100 Photos That Tell Powerful Stories About Architecture in 2022
CategoriesArchitecture

100 Photos That Tell Powerful Stories About Architecture in 2022

One of the most exciting moments of Architizer’s year is upon us again — we are thrilled to reveal the 100 amazing Finalists for the 3rd Annual One Photo Challenge, architecture’s biggest photography competition! Including unique architectural images from around the world, this year’s vibrant exhibition is full of unusual perspectives and bold juxtapositions of form and void. Each photograph tells its own unique story about buildings, people and our world in 2022, demonstrating how architecture can be viewed as a landscape, an artwork, a stage, a refuge and a home.

The final judging process is officially underway, with our stellar line up of expert jurors reviewing each image in minute detail and reading the stories behind them. They will be judging the photographs based on the competition criteria to come up with their top entries. The jurors’ rankings will be converted into scores, which will then give us our two Top Winners and 10 Runners-up.

The 2 Top Winners — 1 student and 1 non-student — will win themselves $2,500, an exclusive interview with Architizer Editors about their image, and a spot on next season’s prestigious competition jury! If this sounds like a challenge you’d like to have a go at, you can register for next season’s One Photo Challenge by signing up here.

Without further ado, explore the 100 Finalists below (published across 4 posts and in no particular order), accompanied by their stories, written by the entrants. Tell us which is your favorite on Instagram and Twitter with the hashtag #OnePhotoChallenge! Below, “Part 1” presents the first 25 architectural photographs — you can jump to parts 2, 3 and 4 using these buttons:

Part 2     Part 3     Part 4


“Family” by Jeff Durkin

Breadtruck Films

“This was taken at the University of California San Diego’s world famous Geisel library by William Pereira. This was taken on a hot summer day when school is out and the campus becomes a playground for families and children in the area of La Jolla. I’ve spent many days at this library, but this day was special because many families where on campus to see the “Cat in the Hat” statue that is just out of frame.

Theodore Geisel a.k.a. children’s book author Dr. Seuss had lived in the area and his wife had donated his work and trust to the library, in his honor, so it’s a big place for kids. I snapped several photos that day, but this family in primary colors captivated by the inverted pyramid represents and idealistic childhood in the mid-century.”

Camera: Canon


“Urban Mountains” by Katharina Klopfer

“When walking through downtown I am constantly fascinated by highrise buildings and the impact they leave on us. Do we feel small and overwhelmed by this kind of architecture? Or is it similar to what we feel when we climb mountains or get lost in dark valleys? We certainly do enjoy the view when we reach the peak or rooftop. This urban landscape seems to be a reinterpretion of the white-top mountains that surround us and can be spotted vaguely in the distance.

While I was watching the facade workers doing their job the image of an alpine scenery was recalled. An urban mountain landscape waiting to be conquered by humans. Mysterious, frightening, but also loved. Excactly like pristine nature appears to us.”

Camera: Fujifilm SLR


“POPCourts!” by Shelby Kroeger, Alan Barker, Max Komnenich, Anezka Gocova, Vanessa Stokes & Missy Perkins

Lamar Johnson Collaborative

“POPCourts!, a 7,000 SF community plaza in the Austin neighborhood on Chicago’s West Side, was born from the pandemic and civil unrest and developed in concert with Mayor Lightfoot’s INVEST South/West initiative. The goal was to provide a safe community space that residents could enjoy outdoors during the pandemic while also creating a visible presence along Chicago Avenue.

The entire design team transformed this empty city lot into three-zone “Courts,” each serving a variety of community functions, allowing activities to “Pop” up and transform over time. The basketball court doubles as a community plaza. The gravel drive hosts food trucks, farmer’s markets, and other seasonal vendors, and the shaded lawn functions as a Food Court with casual seating. Local artists painted murals on the adjacent building walls, depicting figures such as Malcolm X, Harriet Tubman, and Maya Angelou.”

Camera: Canon


“‘Undersea Adventure’ on the Roof of Opus” by Wujingting Zeng

Politecnico di Milano

“One morning, I looked up at Zaha’s Opus and saw workers scrubbing the roof of the atrium. Then I walked to the top floor of the atrium and took this photo under the feet of the workers.

The sky bridge blocks the sun, and people lose the reference to identify themselves as on land.The glass makes the outside world a blue like the under the sea . The curved building shape makes people feel like they are at the bottom of a coral reef. “Divers“ are holding ”probes“ to find the lost treasures. Falling water droplets became the bubbles they exhaled.

In a city like Dubai, where the desert meets the ocean, the workers who clean the dust from the desert look like divers under the sea in the contrast of the building, which endows the picture with a mysterious poetry.”

Camera: Other


“Here’s looking at you, kid!” by Paul Ott

paul ott photografiert

“This image is my photographic translation of a space-dissolving surface design of a stairwell interior. Its design is part of the conversion of a bourgeois house from the 1900 into an apartment building.

The woman’s steady gaze questions the observer: What is the substance of this image? Is it real or imaginary?

“Here’s looking at you, kid!” – Humphrey Bogart, Casablanca.”

Camera: Hasselblad 500 C/M


“Steps” by Manuel Mergal

“The “steps” are of the National Gallery of Art in Washington DC. The hard shadows on the photo serve to decontextualize it, thereby engaging the viewer with what he or she has in front as a photo itself, and not necessarily the fact that it is recognizable as the National Gallery of Art in DC. The sharp divide between the left and the right is a comment on the human condition: the decision that we are all confronted with and the fact that it is only in the light of knowledge (light which produces the hard shadows) that we see the right choice.”

Camera: iPhone


“Self-revealing.” by 易暹 李

YHLAA

“This is a chamber for yoga master to give lecture and practice.
The design concept is to build a cave for the master to hide himself from the noisy world.
It is hidden in the busiest area in Taipei City.
Outside the chamber is extremely busy and loud, but inside is totally different.
This place gives people a huge sense of tranquility, Where people can discover themself via yoga training.”

Camera: Sony


“Fountain of Youth” by Sean Wolanyk

McGill University

“Walking through the streets of Chefchaouen, one notices the distinct lack of authentic life. With vendors catering to groups of tourists, finding people genuinely living their lives is a rare sight.

However, upon turning around a corner, I saw a young girl sitting on the edge of a water fountain, filling a small bottle. I was fascinated by this sight, as not only was it a resident living their life, but a child on her own in the street. This seems distinctly foreign to me, having grown up in suburban North America. Perhaps this is an example of bad parenting, but maybe it is emblematic of an older way of life that has died in my world, but lives on here in Morocco.”

Camera: Canon


“Reflect” by Kim Smith

Kim Smith Photo

“In one still moment, our viewer inhabits the past, present and multiple futures. From her perch, she feels the power of the timeless.

Set in the context of bustling, time-worn Manhattan, our viewer reflects – literally and figuratively. Amongst iconic architecture of a classic era, she discovers the present moment. Comfortable, curious and captured, her future lies unwritten among infinite reflections.”

Camera: Fujifilm SLR


“Reflektor” by Adrian Aguilar H

“The cultural center Teotitlan Del Valle in Oaxaca Mexico, is a cultural center located in a community where the main income is art crafted textiles, this center not only allows small artisans to show and promote their work, the center also hosts various artistic activities for the development of young people, these activities are: music, painting, dance and theater.

The stairs that can be seen in the photograph, are the connection between 2 important levels that communicate to a main square where the artisans are located and the second level connects to the halls to practice the cultural activities, this portal is the daily crossroads of the community. The photo wants to reflect the important connection between the economic development of the community and the importance of cultural and artistic development in the society. The architecture becomes protagonist and spectator of the development of a community proud of its roots.”

Camera: iPhone


“Solitude” by Robin Quarrelle

Robin Quarrelle Photography

“Early 2022, when the Omicron Covid variant was ripping through the UK, it was hard to find a safe place where one could find comfort away from home. This is Clifton Cathedral, in Bristol, UK. A building i’ve walked past many times without realising what an architectural treasure the interior was. I’m not a religious man, but I do find these spaces incredibly peaceful. I was alone for an hour whilst taking some pictures of this space, except for a short few minutes when a student popped her head in to seek some peace, solitude, and perhaps comfort during an unsettling and difficult time for the country.”

Camera: Sony


“A Glimpse of Heaven” by Jean Claude Ardila

Jean Claude Photography

“This image was taken at the Tampa Museum of Art. There is an opening on the building guiding your eyes towards the sky. I laid there with my camera on my face to avoid shake and trying to capture the best angle using the lines in the structure towards the clouds. I noticed there were paragliders in the area and I waited patiently for one to appear in my frame. I am glad I did.”

Camera: Sony


“Arachnophobia” by Tiffany Liem

Brookfield Properties

“Suspended 40ft in the air, a woman floats on a web-like net.

The scale of the human form to the net equates to a spider and its web. The artist, Tomás Saraceno, transports the user to a sensory experience in which we become the arachnid. The sun-like sphere fades into black and we are transported to a universe where we feel every vibration of the web and our ears consume all of the frequencies echoing in the darkness.

It’s a subtle reminder of how small and isolating we can feel in a vast and expanding universe.

Photo from Tomás Saraceno’s exhibition Particular Matter(s): Free the Air: How to hear the universe in a spider/web exhibited at The Shed.”

Camera: iPhone


“Art Jameel” by Shoayb Khattab

Shoayb Khattab Photography

“My intention from this project was to reduce the minimalist architecture design of Jameel Arts Centre to a single frame and presents its white façade and clean lines in the simplest way possible. What made the capture more interesting is the passing mechanical guy which was a happy accident that contributed a human element to the otherwise too pure of a picture.”

Camera: Canon


“Fun in the Sun” by Daniel Francis

Dan Francis Photography

“In the year 2020, the world as we knew it changed.

Adults who spent hours at the office are now finding themselves at home a lot more than usual.

Work and home life has merged. The new addition of the house for this active family was completed in 2021 to bring some relaxation and to enjoy the outdoors with the ones that matter most.

The exterior finish of the home was a technique called Shou Sugi Ban and the deck brought the goal to have the backyard be an extension to their home.”

Camera: Canon


“Cadets” by Brad Feinknopf

feinknopf

“We had been hired by Ikon 5 to photograph Bastin Hall at The Citadel. The Citadel is a U.S. Military College in Charleston, SC. Bastin Hall had a beautiful screen that allowed dappled light into the atrium. It also created a beautiful backdrop for the Cadets heading to and from drills. This is a brief moment of relaxation on the way to drills in a rather structured environment.”

Camera: Canon


“Dancers” by Brad Feinknopf

feinknopf

“We were hired to shoot the new Cincinnati Ballet’s new home. If the lobby is a ceiling cut, people can look up into the studios above. A beautiful window into their great artistry.”

Camera: Canon


“Kites” by Lim yu heng

“This photograph was taken at the plaza of Kanagawa Institute of Technology in Japan designed by Ishigami Junya.

The photograph is titled Kites as the square openings on the thin metal roof distorts when viewed from above. At different seasons of the year, the metal roof expands and contracts according to the changing temperature. Thus, different shadows are casted on the plaza space below.

I intently waited until a passerby walk by underneath the roof in order to give the audience a notion of the sense of human scale as well as the feeling of vastness through architecture.

The negative white space is used as a metaphorical reference to the sky and the openings to be the kites floating in the wind. Through this expression, the photograph intends to evoke a feeling of isolation and to question our existence as mankind and the vastness of the space we inhibit.”

Camera: Sony


“Voyage” by Yin Tse Tseng

“I visited this expressionist Gothic church with vertical and minimal modern aesthetic. I captured a breathtaking moment on the first day of 2022. I experienced serene golden light sprinkling through the aisle while surrounded by pleasant music. To be a moment’s ornament, I am voyaging through the pulse of light.”

Camera: Nikon


“Down the Rabbit Hole” by Melissa Teo

“I stumbled upon Hyogo Prefectural Museum of Art, designed by Tadao Ando, during my mission to photograph minimalism in Kobe, Japan.

I was drawn to the maze-like staircase at the centre of the museum which connects the basement floor to to the outdoor space. This particular scene reminds me of the author, Lewis Carroll, who introduced the term “Down the rabbit hole” in Alice’s Adventures in Wonderland.

I wanted to photograph the use colors, contrast of the concrete walls, space and natural light which heightens visitors’ curiosity to escape into the designed “rabbit holes” of the museum. It conveys a sense of time spent in transit where one could drift into a reverie.

This invites us to move forward, urging us to keep becoming, as Alice would say, “curiouser and curiouser” and experiencing delight with architecture, in a multi-layered and synergistic fashion.”

Camera: Canon


“The Atlas Building” by Michelle Aarlaht

“The confident Atlas Building being wrapped in by the London clouds. This residential and office tower, by Make Architects, was completed in 2019, and is easily spotted when walking around East London as it is one of the tallest buildings in the area. To watch this bold construction disappear in the clouds was quite a humbling experience, broadening the personality spectrum of the structure – showing for a brief moment that it also has an introverted side – before it fully revealed itself through the clouds again.”

Camera: Canon


“From the inside to the outside in one jump” by Ivo Tavares studio Architectural Photographer

Ivo Tavares Studio

“The pandemic has created a new way for people to relate to their home.
The house is a symbol of security and outside of it we tried to complement it with experiences and being ourselves.
As we spent more time inside our homes, we had to bring these moments of pleasure and fun, and it is here that architecture gained a new perception.

The architecture created by the Frari atelier allowed this family, in a single jump, to connect the security of the interior of the house, to the exterior and to their fun.”

Camera: Canon


“WALKING FOR THE PACHINKO” by Otto Lizst

G+C

“The Botín Center, new art contemporary center in Santander, is made up of two volumes linked by an element made up of steel and glass walkways and stairs whose function is to connect both volumes called Pachunko, which owes its name to a Japanese pinball machine. It is a structure of squares and steel and glass walkways, which is seven meters high and whose function is to connect the east and west volumes, distributing the flow of visitors to the building. In addition, a nine meter long trampoline flies over the cliff, cantilevering over the sea, and allows the public to contemplate the bay in a unique and special way.

With this descriptive work of Renzo Piano’s architecture, I also emphasize the juxtapositions that the building gives off, lightness – solidity, transparency – opacity, minimalist spaces versus cumbersome spaces in their perception, not in their function.”

Camera: Nikon


“waiting time” by Ivo Tavares studio Architectural Photographer

Ivo Tavares Studio

Restaurante 34 em Guimarães com Arquitectura REM’A e fotografias de Ivo Tavares Studio

“After months in confinement caused by covid, many restaurants waited closed for better days, this image represents this moment of anxiety, calm and hope for better days.
Restaurant 34 in Guimarães created by atelier REM’A was inspired by nature and its elements, the image represents that awakening of nature where the morning fog does not allow us to clearly see the past or the future.”

Camera: Canon


“relationships” by Jeff Durkin

Breadtruck Films

“For me architecture is all about relationships. So when when my daughter wanted to do a photoshoot on her birthday when it was raining I cooperated. We grabbed our rain gear and stopped by the new Miller Hull Engineering building at the University of California San Diego’s campus which is across from our house and sat for a few shots with my camera on a timer. I just love the relationship between the primary colors against the monotone concrete framed by the bright green grass below. She turned 7 that day, and we have this stunning photo to remember the moment.”

Camera: Canon

Next 25 Photos →

Reference

This Danish Firm Took Rainwater-Damaged Walls and Made Interactive Green Spaces
CategoriesArchitecture

This Danish Firm Took Rainwater-Damaged Walls and Made Interactive Green Spaces

How can architecture be a force for good in our ever-changing world? During Future Fest, we’ll pose this question to some of the world’s best architects. Launching in September, our three-week-long virtual event will be 100% free to attend. Register here!

This is the story of an apartment building in Frederiksberg, Denmark, which was often called one of the ugliest buildings in the neighborhood over the past few decades. Its continuous concrete balconies and a stark grey façade might have been associated with efficient rental architecture when it was designed by Ole Hagen Arkitekter in the 1960s, but in the 2000s, it came across as cold and isolated. Over the years, residents became plagued with rainwater-damaged walls and constant nuisance from the heavy traffic on the street beyond.

Now, the old concrete edifice has been transformed into a spectacular award-winning building that has earned praises from both the locals and the government and stands as a source of inspiration for those with new visions to transform old buildings. In an interview with Renover Denmark, residents said that they now felt proud to call this building a home. So how did this dramatic transformation come to pass?

Instead of just addressing the water damage, Tegnestuen LOKAL came in with a vision to turn the existing façade of Ørsted Gardens into an interactive green space. “The main idea with the Ørsteds Haver project is to create a holistic environmental, social and architectural counterpoint to the pragmatic renovations that are carried out all over the country, and which often have a one-sided focus on energy,” they explain. This approach is one of the reasons that the building swept the Architecture +Renovation category in the 10th Annual A+Awards.

The idea was to create an environment that catalyzed random interactions, in turn generating new friendships between neighbors — which may sound idealistic, but has proven successful according to local residents. In addition to addressing the needs of future inhabitants, the design also takes into account the passersby and their experience of the building as they walk by it. The studio achieved this feat by creating triangular semi-private spaces to replace the older balconies. The system uses a mechanism similar to shelves where these boxes are fitted into the existing concrete structure. The bays on the bottom support the ones on the stop. Tension bands have been placed around to building to ensure that the additions don’t fall outwards.

These triangles are angled with glass on one side and a slatted screen on the other. The modules are staggered to break up a monotonous surface and also create space for planters within the gaps. Furthermore, the fifty small gardens also bleed into the interiors with small soil patches inside where residents have the option to plant their own saplings within these nooks. This helps them customize the space the way they would want it and introduces subtle differentiation between the modules. These bays also have openable glass panels to ensure that the space can be used through the different seasons. Another advantage is that this system acts as a buffer and dampens some of the noise from the busy street below.

The small gardens set between these balconies are made of welded steel boxes that come from the manufacturer and are placed directly into these gaps. They have an automatic irrigation system as well as spouts to ensure that the excess water from the garden falls directly into the garden below, indirectly enabling them to water themselves.

Introducing a social dimension to the building was more important to the studio than simply focusing on an energy-efficient model. “Energy renovations are effective from an economic and environmental point of view, but in their basic substance they do not take a critical view of the architecture being renovated,” they said. “Often, the architecture is simply repeated, without regard to the quality of the original project, and this unfortunately results in buildings with both poor social and environmental attributes being renovated solely with a better operating economy as the primary success criterion.”

Sustainability stands at the core of design decisions today. However, new additions might not solve the problems of current structures that consume too much power, have bad ventilation systems, don’t work with natural light and more. Additionally, the older buildings might not meet the changing needs of their residents. Think about the past two years; being locked at home during the pandemic has reminded people across the world of the importance of human contact, face-to-face conversations and the need to connect with nature for mental and physical wellbeing.

Finding innovative ways to radically transform current buildings is something many architects will have to look into in addition to planning new net zero energy homes and offices. In instances where building-level renovations might be impossible, there are still many opportunities to retrofit water collection, solar generation, green systems or spaces that boost connectivity into the outer envelope of the building that can dramatically change how the building functions and also contribute to the wellbeing of those using it. One single project might not change the world but it sure can make a difference one community at a time.

“If we want to achieve a sustainable future, we cannot rely on only building sustainable buildings going forward. We need to have a visionary method of transforming and adapting existing buildings to meet our changing needs,” said the firm.

How can architecture be a force for good in our ever-changing world? During Future Fest, we’ll pose this question to some of the world’s best architects. Launching in September, our three-week-long virtual event will be 100% free to attend. Register here!

Reference

To Make Sure Neutral Architectural Surfaces Don’t Fall Flat, Just Add Texture
CategoriesArchitecture

To Make Sure Neutral Architectural Surfaces Don’t Fall Flat, Just Add Texture

At their best, blank white walls can make a room feel large and airy; on the other hand, expansive blank planes can also lend themselves to clinical or boring atmospheres. And while vibrant colors and bold patterns can inject some personality into spaces, they might not always be an option for homes and offices that are dimly light, narrow or cramped.

In such cases, where neutral tones like white and beige are preferable, adding texture to walls and ceilings can add movement and depth to a monochrome space. Subtle textural protrusions won’t take up much space yet will leave a strong impact. More and more architects are incorporating corrugations, curved profiles, shallow folds and more to add intrigue to greyscale walls and ceilings.

Images by Jonathan Leijonhufvud Architectural Photography

Nanchang Insun International Cinema by One Plus Partnership Ltd, Wuhan, China

Taking inspiration from the black font over white pages in books, the studio transformed the cinema into a heavily textured space. The different panels on the walls are reminiscent of the flipping of pages of masterpieces written by scriptwriters. In the lobby, visitors come across cashier tables that resemble giant stacks of paper — in reality, they are made of Corian.

Panels with slim triangular blocks are suspended from the ceiling to resemble a curtain of flipping paper. Even the columns in the space have been painted and textured to continue the black and white theme. The only thing breaking up the monotony of black and white is a series of green cylindrical spotlights that are put together in an abstract composition.

Huaxin Business Center by Scenic Architecture, Shanghai, China
Jury Winner, 2014 A+Awards, Office Building – Low Rise (1-4 Floors)

The aim of the project was to maximize green cover and protect the six trees present on site. This is achieved by elevating the main mass above the ground to leave more room for green spaces below. The four blocks of the building are connected by open bridges. On the upper level, the spaces holding important functions are covered in twisted aluminum strips on the outside. These strips add translucency to the walls and help establish connectivity with nature beyond. The thin panels, much like light strips of paper floating and twisting with the wind, give the building a very tactile quality and heighten the experience as people walk around and try to peek at the trees beyond.

Images by Sharyn Cairns

Paperbark by KOICHI TAKADA ARCHITECTS, Melbourne, Australia

The restaurant offers a zero-waste menu with locally foraged Australian produce that is designed to inspire and delight. The space reflects this awareness of nature and slow movement. It is inspired by the Victorian Dandenong Ranges and the organic lines of the native paperbark tree. Repurpose biodegradable fabric is used to create the contoured ceiling installation. The subtle tones and softness of the installation help people form an emotional connection with nature while they dine and thereby create more awareness around conservation.

“Light Arrival” Yorkshire Ceiling by Flynn Architecture & Design, Crystal Lake, Illinois

Fluid lines on the ceiling of the sunroom help soften the rectangular edges of this space. Instead of going the digitally designed route, the ceiling is hand sculpted using translucent contoured panels that cover low-voltage LED strip lights for a diffused glow. During the day, when the lights are turned off, the shadows created by sunlight add more dimension to this three-dimensional installation. Fans suspended from this ceiling feature a similar curved profile.

Norwegian embassy in Athens by gfra, Athens, Greece

Unlike traditional origami, the art of kirigami uses small cuts in paper along with folks to create intricate, three-dimensional patterns. The Norwegian embassy in Athens uses this technique to imitate mountains reflecting in the fjord waters. Lights placed above this wooden structure enhance the folds and make this the focal point of the overall space.

Images by Alik Usik and Serhii Nikiforov

Tween Coexistence by Dmytro Aranchii Architects, Kyiv, Ukraine

Curved and bent strips of white shape all elements of this space — right from the ceilings to the reception desk. This technique also helps the furniture to blend into the walls, visualizing fluid circulation. The waiting area contains a large reception desk and an L-shaped sofa that blends in with the stairs leading to the interior spaces. On the ceiling, one can see two distinct patterns: one that originates in the reception area and another that continues along the transition to the inner spaces.

Images by Anil Patel

1102 Penthouse by Apical Reform, Ahmedabad, India

Much like a handcrafted contour model, planes with gradually decreasing cutouts are layered on top of one another to create the ceiling. Similar cutouts are used to embellish the kitchen island and console. The entire space is decorated in a neutral palette of grey and white to create a calming atmosphere. The staircase leading to the terrace is also composed using folded strips of metal similar to the forms of kirigami sculptures. Despite its lightness, it still holds a strong presence within the space.

Images by Jun Murata

N STRIPS by Jam, Osaka, Japan

This project is a renovation of a multi-tenant building that holds living areas and office spaces. The previous blank façade of the building is transformed into an eye-catching display with the help of white fins. This was done to add more privacy as the plot across from it is meant to have an apartment building built on it in the future. Furthermore, the louvers help conceal any unevenness in the external walls as well as the new pipes installed. The extrusions also create constantly changing shadows throughout the day.

 

Reference

One PhoOne Photo Challenge 2022: The 100 Finalists (Part 4)to Challenge 2022: The 100 Finalists (Part 4)
CategoriesArchitecture

One Photo Challenge 2022: The 100 Finalists (Part 4)

Explore a further 25 extraordinary architectural photographs, each one a Finalist in the 2022 One Photo Challenge. Let us know which are your favorites on Instagram and Twitter with the hashtag #OnePhotoChallenge!


“The determination of light” by sergio armillei

“The darkness looms hard. From above it seems to want to swallow everything underneath, sometimes it succeeds but not completely other times the light contrasts powerful and illuminates the structures of the city and nature. The darkness tries again but the light manages to reject the non -reality, the non -vision, the nothing. The light fills the voids and full down down and calls if those who observe giving the hope that it will always be there to give us strength and hope.

A school, architectural structure , infrared shot, Nikon D5000 at 720nm IR full spectrum”

Camera: Nikon


“Bleeding Lights” by Sean Wolanyk

McGill University

“Walking through the historic streets of Kyoto stands as a stark contrast with much of the rest of Japan with its sleek skyscrapers and neon lights. This city feels much smaller and ancient, with its quaint wooden houses and narrow streets. However, even in a place as old as Kyoto, the new has still found its way into the fabric of the city.

This photo captures this juxtaposition of the old and the new, with neon lights seamlessly bleeding into the narrow historic pedestrian street. A single man walks between these two contrasting worlds, emblematic of the perfect mixture of tradition and future that is so natural and common in this beautiful country.”

Camera: Canon


“The CICES at Dusk” by Mohamed Fakhry

Zimmer Gunsul Frasca LLP.

One PhoOne Photo Challenge 2022: The 100 Finalists (Part 4)to Challenge 2022: The 100 Finalists (Part 4)

“The CICES is a commercial center located in Dakar, Senegal. Every two years, the CICES host the FIDAK(Dakar International Fair), one of Africa biggest economic convention complemented by many trade events throughout the year, to showcase senegal’s and Africa’s diverse and rich cultures. Built in the early 1970s by French architects Jean-François Lamoureux and Jean-Louis Marin, the center includes 7 triangular pavilions in Senegalese Art deco style.

Since each pavilion represents one region of Senegal, materials characteristic of each region were used on the facade through craftwork by local artists. The facade’s red stone called laterite and a fresco made of sand and concrete highlight Senegal’s vernacular artistry at the intersection between architecture and Modernism.This photograph of the CICES captured at dusk reminds me that the world we live in is heterogeneous. However, the possibilities to create an architecture that genuinely reflects a given place at its core, are limitless!”

Camera: iPhone


“The Window” by Xialu Xu

SKIDMORE OWINGS & MERRILL LLP

“This photo was taken in Dia Beacon in upstate New York. Looking out, the surrounding nature has become vague silhouettes and paint brush like colors around the clear glass at the window. One then focuses almost only at the limited pocket of beauty, details highlighted, colors embellished, like a camera focusing on a target. When the light shines through, it’s the most magical moment.”

Camera: Sony


“Kadoguchi_” by Manon Duparc & François Pain

Think utopia Studio

“Our studio likes to compose the image through the detail of geometric and enigmatic scenes, leaving room for the imagination to take flight.

During our shooting of the new Albert-Kahn Paris museum for the Kengo Kuma studio, our architectural photography workshop “Think utopia” focused on the concept of threshold that governs this project. Kuma wanted to offer future visitors a Japanese-style journey in several stages.

In this shot, an enigmatic silhouette stands in the tunnel, taking us from the noisy, ultra-luminous and totally mineral tumult of the city to the entrance patio, which immediately lulls us into a softness of sound, vision and vegetation. This passage is made by a transition to black where the sounds are distorted, the light disappears and the path to be taken is like a perspective in the distance.”

Camera: Canon


“Snow White” by Xi Chen

School of Visual Arts

“On a sunny day after the snow, the Farnsworth House, a Mies van der Rohe classic, was fully integrated into the surrounding snow. It was the last day of the open season. The kindly old lady just finished her last guided tour. She carefully arranged the tables and chairs, drew all the curtains, locked the door, left the house on crutches, and stepped slowly through the snow. Both the lady and the masterpiece will rest to welcome new visitors from all over the world in the spring afterward.”

Camera: Sony


“Vertical Life” by Xi Chen

School of Visual Arts

“In New York City, the world-famous concrete jungle, people live their lives up in the air. But there are always oases of peace on the ground, providing breathable green places among concrete and steel. The gaps in Central Park’s foliage naturally form a viewing window, showing the vertical lifestyles of New Yorkers.”

Camera: Sony


“Flood Of Light” by Xi Chen

School of Visual Arts

“When entering the Yale Center for British Art from the corner, passing through a dark and forbidding foyer, once inside, I was rewarded with a beautifully proportioned atrium where light floods down from above. Dark-hued steel, oak, travertine, and concrete, all the materials were elegantly finished and just the right blended. Under the flood of light, people were appreciating this architectural masterpiece designed by Louis Kahn, just like appreciating an artistic painting.”

Camera: Sony


“Future Perfect” by Sunalika Sinha

“Museum of the Future in Dubai is a collection of interactive experiences that take visitors into a vision of the near future. The magnificent structure is based on a diagrid structure with the skeleton forming the main support. Inside, the space is entirely without columns. In the cavernous lobby, the Arabic calligraphy (that covers the entire building) also functions as windows and decoration. The visual and physical experience in this space is surreal and ethereal!”

Camera: Canon


“Community” by Tony Leung & Derek Yu

Urb design

“The project is located on a densely populated district in Hong Kong, the rooftop of Happy Valley market complex. The Architect creates a vibrant focal point especially for higher level residents by choosing a spectrum of colors for the waterproofing membrane on the rooftop, representing different streets of the district.”

Camera: Hasselblad (Drone)


“Paris Opera House” by Wayne Reckard

The Kubala Washatko Architects

“In June 1861 Charles Garnier won a competition for construction of a new opera house in Paris. In December 1861, Garnier wrote to Count Walewski to ask permission to produce a model: “When the composition of a building comprises different planes offering a variety of perspectives and aspects …, the best way [to judge the project] is to construct a complete model of the building. This model may consist of different parts that can be moved independently, making it possible, by trying out the various proposals for these parts, to give the model, and ultimately the monument, a satisfactory overall design.” *

Today, a replica of the model (the original disappeared in 1922) constructed of cherry wood is on display at the Musée d’Orsay in Paris. The opera house itself was completed in 1875 and is located in the 9th arrondissement.”

*text credit: Musée d’Orsay

Camera: Other


“Tyrol Snowfall” by Wayne Reckard

The Kubala Washatko Architects

“Three generations work and live on the the side of the mountain, in the shadow of the Kitzbüheler Horn, one of Austria’s most prominent peaks. The ornate heavy timber farmhouse is built in the traditional Tyrolean ‘einhof’ style, where both residential and agricultural spaces are shared under one roof; visitors will find cattle and other livestock in the lower level, while humans comfortably make their home above. There is little need for a modern garbage disposal when one merely needs to walk down a few steps to feed the evening’s table scraps to the pigs.

On this particular day a silent winter snow quietly blanketed the mountainside. It was a year of heavy snowfall, and our friend went outside yet again to clear a path.”

Camera: Fujifilm SLR


“Jakobskreuz” by Wayne Reckard

The Kubala Washatko Architects

“Perched atop Buchsteinwand Mountain in Austria’s Tyrol region, Jakobskreuz is the largest accessible summit cross in the world. Situated at an altitude of 1456m, with four viewing platforms and observation deck, the 29m structure offers 360 degree panoramic views of the surrounding Pillersee Valley, the Loferer and Leogonger Mountains, and the summit of Kitzbüheler Horn. The landmark is accessible by foot trail in summer; in winter, downhill skiers reach the summit via chair lift.

In addition to spectacular views Jakobskreuz offers a venue for seminars, weddings, and lectures. The well-known ‘Jakobsweg’ (The Way of St. James) followed by pilgrims and spiritual seekers around the world winds through the valley below, making the cross a destination for quiet contemplation and renewal.”

Camera: Fujifilm SLR


“Morning Glory” by Nachiket Garge

Killa Architectural Design

“The photo is of recently completed Address Beach Resort project located in Dubai, UAE.

The twin towers have a total height of 301m which are connected at top levels for the penthouses, spa and rooftop infinity swimming pool.

The tower’s pure form is an ellipse in plan with a void in the center that serves to increase daylight penetration and views to beach, Arabian Gulf and the horizon.

The orientation of the towers allows the morning rising sunlight to penetrate through the central void and reflect against the glazing symbolizing a bright, energetic start of the day.”

Camera: iPhone


“Once upon a time in Chile” by Emilio Deik

“Four years ago, I went with a group of photographers to northern Chile. For many hours we wandered the area, capturing industrial buildings under the glittering stars. It was way past midnight, and the experience was both exhilarating and mysterious. It seemed to me that, in the cold desert atmosphere, the silence wanted to speak.

It’s hard to imagine this building as one of the mainstays of the Chilean economy at the beginning of the 1900s. Inside, saltpeter—a highly valued mineral in that era—was processed after it was extracted. Companies built communities around industrial plants as well as railroad tracks and ports. Approximately 400.000 people worked mining the “white gold”. In the late 1920s as the economy collapsed, so too did Chile’s belle époque.

Today I revisit that visual memory in the desert and am left with the sense that sometimes silence speak louder than words.”

Camera: Nikon


“The Kiss of the Morning.” by Trevin D’Souza

SIR J.J COLLEGE OF ARCHITECTURE, MUMBAI

“The first light of the morning pierces through the Chhatrapati Shivaji Terminus, one of the busiest and oldest stations in India. It is one of those rare moments when the station is almost empty, when one has the chance to look up and adore the huge steel trusses and columns while slowly drifting along the platforms, something impossible to do during the rest of the chaotic day. The magnificent height and expanse of the roof renders a breath of fresh air to the incoming crowds. It’s almost as if first light of the sun is a harbinger for the chaos that would ensue, the peace before the storm. An analogue to the character of the station as the beginning of the many train journeys that ferry the people of India across the country. These are those special moments in time where one can relish the beauty of a bygone era.”

Camera: Other


“child in penguin pool” by Xiang Gu

“The Lubetkin penguin pool was once a landmark at the London zoo, designed by Berthold Lubetkin of Tecton in 1934. The elegant reinforced concrete ramp provides a playful stage for the penguins, and it was also one of the first works designed by the famous British engineer Ove Arup.

The pool was closed in 2004, due to penguins’ infection caused by walking on concrete. Before any renovation could be done, the pool still empty until now. Occasionally children would sneak in, try to experience what it would be like to be a penguin in this piece of early modernist architecture.”

Camera: Canon


“Mikimoto Ginza 2, Tokyo” by Stephanie Mills

“Toyo Ito’s Mikimoto Ginza 2 is a beautifully crafted, jewel like box where the composite steel and concrete façade forms the enclosing supporting structure that enables the inside to be column-free while also providing the flexibility to experiment with irregular, free form fenestration. In the restaurant the diaphanous, sheer curtains mask daylight entering from the irregular shaped windows, which, together with the suspended LED lights give the space an ephemeral and intimate quality. The filtering and layering are quintessentially Japanese. The diners were unaware of me taking a few discreet photos on my iPhone and continued to be engrossed in conversation.”

Camera: iPhone


“Fifth Floor, Tate Modern, London” by Stephanie Mills

“As an architect-photographer I’m constantly attracted to abstract patterns generated by the interplay of shadows and light. Adapted by Herzog & de Meuron, the robust, former industrial architecture of London’s Tate Modern provides countless opportunities for this kind of photographic abstraction. I captured this image as I was walking up the stairs to the Fifth Floor Members’ Bar overlooking the Thames. Through the naturally backlit frosted glass, my attention was drawn to the partial silhouettes of two seemingly ghostly people on bar stools facing one another. Beyond that is a collage of different abstract shapes, architectural elements and human forms adding depth of field and further interest to the image.”

Camera: iPhone


“Chasing the light” by Shiva Talebi

“Immersing your body in borderless art and experiencing the light and the art at Team lab Photo was captured depicting shadows getting smaller as they get deeper into the art installation and eventually disappearing. Much similar to “following” idols on social media and people losing their own authenticity to fit the mold and follow the light.”

Camera: iPhone


“A great moment of light” by Rigoberto Moreno Santana

“This photograph is taken in Hagia Sofia one of the most important Mosque of Istanbul and the world. A lot of people visit the Mosque in different ways, some as a tourist attraction, others as a cultural visit to admire the grand, impressive and important architecture of the building and some others the Muslims people as a prayer place of Islam. In my opinion, this is the most important use of the building. I felt a great moment of light there, the interior light on me, the light of each person around, the light of the souls praying and the special light of the building in itself. That’s why this image is unique.”

Camera: Nikon


“High-Low Freedom” by Youyuan Lin

McGill University

“Through the dramatic visual impact of the bird’s eye view, this photograph intends to render the vibrant culture of the LGBT community thriving in Davie Village, Vancouver, Canada. Featuring the ultra-wide angle, every object beneath the feet flows in a smooth rhythm, exhibiting a unique melody full of inexhaustible energy. Immersing in the warm colour scheme, the crystal pool, the scattered orange on the grey rooftops, and the colorful cars heading Rainbow Crosswalk in the shade of trees projected by sunlight all depict the diverse and welcoming atmosphere calling for freedom. Yet, on the other hand, the heavy shadow caused by high contrast covering the balcony on the top symbolizes the “cage” restricting liberty: it questions the sensitive yet ongoing journey of gender minority acceptance— is the existence of the neighbourhood itself the evidence of othering?”

Camera: iPhone


“Golden Gait” by Michelle Simmons

“This is the story of a monument: a sculpture that talked to a building, the sun, the sky and to me; a conversation that gave me a photographic understanding I had never encountered before.

I was so excited to experience Dubai Expo 2020 that I traveled to the grounds directly from the airport. I intended to do a walk-through first but was taken aback by a sculpture at the Qatar pavilion and stayed there until nightfall. Qatar’s pavilion, designed by Santiago Calatrava, is a modern interpretation of Qatar’s Coat of Arms: two swords encompassing a dhow amidst an island with palm trees.

A golden sculptural monument outside the main structure represents the palm trees. Although static, the sculpture moved; and I was challenged to find a way to photograph its dynamics. This photo of the 20-meter-high sculpture was taken by standing inside the 5.5-meter square base using a wide-angle lens.”

Camera: iPhone


“Ce n’est pas un arbre” by Francesco Epifano

“This picture was taken years ago in Paris, but it’s only recently that I have rediscovered its metaphoric content of an urgency to interact with nature, especially in a time of pandemic restrictions.

We are at the Petit Palais, a building where the rigidly sequenced exhibition spaces and the circular portico seem to find a solution in framing a tree, an archetype of nature, in a logic of symmetry, coherently with the construction elements. Furthermore, the presence of an observer intrigued more by the garden than by the museum collection suggests a subordination of human artefacts and expressions (architecture and works of art) to a harmonious contact pattern with nature.
Finally, the protagonist tree seems to hang on the wall like a painting, reminding us how nature can also be the object of human manipulation and design, blurring the boundaries between man and the environment.”

Camera: Nikon


“Like two lovers under a crimson sky” by Jakub Dračka

Brno University of Technology

“GREY. PINK. INDUSTRY. HUMAN. PEOPLE. MACHINES. JOY. LOOK. MOMENT. TIME. TRANSIENCE. SUN.

It is late evening. An almost perfectly symmetrical scene with trucks in the foreground and an administrative building regularly punctuated by window openings in the background forms a solid foundation of initial interest in the industrial district of the German Weimar. The overall impression is enhanced by the contrast of the grey earth and concrete with the poetically bright crimson sky and the reflection of the sun in the windows of the second floor. The regular and harmonious composition, together with the innocent pink, radiates peace and harmony, perhaps even a sense of security, stability, despite the uncertainties and fears that were and must be faced every day. More than ever, you need to look for beauty in the little and mundane things around you.

Seeing is forgetting the name of the thing one sees.”

Camera: Fujifilm SLR

 

Reference

How Will Modular Construction Continue Changing Design?
CategoriesArchitecture

How Will Modular Construction Continue Changing Design?

Browse the Architizer Jobs Board and apply for architecture and design positions at some of the world’s best firms. Click here to sign up for our Jobs Newsletter. 

Modular construction isn’t a new concept in architecture; however, it wasn’t until the 20th century that the concept began gaining traction: pre-fabricate parts of buildings in factories how we build car parts and then assemble them onsite as if they were human-sized Lego bricks. Even still, until recently the term ‘modular construction’ brought to mind clunky concrete boxes and repetitive housing blocks.

Yet, now, as manufacturing technology in the architecture sector continues advancing and the environmental cost of construction is being evaluated more critically, modular design is becoming an increasingly attractive approach for architects and contractors. In fact, AMA Research reported that modular construction is set to grow by 14% between 2020 and 2024, and its seemingly limitless possibilities portend even greater growth for years to come. We’ve only scratched the surface of what is proving to be one of the most promising research fields in architectural design.

By shifting construction towards a manufacturing-style process, the modular design presents a host of unique advantages. The fabrication of materials inside the strictly controlled setting of a factory reduces the number of uncontrollable variables that might have otherwise caused delays or cost overruns. All the pre-fabrication work also means that the assembly phase itself is as streamlined as possible: the bulk of the work consists in stacking and bolting together the components of the building, reducing the inconveniences of construction — waste, noise and pollution from heavy-duty machinery — to a minimum.

Take for instance B100arcquitectos’ Science of Rehabilitation Faculty building at Don Bosco University in Soyapango, El Salvador. The project by the A+Award finalist firm offers us a glimpse of what the future of architecture might look like thanks to modular construction.

Annex Building Science of Rehabilitation Faculty Don Bosco University by B100arquitectos, Soyapango, El Salvador

The impact is apparent in the most striking feature of the building: the large, beautiful trees stooping over and surrounding the campus building, as if they had been purposely planted around it decades ago (and not the other way around!). This impressive architectural feat could only have been possible thanks to the flexibility of modular construction; the pre-fabricated cubic modules only had to be moved into place rather than built from the ground up. And though that presented its own logistical challenges, it spared the sacrifice of many trees, leaving over over 80% of the lot’s forestry untouched. The old trees now form an integral part of the architectural experience and give a sense of maturity to the building far beyond its one-year-old existence.

Aside from the aesthetic advantages, the modular construction was completed quickly and with little material waste. This allowed the firm to work on a tighter budget — the whole project ringing in at under a million dollars — allowing the University to invest more on what’s inside the classroom rather than on the classrooms themselves.


Are you interested in joining one of the most promising fields in architecture? Consider applying to a firm that specializes in modular construction.

Volumetric Building Companies (VBC) is a global leader in volumetric modular construction headquartered in Philadelphia, PA with locations across the United States and in Europe. The firm uses its precision-driven manufacturing capabilities and project-proven expertise to provide high quality, sustainably produced modular-designed buildings in less time across varied market sectors. VBC is currently looking to hire a Design Technology Manager, a Senior Project Designer / Senior Project Architect and a Senior Design Associate for their Somerville, MA offices.

Browse the Architizer Jobs Board and apply for architecture and design positions at some of the world’s best firms. Click here to sign up for our Jobs Newsletter. 

 

Reference

One Photo Challenge 2022: The 100 Finalists (Part 3)
CategoriesArchitecture

One Photo Challenge 2022: The 100 Finalists (Part 3)

Explore a further 25 extraordinary architectural photographs, each one a Finalist in the 2022 One Photo Challenge. Let us know which are your favorites on Instagram and Twitter with the hashtag #OnePhotoChallenge!


“Dreaming While Awake” by Alex Nye

Alex Nye Art

“A man is huddled inside of his isolated yurt in the dead of a frigid night in Fairbanks Alaska. He hears the sound of sled dogs barking in the distance. He’s interested to look outside but doesn’t want to leave the comfort of his cozy wood stove-heated space. Curiosity finally overpowers him. He opens the door and discovers a spectacular dancing aurora above his head. He feels the freezing cold air pour into his hut but is too awestruck to care. He loses track of time just staring at the light show. It’s like a firework show that doesn’t make a sound. Is he awake or dreaming? Is this reality? As fake and surreal as this moment feels, it is a powerful reminder of the stunning beauty that exists in our natural world. But sometimes, one needs to experience discomfort in order to fully appreciate it.”

Camera: Canon


“Guangzhou Opera House” by Yu Liang

“Two women walked through the corridor of Guangzhou Opera House in the night. There was a kind of mystic atmosphere with the building when the light of an LED screen shined on the wall. It looks like they were walking into a space base. Guangzhou Opera House is located at the city center in Guangzhou City of China. It was designed by Zaha Hadid Architects.”

Camera: Samsung Galaxy


“Dreams come true – MüPa, Budapest” by George Palkó

“This is the main concert hall of MüPa, Budapest (HU). I photographed the building for my first book – Budapest Architecture 2000-2020 – , and this image ended up on the cover of the book. You can see my little daughter in the middle of the stage, what makes this photograph my all time favorite for me. She accompanied me on this photoshoot and I could gave her the chance to feel the atmosphere of a huge concert hall from the main stage. She just stood there for a couple minutes and then she started to dance… (Her dream is to become a famous ballerina.) This makes that photoshoot unforgettable for me.”

Architect: Gábor Zoboki – ZDA Architecture

Camera: Nikon


“Nostalgia” by César Belio

Cesar Belio

“Immersed in a forest of oak and pine trees, the house is protected by a wall of local flagstone, which separates the garage from the rest of the residence. The singularity of the formal language of this house is inspired by traditional Japanese architecture, designed in a single volume of apparent geometric simplicity where family activities are housed.

The protective vocation of the complex is evidenced through the use of wood as the main material, which in the interior is natural pine, covering floors, walls and ceilings, which generates a feeling of warmth, comfort and nostalgia, leaving a single opening that maintains a constant dialogue with its surroundings and is accompanied by a mirror of water that helps to enhance the essence of the place.”

Camera: Sony


“Reaching for the morning light” by Hugo Lütcherath

Hugo Lütcherath Photography

“I came around a bend, and there it was.. Playfully looking over the ridge together with it´s friend. It was reaching for the morning light, looking to see if the new day was bringing something good their way.
So I made the picture…”

Camera: Canon


“Portal to the World” by Matthew Buchalter

“Architecture helps us separate the internal from the external, the finite from the infinite, the actual from the theoretical. This traveler at the Mexico City Airport reminds us how confined we’ve all been these past two years and how cut off we’ve been from each other, while allowing us to imagine what might be. I like the idea that he takes a moment from his routine journey to contemplate other pathways he might follow. The portholes, perfectly arranged glimpses of the world beyond, capture the feelings of entrapment at the airport, while the large picture window reminds us of the infinite possibilities that airline travel allows.”

Camera: iPhone


“Less laws, more freedom” by laetitia Khachwajian

Architectural Association school of Architecture

“I’ve had a fascination in seeing buildings not as static, yet as a moving expression, as a playful language awaiting for interaction with the wind, light, and people. Oftentimes there is a misconception of architecture being characteristic of rigidity, differentiation, but there is life between buildings, in its essence and how we interact with it which has the power to break these barriers.

This intimate moment of two brothers chasing each other I captured at the forest tower in Denmark reveals the raw emotion of release; of purity and the adrenaline that comes from letting go in the arms of the structure. Located in the middle of nature, the continuous ramp allows for escape from the laws and noise of the city and provides a more inclusive, accessible sensory experience of freedom. The rhythm in the vertical patterns of the railings accentuates fluidity, translucency and harmony between architecture and oneself.”

Camera: Canon


“A Song Dedicated to Cangshan Mountain” by Terrence Zhang

Terrence Zhang Photography

“The Yangliping opera is located in the artist’s hometown, Dali city, Yunnan province. The architecture itself is like a symphony which composed for local Cangshan Mountain. The near is hills and lawn, to the far is the famous Mountain, height of 4000 meters. As a reflection of the mountain and Erhai Lake, Yangliping Opera, immersed in the sunshine, is opening her arms to welcome citizens who coming for joy, leisure and arts appreciation.

Yangliping Opera is one of the most breath-taking completed architectures in domestic China during recent years. The opera is always open to the public except only its interior stage. The outdoor area forms into an open view platform, which can be also used for a stage for performance.

In this photo, photographer carefully captures lights to make the opera visually elevating from sunken plaza, creating an inner connection among the opera, visitors and nature.”

Camera: Other


“The Weekend House – By Knut Hjeltnes Arkitekter” by Mark Elst

Mark Elst Photography

“This photo of the ‘Weekend House’ (also shown in Netflix’s documentary “Most extraordinary homes” is photographed for Knut Hjeltnes Arkitekter. Situated on a small island from the coast of Remøy.

The Weekend House is a modern interpretation of an old fishing hut. Captured during a late summer evening with a vary dramatic sky and a low sun rays that creates a focus on the house and shows a reflection in the water.”

Camera: Canon


“BEYsometrica” by Peti Lipták

BPLA

“Beirut went through a lot of things lately, but as Lebanese people, we always have to see the best in every situation. Beautifully renovated buildings, amazing colours and hopeful vibes are all around — marking the next chapter of the city and it’s effort to put its darkest day behind /4.8.20/!”

Camera: iPhone


“Arc de Triomphe Wrapped” by Mathieu Fiol

MFL Photo

“Being part of history, living it, at the same time, in the same place as it’s happening, that’s what you feel in a big city, where there is always something incredible happening. That time (septembre 2021) was Christo and Jeanne-Claude’s new temporary work: the Arc de Triomphe Wrapped. Even more meaningful because it was Christo’s posthumous work of art.

I went with the idea of capturing the Sunset as the background for my picture. While the sun was going down, and i was turning around the arch, the reflection of the Sun setting on the metallic fabric seemed more interesting and appropriate. As the art installation, that moment too, was temporary.”

Camera: Canon


“To Love Karachi” by Rabbiya Ahsan

Indus Valley School of Art and Architecture

“It is hard to love my city. It is hard to love a city with a tragic story, its constant battles and its broken structure. To love Karachi is akin to loving a broken person, and yet the citizens do it every day. They have held the city’s hand and walked with it through the worst of times. They have sat and mended the city when it broke. And in turn, Karachi has provided them with hope. The dilapidating structures and the polluted markets have become home. Pictured here is Peetal Gali in Saddar, one of the oldest markets of the city which deals in copper. Those who work there in the hot and cold face several challenges, but they still give their all. It is hard to applaud that determination. This city stands tall in the face of turmoil every time. This city is resilient. This city is home.”

Camera: Samsung Galaxy


“Hotel Marcel from IKEA Cafeteria” by Andrea Brizzi

Andrea Brizzi Photography LLC

“A case of successful repurposing. Marcel Breuer brutalist building in New Haven, CT, completed in 1970, originally known as the Armstrong Rubber Building, later as The Pirelli Tire Building, now converted to a high tech hotel. It opened this year. The building is listed on the National Register of Historic Places. The picture is taken from the cafeteria of the adjacent IKEA. The camera I use, a PhaseOne XT with a 150MP IQ4 digital back, delivers the highest resolution available commercially.”

Camera: Other


“Thirst for shade” by Valeria Flores

Handel Architects

“Summers in NYC are eagerly awaited by most but can also be particularly daunting to the vast majority… With overflowing public transit and towering buildings that reflect back concentrated beams of heat unto unforgiving concrete surfaces, the scattered plazas and public spaces around the city are burdened with a heavy task. Surely, they provide a pocket to break free from the city’s relentless grid but, at times, they fall short to shape an adequate environment for enjoyment. A number of these, with their manicured planting and their lackluster attempt to give some space back to the public, are remnants from a modernist era. Herein, they fail to be a desperately needed oasis for the thirsty citizens of an increasingly warming concrete jungle.”

Camera: Leica


“Loughborough estate” by Rui Nunes

“The photograph depicts a group of 4 slab buildings at the Loughborough Estate in London. These are just one of several post war brutalist housing estates distributed throughout the City. The photograph detaches the buildings from the surrounding urban fabric, allowing them to exist in their utopian Modernist form and obscuring their ambivalent relationship with the context and its inhabitants.”

Camera: Canon


“Parkaden” by Tõnu Tunnel

“Parkaden (Car Park) 1964 by Hans Asplund in Stockholm, Sweden
Between a steady flow of cars going through the centrum, there was a 1-2 second moment with this man walking. One of the two shots I managed quickly was this.

It was only later that I noticed that the patterns in the wall are floor numbers in mirror!”

Camera: Fujifilm SLR


“History of Toronto” by William Wong

WILLIAM WONG ARCHITECT

“The British established the town of York in 1793 with the installation of Fort York. The Town of York was later incorporated and renamed as the City of Toronto in 1834. This photo was taken standing on the Fort York historical site looking east towards the iconic CN Tower which is the world’s tallest free-standing structure since construction in 1975 to 2007.

The foreground/closest structure is one of Fort York’s Blockhouses with the CN tower as the furthest structure at approximately 1.5km to the east. There are a number of recent residential developments ranging from stacked townhouses to a 38-storey tower along Fort York Boulevard that are coincidentally compressed into one photo.”

Camera: Olympus


“Morning view” by Jose Davalos

“From my roof deck, I see what makes this city great…Las Vegas. The photo was taken early in the morning, when the yellows and ambers of summer were in full bloom. My location is within approximately 8-miles of the Stratosphere. These iconic buildings have a created an oasis in the desert, a mecca for everyone looking for entertainment and just a little more. Standing at 1,149 feet it’s the tallest building and a beacon of some sorts to many. It stands as an idea of what a dreamer can achieve in a city of no limits, Mr Bob Stupak was that dreamer. All the major resorts create and outline in this desert valley, being the tallest structures in the area. These structures not only depict strength and longevity but also possibilities for travelers trying their luck for riches. Sipping on my coffee I glance at the horizon and dream BIG.”

Camera: Canon


“Future & past” by Damir Otegen

“Baku is a rapidly developing but still quite conservative city. The neo-futuristic Heydar Aliyev Center built by Zaha Hadid Architects expresses technical development and an optimistic look to the future. However, security watches this high-tech building while sitting on an old chair.”

Camera: iPhone


“Neighbors” by Adam Kroll

HLB Lighting Design

“In the Gramercy neighborhood of Manhattan, a new residential tower dominates its neighbor, appearing ready to engulf it. The buildings fit together geometrically like Tetris blocks, but in every other way seem to share nothing except their physical location. The regularity of the monolithic glass and stone tower contrasts with the diminutive scale and ornament of the older structure. What does the owner of the Tarot reading shop think about the new neighbor? Do the tower residents visit the Mani/Pedi salon in the smaller building? Or do the occupants reside in different worlds despite their proximity.”

Camera: Sony


“Home alone” by Damir Otegen

“Esentai Apartments is a unique residential complex in Almaty city. The complex is part of one of Kazakhstan’s most ambitious projects – Esentai Park, developed by the world-famous Skidmore, Owings & Merrill.

Esentai Apartments is the embodiment of global construction trends and an exclusive luxury lifestyle in the neighborhood with the world’s leading brands such as Dior, Louis Vuitton, The Ritz-Carlton, etc.

This complex is a striking piece of urban architecture. But despite the above, almost no one lived there for many years.”

Camera: iPhone


“56 Leonard” by PAUL TURANG

Paul Turang Photography

“56 Leonard Street is an 821-foot-tall, 57-story skyscraper on Leonard Street in the neighborhood of Tribeca in Manhattan, New York City, United States. The building was designed by the Swiss architecture firm Herzog & de Meuron, which describes the building as “houses stacked in the sky.”

Camera: Canon


“Saddleback Sports” by PAUL TURANG

Paul Turang Photography

“Aerial detail of new Sports Complex.”

Camera: Canon


“Post-Pandemic?” by Nathan Swords

Virginia Tech

“There is an architectural graveyard at Virginia Tech. It is not on any map.

Beyond the scrapped solar houses and rotting models is a large concrete cube. I visit this cube frequently, especially during or after interesting weather. It is a space to experience time.

Even though it can seem like the pandemic is behind us, if we look closer we can see that the world we once knew has changed. Moving forward, we will always see things through the lens of the pandemic.”

Camera: iPhone


“Homerton College Dining Hall” by David Valinsky

David Valinsky Photography

“Feilden Fowles’ dining hall for Homerton College in Cambridge is an enigmatic creation, a celebration of bespoke materials and textures that is undoubtedly one of the most significant architectural contributions to an architecturally-rich city in recent years. The rough, board-marked concrete loggia provides a robust base for a cliff-like wall of glassy ceramic that is delicately pleated, absorbing and reflecting the light around it, more so without direct sunlight.

From this sharp angle, however, the folds, pleats and sculpted upper level become a rugged monumental mass. All glazing on both levels is all but hidden by deep reveals: extenuated fins to the clerestory and deeply sculpted concrete to the loggia. At blue-hour the material qualities and rich coloring of this sculptural object are brought to the fore, heightened by shooting angle that all but denies the fenestration. Only the lighting implies the inhabitation of this beautiful form.”

Camera: Fujifilm SLR

Reference

Why Portugal Is a Dream Destination for Design Lovers
CategoriesArchitecture

Why Portugal Is a Dream Destination for Design Lovers

Portugal is one of the most visited countries in Europe, and there is no surprise why. Located at the southwest point of Europe, Portugal enjoys a coastline connected to the Atlantic Ocean and borders Spain to the east. The country is filled with a range of breathtaking landscapes and historical sites to explore, all within close proximity to one another. Portugal harmoniously blends heritage with modernity, making it an unbeatable travel destination — for leisure and for architecture. From museums and interactive installations to distinctive religious sites and elevated hospitality, there is something for everyone in Portugal. This collection will highlight some some of the country’s stunning contemporary architecture, represented by a range of typologies.


Museums 

Photos by Joao Morgado

Museums play an important role in reciting the history, culture and heritage of a nation, and in Portugal, one will find an abundance of modern complexes dedicated to Portuguese art and culture.

Take the Olive Oil Museum for example. Located in Oliveira do Hospital, Portugal, and designed by VT – Vasco Teixeira Architecture, this site delineates the history of olive oil production. The museum features an array of objects belonging to the owner António Dias’ private collection dating back to the Romans. The site was built in the shape of an olive branch, which reflects the museum’s theme and becomes recognizable to visitors. From a bird’s eye view, one can recognize the form of an olive branch, which was designed using natural shapes and earth-toned hues.

Visitors are taken through a chronological journey that retells the history of producing olive oil. Each room is connected to the museum’s central space, and as viewers move through the edifice, they finish in a room that faces the breathtaking Serra de Estrela mountain range. This museum is distinctive and particular to Portugal and serves as a fantastic day trip for tourists who find themselves in the central district of Coimbra.


History 

One does not need to venture far to be immersed in Portugal’s expansive history. From the eighth century, Muslim communities dominated the Iberian Peninsula and have left their mark in today’s modern-day Portugal. Moorish architecture can be spotted by simply browsing the streets of Lisbon, while others incorporate traditional Moorish elements into their contemporary builds.

For example, a residential dwelling located in Mesão Frio, Portugal embraces the Moorish tradition of privacy without compromising sight. Quinta da Boavista designed by SAMF Arquitectos is located near Portugal’s Douro River and overlooks a hilly valley. The home is located on a wine-producing estate and takes the form of a U shape. The home’s two existing structures are connected by a new volume and together create an expansive courtyard.

The newer dwelling continues the stonework found in the original edifice and was designed to relate to the surrounding landscape. Openings were added to strengthen the relationship between indoors and out — even the additional bedrooms lead onto an outdoor terrace. The home is deeply connected to the outdoors however, in keeping with Moorish traditions, a sense of privacy is maintained through a purposeful placement of openings that can be obscured if need be.


Progressive Private Residences 

Portugal’s visual language is rich in well-preserved historic architecture and innovative contemporary design. This marriage of old and new makes for a special place to explore.

Located in the prestigious town of Cascais is The Wall House, a residential dwelling designed by Guedes Cruz Architects. The home is everything but boring and was built primarily using concrete, glass and wood. At first glance, the home looks like a large concrete box, which was done to protect the structure from the Atlantic winds as well as provide a sense of privacy. However, once inside, the experience changes. The dwelling’s most pronounced feature is the two exterior pools, one located on the ground level and the other above.

The upper-level pool is placed across the ground-level pool and features a transparent glass floor. Due to its transparency, the ground level is filled with a unique blue hue. Additionally, a glistening ambiance is created by the shadows from the water above as well as the sunlight filtering through the upper-level pool. The home is designed to offer expansive views of the adjacent golf course while maintaining a degree of privacy. It is not every day that one comes across a residence like this. The Wall House exemplifies the innovative architecture one will come across in Portugal.


Interactive Streets 

Portuguese designers utilize public spaces in a very special way. With the goal of strengthening community and encouraging interaction, public structures can be found throughout the country.

atelier do rossio architecture embraced the metamorphosis of a butterfly to inform the design of a public installation. Located in Viseu, Portugal is COCOON, a public structure designed for anyone and everyone. The cocoon symbolizes metamorphosis, growth, and shelter, and the structure is intended to do just that – protect and aid in transformation. The structure is a weaved cocoon made of wood and steel. Origami pieces cover the façade which works to enclose the structure and give it its distinctive appearance. Passerbyers are able to interact with the space in whatever capacity they please – whether it be admiring it from afar or enjoying it from within.


Elevated Hospitality & Unbeatable Landscapes

Jury Winner & Popular Choice, 2021 A+Awards, Unbuilt Hospitality | Photo by Mir AS

Photo by 24STUDIO

Photo by 24STUDIO

From mountain ranges, rolling plains to archipelagoes, Portugal is filled with spectacular landscapes all within arm’s reach. Portugal’s special topography has attracted tourists for decades, and the recent influx of visitors has given rise to the booming hospitality industry. In Portugal, one will find luxurious hotels and breathtaking landscapes, and sometimes, the two collide.

Located in Tabuaço, Portugal on the UNESCO World Heritage Site of Alto Douro Wine Region is Quinta de Santo António Hotel & Winery. This award-winning hotel is located below an 18th-century chapel and consists of a series of volumes positioned around a courtyard. The design team, Atelier Sérgio Rebelo, carefully studied the region’s vernacular architecture and local materials to construct the hotel. The site effortlessly integrates with the surrounding landscape and is designed so that guests can connect and experience this special wine region. The site’s architecture works to frame views of the surrounding landscape while offering a high-end hotel experience. Quinta de Santo António Hotel & Winery is an unparalleled hotel experience that offers breathtaking views, incredible wine and sophisticated amenities.


Unique Religious Sites

Popular Choice, 2018 A+Awards, Architecture + Wood | Jury Winner & Popular Choice , 2018 A+Awards, Religious Buildings & Memorials

Portugal’s most practiced religion is Roman Catholic, and as a result, one will find an array of ancient religious sites to visit. However, today’s devout don’t only frequent historic sites to practice their faith.

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletter. 

 

Reference

One Photo Challenge 2022: The 100 Finalists (Part 2)
CategoriesArchitecture

One Photo Challenge 2022: The 100 Finalists (Part 2)

Explore a further 25 extraordinary architectural photographs, each one a Finalist in the 2022 One Photo Challenge. Let us know which are your favorites on Instagram and Twitter with the hashtag #OnePhotoChallenge!


“Tempus Fugit” by George Messaritakis

“Immediately before I pressed the shutter while photographing this summer house conversion of an old barn house, the architect walked across the room to stand in front of the window and see what I was up to, perfectly silhouetting himself against the lights and merging in a fleeting instance building, creator, time, and space.”

Camera: Fujifilm SLR


“Perfect marriage” by José Benito Garcia

“Maat Museum in Lisbon, Portugal. The building blends with the river as a perfect couple.The location and the multiple ways you can interact, cross, feel, touch and love this building makes it an unmissable reference in Lisbon modern architecture.”

Camera: iPhone


“Maggie on the Mountain | French Broad House by Sanders Pace Architecture” by Keith Isaacs

Keith Isaacs Photo

“Maggie on the Mountain was captured one morning early in the pandemic, where we stood and waited, and waited for the fog to break, to gift us a ray or two of light. It was a feeling very akin to feelings of that 2020 spring, when we were all waiting for a ray of light. The house is located on a very secluded site in the Smoky Mountains of Tennessee. It was very peaceful there, almost enough to forget what was going on around the world. Then there was Maggie, who followed us around the whole day as we photographed the house, always happy and blissfully oblivious to what the human world was going through. She and the home were a nice reminder of the peace we can find in the moment and our immediate surroundings, especially when they’re glistening in a ray of light.”

Camera: Sony


“A Moment of Calm Above the Tokyo Skyline” by Ben Richards

Ben Richards Studio

“When first thinking of Tokyo, one might usually imagine towering cityscapes, bright lights and bustling pedestrian crossings. However, living in Tokyo during the pandemic, I experienced a different side to the city – one where I found moments of calm and peace.

This particular image was taken at Aman Tokyo, 33 floors over the dense built landscape. The space itself is designed as an urban sanctuary, and I wanted to create an image to tell this story and give the viewer a sense of calm, distilling the scene into only a few elements. Time of day was very important, with the soft golden light providing an ideal backdrop for the mood I wanted to represent.

Moving into 2022, Tokyo’s borders remain largely closed, and I hope through my images I can share a side to the city that is unknown to many, inspiring a sense of calm to future visitors.”

Camera: Canon


“A serendipitous anchor” by Khush Khandelwal

Balwant Sheth School of Architecture, NMIMS, Mumbai

“The photo frames the Buddhist monastery- Tashichho Dzong in Bhutan. A Dzong is home to the Buddhist monks, and stand as a strong pillar of the foundation of their ideology. The Dzong consciously reflects these ideologies at different wavelengths, from space planning to elemental ornamentations. The Bhutanese window in the frame- Payab Gochu, is one strong instance of the symbolism. The spatial manifestations reflect their principles of simplicity and minimalism. Through the architecture, consciously or subconsciously, one is always reminded and rooted to their beliefs and teachings.

The frame portrays these peculiarities, using multiple spatial layers to add depth to the portrayal, literally and metaphorically. A monk is seen traversing this depth, serendipitously anchoring the layers. A subtle sense of scale is felt, as one is rendered to focus on the intricacy of the monk-sized window, set between the integration of adobe stones, with a juxtaposition of stair risers.”

Camera: Other


“A Totem of Beijing” by Rex Zou

Aaron&Rex

“The existence of super-tall buildings shows the wealth and vitality of this city with a population of tens of millions, and at the same time, super-tall buildings are easily looked up by people from all directions. When I looked at it again on the roof of an already high building, this trophy (Chinese Tripod) – like building was within reach, almost completely grasped. CITIC Tower (China Zun), like a totem of Beijing, stands upright in the land and radiates its direct and powerful ability.”

Camera: Fujifilm SLR


“The shape of Arch” by xiao Mike

mmcm studio

“As one of the earliest architectural structures, arch is often translated into different shape of forms in modern architecture. This photo was taken in a teaching building of the Polus college. The atrium of the building is surrounded by arches to shape a shared public space of corridor, which reflects a sense of sequency.”

Camera: Canon


“The Zipper” by Lars Gruber

Lars Gruber Architekturfotografie

“The photo shows my assistant looking out over the city of Düsseldorf from the roof terrace of the RKM740 project by J. Mayer H. Architekten, also known as “The Zipper”, because of its striking facade. Some of the construction workers call the roof terrace the “Shark’s Mouth” – also a pretty good description in my opinion! Our shooting day started with fog, but luckily right on time the sun came out and created this wonderful light and atmosphere.”

Camera: Canon


“Deserted” by Boran Hrelja

“Image showcasing the ABSOLUTE WORLD condo complex in Mississauga, Canada, was designed by MAD Architect and viewed from the adjacent parking. In the last couple of years, we globally witnessed an unprecedented event of conquering the whole world by invisible microscopic creatures. Humanity strike back with everything we have. One of the options was to reduce the mobility and movement of the population to reduce the risk of exposure.

This measure drastically changed our cities, where we live, and places we love were transformed into empty, deserted shales. We created ghost towns. At that exact time, nature was going business as usual; it was raining, the sun was shining, the birds were chirping, and the grass was grooving. Despite the uncomfortable emptiness of places, we can occasionally be surprised by the warmth and beauty of the light. It gives us hope and appreciation of architecture and life itself.”

Camera: Canon


“Seattle Public Library” by Paul Vu

Here And Now Agency

“A former architect visits the library designed for the future in Seattle, Washington. He admires the multi-faceted space and how its visitors are using it – for work, for community interaction and for discovery.”

Camera: Leica


“Incoherence” by Alan Curtis

drive architecture

“Looking outward from inside the Snohetta designed 911 memorial pavilion.

Humans search for meaning shape our interventions in the natural world. In this photo nature is present but only as a reminder that it exists within multiple contexts, layers and scales of discordant human narratives.”

Camera: iPhone


“Thoughts” by Monica Graham

“Early in the morning, walking in front of One Manhattan West, in New York City, I saw a man taking a moment to rest and reflect.

One Manhattan West is part of Brookfield Properties’ Manhattan West development. It is an extension of the larger Hudson Yards neighborhood which is built above active train railroads to create buildable land where none existed before.

Skidmore, Owens and Merril designed this building without perimeter columns. This allows passersby to appreciate the 45-foot-high lobby through the equally impressive tall windows. The central, sculptural pedestal is the reinforced concrete and steel core that bears the full load of the perimeter columns of the 67 floors above.

The man is creating a personal moment by leaning his weight on the massive column.”

Camera: iPhone


“Graduation day” by Jeff Durkin

Breadtruck Films

“During the covid school closures I became the teacher at home responsible for my daughter’s education as my wife moved into working from home. I told my 6 year old that if she worked really hard I would buy her balloons and take her to the University California San Diego campus on graduation day 2021. And we did it…She graduated kindergarten and I snapped this stunning photo as a memory of getting through a difficult time.”

Camera: Canon


“blade runner” by Jeff Durkin

Breadtruck Films

“I was in Dallas Texas spending an afternoon at I.M. Pei’s City Hall when group of Challenged Athletes ran past my camera. It turns out it was a 5K race with hundreds of runners, and cyclists with prosthetics that helped them compete. They moved quickly and I snapped off a few frames…Ending on this shot here…

With the strong diagonal line and negative space it really forces the eye to focus on the human subject and his running blades. The blades are a new innovation for people who have lost limbs juxtaposed in front of the equally innovative Dallas city hall that was unlike any thing ever built at the time. I wonder what I.M. Pei would say about the forward design and form of the new prosthetics. I think he would really love this shot…”

Camera: Canon


“Alfa” by Shoayb Khattab

Shoayb Khattab Photography

“Designed by Foster+Partners, Alif – The Mobility Pavilion was unveiled at this year’s Dubai Expo. I intended for the picture to capture the essence of every successful architecture entity; people, form, function, mood, sense of scale and a sense of place presented altogether in a harmonious composition.”

Camera: Sony


“Apple Fifth Avenue” by Louis Pounders

ANF Architects

“We live in a high-tech world and our built environment has been greatly influenced by innovations in technology.

Apple has been a leader in tech development for over 45 years and here, in the middle of New York City, one can appreciate its tech-driven architecture as expressed by Foster + Partners.

Reflecting the skyscapers surrounding the underground store, Apple’s mirror-polished skylights link the city’s past with its future.

Exposing the photographer humanizes the urban environment.”

Camera: Panasonic


“stair builder” by Jeff Durkin

Breadtruck Films

“I was on assignment at University of California San Diego shooting for Perkins & Will on their new engineering building when I shot this photo. It was the end of a late summer day, and the job site had been full of building materials, dust and a lot of junk. As I was walking out I had noticed that they had cleaned up the ground level area and I snapped this suspended stair twisting out of the ground reaching to the sky. It captured construction in its most sculptural form with a touch of yellow and a worker heading home for the day in the evening light. The building is finished now, and this view will never been seen outside of this captured moment.”

Camera: Canon


“Urban Oasis” by Kevin Siyuan

“This is a photo of CapitaSpring, a biophilic commercial building in Singapore jointly designed by Bjarke Ingels Group and Carlo Ratti Associati.

The building gave me an impression of an enigmatic oasis hidden behind its sleek metallic facade, which are pulled open at a few specific areas to reveal elements of nature. I hope to capture the eye opening design from the street level to show a sense of scale, and this is the best spot I found to appreciate the grandness of the facade up close. At first I was waiting for a green car to drive past but a bird decided to model for me instead. Together with the street landscaping, the scene felt like a big urban oasis.”

Camera: Sony


“Cantilevered Competitors” by Dylan Corr

“The Denver Art Museums sharp and shimmering cantilever was surely not to be outdone by a measly traffic light… The museum and its urban competitor stretch their wings across 13th Ave, piercing through the crystal clear blue sky. Across the street, Gio Ponti’s Martin Building is content to reach up instead of out, in search of sunlight that will sparkle off its gray glass tiles.”

Camera: Sony


“Above the mass.” by 易暹 李

YHLAA

“This is a golf club designed by Siza.
When I went there, I saw a staff climb up on the roof to do some inspections.
He gave the place a better sense of scale.
Otherwise the sense of scale is lost when seeing this carefully arranges mass.”

Camera: Leica


“Yuandang Bridge” by runzi zhu

Fusion Photography Studio

“Yuandang Bridge designed by BAU architects connects Suzhou and Shanghai on Yuandang lake with a pedestrian bridge. People living nearby come a lot for walking and chill, especially in the early morning and dusk, and the sitting area in the middle was appreciated by users. My photo captures the peaceful mood of these two-person, facing the opposite direction and chilling in their own peaceful world.”

Camera: Fujifilm SLR


“Behind the gate” by Yang Chen

whyseeimage

“Many old towns or historical living blocks in urban area of Shanghai are in the process of being demolished or renovated. Majority of the residents have signed agreements and move out already, but there’s still some of them insist on living in their original houses. The exits between inside and outside are usually blocked using steel gateways with an opening on it for daily open-and-close. This is a view of one the openings.”

Camera: Canon


“A decorative doorhead and a little girl” by Yang Chen

whyseeimage

“A little girl walks by a sealed decorative doorhead, waving her badminton rackets. It seems like she’s waiting for her playmate.”

Camera: Canon


“Black and White” by Huanhai Cheng

“Black mesh wall defines white sky.
Black lines divide white marble floor.
Woman in black walked behind men in white.
She wore white sneakers while they wore black sandals.
Sometimes I wish I could easily tell black and white from what I see,
but it never follow your flow, just like you don’t know if those colors were true as above.
With filters applied, subjectivity overrides objectivity,
Black and White, I wish I could remove all filters to see the real world.”

Camera: iPhone


“Eye of the Beholder” by Benjamin Rosenthal

“What does it take to be noticed when all the world’s marvels are available from the palm of your hand?

The Broad in Downtown Los Angeles is undeniably a work of art. A museum as beautiful and complex as any of the collections being housed within it. But what happens when beauty is no longer enough?

This image encapsulates the catch-22 of design innovation made possible by modern technology and the same technology that impedes us from experiencing it.

I took this photo in awe of the Broad’s undulating, almost otherworldly façade while equally struck by how the experience was completely lost on my fellow passerby, too distracted by his phone to even notice.”

Camera: iPhone

 

Reference

As a First-Time Home Buyer, Should I Hire an Interior Designer?
CategoriesArchitecture

As a First-Time Home Buyer, Should I Hire an Interior Designer?

Anyone fitting out a new home has likely considered whether it’s better to hire a professional to design the interiors of their new space or to take that task on themselves. Hiring an interior designer brings unquestionable value to making a home uniquely functional and comfortable, but it does bring into question if it’s worth the cost. Luckily, the burgeoning world of online freelancing platforms offers a new method for homeowners to engage with freelance interior designers that makes even a modest investment worth the expense.

What Can an Interior Designer Do?

In general, an interior designer’s role in a home design project is to conceive of one or more possibilities for the layout, look, and feel of an interior space, then communicate their ideas with images such as 3D renderings, technical drawings, or material lists. Most importantly, they design spaces to satisfy both the functional requirements and aesthetic tastes of their clients. If done well, their experience and training leads to a more detailed, refined, and well-implemented design than a homeowner taking a do-it-yourself approach.

Interior rendering by Fiverr seller @dutchbydesign

Responsibility-wise, interior designers are often tasked with both selecting products and devising layouts for surface finish materials, lighting fixtures, furniture, cabinetry, and other furnishings. They can also oversee a contractor who’s building their designs, or advise a homeowner that’s installing them on their own. Their exact responsibilities vary by the needs of a project, but they can grow or be limited to include any aspect of how the interior of a home, or even just a single room, is designed.

Hiring an interior designer brings many practical benefits to a home design project. Their expertise allows them to spot problematic decisions before they’re implemented, saving time and money on mistakes. They’re also likely able to use their professional connections to get the best price on any fixtures, furniture, or furnishings needed for the project. Most importantly, their services free up a homeowner from taking the time to come up with a design, determine if it will actually work, and fret over numerous minor details in the process.

Why Hire a Freelance Interior Designer?

Many great, small-scale interior design firms and solo practitioners can provide services within many homeowner’s budgets. However, the best value is found by hiring a freelance interior designer through an online platform, such as Fiverr. The development of online freelancing platforms in recent years has allowed freelance interior designers to operate virtually while offering their services in discrete, pre-packaged bundles. This allows them to perform their services at much lower rates than conventional professional arrangements due to lower overhead costs and the elimination of a great deal of up-front negotiation.

As a First-Time Home Buyer, Should I Hire an Interior Designer?

Interior rendering by Fiverr seller @mmjhbaig

Anyone pursuing this approach to home design would definitely benefit from considering what deliverables they expect from a freelance interior designer before reaching out to one. An interior designer’s work products are often produced cumulatively as a project progresses, and what’s needed depends on the scope of the project and a homeowner’s budget. A typical workflow could incorporate any combination of items including an introductory consultation or conceptual direction-setter, such as a mood board, before moving on to detailed floor plans, elevations, or renderings.

If a homeowner is hiring a contractor to build their new space, they should ensure any plans an interior designer creates are detailed enough for their contractor to build from. In this case, it may be best to arrange a meeting between the designer and the contractor, or even a series of check-ins throughout the project’s construction. Many freelance interior designers offer this service virtually, although for relatively simple projects it may not be necessary, so it’s best to verify in advance what each party feels they need from the other to best complete their portion of the work.

How to Hire a Freelance Interior Designer

The easiest way to hire a freelance interior designer is through an online platform. With a dedicated Architecture & Interior Design store, Fiverr leads the way in this approach. A homeowner searching for an interior designer can filter their search on Fiverr by the type of deliverable, set of services, budget range, or seller characteristics they’re looking for, leading to a match far quicker than relying on recommendations from friends, family, or local industry groups.

Most talents on Fiverr break their work packages into three graduated levels of service, with price and other items like turnaround time, number of revisions, and final deliverables clearly identified. Specific details are agreed upon through direct communication before an assignment begins, and many freelance interior designers are open to discussing custom combinations of services, or even more complex work beyond their boilerplate packages.

Ready to find the perfect interior designer for your project? Head over to Fiverr’s Architecture & Interior Design store and check out the vast range of budget-friendly professional interior design services at your disposal.

 

Reference

Architects Should Stop Using Concrete. Change My Mind.
CategoriesArchitecture

Architects Should Stop Using Concrete. Change My Mind.

How can architecture be a force for good in our ever-changing world? During Future Fest, we’ll pose this question to some of the world’s best architects. Launching in September, our three-week-long virtual event will be 100% free to attend. Register here!

Concrete is one of the most widely used substances on Earth, it has been around for centuries and makes up most of our modern-day and past world. It is used to build our roads, our buildings and the many historic monuments we cherish today. Humankind relies on concrete for everything: to build our hospitals, transportation systems and schools. We have greatly benefitted from this material and it is thanks to its relatively straightforward manufacturing process that makes it easy to use on a global scale.

When we think back, some of the most important historic monuments still stand thanks to concrete. Take the Colosseum for example, or Le Corbusier’s Unité d’Habitation, such architectural wonders are owing to concrete.

The Colosseum metro exit, Rome, Italy, Courtesy of Wikimedia Commons

Concrete has played a pronounced role in architectural movements like Brutalism and Futurism and its aesthetic properties have been contested and debated time and time again. When and where concrete was first used is often debated and it typically depends on how one defines the term “concrete.” Although its origins are contested, it is clear that ancient civilizations have combined limestone with water and sand for a very long time. This historic mixing of limestone, water and aggregates can be seen as a precursor to the modern-day cement-making practices we use today.

In 2022, we live in a world dominated by concrete.The Romans were known to use concrete similarly to the way we do today. This ancient civilization built everything with concrete – bathhouses, harbors and important religious structures like the Pantheon. What’s significant about these ancient Roman structures is their ability to have lasted centuries. The lifecycle of modern-day concrete is roughly 100 years, however, there was something about the Roman structures that stood the test of time. Many believe the longevity seen in the structures built by the Romans is thanks to the use of volcanic ash, otherwise known as pozzolana

Today, concrete is made by blending Portland cement with water and then mixing the paste with aggregates — typically sand, gravel and crushed stone — which hardens and binds into an incredibly durable substance. Portland cement is a limestone powder developed in the late 19th century and is hugely popular in today’s cement-making industry. Concrete’s unyielding nature mixed with its relatively straightforward construction process has helped it land its name as the most used substance on Earth (after water, of course).

The Pantheon dome, Rome, Italy, Courtesy of Wikimedia Commons

We are living through the age of concrete, and the time has come for this epoch to draw to a close. The world’s most beloved material is, simply put, detrimental to our planet.

Concrete has kept us sheltered and secure for a long time. Safe from the elements, inside our concrete fortresses unaware of what’s happening outside. We have reached a time in history where concrete is competing — and winning — against the Earth’s fauna. Concrete accounts for around 4-8% of the world’s CO2 emissions and most of that is produced during the manufacturing stage. The concrete industry has tried to divert attention toward the material’s positive capability of capturing CO2, but studies have proven that concrete absorbs a mere 17% of emissions produced, and that’s over its lifecycle of 100 years.

However, it’s not just CO2 emissions that worry scientists: the cement-making process accounts for one 10th of the world’s industrial water consumption. An equally worrying issue is concrete’s impact on natural resources. The cement-making process is draining many natural infrastructures that humans rely upon. For example, the acquisition of sand to make concrete is destroying many of the world’s beaches. The glorified concrete jungle is covering the productive land we rely upon for our very existence.

Unité d’Habitation by Le Corbusier, Marseille, France, Courtesy of Wikimedia Commons

The craze for concrete, excess and grandeur is seen all over the world and is especially pronounced in China. Statistically speaking, China has poured more concrete into its land every three years than the United States has in the past hundred years. Not only is this significant in terms of environmental impact, but it is a costly endeavor for governments to replace and dispose of old concrete.

What can possibly be the solution to replacing the world’s most used substance? There is certainly no clear path to doing so, but there are ways to start. Architects, builders, manufacturers and consumers all carry a responsibility when it comes to making conscious choices that will impact our planet. Rethinking the production process, using alternative materials and conserving existing concrete structures are starting points. Finding alternative construction practices, such as timber-framed buildings, is important areas to explore. However, it is crucial not to replace one ecological issue with another.

The situation is complex, political and far from resolved. Demanding architects, who have been taught to rely upon concrete, to avoid the material altogether will take time. However, we need to start somewhere. We should be striving toward a mindset shift, one where humans understand their place on Earth and respect their ecosystems and natural terrains. We must shift our priority from grandeur and excess to preserving the Earth’s natural resources and ultimately, close the chapter on the concrete era.

How can architecture be a force for good in our ever-changing world? During Future Fest, we’ll pose this question to some of the world’s best architects. Launching in September, our three-week-long virtual event will be 100% free to attend. Register here!

Reference