John Friedman and Alice Kimm include crane in Los Angeles house
CategoriesArchitecture

John Friedman and Alice Kimm include crane in Los Angeles house

Architects John Friedman and Alice Kimm have stacked a white concrete mass with sinuous cutouts into a hillside as a home for their family in Los Angeles, complete with a yellow crane in the kitchen and a pink accessory dwelling unit.

Named the JArzm house – using the first initial of each family member – the home is set into a 60-foot slope in Los Angeles’ Silver Lake neighborhood.

Pink accessory dwelling unit in Los Angeles
The JArzm house features a pink accessory dwelling unit

The 3,725-square foot (346-square metre) residence is “intensely livable and playful, as well as architecturally inventive, open, and highly crafted” according to the architecture studio.

John Friedman Alice Kimm Architects (JFAK) completed the house – and 540-square foot (50-square metre) accessory dwelling unit (ADU) – in November 2021.

ADU with curved roof structure
It is set into a slope in Los Angeles’ Silver Lake area

The white cement plaster envelope is “neither box nor blob” with curved cutouts and large expanses of glass removed from a flat cube combining the arched influences of Alvaro Siza (for whom Friedman worked in the late 1980s) and the crisp detailing of Richard Neutra, Rudolph Schindler and John Lautner (whose designs are scattered throughout the neighbourhood).

Accessed from the top of the slope, the house is inverted and sits below the street level preserving views out to the Silver Lake Reservoir and Dodger Stadium for the surrounding homes.

Curving concrete steps
The entry’s curving concrete steps transition to a stainless steel staircase

The entry’s curving concrete steps transition to a stainless steel staircase that leads down into the open living, kitchen and dining area, as well as two children’s bedrooms.

“Designing our own house was great because we didn’t have to ask permission,” Friedman told Dezeen. “We could do whatever we want, and we did in fact integrate some ideas and elements that other clients turned down for their particular houses.”

Yellow construction crane above the dining space
A yellow construction crane was mounted into a linear skylight in the dining area

The studio included a yellow construction crane mounted into a linear skylight above the kitchen and dining room that lifts the mirrored aluminium dining table, extends it out over the balcony and lowers it to the pool deck two storeys below.

A large central staircase with open teak treads, a glass railing and a powder-coated aluminium bookcase wall connects all three levels.

Large central staircase with teak treads
All three levels are connected by a large central staircase

The middle floor contains the primary suite, laundry room, two home offices, and the third child’s bedroom, which is separated from the rest of the house by a small glass bridge that spans a triple-height light well adjacent to the staircase.

The ground floor includes a multipurpose family room that leads out to the pool deck, which is set at the same height as the roof of the pink accessory dwelling unit (ADU).

Colourful interiors within LA hillside house
Large windows open the various rooms to the forest-like landscape

The ADU sits atop an embedded garage and is topped by an urban roof garden with a sinuous aluminium sunshade structure.

“The pool deck and roof garden together create a ‘middle ground’ suspended between the streets at the site’s top and bottom,” the team explained.

Because the house is lowered in the steep terrain, it doesn’t align with the neighbouring properties.

Large windows open the various rooms to the forest-like landscape on each side of the house, while skylights and interior glazing allow sunlight to reach deep into the plan.

Bedroom with sliding glass walls
Sliding glass walls dissolve the transition between interior and exterior

Disappearing sliding glass walls dissolve the transition between interior and exterior.

The studio said that “functional domesticity” was a key requirement for the home.

“The functional and workaday are the foundation for achieving artfulness and architectural innovation,” said the studio. “[These traits] are hallmarks of JArzm House that place it firmly within the rich lineage of experimental Southern California domestic architecture.”

White house with curved openings
The house does not align with neighbouring properties

Established in 1996, JFAK Architects is the only studio to receive two Rudy Bruner Silver Medals for Urban Excellence and was longlisted for the website of the year in the 2021 Dezeen Awards.

Nearby in Los Angeles, Anonymous Architects recently embedded a concrete house into a hillside with a two-storey pool.

The photography is by Benny Chan.


Project team:

Architect: John Friedman Alice Kimm Architects, John Friedman FAIA (lead)
General contractor: Bonomo Development
Landscape contractor: Pablin Arevalo
Special fabrications: Chris Berkson, BerksonFab
Cabinetry: Evan Pohlmeier
Structural engineer: Parker Resnick
Landscape architecture: Kathleen Ferguson Landscapes, Matson Walter
Civil engineer: JMC-2

Reference

Vermilion Zhou Design Group Transforms ‘green massage’ into an Alice in Wonderland-Inspired Fantasy Forest
CategoriesArchitecture

Vermilion Zhou Design Group Transforms ‘green massage’ into an Alice in Wonderland-Inspired Fantasy Forest

 

‘green massage’ Shanghai Madang Road store – Entering ‘green massage’ Madang Road, is like entering the “Rabbit Hole” in Alice’s Adventures in Wonderland. Inspired by the Mad Hatter’s quote “There is a place. Like no place on Earth. A land full of wonder, mystery…”, your reality shrinks and shifts as you enter this fantasy forest. The process gradually disconnects your tired body from reality.

Architizer chatted with Creative Director Kuang Ming(Ray) Chou and Lighting Design Director Vera Chu at Vermilion Zhou Design Group to learn more about this project.

Architizer: This project won in the 10th Annual A+Awards! What do you believe are the standout components that made your project win?

Kuang Ming(Ray) Chou & Vera Chu: Massage services are very common in China, but the experience space always looks similar. We tried to jump from the typical oriental design and based on the brand thinking, with a new way to give the consumer a different atmosphere to experience massage service in every “green massage” space. In the end, to relax and treat every tired body and soul.

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

What was the greatest design challenge you faced during the project, and how did you navigate it?

“green massage” is a chain brand based in Shanghai that has many experience spaces, some being very close to each other. The client’s demand was to keep the same brand DNA and exploring new customers.

“green massage” Madang Road is located in “THE ROOF”, the architecture was designed by Jean Nouvel, and the architecture attracts many people who visit. But “green massage” is on the second underground floor, we have to stand out to attract consumers. That’s why we create the “rabbit hole” entrance. “Curiosity”, and “exploratory” to the new consumers, also a freshness to members.

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

What drove the selection of materials used in the project?

“green massage” is on the second underground floor so the humidity is a problem, and also fire prevention is what we are concerned about. And we still want guests to feel relaxed in the whole environment, so the material must be the sense of soft, even visual.

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

What is your favorite detail in the project and why?

The rippling shape of the ceiling in the reception area, which seems the story’s preface, leads people to enter the story.

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

In what ways did you collaborate with others, and were there any team members or skills that were essential in bringing this Award winning project to life?

We intend to create a fantasy space based on our concept, so we choose “Nan Paper Art” as our collaborator. The paper material gives a soft sense that can fit our design and also can be malleable to make a huge size floral garden.

And this is the first time that their creations added lighting design, for them that’s a new inspiration, and for us is a great experience to enrich the whole design.

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

Were any parts of the project dramatically altered from conception to construction, and if so, why?

Even though not everything is so satisfactory from conception to construction, embracing change and figuring out the solution is the designer’s mission. Finally, we are so lucky to have good results.

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

How have your clients responded to the finished project?

In the beginning, the client has their concern, but eventually, they trust our profession. The result shows the consumers, the actual space users had very good feedback and increased the business.

What key lesson did you learn in the process of conceiving the project?

We have to believe what we do, dig into who is the actual user in every space then provide their actual need.

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

How do you believe this project represents you or your firm as a whole?

The design concept is the matter, every design is a new breakthrough, to observe, find out the key problem then solve them. The lighting design in this project was involved in the very early design phase, and it become the key design tone.

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

Team Members

Creative Director|Kuang Ming(Ray) Chou, Interior Design|Garvin Hung, Yue Hu, Reykia Feng, Chang Song Li, Yu Xuan Li, Ming Rui Gao, Lighting Design|Vera Chu, Chia Huang Liao, FF&E Design|Wan Lu Yang, Video|Ming Shi, Ting Ho, Photographer|Yunpu Cai,

Consultants

Nan Paper Art

For more on ‘green massage’ Shanghai Madang Road store, please visit the in-depth project page on Architizer.

‘green massage’ Shanghai Madang Road store Gallery

Reference