Amagansett house by Athena Calderone
CategoriesInterior Design

Eight living rooms enhanced by decorative and striking art pieces

For our latest lookbook, we have gathered eight examples of serene living rooms where well-curated artworks add a touch of creativity.

Paintings, sculptures and other art pieces can add a more personal feel to interiors, as seen in these eight art-filled living rooms.

While some have gone all in on the art, others chose just one or two signature pieces to create a creative atmosphere.

Either way, smartly placed artworks can enhance an interior and give homes a more personal feel.

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring living rooms with cowhide rugs, monochrome interiors and basement apartments.


Amagansett house by Athena Calderone
Photo by Nicole Franzen

Amagansett house, US, by Athena Calderone

Plaster walls, marble details and linen fabric were used to decorate this renovated mid-century home in Long Island, New York.

Owner and designer Athena Calderone also added plenty of sculptures and paintings to the interior, including in the living room where white artworks with playful textures and shapes add interest to the pale walls.

Find out more about the Amangansett house ›


Living room with mosaic and gallery walls
Photo by Fran Parente

Gale Apartment, Brazil, by Memola Estudio

Brazilian studio Memola Estudio aimed to balance natural and industrial materials in this apartment in São Paulo, which has a double-height living room.

The owners took advantage of the height to create a gallery wall on one side of the living room. Artworks also decorate an adjacent mosaic wall, giving the whole room a gallery-like feel.

Find out more about Gale Apartment ›


Vasto gallery by Mesura apartment interior
Photo by Salva López

Casa Vasto, Spain, by Mesura

Designed to be both an apartment and an art gallery, this home in a former factory in Barcelona features an exquisitely curated living and exhibition space.

A large abstract blue-and-beige painting sits on top of a low bookshelf, which also displays a sculpture and multiple smaller paintings.

Find out more about Casa Vasto ›


Living room in Kew Residence by John Wardle Architects in Melbourne, Australia
Photo by Trevor Mein and Sharyn Cairns

Kew Residence, Australia, by John Wardle Architects

A large contemporary painting in a bright green hue decorates the living room of this house in Melbourne, the home of architect John Wardle.

Other artful details include playful side tables held up by mannequins, a sculptural wooden coffee table and numerous small vases and sculptures.

Find out more about Kew Residence ›


Living room in Riverside Tower flat
Photo by Olmo Peeters

Riverside Tower, Belgium, by Studio Okami Architecten

Located inside the brutalist Riverside Tower in Antwerp, this pared-back apartment has made a feature out of its original concrete structure.

In the living room, the material is juxtaposed with a dark blue wall and a large painting in green and blue hues. Cosy leather sofas and green plants add a homely feel.

Find out more about Riverside Tower ›


Photograph showing large sofa in living area looking into dining area
Photo by Andrey Bezuglov and Maryan Beresh

Log cabin, Ukraine, by Balbek Bureau

This house in Ukraine, a modern interpretation of a log cabin, features a number of striking and strategically placed artworks in the open-plan living room and dining room.

Above the dining table hangs a large painting in a neo-expressionist style, integrating turquoise, white and pink to create an eye-catching focal point among the room’s more neutral colours.

Find out more about the log cabin ›


Malibu Surf Shack by Kelly Wearstler
Photo by by Ingalls Photography and Mark Durling Photography

Malibu Surf Shack, USA, by Kelly Wearstler 

Designer Kelly Wearstler created Malibu Surf Shack, a renovated 1950s beachfront cottage, as a bohemian retreat for herself and her family.

Its wood-clad living room has been enhanced by artworks in tonal colours that match the warm panelling, as well as tactile timber sculptures and geometric stone tables.

Find out more about Malibu Surf Shack ›


Canal Saint-Martin apartment by Rodolphe Parente
Photo by Giulio Ghirardi

Paris apartment, France, by Rodolphe Parente

This apartment in a Haussmann-era building in Paris was given a makeover by interior designer Rodolphe Parente.

Parente played with contrasting materials and colour palettes in the apartment, which was designed around the owner’s “radical” art collection. In the living room, a framed photo print hangs on an otherwise empty wall overlooking two sculptural coffee tables.

Find out more about the Paris apartment ›

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring living rooms with cowhide rugs, monochrome interiors and basement apartments.

Reference

Giulio Cappellini and Sabine Marcelis among Dezeen Awards 2023 judges
CategoriesInterior Design

Giulio Cappellini and Sabine Marcelis among Dezeen Awards 2023 judges

Twenty-three leading architects and designers from more than 10 countries met last week in a final round of judging to decide the winners of the Dezeen Awards 2023.

The Dezeen Awards master jury took place at hotel One Hundred Shoreditch in London and included architect Sanjay Puri and designers Giulio Cappellini and Sabine Marcelis, among others.

Interior designers Colin King and Tola Ojuolape, designer Patrizia Moroso and architect Andrea Cesarman also joined to finalise the 50 award winners.

They include the winners of the inaugural Bentley Lighthouse Award, a special award supported by Bentley Motors that rewards an individual whose work has had an overwhelmingly beneficial impact on social and environmental sustainability.

Winners will be announced in November

Winners will be announced at the end of November at the winners’ party in London. Longlist announcements will be revealed next week, followed by the shortlist in October.

Dezeen Awards 2023 architecture master jury (L-R): Andrea Cesarman, Sanjay Puri, Sumele Adelana, Lara Lesmes, Cristóbal Palma, Kevin Carmody

The master jury discussed 235 shortlisted entries selected from 4,800 projects from over 90 countries around the globe.

Judges also included Kevin Carmody and Titi Ogufere

Joining Cesarman and Puri on the architecture master jury panel were Lara Lesmes, co-founder of architecture and art studio Space Popular, Chilean-based photographer Cristóbal Palma, SketchUp architectural designer Sumele Adelana and Kevin Carmody, co-founder of London-based studio Carmody Groarke.

Dezeen Awards 2023 interiors master jury (L-R): Eny Lee Parker, Philippe Brocart, Patrizia Moroso, Tola Ojuolape, Colin King

Eny Lee Parker and managing director and head of Material Bank Europe Philippe Brocart joined King and Moroso on the interiors master jury.

Dezeen Awards 2023 design master jury (L-R): Sabine Marcelis, Giulio Cappellini, Erwan Bouroullec, Titi Ogufere, Chris Cooke, Rossana Orlandi

The design master jury panel included the founder of Design Week Lagos Titi Ogufere, Spazio Rossana Orlandi founder and curator Rossana Orlandi, Paris-based designer Erwan Bouroullec and head of design collaborations at Bentley Motors Chris Cooke.

They joined art director and founder Cappellini and artist and designer Marcelis.

Dezeen Awards 2023 sustainability master jury (L-R): Pragya Adukia, Piet Hein Eek, Siân Sutherland, Kate Goldsworthy, Kelly Alvarez Doran, Maurizio Montalti

Designer Piet Hein Eek, MASS Design Group senior director Kelly Alvarez Doran and A Plastic Planet co-founder Siân Sutherland were on the sustainability panel.

They were joined by professor of circular design and innovation Kate Goldsworthy, founder and creative director of Officina Corpuscoli Maurizio Montalti and director of design at Brookfield Properties Pragya Adukia.

An exclusive judges’ dinner took place on the night of the master jury day in the One Hundred Room at One Hundred Shoreditch, where the master jury was joined by other Dezeen Awards 2023 judges.

These included Jayden Ali, co-curator of the British Pavilion at the Venice Biennale 2023, CEO of the Design Council Minnie Moll and Raw Edges co-founders Yael Mer and Shay Alkalay. The dinner featured glassware by Nude Glass.

Dezeen Awards winners’ party

Following the longlist and shortlist announcements, the next big date in the Dezeen Awards calendar is the culmination of this year’s programme – the Dezeen Awards winners’ party, which will take place on Tuesday 28 November in London.

Dezeen Awards winners will be able to collect their unique trophy at the event and it is a chance for everyone who was shortlisted for Dezeen Awards, or who judged the entries, to celebrate and network.

Tickets will be available to purchase later this year. Subscribe to the Dezeen Awards newsletter to keep up to date with the latest announcements.

The photography is by Mark Cocksedge.

Dezeen Awards 2023

Dezeen Awards celebrates the world’s best architecture, interiors and design. Now in its sixth year, it has become the ultimate accolade for architects and designers across the globe. The annual awards are in partnership with Bentley Motors, as part of a wider collaboration that will see the brand work with Dezeen to support and inspire the next generation of design talent.

Reference

Showroom filled with colourful furniture and homeware
CategoriesInterior Design

Mestiz celebrates artisan collaborations in colourful Mexico studio

Mexican design studio Mestiz has opened a showroom and workshop within a historic building in San Miguel de Allende, where its brightly hued collaborations with local craftspeople take pride of place.

The studio space is located on Pasaje Allende in the heart of the central Mexican city, renowned for its colonial-era architecture and arts scene.

Showroom filled with colourful furniture and homeware
Mestiz opened its new studio as a space to present its colourful furniture and homeware

Mestiz founder Daniel Valero collaborates with a variety of skilled local artisans to create furniture and homeware using ancestral crafts.

“In our studio, partnerships aren’t short-lived; they’re built to last,” he said. “We’ve nurtured long-term relationships with artisans, where learning and creating are an ongoing process.”

Plaster walls with red, orange and brown designs in front
Rough plaster walls of the remodelled space provide a neutral backdrop for the brightly hued designs

Pieces from Mestiz’s collection fill the interior of the studio, which occupies a remodelled stone building designed as a “wild habitat” brimming with personality.

“It was once a kitchen,” Valero explained, “and now it’s a space that respects the idea of Mexican cuisine, infusing it into our creative sanctuary.”

Items displayed on tiled ledges
Ledges covered in glossy tiles provide places to display smaller items the in the showroom

The studio comprises three principal spaces. In the showroom, the original wooden beams and the brick ceiling are exposed, and rough buttery plaster covers the walls.

Ledges and podiums clad in glossy tiles provide places for small items like spiky vessels and framed pictures to be displayed.

Workshop with red bench and shelf
In the workshop, red benches are used for assembling the designs

Larger furniture pieces like a triangular table and chairs with tufty backrests are arranged across the floor.

Meanwhile, textile artworks decorate the walls and huge, fibrous pink light fixtures hang overhead.

“Our creations aren’t just pieces; they’re stories,” said Valero.

“We believe in crafting designs that engage in profound dialogues with the context and history of each community we work with.”

Pink room filled with wicker lighting and furniture
A pink-toned storage room is also filled with products, which are all made from natural materials

The workshop is situated in a lean-to at the side of the building, where the rough stone walls are visible on two sides and other surfaces are left untreated.

Red-painted benches for assembling items and storing natural materials – palm, wood, wool, wicker and ceramic – are surrounded by partially completed designs.

Wicker lights suspended above chairs with tufted sides
Mestiz partners with artisans across Mexico to preserve and celebrate craft traditions

A pink-hued storage room is also packed with products, from wicker lights suspended from the ceiling to tall totems in blue, pink and purple stood in the corners.

“Our practice is a living testament to the merging of traditions,” Valero said. “Our pieces are the embodiment of cultural syncretism, where diverse influences converge to create something entirely new.”

Stone building exterior with view into showroom
The studio is located in a historic stone building in San Miguel de Allende

The rich creative spirit of San Miguel de Allende is also presented at the city’s Casa Hoyos hotel, where colourful tiles and local craft fill a former Spanish colonial manor.

Other Mexican designers continuing local traditions through their work include Fernando Laposse, who uses corn waste to create a marquetry material, and Christian Vivanco, who launched a rattan furniture collection with Balsa.

The photography is by Pepe Molina.



Reference

Jan Hendzel
CategoriesInterior Design

“Emerging talents require nurture” says Jan Hendzel

More can be done to support emerging designers in London says Jan Hendzel, who curated an exhibition focused on emerging talent at this year’s London Design Festival.

Jan Hendzel Studio curated the 11:11 exhibition, which paired 11 established designers with 11 emerging designers, to draw attention to interesting south London designers.

Jan Hendzel
The 11:11 exhibition (top) was curated by Jan Hendzel (above)

“Our emphasis was on creating a platform to support the grassroots and emerging creators of south London,” Hendzel told Dezeen.

“By forging new relationships and connecting the established design industry with up-and-coming makers, 11:11 aims to create a more inclusive and diverse future in design.”

Bowater drawers by Jan Hendzel Studio alongside artwork by Carl Koch
Bowater drawers by Jan Hendzel Studio with Column I by Alison Crowther and Argentus by Dominic McHenry and Untitled Ceramic tiles by Carl Koch on wall

For the exhibition, 11 established designers – A Rum Fellow, Alison Crowther, Charlotte Kingsnorth, Daniel Schofield, Grain & Knot, Jan Hendzel Studio, Martino Gamper, Novocastrian, Sedilia, Simone Brewster, Raw Edges – each displayed their work alongside an emerging designer selected from an open call.

The emerging designers showcased were Alice Adler, Carl Koch, Dominic McHenry, Jacob Marks, Mariangel Talamas Leal, Moss, Silje Loa, Söder Studio, Unu Sohn, William Waterhouse and Woojin Joo.

Frames by Charlotte Kingsnorth
The Wrong Tree Picture Frame and Mirror by Charlotte Kingsnorth behind Thoroughly Odd by Woojin Joo

Hendzel believes that events like LDF can create space for emerging talents to showcase their work, but often focuses on university-educated designers.

“The importance of offering a platform to emerging talent, especially that of grassroots and local level creatives, is to offer empowerment and to demonstrate that design is a profession that can offer meaningful and exciting careers,” he said.

Lupita Lounge Chair by Mariangel Talamas Leal alongside Periscope Rug by A Rum Fellow and BUTW Floor Lamp by Charlotte Kingsnorth
Lupita Lounge Chair by Mariangel Talamas Leal alongside Periscope Rug by A Rum Fellow and BUTW Floor Lamp by Charlotte Kingsnorth

“When the design festival rolls into town, yes, I believe we do have platforms for emerging creatives; however, one big issue is that design shows can be cost-prohibitive and often focus on university-educated people, which by default puts the profession at the more elitist end of things,” he continued.

“If you don’t have cash or a degree then finding a platform to celebrate your ideas can be difficult.”

A Martino Gamper chair alongside a table by
A Martino Gamper chair alongside with F2 Dice and F2 Line by Moss on plinth by Jan Hendzel Studio.

He believes that LDF and others can do more to support emerging talents, and suggests that providing free space for exhibitions and installations would be a way of doing this.

“Emerging talents require nurture, they require safe places to practise their respective disciplines and they require opportunities for growth through connections and collaborations with established practitioners to elevate their craft,” he explained.

“A great opportunity would be to find and offer more free spaces to emerging groups, alongside bursaries and support packages in how to promote your event and develop your respective craft within a design district.”

Grain & Knot
Sculptural wall hangings by Grain & Knot with Pina Lamps by Jacob Marks

The exhibition, which is taking place at Staffordshire St gallery in Peckham, includes numerous pieces of furniture with chairs designed by Gamper and Leal, as well as drawers by Jan Hendzel Studio and Crowther.

Sedilia’s contribution was a Roll Top Chair and Roll Top Ottoman.

The exhibition also include mirrors designed by Jan Hendzel Studio, Novocastrian and Kingsnorth, and clothing by Soeder.

Also on display were lights by Schofield and by Marks.

The Port Free Mirror by Novocastrian alongside the Roll Top Chair and Roll Top Ottoman by Sedilia with Song 1 Awe-to Series by William Waterhouse hanging from ceiling and Draped in Wood by Silje Loa on a plinth
The Port Free Mirror by Novocastrian alongside the Roll Top Chair and Roll Top Ottoman by Sedilia with Song 1 Awe-to Series by William Waterhouse hanging from ceiling and Draped in Wood by Silje Loa on a plinth

Another exhibition showcasing the work of emerging designers at LDF was Drop02, which contained work from IKEA and H&M’s Atelier100 design incubator.

Other projects currently on display as part of the festival include a prototype modular furniture system by Zaha Hadid Design and furniture by Andu Masebo crafted from a scrapped car.

Smock 01 by Addison Soeder behind Landmark Coffee Table and Side Table with Ray Lamp by Daniel Schofield
Smock 01 by Addison Soeder behind Landmark Coffee Table and Side Table with Ray Lamp by Daniel Schofield

The photography is by BJ Deakin Photography.

The 11:11 exhibition takes place 16-24 September at the Staffordshire St gallery as part of London Design Festival 2023. See our London Design Festival 2023 guide on Dezeen Events Guide for information about the many other exhibitions, installations and talks taking place throughout the week.



Reference

Vasto gallery by Mesura apartment interior
CategoriesInterior Design

Mesura furnishes Casa Vasto apartment with “constellation of objects”

Local studio Mesura has designed a live-work home for a gallery owner that combines exhibition space with living quarters in a former factory in Barcelona.

Casa Vasto is situated in the city’s seaside neighbourhood El Poblenou, characterised by its 18th-century industrial buildings that were deindustrialised in the 1960s and 70s.

Vasto gallery by Mesura apartment interior
Unfurnished areas serve as exhibition space

The apartment is located in one of these former factories and comprises two spaces – the public living and kitchen area that also houses gallery exhibitions, and the private bedroom and bathroom that are reserved solely for the owner’s use.

A service core made from birch wood divides the space without being attached to the walls or to the ceiling, which has an unusual vaulted design characteristic of factories built in Barcelona in the 19th century. This channels services to the kitchen and bathroom components and contains a toilet, shower and storage.

Vasto gallery by Mesura apartment interior
Bespoke furniture sits alongside design classics

On one side of the core is the living and gallery space. This has plenty of space to hold exhibitions and is filled with monolithic furnishings that create functional zones, including a long dining table with cylindrical legs and a blocky stainless-steel kitchen island.

A low, sprawling sofa defines the lounge area, which centres around a coffee table fashioned from waste material created during the apartment’s construction by designer Sara Regal.

Vasto gallery by Mesura apartment interior
Low-lying furnishings underline the height of the space and the unique ceiling

Artworks and furniture have been arranged throughout the space, which was curated in collaboration between the owners and Mesura.

“The project’s interior design is reinterpreted as a constellation of unique objects detached from the apartment’s limits,” said Mesura.

“These elements contrast with the white-washed walls and light-wood furnishings to emerge as accents of colour and form, weaving a cohesive and contemporary identity throughout the project, drawing focus to the pieces and artwork.”

Vasto gallery by Mesura apartment interior
The minimalistic kitchen unit shares the central core’s oblong profile

Bespoke pieces custom-made for Casa Vasto are flanked by iconic design classics, such as architect Mies van der Rohe’s MR10 Chair and architect Mario Botta’s Seconda Chai.

“Some of the interior pieces were specifically designed for the space – kitchen, dining table, service core, bathtub – and the others – sofas, chairs, lighting – were more of a process with the clients, who had their own preferences and interests,” Mesura told Dezeen.

Frames are hung on the walls in the bedroom, which also contains two sinks and a bathtub encased in blocky concrete volumes.

As in the rest of the space, rectangular windows extend from floor level to let natural light into the space.

Vasto gallery by Mesura apartment interior
The bed, bath and sink unit are all custom-made for the project

“We think the pieces selected for the interiors create a comfortable and unique atmosphere when in touch with the bespoke furniture we designed for the project,” the studio told Dezeen.

Other adaptive reuse apartment projects on Dezeen include an apartment in a converted bank office by Puntofilipino and a flat in a former chocolate factory by SSdH.

The photography is by Salva López.

Reference

Townhouse rear extension with cube pale-brick volumes
CategoriesInterior Design

Light and Air opens up Z House in Brooklyn to the outdoors

Local studio Light and Air has introduced a light-filled void at the centre of a Brooklyn townhouse as part of a major reconfiguration and extension project.

The home in the leafy Clinton Hill neighbourhood was bought by a family of four with roots in India and required a complete gut renovation to open up the spaces to the outside.

Townhouse rear extension with cube pale-brick volumes
The overhaul of Z House involved a significant rear extension, comprising cube volumes clad in pale brick

“They wanted a house that exhibited a strong connection to nature, featuring a more seamless integration between inside and out,” said Light and Air.

The project involved extending the building one level vertically, bringing its total number of storeys to four, as well as pushing it out significantly at the back.

Kitchen and dining area with oak millwork and pale brick wall
The brick continues into the kitchen and dining area on the lower floor

While the historic front facade was carefully restored, the rear elevation now presents as a contemporary stack of pale-brick cube volumes.

The interior was completely reorganized to allow sightlines between the original spaces, the new extensions and the outdoors.

Kitchen with brick walls, oak millwork and a central island
Oak millwork in the kitchen continues through the minimal interiors

The most dramatic change involved swapping the stacked staircase with a switchback configuration – a similar approach taken by the studio at another Brooklyn townhouse in 2018.

This arrangement allows for improved visual connections between the levels and gave the project its name, Z House.

Wooden staircase that leads to perpendicular white staircase above
Reconfiguring the house involved swapping the stacked staircase for a switchback arrangement from the parlour level to the top floor

In addition, an angled skylight was added above the staircase void, bringing in light all the way down to the parlour 40 feet (12 metres) below.

“Filled by light and air, the stair’s drama is heightened by the placement of large windows punctuating the rear facade, allowing the vertical space to open to the exterior,” said the studio.

Switchback staircase beside a corridor with wooden doors
A skylight over the staircase void brings light down into the home

Of the home’s four storeys, the lower levels are occupied by the public spaces including the kitchen, dining, living and media rooms.

The top two levels are reserved for the children’s rooms and the primary suite respectively. The uppermost floor also accommodates a home office and provides access to a roof terrace created by the rear extension.

“This private, elevated, exterior space offers a unique domestic experience not typically found in most Brooklyn rowhouses,” Light and Air said.

Interiors throughout are clean and minimal, with white walls and custom oak millwork, built-ins and furniture.

Bedroom with custom oak bed and built-ins
The primary bedroom on the top floor features a custom oak bed and built-ins

The pale brick of the rear facade is also expressed inside the double-height kitchen and dining area, which is open to the back patio.

“Located above the garden level addition is a green roof that buffers sightlines from the parlor floor, creating the effect of a floating garden beyond,” said Light and Air.

Historic townhouse facade in Clinton Hill, Brooklyn
The historic street facade of the Clinton Hill townhouse was also restored as part of the renovation

Founded by Shane Neufeld in 2017, the studio has completed a variety of interior design projects across New York City.

These include a Brooklyn apartment retrofitted with ample custom cabinetry and a spiral staircase and a Financial District loft where partitions were removed to create an open, inviting space.

The photography is by Kevin Kunstadt.

Reference

Ideal Fall tapestries
CategoriesInterior Design

Kustaa Saksi creates vivid tapestries to explore “reality and illusion”

Multidisciplinary designer Kustaa Saksi has unveiled In the Borderlands, an exhibition of jacquard textiles at the Helsinki Design Museum, which includes a piece featuring scenery generated by AI software.

Conceived as objects that straddle both art and design, Saksi’s large-scale textiles were hung from the ceilings and arranged across various rooms within a gallery at Helsinki’s Design Museum.

Ideal Fall tapestries
Ideal Fall is a duo of tapestries featuring AI-generated imagery

To create his pieces, the designer uses jacquard weaving – a technique invented in 1804 where patterns are woven with yarn using a loom to create a textile, rather than printed, embroidered or stamped onto fabric.

Ideal Fall is a single oversized tapestry featuring bright and abstract forms depicting waterfall- and plant-style forms.

Large-scale colourful textiles by Kustaa Saksi
Kustaa Saksi also created a series exploring migraines

Saksi created the colourful textile using AI software, which he instructed to generate images that would depict “ideal” scenes of nature. The designer then picked his favourite suggestions and used the imagery as a stimulus for the tapestry’s patterns.

“The exhibition explores moments between reality and illusion, which are the starting point for many of Saksi’s works,” said the Design Museum.

Dramatically lit tapestry at Helsinki Design Museum
The tapestries were suspended from the ceiling at the Design Museum

Migraine Metamorphoses is another series of textiles featuring similarly bold designs, which Saksi created to refer to the various phases of migraines – intense headaches that the designer has suffered since the age of seven.

According to the museum, the soft texture of the textiles intends to “mitigate the painful subject matter”.

Colourful textiles
Monsters and Dreams is a series informed by stories about hallucinations

Often influenced by the boundaries between dreams and imagination, Saksi’s first-ever tapestry series was also on show at the Design Museum.

Called Monsters and Dreams, it is characterised by striking patterns that take cues from hallucinations experienced by one of the designer’s family members. These textiles were draped across or hung from the ceiling of a single room with dark blue walls, which had been painted to enhance the pieces’ dramatic theme.

Saksi has created his pieces in collaboration with Dutch studio TextileLab since 2013.

“The jacquard technique can be referred to as one of the early precursors to the computer,” said the Design Museum.

“It was the first mechanised technique which enabled the transfer of information about a particular pattern to a weaving machine with the help of a punched cylinder, to eventually become a piece of textile.”

In the Borderlands exhibition by Kustaa Saksi
The exhibition is on display in Helsinki until mid-October

Throughout the gallery, the textiles were illuminated with controlled levels of lighting in order to preserve their appearance, according to the museum.

In the Borderlands is on display until 15 October as part of the museum’s 150th-anniversary programme. Elsewhere at Helsinki Design Week, designer Didi NG Wing Yin presented a series of amorphous timber furniture while last year’s edition of the event featured projects including plant-based textiles.

The photography is by Paavo Lehtonen.

Helsinki Design Week takes place from 8 to 17 September 2023 in Helsinki, Finland. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

Reference

Bully Hill House by Studio MM
CategoriesInterior Design

Ten living rooms decorated with textural cowhide rugs

From a ranch in Colorado to a treehouse in Australia, the living spaces in this lookbook are united by the grounding presence of cowhide rugs.

Animal skins have been used in dwellings for warmth and decoration for thousands of years. More recently, cowhide rugs – which were popularised in America – have become a common sight in interiors around the world, thanks to their recognisable pattern, outline and durability.

Each hide has unique colourations and patterning, with variations in texture depending on the breed of the animal. One side features the hair, while the reverse is plain leather – the result of the tanning process.

Cowhides imbue a cosy cabin-like feel, and can both blend into rustic homes and add timeless contrast in more minimalist interior schemes.

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring underground bedrooms, kitchens that combine stone with wood and interiors with bright yellow accents.


Bully Hill House by Studio MM
Photo by Brad Feinknopf

Bully Hill House, USA, by Studio MM

A tan and white cowskin rug adds warmth to this lofty living space in a rural house in upstate New York.

The skewbald floor covering lends a rustic edge to the living space, and is bolstered by the saloon-style bar stools and a fire surround clad in Corten steel with a niche for storing chopped firewood.

Find out more about Bully Hill House ›


Seating area with cow hide rug and book shelves
Photo by Fernando Marroquín, Jaime Navarro and Beto Lanz

Mexican house, Mexico, by Amezcua

A dappled cowskin rug adorns the volcanic stone floor of the living room in this modular holiday house in Mexico.

The brown and white rug zones the seating area, which comprises two chairs and a side table made from wood and leather and is flanked by a simple bookshelf in matching hues.

Find out more about the Mexican house ›


Open-plan living and dining room in a timber farmhouse with open walls
Photo by Christopher Stark

Sonoma farm house, USA, by Tyreus Design Studio

Nature is ever-present in this house in California, thanks to its expansive sliding doors as well as the earthy elements of the interior scheme, including a pale cowskin rug.

The lightly dappled coat appears to glow in the sunlight and echoes the striated white marble kitchen counter on the other side of the interior.

Find out more about Sonoma farm house ›


Seating area in front of large window overlooking trees
Photo by Matthew Millman

Paintbrush Residence, USA, by CLB Architects

A vast picture window and a cylindrical log burner flank the cowhide floor covering in this contemplative seating area in a house in Wyoming.

The curving outline of the grey and white hide provides a textural contrast to the regular linear shapes in the timber wall and ceiling cladding that encloses the area.

Find out more about Paintbrush Residence ›


Photograph showing loft room with skylight and chair
Photo by BoysPlayNice

Czech house, Czech Republic, by Atelier SAD and Iveta Zachariášová

This gabled living space in the ceiling of a house in the Czech Republic is dominated by a large brindle cowhide.

The rug’s naturally irregular patterning is offset by the geometric floor lamp and a ribbed seat covered in black-and-white zigzag upholstery.

Find out more about the Czech house ›


Interior of Pepper Tree Passive House by Alexander Symes
Photo by Barton Taylor

Pepper Tree Passive House, Australia, by Alexander Symes

A cream cowhide with a pronounced brown stripe running down its centre straddles two types of flooring in this unique house in New South Wales, Australia.

Built around a 60-year-old pepper tree, the interior has a fundamentally neutral colour palette punctuated by plants.

Find out more about Pepper Tree Passive House ›


Living room and kitchen with brown cow hide rug
Photo by Cristóbal Palma

LBS house, Chile, by Umberto Bonomo and Felipe Alarcón

Overlooking a V-shaped wall made from cinder blocks, the industrial-style living space in this Chilean house is softened by the presence of a glossy brown cowhide.

The use of concrete and metal throughout the interior is offset by the rug’s organic feel.

Find out more about LBS house ›


Reforma Alas by OMCM Arquitectos
Photo by Leo Mendez

Reforma Alas, Paraguay, by OMCM Arquitectos

A classic black-and-white spotted cowhide lines the floor in the airy open-plan living room of this house in Paraguay.

The rug provides a focal point in the otherwise minimally decorated space, which is defined by the use of grey and white hues on the walls and floors.

Find out more about Reforma Alas ›


Rockham House is a house in Devon that was designed by Studio Fuse
Photo courtesy of Studio Fuse

Rockham House, UK, by Studio Fuse

The laid-back living room in this house in Devon centres around a pale cowskin that sprawls across the concrete floor.

The room’s broad picture windows frame views of the countryside, with the hide retaining the space’s cosiness with help from a suspended fireplace.

Find out more about Rockham House ›


Goatbarn Lane by Renee Del Gaudio
Photo by David Lauer

Goatbarn Lane, USA, by  Renée del Gaudio Architecture

An orange leather sofa, a side table made from gnarled wood and a light-coloured brindle cowskin rug huddle around a fireplace in the corner of the living room in this house in the Rocky Mountains.

Despite the rugged setting, warmth and comfort are instilled in the interior through the use of soft furnishings and warm-toned wooden floors.

Find out more about Goatbarn Lane ›

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring underground bedrooms, kitchens that combine stone with wood and interiors with bright yellow accents.

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Living room with bronze fireplace, two armchairs and transparent staircase
CategoriesInterior Design

ATRA outfits Olson Kundig-designed house in West Hollywood

This townhouse in Los Angeles by US firm Olson Kundig is outfitted by furniture brand ATRA with “the best that Mexico has to offer”.

The Garden House, which sits between West Hollywood and Beverley Hills, was designed as one of eight single-family homes that form the The Houses at 8899 Beverly development.

Living room with bronze fireplace, two armchairs and transparent staircase
The interior of the Garden House is divided into two areas by a central void, which contains the staircase

Each of the two-storey residences was designed by Olson Kundig with a unique look and layout while retaining a cohesive language across the set.

For this particular house, which is decorated for a fictional future client, Mexico City-based design studio and furniture brand ATRA used many of its own products to create an environment that complements the architecture.

Sculptural dining table, branch-like chandelier and textured wall artwork
To decorate the house, ATRA used several of its own products including the dining table, along with pieces by Mexico-based artists and designers

“We wanted to sublime the minimalist architecture and the simplicity of the volumes by keeping the home versatile – imagining that the owner could be a young family as well as a Hollywood actor or a tech entrepreneur and that the design should not only fit but inspire all the above,” said the ATRA team.

From the street, the house presents as austere – comprising dark cladding materials and emphasised horizontally by an extended flat roofline and porch cover.

Volcanic stone desk
The volcanic stone desk in the study is also designed by ATRA

The building is entered into a double-height space from the side, effectively splitting the plan into north and south areas.

A staircase with open risers and glass balustrades rises up through the central void, its transparency allowing views from one side of the house to the other.

Kitchen with wooden cabinetry and thin metal stools against the island
Earth tones are used throughout the ground floor, including in the kitchen

The living room to the north is anchored by a large bronze feature that frames a fireplace, while ATRA’s Egge velvet sofa and pair of armchairs face one another across a low stone coffee table.

On the other side of the staircase is the dining room, where the brand’s sculptural Pebble dining table sits below a branch-like chandelier by Isabel Moncada, and beside a highly textured artwork by Julio Rizhi.

Vertical striped painting behind a burgundy-hued lounge chair
Upstairs, bolder colours are used to appear like “happy accidents”

“We curated the best that Mexico has to offer to enhance this house with unexpected artworks and thoughtful designs,” said Gabriella Kuti, ATRA’s lead designer.

Earth-toned furniture and textured finishes are used prominently throughout the ground floor, including a volcanic stone desk in the study and warm wood cabinetry in the kitchen.

A slightly different colour palette was employed upstairs, where grey sheen walls and burgundy-hued chairs are found in the primary bedroom.

“Some unusual warm and vibrant colors were introduced like a happy accident,” said ATRA.

Works by international artists in the home include a wall piece by Ghanaian artist Serge Attukwei Clottey made from a patchwork of yellow gallon containers, and bold-striped paintings by French artist Edouard Ng.

Private patio with plunge pool
A private patio at the back of the house features a plunge pool

Tucked out of view at the back of the property, a small outdoor patio features a square plunge pool and sculptures by Pablo Arellano.

The eventual owners of the house will also have access to the amenities of the adjacent residential tower 8899 Beverly, including a pool, a covered dining area and gardens, an indoor fitness centre and a yoga studio.

House exterior with dark cladding and flat roof
The architecture by Olson Kundig comprises dark materials and exaggerated horizontal planes

ATRA also provided furniture and decor for a show apartment in New York’s One Wall Street designed by FrenchCalifornia, and launched its Nerthus-Sofa modular system in 2020.

The company was founded by Alexander Díaz Andersson, who is also its creative director and works across furniture, sculpture, interiors and hospitality projects.

The photography is by Michael Clifford and Nils Timm.

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Sculpture by Frederik Molenschot made from recycled airbags
CategoriesInterior Design

Frederik Molenschot presents sculptures at Carpenters Workshop Gallery

Sculptures crafted from recycled BMW airbags and oak railway sleepers feature in artist Frederik Molenschot’s Atlas 2000 exhibition, which is on display at Carpenters Workshop Gallery in Paris.

Marking the Dutch artist’s first solo exhibition, Atlas 2000 features hand-sculpted works that are directly influenced by natural landscapes, Molenschot said.

The show’s title refers to the visual diary the artist has created since his studies at Design Academy Eindhoven in 2000.

Sculpture by Frederik Molenschot made from recycled airbags
Buoy Airbag is a sculpture made from recycled BMW airbags

Spread across the minimalist ground floor at the Paris branch of Carpenters Workshop Gallery, the sculptures were crafted from various materials and range from functional to abstract.

Buoy Airbag is an amorphous, pale blue-hued hanging sculpture created from recycled airbags sourced from BMW vehicles.

Sculptures at Carpenters Workshop Gallery
Frederik Molenschot’s debut solo show is on display at Carpenters Workshop Gallery

“The piece delves into the intricate connection between cargo transport and climate change, with recycled airbags symbolising a melting arctic ice rock floating in the sea,” the artist told Dezeen.

“I want to explore how luxury materials are used and how they become what they are,” he added. “[So] I processed the used airbags in a ‘couture’ way, to get a very high-quality finish.”

Bronze LED light sculpture
Gingerblimp is a bronze LED light sculpture

Molenschot also designed Gingerblimp, a bulbous bronze LED light sculpture characterised by a silver patina and a gold-brushed interior.

The artist explained that the sculpture is a playful take on ginger root from the natural world and also nods to the manmade blimps that form part of New York City’s annual Thanksgiving Day Parade.

Furniture made from recycled oak
Recycled oak railway sleepers were salvaged to create furniture

Recycled oak railway sleepers were salvaged to create a chunky dining table and chair, which were named Bridge Beat to “pay homage to the captivating structure of bridges”.

Also part of this series is a black bronze desk and chairs formed from gridded lines arranged in triangular formations.

“Each material was selected purposefully, offering unique properties and textures that complement the conceptual aspects of the artworks,” explained Molenschot.

“Every piece is hand-sculpted in our studio.”

Oversized clothing and bronze furniture by Frederik Molenschot
Molenschot also created oversized clothing

According to Molenschot, the pieces’ forms vary as much as their material palettes. In one corner of the gallery, a bobbly bronze glove was positioned underneath a branch-shaped textured lamp while oversized clothing also features in the exhibition.

“This solo show holds a special place in my heart, as it represents my entire artistic journey since my time at the Academy,” reflected Molenschot.

“It’s an invitation to explore my vision of our world. My ‘atlas’ is a compendium of research, pictures, designs, and sketches that have shaped me as an artist.”

Sculptures in Carpenters Workshop Gallery
The exhibition runs until mid-September

Known for his large-scale bronze sculptures, Molenschot has been represented by Carpenters Workshop Gallery since 2008. The galley, which also has locations in London and the US, previously exhibited an all-denim furniture show by designer Harry Nuriev.

The late fashion designer Karl Lagerfeld also debuted his first sculpture exhibition at the Paris branch.

Atlas 2000 is on display at Carpenters Workshop Gallery from 1 June to 16 September 2023. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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