built with glue-laminated timber columns, beams, and floor plates. The six-story, multifamily project is comprised of fourteen homes.

Beyond the novel material approaches to construction in Timber House, it was also a test in learning from passive-house design. Those principles informed its high-performance envelope, with “intensive insulation, smart air sealing, and triple-glazed wood windows.” Less interior finishes were required thanks to leaving the wood structure exposed, while the team also prioritized low-carbon material choices. For Timber House, MESH wanted to demonstrate that sustainable multifamily buildings can balance well-being and comfort, as well as beauty.


Valley

MVRDV, Amsterdam, Netherlands

Jury Winner, 11th Annual A+Awards, Architecture +Façades

MVRDV has earned a reputation for reinvention and creating new building forms. That same approach extends to housing, where the team designed Valley with a more “green and human” touch. Built for developer Edge, the project is located in Amsterdam Zuidas. Rising to three distinct towers, the façades shift across the complex. The outer edges are mirrored glass, while the inner façades are clad with stone and swaths of greenery.

Valley was built for a mix of residents, as well as workers and visitors. Not only for multifamily housing, the project also includes offices while much of the building is open to the public. For the materials, over 40,000 stone tiles of varying sizes were used throughout the building’s façades. “Each of the 198 apartments has a unique floorplan, made possible by the interior designs by Heyligers Architects.” Outside, the team worked with landscape architect Piet Oudolf on the placement and selection of trees, shrubs and approximately 13,500 smaller plants that are in within the natural stone planters.


One Hundred

Studio Gang, St. Louis, MO, United States

Jury Winner, 9th Annual A+Awards, Multi Unit Housing High Rise (16+ Floors)

Few locations are more prominent for multifamily housing in St. Louis than Forest Park. Designed by Studio Gang, One Hundred is a residential tower overlooking the park and the studio’s first project in the city. The tower includes a mix of housing, retail and amenities on four-story stacked tiers. The apartments were designed for views of Forest Park and east to the Gateway Arch.

From a formal approach, Studio Gang designed the tower with an angled façade that creates a series of large outdoor spaces atop each tier. This move also produces outdoor space for residents atop the green roof podium. The team notes that, “each apartment features its own corner living room with double exposures that, in addition to offering panoramic views, enhance the amount and quality of daylight within the units.” The tower includes public and retail spaces at ground level adjacent to the park, while establishing a new landmark for St. Louis.


Cirqua Apartments

BKK Architects, Melbourne, Australia

Jury & Popular Choice Winner, 2018 A+Awards, Multi Unit Housing Low Rise (1-4 Floors)

The Cirqua project by BKK gained widespread recognition for creating beautiful, inventive multifamily architecture. The project includes 38 unique unit types out of the 42 total apartments made with spacious balconies and an integrated approach to landscaping. Combining two properties into a single block, the project was formed with careful attention paid to scale and the surrounding context. Cirqua not only showcases a smart, nuanced approach to multifamily housing, but also how to design for accessibility and passive performance.

As the team noted, prospective owners are increasingly buying into the apartment market (over detached housing) as owner-occupiers. A sense of place was a key driver of the design, establishing a neighborly feel. All living areas and bedrooms have direct access to ventilation, natural light and views, while maximizing glazing created connections to the surrounding garden. From the neighborhood scale, a study in massing led to reducing the overall building volume to make the development fit seamlessly into its site.


Caterpillar

Prince Concepts, Detroit, MI, United States

Caterpillar approaches density through a novel construction and design in Core City, Detroit. It utilizes a Quonset Hut structure that holds eight units, all entirely prefabricated. The result is an 8,000 square foot (745 square meter) residential project that prioritizes indoor and outdoor space. Prince Concepts created the project with tall ceilings that rise to 23 feet (7 meters); the units were designed to capture morning light in the bedrooms and evening sunsets in the living room.

Multifamily housing and density are charged subjects, but they also hold the potential to reimagine everyday life in cities. For Caterpillar, the team wanted to rethink the standard ratios of a multifamily project. To do so, instead of “150 apartments surrounded by eight trees with just one window per room, Caterpillar provides eight apartments surrounded by 150 trees and 12-18 windows per room.” The multifamily project built on the success of True North, completed in 2017. That Prince Concepts development was made with eight Quonset huts and ten leasable units.


Casa Jardin Escandon

CPDA ARQUITECTOS, Mexico City, Mexico

CPDA Architects designed this garden house project as a multifamily development in Mexico City. Located in the Escandón neighborhood, the project includes fourteen residential units. At its heart, a central courtyard is the connective element that defines the housing project, opening up access to natural light and cross ventilation. Ten townhouse units are set up the four ground-floor units below, all of which share a similar material relationship.

As the Escandón neighborhood has seen rapid growth, new populations moved in across age and income levels. The project provides a mix of unit types, as well as changing faces along its façade. The exterior showcases the concrete slabs that stand out and the gabled façade, while the interior has simple, seamless and integrated forms that define the inside complex. The idea was to create a “secret garden” that residents can enjoy within the city.


The SIX Veterans Housing

Brooks + Scarpa Architects, Los Angeles, CA, United States

Few cities in the world are grappling with homelessness and a severe lack of housing affordability like Los Angeles. Brooks+Scarpa has built a practice addressing issues in the city and across the nation. For this multifamily residential, The SIX was designed as a 52-unit affordable housing project that “provides a home, support services and rehabilitation for previously homeless and/or disabled veterans.”

Located in the MacArthur Park area of Los Angeles, The SIX was made to break the mold of multifamily housing by creating public and private “zones” in which private space was deemphasized to create large public areas. At ground level, the program includes support spaces for veterans, as well as bike storage, parking and offices. The second level is the core of the project, with a large, public courtyard. The idea was to create a community-oriented, interactive space that opens to its surroundings.


Jinshan 9

Steffian Bradley Architects, Shenzhen, China

Over the last two decades, development in China has been defined by a dizzying pace and new architecture produce in-mass. For Jinshan 9, this force behind new buildings was directed into a multifamily living community. Located in China’s Shekou mixed-use district, the project looks out west to wild, forested mountains and east to Shenzhen Bay Bridge. With a range of both low-rise and high-rise structures, the development was made for diverse lifestyles and populations.

With 210 townhouse units, the project also has four residential towers rising 32 floors in height. Between integrated pedestrian paths and trails, the development comprises a network of gardens and interconnected terraces. From its material palette, Jinshan 9 includes natural-colored terracotta panels with aluminum trim on the exterior. This combines with marine-inspired imagery and forms, like balcony details echoing sailboat decks.

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

Reference

metal mesh facade veils TAO's transient in-between pavilion in nantou ancient town
CategoriesArchitecture

metal mesh veils TAO’s transient in-between pavilion in shenzhen

tao’s translucent structure echos the urban village’s vitality

 

A delicately symbiotic gallery space, Trace Architecture Office’s (TAO) In-between Pavilion is an urban renewal project that tucks within a compressed urban node in Nantou Ancient Town, Shenzhen. Part of the Diverse Homology Museum complex, the space within delves into the interplay between political power and geography in the Pearl River Delta region. Along the streetfront, reflecting the active state of rapid evolution in the town, the pavilion embraces a transient approach and its architecture mirrors the urban village’s vitality, adapting to temporary and fragmented additions. A light and semi-translucent metal mesh facade, like a hazy veil, gracefully blurs the indoor-outdoor boundary, embodying ambiguity and order, openness and closure, solid and void. These evolving changes unfold throughout the day, echoing its dynamic context with a diverse and vibrant spatial experience inside and out.

metal mesh facade veils TAO's transient in-between pavilion in nantou ancient town
images by Chen Hao, TAL, Hua Li, and Mei Kejia

 

 

a transition from solid to void, openness and closure

 

Once a densely packed and compressed area in the north side of the town, the site sitting between two residences underwent constant renewal over time, resulting in a distinctive aesthetic of chaos and vitality. The autonomous and spontaneous construction in the urban village has resulted in a confined spatial layout and visual occlusion within the architecture. Now, it encompasses three distinct property plots that transition from private residences to a public domain. This shift prompts a proactive design response to connect with surrounding public spaces.

 

At street level, TAO’s architectural volume recedes from the delicate outer metal skin, creating a multifaceted space that blends the building with the street while reflecting the diversity of the urban village. A vertical street, formed between volumes and mesh skin, provides meandering access to galleries and a roof terrace, offering various perspectives of the town. When observed from the city, the moving figures strolling behind the hazy facade also inject the building with a dynamic nature.

metal mesh facade veils TAO's transient in-between pavilion in nantou ancient town

 

 

Due to spatial limitations, the architects’ design maximizes floor area utilization, projecting volumes further outwards as floors ascend, establishing a unique physical rhythm and urban gap space. Structurally, inclined columns support the volumes on the east side and west sides, with the west side’s overhanging framework exposed externally, while the middle columns remain concealed within the walls. Different forms of space thusly emerge and embody a sense of lightweight structural aesthetics.

metal mesh facade veils TAO's transient in-between pavilion in nantou ancient town

metal mesh facade veils TAO's transient in-between pavilion in nantou ancient town

Reference