Rendering the Future: An Architecture of Matte Black Façades
The winners of this year’s A+Product Awards have been announced. Stay tuned for the year’s edition of the A+Product Awards ebook in the coming months.
We first experience architecture through a façade. Whether made with an overhang for shelter, lively colors, or clear sight lines inside, buildings with a thoughtfully designed façade invite exploration. Over time, architects have worked with builders and manufacturers to rethink cladding, glazing, and doors to shape the entry sequence and building styles. Today, this exploration continues with the design and detailing of matte façades. Through diverse material and finish choices, designers are reimagining the building envelope.
Matte façades have increased in popularity around the world and across project types. By reflecting less light, these buildings hold a strong presence and become focal points in rural and urban environments. Depending on the type of material and color, the matte finish can highlight the cladding, structure or façade system in place. These projects have a textural look and feel, inviting interaction and connection. In turn, they can also be used as a counterpoint to other colors, textures or finishes. The surfaces can contrast glazing or the interior design to delineate between the interior and exterior. Representing the integration of materials and finishes in different climates and contexts, each of the following projects explores what it means to create matte façades today.
Sauna R
Designed by Matteo Foresti, Värmdö, Sweden
Made of black granite (Negresco) and dark wood (Oak), this sauna was designed to be a camera obscura, a box drawn to shape views of the landscape. Located in the middle of Stockholm’s archipelago, a narrow pathway brings the visitors to the sauna: a black box embedded in the rocks. The matte finish can be seen both inside and as part of the structure’s façade. As the team outlines, inside is a monolithic stone bench that faces the water through a large sliding window. On the back, a thick wall contains all the services: a small kitchen hidden behind the sliding doors and a bathroom illuminated by a skylight. At night, the small sauna resembles a lighthouse, a warm and cozy space illuminated from the inside.
Textilmacher
Designed by Tillicharchitektur, Munich, Germany
Tillicharchitektur designed this building to host production and office spaces for a textile finishing and vending firm. Its iconic feature is the folded façade, which reimagines the simple cube. The matte bright surface of the anthracite pigmented concrete responds to its environment. Depending on the season, time of day, weather, and lighting, the façade continuously changes its character. In contrast to the expressive façade, the interior design leaves more space for the production process and the products in the showroom. The team explains that the limitation on few, but high class materials, is the main factor driving the interior.
LOU – Einfamilienhaus
Designed by AllesWirdGut, Lower Austria, Austria
On the fringe of the Vienna Woods sits this compact single-family house LOU. Resting on a steeply sloping site, the designers wanted the first impression to be reinforced by the matte black skin of the building. Inside, the project offers a spacious and varied living environment on staggered half-story levels. As the team notes, at each level, the house opens differently to the outside world. The main residential levels are nestled against the slope, separated from the garden only by an all around-strip of windows which allows looking and stepping out in every direction.
Four Seasons House
Designed by Joris Verhoeven Architecture, Tilburg, Netherlands
This compact wooden house was designed by architect Joris Verhoeven for himself. Located within the Drijflanen nature reserve in Tilburg, the matte building is designed to be a part of nature. With its rough black façade, it was made to fit within the context of surrounding tree trunks. The cottage house is prefabricated and constructed out of wooden cassettes filled with flax insulation. In turn, the interior of the cassettes is made of birch plywood. Other parts of the interior, such as the interior door, kitchen and stair railing, are finished in matte black, just like the exterior window frames. In this way the inside and outside of the house were made to relate to one another.
Muangthongthani Carcare
Designed by Archimontage Design Fields Sophisticated, Nonthaburi, Thailand
Located in Muang Thong Thani, this project is the expansion of a car care center. The building is located on a 3230-square feet (300-meter) plot of land, with a long and narrow plot that required an in-depth organization of the building. Since the space of the car care center was too limited, a new space was necessary for project extension. The building consists of four small containers and four large containers. The design team made the building exterior to be painted in matte black but the interior is white. The external envelope includes the west façade and the roof, which have metal sunshades to reflect sunlight and protect the building from the heat.
The Wetlands
Designed by Alain Carle Architect, Wentworth-Nord, Canada
The ‘Les Marais’ project started with the design team’s fascination for the built landscape of the empty space that characterizes North American rural areas. For this design, depending on the observer’s location in the neighboring forest, the scales of the buildings are relative. The team explains that the wetland nature of this lakeside property was preserved and then the collective landscape of the built complex was designed. A large ‘plate’ of black wood links the three structures to establish a common base, while large cutouts were made in each ‘shape’, also of black painted wood, to reveal the interior materiality of the red cedar buildings.
JianYe LanHai ZhengFeng Hotel
Designed by Lacime Architect, Xinzheng, China
Sited at the future land-air transport hub of Henan, this hotel was made as a “paradise city with national customs” in Zhengzhou. Ideas of Chinese ancient garden construction were introduced into the “south garden” that make the most important building the starting point of the entire array. Moreover, the matte building façade is presented in the shape of arc to match the main garden in the front. The team choose a range of matte-finish materials like frosted earthenware tile, matte composite aluminum-plastic sheet and brushed stainless steel. It is the first floor of the building that is composed of external matte façade built from 100,000 earthenware tiles.
The winners of this year’s A+Product Awards have been announced. Stay tuned for the year’s edition of the A+Product Awards ebook in the coming months.
This elegant tennis facility is defined by white concrete and cantilevered slabs in Spain. The complex includes a total of seventeen courts of all surfaces, from grass to clay. The topography of the land called for a terracing strategy in order to place the different courts at different levels following the slope of the hill. As a result, the team set out to design the building as a continuation of that terracing: as seen in section, multiple floating terraces overlook the tennis compound. The Centre Court is the heart of the project. A series of terraces are carved in the hill create a natural stone stadium to seat up to 1500 spectators.
In Strasbourg, the idea was to create a new tennis hall building for three covered tennis courts and and a new club house. The design is directly inspired by people and how they flow in and through the building. Inside, sky domes and a special color treatment on the floor was chosen to increase day light. Areas where natural light falls were treated with a beige resin, while the room borders and corners are treated with a deep orange resin. The soaring roof forms and domes are readily seen in section, and how the building compares in scale to adjacent structures.
The Glen Lake Community Schools project was made with three components: a new bus garage; new team rooms for home team and visitor teams for soccer and softball; and a new tennis complex with a gateway building. The floor plan drawing for the team rooms showcases how the pavilion structures were organized and designed, emphasizing connection to the outdoors and with a series of welcoming overhangs. By opening to natural light, using natural materials like glulam beams, and the use of insulated roof panels, the team wanted to highlight the uniqueness of the Glen Lake community and its commitment to the natural environment and energy efficiency.
GLUCK+ designed the Cary Leeds Center for Tennis & Learning as a multi-use facility. The complex is where underserved youth in New York City can receive free tennis lessons and academic help. As the flagship site for New York Junior Tennis & Learning, the center was made to host local, national and international tournaments. Sited in the natural parkland of Crotona Park, the project included a clubhouse, public tennis courts, and sunken exhibition courts. The building and stadium courts were partially buried as a strategy to minimize the impact of a large structure in the park and also to take advantage of geothermal heating and cooling.
This temple to tennis was built in Switzerland. As seen in the drawings, the 
Adjacent to the court, this guest house is located within the grounds of an existing family beach house in a secluded coastal setting. The client required a guest house that would embrace the native landscape while establishing its own identity distinct from the existing house. The team’s design concept was to create a building as a landscape element that forms a backdrop to the existing tennis court and is nestled within the surrounding vegetation. A rectilinear timber pavilion was built with weathered grey cladding and climbers growing up over the walls to give the appearance of a simple timber fence within the landscape.
MVRDV’s famous Couch project was built in IJburg, a new district to the east of Amsterdam. The newly formed IJburg Tennis Club included ten clay courts and a tennis school. The clubhouse was made to be the heart of the center, providing both a viewing platform and a club overlooking the water. The challenge was to create a building that worked as a central gathering area, a living room for IJburg. The result is a clubhouse with a roof dipping down towards the south and raised towards the north, creating an informal tribune for the club. Inside, the construction is clad with FSC-certified wood, with the outside fully sealed with an EPDM polymer hotspray in the same color and texture as the clay tennis courts.
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deep overhangs shelter semi-outdoor spaces
the house opens up with seamless, gradual transitions between the interiors and exteriors
Making a Glass House Structurally Sound
The most staggering feats of engineering are the two 60-foot-long glass walls, which line opposing aspects of the residence. Each wall is made up of three sets of 20-foot sliding doors with only 4 inches of steel structure in between them, allowing for uncompromised views throughout. Like the other Marvin Modern products, the profile of each door is slim and inconspicuous. Recessed channels in the frames conceal motorized insect screens and blackout shades, while still providing consistent, narrow sightlines of less than three inches.
The swaths of glass are a portal to the organic terrain, rather than an obstruction. To that end, internal covers across the frames disguise fasteners and rubber gaskets, while low-gloss aluminum interior finishes and black spacer bars ensure an unimpeded outlook. This seamless finish allows inner and outer worlds to collide. In the warmer months when the doors are retracted, the covered deck becomes a natural extension of the interior floor plan.
According to figures published by the Los Angeles Homeless Services in 2022, LA County has the largest homeless population in the US — with almost 70,000 people in urgent need of housing. Completed in 2021, the Council 8 District Navigation Center was designed to offer assistance and some degree of security for those living on the streets of the city’s southwestern neighborhoods.
Libraries are one of the few remaining spaces we can spend time in without the obligation to spend money. SPOL Architects’ concept for a new São Francisco Library in São Paulo is a prime example of how these institutions need to be adapted to continue playing such a vital role. The focal point of Brazilian democracy and justice, the existing facility has gradually expanded into an untenable, confusing and unwelcoming muddle.
In 1921, a white mob destroyed the historic Tulsa district of Black Wall Street, killing and injuring thousands in an act of racially-motivated violence. Finished 100 years later, Greenwood Rising is a 10,000 square foot exhibition center honoring the memory of the victims, and challenging visitors to consider ideas around oppression, resilience, equality and justice through four adjoining areas.
Commissioned by the NGO Kids of Kathmandu, MESH used a sustainable approach to construction for this school building located on the hills outside the Nepalese city. Relatively simple in design — just three classrooms, one computer room, and a library — nevertheless it shows how much can be delivered with limited resources, a very tight budget and scarcity of materials.
Mexico’s Texcoco Lake basin is dominated by Mexico City, and the mega-metropolis has had a stark impact on the area. Extensive draining has wreaked havoc, leading to frequent water shortages, subsidence, loss of habitat and species decline. Parque Ecológico Lago de Texcoco looks to reclaim 35,000 acres of marshland to form the world’s largest urban park in a bid to reverse some of that damage.
GHETTO is a theoretical project addressing Venice’s biggest problem: tourism. Wresting economic control from visitors, and handing it to the city’s largely overlooked refugee community, Henriquez Partners’ design was developed with the UNHCR and ECC, and is highly controversial. Simply put, it involves building eco homes for 1,000 people fleeing war and persecution with money from the sale of timeshares owned by wealthy foreigners.