© ingenhoven associates
CategoriesArchitecture

15 Best Architecture Firms in Germany

The German architectural landscape is both closely attuned to its European counterparts and characteristically individual. Traversing the nation, one will encounter a similar historic program to other European capitals — Romanesque churches, Renaissance monuments, and more — blended with functionalist and modernist structures.

Early twenty-first-century Germany brought forth the booming Bauhaus. Founded by Walter Gropius, this school introduced brand-new architectural thinking, an ideology rooted in function, clarity and mass production. Materials like concrete and glass were favored, socially progressive housing blocks were built, and a new-found appreciation for modernism was conceived. And the spirit of the great Bauhaus teachers, take Mies van der Rohe, for example, vigorously lives on and inspires contemporary designers today. The Bauhaus also influenced the nation’s interest and appreciation for technology and mass production. Modern industrial architecture took off post-war and has played a prominent role in the nation’s economic growth, continuing to do so today.

The architectural devastation from WWII resulted in mass reconstruction efforts. The post-war restoration and rebuilding embraced a functional attitude, which continued the legacy of the Bauhaus movement despite its closing over a decade prior. And today’s German architecture continues to champion the nation’s modernist brilliance through innovative designs that push technological boundaries and celebrate culture.

With so many architecture firms to choose from, it’s challenging for clients to identify the industry leaders that will be an ideal fit for their project needs. Fortunately, Architizer is able to provide guidance on the top design firms in Germany based on more than a decade of data and industry knowledge.

How are these architecture firms ranked?

The following ranking has been created according to key statistics that demonstrate each firm’s level of architectural excellence. The following metrics have been accumulated to establish each architecture firm’s ranking, in order of priority:

  • The number of A+Awards won (2013 to 2023)
  • The number of A+Awards finalists (2013 to 2023)
  • The number of projects selected as “Project of the Day” (2009 to 2023)
  • The number of projects selected as “Featured Project” (2009 to 2023)
  • The number of projects uploaded to Architizer (2009 to 2023)

Each of these metrics is explained in more detail at the foot of this article. This ranking list will be updated annually, taking into account new achievements of Germany architecture firms throughout the year.

Without further ado, here are the 16 best architecture firms in Germany:


15. ingenhoven associates

© ingenhoven associates

© ingenhoven associates

In 1985, Christoph Ingenhoven founded ingenhoven architects, a practice that is one of the pioneers of sustainable architecture. The firm aims to create architecture that responds to each respective location in a specific way and, at the same time, tries to find architectural answers to urgent questions of the present and near future. Using the term supergreen®, the practice pursues a comprehensive sustainability concept.

Some of ingenhoven associates’s most prominent projects include:

  • Düsseldorfer Schauspielhaus, Düsseldorf, Germany
  • Freiburg Town Hall, Freiburg, Germany
  • Kö-Bogen 2, Düsseldorf, Germany
  • Marina One, Singapore, Singapore
  • Daniel Swarovski Corporation, Männedorf, Switzerland

The following statistics helped ingenhoven associates achieve 15th place in the 15 Best Architecture Firms in Germany:

A+Awards Finalist 2
Featured Projects 7
Total Projects 24

14. HENN

Photo: HG Esch - © HENN

Photo: HG Esch – © HENN

HENN is an international architecture office in Munich, Berlin and Beijing and draws upon more than 70 years of expertise in the fields of work space, culture, health, education and research as well as production and master planning. Our architects, designers, planners and engineers benefit from a wealth of knowledge collected over three generations of building experience in addition to a worldwide network of partners and experts in a variety of disciplines. This continuity, coupled with progressive design approaches and methods and interdisciplinary research projects, forms the basis for a continual examination of current issues and for a consistent design philosophy.

Some of HENN’s most prominent projects include:

  • Porsche Pavilion, Wolfsburg, Germany
  • Zalando Headquarters Berlin, Berlin, Germany
  • Bugatti Studio, Molsheim, France
  • MobileLife Campus, Wolfsburg, Germany
  • Taikang Life Headquarters, Beijing, China

The following statistics helped HENN achieve 14th place in the 15 Best Architecture Firms in Germany:

A+Awards Winner 2
A+Awards Finalist 2
Featured Projects 3
Total Projects 22

13. 4a Architekten GmbH

© 4a Architekten GmbH

© 4a Architekten GmbH

Shaping atmosphere, lending identity, creating quality of space: these are the values that characterize the buildings of 4a Architekten. The starting point and guiding principle of our work is the concept of architecture as living space. Our buildings come into being through intensive team work shaped by interdisciplinary thinking and action.

What characterizes a location in terms of its culture and history? What are the client’s expectations and objectives? What is viable within the budget and what are the benefits for users? These questions and this approach bring us to solutions with an individual character — and they apply just as much to the planning of buildings as to the design of interior spaces.

Some of 4a Architekten GmbH’s most prominent projects include:

  • Therme Lindau on Lake Constance, Lindau, Germany
  • Balingen Civic Hall, Balingen, Germany
  • Emser Thermal Baths, Bad Ems, Germany
  • Spreewald Spa Hotel, Burg-Dorf, Burg, Germany
  • Stegermatt Aquatic Centre, Offenburg, Germany

The following statistics helped 4a Architekten GmbH achieve 13th place in the 15 Best Architecture Firms in Germany:

Featured Projects 9
Total Projects 15

12. GRAFT

© GRAFT

© GRAFT

What is graft? GRAFT is a full service design firm located in Los Angeles, Berlin, and Beijing. Our collective professional experience encompasses a wide array of design types including Hospitality Design, Fine Arts, Educational, Institutional, Commercial and Residential facilities.

With a staff of talented professionals and administrators, GRAFT has the resources and technology necessary to execute a project from programming to design and the supervision of the finished product. GRAFT has rigorously undertaken an increasing role in programming, master-planning and urban design. Additionally, our firm maintains successful relationships, as needed, with associate architectural and engineering firms and specialty consultants.

Some of GRAFT’s most prominent projects include:

  • Ice Stadion “Arena Schierke”, Wernigerode, Germany
  • Show Palace Munich, Munich, Germany
  • Autostadt Roof and Service Pavilion, Wolfsburg, Germany
  • Villa M , Berlin, Germany
  • Feuerstein Arena, Schierke, Wernigerode, Germany

The following statistics helped GRAFT achieve 12th place in the 16 Best Architecture Firms in Germany:

A+Awards Finalist 2
Featured Projects 7
Total Projects 17

11. wulf architekten

© wulf architekten

© wulf architekten

wulf architekten emerged from the architecture practice established 1987 in Stuttgart by Tobias Wulf. Currently, the company has about 140 employees, nine of them being senior architects. With three office locations — Stuttgart, Berlin and Basel (CH) — wulf architekten works on a series of regional and international projects.

Some of wulf architekten’s most prominent projects include:

  • Parking Garage Facade P22a at the Cologne Exhibition Centre, Cologne, Germany
  • Four primary schools in modular design, Munich, Germany
  • School Center North, 153, Heilbronner Straße, Nord, Stuttgart, Germany
  • Chamber of Industry and Commerce, headquarters, Stuttgart, Germany
  • Protestant Primary School, Karlsruhe, Germany

The following statistics helped wulf architekten achieve 11th place in the 15 Best Architecture Firms in Germany:

A+Awards Winner 1
A+Awards Finalist 1
Featured Projects 9
Total Projects 12

10. kadawittfeldarchitektur

© Andreas Horsky

© Andreas Horsky

We are kadawittfeldarchitektur. Originally founded in Aachen in 1999, we today stand for more than just architectural design. The interdisciplinary approach of our work, linking architecture, interior and product design on the one hand and at the interface of town planning and urban projects on the other hand, reflects the full range of our creative output.

kadawittfeldarchitektur develops added value space. In a team of more than 170 persons, we create architecture with added value space for living, communication and work environments. In the way we deal with volumes, materials, structures and functions, we strive to integrate our schemes into their surroundings with the objective of creating contemporary and sustainable architecture and meeting the needs of both the users and the general public.

Some of kadawittfeldarchitektur’s most prominent projects include:

  • CELTIC MUSEUM, Glauburg, Germany
  • ADIDAS LACES, Herzogenaurach, Germany
  • SPZ, HALLEIN, Hallein, Austria
  • SENIOR CITIZENS RESIDENCE ALTENMARKT, Altenmarkt im Pongau, Austria
  • SALZBURG CENTRAL STATION, Salzburg, Austria

The following statistics helped kadawittfeldarchitektur achieve 10th place in the 15 Best Architecture Firms in Germany:

Featured Projects 9
Total Projects 23

9. Ippolito Fleitz Group – Identity Architects

© Ippolito Fleitz Group - Identity Architects

© Ippolito Fleitz Group – Identity Architects

ippolito fleitz group is a multidisciplinary, internationally operating design studio based in Stuttgart. We are identity architects. We work in unison with our clients to develop architecture, products and communication that are part of a whole and yet distinctive in their own right. This is how we define identity. With meticulous analysis before we begin. With animated examination in the conceptional phase. With a clarity of argument in the act of persuasion. With a love of accuracy in the realization. With a serious goal and a lot of fun along the way. Working together with our clients. As architects of identity, we conceive and construct buildings, interiors and landscapes; we develop products and communication measures.

Some of Ippolito Fleitz Group – Identity Architects’s most prominent projects include:

  • Das GERBER, Stuttgart, Germany
  • Hunke – Jewellers and Opticians, Ludwigsburg, Germany
  • Bella Italia Weine, Stuttgart, Germany
  • ippolito fleitz group | Residential Building, Denkendorf, Germany
  • WakuWaku Dammtor, Hamburg, Germany

The following statistics helped Ippolito Fleitz Group – Identity Architects achieve 9th place in the 15 Best Architecture Firms in Germany:

A+Awards Finalist 1
Featured Projects 8
Total Projects 26

8. TCHOBAN VOSS Architekten

© Ilya Ivanov

© Ilya Ivanov

We develop, plan, design, and build for both regional and international clients in both the public and private sectors. The broad range of fields in which we are active includes residential and corporate buildings, hotels, retail facilities, office complexes, leisure facilities, schools, educational and social buildings, as well as reconstruction and revitalization of historical monuments. We have provided a full range of architectural services — from interior design to general planning — from the very beginning.

Some of TCHOBAN VOSS Architekten’s most prominent projects include:

  • SKF Test Centre for large-scale bearings, Schweinfurt, Germany
  • Seestraße, Berlin, Berlin, Germany
  • Koenigstadt-Quartier, Berlin, Germany
  • EMBASSY – Living alongside Koellnischer Park, Berlin, Germany
  • Ferrum 1, Saint Petersburg, Russia

The following statistics helped TCHOBAN VOSS Architekten achieve 8th place in the 15 Best Architecture Firms in Germany:

A+Awards Finalist 4
Featured Projects 9
Total Projects 23

7. Auer Weber

© Auer Weber

© Auer Weber

The architectural office Auer Weber, with offices in Munich and Stuttgart, was founded in 1980. The focus of our work is the conception and design of new buildings and the redesign and renovation for public institutions and corporate clients. Auer Weber provides expertise through all design stages on a broad range of projects including the sectors of education and research; administration and culture; hotels, residential buildings and sports facilities; as well as transportation terminals, urban development and master plans. The distinctive common denominator of Auer Weber projects is the architectural integration of design with the environment.

Some of Auer Weber’s most prominent projects include:

  • Aquatic Centre “Aquamotion” Courchevel , Saint-Bon-Tarentaise, France
  • Arena du Pays d’Aix, Aix-en-Provence, France
  • ESO Headquarters Extension, Garching, Germany
  • Azur Arena Antibes, Antibes, France
  • University Centre “des Quais” , Lyon, France

The following statistics helped Auer Weber achieve 7th place in the 15 Best Architecture Firms in Germany:

A+Awards Winner 2
Featured Projects 10
Total Projects 15

6. Peter Ruge Architekten GmbH

© Peter Ruge Architekten GmbH

© Peter Ruge Architekten GmbH

Peter Ruge Architekten is a locally and internationally active planning office based in Berlin. Our mission is simple: to develop and build sustainable architecture of the future. The agenda of the team along with three partners Peter Ruge, Kayoko Uchiyama and Matthias Matschewski includes new buildings, optimization of existing properties and urban planning designs.

The projects are holistic, i.e. adapted to the climate, culture and needs of the users, and have received numerous awards and certifications. Our detailed understanding of sustainable design processes supports the decisions of our clients.

Some of Peter Ruge Architekten GmbH’s most prominent projects include:

  • Busan Opera House, South Korea, Busan, South Korea
  • Congress Center Hangzhou, Hangzhou, China
  • House O, Germany, Potsdam-Mittelmark, Germany
  • LTD_1 Hamburg, Germany, Hamburg, Germany
  • Muzeum Lotnictwa Krakow, Poland

The following statistics helped Peter Ruge Architekten GmbH achieve 6th place in the 15 Best Architecture Firms in Germany:

Featured Projects 10
Total Projects 15

5. HPP Architects

© Christa Lachenmaier Photography

© Christa Lachenmaier Photography

HPP Architects is one of Europe’s leading architectural firms with a full range of architectural and master planning services. Since its foundation by Professor Hentrich, the 4th generation of HPP partnership today includes a global team of more than 25 nationalities and 480 architects, engineers, urban designers and specialists. Today it comprises 13 offices including 8 regional offices in Germany and 5 international branches in Turkey, China and Netherlands.

HPP Architects’ headquarter is located in the Düsseldorf Media Harbor. HPP has completed more than 1200 buildings worldwide and aspires to create an architectural quality of lasting value beyond the here and now: timeless and yet clearly part of their time, innovative and equally grounded in history.

Some of HPP Architects’s most prominent projects include:

  • LVM 5 , Münster, Germany
  • Medical Library Oasis (O.A.S.E.), Düsseldorf, Germany
  • Hochschule Ruhr West, Mülheim, Germany
  • Henkel Asia-Pacific and China Headquarters, Shanghai, China
  • Dreischeibenhaus, Düsseldorf, Germany

The following statistics helped HPP Architects achieve 5th place in the 15 Best Architecture Firms in Germany:

A+Awards Finalist 3
Featured Projects 11
Total Projects 25

4. Behnisch Architekten

The Stuttgart-based practice known today as Behnisch Architekten was founded in 1989 under the leadership of Stefan Behnisch. Originally established as a branch office of Günter Behnisch’s practice Behnisch & Partner, it became independent in 1991 and has subsequently developed into an international practice with offices in Stuttgart, Munich, Los Angeles (1999 – 2011), and Boston. From the outset, the social dimension of architecture has been a fundamental aspect of the firm’s design philosophy.

Some of Behnisch Architekten’s most prominent projects include:

  • City of Santa Monica Public Parking Structure #6, Santa Monica, CA, United States
  • Primary School Infanteriestrasse, München, Germany
  • Harvard University Science and Engineering Complex, Boston, MA, United States
  • John and Frances Angelos Law Center, University of Baltimore, Maryland, Baltimore, MD, United States
  • Marco Polo Tower, Hamburg, Germany

The following statistics helped Behnisch Architekten achieve 4th place in the 15 Best Architecture Firms in Germany:

A+Awards Finalist 8
Featured Projects 8
Total Projects 23

3. Barkow Leibinger

© Barkow Leibinger

© Barkow Leibinger

The scope of Barkow Leibinger’s work spans from cultural projects to industrial ones. Their focus on industrial architecture includes master planning and building representational and functional buildings for production, logistical and office spaces.

Some of Barkow Leibinger’s most prominent projects include:

  • Production Hall Trumpf, Hettingen, Germany
  • Stadthaus M1 – Green City Hotel, Freiburg, Germany
  • Harvard ArtLab, Boston, MA, United States
  • Production Hall, Grüsch, Switzerland
  • Fraunhofer Research Campus, Waischenfeld, Germany

The following statistics helped Barkow Leibinger achieve 3rd place in the 15 Best Architecture Firms in Germany:

Featured Projects 15
Total Projects 17

2. gmp von Gerkan, Marg and Partners Architects

© gmp von Gerkan, Marg and Partners Architects

© gmp von Gerkan, Marg and Partners Architects

The architects von Gerkan, Marg and Partners (gmp) are an architectural practice that was founded in Hamburg and has branches worldwide. With our generalist approach and more than 50 years of experience, we complete projects in dialogue with our clients and the participating planning disciplines, at all scales and cultural contexts, covering all design phases and working on all continents.

The range of our projects extends from family residences to high-rise buildings, from stadiums to concert halls, from office buildings to bridges, and from door hardware to urban planning. With holistic sustainability in mind, we aim to create new and refurbished architecture that is long-lasting and goes beyond temporary fashions, taking into account the global challenges and issues of urbanization, digitalization, and mobility.

Some of gmp von Gerkan, Marg and Partners Architects’s most prominent projects include:

  • Guna Villa, Jūrmala, Latvia
  • Universiade 2011 Sports Center, Shenzhen, China
  • Olympic Stadium, Kiev, Ukraine, Kyiv, Ukraine
  • Olympic Stadium, Berlin, Germany
  • Twin Towers, Commodity Exchange Plaza, Dalian, China

The following statistics helped gmp von Gerkan, Marg and Partners Architects achieve 2nd place in the 15 Best Architecture Firms in Germany:

Featured Projects 22
Total Projects 43

1. J.MAYER.H

J. MAYER H’s studio, focuses on works at the intersection of architecture, communication and new technology. From urban planning schemes, buildings, installation work and objects with new materials, the relationship between the human body, technology and nature form the background for a new production of space.

Some of J.MAYER.H’s most prominent projects include:

  • MIAMI MUSEUM GARAGE, Miami, FL, United States
  • n.n. Residence, Moscow, Russia
  • Hasselt Court House , Hasselt, Belgium
  • Highway Rest Stops, Lochini Street, Dzveli Tbilisi, Tbilisi, Georgia
  • Rest Stops, Gori, Georgia

The following statistics helped J.MAYER.H achieve 1st place in the 15 Best Architecture Firms in Germany:

A+Awards Winner 5
A+Awards Finalist 3
Featured Projects 20
Total Projects 29

Why Should I Trust Architizer’s Ranking?

With more than 30,000 architecture firms and over 130,000 projects within its database, Architizer is proud to host the world’s largest online community of architects and building product manufacturers. Its celebrated A+Awards program is also the largest celebration of architecture and building products, with more than 400 jurors and hundreds of thousands of public votes helping to recognize the world’s best architecture each year.

Architizer also powers firm directories for a number of AIA (American Institute of Architects) Chapters nationwide, including the official directory of architecture firms for AIA New York.

An example of a project page on Architizer with Project Award Badges highlighted

A Guide to Project Awards

The blue “”+”” badge denotes that a project has won a prestigious A+Award as described above. Hovering over the badge reveals details of the award, including award category, year, and whether the project won the jury or popular choice award.

The orange Project of the Day and yellow Featured Project badges are awarded by Architizer’s Editorial team, and are selected based on a number of factors. The following factors increase a project’s likelihood of being featured or awarded Project of the Day status:

  • Project completed within the last 3 years
  • A well written, concise project description of at least 3 paragraphs
  • Architectural design with a high level of both functional and aesthetic value
  • High quality, in focus photographs
  • At least 8 photographs of both the interior and exterior of the building
  • Inclusion of architectural drawings and renderings
  • Inclusion of construction photographs

There are 7 Projects of the Day each week and a further 31 Featured Projects. Each Project of the Day is published on Facebook, Twitter and Instagram Stories, while each Featured Project is published on Facebook. Each Project of the Day also features in Architizer’s Weekly Projects Newsletter and shared with 170,000 subscribers.

Top image: IGZ Falkenberg by J.MAYER.H, Falkenberg/Elster, Germany


 

We’re constantly look for the world’s best architects to join our community. If you would like to understand more about this ranking list and learn how your firm can achieve a presence on it, please don’t hesitate to reach out to us at editorial@architizer.com.

Reference

centre pompidou to host the largest retrospective of norman foster's work
CategoriesArchitecture

centre pompidou to host largest norman foster retrospective

the ‘norman foster’ retrospective will span six decades

 

The largest retrospective spanning the entire oeuvre of Norman Foster’s work over the last six decades will open at the Centre Pompidou in Paris this coming May. Covering nearly 2,200 sqm, the exhibition reviews the different periods of the architect’s work, highlighting seminal projects, such as the headquarters of the Hongkong and Shanghai Banking Corporation (Hong Kong, 1979-1986), the Carré d’Art (Nîmes, 1984-1993), Hong Kong International Airport (1992-1998) and Apple Park (Cupertino, United States, 2009-2017). Running from May 10 to August 7, 2023, the retrospective is being designed by Norman Foster and executed in collaboration with Foster + Partners and the Norman Foster Foundation.

centre pompidou to host the largest retrospective of norman foster's work
Marseille Vieux Port | image © Edmund Sumner

 

 

exploring the architect’s work through seven themes 

 

The Norman Foster retrospective at Centre Pompidou explores the architect’s work through the prism of seven themes: Nature and Urbanity; Skin and Bones; Vertical City; History and Tradition; Planning and Place; Networks and Mobility and Future. ‘This exhibition traces the themes of sustainability and anticipating the future,’ shares Foster.

 

The birth of the practice in the 1960’s coincided with the first signs of an awareness of the fragility of the planet. These were the green shoots of what would later be named The Green Movement. These principles may now be mainstream, but more than half a century ago, they were revolutionary and anticipated the reality of today. Throughout the decades, we have sought to challenge conventions, reinvent building types and demonstrate an architecture of light and lightness, inspired by nature, which can be about joy as well as being eco-friendly.

centre pompidou to host the largest retrospective of norman foster's work
Millau Viaduct | image © Daniel Jamme/Eiffage

 

 

a unique display of 130 major projects 

 

Drawings, sketches, original scale models, dioramas, and many videos will enable visitors to delve into 130 significant projects. Indeed, welcoming visitors at the entrance to the Norman Foster retrospective, a drawing gallery showcases items never seen before in France, consisting of drawings, sketchbooks, sketches, and photographs taken by the architect. Illustrating a resonance with Foster’s architecture, the display includes works by Fernand Léger, Constantin Brancusi, Umberto Boccioni, and Ai Weiwei, along with industrial creations, such as a glider and several classic automobiles, which have often served as sources of inspiration.

 

Lastly, a 264-page catalog accompanies the exhibition, depicting eighty of the architect’s most significant projects. This monograph features three portfolios showcasing Foster’s early sources of inspiration, projects conducted in collaboration with Richard Buckminster Fuller, and other drawings and sketches. This collective volume is published by Editions du Centre Pompidou under the direction of Frédéric Migayrou, curator of the retrospective.

centre pompidou to host the largest retrospective of norman foster's work
Newport School | © The Norman Foster Foundation

centre pompidou to host the largest retrospective of norman foster's work
Carré d’Art, Nîmes | image © James Morris



Reference

Saltviga House by Kolman Boye Architects
CategoriesArchitecture

Dezeen Agenda features Norwegian cabin clad with 12,000 offcuts

Saltviga House by Kolman Boye Architects

The latest edition of our weekly Dezeen Agenda newsletter features a weekend retreat with a facade made from wooden flooring material. Subscribe to Dezeen Agenda now.

Stockholm-based studio Kolman Boye Architects has designed a weekend retreat in Lillesand, Norway, with an exterior made from offcuts of wooden floor material.

Studio founders Erik Kolman and Victor Boye came up with the concept after they learned that Danish floor brand Dinesen had a large haul of leftover wood available for use.

“It’s about using what’s available, of trying to find beautiful materials without clicking ‘order’ on a computer,” said Boye.

Portrait of Rafael Viñoly
Uruguayan architect Rafael Viñoly dies aged 78

This week’s newsletter also included a minimalist renovation of a mews house in London by Trewhela Williams, an interview with the “grandfather of mass timber” Hermann Kaufmann and the passing of Uruguayan architect Rafael Viñoly.

Dezeen Agenda

Dezeen Agenda is a curated newsletter sent every Tuesday containing the most important news highlights from Dezeen. Read the latest edition of Dezeen Agenda or subscribe here.

You can also subscribe to our other newsletters; Dezeen Debate is sent every Thursday and features the hottest reader comments and most-debated stories, Dezeen Daily is our daily bulletin that contains every story published in the preceding 24 hours and Dezeen In Depth is sent on the last Friday of every month and delves deeper into the major stories shaping architecture and design. 

Reference

© JSa Arquitectura, Robert Hutchison Architecture
CategoriesArchitecture

How Rain Harvest Home is Changing the Conversation Around Water Conservation in Mexico

 

Rain Harvest Home – is located within Reserva el Peñón, a landscape-driven development which has achieved water self-sufficiency for a community of 80 families in 450 acres of a nature reserve, two hours from Mexico City. The Reserve framed our thinking around sustainability generally, and rainwater harvesting specifically. It pushed us to think at a larger level where the whole Reserve became the site, and the home was one piece of that. We also thought about how we could explore the larger issues of water conservation in Mexico, with this being an example of how to harvest rainwater on a small scale that could then apply to other projects. That became a driver in a powerful way. It was an idea that evolved over the course of the design process, and as the client became increasingly interested in cultivating a healthy, holistic lifestyle where they could live in harmony with the land.

Architizer chatted with Robert Hutchison from Robert Hutchison Architecture, and Javier Sanchez from JSa Arquitectura, to learn more about this project.

Architizer: What inspired the initial concept for your design?

Robert Hutchison & Javier Sanchez: The brief was simple: the clients wanted a small cabin to enjoy the mountainous site. Valle de Bravo has a dry season and a rainy season, and the sun plays a trick every day in both of those seasons. You can enjoy the sun, but you have to be careful with it. Here, you need to have spaces that are open and covered; enclosed and covered; and outside and uncovered. You need all three qualities, so we needed to make that happen within the three structures.

At the start, the project had a simple, classic program: 2 bedrooms, a bathroom, and a kitchen. When we were on site, we started developing the idea of splitting up the program into separate buildings. It started with wanting to separate the function of bathing, which led to the idea of the bathhouse. And then the separate studio emerged from that.

© JSa Arquitectura, Robert Hutchison Architecture

© JSa Arquitectura, Robert Hutchison Architecture

© JSa Arquitectura, Robert Hutchison Architecture

© JSa Arquitectura, Robert Hutchison Architecture

This project won in the 10th Annual A+Awards! What do you believe are the standout components that made your project win?

Rain Harvest Home offers a model for designing regeneratively with water. The home is 100% water autonomous and, in times of surplus, it is water positive and feeds excess water back into the community’s larger reservoir system. Not only does the design help restore the microclimate of the site, but it stands as a testament to the potential of rainwater harvesting for off-grid, self-contained water systems that eliminate reliance on municipal water sources. At the same time, the element of water contributes to the overall spatial and experiential quality of the project, reconnecting people with their environment by engaging the senses. More than any other element, conserving and improving the quality of water as a precious resource has the potential to dramatically improve the health and sustainability of built environments in Mexico, and beyond.

© JSa Arquitectura, Robert Hutchison Architecture

© JSa Arquitectura, Robert Hutchison Architecture

© JSa Arquitectura, Robert Hutchison Architecture

© JSa Arquitectura, Robert Hutchison Architecture

What was the greatest design challenge you faced during the project, and how did you navigate it?

Integrating the rainwater system was an initial design challenge, and continues to be an everyday challenge. Now, the rain harvesting system and on-site reservoir are a learning laboratory where the clients are continually learning about how the system performs. Understanding that the water and food systems on site are part of a living process that fluctuates depending on changing natural conditions, the client continues to experiment in ways to optimize the system through seasonal calibrations and refinements. Nothing is as objective as science would make it seem because things are always changing over time depending on how much it rains, and when. The house has to live with that, and it’s a constant learning experience for us as designers. It’s about integrating design into the cycle of water and of life.

© JSa Arquitectura, Robert Hutchison Architecture

© JSa Arquitectura, Robert Hutchison Architecture

© JSa Arquitectura, Robert Hutchison Architecture

© JSa Arquitectura, Robert Hutchison Architecture

How did the context of your project — environmental, social or cultural — influence your design?

The site is relatively flat, but sits within a mountainous environment. All around are cliffs and steep slopes, but our site rests in a small plateau vegetated with continuous, single-story-high shrubs and brush. Because of these site conditions, we wanted to make the buildings disappear within the vegetation. This is why we designed a series of three low pavilions that nestle into the landscape and are dispersed across the site. We wanted a strong connection between each building and the landscape. Often as architects, we think about how spaces are created between buildings, but this was about letting the landscape be that interstitial space. The landscape becomes the connection between the buildings, just as it delineates the spaces between them. When you move through the site, there’s an experience of the buildings constantly disappearing and reappearing. It’s a process of discovery.

© JSa Arquitectura, Robert Hutchison Architecture

© JSa Arquitectura, Robert Hutchison Architecture

© JSa Arquitectura, Robert Hutchison Architecture

© JSa Arquitectura, Robert Hutchison Architecture

How important was sustainability as a design criteria as you worked on this project? 

Within La Reserva, each home is required to incorporate rain harvesting, with most of it coming from the individual home’s rainwater harvesting system and a small portion coming from the reserve’s reservoirs. We wanted to try and raise the bar and see if we could harvest 100% of our water from our individual site, rather than depend on external sources. This was important because there is a major water shortage in Mexico City, which is absurd because it rains a lot, but we don’t harvest that rainwater. Instead, we pump water in and out from the valley. As designers, we need to talk about those issues within our designs and experiment with new possibilities. Sometimes when you have a built example, it’s easier to understand new possibilities, particularly around rainwater harvesting.

© JSa Arquitectura, Robert Hutchison Architecture

© JSa Arquitectura, Robert Hutchison Architecture

© JSa Arquitectura, Robert Hutchison Architecture

© JSa Arquitectura, Robert Hutchison Architecture

© JSa Arquitectura, Robert Hutchison Architecture

© JSa Arquitectura, Robert Hutchison Architecture

© JSa Arquitectura, Robert Hutchison Architecture

© JSa Arquitectura, Robert Hutchison Architecture

Team Members

Sean Morgan, RHA; Bernice Solis, JSa

Consultants

TAF Alejandro Filloy, Bykonen Carter Quinn, Helene Carlo, MicMac Estructuras, Rhometal, Miguel Nieto, Teoatonalli

For more on Rain Harvest Home, please visit the in-depth project page on Architizer.

Rain Harvest Home Gallery

Reference

Rafael Viñoly Dies Aged 78: A Look at Some of His Most Iconic Architectural Projects
CategoriesArchitecture

Rafael Viñoly Dies Aged 78: A Look at Some of His Most Iconic Architectural Projects

The University of California, San Francisco, Ray and Dagmar Dolby Regeneration Medicine Building

Completed in 2011, this cutting-edge laboratory for the University of California, San Francisco was designed to maximize the functional space within a compact urban site. The building’s horizontal organization promotes greater connectivity across departments, helps to unify the campus and creates the opportunity for abundant terraces and green roofs. The building structure is supported by space trusses resting on concrete piers, minimizing site excavation and incorporating seismic base isolation to absorb earthquake forces.


Laguna Garzon Bridge

In 2015, the Uruguayan architect returned to his home country with the completion of the Laguna Garzon Bridge, a road connecting two coastal cities that forms a ring when viewed from above. Viñoly was tasked with creating a bridge that would form a direct route between the cities of Rocha and Maldonado, crossing a scenic stretch of water known as a haven for birds and other wildlife. It was imperative that vehicle speeds be reduced within this sensitive environment, and Viñoly’s design naturally slows cars down while also providing drivers and pedestrians with ever-changing views across the surrounding landscape.


Kimmel Center for the Performing Arts

The Kimmel Center for the Performing Arts, home of the Philadelphia Orchestra, evokes the image of two jewels in a glass case. Verizon Hall and the Perelman Theater, the center’s principal programmatic components, are treated as freestanding buildings on a vast indoor public plaza, Commonwealth Plaza, enclosed by a brick, steel and concrete perimeter building. From the perimeter emerges an immense steel and glass barrel vault roof that
floods the interior with natural light.


20 Fenchurch Street

Nicknamed the “Walkie Talkie”, the concept for Viñoly’s distinctive London skyscraper departs from conventional architectural expression by enlarging the floor plates at the top of the building, creating additional floor area to the valuable upper stories. Vertical façade louvers provide sun shading on the east and west elevations and follow the fanning form and organic curves of the building as they open out and wrap over the roof. The tower is crowned by a three-level Sky Garden, London’s first free, public green space and observation deck at the top of a building.


Carrasco International Airport

Rafael Viñoly was tapped to expand and modernize Carrasco International Airport with a spacious new passenger terminal to spur commercial growth and tourism in the region. The design gives prominence to the public zones, including the secure runway-side concourse as well as the fully accessible roadside departure hall and terrace, by providing amenities such as open space, natural light, restaurants, retail, and landscaping, all housed beneath a gently curved roof 1200 feet (365 meters) in length. Carrasco International Airport won a double A+Award in 2013 in the Transport – Airports category.

Learn more about Rafael Viñoly Architects through their firm profile on Architizer.

Reference

wooden hedge facade enfolds villa on the coastline of stockholm
CategoriesArchitecture

wooden hedge facade enfolds villa on the coastline of stockholm

‘Fenced Maximalism’ stands on a coastal area of Sweden

 

Swedish architectural studio Byggfenomen takes over a domestic villa program congested inside a fence-like facade located in a coastal area of Stockholm. Standing on the eastern waterfront region of the capital, the residence is surrounded by weathered pine trees that divide the landscape plane into vertical strips while the low and harsh ground cover gradually transforms into naked bedrock towards the waterline, a typical disposition of seafront topography. Emerging from the dense vegetation, the wooden cladding enclosing the structure expands vertically fusing with the woodland and leaving specific external surfaces uncovered. The openings set up glass frames overlooking the scenery. Deviating from conventional villa-type structures spreading the program on the site, ‘Fenced Maximalism’ assembles all functions within the defined plan, namely the lawn, flowerbed, pond, gravel, breakfast terrace, evening terrace, conservatory, social space, guestroom, bedroom, bathroom, wine cellar, kitchen.

wooden hedge facade enfolds villa on the coastline of stockholm
all images by Henrik Nielsen

 

 

The layout spreads ten levels treated with specific materiality

 

To avoid the elimination of trees and plantation on the site, the plot condenses all indoor and outdoor functions inside a strictly defined plan forming a fence structure that applies wood cladding throughout the exterior. The double-skin facade blends with the surrounding nature allowing open views from specific parts where the hedge subsides and through the vertical slits of the sheltering formation. The project by Stockholm-based studio Byggfenomen distributes ten levels laying out each zone on the plan treated with specific materiality.

 

The planes overlap and connect in a spiral-like circulation and the intersections are emphasized in different ways to allow sensory negotiations between the environments. The different layers of the construction present convenient spaces and features, such as the ‘Bacchus’ temple that shapes a folding framework stored beneath the building cooling the wine naturally before it is elevated into the common dining area. Another sufficient element is the rainwater collector holding the water on one floor and draining it as a natural shower in the pond below.

wooden hedge facade enfolds villa on the coastline of stockholm
the wooden cladding enclosing the structure expands vertically merging with the woodland

wooden hedge facade enfolds villa on the coastline of stockholm
the double-skin facade allows light to pass through the vertical slits of the sheltering formation

Reference

Uruguayan architect Rafael Viñoly, who designed hundreds of projects including skyscrapers 432 Park Avenue and the Walkie Talkie, has passed away aged 78.
CategoriesArchitecture

Uruguayan architect Rafael Viñoly dies aged 78

Uruguayan architect Rafael Viñoly, who designed hundreds of projects including skyscrapers 432 Park Avenue and the Walkie Talkie, has passed away aged 78.

Breaking news: Uruguayan architect Rafael Viñoly, who designed hundreds of projects including skyscrapers 432 Park Avenue and the Walkie Talkie, has passed away aged 78.

Viñoly passed away early today in New York City, according to an announcement made by Elisa Carrió, an Argentine politician and friend of Viñoly’s.

The news was reported in Latin American News.

Born in Montevideo, Uruguay, he studied at the University of Buenos Aires before co-founding his first studio Estudio de Arquitectura Manteola-Petchersky-Sánchez Gómez-Santos-Solsona-Viñoly in 1964. The studio would go on to be one of the largest in South America.

In 1978 he relocated to America and established his studio Rafael Viñoly Architects shortly after, which now has offices in the US, UK, UAE and Argentina. 

His studio was responsible for designing numerous buildings across the globe including the super-skinny 432 Park Avenue skyscraper in New York.

In the UK he designed 20 Fenchurch Street in London, which is widely known as the Walkie Talkie due to its shape, along with the masterplan for Battersea Power Station and the Firstsite visual arts centre in Colchester.

More to follow.

Reference

Wonder Wood: Black Label Sets a New Standard for Sustainable Materials
CategoriesArchitecture

Wonder Wood: Black Label Sets a New Standard for Sustainable Materials

For architects specifying materials for their projects, it’s hard to look past the building envelope as the most important element to consider. Not only is it one of the most visually significant aspects of a building, but it can also make or break a project’s sustainability credentials, given the potential environmental impact of sourcing, transporting, constructing and maintaining materials used for exterior surfaces.

Enter Black Label by Tropical Forest Products, one of the world’s most sustainable building products for decking, cladding and more. This forward-thinking manufacturer has refined its process to minimize the environmental impact of its products without compromising on the durability and incredible aesthetic qualities of its collection. The results are stunning: the warm, rich tones and resilient nature of tropical hardwood makes it a fit for a wide range of contemporary architecture projects, including hospitality, commercial, residential and landscape design typologies. Black Label Sustainable Lumber topped the popular choice vote in the Landscape Design category for the 2022 A+Product Awards.

Architizer spoke with Tropical Forest Products about their products, their processes, and how they see their work evolving in the future.

Congratulations on winning a 2022 A+Award! What does winning this accolade mean to you and your brand?

We are thrilled to have Black Label sustainable lumber named a winner in the world-renowned Architizer A+Awards. This prestigious recognition proves that the architectural community appreciates our efforts to bring high quality and organic tropical hardwoods to market.

The fact that we were awarded by People’s Choice makes it even more special. We would be equally thrilled if this was a jury award, but the fact that this came from architects, designers, contractors and homeowners who have been using Black Label wood confirms the great acceptance that the industry has given to our sustainable, architectural grade products.

What inspired the design of your product?

We are inspired by nature. We believe that natural hardwoods are not only the most sustainable and renewable building product in the world, but they’re also the most exquisite. So we keep our interference as minimal as possible. That means that Black Label hardwoods have no chemicals, additives or toxins – nothing is added. Our products are already what the engineered industry has tried to mimic for years, with no success.

From natural one-of-a-kind designs to unmatched structural strength, our hardwoods are born nearly impeccable. Our role is selecting the optimal boards – Premium Architectural Grade on all sides and edges, with no knots – and kiln-drying them in state-of-the-art Italian chambers.

Using advanced sustainable forest management techniques certified by the Forest Stewardship Council or Unfloresta, we go deep inside the forest and hand pick a limited number of trees with potential to become a piece of art in the hands of architects. Our mission is to give professionals the ability to create stunning, meaningful work that not only delights people, but that also reconnects them to nature.

Add to that the design of specific product profiles, along with the product testing and engineering into a system-based approach consisting of CAD details and CSI based specification language, and you have the essence of the Black Label brand.

Tell us about the manufacturing process — What are the key stages involved, and how do these help ensure a high quality end product?

Manufacturing sustainable wood products goes way beyond what meets the eye. Kiln-drying every board in Italian-made chambers until they meet precise humidity levels is a challenge, as is the world-class millwork we do with our state-of-the-art German-built planers. But it’s when we go into the forest to source our wood that we really set ourselves apart.

To craft every piece of Black Label hardwood, we use the most stringent forest management protocols, guaranteeing forests forever for all future generations. We remove less productive trees (that no longer store carbon) and make room for new trees to flourish.

Think of it as a garden, but on a bigger scale. We prune aging trees the same way you prune old branches in your backyard, allowing new life to grow. And not just any aging tree. From an area as big as a football field, only four to six trees are carefully selected, leaving the remainder intact. And for every one we harvest, up to 25 new trees benefit from the opening in the canopy of leaves and have a chance to flourish.

We go out of our way to keep our products not only sustainable and organic, but to make sure they bring a positive impact on both nature and people. Our multiple certifications with world-class organizations like FSC and Unfloresta only prove how seriously we take sustainability at Black Label.

What detail of your product was the biggest challenge to design, and why? How did you resolve it?

Solving design challenges are at the core of Black Label. Wood, by its very nature, is an incredibly flexible building product, and we take that to the next level by bringing unlimited profile options with state-of-the-art molders and CNC platforms. There’s nothing a commercial or residential project would need, no matter how big or small, that we could not provide.

We also have a dedicated department to serve designers and architects in their specification development process with all of the tools and data they require available on our website. Additionally, we always love to hear from designers directly so we can match their needs, from product sampling to our mill shop.

What makes your product unique and of great value to specifying architects?

Tropical hardwoods are the best in the world for a wide range of residential and commercial applications, and Black Label heightens this aspect. Black Label wood products such as Ipe, Garapa, Tigerwood, Jatoba, Cumaru and Bulletwood — the world’s most appealing species — are sustainably sourced and perfect for all climates. Besides, all of them have unmatched durability and require low maintenance, without the use of chemical treatments. They represent the perfect mix of beauty and unrivaled performance.

Black Label hardwoods have almost twice the strength of Generic FAS grade lumber, and because of the establishment of definitive grading rules, Black Label offers lifestyle products with Premium Appearance on all four sides and edges of each board. Our hardwoods are 100% organic — with absolutely no additives — harvested from sustainably managed forests, and some species have an impressive lifespan of up to 75 years. Hardwood last longer than other materials, and therefore does not have to be replaced nearly as often, making it even more sustainable. Plus, every piece of wood has enhanced stability, made possible by an optimal temperature control system that increases the structural performance by hardening the cell walls. It’s what the industry has been trying to match for years by using chemicals and toxic additives, with no success.

Combine this with FSC, Unifloresta, and even our own Legal Lumber certification program, and designers have a validated and comprehensive approach to biophilic design within the wood product category.

What has the reception to your product been like from architects/clients/consumers?

It has been amazing to watch the incredible reception for such a young brand that has been on the market for less than two years. Dealers all over North America are working with Black Label products every day, and we were awarded by People’s Choice at the Architizer A+Awards. On top of that, we received additional prestigious recognition, which made us the most awarded hardwood brand in our industry in 2022.

Technically, the architects and designers are astounded by the breadth of resources that are available to them to assist in specifying naturally durable hardwood products from our resource library and our availability to work through design challenges with them.

Both designers and consumers are reassured by our comprehensive environmental compliance certification programs, including FSC certification. But the real challenge remains in the continuing education about the Life Cycle Benefits of renewable wood products over non-renewable building products. We are extremely grateful to have received the Architizer A+Award and for any attention it brings to this most important environmental initiative.

How do you see the product evolving in the future?

We have just recently introduced prefabricated deck tiles into our Black Label roof deck system. And for the first time ever in our industry, they are kiln-dried, providing a resistance only similar to that of steel.

But only offering wood sometimes isn’t enough for a brand that aims to support architects and builders with everything they need to deliver world-class projects. So, we’re excited to announce the evolution of the Black Label brand into a wide range of accessories from deck and clad clips to tool kits to stains and beyond.

This evolution is how we guarantee our builders will always find the same quality standards we stand for, from the wood all the way down to the smallest screw.


To find out more about Black Label Sustainable Lumber, visit their website, and reach out to one of their experts to learn how to implement the product in your next project.

All images courtesy of Tropical Forest Products

Reference

Interactive LED Media facade
CategoriesArchitecture

Shine On or Lights Out? Architects Are Turning Exterior Walls into Digital Façades

Judging for the 11th A+Awards is now underway! While awaiting the Winners, prepare for the upcoming Architizer Vision Awards, honoring the best architectural photography, film, visualizations, drawings, models and the talented creators behind them. Learn more and register >

Light-emitting diode (LED) video displays take architectural design to a new level of brilliance, transforming the city streets and skylines into spectacular sights. Technology meets design and art to cover entire building façades for a high-impact passerby engagement.

Unfortunately, as mesmerizing as this visual spectacle can be, these luminous building skins add to the high amounts of human light pollution. This effect increases the brightness of the sky at an alarming pace.

Building Skins

Digital façades redefine how we think of architecture and, more specifically, building skins. Entire walls become giant canvases with lighting as an artistic form of visual communication. LED technology has reached the point where screens of digitally controlled nodes emitting vivid colors can form an integral part of the architectural expression, adapting to various planes and configurations. The outcome achieves extraordinary visual effects, blending light, media and art. Never have buildings been brighter and more scintillating.

Interactive LED Media facade

Interactive LED Media façade for La Vitrine Culturelle in Montreal’s Cultural district. Photo by Moment Factory via Architizer

Dynamic and Expressive

With free-flowing and vivid colors, buildings become more dynamic and expressive. At dusk, architecture becomes secondary, and the light installations that cover entire building surfaces take centerstage. Then, the urban landscape, as experienced during the daytime, gives way to a transformed setting where light and media become the main attraction. Expansive installations fill the streets with a futuristic flair blending the real and virtual worlds. This fantastic atmosphere captures passersby’s and drivers’ attention, heightening their senses and triggering feelings. The ambient sound intensifies the experience, unsettling yet captivating.

Aura, Toronto, Canada. Photo by Victor Rodriguez on Unsplash

Burj Khalifa, Dubai, United Arab Emirates

Burj Khalifa, Dubai, United Arab Emirates. Photo by Shot by Cerqueira on Unsplash

Design for the Senses

This sensory architecture affects how passersby interact with their immediate surroundings. It influences feelings such as mood, energy levels and appetite. Based on all of these attributes, digital façades serve as powerful marketing tools to attract customers for retail establishments, enhance the fan experience for sports venues and create brand identities for corporate businesses. Digital façades have become an effective communication vehicle that transforms urban centers into a new media form, like print (newspapers), broadcast (television) or the internet (social media). This luminous communication technology allows passersby to interact with the displayed content, whether it is news, advertising, weather forecasts or social media activity.

Interactive digital screens

Interactive digital screens deliver information in real-time. Photo by Cheung Yin via Unsplash

Pros and Cons

Technological advances continuously make LED lighting more affordable and energy-efficient. Light quality is continuously improved. LEDs have a very long life compared to other types of lighting, such as high-pressure sodium lamps traditionally used in street lighting and require virtually no maintenance or replacement. Yet, concerns are growing about the impact of blue emission excess on the one hand and light pollution causing the “skyglow” phenomenon on the other hand. Digital façades put off an incredible amount of light which, to some degree, contributes to light pollution generated by electric lights’ nighttime glow. This effect appears to be intensifying, especially in dense urban areas, with the artificial brightening of the night sky.

Lugard Road, Hong Kong

Sky glow over Hong Kong due to lighting pollution. Photo by Patrick on Unsplash

New Lighting Strategies

Also, environmental studies show that LED lights emit relatively high levels of blue light, a wavelength that negatively impacts human health and wildlife. While new light strategies are explored to mitigate the impact on human well-being and ecological systems, LEED (Leadership in Energy and Environmental Design) promotes the minimization of light pollution by reducing light emissions, especially up to the sky. Perhaps a period of complete night darkness would be beneficial but unrealistic, so finding the most efficient and safe lighting system seems to be a priority. LED technology has the potential for improvement, and city authorities can regulate the amount of light emission per building, a compromise worth exploring.

Digital façades undoubtedly add to the character of buildings while becoming part of the urban landscape, creating exciting environments, attracting visitors and spurring business. Cities like New York, Hong Kong and Dubai exemplify the striking development of buildings incorporating digital façades. These eye-catching buildings shape the skylines of these cities, captivating the mind, rewarding the eye, enhancing the atmosphere and evoking powerful emotions.

Judging for the 11th A+Awards is now underway! While awaiting the Winners, prepare for the upcoming Architizer Vision Awards, honoring the best architectural photography, film, visualizations, drawings, models and the talented creators behind them. Learn more and register >

Reference

traditional tiled roofs crown the stepped modules of office and cafe space in china
CategoriesArchitecture

tiled roofs crown stepped modules of office and cafe space in china

Xie Ke devises a mixed-use sales office in Chongqing, China

 

A series of stepped modules, standing under intricate historic tiled roofs, integrate Xie Ke’s new Sales Office into the ‘ladder style’ traditional mountain blocks in Chongqing, China. The building consists of Canopée Café and Sihai Club and adjoins Huguang Club and overlooks East Watergate. The design concept deviates from pure commerciality and focuses on creating social mixed-use spaces which can restore a sense of community and the area all the while raising awareness for the brand’s sales center. Derived from the history of the Huguang region’s urban state, the project is driven by a goal for urban renewal and preservational design, retaining the original structure while breathing new life into the interior under a minimal contemporary renovation plan.

traditional tiled roofs crown the stepped modules of office and cafe space in china
all images by Jonathan Leijonhufvud 雷坛坛

 

 

urban renewal project draws from the history of Huguang city

 

The project centers around fostering relationships between the urban fabric and communities. Over time during the process of urbanization, the upper half of Chongqing city has become an arena for modern architecture, leaving behind memories of the past. Meanwhile, the lower half city is filled with unmaintained antique structures. Seeking to reflect the simplistic culture of Chongqing and to cultivate the collective character of its community, the architect looks to his own memories of the city to devise the design concept – namely its ‘outdoors’ culture where people carry out their daily routines on the streets and in the pockets of the mountainous town, always interacting with neighbors.

 

As such, the design begins to form a connection between people and previous times, thus incubating and activating the endogenous forces of the city. ‘The steps covered with moss, Huguang Club standing still over time, the to-and-fro ropeway across the river, the close connection between houses and streets… All the characteristic memories of Chongqing were properly placed in people’s vision and became the background color of [the project]… and also the design basis of Xie Ke.’

traditional tiled roofs crown the stepped modules of office and cafe space in china
the unmaintained antique structures of Chongqing stand under intricate historic tiled roofs

 

 

infusing contemporary interiors into the traditional structure

 

Nodding to the region’s traditional architecture, wooden structures are used to reinforce the wooden columns and to decorate the roof with old tiles, blending a harmonious fusion between old and new. The moderate renovative plan restores the old construction embracing the surrounding greenery and incorporating it into the design as a free-formed canopy of branches and leaves. Taking its name from the immersive natural element wrapping the structure, the Canopée Café, accessible from the second floor, overlooks picturesque views of the Yangtze River, engulfed by the shade of trees, and the peeling walls and the undulant eaves of Huguang Club maintaining a sense of stillness. The building ‘grows’ vertically tracing over the contours of the mountainous landscape of Chongqing.

 

The interior arranges low-standing walls and partitions to avoid permanent alterations to the original construction. The layout forms an open plan dividing several functions into blocks, such as the bar and facilities zones, reviving the old building’s scheme and circulation flow. The steel gallery bridge and large folding windows stand as the main modifying feature of the renovation. The interior fosters a sense of serenity with a pure, rhythmic white atmosphere and minimalist aesthetic, while the alterations between light and shadow accentuate the historic wooden frame.

traditional tiled roofs crown the stepped modules of office and cafe space in china
the stepped volumes trace over the mountainous landscape of Chongqing

 



Reference