Y27 House by Estudio Estudio with an inbuilt studio
CategoriesInterior Design

Estudio Estudio unveils “architectural treasures” in Mexico City house

Arched doorways and a rooftop studio feature in the Y.27 House, which has been overhauled by architecture firm Estudio Estudio in a way that honours the historic building’s original character.

Located on a 195-square-metre site in Mexico City’s Hipódromo Condesa neighbourhood, the project serves as a full-time residence for a client who is a social entrepreneur and collector of Mexican craftwork.

Y27 House by Estudio Estudio with an inbuilt studio
The house been overhauled to honour the historic building’s original character

Originally built in the 1930s, the stucco-clad dwelling had endured years of neglect, said local firm Estudio Estudio.

The design team set out to revamp the home’s interior, aiming to restore its original charm while enhancing its functionality.

Revamped home interior design
Estudio Estudio set out to revamp the home’s interior

The project involved removing walls, reconfiguring the layout and making structural improvements, in addition to adding new finishes. Moreover, a small storage room on the roof was replaced with a 43-square-metre studio building.

“The main goal was to unveil the hidden architectural treasures beneath layers of past modifications, meticulously restoring them to their original state to reveal the essence of the time,” the team said.

Kitchen entered via an arched doorway
In the rear, one finds a kitchen

“Architectural interventions aimed to preserve the authentic character of the house, rejuvenating ornamental elements while avoiding unnecessary embellishments.”

Rectangular in plan, the home has a mix of communal and private spaces spread across three levels. Curves and arches – many of them original – create a “harmonious flow”.

Rounded skylight that illuminates a staircase
Curves and arches create a “harmonious flow”

On the ground level, the layout “seamlessly integrates daily living requirements”. The front portion holds an entry hall, garage and office, while in the rear, one finds a kitchen, dining area, service rooms and a patio.

At the heart of the ground floor is an airy living room with a 5.9-metre-high ceiling. A tall shelving system with a metal-and-wood ladder acts as a focal point.

Tall shelving system
A tall shelving system acts as a focal point in the airy living room

A gently curved, skylit staircase leads to the first floor, where the team placed a primary bedroom, two bedrooms and a family room.

Atop the building is the new studio, which was constructed using pine. In addition to the studio, the building contains an onsen room with a barn-style door.

Barn-style door
The building contains an onsen room with a barn-style door

The studio opens onto a terrace with terracotta flooring. Rainwater is collected on the roof and channelled to a reservoir below.

“The roof terrace serves as a space to gather but also works as a rainwater collector, where rain travels throughout the house into a water reservoir and filter system beneath the back patio,” the team said.

Throughout the home, the team used earthy materials and neutral colours. The lighting design – created in collaboration with lighting expert Luca Salas – is meant to balance “ambiance, functionality and aesthetics”.

Notable finishes include oak parquet flooring and closets faced with cotton-canvas. Oak was used for window frames, kitchen cabinets and other elements.

Pisos de pasta flooring
Pisos de pasta flooring features in the kitchen

In the kitchen, the team took a sample of existing checkered tiles, made of pigmented concrete, to a local craftsman, who then replicated them.

This style of flooring – called pisos de pasta – is very common in older homes in Mexico City and southwest Mexico, said Estudio Estudio.

Stucco-clad building
The stucco-clad dwelling had endured years of neglect

Overall, the house is meant to balance historic elements with a contemporary lifestyle.

“This house proudly stands as a harmonious blend of past and present, inviting residents to embark on a captivating journey of refined and simple ways of living,” the team said.

Other projects in Mexico City’s Condesa district include a renovated house by Chloé Mason Gray that embraces its lack of natural light, and an apartment block covered in small, wooden squares that were inspired by vegetable crates.

The photography is by Zaickz Moz Studio.

Reference

A hotel with a long stone facade
CategoriesInterior Design

Productora and Esrawe Studio outfit Mexico hotel with planes of green tile

Local architecture studios Productora and Esrawe Studio have outfitted a Mexico hotel with planes of green tile suspended from the lobby ceiling.

Located on a hilly site in San Miguel de Allende, Mexico, the Albor Hotel is part of Hilton’s Tapestry Collection.

A hotel with a long stone facade
Productora and Esrawe Studio have wrapped a hotel in Mexico with local red stone

Completed in 2022, the 6,038 square metre project contains a lobby, restaurant, bar, gym, multipurpose room, and a pool area with a grill.

Productora and Esrawe Studio pulled from the mountainous surroundings for the design.

Green tiles with a leaf-like pattern of pink and white
The stone is carried into the building’s lobby and lower levels

“The hotel emerges naturally from the terrain, framing a beautiful view of the valley,” said the team.

“The hotel’s stone base is inspired by the mountain’s interior, featuring a textured and colourful appearance.”

A hotel lobby with wooden chairs and a canopy tiled in green
Planes of green tile are suspended from the ceiling

A natural red, textured stone was wrapped around the building’s first two levels, which steps up the hill on the site.

The top three levels contain the hotel’s private rooms and have an exterior clad in a simple white material, which contrasts the base.

A stone outdoor patio with brick facade
The tile features a graphic pattern by artist Omar Barquet

The lower levels, which contain the lobby, restaurant, bar and garden, run perpendicular to the site’s cobble-stone street, while the upper-floor volume runs parallel.

Guests enter into the hotel’s spacious lobby, where the same red stone was carried onto the floors, walls and bar elements.

Red door frames open to the outdoors
The hotel contains a multi-leveled terrace and restaurant

The lobby’s double-height space is divided by planes of sea-foam green ceramic tile, which feature a leaf-like pattern by Mexican artist Omar Barquet.

Crafted by tile manufacturer Latitude, they cover dividing walls, ceiling planes and panels that are suspended from the ceiling.

The space is outfitted with wide, blocky wooden tables and chairs by Roberto González. Wood was also used for a large bookshelf that spans the length of the interior lobby.

A mixture of gray, green and red cushions were used to cover the seating, with the same red tone used to frame a series of sliding glass doors that lead onto the hotel’s sprawling patio.

A bedroom outfitted with beige textiles and walls with accents of earthen tones
A natural red tone was carried throughout the hotel’s lower and upper levels

Rectangular volumes cantilever over the back patio, reflecting the same rectangular panels used to divide the lobby.

The patio sprawls across several levels, with large square planting beds installed with cacti and other local plants by PLANTA Botanical Design.

The hotel’s private rooms were kept minimalist, with the same wooden furniture echoed in seating areas, cabinetry and a bed frame.

“The rooms feature a natural colour palette and materials such as mineral clay, local crafts, wooden furniture and natural fabrics, providing a cosy and inviting atmosphere for guests,” said the team. 

An earthen red tone was also carried into the private bathrooms.

Productora recently completed a bright blue co-housing complex in Denver, Colorado, while Esrawe Studio renovated an apartment in Mexico City with an oak “skin”.

The photography is by César Béjar.



Reference

Boucle seats and Apparatus lights in front of an arched niche
CategoriesInterior Design

Alp Bozkurt creates “calming” interior for Brooklyn tattoo parlour

Arched niches provide stations for tattoo artists at Atelier Eva, located in a former Brooklyn hardware store transformed by designer Alp Bozkurt.

The Atelier Eva Grand Street parlour is the second in Brooklyn run by tattoo artist Eva Karabudak, who is renowned for her detailed, micro-realism tattoos.

Boucle seats and Apparatus lights in front of an arched niche
Polycarbonate panels punctured by arched niches line the interior of Atelier Eva’s Grand Street studio

“Created with an ambitious vision to reimagine tattoo culture following Eva’s own experiences feeling uncomfortable and unsafe as a woman in her early work environments, Atelier Eva offers a new kind of tattooing experience with the goal of providing an inclusive and welcoming environment for all people,” said the studio.

While her first location on Havemeyer Street was designed in house, Karabudak turned to Alp Bozkurt for the Grand Street space – which at 3,000 square feet (280 square metres) is almost twice the size.

Arched niche with a mirrored back and totem-like sculptures
The arches reveal details of the original building, which was formerly a hardware store

The building dates back to 1895 and was originally constructed as a hardware store, occupying a single story space that extends 115 feet back from the street facade.

Original features such as large roof trusses, skylights and brick walls were all restored and highlighted during the renovation work.

A pink-concrete table shrouded by a sheer curtain
A pink-concrete table used for tattoo consultations is shrouded by a sheer curtain

The trusses are painted black, drawing the eye up to the ceiling, while the remaining structural elements are whitewashed for a clean look.

“A distilled material palette is deployed to create a warm and calming environment from otherwise industrial materials retaining the building’s original ethos,” said Bozkurt.

Row of arched niches with tables and cabinets tucked inside
In the main space, the arched niches provide areas for the tattoo artists to store their equipment

Wrapping the perimeter of the interior are translucent polycarbonate panels that sit a few inches in front of the brickwork, unifying the sequence of spaces.

All the way around, arches puncture the panels to frame original corbeling, and reveal other historic elements.

A planter with a small tree and water feature
A planter is positioned in the centre of the otherwise sparsely populated space

In the front of the studio, beside the floor-to-ceiling glass facade, one arch provides a backdrop for a seating area with boucle-covered chairs, and pendant lights by Apparatus above.

Behind a pink-concrete reception counter is a consultation area, shrouded by a sheer curtain suspended from a curved metal track.

“Visitors are offered glimpses of activity in the studio flooded by natural light while the artists and their clients maintain privacy,” Bozkurt said.

The group of artists offering a range of tattoo styles and piercings work in the large space beyond, where each is allocated a station aligned with an arch.

Pink concrete furniture either side of a seating area
Pink concrete is also used for the reception counter and other furniture

Foldable padded tables for clients to lay on, stools for the artists and cabinets for storing equipment all tuck neatly into these niches when not in use.

The open space – which also hosts creative gatherings and events – is sparsely populated, other than a central pink-concrete planter that matches the consultation table and the counter.

Exterior view of Atelier Eva studio on Grand Street, Brooklyn
The location on Grand Street is Atelier Eva’s second in Brooklyn

Together, Bozkurt’s interventions create “a carefully choreographed sequence of experiences through varying degrees of transparency offered by various design elements”.

Other tattoo parlours with unconventional interiors include a minimalist space in Kyiv with holes slashed through its walls, a stark monochromatic space in New York and a studio in Paris featuring curtains printed with Hieronymus Bosch paintings.

The photography is by Atticus Radley.



Reference

Living area inside Reflections of the Past loft in Amsterdam by Firm Architects
CategoriesInterior Design

Eight airy and pared-back loft conversions

A tactile Amsterdam apartment and a birch plywood-lined extension feature in our latest lookbook, which collects eight loft conversions created for maximum space.

Architects and designers often open out the room located directly under the roof of a house to create extra living areas or storage space.

Whether they were renovations of an existing room or conversions of unused attic space, the following loft conversions are united by their thoughtful use of space.

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring basement apartments, mid-century homes and textural kitchens.


Living area inside Reflections of the Past loft in Amsterdam by Firm Architects
Photo is by Studio de Nooyer

Amsterdam apartment, the Netherlands, by Firm Architects

Local studio Firm Architects renovated this loft apartment in the De Pijp district of Amsterdam, creating a striking horizontal line formed of zinc, mirror and brick elements.

The line, which runs around the walls of the loft, was designed to make the apartment look as if it has been “visibly cut through”.

“Everything above the cross-section is a new interpretation, and everything below a reflection of the old,” said the studio.

Find out more about this Amsterdam loft ›


Bed deck in House for a Sea Dog in Genoa by Dodi Moss
Photo is by Anna Positano

House for a Sea Dog, Italy, by Dodi Moss

House for a Sea Dog was designed for a naval engineer who is used to long periods in confined spaces and wanted their home to be as open as possible.

Contained within a 300-year-old Geona building, the multi-level loft features a mezzanine floor, which serves as a bed deck. Architecture studio Dodi Moss slotted a slender bathroom underneath to make use of the high ceilings.

Find out more about House for a Sea Dog ›


Attic conversion by Van Staeyen Interieur Architecten
Photo is by Jochen Verghote

Antwerp attic, Belgium, by Van Staeyen Interieur Architecten

The formerly dark and dusty attic inside this Antwerp home was converted into a multi-functional living space characterised by bright yellow accents, arched portals and curvy built-in furniture.

Van Staeyen Interieur Architecten designed the renovation to serve as both a guest room and a zone for the clients’ daughters to play and socialise in as they grow up.

Find out more about this Antwerp apartment ›


London loft extension for Edmund Sumner and Yuki Sumner by Szczepaniak Astridge
Photo is by Edmund Sumner

Leaf House, UK, by Szczepaniak Astridge

Szczepaniak Astridge added a rooftop extension to Leaf House – a terraced property in south London that is home to photographer Edmund Sumner and writer Yuki Sumner.

The architecture studio designed the space to be uncharacteristically sparse for a loft conversion and positioned a wooden bathtub and double bed next to a floor-to-ceiling window with views of Lettsom Gardens.

Find out more about Leaf House ›


Project Escape (to the Roof) by A Small Studio
Photo is by Jim Stephenson

Project Escape (to the Roof), UK, by A Small Studio

An exposed brick wall and a curved rocking chair are one of many features within three loft spaces created by A Small Studio for this southeast London home.

The firm converted the building’s existing roof space into a trio of new rooms with zinc-clad dormer windows that offer views of the leafy back garden.

Find out more about Project Escape (to the Roof) ›


R11 by Pool Leber Architekten
Photo is by Brigida González

R11, Germany, by Pool Leber Architekten

Pool Leber Architekten removed the reinforced concrete upper floor of this 1980s housing block in Munich to make way for two lighter cross-laminated timber structures.

The updated loft features prominent wooden features on its interior including walls, ceilings, floors and sculptural joinery.

Find out more about Project Escape (to the Roof) ›


 

Studiotwentysix loft
Photo is by Jim Stephenson

Brighton house, UK, by Studiotwentysix

Architect Dan Gray and his wife Isabella, who are co-owners of Studiotwentysix, renovated their Brighton family home to include an angled loft extension lined with birch plywood.

The project created an additional 55 square metres of living space, which is accessed via a new staircase. A triangular snug carved into the eaves of the gable end adds a playful and cosy space for the couple’s two daughters.

Find out more about this Brighton house ›


Bed and window in Narford Road by Emil Eve Architects
Photo is by Mariell Lind Hansen

London apartment, UK, by Emil Eve

London practice Emil Eve decked out this Hackney loft extension in a pale pink hue to evoke “a sense of calm”.

The renovation created a sanctuary-style bedroom featuring slatted panelling with an integrated bedhead and understated storage.

Find out more about this London apartment ›

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring basement apartments, mid-century homes and textural kitchens.

Reference

Oak and marble kitchen of Botaniczna Apartment by Agnieszka Owsiany Studio
CategoriesInterior Design

Eight kitchen islands that have sleek waterfall edges

For our latest lookbook, we spotlight eight contemporary kitchens that centre on islands with waterfall countertops made from concrete, stone and chunky terrazzo.

As its name suggests, a waterfall edge is a style of kitchen island or cabinet where the countertop appears to flow seamlessly from the surface to the ground.

The feature, also known as a mitred end, is popular in contemporary kitchens as it is an easy way to create a focal point while retaining a sleek, pared-back aesthetic.

As revealed by this lookbook, they are particularly impactful when made from materials such as marble and concrete, which give rise to sculptural, monolithic centrepieces.

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring living rooms with striking art pieces, colourful bedrooms and living rooms with cowhide rugs.


Oak and marble kitchen of Botaniczna Apartment by Agnieszka Owsiany Studio
Photo is by Pion Studio

Botaniczna Apartment, Poland, by Agnieszka Owsiany Studio

Agnieszka Owsiany Studio draped travertine over a series of oak cupboards to form this kitchen island. The wood helps accentuate the warm tones of the stone, which the studio chose because of its soothing and timeless qualities.

“I really wanted to create something timeless, hence the idea to use materials such as wood and travertine which age beautifully and hopefully won’t be replaced within many years,” said the studio’s founder Agnieszka Owsiany.

Find out more about Botaniczna Apartment


Kitchen island with a waterfall countertop
Photo by Megan Taylor

Sunderland Road, UK, by 2LG Studio

Sky-blue cabinetry offers a calm backdrop to the bold waterfall countertop in this kitchen, designed by 2LG Studio.

Made of white marble with grey veins, it extends over both ends of a wood-clad kitchen island and incorporates a hob for cooking. The countertop was paired with pink bar stools and is illuminated by a Cherry Pendant light by designer duo Daniel-Emma.

Find out more about Sunderland Road


Kitchen of Lake Geneva Residence by Collective Office
Photo by Mike Schwartz

Lake Geneva Residence, USA, by Collective Office

Concrete was used to form the mitred end of this kitchen island, creating a centrepiece that juxtaposes the light and natural look of its wood-lined surroundings.

It is complemented by matching concrete countertops on the adjacent wooden cabinets and incorporates a sink within its surface.

Find out more about Lake Geneva Residence


Kitchen island with mitred end in Montauk house by Desciencelab
Photo by Danny Bright

Montauk House, USA, by Desciencelab

A black countertop overrides the wood-lined base of this central unit, found in the kitchen of a gabled house in Montauk, recently overhauled by Desciencelab.

Standing out against the surrounding wooden cupboards, it helps to demarcate the food preparation area within the open-plan room, which also contains the dining and living areas.

Find out more about Montauk House


Kitchen with a stone island and timber ceilings and floors
Photo by José Hevia

Paseo Mallorca 15 Apartments, Spain, by OHLAB

This clean-cut stone island is located in the light and airy interior of an apartment in a housing block in Mallorca.

Its minimalist aesthetic was paired with a more tactile material palette of rough plaster, dark wood and rustic fittings in the rest of the home, which OHLAB chose as a reflection of its Mediterranean setting.

Find out more about Paseo Mallorca 15 Apartments


Wooden kitchen with waterfall countertops
Photo by Daniëlle Siobhán

Family Home Zwaag, Netherlands, by DAB Studio

The sculptural waterfall countertops in this kitchen are formed from striking Arebescato Orobico marble.

Its earthy brown and grey tones are enhanced by the warm colours of the surrounding Afromosia wood joinery and oak ceilings and floors, which form part of DAB Studio’s wider “calm yet soulful” material palette.

Find out more about Family Home Zwaag


Terrazzo island in Glyn House extension designed by Yellow Cloud Studio
Photo courtesy of Yellow Cloud Studio

Glyn House, UK, by Yellow Cloud Studio

Oversized chunks of colourful aggregate were used to create the terrazzo finish of this statement kitchen unit, which is located in Glyn House by Yellow Cloud Studio in London.

Its waterfall edge conceals a series of black-painted drawers with silver handles and helps to “intensify the experience of raw, handmade surfaces” throughout the interior, the studio said.

Find out more about Glyn House


Kitchen with granite island
Photo by Fabián Martinez

Loma Residence, Mexico, by Esrawe Studio

Curved sides and mitred ends soften the look of this monolithic kitchen island, which Esrawe Studio created as part of its remodelling of an apartment in Mexico City.

The unit sits in the centre of the home’s kitchen and was formed from a striking green-toned granite that pops out against its neutral surroundings.

Find out more about Loma Residence

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring living rooms with striking art pieces, colourful bedrooms and living rooms with cowhide rugs.

Reference

Designers for You Can Sit With Us by 2LG Studio
CategoriesInterior Design

2LG Studio includes emerging designers in You Can Sit With Us exhibition

Russell Whitehead and Jordan Cluroe of 2LG Studio have curated You Can Sit With Us, a London Design Festival show that offered “a seat at the table” to a diverse mix of emerging designers.

The 2LG Studio founders invited 13 designers from a mix of nationalities, races, genders and backgrounds to be a part of the exhibition, which was on show at London Design Fair.

Designers for You Can Sit With Us by 2LG Studio
Cluroe (top left), Whitehead (top right) and Adam Fairweather of Smile Plastics pictured with 9 of the 13 chair designers

The exhibition took the form of a dining room, featuring a long table surrounded by chairs that were each designed by a different participant.

Whitehead and Cluroe came up with the concept based on their own experiences of trying to break into the design industry and being made to feel like outsiders.

Chair by Anna Maria Øfstedal Eng in You Can Sit With Us by 2LG Studio
The chair by Anna Maria Øfstedal Eng features a black lacquer finish

“When we launched our practice nearly 10 years ago, there was an inner circle that felt very out of reach to us,” Whitehead told Dezeen.

“We were so bruised by the industry and felt blocked by certain doors that were firmly closed to us,” he continued.

“Instead of chasing acceptance where it wasn’t forthcoming, we decided to accept the love that was coming our way and put our energy there.”

Chair by Sam Klemick for You Can Sit With Us by 2LG Studio
Sam Klemick’s chair incorporates a sweater into its carved wood form

The aim of You Can Sit With Us, he said, was to give a platform to a new generation of designers who may be having similar experiences.

The exhibition’s name is a reference to the 2004 movie Mean Girls.

“We wanted this to be a safe space that actively welcomed new perspectives,” Whitehead explained.

Chair by Helen Kirkum for You Can Sit With Us by 2LG Studio
Helen Kirkum produced a lounge seat with upholstery made from trainer insoles

Among the most eye-catching designs in the show is a lounge seat with upholstery made from trainer insoles by Helen Kirkum, a footwear designer who typically crafts her designs from recycled sneakers.

Norwegian designer Anna Maria Øfstedal Eng has contributed a CNC-cut version of a hand-crafted ash chair she first made during the pandemic in a new black lacquer finish.

Chair by Benjamin Motoc
Benjamin Motoc’s piece playfully combines a sketch with a basic 3D form

A backrest with a sweater slung over it is part of the carved wood form of a design by California-based Sam Klemick, who had a career in fashion before she moved into furniture.

Rotterdam-based Benjamin Motoc created a piece that playfully combines a sketch with a basic 3D design, while Paris-based sculptor Bence Magyarlaki has produced a characteristically squidgy form.

Chair by Bence Magyarlaki
Bence Magyarlaki produced a characteristically squidgy form

Other chairs were designed by Amechi Mandi, Divine Southgate Smith, Wilkinson & Rivera, Net Warner, Hot Wire Extensions, Byard Works, Pulp Sculptuur and Blake C Joshua.

The participants were selected across design, art and fashion because Whitehead and Cluroe “didn’t want to enforce boundaries in that way”.

Chair by Byard Works
Rob Parker of Byard Works contributed a chair made from plywood and cork

Their chairs were arranged around a table produced by Smile Plastics using recycled plastic bottles and old tinsel, which created a glittering effect.

The exhibition was an important project for 2LG, and for Whitehead in particular, who battled mental health struggles following the pandemic.

The designer said the project allowed him to explore how “heart and emotion” can be a part of design.

“A lot of healing has taken place in the lead-up to this show,” he said.

Textiles by Granite + Smoke with 2LG Studio
Granite + Smoke produced blankets featuring the title, You Can Sit With Us

The project included a collaboration with textile brand Granite + Smoke, who produced colourful blankets emblazoned with the exhibition’s title message.

Whitehead and Cluroe also worked with homeware brand Sheyn on a series of suggestive 3D-printed vases.

Vases by 2LG Studio with Sheyn

“The collection we designed together is a celebration of our queerness, something we have not embraced fully in our product design output, but it felt more important than ever to put that out there right now,” added Whitehead.

You Can Sit With Us was on show at London Design Fair from 21 to 24 September as part of London Design Festival. See Dezeen Events Guide for more architecture and design events around the world.



Reference

Neri&Hu Ms MIN shop Shanghai
CategoriesInterior Design

Neri&Hu creates a tactile fashion boutique in Shanghai with fabrics screens

Chinese studio Neri&Hu has completed a store interior for Ms MIN in Shanghai, China, to showcase the fashion brand’s diverse use of materials.

Located at the Taikoo Li shopping complex in central Shanghai, the 195-square-metre store was designed to evoke a sense of traditional home-based atelier that places materials and craftsmanship at its centre.

Neri&Hu Ms MIN shop Shanghai
Neri&Hu designed the store in Taikoo Li

“Before the Industrial Revolution, textiles were made by hand in villages across China by individual families; carding, spinning and weaving all took place in farmhouses, indeed a loom could be found in every well-conditioned homestead,” Neri&Hu explained.

“We harken back to the notion of a traditional fabric atelier, showcasing craftsmanship, rich materiality, and a domestic sensibility.”

Neri&Hu Ms MIN shop Shanghai
White fabric sheets were hung to divide the space

The space was divided into several zones by a series of floor-to-ceiling open grid wooden structures.

White fabric sheet was hung in between a wooden grid to serve as lightweight semi-transparent partitions situated on left and right side of the shop. These were designed to allow plenty of natural daylight into the store.

“Natural daylight and the chaos of the shopping mall are filtered by the sheer fabric screens, giving the space an overall sense of calmness,” Neri&Hu said.

Neri&Hu Ms MIN shop Shanghai
The flexible panels can be re-arranged and interchanged with different materials

The same wooden structures with overhanging eaves to the right side of the shop form a series of more private rooms.

These are used as a reception at the front of the store along with a VIP lounge, VIP fitting room and studio area at the rear of the shop.

Neri&Hu Ms MIN shop Shanghai
An internal courtyard was formed that can accommodate exhibitions

The central display area was arranged by a series of panels, either made with micro-cement or marble and framed in brass, which form an internal courtyard that can be used as an exhibition space.

These panels can be re-arranged and interchanged to suit the changing fashion trends in motifs every season.

The entire shop was paved with curved roof tiles stacked and inlaid, a traditional pavement commonly found in the region.

Neri&Hu also created custom mannequin figures for Ms MIN. According to the studio, the linen-made mannequins have a skin-like subtle texture.

Neri&Hu Ms MIN shop Shanghai
The lightweight semitransparent partitions allow natural daylight into the shop

Neri&Hu was founded by Lyndon Neri and Rossana Hu in 2004 in Shanghai. Other recent interior projects completed by the studio include cafe brand Blue Bottle’s latest shop and a flexible office space, both in Shanghai.

The photography is by Zhu Runzi.


Project credits:

Partners-in-charge: Lyndon Neri, Rossana Hu
Associate-in-charge: Sanif Xu
Design team: Muyang Tang, Zhikang Wang, Amber Shi, Yoki Yu, Nicolas Fardet
Lighting: Viabizzuno (Shanghai)
Contractor: Shanghai Yali Design Decoration Co.

Reference

Exterior of Shrek's Swamp house
CategoriesInterior Design

Shrek and Donkey invite guests to stay in Shrek’s Swamp Airbnb

Rental website Airbnb has designed Shrek’s Swamp, a grass-and-mud-covered hut underneath a tree in the Scottish Highlands.

The small house, which has a bare-earth floor, is described as “a stumpy, secluded haven fit for a solitude-seeking ogre”.

Exterior of Shrek's Swamp house
The holiday home is located underneath a tree trunk

It is being hosted by Donkey, Shrek’s best friend, who is swamp-sitting while Shrek himself is away for Halloween, according to an Airbnb description written as if by Donkey himself.

In it, he says: “I love everything about the swamp: the boulder out front, the modest interiors, the seclusion (ideal for singing karaoke late into the night), you get the picture”.

Shrek's Swamp Airbnb interior
It features rough-hewn wooden furniture

The holiday home, which sleeps up to three guests, has an open-plan design, with a sturdy wooden bed leaning against one wall.

A matching table and two wooden chairs sit in front of an open fire on the opposite side of the house, which is held up by large tree trunks.

Fish light in Shrek house
A fish-shaped lamp decorates the bedside table

Shrek’s Swamp Airbnb also features decorative touches, including a green “earwax candle” – a nod to a scene in which Shrek pulls out a stick of earwax from his ear and lights it.

It also has a bedside lamp that looks like a stuffed pufferfish.

Table in Shrek's home
The dining table sits in front of an open fire

Visitors can also make use of Shrek’s outhouse, a well-known location from multiple Shrek films, which is located about 20 metres away from the swamp itself.

Located in a forest in the Scottish Highlands, the hut is surrounded by signs reading “Stay out”, “Beware Ogre” and “Danger!” though these are “probably for decoration”, according to Donkey.

The home will be available to book from 13 October for a two-night stay between 27 and 29 October and comes with an on-site concierge who will arrange meals for the guests – including morning waffles and parfaits.

“This mud-laden, moss-covered, murky-watered oasis is a perfectly snug spot to escape from village life and embrace the beauty of nature,” Airbnb said.

Interior of Shrek's Swamp Airbnb
The home has a bare-earth floor

The company will make a one-time donation to the HopScotch Children’s Charity as part of the project.

Airbnb also recently helped Ken rent out Barbie’s Malibu Dreamhouse and listed a 1970s wood cabin located in the iconic Sea Ranch development in California.

The photography is courtesy of Alix McIntosh.

Reference

Aluminium chair by Sara Afonso Sternberg
CategoriesInterior Design

Chair of Virtue presents experimental seating at London Design Festival

Digitally shrink-wrapped skin, armrests salvaged from parks and “frozen” resin featured in Prototype/In Process, an exhibition of seating presented by virtual magazine Chair of Virtue during London Design Festival.

Displayed under a railway arch at Borough Yards, Prototype/In Process was made up of 1:1 scale prototypes of chairs, as well as chairs that are still works in progress, by 12 London-based designers who are either established or emerging in their field.

Aluminium chair by Sara Afonso Sternberg
Prototype/In Process features a chair by Sara Afonso Sternberg

Sara Afonso Sternberg presented sculptural aluminium seating made of armrests salvaged from the middle of public benches in Camberwell. The armrests were originally created to make it difficult for homeless people to sleep or rest on the benches.

“These objects are given a new form and use, inviting the public to critically engage with control mechanisms such as hostile architecture that permeate the urban landscape,” said Afonso Sternberg.

"Frozen" resin seating in Chair of Virtue exhibition
Jesse Butterfield created a “frozen” resin piece

Another piece on display was by Jesse Butterfield. The designer used vacuum infusion, draping and papier-mâché to create a chair covered in resin that was intended to appear “frozen”.

Various methods of production were showcasedthroughout the show. Daniel Widrig used 3D printing to digitally shrink-wrap a rectangular chair with polylactic acid, a starch-based bioplastic.

3D-printed chair by Daniel Widrig
Daniel Widrig used 3D printing for his piece

The result is a grey-hued chair with an undulating form, which mirrors the shared style of previous blobby stools created by the designer.

“Its contours mimic the gentle curves and natural irregularities of body tissue, forming intricate folds and wrinkles,” explained Widrig.

Thomas Wheller also used aluminium by folding a single piece of the material to create his chair, while Louis Gibson experimented with “regular” construction stock materials by creating casts from disused pipes.

“I was interested in imagining how these parts could be used unconventionally,” said the designer.

Folded aluminium chair by Thomas Wheller
Thomas Wheller also worked with aluminium

“With such large volumes, I was curious to create casts, and then evaluate the internal forms in a new light, and finally address the problem of reassembly,” added Gibson.

“I chose plaster for the purpose of quick setting, I also felt it was in keeping with the world of builders’ merchants stock supplies.”

Chair by Louis Gibson
Louis Gibson experimented with salvaged construction materials

While the exhibition concluded at the end of London Design Festival (LDF), Chair of Virtue is an ongoing project curated by Adam Maryniak.

Prototype/In Process was on display on Dirty Lane as part of the annual festival’s Bankside Design District.

Furniture created from the remains of a single car and a modular display system by Zaha Hadid Design were among the many other projects featured during LDF.

The photography is courtesy of Chair of Virtue

Prototype/In Process was on show as part of London Design Festival 2023 from 16 to 24 September 2023. See our London Design Festival 2023 guide on Dezeen Events Guide for information about the many other exhibitions, installations and talks that took place throughout the week.



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Photo of the Coperni USM retail space
CategoriesInterior Design

USM Haller creates “techno-chic” Coperni retail space in Paris

Photo of the Coperni USM retail space

Parisian fashion brand Coperni has collaborated with Swiss furniture company USM Haller to create its first-ever boutique, a shop-in-shop at French department store Printemps Haussmann.

The shop-in-shop, installed at Printemps Haussmann in Paris, marks Coperni’s first-ever physical retail location and will be replicated at London’s Selfridges store and China’s Duty Free Mall in Hainan Island.

Photo of the Coperni retail space
Coperni collaborated with Swiss furniture brand USM

Described by Coperni‘s co-founder as “techno-chic”, the interior is defined by its cubic, space-age-style look that was achieved by reinterpreting USM Haller‘s cubic storage systems as tables, walls and display areas.

The floor of the retail space was covered in Versailles parquet flooring, with each of the wooden floor panels separated by USM Haller’s silver tubing. This typically lines the corners and edges of its storage systems and furniture.

Photo of items on display at the Coperni space
USM reinterpreted its iconic modular storage systems

The Versailles parquet flooring was chosen for its artisanal and timeless spirit that draws on Parisian craftsmanship, which Coperni said pays homage to its ethos as a brand.

The use of USM Haller’s silver tubing within the Versailles parquet flooring system marks the first time that USM has adapted and reinterpreted its modular systems into a wooden material.

USM Hallers modular systems also form arch-shaped display units along the perimeter of the shop-in-shop, which were fitted with rails allowing Coperni’s ready-to-wear collection to be displayed.

A display table constructed from larger cubic modules was placed at the centre of the space, while a wall behind was branded with the Coperni logo.

Photo of the retail space
It marks the first time USM used its silver tubing in a wooden system

In 2022, Coperni’s Spring Summer 2023 show during Paris Fashion Week went viral for live spraying a dress onto the body of supermodel Bella Hadid using Fabrican’s sprayable liquid fibre.

AMO recently created a terracruda-clad shop-in-shop for Parisian fashion brand Jacquemus in Selfridges, London, that was designed to have a “Provence atmosphere.”

The photography is courtesy of Coperni.




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