Carson Chan
CategoriesArchitecture

MoMA exhibition examines history of environmental architecture

The Museum of Modern Art in New York has opened an exhibition focused on the relationship between environmentalism and architecture in the 20th century.

The exhibition, called Emerging Ecologies: Architecture and the Rise of Environmentalism, details work – built and conceptual – produced during the 20th century and features a number of drawings, photographs, models and interactive elements.

Organised by the Museum of Modern Art’s (MoMA) recently established Ambasz Institute, it is was created to expose the public to strains of thinking, including some that are relatively unknown to the broad public.

“The aim is to have, for the first time in a major museum, a platform where the fraught relationship between architecture and environment can really be discussed and researched and communicated to a wider public,” exhibition curator and Ambasz Institute director Carson Chan told Dezeen.

Carson Chan
Carson Chan is the director of the MoMA’s recently founded Ambasz Institute. Photo by Peter Ross

The show is largely historical, focusing mainly on the work done in the 1960s and ’70s, when environmentalist themes were being exposed to the general public on a massive scale, evidenced by the popularity of ideas like those in Rachel Carson’s book Silent Spring.

However, precursors to that moment, such as work by early twentieth-century modern architects such as Frank Lloyd Wright, with his organic architecture, and Richard Neutra’s “climate-sensitive architecture”, were also included.

Women architects in front of built house
The exhibition featured documentation of built and conceptual work. Photo is of Eleanor Raymond and Mária Telkes at the Dover Sun House. 1948, courtesy of MoMA

Chan told Dezeen that this historical focus was presented to orient contemporary audiences to the roots of current movements.

“A lot of ideas have changed from that moment, half a century ago,” he said. “The show is looking at how far we’ve come from that moment, but also look at what we can learn from that moment to trying to understand where people were coming from, why they kind of the ambitions they had, why they wanted to do things, the things they wanted to do,” he continued.

“Assessing that moment is a big part of the show.”

Emilio Ambasz tree-lined building
The exhibition focused on 20th-century environmentalist architecture. Photo is of Emilio Ambasz’s Prefectural International Hall, Fukuoka, Japan by Hiromi Watanabe, courtesy of MoMA

The works include a number of highly conceptual architectural projects such as American architect Buckminster Fuller’s proposed dome over Manhattan, Glen Small‘s sci-fi-inflected Biomorphic Biospheres and Malcolm Wells‘s underground architecture. The paintings of contemporary architect Eugene Tsuii also demonstrated biomorphic forms.

These works imagined radical infrastructures that accounted for changing environments and growing populations

Futuristic Architecture drawing
The exhibition showed precursors to current environmental thinking. Image is of Glen Small’s Biomorphic Biosphere, courtesy of MoMA

The exhibition also included built work including Michael Reynolds‘s waste-built Earthships and the New Alchemy Institute‘s self-sufficient ark buildings, as well as the tree-covered works of Argentine architect Emilio Ambasz, after whom the MoMA’s aforementioned institute was named.

There were also works of radical cartography that served to show the complexity of the landscape. These included American academic Ian McHarg’s detailed ecological maps of the Delaware Upper Estuary, which showed data-driven layers of ecological features such as soil conditions and sun conditions.

However, Chan was careful to note that these understandings of environments predated the environmental movement.

“Doing research or producing knowledge about the environment – or as I call it, producing ecological knowledge about the environment – did not start in the ’60s and ’70s,” he said. “There are communities of Indigenous people that have been tending to the land for generations.”

“The Delaware River Basin is the ancestral homeland of the Lenape people who possessed this very knowledge already. And we could have received it from them if they weren’t displaced in the first place,” he continued.

“Making structures requires money and requires people to be proximate to power. And so this is one reason why historically we haven’t seen a lot of structures by people of color, and by women.”

Dome for enviromental architecture
It reflects architecture’s changes in the face of environmental degradation. Photo is of Aladar Olgyay and Victor Olgyay’s Thermoheliodon by Guy Gillette, courtesy of MoMA

The inclusion of these groups mainly focused on activism. For example, a protest against a proposed dam on ancestral land by the Yavapai people showed how the stoppage of landscape-altering super projects is in itself a kind of architecture.

“Subtracting is also a way of making architecture,” said Chan.

In addition to the images and models in the exhibition, the curators also included a number of small audio devices that included commentary from contemporary architects and designers such as Jeanne Gang and Mai-Ling Lokko,  aimed at contextualising the historical work.

The Ambasz Institute was created to promote environmentalism in the architectural field and besides exhibitions, it will also carry out a number of community outreach projects and conferences.

Other exhibitions that examine architectural history include an exhibition showcasing the history and work of Vkhutemas, a Soviet avant-garde school of architecture at the Cooper Union in New York City.

The main image is of Cambridge Seven Associates’ Tsuruhama Rain Forest Pavilion, courtesy of MoMA.

Emerging Ecologies is on show at MoMA from 17 September 2023 to 20 January 2024. For more exhibitions, events and talks in architecture and design, visit the Dezeen Events Guide.

Reference

What’s So Luxurious About Luxury Vinyl Tile, Part I: The Dirty Secret Behind a DIYer's Dream Material
CategoriesArchitecture

What’s So Luxurious About Luxury Vinyl Tile, Part I: The Dirty Secret Behind a DIYer’s Dream Material

This article was written by Burgess Brown. Healthy Materials Lab is a design research lab at Parsons School of Design with a mission to place health at the center of every design decision. HML is changing the future of the built environment by creating resources for designers, architects, teachers, and students to make healthier places for all people to live. Check out their podcast, Trace Material.

This is Part I of a three-part series on the hazards of vinyl flooring. In Part II we’ll explore the long history of worker endangerment by the vinyl industry and the ways that legacy continues in China today.


If you’ve stayed in a recently renovated AirBnB, stumbled upon quickly-flipped properties on Zillow, or tuned into the DIY corner of YouTube in the last couple of years, you’ll recognize a common interior design trend: imitation wood or stone floors branded as “Luxury Vinyl Tile.” These floors are everywhere and for good reason. LVT is affordable, durable, easy to maintain and quick to install — a DIYer’s dream! But it’s not just DIYers that have hopped on the LVT train —vast numbers of high-end hotels, schools, affordable housing units and office buildings have plasticized their floors.

Behind the slick rebrand and influencers’ stamp of approval, LVT manufacturers are hiding a “dirty climate secret,” according to a recent report from the Center for Environmental Health, Material Research L3C, and Autocase Economic Advisory.

What’s in a Name?

Image generated by Architizer using Midjourney

Vinyl flooring has been around in some form since the plastics revolution of the early 20th century. It became a residential interior staple during the postwar housing boom. Sheet vinyl was a quick and affordable option for developers racing to house a growing population. Today’s vinyl can look quite different, but at its core, it’s still a petrochemical product made with chemicals of serious health and climate concern. The addition of the luxury classification in vinyl branding is a recent marketing term, and it is hoodwinking hordes of purchasers. It typically designates vinyl tiles or panels (LVT or LVP) that are made to imitate the look of wood, stone or ceramic.

The popularity of these tiles and panels, particularly of the loose lay variety, have exploded thanks to another boom period: pandemic renovations. In 2021, LVT sales grew by a whopping 37.4%. By 2022, vinyl flooring made in China alone became the most common flooring sold in the United States, accounting for over one- quarter of all flooring sold in the U.S. According to the report from Center for Environmental Health, there are serious issues with lack of transparency and accuracy around the human and environmental toll of the LVT boom.

A Dirty Climate Secret

Image generated by Architizer using Midjourney

CEH’s report, titled “Flooring’s Dirty Climate Secret”, uncovers issues with the accuracy of reported carbon emissions by manufacturers of LVT and a lack of transparency around toxic chemicals used in production of vinyl flooring. Here are the four key findings from the report:

1. Carbon Emissions from producing PVC are underestimated by between 8% and 180% in Manufacturer Environmental Product Declarations (EPDs).

According to the report, manufacturer EPDs use outdated data and rely on carbon emission estimates from a single U.S. based production plant that doesn’t accurately reflect global emissions.

2. Workers all along the supply chain, along with frontline and fenceline communities in the U.S. and abroad are endangered by exposure to hazardous chemicals used to make LVT; Vinyl flooring manufacturers use significant quantities of highly toxic chemicals like PFAS and mercury to produce PVC.

PFAS, Per- and Polyfluoroalkyl Substances also known as “forever chemicals,” are toxic to humans at extremely low levels of exposure. The production of PFAS chemicals releases greenhouse gasses that degrade the ozone layer while mercury, also used in PVC production, produces climate warming greenhouse gas emissions. You may have seen recent coverage of a report from the U.S. Geological Survey that found PFAS in nearly half of the tap water in the U.S.

3. Asbestos is used to produce chlorine to make PVC flooring in the United States – importing asbestos for PVC production represents the last remaining legal use of this toxic mineral fiber.

Yes, you read that right: asbestos. The U.S. imports approximately 373 metric tons of asbestos from mines in Russia and Brazil each year specifically to fuel the production of PVC. There is risk of exposure and release into the environment at all stages of this global supply chain. The EPA, which has partially restricted asbestos use in the U.S., proposed a ban on asbestos in 2022 that has been met with fierce opposition from the chemical industry.

4. Increased use of coal has resulted in higher carbon dioxide emissions because US manufacturers have shifted the majority of vinyl flooring production to China.

U.S. vinyl flooring manufacturers have shifted the bulk of production to China where coal is used to produce PVC instead of natural gas, which is used in the U.S. The use of coal as a feedstock releases massive amounts of carbon dioxide into the atmosphere.

So, according to the CEH report, the LVT boom is causing an enormous increase in carbon emissions and is exposing workers, fenceline communities and residents to extremely toxic chemicals. All of this is under or mis-reported by vinyl manufacturers. Where does this leave architects, designers, and DIYers choosing flooring? We have to ask what is the true cost of this “inexpensive” product and why would we ever want to use this product? Fortunately, there are plenty of beautiful, healthy, and affordable alternatives to LVT.

Healthier, Affordable Alternatives

Image generated by Architizer using Midjourney

When choosing flooring materials, look for materials containing benign, regenerative ingredients and use non-toxic finishes. Here are some options to specify instead of vinyl:

  1. Linoleum (tiles, planks, and poured) is made primarily from plants—linseed oil from the flax plant and wood flour from trees. Other ingredients are added to ensure durability.
  2. Cork comes from the bark of the Cork Oak tree, which is harvested and regenerates without injuring the tree.
  3. Hempwood is a plant-based option that supports carbon sequestration through growing hemp. Its durability is equivalent to hardwood.
  4. Solid hardwood can be finished using products free of toxic solvents, allowing it to breathe and help regulate the interior climate and improve indoor air quality.
  5. Engineered hardwood made with soy-based binders is often more affordable than a solid wood option.
  6. Porcelain tile is benign and fully vitrified, making it highly durable and chemical-resistant.
  7. Reclaimed flooring, when made from healthy materials and found locally, saves materials that would end up in landfills and reduces carbon emissions and health impacts.

For more in-depth guidance on healthier flooring, check out the Healthy Materials Lab flooring materials collection. You’ll find detailed spec guidance and a list of rigorously vetted flooring products that have been holistically evaluated by our team for their content and performance.

This is Part I of a three-part series on the hazards of vinyl flooring. In Part II we’ll explore the long history of worker endangerment by the vinyl industry and the ways that legacy continues in China today.

Reference

Because it can be cast into any shape, concrete opened up new possibilities for architects.
CategoriesArchitecture

Architects Should Continue Using Concrete. Change My Mind.

Architizer’s new image-heavy daily newsletter, The Plug, is easy on the eyes, giving readers a quick jolt of inspiration to supercharge their days. Plug in to the latest design discussions by subscribing. 

“What’s nice about concrete is that it looks unfinished.” 

– Zaha Hadid 

Before embarking on my argument, I want to get something out of the way: I believe that climate change is real. I also believe that mitigating climate change by lowering carbon emissions in as many areas of human life as possible is an urgent necessity in our century. Doing so is the only way to preserve the chance that future generations will be able to enjoy a decent and dignified existence. 

Another point to add in the preamble: I agree that concrete is an enormous contributor to climate change. It would be silly to try to deny it. The facts are there for anyone who cares to look. 

According to the Princeton Student Climate Initiative, the manufacture of concrete produces 4 billion tonnes of carbon dioxide annually, about 8% of global emissions. By comparison, transportation accounts for 29% of global emissions. The reason concrete is so carbon-heavy has to do with the manufacture of cement, the binding agent that, when mixed with water and gravel or sand, creates concrete – that magical liquid stone that enabled the creation of modern cities and remains the most consumed product on Earth after water. (Food is not even in spitting distance). 

To create cement, limestone, clay and other materials are fired in massive kilns at over 1,200 degrees fahrenheit. And again, this is done a lot, all over the world, as concrete is used in almost every aspect of construction worldwide, from roads to sidewalks to bridges to pipes and more. Even most wood frame buildings have concrete foundations. As the architect Sarah Nichols put it, concrete is in “almost everything” and can be found “almost everywhere” in the modern world. 

In a brilliant 2022 essay for Noema, author Joe Zadeh explains that “such a monstrous scale of production has monstrous consequences.” He adds that “concrete has been like a nuclear bomb in man’s conquest of nature: redirecting great rivers (often away from the communities that had come to rely on them), reducing quarried mountains to mere hills, and contributing to biodiversity loss and mass flooding by effectively sealing large swathes of land in an impermeable gray crust.” 

It is no wonder that some writers have advocated abandoning concrete altogether, arguing that new techniques of engineering wood and other materials obviate the need for all this gray sludge. Right here in Architizer, Francesca Mercurio asserted bluntly that “architects should stop using concrete.” She writes that “we should be striving toward a mindset shift, one where humans understand their place on Earth and respect their ecosystems and natural terrains. We must shift our priority from grandeur and excess to preserving the Earth’s natural resources and ultimately, close the chapter on the concrete era.” 

Because it can be cast into any shape, concrete opened up new possibilities for architects.

Because it can be cast into any shape, concrete opened up new possibilities for architects, essentially enabling the development of modern architecture as we understand it. Via Phaidon and Architizer.

However, even Mercurio admits that “there is certainly no clear path” to abandoning concrete altogether, as there are no real substitutes that are as cheap and versatile to meet the needs of a world that is still in the process of urbanizing. And here is my worry. 

At times, the broadsides against concrete seem to be attacks on modernity itself, a claim that the time has come to scale back and learn to live with less. It is often linked to a call to repair existing infrastructure instead of always building more. But that is not an option for the developing world, where necessary infrastructure is still being constructed and the process of industrialization and economic growth is lifting millions out of poverty. When people say that “concrete built the modern world,” it almost seems to imply that the modern world has already been built, which is far from the case. Politically, economically, physically, and morally, humanity remains involved in a period of growth and transformation. 

As a democratic socialist, I am not happy with where we are. I do not want to stop building and go back to nature, as doing so would require an enormous amount of sacrifice on the part of the world’s most vulnerable people. A sustainable future is key, but it must be a high-tech future, one that is able to provide for the needs of a global population that continues to grow. To do this, we are going to need to move mountains — literally. Certainly, innovations toward a greener concrete should be commended, as should building practices that allow architects to use less concrete. In this vein, Philippe Block’s research into how architects can use vaulting to limit the amount of concrete used even in high rise structures is particularly fascinating. But until a real alternative to concrete presents itself, we are very much still in the “concrete era.”

Architizer’s new image-heavy daily newsletter, The Plug, is easy on the eyes, giving readers a quick jolt of inspiration to supercharge their days. Plug in to the latest design discussions by subscribing. 

Cover image: RW Concrete Church by NAMELESS Architecture, Seoul, South Korea

Reference

saint of athens converts 1920s apartment into the eclectic 'upper house' in kypseli
CategoriesArchitecture

saint of athens converts 1920s flat into eclectic ‘upper house’

step inside saint of athens’ renovated upper house in kypseli

 

Located in the heart of Kypseli, one of Athens’s most historic urban areas, the floor-through Upper House apartment occupies the first level of an iconic building designed and constructed in the 1920s following the architectural style of eclecticism. Saint of Athens founder Nikos Palaiologos teamed up with A&O Architects to renovate his understatedly luxurious 220 sqm property, devising an interior space reminiscent of New York’s Upper East Side apartment houses of the aristocratic flats on the 7th arrondissement of Paris. The house was originally built for the family of a wealthy Greek industrialist of the previous century, which explains many of its rare and inherent features, such as the five-meter high ceilings, the intricate plaster motifs, and the genius overall layout offering easy access to all spaces and a soothing, flowing sense of comfort.

saint of athens converts 1920s apartment into the eclectic 'upper house' in kypseli
all images © Giagkos Papadopoulos

 

 

combining retro aesthetics and modern convenience.

 

The Upper House apartment’s recent renovation by Saint of Athens (see more here) and A&O Architects (more here) joins together a selection of premium materials and appliances — chevron wood flooring, Greek marbles, Internet of Things (IoT), state-of-the-art heating and cooling technology — resulting in a sui generis combination of retro aesthetics and modern convenience. ‘A perfectly preserved one century-old wooden staircase, two reception rooms (living rooms), a dining area, a master bedroom with a walk-in bathroom, a guestroom and a guest bathroom, a library, a kitchen, and a pantry constitute parts of a functional home synthesis that blends practicality with fine craftsmanship and unique taste,’ writes Nikos Palaiologos. 

saint of athens converts 1920s apartment into the eclectic 'upper house' in kypseli
first reception room of the eclectic Upper House in Kypseli

 

 

Furthermore, the design team introduced upscale custom-made creations like the one-of-a-kind closet, the Japanese wallpaper, and the boiseries gracing the walls give the house an eye-pleasing added value, while lavish bits and pieces — from designer furniture and light fixtures to hip ceiling fans and memorabilia/works of art — bless every single space with a careful touch of arty elegance. ‘The Upper House is the epitome of a modern house experience grounded in the finest aesthetic principles of a glorious past,’ concludes Nikos Palaiologos. 

saint of athens converts 1920s apartment into the eclectic 'upper house' in kypseli
Saint of Athens teamed up with A&O Architects to renovate the 220 sqm property

saint of athens converts 1920s apartment into the eclectic 'upper house' in kypseli
preserving the historic aesthetic

saint of athens converts 1920s apartment into the eclectic 'upper house' in kypseli
preserved one century-old wooden staircase



Reference

A large semi-circle planter attached to the exterior of a house
CategoriesArchitecture

Ludwig Godefroy prioritises garden for “timeless” family home in Mexico

Mexico-based architect Ludwig Godefroy has completed the renovation of a”simple” house and studio in Mexico for himself and his family that is integrated with an adjacent garden.

Godefroy and his partner renovated a former residence, focusing on the home’s orientation towards the site’s pre-existing greenspace.

A large semi-circle planter attached to the exterior of a house
Ludwig Godefroy has completed a house and studio for himself and his family in Mexico

“Casa SanJe is a very simple project,” said Godefroy. “The main idea behind the project was to reconnect the house with its garden, opening large windows everywhere on the ground floor. In and out are always connected in this house.”

Almost half of the square site is dedicated to the garden, while the other half contains the architect’s residence.

The entrance to a house with a gate door
It is organized around the site’s substantial garden

“Casa SanJe was an ordinary Mexican house from the ’80s, without any style, a simple house with tiles on the floor and texturized plaster finishing on the walls,” said Godefroy.

The architect replaced the former materials with concrete, wood and tezontle – a red volcanic stone – to “calm down the atmosphere of the house”.

A large wrought iron door
Godefroy renovated a house originally built in the 80s

The ground level of the home contains two entrances protected by iron doors.

A car park sits adjacent to the building’s first entrance, which is accessed through a patio populated with stone, planting beds and a concrete and brick sculpture.

A rectangular cut out in a wall
The ground floor contains large windows and doors that open directly into the garden

A second entrance is located further into the garden and leads to a vestibule space at the centre of the ground-level plan.

The interior program circulates around the vestibule, with the kitchen, dining area and living room located opposite the architect’s studio and library.

The entrance to a home with a mirror and sculptural elements
It is made of concrete with wood and stone elements

The kitchen and studio spaces were pushed along the back wall of the house, with slim windows placed periodically among cabinets and shelves.

On the side opposite, Godefroy installed large doors and windows that open the living room directly into the garden.

A dining table made of concrete
Furniture like a dining table and shelving was also made of concrete

Much of the interior furniture was made of caste concrete, like the living room sofa, the dining table, side tables, kitchen shelving and an island. And some are built directly into the floor.

Godefroy’s studio also contains concrete shelving and a concrete desk that runs along the wall.

A living room with a wall of exposed stone and a concrete couch
A wall clad in volcanic stone rungs along the back of the house

In the same space, a wall was clad in warm wood panels, while a vaulted ceiling sits above the architect’s desk. A chimney sits adjacent.

Like some of Godefroy’s previous projects, geometric openings were cut into interior walls.

An exposed wall made of red volcanic stone runs along the back wall of the house.

Located between the kitchen and living room, a wooden staircase leads to the second floor, which contains bedrooms and a primary bath.

Casa SanJe by Ludwig Godefroy
The architect’s studio opens onto the entrance patio

The primary bath contains a sunken, circular cutout in the floor, with multiple shower heads for bathing.

In one corner, a spigot drops water onto a stepped feature.

A bathroom with a circular cut out in the floor
An upstairs bathroom features a circular, sunken floor

Concrete was used for the ceiling, walls and floor.

Native plants were placed throughout the house, with a large semi-circle planter made of concrete placed above the house’s entrance.

“We wanted the space to become timeless, out of any trend or decoration, just made out of simple material, able to get old instead of getting damaged under the action of time,” said the architect.

Godefroy recently completed a number of projects in and around Mexico City, including a brutalist cube-shaped home and a hotel that recalls the design of an Oaxacan temple.

The photography is by Edmund Sumner.

Reference

6 Homey Ways Architects Are Designing Warmer Office Environments
CategoriesArchitecture

6 Homey Ways Architects Are Designing Warmer Office Environments

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

Today, our lives are no longer compartmentalized into rigid schedules, nor is the line separating work from leisure as clear-cut as before. When the global pandemic hit in 2020, everyone was forced to work from home, bringing their meetings and busy agendas to the middle of their living rooms, changing much of what we know about the workplace and further blurring the line between the office and the home. That shift later promoted many businesses to uphold the “working from home” setup, at least in a hybrid format with some in-office days, having realized its environmental, financial and social benefits for many.

Following these trends, many businesses are now adopting a comfortable home-like environment — sometimes prioritizing comfort over formality and other times upping their interior decor game to lure employees back to work. These office designs, of course, come without the challenges of WFH policies, such as unexpected family cameos in Zoom meetings and the difficulty of unplugging at the end of a day in the home office. The following trailblazing honorees from the 11th Annual A+Awards awards showcase examples of offices that are so comfortable that employees will feel right at home.


Bay Area Research Company

By SkB Architects, CA, United States

Bay Area Research CompanyEntering this think tank feels like entering someone’s living room, you almost feel like you need to knock first. Designed as an engaging and emotion provoking workplace that seamlessly flows between what used to be two warehouses in the Bay Area in California, this design research company adopts what the designers termed as a “better-than-home” concept, achieved through the selection of furniture, carpets, plants and materials that have contributed to producing a very relaxing and tranquil work environment. The workspaces are distributed over a wide variety of smaller spaces anchored in the open floor plan and staggered vertically across a number of split levels that together enrich the user experience for the employees, guests and collaborators.


EDGE Suedkreuz Berlin

By TCHOBAN VOSS Architekten GmbH,

 From the outside, the two newly designed EDGE office buildings facing Hedwig-Dohm-Strasse in Berlin give no hint of what their insides look like, presenting employees a pleasant surprise once they enter. Inside the “Carré” building, the larger of the two buildings, a generously naturally lit atrium almost looks like a play area for adults, with its design blurring the boundary between the inside and the outside.

This atrium is playfully furnished with a web of tree like wooden structures that offer a variety of platforms for recreation and communication, connected by a network of by filigree steps that facilitate circulation across the building’s different parts. The sustainable state of the art design of both the buildings, which won the project the DGNB Platinum and DGNB Diamond awards, produces a healthy and vibrant work environment for employees and ensures the longevity of the buildings and the reusability of its materials.


DB55 Amsterdam

By D/DOCK, Amsterdam, Netherlands

Photo by Niels Vlug

Photo by Niels Vlug

Photo by Niels Vlug

It is hard to tell what this place is for at first glance, given the variety of activities taking place around the miscellaneous furniture spread out across this building’s different sections. From a bed to a huge dining table and an abdunance of plants, the open floor plan contains a variety of levels where so much is going on at the same time. For those reasons, it comes as no surprise that this building, which used to be a timber warehouse, has a program that combines work and leisure, giving space to different events and even making room for a children’s playground. The array of windows on the top of the building connect the building with the outside and create a pleasant indoor experience, flooding the central open space with its double volume with natural sunlight, while the natural wood that is used in various elements of the interior give a soft and tranquil work ambiance.


Kabelovna Studios

By B² Architecture ,Praha, Czechia

Photo by Alex Shoots Buildings

Photo by Alex Shoots Buildings

Photo by Alex Shoots Buildings

Set in what used to be a cable making factory, the super cozy atmosphere of this recording studio was established through the generous use of plants and the floods of natural sunlight that light up the entire space and allow an interplay of shades and shadows that complement the interplay of the musical notes across the sheets. The different recording studios are distributed around a central “living room” with a seating area and a kitchen, with the high ceiling giving a generous breathing space and the restored brick walls giving the studio a rustic and authentic character that offers a rich background for the recording artists.


Shenzhen Yeahka Office

By JSPA Design, Shenzhen, China

The interiors of the Yeahka headquarter office look like an ultra modern apartment set in a futuristic movie scene, with meeting tables hovering over the building’s central space inside glass boxes and the exposed structure of the refurbished building boldly exposed. The rough appearance of the building’s envelope is nicely contrasted with the use of softer materials and lighter colors for the partitions and the furniture, while the high ceilings allow floods of natural sunlight to travel across the office’s atriums and establish a variety of visual connections for visitors and employees across the different floors.


Casa Pich i Pon. LOOM Plaza Catalunya

By SCOB Architecture & Landscape 

Aesthetically, the organization of this office space is remarkably appealing, allowing the eye to travel across a variety of layers and vertical lines around every corner. Whether it is through the contrast of materials, or the perfect positioning of the working chambers inside the open floor plan, a lot is happening inside this refurbished historical building whose celebratory classic exterior celebrates a masterpiece of its time. The color white, which dominates the interior, sets the stage for the other materials to occupy the space, particularly the red brick walls that stand as a reminder of the building’s rich past.

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

Reference

built for cats, tan yamanouchi's japanese home unfolds around a playful spiral staircase
CategoriesArchitecture

tan yamanouchi’s japanese home unfolds around a spiral staircase

explore a cat tree house by tan yamanouchi in kamakura 

 

Located in Kamakura, an hour from central Tokyo, A Cat Tree House is a charming private dwelling and architecture studio designed by and for architect Tan Yamanouchi, his partner, and their two cats. As pet owners, the project took shape from the perspective of their little felines. ‘Having lived with the two for ten years, we took our design cues from ‘listening’ to them, although they do not speak human words,‘ says principal architect Tan Yamanouchi.

 

That being said, he summarized the cats’ needs into three categories: (1) Being able to choose their preferred temperature level at any time of day; as they can sense temperature differences that humans cannot, they like to move around to find the perfect spot. (2) The desire to be in same room as their owners, all while maintaining their space. (3) And lastly (3) the need to have multiple safe places to hide; they like options and may change their minds about where they feel safest depending on the time of day or year. With these in mind, the residence was conceived as a large spiral staircase, known as a caracole, with multiple nooks and crannies, incorporating both the owners’ and pets’ needs. 

built for cats, tan yamanouchi's japanese home unfolds around a playful spiral staircase
all images © Lamberto Rubino

 

 

organizing the home around a large & skylit spiral staircase

 

Delving into the details, Tan Yamanouchi organized the spiral staircase around an atrium with a skylight in the center of the house. ‘The rises are designed based on the body measurements of our cats, which led to having 23 different floor levels. The entire house is thus divided into fine stripes of temperature layers, between which our feline clients spend all day traveling,’ explains the architect. The spiral staircase, meanwhile, opens up a line of vision to the whole house from any vantage point. Additionally, the standard dimension of the run of each step is generously set to 900 millimeters so that the cats can hide from people downstairs, keep a certain sense of distance from others, or even sleep peacefully.

 

To design the caracole, Yamanouchi took cues from a tamasudare, a screen made of loosely woven bamboo sticks for a traditional Japanese street performance, where performers twist, fold, and extend it to form various shapes. Exposed to give accent to the open ceiling space, this structure responds to the highly humid environment of Kamakura with its starkly designed split-level architecture. ‘The standard floor level is set one meter above the ground level, creating a buffer space between the raft foundation and the floor, where outside air is introduced, and hot water pipes for floor heating are laid. We designed the buffer for temperature and humidity control,‘ he continues. 

built for cats, tan yamanouchi's japanese home unfolds around a playful spiral staircase
entrance to A Cat Tree House

 

 

integrating views and programs around the steps 

 

On each corner of the caracole, a bedroom, guest room, studio, kitchen, dining room, and bathroom are laid out for optimal comfort. As this is an architect’s studio as much as a home, it inevitably has constant guests. When we have unexpected visitors, each room also functions as a hiding place for the cats. The mountain views of Kamakura inspired the design of the handrails implemented in the atrium for fall prevention. The delicate stainless-steel fixture was crafted by skilled ironworkers.

 

On the wall built along the spiral steps, Yamanouchi designed a bookshelf, transforming the steps from a mere passage to a split-level library. For the cats, the stairs function as cozy bedding, while for humans, they become a book vault with suitable height differences to sit anywhere. A part of the circular steps bisects backward, which reaches at the end a window implemented at the eye level of cats, and the final rise of the steps is as high as a human chair to provide a porch-like space for them. 

built for cats, tan yamanouchi's japanese home unfolds around a playful spiral staircase
wooden steps to the house

 

 

tan yamanouchi’s L-shaped dwelling boasts a green haven 

 

The form of this house consists of two L-shaped volumes, each with a shed roof of different angles. By interlocking the two volumes, a basic shape comes to life, simplifying construction and blending in with the mountains of Kamakura while still holding a unique aesthetic. ‘We also believe that cats looking out the window is a sight that improves the neighborhood landscape. We meticulously designed the placement and the height of the windows so that passersby and visitors can appreciate the adorableness of the cats as a part of the architectural exterior and the scenery,‘ shares the architect. 

 

As for the landscape design, the garden is divided roughly into two zones. One is the Approach Zone, which leads to the entrance and the garden facing the front road. Another is the Terrace Zone, which includes the wooden deck steps and a kitchen garden, surrounded by a 1.8-meter-high wall on the back of the building. Approximately 80 species of plants are flourishing in the Approach Zone, boasting different colors for a rich palette, and 20 species of edible herbs in the Terrace Zone. Completing the outdoor design is a space covered with fragrant wood chips, offering a place to sit on the steps and enjoy a meal.

built for cats, tan yamanouchi's japanese home unfolds around a playful spiral staircase
Tan Yamanouchi designed the house around his cats’ needs

built for cats, tan yamanouchi's japanese home unfolds around a playful spiral staircase
a large, spiral staircase with multiveled steps and a library

built for cats, tan yamanouchi's japanese home unfolds around a playful spiral staircase
creating a home where the cats can be close to their owners while having their own space

Reference

Leddy Maytum Stacy Architects Environmental School
CategoriesArchitecture

Leddy Maytum Stacy Architects creates low-energy school in California

Leddy Maytum Stacy Architects has designed a school building that prioritises low-carbon solutions and water retention on restored woodlands outside of San Francisco.

Called The Science and Environmental Center, the structure is an expansion of the campus for the Nueva School in Hillsborough, Silicon Valley.

The campus comprises an 11,600-square-foot (1,077 square-metre) two-storey building on a 33-acre site, with an oak forest that was restored as part of the project.

Leddy Maytum Stacy Architects Environmental School
Leddy Maytum Stacy Architects has created an expansion to a California primary school campus

“The design integrates straightforward, appropriate, and cost-effective sustainable design solutions that provide practical and poetic connections between people and the natural world,” Leddy Maytum Stacy Architects told Dezeen.

“The building shape echoes the landform, following the topography of the hillside to minimize excavation and maximize outdoor education space that extend ground floor classrooms.”

“The narrow floor plate minimizes impacts to the existing natural features of the site, while maximizing daylighting and natural ventilation within the classrooms.”

Solar array on semi-circular school
It includes a number of passive and electric energy strategies

The building has a semi-circular form that allows for the eight classrooms to be exposed to light from two sides. With the inclusion of ceiling fans, this form allowed for mechanical heating and cooling to be mostly eliminated from the project, according to the studio.

Wood cladding wraps one side of the structure almost completely, and was also used generously for the classroom interiors. The wood was chosen based on FSC certifications.

Elevated walkway with school in background
An elevated walkway connects the new structure to the other campus buildings

The inside of the semi-circle was clad in steel and aluminium. As much as 15 per cent of these materials – as well as the cotton insulation – were garnered from recycled materials, Leddy Maytum Stacy Architects said.

In order to connect the new structure with previous school buildings on the site, the studio included an elevated walkway called the Canopy Walk, which connects to the upper level of the centre and expands outward into the forested site to provide a vantage point for the students.

This second-floor circulation also acts as a sunshade for the classrooms below.

The Science and Environmental Center was designed to be a net zero campus and the school runs only on electricity, with much of the power generated from a 70-kilowatt array of solar panels placed on its roof.

Wood lookout
It features FSC-certified wood cladding

In response to the water shortage issues in California, the design also features a number of water retention strategies.

“As climate change continues to impact California’s potable water supply, the project takes an active role in reducing potable water use by 89 per cent below baseline,” said the studio.

Classroom in environmental school
It has eight classrooms for young students

The goal of the centre, which serves the school’s 500 students, is to “foster social acuity and environmental citizenship”, according to the studio.

The Nueva School‘s Hillsborough campus serves primary school children, while its San Mateo campus serves high school students.

Leddy Maytum Stacy Architects has designed other buildings in the region that prioritise strategies geared towards environmental and social ends, including a design centre in Berkeley and a housing complex for people with autism.

The photography is by Richard Barnes and Bruce Damonte.

Reference

© Guangzhou S.P.I Design Co., Ltd
CategoriesArchitecture

30 Best Architecture Firms in China

From the CCTV Headquarters by OMA in Beijing to myriad projects by Zaha Hadid Architects (ZHA) across the country, China’s recent urban boom has made the country a magnetic scene for international architectural practices. Indeed, mass urbanization and rapid industrial development have been crucial ingredients in China’s rise as an economic superpower in the twenty-first century. Now, the dynamism of the country’s internal architectural scene is going global, and the world is turning its attention to innovative designs by local Chinese firms.

From poetic examples of adaptive reuse, thoughtful examinations of how the past comes to bear on the present, to high-tech transportation design, the Chinese architects and firms are blurring boundaries between “tradition” and “modern” and, in so doing, reclaiming local architectural flavor in the era of global practice. For many outside of China, the Pritzker Prize-winner Wang Shu may be an entry point into thinking about China’s New Modernism. However, with so many new studios regularly proving themselves with breathtaking projects, the question is not where to start but where to stop.

With so many architecture firms to choose from, it’s challenging for clients to identify the industry leaders that will be an ideal fit for their project needs. Fortunately, Architizer is able to provide guidance on the top design firms in China based on more than a decade of data and industry knowledge.

How are these architecture firms ranked?

The following ranking has been created according to key statistics that demonstrate each firm’s level of architectural excellence. The following metrics have been accumulated to establish each architecture firm’s ranking, in order of priority:

  • The number of A+Awards won (2013 to 2023)
  • The number of A+Awards finalists (2013 to 2023)
  • The number of projects selected as “Project of the Day” (2009 to 2023)
  • The number of projects selected as “Featured Project” (2009 to 2023)
  • The number of projects uploaded to Architizer (2009 to 2023)

Each of these metrics is explained in more detail at the foot of this article. This ranking list will be updated annually, taking into account new achievements of China architecture firms throughout the year.

Without further ado, here are the 30 best architecture firms in China:


30. Guangzhou S.P.I Design

© Guangzhou S.P.I Design Co., Ltd

© Guangzhou S.P.I Design Co., Ltd

Founded in 2007, Guangzhou S.P.I Design is a comprehensive landscape design platform driven by “innovative design” with its headquarters in Guangzhou. Now it has 16 branches in China and over 1,800 members (1470+designers) and establishes 3 business modules of “community,” “culture and tourism” and “urban” with completion of more than 3,000 high-quality projects in over 100 cities in China. S.P.I has devoted to China’s rural and urban development and ecological civilization construction with the mission of “Poetic Dwelling Inherit Innovation,” based on the New Shanshui Design Concept, driven by innovating design, with digital technology as the core and Shanshui General Theater as the carrier, to build a world-renowned landscape technology innovation platform.

Some of Guangzhou S.P.I Design Co., Ltd’s most prominent projects include:

The following statistics helped Guangzhou S.P.I Design Co., Ltd achieve 30th place in the 30 Best Architecture Firms in China:

A+Awards Finalist 2
Featured Projects 7
Total Projects 15

29. DAGA Architects

© DAGA Architects

© DAGA Architects

As a pioneer and practitioner in the field of “Urban Renovation” in China, DAGA Architects is widely participated in architectural design, interior design, urban planning and landscape design projects, providing international standard design quality, focusing on creativity and details. DAGA Architects also track the whole process of the project. Especially in the practice of co-working and co-living renovation in Beijing Hutong area, DAGA Architects find a way to balance the existing building and new design, provide people with a more harmonious and shared lifestyle.

Some of DAGA Architects’s most prominent projects include:

  • Dongsi 5Lmeet, Beijing, China
  • Hangzhou Vanke Times Commune, Hangzhou, China
  • Transparent Hutong Installation: From Physics to Phenomena , Beijing, China
  • Gulou Office Renovation, Beijing, China
  • Qingdao Metro CR International Ocean Intelligence Zone Accelerator Office, Qingdao, China

The following statistics helped DAGA Architects achieve 29th place in the 30 Best Architecture Firms in China:

A+Awards Winner 2
Featured Projects 7
Total Projects 21

28. West-line Studio

© West-line Studio

© West-line Studio

West-Line Studio is based in Guizhou Province and exclusively works in South-West China, where most of the country ethnic minorities live, and has always been researching and working on local vernacular architecture and subcultures’ diversity. The practice, founded more than 10 years ago by Haobo Wei and Jingsong Xie, pays special attention to the study of minority cultures and traditions in order to bring some of their particular elements into the design, which, despite being contemporary and innovative, always pays homage to traditions and local features.

Some of West-line Studio’s most prominent projects include:

  • Shui Cultural Center, Sandu, Qiannan, China
  • Chishui Danxia World Natural Heritage Visitor Center, Chishui, Zunyi, China
  • Chetian Cultural Center, Guiyang, China
  • Concrete Memorial, Chishui, Zunyi, China
  • Cuisuba Yi Cultural & Visitor Center, Guizhou, China

The following statistics helped West-line Studio achieve 28th place in the 30 Best Architecture Firms in China:

A+Awards Winner 3
Featured Projects 11
Total Projects 13

27. Ballistic Architecture Machine (BAM)

© Ballistic Architecture Machine (BAM)

© Ballistic Architecture Machine (BAM)

Ballistic Architecture Machine (BAM) is an award-winning art, landscape and architectural design firm with offices in Beijing and Shanghai. Founded in 2007, BAM became anomalous as a locally grown design firm in China started by foreigners. The experience of establishing a design practice in a rapidly changing contemporary Chinese metropolis gives BAM a unique insight into the role of design in today’s cities. BAM’s diverse team of designers has delivered projects for clients in China, Taiwan, the US, the UK, Iceland and Belgium. Since our founding BAM believes our collective idea of nature is gradually changing. As technology continuously shapes our environment, our perception of nature is becoming outdated.

Some of Ballistic Architecture Machine (BAM)’s most prominent projects include:

  • Daxing Green Hub and Park, Beijing, China
  • Xiaoyunlu 8, MAHA Residential Park, Beijing, China
  • Play ‘n Learn Water Mountain, Tianjin 4A Sports Park, Tianjin, China
  • Legend Jiangbei Mixed-Use and Residential, Nanjing, China
  • Shoukai Vanke Daxing, Beijing, China

The following statistics helped Ballistic Architecture Machine (BAM) achieve 27th place in the 30 Best Architecture Firms in China:

A+Awards Winner 3
A+Awards Finalist 4
Featured Projects 12
Total Projects 20

26. aoe

© aoe

© aoe

aoe is headquartered in Beijing, China, equipped with a team of designers who balance scientific exactitude and creative innovation, Made up of an international background, the team provides solutions to modern urban life based on scrupulous in-depth research, its business includes commercial, complex, cultural, office, hotel, high-end housing, education, planning, and interior design, project covers more than 20 provinces and cities in China, and each design project has won the praise of the owners and produced a good social impact. Its insightful, market-ready designs are a testament to its all-around excellent service. In an era of rapid development, aoe is a vehicle of progress with its vision for human life in the twenty-first century city.

Some of aoe’s most prominent projects include:

  • Chongqing Sunac One Central Mansion Sales Pavillion, Chongqing, China
  • ShuiFa Info Town Property Exhibition Centre, Jinan, China
  • Sino-Italian Cultural Exchange City Reception Center, Chengdu, China
  • Haikou International Duty Free Reception Center, Haikou, China
  • Heze Courtyard No.1 Sales Office, Heze, China

The following statistics helped aoe achieve 26th place in the 30 Best Architecture Firms in China:

A+Awards Winner 1
A+Awards Finalist 5
Featured Projects 7
Total Projects 13

25. OPEN Architecture

© OPEN Architecture

© OPEN Architecture

OPEN is a passionate team of designers collaborating across different disciplines to practice urban, landscape, architectural and interior design, as well as the research and production of design strategies in the context of new challenges. We believe in the innovative power of architecture to transform people and the way they live, while striking a new balance between the manmade and nature. OPEN was founded by LI Hu and HUANG Wenjing in New York City. It established its Beijing office in 2008. OPEN has been widely recognized for its innovative work.

Some of OPEN Architecture’s most prominent projects include:

  • Garden School, Beijing, China
  • HEX-SYS, Guangdong, China
  • Stepped Courtyards, Fuzhou, China
  • Tank Shanghai, Shanghai, China
  • UCCA Dune Art Museum, Qinhuangdao, China

The following statistics helped OPEN Architecture achieve 25th place in the 30 Best Architecture Firms in China:

A+Awards Finalist 2
Featured Projects 14
Total Projects 12

24. Kris Lin International Design

© Kris Lin International Design

© Kris Lin International Design

KLID, an international architectural design firm from Taipei, has been in Shanghai for twenty years, and has been serving top 100 real estate developers for a long time. Its business covers sales offices, clubs, art galleries, hotels, luxury villas and flat apartments, offices, public and commercial spaces.

As one of the few design institutes in China which can provide four-in-one integrated design services including architectural design, interior design, renovation design and construction, landscape design, KLID has been adhering to the design concept of “Innovation from Observation”, and has strong pursuit for the design works display effect, KLID has been always maintained a full-integrated design solution.

Some of Kris Lin International Design’s most prominent projects include:

The following statistics helped Kris Lin International Design achieve 24th place in the 30 Best Architecture Firms in China:

A+Awards Winner 2
A+Awards Finalist 5
Featured Projects 8
Total Projects 13

23. He Wei Studio/3andwich Design

© Jin Weiqi

© Jin Weiqi

Founded in 2012, He Wei Studio/3andwich Design is an interdisciplinary research studio and practice with works ranging from urban renewal to architectural design to exhibition and curatorial endeavors.

Some of He Wei Studio/3andwich Design’s most prominent projects include:

  • Limestone Gallery, Anlong, Qianxinan, China
  • Stone Nest Amphitheatre for Community Activities , Weihai, China
  • Shangping Village Regeneration – Yang’s School Area, Jianning, Sanming, China
  • The Water Drop Library, Huizhou, China
  • Ding Hui Yuan Zen & Tea Chamber, Beijing, China

The following statistics helped He Wei Studio/3andwich Design achieve 23rd place in the 30 Best Architecture Firms in China:

A+Awards Winner 2
A+Awards Finalist 3
Featured Projects 8
Total Projects 11

22. CPLUS

© CPLUS

© CPLUS

CPLUS is an architecture firm with an international perspective, co-founded by Cheng Yanchun and Li Nan in Beijing in 2014. CPLUS believes that architecture aims to create a medium for dialogue between people and the environment. As living organism that constantly changes over time, architecture responds to the history of human exploration of nature and the construction of cities.

Some of CPLUS’s most prominent projects include:

  • Jingyuan No.22 Transformation, Beijing, China
  • Nashare Hotel, Xiamen, China
  • LAB Art Museum, Chongqing, China
  • “Floating Island” Restaurant, Chongqing, China
  • “Hair Focus” Hair Salon, Beijing, China

The following statistics helped CPLUS achieve 22nd place in the 30 Best Architecture Firms in China:

A+Awards Winner 1
A+Awards Finalist 2
Featured Projects 11
Total Projects 14

21. Atelier tao+c

© Atelier tao+c

© Atelier tao+c

Atelier tao+c was founded by Tao Liu and Chunyan Cai in 2016. The design works of Atelier tao+c ranging from a piece of pendant lamp to a compound development, from the interior of small urban apartments to the renovation of old rural houses, from shops on the street to a youth community.

Some of Atelier tao+c’s most prominent projects include:

The following statistics helped Atelier tao+c achieve 21st place in the 30 Best Architecture Firms in China:

A+Awards Winner 3
A+Awards Finalist 3
Featured Projects 8
Total Projects 10

20. MUDA-Architects

© MUDA-Architects

© MUDA-Architects

Founded in 2015 in Beijing and Boston with an office in Chengdu established in 2017, MUDA-Architects is composed of creative designers with a background of global diversification, who are forward-looking, experienced, professional and ingenious in the field of architecture and design.

Under the leadership of founder Lu Yun, the team’s architectural practice covers public, cultural and commercial architecture, as well as urban, landscape and interior design, focusing on diverse expressions of design in cultural contexts and genius loci, adhering to the oriental spirits and future-oriented mindset.

Some of MUDA-Architects’s most prominent projects include:

The following statistics helped MUDA-Architects achieve 20th place in the 30 Best Architecture Firms in China:

A+Awards Winner 4
A+Awards Finalist 1
Featured Projects 10
Total Projects 12

19. Challenge Design

© Challenge Design

© Challenge Design

The aim of Challenge Design has been to provide “refined design and professional service” since its foundation. The company has undertaken projects ranging from commercial complex, resort, luxury condo, boutique hotel, museums and public architectures, winning dozens of awards and unanimous high appraisal. With growing experience in various fields including architecture design, urban planning, interior design, wooden structure design and commercial operation, the company has developed the capability to control whole life cycle of the projects.

Since foundation, Challenge Design has been working to find a way for realization of harmonious co-existence between architecture, human being and the nature, hoping to find a possible way for bring renewed sense experience and creating new thoughts and spatial forms through creative thinking.

Some of Challenge Design’s most prominent projects include:

  • Yuanlu Community Center, Chongqing, China
  • YULIN Artistic Center, Chongqing, China
  • Park Legend Kindergarten, Chengdu, China
  • Cloud Art Museum , Guizhou, China
  • Langtin Yuanzhu Experience Hall, Wuhan, China

The following statistics helped Challenge Design achieve 19th place in the 30 Best Architecture Firms in China:

Featured Projects 14
Total Projects 14

18. gad

© Qiwen

© Qiwen

gad, an architectural design company that values creativity, quality and humanity, adheres to the belief of craftsman to deeply explore the field of architectural design, treats architectural creation with an open attitude, conveys modern life aesthetics with appropriate design techniques, and follows architectural construction with a devout attitude, so as to create more possibilities for the richness of the city.

Some of gad’s most prominent projects include:

The following statistics helped gad achieve 18th place in the 30 Best Architecture Firms in China:

A+Awards Winner 2
A+Awards Finalist 6
Featured Projects 14
Total Projects 17

17. LUO studio

© LUO studio

© LUO studio

Mr. Luo Yujie is the founder of LUO studio, who also teaches the course of Construction Basics in the School of Architecture at Central Academy of Fine Arts (CAFA). His exceptional works have been shortlisted and awarded by numerous design award competitions worldwide. He is committed to creating more durable, friendly and quality spaces with creative thinking, a spirit of craftsmanship and the principle of caring for nature.

Some of LUO studio’s most prominent projects include:

  • Temporary Site of Shengli Market, Henan, China
  • Yuntai Ice Chrysanthemum Display, Henan, China
  • Timber Bridge in Gulou Waterfront, Jiangmen, China
  • Corrugated Cardboard-formed Exhibition Space, Shanghai, China
  • Longfu Life Experience Center, Puyang, China

The following statistics helped LUO studio achieve 17th place in the 30 Best Architecture Firms in China:

A+Awards Winner 6
A+Awards Finalist 3
Featured Projects 11
Total Projects 10

16. X+LIVING

© X+LIVING

© X+LIVING

X+LIVING, established in 2011 by Chinese architect Li Xiang, is an international architectural design company involved in multifield projects including retail, office, hospitality, parent-child, malls, etc. As an award-winning company, X+LIVING has always been noted by professional institutions and medias worldwide for its escher-like visuality and immersive spatial experiences. Owing to the founder Li Xiang’s academic background of architecture, each of X+LIVING’s design works adopts boundary-crossing thinking and unique formal strategy to create theatrical dreamy spaces with story-telling charms that engage the senses and provide fun. X+LIVING takes “design creates value” as the motto and insists on achieving the highest quality of design works from conceptual design to final completion.

Some of X+LIVING’s most prominent projects include:

The following statistics helped X+LIVING achieve 16th place in the 30 Best Architecture Firms in China:

A+Awards Winner 2
A+Awards Finalist 3
Featured Projects 12
Total Projects 43

15. CLOU architects

© Ballistic Architecture Machine (BAM)

© Ballistic Architecture Machine (BAM)

CLOU is an international design studio with award-winning expertise in architecture, interiors and landscapes. Our extensive portfolio of built works encompasses mixed-use, retail, hospitality, education and exhibition projects. Founded by German architect Jan Clostermann, CLOU works closely with leading property developers and has delivered projects recognized for outside-the-box-thinking.

CLOU is committed to tailor each project to its unique challenges and local opportunities. We strive to realize projects that will positively influence the people involved in its process, the environment, and the communities who live and work there. The CLOU team is a community of talents from all over the world who enjoy working collaboratively and imaginatively on bespoke, and integrated design solutions. The word CLOU means the main attraction.

Some of CLOU architects’s most prominent projects include:

  • Cube Gallery, Hangzhou, China
  • Daxing Green Hub and Park, Beijing, China
  • Play Stack Shenyang, Shenyang, China
  • UniFuns Tianfu Chengdu, Chengdu, China
  • Wuyi Yuansu Hot Spring Resort, Wuyi, Jinhua, China

The following statistics helped CLOU architects achieve 15th place in the 30 Best Architecture Firms in China:

A+Awards Winner 4
A+Awards Finalist 6
Featured Projects 12
Total Projects 49

14. GOA (Group of Architects)

© IN BETWEEN

© IN BETWEEN

Founded in 1998, GOA has held its position as one of the most prominent architectural firms in China. With offices established in Hangzhou, Shanghai, Beijing and Nanjing, GOA has employed more than 900 professionals. Covering service ranging from urban design, architecture, structure, MEP, landscape planning, interior design to design consulting, GOA’s business scope is a complete organism with architecture design as the core competencies.

GOA adheres to the Principal-based working system, each project is in the charge of one or more principals. By participating in the projects thoroughly, they ensure a best quality for all projects. On the basis of in-depth understanding of clients’ needs, GOA contributes to integrate the top resources and provide perfect design solutions and high-quality service for clients. Creativity, quality and humanity shall always be our goal.

Some of GOA (Group of Architects)’s most prominent projects include:

  • Restaurant of Metasequoia Grove, Suzhou, China
  • Yada Theatre, Jiangsu, China
  • Alila Wuzhen, Jiaxing, China
  • Beibu Gulf International Oceanic Transit Center, Beihai, China
  • Zhoushan Greentown Yuhua Kindergarten, Zhoushan, China

The following statistics helped GOA (Group of Architects) achieve 14th place in the 30 Best Architecture Firms in China:

A+Awards Winner 5
Featured Projects 12
Total Projects 27

13. Lukstudio

© Lukstudio

© Lukstudio

LUKSTUDIO is a boutique design practice based in Shanghai, China. Founded by Christina Luk in 2011, the studio is comprised of an international team with diverse backgrounds and cultural perspectives. With a common desire to challenge the status quo of the environment, the team finds joy in creating meaningful design solutions for others. Lukstudio’s strength lies in an ‘everything is possible’ attitude that is influenced by the surrounding context of Shanghai; a fast-paced city where East meets West and tradition is integrated with innovation. Each project tells its own story, and Lukstudio is proud to identify a narrative, preserving it from concept through to completion to deliver memorable spatial experiences that delight and surprise. We collaborate closely with clients and contractors to deliver artistic solutions within a commercial scope.

Some of Lukstudio’s most prominent projects include:

The following statistics helped Lukstudio achieve 13th place in the 30 Best Architecture Firms in China:

A+Awards Finalist 4
Featured Projects 14
Total Projects 31

12. The Design Institute Of Landscape & Architecture China Academy Of Art

© The Design Institute Of Landscape & Architecture China Academy Of Art CO.,LTD

© The Design Institute Of Landscape & Architecture China Academy Of Art CO.,LTD

The Design Institute of Landscape & Architecture, China Academy of Art, founded in 1984, h as been accredited by the Ministry of Construction of the People’s Republic of China (PRC) as Class A for construction industry (construction engineering), Class A for landscape architecture design, C lass A for interior decoration design, Class A for urban and rural planning, Class B for municipal industry professional, Class B for cultural relics protection engineering survey and design, and Class A for exhibition engineering.

The Institute has set up an academic perspective and research vibe encompassing all-round nationalization, internationalization and modernization by taking advantage of the China Academy of Art (CAA)’s strong talents and advantageous discipline group, with the strong and rich academic background of CAA as the foundation, the academic goal of the first environmental art department in China as the mission, and “Relying on CAA and Serving the society” as the overall operation policy.

Some of The Design Institute Of Landscape & Architecture China Academy Of Art’s most prominent projects include:

The following statistics helped The Design Institute Of Landscape & Architecture China Academy Of Art CO.,LTD achieve 12th place in the 30 Best Architecture Firms in China:

A+Awards Winner 5
A+Awards Finalist 1
Featured Projects 16
Total Projects 16

11. AIM Architecture

© Dirk Weiblen

© Dirk Weiblen

AIM is a collective of passionate, international individuals. Founded by Belgian and Dutch architects Wendy Saunders and Vincent de Graaf in 2005, AIM brings together architecture with interior and product design to create wholly integrated products and ideas. Headquartered in Shanghai and with an office in Europe, AIM is a global studio with local feeling. Our approach is deliberate and focused. Each project is approached individually. We pair context to concept and explore the fine line between vision and practicality. The result are unique spaces with a powerful narrative. Bold, playful and gritty, the firm designs well-built projects with refined details, built-in love of materials and passion for place and purpose.

Some of AIM Architecture’s most prominent projects include:

  • Fushengyu Hotspring resort, Sichuan, China
  • SOHO Fuxing Plaza- Shopping Mall, Shanghai, China
  • Jiaxing Island, Jiaxing, China
  • Aluminum Lobby in SOHO Fuxing Plaza, Shanghai, China
  • Glass Office in SOHO Fuxing Plaza, Shanghai, China

The following statistics helped AIM Architecture achieve 11th place in the 30 Best Architecture Firms in China:

A+Awards Finalist 3
Featured Projects 17
Total Projects 32

10. Atelier Alter Architects

© Atelier Alter Architects

© Atelier Alter Architects

Founded in 2009, Atelier Alter Architects is a pioneering inter-disciplinary practice based in New York and Beijing. Noted for designing from critical analysis of the site, Atelier Alter has been recognized by numerous awards. Atelier Alter Architects focuses intensely upon culture facilities ever since the beginning of the practice. Atelier Alter wan the competitions to build Qujing Culture Center in 2009, by transferring the metaphysical context of the site into an artistic yet tangible urban space of historic remembrance.

Some of Atelier Alter Architects’s most prominent projects include:

  • BIT Sports Center in Beijing, Beijing, China
  • WuliEpoch Culture Center, Beijing, China
  • Senior Center of Guangxi, Nanning, China
  • Library for Qujing Culture Center, Qujing, China
  • WuliEpoch Culture Center, Beijing, China

The following statistics helped Atelier Alter Architects achieve 10th place in the 30 Best Architecture Firms in China:

A+Awards Winner 1
A+Awards Finalist 3
Featured Projects 13
Total Projects 20

9. Crossboundaries

© Crossboundaries

© Crossboundaries

Crossboundaries contributes to a vital built environment through architecture, environmental design and urban regeneration. We create enduring architecture that often deals with remarkable technical processes, yet always has a pleasant material touch and human atmosphere.

The work of Crossboundaries originates from a strong belief that design as a process results in successful, operational buildings. This approach is based on two fundamental principles: research and collaboration. For our projects we create suitable multi-disciplinary teams where all participants can assess the opportunities within the given conditions. We identify the essential questions, jointly create pragmatic solutions by data collection and analyze significant precedents. We regularly discuss possible programmatic shifts with our clients to raise their benefits of the project.

Some of Crossboundaries’s most prominent projects include:

  • Songzhuang Micro Community Park, Tongzhou, Beijing, China
  • Qkids English Learning Center, Xiamen, China
  • Chaoyang Future School, Beijing, China
  • Crossboundaries Office, Beijing, China
  • THE KNOWN, an installation, Shenzhen, China

The following statistics helped Crossboundaries achieve 9th place in the 30 Best Architecture Firms in China:

A+Awards Winner 4
A+Awards Finalist 5
Featured Projects 14
Total Projects 23

8. People’s Architecture Office

© People’s Architecture Office

© People’s Architecture Office

Beijing-based People’s Architecture Office (PAO) was founded by He Zhe, James Shen and Zang Feng in 2010, and consist of an international team of architects, engineers and urbanists. With the belief that design is for the masses, PAO aims to be conceptually accessible and culturally pragmatic. PAO approaches design from the framework of the realities of scale, global economics and flows, mass production, mass markets and social networks. PAO’s projects include the headquarters for 21cake in Beijing, the River Heights Pavilion and the Tricycle House.

Some of People’s Architecture Office’s most prominent projects include:

  • The Courtyard House Plugin, Beijing, China
  • Tubular Baitasi, Beijing, China
  • Pop-up Habitat, Beijing, China
  • Tricycle House, Beijing, China
  • People’s Canopy, Lancashire, United Kingdom

The following statistics helped People’s Architecture Office achieve 8th place in the 30 Best Architecture Firms in China:

A+Awards Winner 5
A+Awards Finalist 4
Featured Projects 14
Total Projects 20

7. The Architectural Design & Research Institute of Zhejiang University (UAD)

© Zhao Qiang

© Zhao Qiang

The Architectural Design & Research Institute of Zhejiang University (UAD) was established in 1953. It is one of the earliest First Class Design Institutes among major national universities.
The company now has nearly 1100 employees, among which 1 Master Engineering Designer of China, 2 Top-100 Architects of China, 10 Awardees of the Young Architect Prize of the China Architectural Institute. Company insists Harmonious environment, global vision, complete services, and highest professionalism as their guidelines. Based on the resources of Zhejiang University, UAD hires Academicians of the China Academy of Engineering and of the China Academy of Sciences to provide technical support for blossoming architectural creations.

Some of The Architectural Design & Research Institute of Zhejiang University (UAD)’s most prominent projects include:

  • Asian Games 2022 Master Plan and Hybrid Buildings, Hangzhou, China
  • Guangsha College Sports Center, Hangzhou, China
  • UAD Campus in ZITOWN, Zhejiang, China
  • The Hangzhou Asian Games Baseball and Softball Sports Cultural Center, Shaoxing, China
  • Humanities & Social Sciences Building Cluster 1 for Zhejiang University, Hangzhou, China

The following statistics helped The Architectural Design & Research Institute of Zhejiang University (UAD) achieve 7th place in the 30 Best Architecture Firms in China:

A+Awards Winner 4
A+Awards Finalist 6
Featured Projects 17
Total Projects 23

6. SUP Atelier of THAD

© SUP Atelier of THAD

© SUP Atelier of THAD

SUP atelier, founded by Prof. Song Yehao from Tsinghua University School of Architecture in Beijing around 2011, dedicated to the research and practice on sustainable urban and architectural design. SUP Atelier explores the simultaneous sustainability of natural resources and human community through high context sensibility, modest architectural strategies, and tectonic research on natural and local materials, in relevant to integrate buildings to the environment and community livings.

SUP Atelier focuses on sustainable theory within the scope of architecture, urban studies, and building technology, while highly promoting the combination of modern design and vernacular architecture in China. Regional and local understandings are rather important, to further initiate innovative design based on the understanding, and thus the design strategy is always incorporating the latest technical measures or traditional climate adaptation design strategies at that time.

Some of SUP Atelier of THAD’s most prominent projects include:

  • Yunzhai Community Center, Changyuan, Xinxiang, China
  • Tea Leaf Market of Zhuguanlong, Shouning County, Ningde, China
  • Swirling Cloud: Pavilion for BJFU Garden Festival, Haidian, Beijing, China
  • Village Lounge of Shangcun, Jixi, China
  • Indoor Playground of Yueyang County No.3 Middle School, Yueyang, China

The following statistics helped SUP Atelier of THAD achieve 6th place in the 30 Best Architecture Firms in China:

A+Awards Winner 9
A+Awards Finalist 3
Featured Projects 10
Total Projects 16

5. line+

© line+

© line+

line+ is founded by Mr. Meng Fanhao and Mr. Zhu Peidong in Hangzhou. “line”is the boundary, based on architectural design. “+”aims to break through the clear boundaries of traditional industry and use cross-border thinking as a way to realize the boundless integration of planning, architecture, interior, landscape, product, operation and other fields. By adapting diverse strategies, we look forward to share the value of design with our partners.

Some of line+’s most prominent projects include:

The following statistics helped line+ achieve 5th place in the 30 Best Architecture Firms in China:

A+Awards Winner 3
A+Awards Finalist 4
Featured Projects 23
Total Projects 29

4. Lacime Architect

© Lacime Architect

© Lacime Architect

Founded in Shanghai in 2001, has always adhered to the architectural philosophy of “deleting complexity and simplifying the origin.” Based on the local area, it aims to create first-class architecture. After more than ten years of development, the company has nearly 600 architects and rich experience in large-scale project design at home and abroad, integrated architectural landscape design, and has accumulated many residential, commercial, cultural and tourism projects and high-end customers in China. We hope to create buildings that truly conform to the regional environment by cultivating Chinese localized talents and integrating elite design teams.

Some of Lacime Architect’s most prominent projects include:

  • Vanke Emerald Park, Chongqing, China
  • One City Development, Hubei, China
  • Liva Riverside Book Bar Reconstruction of East China Normal University, Shanghai, China
  • Waterfront Art Gallery, Nanchang, China
  • Financial City Community Center, Suzhou, China

The following statistics helped Lacime Architect achieve 4th place in the 30 Best Architecture Firms in China:

A+Awards Winner 3
A+Awards Finalist 8
Featured Projects 22
Total Projects 27

3. ARCHSTUDIO

© ARCHSTUDIO

© ARCHSTUDIO

Arch Studio devotes to using multi-perspective and rational means to intervene the development of contemporary urban living environment, finding a right balance between the connections of reality and nature, history and culture, creating a spatial environment that is full of the spirit of times and humanistic quality. In this complex and multivariate era, new creation is not from a sudden inspiration, but from careful study of the unique needs and restrictions of each project, from uninterrupted breakthroughs and challenges to the restriction boarder, from continuous improvements in the whole process from concept to construction details, from skillful transformation between exterior and interior, new and old, artificial and natural, to make space as the communication medium between people and people, people and the environment, and create a new livable dwelling.

Some of ARCHSTUDIO’s most prominent projects include:

The following statistics helped ARCHSTUDIO achieve 3rd place in the 30 Best Architecture Firms in China:

A+Awards Winner 4
A+Awards Finalist 1
Featured Projects 24
Total Projects 24

2. Neri & Hu

© Pedro Pegenaute

© Pedro Pegenaute

Founded in 2004 by partners Lyndon Neri and Rossana Hu, NHDRO (neri&hu design and research office) is a multi-disciplinary architectural design practice based in Shanghai, China. NHDRO works internationally providing architecture, interior, master planning, graphic and product design services. currently working on projects in seven countries, NHDRO is composed of multi-cultural staff who speak over 20 different languages. The diversity of the team reinforces a core vision for the practice: to respond to a global worldview incorporating overlapping design disciplines for a new paradigm in architecture. NHDRO’s location is purposeful.

Some of Neri & Hu’s most prominent projects include:

The following statistics helped Neri & Hu achieve 2nd place in the 30 Best Architecture Firms in China:

A+Awards Winner 8
A+Awards Finalist 8
Featured Projects 26
Total Projects 21

1. MAD Architects

© MAD Architects

© MAD Architects

MAD works in forward-looking environments developing futuristic architecture based on a contemporary interpretation of the eastern spirit of nature. All of MAD’s projects — from residential complexes or offices to cultural centers — desire to protect a sense of community and orientation toward nature, offering people the freedom to develop their own experience. Founded in 2004 by Ma Yansong, the office first earned worldwide attention in 2006 by winning an international competition to design a residential tower near Toronto, expected to be completed in the end of 2012.MAD has been commissioned by clients of all backgrounds, leading to an intriguing combination of diverse project designs.

Some of MAD Architects’s most prominent projects include:

  • The Cloudscape of Haikou, Haikou, China
  • Harbin Opera House, Harbin, China
  • Chaoyang Park Plaza, Beijing, China
  • Courtyard Kindergarten, Beijing, China
  • Gardenhouse, Beverly Hills, California

Top image: The Cloudscape of Haikou, Haikou, China

The following statistics helped MAD Architects achieve 1st place in the 30 Best Architecture Firms in China:

A+Awards Winner 11
A+Awards Finalist 6
Featured Projects 30
Total Projects 28

Why Should I Trust Architizer’s Ranking?

With more than 30,000 architecture firms and over 130,000 projects within its database, Architizer is proud to host the world’s largest online community of architects and building product manufacturers. Its celebrated A+Awards program is also the largest celebration of architecture and building products, with more than 400 jurors and hundreds of thousands of public votes helping to recognize the world’s best architecture each year.

Architizer also powers firm directories for a number of AIA (American Institute of Architects) Chapters nationwide, including the official directory of architecture firms for AIA New York.

An example of a project page on Architizer with Project Award Badges highlighted

A Guide to Project Awards

The blue “+” badge denotes that a project has won a prestigious A+Award as described above. Hovering over the badge reveals details of the award, including award category, year, and whether the project won the jury or popular choice award.

The orange Project of the Day and yellow Featured Project badges are awarded by Architizer’s Editorial team, and are selected based on a number of factors. The following factors increase a project’s likelihood of being featured or awarded Project of the Day status:

  • Project completed within the last 3 years
  • A well written, concise project description of at least 3 paragraphs
  • Architectural design with a high level of both functional and aesthetic value
  • High quality, in focus photographs
  • At least 8 photographs of both the interior and exterior of the building
  • Inclusion of architectural drawings and renderings
  • Inclusion of construction photographs

There are 7 Projects of the Day each week and a further 31 Featured Projects. Each Project of the Day is published on Facebook, Twitter and Instagram Stories, while each Featured Project is published on Facebook. Each Project of the Day also features in Architizer’s Weekly Projects Newsletter and shared with 170,000 subscribers.

 


 

We’re constantly look for the world’s best architects to join our community. If you would like to understand more about this ranking list and learn how your firm can achieve a presence on it, please don’t hesitate to reach out to us at editorial@architizer.com.

Reference

wooden cladding and lime plaster cover the solid form of villa k340 in the netherlands
CategoriesArchitecture

wood and plaster cover the solid form of villa k340 in the netherlands

Villa K340’s Split-Level Design traces the undulating terrain

 

Architect Francois Verhoeven constructs Villa K340 in Vroondaal, a natural and recreational area near the Hague, aiming to blend modernity with nature. The region encompasses several designated residential complexes, such as ‘De Hoogte’ where the house stands. The area allows modern villas to be built in a landscape of artificially constructed hills.

 

K340’s design aligns with the concept of a split-level layout that runs along the contours of the undulating terrain. The entrance rests at a lower elevation while the living areas perch atop the hill, forging a dynamic interplay between architecture and landscape. The project features a juxtaposition of raw, natural materials against sleek design elements. Wooden components and lime plaster, contrast the facade’s clean divisions and slender aluminum window frames. Wooden cladding extends in front of windows and along the front facade, creating a robust silhouette. In the evening, light shines through the gaps of the cladding elements from within the villa.

wooden cladding and lime plaster cover the solid form of villa k340 in the netherlands
all images courtesy of Francois Verhoeven Architect

 

 

wooden cladding coats the house creating a robust exterior

 

A large pivot door merges into the facade when closed, offering a sense of privacy and structural delineation at the entrance area. A central staircase and adjoining outdoor spaces provide views of the villa’s various levels. The design team attends to meticulous detailing to ensure fluid transitions between interior and exterior spaces, concealing the window frames behind cladding and plasterwork. The wooden facades cover up the roof edges and blend gracefully with set-back windows, extending the main shape from the top to ground level. Floor-to-ceiling windows free of mullions and thresholds are incorporated into the interior, integrating into the walls.

wooden cladding and lime plaster cover the solid form of villa k340 in the netherlands
the design of Villa K340 aims to blend modernity with nature

 

 

Francois Verhoeven inserts eco-Friendly Features in Villa K340

 

Aiming for a sustainable design, the project features triple glazing, a geothermal heat pump, CO2-controlled ventilation, and strategically designed overhangs that provide shade in the summer and allow plentiful sunlight in during the winter. Solar panels, discreetly set behind the elevated roof edge, keep the villa’s energy consumption to a minimum. The villa’s garage, thoughtfully integrated into the architectural design, features a green roof. The roof, the surrounding organic garden and pond are designed and landscaped by Biotooptuinen and complement the modern design, enhancing the house’s overall aesthetic appeal.

wooden cladding and lime plaster cover the solid form of villa k340 in the netherlands
the project features a split-level layout

wooden cladding and lime plaster cover the solid form of villa k340 in the netherlands
the entrance rests at a lower elevation while the living areas perch atop the hill

wooden cladding and lime plaster cover the solid form of villa k340 in the netherlands
the surrounding organic garden and pond complement the modern design

Reference