Embrace AI Tech And Watch Today’s Architect Shortages Disappear
CategoriesArchitecture

Embrace AI Tech And Watch Today’s Architect Shortages Disappear

Eitan Tsarfati is a serial tech entrepreneur and Co-Founder and CEO of Swapp, an AI-based construction planning company that partners with architects to leverage the power of AI-driven platforms. 

Retaining up-and-coming architects poses an immediate and serious challenge for the entire real estate development industry and for architecture firms in particular. In a December 12, 2021 article, the New York Times wrote about architects at a major firm who were considering whether to unionize. Reading the many comments other architects posted about this article reveals a true crisis in the architectural design and planning industry. Industry leaders must recognize that the rate of architect defections to other careers is systemic. Let’s analyze the problem and then understand the role new AI and machine learning technologies can and should play in achieving a long-term solution.

What factors cause entry-level and associate-level architects’ discontent and even their abandonment of the architect profession? Low pay is always a factor, as are the long hours and slow career growth that architects experience at large and prestigious architecture firms. Additionally, slow career progression often follows three years of graduate study after the bachelor’s degree.

But there is yet another factor: the pervasive assignment to less-experienced architects of the stressful, unedifying design document and construction document development work. Architects want to design. Documenting the design so construction professionals can do their engineering and building jobs may be a necessary part of the process. Still, architects would be happier if someone else, or an AI technology, were to transform their designs into the CD for the architect to review and then stamp.

A construction document generated by SWAPP’s AI

Traditionally, architectural firms have relied on having many “hands” working many hours to develop, complete and deliver sets of complete construction documents (CD). It’s a two-step process that starts with a set of design documents (DD) followed by developing the CD, and both of these steps require a high degree of accuracy and technical skill. Often, these steps are performed in a deadline-driven, pressure-cooker environment, because when the schematic design takes more time to complete than expected, the time frames for DD and CD development naturally must absorb the delay.

What do architects think about after spending long hours for low pay developing a set of construction documents? Do they find value in doing the CD development work? Or are they thinking about the 5-to-10 years they will spend in this role and wondering if it’s worth it?

With a limited number of new architects entering the field each year and the continual pressure from clients to deliver work ever more quickly, architects and architecture firms need a technology solution that relieves architects of the construction document design burden, while still getting this essential work done. The use of new AI technologies for these tasks will not only ensure accurate and quick generation of CDs, but will also result in higher retention rates of valuable architect employees.

Once upon a time, the prestige of architecture as a profession and the intrinsically rewarding nature of architecture attracted professionals by offering a career that spans several creative as well as technical disciplines. However, in today’s world of smart-everything, new entrants to the architecture profession are technically savvy. They expect the tools they use at work to be intelligent. They aren’t willing to spend multiple years doing tasks that a machine can do more quickly and with equal or better accuracy, while they wait for the opportunity to contribute to the aspects of architectural design that attracted them to the profession in the first place.

A construction document generated by SWAPP’s AI

Just as they want to be able to plan all the details of a vacation road trip, then get in a self-driving car and relax while the car takes them where they want to go, architects want to spend the time allotted to their work creating the architectural designs, then “hand off” the design decisions to an intelligent tool that produces the necessary construction documents or revision options. They want relief from the tedious last step of the design delivery process.

Like other professions that used to assume the easy availability of a steady stream of new professionals willing to trade long hours in junior roles for bright futures as principals and industry leaders, architecture firms now face competition from “high tech”. The ranks of future architects — the creative, talented and bright individuals studying architecture and starting careers — may be wooed away by the higher pay, less oversight by older generations and a quicker path to the top that “high tech” offers.

Nevertheless, the good news is that “high tech” is also now solving the architect retention problem! New technologies enable architects to spend most, if not all of their time on design and planning work, and then to simply — and literally — “push a button” to produce clean, accurate and complete construction documents. In addition, architects can use these same technologies to make quick work of the time-consuming tasks of producing design alternatives to meet the needs of change requests and other “curve balls” that cause late-night work crunches.

https://www.youtube.com/watch?v=h-D5-6koRf8

By utilizing automated tools and artificial intelligence, these new technologies — of which Swapp is proud to be one — can transform architects’ planning decisions into architectural plans and deliverable construction document sets within minutes. No longer are long hours and tedious documenting tasks required.

Are you surprised that machine learning and artificial intelligence can now support your architectural work this way? Or maybe you want to ask why now or why did it take so long for technology to advance to this point. Of course, every advancement has a story behind it. For Swapp, the story involves a small, diverse group of architects, algorithm and AI developers and entrepreneurs from the world of existing computerized architectural tools.

Other teams and companies also know about the retention problem and are building tools for architects in the AI and machine learning space, allowing for collaborations as well as competition. Ready-to-use services, features and options made possible by these new technologies are here now to solve the needs of architects and architectural firms — and more exciting tools are on the way.

 Browse the Architizer Jobs Board and apply for architecture and design positions at some of the world’s best firms. Click here to sign up for our Jobs Newsletter. 

Reference

onari capsule capsule toy shop in japan 1
CategoriesArchitecture

yuji tanabe completes capsule toy shop in japan with mirror optical illusion

‘ONARI capsule’ toy shop BY Yuji tanabe ARCHITECTS

 

Located on the Onari shopping street in Kamakura, Japan, the ‘Onari Capsule’ by Yuji Tanabe Architects was once an optics shop but has now transformed into a fun capsule toy store. With 65 capsule toy machines and two mirrors facing each other inside the compact space, the Japanese architect aimed to make the interior look as wide as possible from the outside. It was important to create a visual presence that stands out in the shopping district while maintaining a Japanese traditional feel in the city of Kamakura using lanterns, oren curtains, cypress lattices, En-Mado, and faintly reflective silver-leaf paper on the ceiling. The architects also introduce the idea of collecting used capsules by creatively designing an interactive lattice wall to place used capsules between the intervals. 

 

onari capsule capsule toy shop in japan 1
street view of the Onari toy store

all images courtesy of  Yuji Tanabe Architects

 

 

glass windows and a low wainscot reveal the capsules

 

Yuji Tanabe Architects creatively aimed to renovate and revive the previously known optics store. The Onari shopping street, leading to the West exit of the city’s station, is more frequented by locals, which is where the toy shop is located. Nevertheless in recent years Onari has also been used as a sightseeing route to the sea and the Great Buddha of Hase, thus adding historical value to the shopping district and preserving culture and tradition within the Onari Capsule shop. Originally this compact store had about six tatami mats with a width of 3.4m (11.2 ft)  and a depth of 2.8m (9.2 ft). On the exterior facing the street, there was a frame door and a glass window that leaves a low wall wainscot–an area of wooden paneling on the lower part of the walls of a room– that effectively exposed the interior of the store to the passers-by on the street.onari capsule capsule toy shop in japan 7

 

 

65 capsule machines are mirrored to illude an infinite space 

 

From the shop’s entrance, 65 capsule toy machines look multiplied infinitely by a 3.4m (11.2 ft)  high mirror on the right side. In addition, the 45mm square Japanese cypress lattices on the mirrored surface are arranged at intervals of 4 types (45mm, 55mm, 65mm, 75mm). The interval spaces account for the standard capsule sizes since the lattices function as a system that collects empty capsules. The capsule is inserted between two lattices after taking out the contents inside– a fun way to recycle the capsules. 

 

The cypress lattice was cut out with En-Mado (circles) of different sizes on both sides. By making the En-Mado on the entrance side smaller than the one on the opposite side, the reflection on the mirror makes it appear smaller. In other words, the perspective is emphasized, and therefore  it feels farther than the actual distance. Kamakura was a capital city in 800 years ago and it has a long history, which is why the Onari Capsule is a place that holds historical value and proposes a new way of sustaining the culture around capsule toy shops while providing a fun approach to recycling the capsules. 

 

onari capsule capsule toy shop in japan 6
mirror wall on one side of the store creating the illusion of infinite capsules

Reference

BIG creates spiral-shaped Sneglehusene housing development in Aarhus
CategoriesArchitecture

BIG unveils spiral-shaped Sneglehusene housing development in Aarhus

Architecture studio BIG has completed six curved housing blocks that combine to form a spiral shape at the Sneglehusene development near Aarhus, Denmark.

Containing 93 homes, the Sneglehusene housing for developer Taekker Group forms part of the Nye neighbourhood to the north of Aarhus and was created using a modular system developed by BIG and contractor CJ Group.

BIG creates spiral-shaped Sneglehusene housing development in Aarhus
BIG has unveiled the spiral-shaped Sneglehusene housing development in Aarhus

The six curved blocks, which vary from one to four stories, spiral out from a central park designed by BIG Landscape surrounding a small pond.

The overall design for Sneglehusene, which translates as the snail houses in reference to the developments’ spiral form, was based on the Dortheavej Residence housing that BIG and CJ Group previously created in Copenhagen.

Modular Sneglehusene housing in Denmark by BIG
Sneglehusene was made using modular construction methods

“As an architect, one typically only gets to build a house once,” said BIG partner Finn Noerkjaer. “With the Sneglehusene, we were given the opportunity to evolve our housing concept from an earlier project, while also developing the buildings’ own identity.”

“Our modular concept has made it possible for us to maintain simplicity in the execution despite the construction’s complexity, and we have been allowed to improve the concept with all our experience,” he continued.

Modular housing near Aarhus
The blocks step down to create terraces

The development has a similar aesthetic to the Copenhagen housing, with the blocks broken up to create a “porous wall”.

As at Dortheavej Residence, a distinctive checked pattern was created by stacking two modular structures with the indented modules having 3.5-metre high ceilings and the protruding ones 2.5-metre high ceilings.

A series of balconies were placed within the indented spaces, while the blocks step down at the ends to create larger outdoor terraces.

The development contains townhouses, multi-bedroom apartments and studios that range in scale from 50 square metres to 150 square metres.

Concrete ceiling in Danish apartment
The concrete structure is exposed in the ceilings

The building’s concrete structure was clad with timber boards on its facades to express the modular pattern, while it was exposed in the apartment’s ceilings.

All of the homes are dual-aspect with windows facing inward and outward, while the studio aimed to open up interior spaces with minimal internal walls.

Bedroom with large window in Sneglehusene
The apartments are all dual aspect

Founded by Danish architect Bjarke Ingels in 2005, BIG is one of the world’s best-known architecture studios. It has recently completed a cantilevering housing block over IJ lake in Amsterdam and is developing BIG and Samoo unveil design for a “flood-proof” floating city Oceanix Busan.

Ingels is also the co-founder of a housing startup named Nabr that intends to revolutionise the sector. “Architects or designers are, in a way, the last ones to get involved [in housing] so it becomes very hard to be part of a more fundamental transformation of the industry,” Ingels told Dezeen in an exclusive interview.

“This is basically an attempt to apply design, not just to the final product, but to the entire process that delivers our homes.”

The photography is by Rasmus Hjortshoj.


Project credits:

Architect: BIG
Client: Tækker Group
Collaborators: Mads Gjesing, Cj Group, Spangenberg & Madsen, COWI
Partners-in-charge: Bjarke Ingels, Finn Nørkjær, David Zahle
Project manager: Joos Jerne
Design lead: Nanna Gyldholm Møller, Høgni Laksafoss
BIG Landscape: Alexa Haraga, Anders Fønss, Camille Inès Sophie Breuil, Giulia Genovese, Lasse Ryberg Hansen, Ulla Hornsyld
BIG Engineering: Andrea Hektor, Andreas Bak, Andrew Robert Coward, Bjarke Koch-Ørvad, Cecilie Søs Brandt-Olsen, Duncan Horswill, Ewa Zapiec, Ivaylo Ignatov, Jesper Kanstrup Petersen, Jonathan Otis Navntoft Russell, Kaoan Hengles De Lima, Kristoffer Negendahl, Mikki Seidenschnur, Peter Andres Ehvert, Timo Harboe Nielsen, Tristan Robert Harvey
Team: Norbert Nadudvari, Wiktor Kacprzak, Axelle Bosman, Liliane Wenner, Christine Mulvad, Joanna Jakubowska, Johanna Schneider, Richard Garth Howis, Xinying Zhang, Mikkel M. R. Stubgaard, Katarina Mácková, Sean Edmund Deering, Søren Aagaard, Pawel Bussold, Mantas Povilaika, Espen Vik, Lucian Tofan, Jesper Bo Jensen

Reference

3 Top Cameras for Architects and Designers on the Go
CategoriesArchitecture

3 Top Cameras for Architects and Designers on the Go

Architizer Journal is reader-supported. When you buy through links on our site, we may earn an affiliate commission. Learn more.

Visual storytelling is no easy endeavor, especially when it comes to capturing the built environment. Yet, with the ever-ubiquitous range of 21st-century technologies connecting people with buildings worldwide, architectural photography and filmography have never been more fruitful or thrilling. With diverse backgrounds and expertise, more photographers and filmmakers are gravitating to the architectural profession than ever, taking buildings as their subjects. 

At the same time, more and more architects and their firms are taking advantage of their privileged access to construction sites and the accessibility of high-quality photography equipment available to the general public. Indeed, some of the most successful architectural films and photographs harness photography to tell compelling stories about the building process and their built products. With the help of advanced technology and equipment, architects and photographers are bringing the built environment to life in entirely new ways. Listed below are three new products released this year, all particularly well-suited for architectural photographers, filmmakers and designers alike.


Fujifilm X-H2S Mirrorless Camera Body

Best Camera for Architects and Designers

Fujifilm’s X-H2S Mirrorless Camera Body is designed to smoothen the photo-taking and filmmaking process. Considered to be the company’s most capable video and still hybrid, this device comes with incredible sensors and improved image support thanks to its X-Processor 5 and X-Trans CMOS 5S sensor. 

The device boasts an increased memory capacity with a high-speed burst shooting capability ranging up to 30fps for over 1000 frames. Its refined autofocus now produces a cleaner and more focused shot through its prediction algorithm that can easily capture moving objects, especially in low-contrast and difficult conditions. This feature is especially useful for filmmakers who from time to time face unpredictable weather and environmental situations that make it challenging to capture the true essence of a site. 

When it comes to architectural photography, each image maker has their own set of preferences. Some like to contextualize the image using the human form, and others prefer letting the design speak for itself. The X-H2S’s new subject-detection autofocus is capable of automatically detecting a broad range of subjects in an image. Whether it be passing by vehicles or pedestrians, this camera is capable of accurately focusing-in on smaller subjects who may be using the space, thus allowing the photographer to focus on the framing the building and the overall composition without having to preoccupy themselves with such variables. 

The Fujifilm X-H2S moves with the architectural photographer at all times of the day. The device supports HEIF image format and delivers 10-bit image quality in files 30% smaller than standard JPEGs. This is especially useful for those who would like to have high-quality images directly after shooting. The device’s X-Trans sensor tightly controls shutter effects and helps produce a natural-looking recording which allows the architectural design to speak for itself. Designed to keep up with the brilliant imaginations of architectural image makers, the device can internally record up to 90 minutes of footage using a single battery.

See more info and buy >


Insta360 X3 – Waterproof 360 Action Camera

Best camera for architects to enhance their social media presence

A challenge architectural filmmakers often face is framing the perfect shot right at the get-go, and the X3 camera poses a simple solution to this problem. This device is designed to shoot first and frame after, meaning users can simply mount the camera, click record and reframe after. The X3 camera is connected with the brand’s AI-powered Insta360 app, which comes complete with numerous reframing tools and direct upload capabilities. Therefore, filmmakers can simply upload their video and edit directly on the app. Once edited, the video can be directly uploaded through the app onto social media. The X3 is a one-stop shop for architecture firms looking for simple ways to create high-quality content for their media presence. 

In addition, the Insta360 X3 camera comes with a first-person view mode that allows users to film from their perspective while not compromising resolution or quality. This is a particularly useful tool for those filming interior spaces or hoping to capture the essence of a structure from the human perspective. Equally, the new HDR mode makes filming in difficult lighting conditions that much easier through its stabilizing and shadow-enhancing features. So much of the built environment is found in non-ideal shooting environments, and so a device like X3 — one that can work in difficult conditions — is extremely useful to architectural image makers. 

The X3 is designed for creatives and comes with an array of filming options. This device is perfect for designers hoping to create original videos for their social media. For example, designers can use the 8k quality timelapse feature to capture the progression of a structure throughout time. The Insta360 X3 – Waterproof 360 Action Camera comes with powerful 360 capture, reframing capabilities and an advanced AI system.

See more info and buy >


DJI Mini 3 Pro (DJI RC)

Best camera for architects to capture large projects and bird’s-eye views

The DJI Mini 3 Pro (DJI RC) is a small and lightweight drone designed for any environment. This foldable device can capture detail with 4K/60fps video and 48 MP photos. As architects lean on social media more and more to promote their firms, producing ready-to-post videos is key. The DJI Mini Pro offers an easy solution for designers through its True Vertical Shooting feature, which produces social media-ready shots and recordings.

The drone is capable of flying for up to 34 minutes, which is ideal when capturing large projects like condominium development or campus renovations. Moreover, its tri-directional obstacle sensing ensures the drone video is not compromised by unexpected objects in the air. Due to its small size of less than 249 g, the Mini 3 Pro does not require registration in most countries, which eliminates an additional step and lets Mini 3 Pro owners get straight to flying.

See more info and buy >


For more laptops and workstation recommendations for architects, checkout 15 Top Laptops for Architects and Designers, and watch out for more in our Tech for Architects series, coming soon.

Reference

Architectural Drawings: Residential Fireplaces in Plan
CategoriesArchitecture

Architectural Drawings: Residential Fireplaces in Plan

The Fourth Annual One Drawing Challenge is open for entries! Architecture’s most popular drawing competition is back and bigger than ever, including larger prizes. Get started on your submission.  

Architecture is designed to bring people together. In residential projects, warmth and comfort define life’s daily rhythms and how we gather. In turn, fireplaces have long been a central focus of architecture, drawing people close while setting the atmosphere. Frank Lloyd Wright famously expressed that “the hearth is the psychological center of the home.” Fireplaces are unique in that they are both functional and aesthetic, with very specific demands for detailing and safety. Whether gas or wood burning, historically, they have long been used to heat the home and provide light.

As a central defining element of residential projects, fireplaces take on a hierarchy in floor plan drawings. Often they anchor the interiors of a home while other decors, furniture or art are designed around them. Both indoors and outdoors alike, careful consideration is given to whether the fireplace needs to be functional or simply to provide a design aesthetic to a space. Today, manufacturers and architects are exploring new designs that provide exciting alternatives to traditional models. Drawing from the Architizer database, we’ve rounded up a collection of fireplaces and the corresponding floor plans to showcase how they are being designed around the world.


Grove House

By Roger Ferris + Partners, Bridgehampton, NY, United States

Jury Winner, 2018 A+Awards, Private House (XL>5000 sq ft)

This private Hamptons residence was designed as an immersive retreat. Situated along a natural ravine and protected wetlands, the residence consists of three simple gable-shaped volumes, creating a dialogue between the natural grasslands and the built environment. A contemporary interpretation of a common New England building form, each volume is shrouded in horizontal wood slats which seamlessly wrap all wall and roof surfaces. A public great room is centrally located, acting as a social hub for family and guest interaction. Within the great room, special attention was taken to the design of the architectural concrete fireplace, countertops and black steel sash windows.


Ridge House

By Bohlin Cywinski Jackson, Bonnyville, Canada

This retreat was conceived as a place for gathering family and friends as well as solitude. Located along the crest of a narrow ridge overlooking a broad valley, the drive that connects to the home turns to reveal a long, linear core of sawn stone that parallels the ridge, sliding under a single-slope roof through a steel-framed glass volume. The stone core, marked by two large fireplace masses, organizes the spaces, with primary circulation along its south face, while gaps in the stone provide access to each of the living spaces. In turn, clear and translucent glass along the south wall creates a play of light and shadow at the circulation spine.


Tofino Beach House

By Olson Kundig, Tofino, Canada

Designed as a beach house within the forest, this home creates a connection between the drama of the nearby ocean and the sense of sanctuary provided by the trees. Composed primarily of one large room, the house is light-filled on the south side facing the ocean, while remaining insular and protected on the other side. Glass walls open the living area to panoramic views of forest and ocean with two fireplaces on either end anchor that the space and provide a feeling of refuge. Artworks were incorporated into the design of the home, with the fireplace walls specially designed to fit paintings by Sam Francis and Diego Singh.


Nevis Pool and Garden Pavilion House

By Robert M. Gurney, Architect, Bethesda, MD, United States

This suburban pavilion is located adjacent to woodlands. A contemporary house surrounded by mature trees and manicured gardens anchors the site. A new swimming pool, stone walls and terraces located behind the existing house organize the rear yard and establishes a dialogue between the existing house and a new pavilion. New paths, trees and structured plantings reinforce the geometry. The new pavilion, intended for year round use, is strategically located to provide a threshold between the structured landscape and adjacent woodland. The doors pivot to open the space much of the year while a large Rumford fireplace and heated floors provide a cozy counterpoint in winter months.


Courtyard House on a River

By Robert Hutchison Architecture, Greenwater, WA, United States

This small residence is sited on the banks of the White River five miles from Mt. Rainier. The project was designed to quietly blend into the surrounding forest. An entry courtyard serves as a transition space from outdoors to indoors and keeps the ubiquitous elk herds at bay. A steel-clad fireplace mass separates the living room from a covered outdoor patio. By working diligently with the client (who also served as General Contractor for the project), the building footprint was kept as compact as possible to minimize site disturbance. The residence was made to epitomize the small home living movement.


Pit House

By Bloot Architecture, The Hague, Netherlands

The heart of a dilapidated brick corner house from 1929 was completely renovated and extended, incorporating an inviting sitting pit. The clients asked for more space, an open kitchen and a more direct relationship to the garden. The sitting pit forms a playful space around the fireplace, where the owners are able to stay together with each other, friends and family. Seen at eye level from the seating pit, there is a vertically sliding window on the street side. By sliding this open as well as the large sliding doors at the rear, visitors find themselves outside in a sitting pit, at a fireplace and under a roof. The fireplace sits in a solid block that, together with a thick wall on the other side and a wall parallel to the seating pit, supports the roof.


Cabin at Norderhov

By AtelierOslo, Hønefoss, Norway

This residential cabin project is located in Krokskogen forests, outside the town of Hønefoss. The site is very exposed to the wind and the cabin is shaped to create several outdoors spaces that provide shelter from the wind and sun at different times of day. The interior is a continuous space finished in a thin layer of curved birch plywood. The fireplace is located at the center of the cabin. The fireplace mantel is hanging from the ceiling, while the fire is down at the floor of the access level. This provides the feeling of a campfire in the landscape that can be seen from different places.

The Fourth Annual One Drawing Challenge is open for entries! Architecture’s most popular drawing competition is back and bigger than ever, including larger prizes. Get started on your submission.  

Reference

Image of DJI Sky City from a nearby park
CategoriesArchitecture

Foster + Partners completes DJI headquarters with cantilevered drone labs

British architecture studio Foster + Partners has completed two skyscrapers for drone manufacturer DJI in Shenzhen called DJI Sky City, which are connected by an open-air suspension bridge over 100 meters above the ground.

DJI Sky City consists of a pair of 200-metre-high skyscrapers that house the headquarters and innovation centre of Shenzhen-based robotics company and drone specialists DJI.

Image of DJI Sky City from a nearby park
DJI Sky City was designed by Foster + Partners

The two skyscrapers are connected by a 90-meter-long suspension bridge, which is located over halfway up the structure, 105 metres above the ground.

The bridge will be attached to each of the towers vertically slatted cores, which both support a series of steel truss-encased, glass volumes that were stacked and cantilevered on top of one another at varying heights.

Detail image of the exterior of DJI Sky City and its suspension bridge
It is comprised of two towers which are connected by a suspension bridge

The cantilevered blocks contain column-free office spaces that were made possible by the building’s external truss systems. Some of the column-free interior spaces contain four-storey high dedicated drone flight testing labs.

The ground floor houses the building’s public facilities, including a community healthcare centre, as well as its lobbies that each contain an indoor “zen” garden that extends from a rammed earth feature wall.

“Drone technology has changed the way we experience the world around us while pushing the boundaries of aerial possibilities,” said Foster + Partners.

“We have enjoyed using DJI products for more than a decade,” the studio added. “We are delighted to have partnered with DJI in creating their new headquarters in Shenzhen, which will be the company’s premier center of research and innovation.”

Image of the suspension bridge at DJI Sky City
The bridge is 105 metres above the ground

According to the studio the floorplates were organised to maximise daylight in the interior spaces while its twin lift system maximises internal office floor area.

At the top of the buildings each of the cantilevered volumes has a rooftop gardens with views across Shenzhen as outdoor spaces for DJI employees.

Interior image of a drone flight lab at the Foster + Partner-designed building
The skyscrapers contain four-storey drone flight labs

Renders and a fly-through video of the building were first unveiled in 2018, detailing its vast drone and robotic testing facilities.

Earlier this year in Shenzhen, architecture firm SOM completed its headquarters for Shenzhen’s Rural Commercial Bank, which featured a steel lattice facade that resembles an exoskeleton.

The photography is courtesy of DJI.

Reference

Construction Is Underway on the First Multi-Story 3D-Printed House in the United States
CategoriesArchitecture

Construction Is Underway on the First Multi-Story 3D-Printed House in the United States

 How can architecture be a force for good in our ever-changing world? During Future Fest, we’re pose this question to some of the world’s best architects. We’re hosting daily virtual talks from September 12th to 30th, which are 100% free to attend.  Check out the full schedule!

Construction has began on the first two-story 3D-printed structure in the United States. Located in Houston, the 4000-square-foot home will soon become one of the world’s largest and tallest printed buildings, showcasing the rapidly expanding possibilities of 3D printing technology and mass customization in the field of architecture.

The project caps off a two-year collaborative effort between HANNAH, an experimental design firm and research studio based in Ithaca, PERI 3D, an international 3D construction printing provider, and CIVE, the leading engineering service and general contractor in Houston. The design uses a hybridized construction method that will combine printed concrete modules with wood framing, making it one of the first 3D printed to use wood and concrete in an integrative manner.

Spearheaded by Leslie Lok and Sasa Zivkovic, assistant professors at the College of Architecture, Art, and Planning at Cornell University and principals at HANNAH, the project began with the objective of developing a 3D printed construction system that could be scalable and applicable for multi-family housing the future — not an easy feat given the additional structural challenges when printing beyond a single story. As such, Lok explains that it was necessary to develop the design in relationship to the material and construction process.

“Every aspect of the project, from the overall spatial configuration to the scale architectural detailing — such as how we create shelving and openings — was informed by the unique fabrication logic of 3D printed concrete,” Lok said. “With the structural engineering expertise from CIVE and the extensive printing knowledge of PERI 3D, we were able to develop an approach to 3D print the second story.”

Once completed, the project will alternate between concrete modules and glazed wooden frames; rendering by HANNAH

Though a handful of 3D printed multi-story projects have been built abroad, mostly in Europe, HANNAH’s design stands out for its adaptation to the American construction culture of wood framing. Whereas the use of precast concrete components for floors and ceilings has long been a European norm, wood framing as a construction technique is much more prevalent in North America, though their integration in 3D printed construction has so far been limited. In response to this, HANNAH sought to create a design that would be more easily applicable to the U.S. market. The final result is a house that alternates between wood and printed concrete volumes, a strategy that combines the best of both materials, the pair explain.

“What is unique about our modular design is that the printed concrete and the wood framing work hand in hand and we use them where they’re best performing,” Zivkovic said. “It’s not about printing concrete everywhere because you could, but where it makes sense.”

Photos by Anthony Vu via HANNAH

In part, the project is showcasing the usefulness of 3D printing for the future construction industry. The modular 3D printer — a COBOD BOD2 gantry printer — takes only one day to set up, and the printing can run 24/7. Although a handful of people are still needed on the worksite to supervise the machine, the printer does virtually all the heavy lifting.

Achieving the right printing mixture for the concrete was one challenge that necessitated the help of other industry partners. The PERI 3D printing team worked with engineers at Quikrete, a manufacturer of packed concrete, to achieve improved printability for their new generation of printing mixture at the specific site in Houston. The team conducted test prints on site earlier this summer to dial in the various printing parameters.

Designing the 3D printed house was another demanding part of the project, since unlike (human) contractors, 3D printing machines don’t read architectural plans but lines of code. The architects at HANNAH used special software to manually design the path that the printing machine uses to pour one continuous line of concrete for the new house; a meticulous process known as the ‘toolpath’ that equally comprises structural and aesthetic considerations, leaving no room for error.

Far from letting this complex process limit their design, HANNAH used the printing toolpath as an opportunity to push the design possibilities of 3D-printed structures. The repeated use of incremental cantilevers within the concrete modules serves as an architectural motif that is both ornamental and functional. Paired with the distinct horizontal layers of printed concrete, HANNAH creates a bold stylistic statement about 3D printed architecture; hinting at the opportunities of new design language for printed projects.

More broadly, the project is offering a glimpse of a future where 3D printing could become a major force in the construction industry; where automated construction could address a variety of pressing issues, from alleviating workforce shortages to constructing affordable housing. Still, much work lies ahead. For this project, the team hope to use the project as a learning opportunity to streamline the construction process, as well as to optimize material usage and cost for 3D printing buildings — all necessary steps that need to be undertaken if 3D printed architecture is to attain newer heights.

 How can architecture be a force for good in our ever-changing world? During Future Fest, we’re pose this question to some of the world’s best architects. We’re hosting daily virtual talks from September 12th to 30th, which are 100% free to attend.  Check out the full schedule!

 

Reference

Path leading to grassy amphitheatre in Lijiang
CategoriesArchitecture

Z’scape adds grassy amphitheatre and wild garden to hotel in rural China

A winding wooden path leads to a natural amphitheatre created by rippling mounds of grass at this garden in Lijiang, China, which was designed by landscape studio Z’scape and has been shortlisted for the Dezeen Awards 2022.

Located at the Linjiang Hilla Vintage Hotel complex, the Wilderness Garden and Amphitheatre extends an existing landscape designed by the Beijing-based practice last year.

Path leading to grassy amphitheatre in Lijiang
Z’scape added a winding path and a natural amphitheatre to the site in Lijiang

The new additions have been shortlisted in the landscape project category of Dezeen Awards 2022.

For the new area of wild grassland, Z’scape worked with a botanist and local villages to find native plant varieties that would naturally thrive without needing any maintenance or irrigation, introducing greater biodiversity to the site.

Amphitheatre and wild garden in China by Z'scape
A raised boardwalk allows animals and insects to move freely around the landscape

A wooden boardwalk, raised 60 centimetres to allow animals and insects to move underneath, cuts through this wild garden, with an elevated platform providing a lookout.

Areas of open grass, large rocks and two small wildlife ponds are interspersed throughout the garden and were also designed to help minimise the risk of wildfires spreading.

Benches in grassy amphitheatre by Z'scape in China
The amphitheatre is formed by mounds of grass in a sunken region of the site

“Providing a critical habitat that offers rich nutritional value and shelter, Wilderness Garden is a haven for wildlife,” said the practice.

“To strike a compelling dialogue, a zigzag boardwalk weaves its way through the grassland to give visitors an extraordinary experience with dramatic and intimate overlooks,” it continued.

The wooden boardwalk leads to the new amphitheatre at the north of the site, making use of an existing sunken area in the landscape’s topography and defining it with concentric ridges that overlook a central performance lawn.

Recycled timber has been used to create simple benches that follow the contours of the amphitheatre’s ridges and are dotted with works by local sculptors.

As well as a space to watch performances, the amphitheatre looks out across a dramatic landscape, including the UNESCO heritage site of Baisha and Jade Dragon Snow Mountain.

Amphitheatre by Z'scape in Chinese landscape with views of mountains
Long benches in the amphitheatre offer spaces for children to play

“Natural play opportunities are embedded in the landform, where children can run, climb, jump, dance or roll,” said the practice.

“A series of long benches offer historic views to the snow mountain and the best views of the central performance lawn,” it continued.

Aerial view of amphitheatre by Z'scape with curved benches covered with snow
Long recycled timber benches wrap around the circular feature

The original landscape design incorporated the remains of an abandoned village built by the Naxi people, and every year a traditional torch festival creates an “immersive and interactive environment” for celebrating Naxi culture and craft.

Z’scape was founded by Zhou Liangjun and Zhou Ting, and has a particular focus on landscaping projects for cultural tourism projects, boutique hotels, urban spaces and residential developments.

Other projects that join the Wilderness Garden and Amphitheatre on the landscape project shortlist of Dezeen awards 2022 include a rural farm in Iran co-designed with local communities, and Heatherwick Studio’s Little Island in Manhattan.

The photography is by Holi Landscape Photography.

Reference

Architects: Here's How to Supercharge Your Hybrid Workflow
CategoriesArchitecture

Architects: Here’s How to Supercharge Your Hybrid Workflow

Architizer Journal is reader-supported. When you buy through links on our site, we may earn an affiliate commission. Learn more.

As remote work continues to dominate the workplace landscape, tools and devices designed to improve the virtual experience are becoming increasingly important and popular amongst designers. Indeed, most firms in the United States are offering hybrid work models to their employees, a potentially revolutionary change that certainly transforms the design profession, where office culture and collaborative processes are integral to the success of many projects.

While working from home offers numerous benefits and perspectives, the office atmosphere is hard to replicate and often missed. Thankfully Owl Labs has developed a new and improved technology to facilitate collaborative work from a distance. The recently-launched Meeting Owl 3 multitasks as a 360° camera, microphone and speaker device that elevates the video conference experience, fosters connectivity and improves overall productivity.

Learn more and shop >

Meeting Owl 3 integrates with the most used conferencing platforms today, such as Zoom, Google Meet, Microsoft Teams and GoToMeeting among others. Its compatibility is ideal for designers whose work is conducted over multiple conferencing platforms. Owl Labs has integrated their Owl Intelligence System into the device, which consists of AI-driven software that regularly upgrades to make collaboration as immersive, inclusive and reliable as possible.

The output resolution is 1080p HD, with a field view of 360°, ensuring clear and crisp video quality that helps team members feel connected while working apart; this level of detail can be vital when showing physical objects, including models and sketches, rather than doing a screenshare. Moreover, the device’s microphone comes with 8 omnidirectional beam-forming Smart Mics and an audio radius of 18 inches. The speaker quality and output quality help to ensure that both designers and project teammates can hear one another as clearly as possible.

The Meeting Owl 3 is designed to automatically focus on the voice actively speaking, which creates the best possible meeting experience without having to intervene and consistently check-in with those listening. Owl Lab’s easy-to-use connection system makes it ideal for those running multiple meetings back-to-back or those signing into last-minute calls. It can be simply plugged into the host computer via USB-C or can be connected to the Expansion Mic via micro-HDMI. Once connected, users can immediately start their video conference call.

Beyond home work, The Owl Lab is useful to architects working in the office who would like to collaborate with teammates or meet with far away clients virtually. Indeed, it is especially helpful for design firms that conduct international business with overseas clients. This device’s ability to mimic the office environment and in-person feel will aid in building client confidence and maintaining a good rapport between team members.

This ind of tool is also useful for larger conferences or for those working in big spaces. In such cases, Two Meeting Owl 3s can even be paired together to expand the video and audio coverage within a space. Meanwhile, the device is small and compact and blends seamlessly into any environment without creating an eye sore or distraction.

Since its release, the Meeting Owl 3 has been widely revered for its effortless set-up and ability to foster connectivity. One Amazon user explained how the “system was so simple to install, plug it in, initiate the system and you are off and running on your zoom meeting” and how it “made the meetings fun, functional and will allow our in person and remote teams greater ease and access to each other, a win for us in productivity and connectivity.”

Meeting Owl 3 is one of those devices that enables designers to maintain the best of both worlds: to continue working remotely without having to compromise on collaboration and communication. Equally, it allows studios to seamlessly present projects and make virtual connections with far-off clients around the world.

Learn more and shop >

For more laptops and workstation recommendations for architects, checkout 15 Top Laptops for Architects and Designers, and watch out for more in our Tech for Architects series, coming soon.

Reference

mi pan_interior_1
CategoriesArchitecture

Tiny Timber: 6 Small-Scale Retail Designs With Beautiful Wooden Interiors

How can architecture be a force for good in our ever-changing world? During Future Fest, we’re pose this question to some of the world’s best architects. We’re hosting daily virtual talks from September 12th to 30th, which are 100% free to attend.  Check out the full schedule!

Shops can provide impressive shopping experiences even with limited floor areas. Instead of using shiny and luxurious materials that crowd the space, wood can easily bring intimacy and coziness to compact spaces. This collection includes six examples of retail designs that smartly employ wood in small store spaces. They demonstrate the possibility of timber-clad interiors, revealing how wood can evoke a range of atmospheres from quiet calmness to bright warmth to intimate mystery and more.


Mi Pan

By Concentrico, Mexico City, Mexico

Popular Choice Winner, 10th Annual A+Awards, Retail

mi pan_interior_1mi pan_interior_2The bakery Mi Pan celebrates bakers’ hard work in making delicious bread. Metal trays reoccur on the shelves, wall cladding and ceiling decorations. These are the same type of tray used for bread production, reminding people of the heart of Mi Pan – the kitchen.

Instead of regular shelves, the design team uses trays and timber frames to hold freshly-baked bread. The trays emphasize the fact that the bread comes straight out of the kitchen as they are ready. Timber frames extend onto the walls and ceiling, breaking the boxy space into rhythmic fragments. The trays that hang from the ceiling hide cables from customers’ sight while making the bakery cozier by lowering the space.


Haregino Marusho

By Tsutsumi And Associates, Yokohama, Japan

haregino marusho_interior_1haregino marusho_interior_3The design team refurbished the floor of the wedding Kimono in the traditional Japanese clothing shop Haregino Marusho and themed it with wood. Many spatial components, including display shelves, partitions and the ceiling, are in warm-color wood of similarly soft patterns. The space becomes an elegant wooden display box that does not take any spotlight from the kimono fabrics.

The ceiling panels are cut strategically to create a layering effect that resembles the Kasane (layering) of the Kimono. They also bring subtle changes in the ceiling height, making the monochromatic space more interesting to wander through.


Blackhills Cafe

By Mora + Suksumek, Lat Phrao, Bangkok, Thailand

blackhills cafe_interior_1blackhills cafe_frontIn the coffee bar Blackhill, smooth wooden surfaces are put in conjunction with rough concrete surfaces. They together create a zen space for enjoying a moment away from the busy central Bangkok. In contrast to the colorful urban environment outside, the materials used in the coffee shop are limited to only wood and concrete. The simplicity of the design makes it almost a meditative space.

The coffee shop has a large, glazed front that welcomes late afternoon sunlight into the shop. Natural light gets through the open-plan interior. A few seats are available by the window and by the counter. Sunset, the visual and smelling experience of coffee-making are presented all at once.


Tsubomi House (Tokyo Bud House)

By FLAT HOUSE, Tokyo, Japan

This small house has a footprint of only 280 square feet, yet it accommodates a biscuit shop and the shop owner’s family. Tsubomi House has seven different levels with no solid partitions between them. Each level is half a story higher/lower than the next one. Without walls separating each functional area, residents can move quickly from one space to another.

The interior finishing is largely in plywood which produces a gentle reflection of light. Natural light, therefore, comes in through openings on different levels and travels in the whole space. Paired with ivory steel, the light-color plywood makes the compact interior bright and continuous.


Sandra Weil Store

By Zeller & Moye, Mexico City, Mexico

sandra weil_interiorsandra weil_detailInstead of presenting the garments all at once, Sandra Weil Store’s design gradually reveals the collections as customers walk around. Floor-to-ceiling slats made of local tropical wood stand in line with equal intervals between them. They form rhythmic partitions that are visually permeable only from certain angles. This allows a comfortable level of privacy in the shop without cutting the small store space into tiny fragments.

Garments hide between the slats, not showing themselves fully until the customer is in front of them. Meanwhile, the light and view change as well from one rack to another. The shopping experience in Sandra Weil is all about exploration.


RE x SUGAR

By CHINA ONDO Studio, Nanjing, China

re sugar_frontre sugar_interiorThis community bakery uses large areas of warm-color timber to create a relaxing atmosphere. Like Blackhills Café, RE x SUGAR also has a transparent shop front that embraces the sunlight. A large folding window connects indoors and outdoors while the window sills become seats.

Woods of different textures create a harmonic yet interesting space. Some wooden surfaces are smooth, for example, the front door, walls, window frames and chairs. Cupboards, the display area of bread and the floor around it are covered in rather rough and pattern-intensive wood.

How can architecture be a force for good in our ever-changing world? During Future Fest, we’re pose this question to some of the world’s best architects. We’re hosting daily virtual talks from September 12th to 30th, which are 100% free to attend.  Check out the full schedule!

Reference