Architecture Archives

MNY Arkitekter completes “down-to-earth” house for two sisters in Finland

Finnish studio MNY Arkitekter has completed Two Sisters, a timber holiday home in Salo that is designed to allow two siblings to live “together separately”.

To create a dedicated space for each of the two sisters, MNY Arkitekter divided the home into two standalone units joined by a central terrace overlooking the surrounding rocks and pine trees on Finland’s west coast.

Timber exterior of Two Sisters holiday home in Finland — The two units are joined by a central terrace

“In many ways the site is one of typical Finnish inner archipelago terrain and vegetation, and one of the main goals was to preserve as many trees and visible rocks as possible,” MNY Arkitekter founder Mathias Nyström told Dezeen.

“Equality of the views from the two units was also important and had a significant impact on the layout.”

Living area within Two Sisters in Finland — Each unit has large windows. Photo by Mathias Nyström

The home’s two units “fan out” to provide privacy and avoid the surrounding trees, while making space for an existing sauna, utility room and overnight shelter on the site.

Each block features large windows at its western end, looking towards the sea and pine trees to the west. Openings facing the central terrace have been placed to minimise overlooking.

Kitchen interior of holiday home by MNY Arkitekter — Black kitchen counters feature in each living space

“Being in one of the units you can only see the other from certain points, otherwise you mostly sense the existence of the other part,” said Nyström.

“You are on your own, but feel part of a bigger entity,” he added.

Each living space at Two Sisters has been finished with black kitchen counters, a dining table and a large freestanding fireplace. Built-in bench seating provides space to sit and look out over the landscape.

In the northern block, a bed is housed in a small nook off this living space backed by a full-height window, while to the south the slightly larger unit provides a double bedroom and two single bedrooms alongside the living space.

Bedroom interior within timber holiday home in Finland by MNY Arkitekter — A small bed is backed by a full-height window in the larger unit

Two Sisters has a prefabricated structure of glue-laminated timber, finished externally with vertical planks of spruce. Internally, pale timber walls, floors and ceilings are treated with lye.

“The aim for the atmosphere was to create a uniform, serene space where nature plays a big part – the end result is very uplifting,” said Nyström.

“The weathered silver-grey wood will fuse the building in the landscape with rocks and pines. All in all it is a down to earth and subtle building,” he added.

Living space interior within Two Sisters holiday home — The home is constructed from glued-laminated timber

Elsewhere in Finland, MNY Arkitekter created a home on the shoreline of a small lake in Tenala using seven different varieties of timber.

Other recent projects in the country include a sauna and restaurant on the edge of Lake Saimaa by Studio Puisto and the steel-clad Dance House by JKMM and ILO architects in Helsinki.

The photography is by Multifoto Ab unless otherwise stated.

Reference

Architecture

Wallmakers uses discarded toys to construct Toy Storey home in Kerala

By Zarkon Group,05/04/2024

Architecture studio Wallmakers has repurposed approximately 6,200 discarded toys to construct the walls of Toy Storey, a circular home in Kerala, India.

The aptly named residence by Wallmakers uses toys discarded in the area, which are unsuitable for recycling, as structural components and decoration within the external walls.

Exterior view of home by Wallmakers — A cantilevered verandah wraps around the circular home

“The main concept of Toy Storey revolves around the idea of using discarded toys and effectively conveying a message through this,” studio founder Vinu Daniel told Dezeen.

“By repurposing around 6,200 discarded toys, the residence in Kerala becomes a living monument to nostalgia and childhood, while addressing environmental concerns,” he added.

View of exterior wall of Toy Storey home — Approximately 6,200 discarded toys are used in the home’s walls

Toy Storey is wrapped by perforated, curved walls composed of compressed stabilised earth blocks, Mangalore tiles and toys, designed to draw in light and enable cross ventilation through the home. A ferrocement roof sits on top.

Four evenly-spaced entrances puncture the facade, which is wrapped by a cantilevered verandah offering outdoor space overlooking the surrounding greenery.

Living space within Kerala home — Perforated walls draw light and ventilation through the interior

Inside, the home’s first floor is divided into public and private segments. The public half is defined by a large living room while the private half contains an open-plan kitchen and dining area flanked by bedrooms.

“One of the things that the client mentioned was they often host their neighbours and members of the community, which means there are often many people in the house,” Daniel said.

“Hence we decided to make the area the people frequented separate from that of the client’s family’s personal spaces,” he continued.

Japanese-style shoji screens are used as partitions throughout the interior to enable light into each space and connectivity between the private and public areas.

Kitchen interior within Toy Storey home in India — An open-plan kitchen and dining area are flanked by bedrooms

The site’s topography enabled the addition of a secluded basement level containing a library and bedroom, accessed from the upper floor by a central staircase.

An internal courtyard topped with a glass ceiling slices through the building providing additional daylight for the interior.

Bedroom interior within Toy Storey in India — Japanese-style shoji screens are used as internal partitions

Wallmakers is an architecture studio established by Daniel in 2007. Elsewhere in India, Wallmakers has also recently completed an arts centre with rooftop seating and a house that resembles “snake curling up under a rock”.

Last year, Daniel faced criticism on social media for his studio’s use of unpaid internships, which he claims have an important educational benefit.

The photography is by Syam Sreesylam and Althaf Rasheed.

Reference

Interior Design

Jean Prouvé’s Maison Les Jours Meilleurs shown at Galerie Patrick Seguin

By Zarkon Group,02/04/2024

An exhibition at Galerie Patrick Seguin in Paris allows visitors to experience the Jean Prouvé-designed Maison Les Jours Meilleurs in both real life and virtual reality.

The gallery is exhibiting the most significant element of the demountable prefabricated house, its load-bearing service core, in a full-scale installation that doubles as a virtual reality (VR) experience.

Interior of Maison Les Jours Meilleurs house by Jean Prouvé — The load-bearing service core is key to the design of the original Maison Les Jours Meilleurs (above and top image)

Prouvé, the French architect best known for applying mass-production principles to both buildings and furniture, developed the design for the 57-square-metre house in 1956.

Known as Maison Les Jours Meilleurs, or “better days house”, the house was designed to tackle a homelessness crisis in the French capital.

Exhibition on Maison Les Jours Meilleurs by Jean Prouvé at Galerie Patrick Seguin — This core is the centrepiece of the exhibition at Galerie Patrick Seguin

In the winter of 1954, temperatures dropped so low that a woman and child died from the cold.

After being denied a request for funding to provide emergency housing, Abbé Pierre – a Catholic priest who was the founder of the Emmaüs movement against poverty – put out a plea on the radio for aid.

Prouvé responded immediately and, in a few weeks, had developed a design he felt could offer the solution.

The design centres around the service core, a steel cylinder painted olive green. This provides all the kitchen and bathroom services and carries the weight of the building’s roof.

Prouvé first exhibited a prototype of the Maison Les Jours Meilleurs on Quai Alexandre-III in February 1956.

This was described by fellow architect Le Corbusier as “the handsomest house I know of, the most perfect object for living in, the most sparkling thing ever constructed”.

However, the model never made it to production and only a handful were ever built.

Maison Les Jours Meilleurs by Jean Prouvé in virtual reality — A VR headset transforms the scene into a 3D visualisation of the house

Galerie Patrick Seguin owns the world’s largest collection of Prouvé houses, which it has installed in exhibitions around the world. In 2015, it commissioned architect Richard Rogers to put a new spin on one.

This exhibition marks the first time the gallery has allowed a Prouvé house to be experienced in virtual reality.

The installation places the service core inside a full-scale sketch floor plan that reveals the house’s layout.

A VR headset transforms the scene into a visualisation of the house, placing it back on the spot where it was installed in 1956, on the banks of the Seine.

The photography is courtesy of Galerie Patrick Seguin.

Jean Prouvé, Maison Les Jours Meilleurs is on show at Galerie Patrick Seguin from 14 March to 20 April 2024. See Dezeen Events Guide for more architecture and design events around the world.

Reference

Architecture

10 Best Architecture Firms in Iceland

By Zarkon Group,31/03/2024

These annual rankings were last updated on March 29th, 2024. Want to see your firm on next year’s list? Continue reading for more on how you can improve your studio’s ranking.

Land of breathtaking terrains and jarring winds, Iceland is known for its magical landscapes filled with lava fields, fjords, and verdant hills. Located south of the Arctic Circle, Iceland’s rugged landscape is firmly tied to its built environment, which is fused with a deeply functional architectural language. One of the nation’s earlier building traditions is the turf home. Covered with an exterior turf shell, they simultaneously insulate the home and camouflage into the environment.

The nation’s architecture is equally attributed to its Scandinavian neighbors. In the 18th century, Danish architects introduced gable-fronted structures and stone construction to Iceland, which led to a boom in masonry craft and stone creations. Other foreign influences, such as Classical ideas and Swiss designs, were also imported. Notwithstanding, Icelandic design remained practical. In the 30s, functionalism found its way north and found fertile soil in Iceland.

Following Iceland’s independence from Denmark, modernism began to inform the nation’s architecture. Today’s Icelandic designers admirably balance past and present. Fusing past traditions with modern innovations, contemporary Icelandic architecture remains beautiful, functional and deeply connected to its unrestrained climatic conditions.

With so many architecture firms to choose from, it’s challenging for clients to identify the industry leaders that will be an ideal fit for their project needs. Fortunately, Architizer is able to provide guidance on the top design firms in Iceland based on more than a decade of data and industry knowledge.

How are these architecture firms ranked?

The following ranking has been created according to key statistics that demonstrate each firm’s level of architectural excellence. The following metrics have been accumulated to establish each architecture firm’s ranking, in order of priority:

The number of A+Awards won (2013 to 2024)
The number of A+Awards finalists (2013 to 2024)
The number of projects selected as “Project of the Day” (2009 to 2024)
The number of projects selected as “Featured Project” (2009 to 2024)
The number of projects uploaded to Architizer (2009 to 2024)

Each of these metrics is explained in more detail at the foot of this article. This ranking list will be updated annually, taking into account new achievements of Iceland architecture firms throughout the year.

Without further ado, here are the 10 best architecture firms in Iceland:

10. Studio Granda

Â© Studio Granda

Studio Granda was established in Reykjavík by Margret Harðardóttir & Steve Christer in 1987. The practice is based in Reykjavik and works on wide range of commercial and private projects.

Some of Studio Granda’s most prominent projects include:

B14, Iceland
H71a, Hverfisgata, Reykjavík, Iceland

The following statistics helped Studio Granda achieve 10th place in the 10 Best Architecture Firms in Iceland:

Featured Projects	1
Total Projects	2

9. Teiknistofan Tröð

Â© Teiknistofan TrÃ¶Ã°

Beauty | Permanence | Utility are the main values of the company, which operates in the spirit of sustainable development.
Each project is one of a kind where local conditions and activities play a key role in the design process. Emphasis is placed on the architecture and technical aspects, utility and efficiency in implementation and operation.
Teiknistofan Tröð provides services and consultation on architecture and planning to public authorities, businesses and individuals.

Some of Teiknistofan Tröð’s most prominent projects include:

The following statistics helped Teiknistofan Tröð achieve 9th place in the 10 Best Architecture Firms in Iceland:

Featured Projects	1
Total Projects	3

8. Yrki architects

Â© Yrki architects

Yrki was founded in 1997 by Ásdís Helga Ágústsdóttir and Sólveig Berg after they had won the 1st prize in an invited competition for Nesstofa, a museum of medical heritage in Seltjarnarnes. Today, a cohesive team of talented designers in the fields of architecture, urban planning and landscape architecture works at Yrki architects. We put our emphasis on meeting our clients’ requests in a professional and viable manner.

Yrki architects offer a wide range of services in the fields of architecture, urban planning and landscape architecture. Our wide expertise of architecture and design reflects in a holistic approach to all our projects where the environment, context and scale shape the design. The name Yrki has a specific meaning in Icelandic.

Some of Yrki architects’s most prominent projects include:

The following statistics helped Yrki architects achieve 8th place in the 10 Best Architecture Firms in Iceland:

A+Awards Finalist	1
Featured Projects	1
Total Projects	1

7. BASALT Architects

Â© GuÃ°mundur Benediktsson

Basalt Architects is an architectural office established in 2009 in Reykjavik, Iceland. Led by partners Sigríður Sigþórsdóttir, Hrólfur Karl Cela and Marcos Zotes, Basalt’s dynamic team of architects and designers bring together a rich and extensive architectural design and construction experience in Iceland and abroad. Committed to architecture in concept, design and execution, Basalt provides high quality work and services on projects of different content, expression and scale.

Basalt Architects cover a broad spectrum of architectural design services including wellness, office, commercial, residential, leisure, heritage, retail, cultural, exhibition and urban design projects. Extracting what is unique in each project from an environmental, geographic, cultural and historic context is at the core of Basalt´s design approach.

Some of BASALT Architects’s most prominent projects include:

The following statistics helped BASALT Architects achieve 7th place in the 10 Best Architecture Firms in Iceland:

A+Awards Winner	1
Total Projects	3

6. Batteriid Archtects

Â© Henning Larsen, Batteriid Archtects

Batteríið Architects Ltd. is a consulting architectural firm, founded in 1988, with a broad range of experience in building design and planning. The company benefits from highly trained and well educated employees that emphasize innovative ideas and creative design solutions.
The company’s expertise is a comprehensive knowledge of adjusting buildings to local environment and climate, Universal Design as well Occupational Safety & Health.

Some of Batteriid Archtects’s most prominent projects include:

The following statistics helped Batteriid Archtects achieve 6th place in the 10 Best Architecture Firms in Iceland:

A+Awards Winner	1
Featured Projects	1
Total Projects	1

5. Okkarheima / ANNA Landscape architect

Â© ESJA Architecture, Arkibygg arkitektar, Okkarheima / ANNA Landscape architect, exa nordic

ANNA is an experienced landscape architect with demonstrated competence in project management. Anna has broad design experience from designing urban and rural spaces to master planning of larger areas. Anna has a passion for creating livable outdoor spaces that enhance public life.

Some of Okkarheima / ANNA Landscape architect’s most prominent projects include:

The following statistics helped Okkarheima / ANNA Landscape architect achieve 5th place in the 10 Best Architecture Firms in Iceland:

A+Awards Winner	1
Featured Projects	2
Total Projects	1

4. arkibúllan arkitektar

Â© arkibÃºllan arkitektar

Arkibüllan, which has recently changed its name to A arkitektar, was founded in 1999 by Hólmfríðar Ósmann Jónsdóttir and Hrefna Bjargar Þorsteinsdóttir. The work of A arkitekta / Arkibüllun is often shaped by nature and the surrounding environment. The work on each project begins with a search for clues in as many places as possible: in the landscape, human life and one’s own mind. The clues then become the power generator that leads the work from the first sketch to the fully formed structure.

Some of arkibúllan arkitektar’s most prominent projects include:

The following statistics helped arkibúllan arkitektar achieve 4th place in the 10 Best Architecture Firms in Iceland:

Featured Projects	3
Total Projects	2

3. EON architecture / Architect – Designer

Â© EON architecture / Architect – Designer

EON architecture is strongly related to the layers of information connected to each project we design and we build. Each project is a manifesto and a tribute to its site, to its role and to its owner/the client. EON emphasizes the important threads between architecture and environmental issues. The goal is to combine contemporary architecture with environmental issues in relation to style and history. Thus being related to the distinctions and the history in general in our projects is of great importance to us. EON architecture represent the creativity and design of fabulous spaces and built structures and intends to contribute high quality architecture worldwide.

Some of EON architecture / Architect – Designer’s most prominent projects include:

House of Shapes, Kopavogur, Iceland
Mt.Hekla Volcanic Museum, Rangárþing ytra, Iceland
East Street – Offices of Parliament, Reykjavík, Iceland
Grandagarður 8, downtown Old Harbour, Reykjavik, Iceland
The Pool of Vikings, Iceland

The following statistics helped EON architecture / Architect – Designer achieve 3rd place in the 10 Best Architecture Firms in Iceland:

Featured Projects	3
Total Projects	11

2. PK Arkitektar

Â© Rafael Pinho

PK Arkitektar is an Icelandic architecture and design studio. Its founder, architect Palmar Kristmundsson, draws his inspiration from Iceland’s stunning natural landscape and from his encounters with vernacular Japanese architecture. Over the years, they have developed an exceptional team of architects from around the world. PK’s clients and staff are committed to experimentation and the quest for exciting architectural experiences. Each of PK’s projects is designed to inspire a new sense of place through its clarity of design and unexpected details.

Some of PK Arkitektar’s most prominent projects include:

Árborg, Selfoss, Iceland
Frístundahús, Brekkuskógur, South, Iceland
Turninn, Reykjavík, Iceland
BHM, Brekkuskógur, South, Iceland
B25, Garðabær, Iceland

The following statistics helped PK Arkitektar achieve 2nd place in the 10 Best Architecture Firms in Iceland:

A+Awards Winner	1
A+Awards Finalist	2
Featured Projects	3
Total Projects	5

1. ARKÍS Arkitektar

Â© ARKÃS Arkitektar

ARKÍS is an awarded, progressive architecture firm that has been in operation since 1997. ARKÍS’ works and projects span all levels of architecture, planning and design. ARKÍS has extensive experience with projects in planning and architecture, and from the firm’s founding, ARKÍS has executed numerous large and complex projects, both in Iceland and internationally. That experience, in addition to cross-disciplinary specializations, international high level education and experience of the office’s employees make the firm well equipped to address all projects in architecture, planning and design.

Some of ARKÍS Arkitektar’s most prominent projects include:

The following statistics helped ARKÍS Arkitektar achieve 1st place in the 10 Best Architecture Firms in Iceland:

Featured Projects	6
Total Projects	7

Why Should I Trust Architizer’s Ranking?

With more than 30,000 architecture firms and over 130,000 projects within its database, Architizer is proud to host the world’s largest online community of architects and building product manufacturers. Its celebrated A+Awards program is also the largest celebration of architecture and building products, with more than 400 jurors and hundreds of thousands of public votes helping to recognize the world’s best architecture each year.

Architizer also powers firm directories for a number of AIA (American Institute of Architects) Chapters nationwide, including the official directory of architecture firms for AIA New York.

An example of a project page on Architizer with Project Award Badges highlighted

A Guide to Project Awards

The blue “+” badge denotes that a project has won a prestigious A+Award as described above. Hovering over the badge reveals details of the award, including award category, year, and whether the project won the jury or popular choice award.

The orange Project of the Day and yellow Featured Project badges are awarded by Architizer’s Editorial team, and are selected based on a number of factors. The following factors increase a project’s likelihood of being featured or awarded Project of the Day status:

Project completed within the last 3 years
A well written, concise project description of at least 3 paragraphs
Architectural design with a high level of both functional and aesthetic value
High quality, in focus photographs
At least 8 photographs of both the interior and exterior of the building
Inclusion of architectural drawings and renderings
Inclusion of construction photographs

There are 7 Projects of the Day each week and a further 31 Featured Projects. Each Project of the Day is published on Facebook, Twitter and Instagram Stories, while each Featured Project is published on Facebook. Each Project of the Day also features in Architizer’s Weekly Projects Newsletter and shared with 170,000 subscribers.

We’re constantly look for the world’s best architects to join our community. If you would like to understand more about this ranking list and learn how your firm can achieve a presence on it, please don’t hesitate to reach out to us at editorial@architizer.com.

Reference

Architecture

Michael Hennessey Architecture clads renovated California house in cedar

By Zarkon Group,29/03/2024

US studio Michael Hennessey Architecture has revitalised an ageing suburban house near San Francisco, adding black cladding and bright finishes to form a family home that bridges the past, present and future.

The residence is located in Mill Valley, a town just north of San Francisco that is known for its natural terrain and cultural offerings.

Black house by Michael Hennessey Architecture — Michael Hennessey Architecture created Courtyard Hous

Designed for a couple with two young children, the budget-conscious project involved the renovation of a suburban-style house that was “in sore need of upgrades”.

The aim was to create a dwelling that supported the family’s current needs while being mindful of what might be needed in the future.

Courtyard House living space — The home is U-shaped in plan

“The home was thought not only as a shelter, but also as a bridge: from past to present, from one landscape condition to another, and from what a family wanted to what they could have,” said Michael Hennessey Architecture, which is based in San Francisco.

Built into a hillside, the home is U-shaped in plan, with gabled volumes organised around a central courtyard.

Vertical cedar siding that adds a sense of gravitas

The team opted to preserve certain elements while adding contemporary interventions.

The building’s beige exterior was replaced with black, vertical cedar siding that adds a sense of gravitas, the studio said. The roof is covered in standing-seam metal.

Open-plan kitchen — Inside there is a clear division between public and private zones

Inside, the 1,870-square-foot (174-square-metre) house features a clear division between public and private zones.

On the main level, one side holds an open-concept kitchen, dining area, and living room, while the other encompasses three bedrooms. The ground level contains a family room and a garage.

South-facing deck — A south-facing deck features outside

“Clearly delineated programmatic areas work in harmony with each other, the outside and the family’s needs,” the team said.

Interior finishes include ash cabinetry, large-format porcelain floor tiles, and ceramic tiles around the fireplace. Lofty ceilings and large stretches of glass provide an airy feel.

The outdoor spaces include a spacious, south-facing deck that receives bright sunlight. Softer light flows in through the courtyard on the north.

Proving a connection to the forested, hilly landscape was a guiding concern for the team.

Outdoor showers were also included in the design

“Every part of the house is oriented towards the landscape thanks to carefully framed views of the lush immediate vegetation, as well as the more distant valleys, resulting in a comprehensive, thoughtful and sensitive approach to creating an extraordinary daily life,” the team said.

Other projects by Michael Hennessey Architecture include a townhouse with modern bay windows that was designed to offer alternatives to “conventional building strategies” and the refurbishment of a 1960s house that was originally built by Joseph Eichler, known for his modernist housing subdivisions.

The photography is by Adam Rouse.

Project credits:

Architect: Michael Hennessey Architecture
Architecture team: Michael Hennessey, Claudia Merzario, Jason Laudat
Contractor: New Dimension Builders (Dirk Von Rueben)
Structural engineer: Berkeley Structural Design (Bill Lynch)
Landscape architect: George Loew
Title 24 consultant: EnergySoft, LLC (Hayley Monahan)
Sustainability consultant: Arcturus HD (Jeff Aalfs)

Reference

Architecture

7 Top Virtual Reality Tools for Architecture

By Zarkon Group,28/03/2024

Architizerâs Tech Directory is a database of tech tools for architects â from the latest generative design and AIÂ to rendering and visualization,Â 3D modeling,Â project management and many more. Explore the complete library of categoriesÂ here.

Virtual reality (VR) technology stands out as a game-changer, offering architects a series of immersive tools that allow them to conceptualize, refine and present their visions with unprecedented clarity and depth. It transcends traditional methods, bridging the gap between imagination and reality like never before. By donning a VR headset, architects can transport themselves and their clients into intricately detailed digital worlds where they can navigate, manipulate and evaluate designs from every angle.

Virtual, Mixed and Extended Reality technology is the second most groundbreaking technological revolution following the AI bloom. It provides a new canvas upon which architects can experiment and discover new processes that turn architecture into a more immersive and socially impactful profession.

Without further ado, here are the top seven Virtual Reality tools that unlock unprecedented capabilities in architectural design.

Best VR Tool for Rendering

Chaos Enscape is a powerful real-time visualization tool that produces fully rendered 3D walkthroughs, acting as a plugin for most CAD and BIM programs. The rendered 3d models can be easily navigated through VR headsets such as Oculus or HTC Vive. Chaos Enscape includes features such as site context, a tool that can add real-world topography and building data to the scene, orthographic views and BIM information for every model component as well as a vast library of assets and materials. By using Enscape’s atmosphere and lighting settings, the renders are produced almost automatically, since architects can experiment with tools such as time of day, clouds, image effects, depth of field and even add fog to the scene.

Best VR Tool for 3d Modeling

Gravity Sketch is a 3D modeling tool that allows architects to design inside a virtual environment. Using gestural actions in a 1:1 scale, architects delve into a new way of creating more responsive designs. This groundbreaking virtual platform becomes an ideal space for collaboration amongst designers, including features such as pre-loaded fabs and reference images to make designs more accurate as well as a number of customizable brushes, textures and colors for effective communication. The 3D models produced are composed of NURBS and meshes, thus being editable in any 3d software and used in an array of mixed reality software.

Best VR Tool for Animation

Twinmotion is one of the most versatile real-time visualization tools. Its most impressive feature is its ability to generate animated immersive VR environments and can be easily integrated with most 3D modeling and BIM software on the market. Architects can work in a real-time environment, updating colors and textures, which are immediately visible on their screen. Twinmotion also includes a library of Smart Assets, for example trees that grow, doors that open and people that move, as well as an array of storytelling tools, through which architects can control the time of day or the season. A distinct feature is the Growth & Phasing tool, which can be used to show in real-time the actual construction process of a project.

Best VR Tool for Cinematic World-building

Unreal Engine can be considered as a more “advanced” version of Twinmotion. Used not only for architecture but also for film, game design and animation, Unreal Engine is a rendering tool that can produce the most cinematic virtual environments. It incorporates worldbuilding features, from modelling and terrain tools to scalable foliage, world partition, countless materials and environment lighting. It also has simulation effects, which include clothing tools, hair and fur and even chaos physics destruction systems. It is an all-in-one software, which can elevate any architectural design into a truly captivating scene, easily accessed through any VR headset.

Best VR Tool for Construction

Unity is a revolutionary tool for not only for architecture but for the wider construction industry. Its real-time visualisation capabilities allow architects to build custom VR experiences in order to design, monitor and even construct what-if scenarios for their projects. Unity includes environmental and operational performance features that measure water, waste and carbon emissions and enhancing predictive maintenance practices. Its Smart Engineering feature aids architects in integrating their designs with instrumentation diagrams that can be easily accessed through VR environments.

Best VR Tool for Beginners

D5 Render is an all-in-one design and render solution that has real-time visualization capabilities. Its easy-to-use interphase allows architects to both modify and render their designs through live-sync viewports. It has an array of environment and material presets as well as library of 11,000+ assets (models and materials) that are used to produce still images, animations and immersive VR walkthroughs. D5 Render’s latest version introduced the AI tool D5 Hi, a spatial concept generator that combines text and image prompts with an existing 3d model to produce a series of rendered images.

Best VR Tool for Collaboration

Studio 3DX is a web-based platform that transforms 3D scenes into stunning virtual environments that can be accessed through a single weblink. It can navigate complex 3d geometries in unmatched speeds and offers a simple set of visualization tools such as viewport setting, atmospheric controls and even audio assets that allow architects to easily create finalized presentations of their designs. Being a web based platform, Studio 3DX is ideal for collaboration, with universal access and VR navigation features making it the perfect platform for online sharing.

How to Better Leverage VR Tools in Architecture

The following tips and considerations will help you maximize the potential of VR in architectural design, as well as avoiding common pitfalls associated with this fast-emerging technology.

Focus on Scale, Proportions and Optimization: Designing within a virtual environment can be somewhat disorienting, especially for beginners. It is important to pay close attention to scale and proportion when designing in VR. Use human-scale references to accurately gauge the size and spatial qualities of architectural elements, helping to create a more realistic sense of immersion. In addition, simplifying geometry, optimising textures and reducing file sizes will help ensure smooth performance and minimise loading times in VR environments.

Provide Clear Navigation: VR environments are sort of like free world games. The user is free to experience them however they please. Consequently, it is vital to construct VR experiences that are easy to navigate and understand, especially for clients and stakeholders who may be less familiar with VR technology. Provide clear instructions and intuitive controls for navigating through virtual environments.

Add a Healthy Dose of Reality: One of the most exciting features of VR technology is the endless possibilities it offers to create structures and environments that do not have to comply to real-world constraints. Although it is crucial to use such technology to keep pushing architecture forward, when designing with construction in mind it is important to consider parameters such as accessibility, environmental sustainability and the overall site conditions of the project.

Reference

Interior Design

Pearce+ create temporary sub-zero restaurant in Canada

By Zarkon Group,27/03/2024

UK architecture studio Pearce+ and Canadian designer Joe Kalturnyk have created a temporary inflatable restaurant for subzero temperatures in Winnipeg, Canada.

The barrel-vaulted restaurant has space for 48 guests dining in temperatures as low as -30 degrees Celsius during the 10th annual RAW:almond fine dining food festival, which celebrates both Canadian cuisine and the harsh winter.

Inflatable restaurant in Winnipeg — The temporary restaurant was designed by Pearce+

Each year, the food festival commissions the construction of a temporary structure that responds to its environment and incorporates sustainable reuse.

“[The shelter] mirrors the ethos of the food served within by minimizing waste, discovering elegance in simplicity, creatively celebrating local identity, and incorporating a global outlook,” said the team.

Vaulted dining room — It featured a vaulted dining room

Pearce+, based in Herfordshire and London, constructed the 220-square metre (2,370-square foot) restaurant in just a few weeks, and it was in use for 22 days early in 2024.

The snow-surrounded structure had a cruciform plan with a 140-square metre (1,500-square foot) vaulted dining room that contained two linear tables.

Custom inflatable restaurant — Pearce+ developed custom inflatable panels

Employing a Diagrid framework, the vault was constructed from 18-meter-long, 15-millimetre reinforced steel bars.

“These bars were bundled in groups of three, with varying plywood spacers, to create exceptionally lightweight trusses,” the team said.

Reflective foil interior panels — Interior diamond-shaped panels featured a reflective foil layer

The team – with the help of inflatable specialists at Inflate Ltd – developed custom inflatable panels that mitigated the potential pressure to decrease the cold temperature’s lower air density. It was stretched over the framework.

The diamond-shaped panels featured a gold-coloured foil layer that reflected heat into the space.

Restaurant entrance — Festival goers entered through a smaller vaulted lobby tunnel

Along the ridge line, the gold panels were swapped with transparent ones, offering a view to the snowy sky.

The panels were connected with Velcro – rather than glue due to the extreme temporal variation – and were disassembled and stored for future uses.

Rectangular kitchen — Directly across from the entrance was the rectangular kitchen

Capping each end of the dining area were trapezoidal buttressing structures, designed to resist strong winds and offer emergency egress.

Festival goers entered through a smaller vaulted lobby tunnel at the centre of the plan. A gabled wooden vestibule transitioned into the dining area.

Directly behind the structure was the rectangular kitchen.

Separated by a small hallway, the kitchen was constructed with a Structurally Insulated Panels (SIP) flat-pack and outfitted with high-quality appliances.

Rectangular dining tables featured inside

The structure was meant to be a demonstration of ways to conserve space by utilising temporary structures.

“I think it’s necessary to start re-envisioning how we use space, for what and for how long,” said RAW:almond co-founder Joe Kalturnyk.

“In the beginning I was interested in seeing if you can temporarily build a city within a city – and what better way to test the idea than with food? RAW:almond was a huge leap – would people embrace the winter and eat outdoors? Would they do it on a frozen river? And ultimately, could we even pull this off?”

In 2015, the RAW:almond pop-up restaurant was constructed on the surface of a frozen river with an X-shaped plan lying over the connection between the Assiniboine and Red rivers.

Pop-up restaurant interior — The restaurant was designed for subzero temperatures

Also in Winnipeg, Canadian studio KPMB revealed a horticultural centre with a Fibonacci spiral roof.

The photography is by Simeon Rusnak.

RAW:almond 2024 took place from 24 January to 18 February. For more events, talks and exhibitions involving architecture and design visit Dezeen Events Guide.

Project credits:

Project founders: Joe Kalturnyk & Mandel Hitzer
Architect/designer: Pearce+ and Joe Kalturnyk
Architect of record: AtLrg Architecture
Project management: Joe Kalturnyk
Structural engineers: Wolfrom Engineering
Inflatable specialists: Inflate
Visualisations: Pearce+
Construction: RAW:Almond team, Pearce+ and Hi-Rise

Reference

Sustainable News

Buildings “biggest lever” for improving global resource efficiency says UN

By Zarkon Group,27/03/2024

The built environment is the fastest-growing consumer of materials in the world – but it also offers the most potential for improvement according to Julia Okatz, advisor on the UN’s landmark Global Resource Outlook.

Making buildings and neighbourhoods more efficient could reduce the global need for raw materials by 25 per cent by 2060, the International Resource Panel (IRP) report found, while slashing energy demand and emissions by 30 per cent.

“Built environment patterns are the single most important determiner of a country’s emissions,” Okatz told Dezeen.

“[Firstly] because of its direct impacts, because of heating and all the climate impacts embodied in materials, but also because of its impact on people’s behaviour,” she continued.

“The built environment isn’t just concrete use, it has all these other implications on energy use, so it is probably the biggest lever overall.”

Graphic from IRP's GRO24 report showing global material extraction, four main material categories, 1970 – 2024, million tonnes — Above: IRP report shows resource use has skyrocketed since 1970. Top image: De Sijs housing in Belgium offers an example of more resource-efficient design

The need for carefully considered buildings that reduce resource use while maintaining or even improving inhabitants’ quality of life presents an exciting opportunity for architects to take more control of the planning process, Okatz argues,

“I think architects would be one of the major benefitting industries in this scenario,” she said.

“We need less mass deployment of inefficient options and much more architectural design. So I think for architects, it’s actually a growth agenda.”

Resource use tripled in the last 50 years

Launched during the sixth session of the UN Environment Assembly this month, the 2024 Global Resource Outlook is the IRP‘s latest review of the world’s resource use since the last edition of the report was published in 2019.

Our “insatiable use of resources” has tripled over the last 50 years, the latest report found, and is now responsible for over 55 per cent of global emissions and 40 per cent of air pollution impacts, making it the “main driver” of the planetary crisis.

While environmental impacts are escalating, the economic and wellbeing benefits brought by our increasing use of the Earth’s resources have stagnated – and in some cases even declined

Left unchecked, material extraction looks set to rise by a further 60 per cent by 2060, compounding these negative impacts.

FoamWork formwork for concrete slabs by ETH Zurich — Clever formwork could be used to make buildings less concrete-intensive. Photo by Patrick Bedarf

Buildings and construction are chief among the four sectors responsible for this increase, according to the Global Resource Outlook. “The built environment globally is the fastest growing material consumer,” said Okatz, who is the “right hand” of IRP co-chair Janez Potočnik and the director of natural resources at consulting firm Systemiq.

But the report also outlines an achievable path by which the industry could reduce its use of raw materials by 25 per cent by 2060, while helping to deliver “global prosperity”.

“You can lift a lot of those people now living in poverty onto a level of really good quality of life in a really efficient way if – and this is the important if – high-income countries also get a lot more efficient,” Okatz said.

Single-family homes “bad urban design”

Concrete makes up the biggest and fastest-growing chunk of the built environment’s material demand.

Sand, gravel, limestone and other “non-metallic minerals” used to make concrete account for half of all materials extracted globally and around half of the industry’s entire climate footprint, according to the Global Resource Outlook.

More efficient structural design – making use of innovations such as vaulted flooring and clever formwork – can reduce concrete use per building by around 30 per cent, Okatz estimates.

And switching to low-carbon concrete or biomass-based alternatives like timber can help to mitigate some of the adverse environmental impacts.

But perhaps the biggest and most undervalued solution highlighted in the report lies in changing what kind of buildings are built – not just how they are constructed, according to Okatz.

“About 50 per cent of residential construction in Europe is single-family homes and, to be honest, that’s just bad urban design,” she said.

“It’s also not particularly future-proof because demand might still be quite high now but the overall trend, largely, is people moving into city centres and wanting to be less car-dependent,” she added.

“So we think a lot of that will basically be a bad investment beyond 20 years from now, even if it wasn’t resource inefficient.”

Architects can lead the charge

Instead, the data suggests we need more “medium-density” residential buildings, which require fewer resources to build and operate while offering a superior quality of life compared to more dense developments.

“In a European context, the average is to say something like six-unit houses are probably best,” Okatz said. “Because it still allows people really good green space access and good noise insulation, all of these things. But it’s quite efficient.”

Following the example of Belgium’s De Sijs project (top image) and Virrey Aviles Street housing in Buenos Aires (below), making these kinds of dwellings more aspirational and attractive presents a key opportunity for architects, according to Okatz.

Aluminium Virrey Aviles Street apartment surrounded by lush greenery by Juan Campanini and Josefina Sposito — Virrey Aviles Street housing balances resource efficiency with green space access. Photo by Javier Agustín Rojas

“Architects and great design should be valued more because everyone can do a boring single-family home but not everyone can do an amazing six-unit community living space,” she said.

“What good architecture can do to slightly denser living – to me that is where I would see architects really leading the way,” Okatz continued.

“To say: if you do it right, this is how amazing life can be in these kinds of set-ups so people don’t even want to live in their own little thing anymore because it’s lonely, inefficient and expensive.”

The top image of the De Sijs housing project in Belgium is by Stijn Bollaert.

Reference

Architecture

MVRDV unveils residential development for Tencent smart city

By Zarkon Group,25/03/2024

Dutch studio MVRDV has revealed a series of residential high-rises arranged around courtyards in Shenzhen’s Qianhai bay, which will form part of a smart city development by technology company Tencent.

Named Tencent 5, the residential complex will have four courtyards surrounded by 11 apartment buildings and an adjacent kindergarten, designed to be a neighbourhood that fosters community.

Tencent 5 residential complex by MVRDV — Tencent 5 will have 11 apartment buildings arranged around courtyards

Located on a narrow peninsula, the bayside residences will be the centrepiece of a wider smart city campus developed by Tencent and masterplanned by US architecture studio NBBJ.

MVRDV designed Tencent 5 as a social and green development that provides housing to employees working in the city.

Residential high-rises by MVRDV in Shenzhen — Muli-level balconies will puncture the facades

“By contributing to Tencent’s smart city, we want to show that smart cities are also healthy cities, green cities, and social cities,” said MVRDV founding partner Winy Maas.

“The attention in smart cities always goes to the technology, and our design of the Tencent residential complex certainly includes that, but in our conception, the technology-related aspects are inseparable from the social spaces, the green courtyards, the terraces – the technological goes hand-in-hand with the human.”

MVRDV residential buildings in Shenzhen — It will provide housing to employees working in the smart city campus

The terraced residential buildings, which range in height from 57 to one hundred metres, will have equally-sized apartments with views of the sea to the west and the bay towards the east.

“Located at the northern end of the campus, MVRDV’s design emphasises equality between residents,” said MVRDV. “All units are identical in size and layout, with each providing a balcony or bay window to its occupant.”

“The buildings are terraced, supporting communal green spaces that can be accessed by all residents.”

The green courtyards and other public spaces in Tencent 5 were designed to be places where neighbours can connect with each other.

Pedestrian paths through the complex will provide added outdoor space populated with sports and leisure activities.

Tencent 5 residential development in Shenzhen — Green pathways will cut through the site

Additional shared amenity space will be located on the ground floors of the residential buildings, and multi-level balconies will puncture the facades.

“Large, multi-floor breakout spaces puncture the towers’ facades at a variety of levels, allowing residents to gather with others who live in the same part of the building and breaking the development into a number of smaller ‘neighbourhoods’,” said MVRDV.

Kindergarten in Shenzhen by MVRDV — A series of connected blocks will form the kindergarten

A kindergarten adjacent to the residential complex will also be arranged around its own courtyard. It will be made up of a series of blocky buildings with rooftop gardens, connected by corridors and walkways.

“The courtyard, along with the spaces between the blocks, provide safe and shaded playing spaces for the children, while the blocks themselves feature rooftop gardens,” said MVRDV.

Tencent 5 kindergarten by MVRDV — The kindergarten will also have a courtyard

Construction on Tencent 5 is underway and it is due to be completed in 2024.

Other projects by MVRDV in China include the transformation of a skyscraper in Shenzhen into a women and children’s centre and its plans for a library in Wuhan with a sweeping form.

The images are by Atchain.

Project credits:

Architect: MVRDV
Co-architect: A&E design
Contractor: Shanghai Baoye Group Corp
Structural engineering and MEP: A&E design
Cost calculation: Arcadis
Environmental advisor: ATKINS
Visualisations: Atchain and Tiptop

Reference

Architecture

Schemata Architects embraces rough material finishes for gallery in Seoul

By Zarkon Group,21/03/2024

The rough finishes of an existing concrete and brick structure are contrasted by white exhibition spaces at Arario Gallery in Seoul, completed by Japanese studio Schemata Architects.

The gallery is located at the rear of the Space Group Building, a modernist icon in South Korea that houses the Arario Museum.

Designed by architect Kim Swoo-geun, the grey-brick, heritage-listed building was completed in the 1970s and converted into the museum in 2014.

Exterior of the Arario Gallery in Seoul by Schemata Architects — Arario Gallery sits alongside the grey-brick Space Group Building

Alongside this building is a glazed extension from the 1990s by architect Jang Se-yang, a student of Swoo-geun, as well as a traditional South Korean home, or hanok, which was relocated to the site when it reopened in 2014.

Amid this architectural backdrop is a brick and concrete structure added to the site in the 1980s, which Schemata Architects was tasked with converting into the Arario Gallery.

“It was a great challenge for me, a Japanese architect, to work on the third building – excluding the hanok – especially after seeing the perfect contrast between the two buildings already created by the master and the disciple,” said Schemata Architects Principal Jo Nagasaka.

Interior of the Arario Gallery in Seoul by Schemata Architects — The gallery spaces are contained in white rooms

Looking to create a space that “looks unchanged on the outside”, the studio retained the building’s structural frame and dark brickwork, originally chosen to complement the Space Group Building.

“In this context, we thought that inserting another unique feature into the landscape would not be appropriate,” explained Nagasaka.

White gallery interior with grey brick floors — Brickwork extends across the floor of the basement

Organised across four floors and a basement level, the white-walled gallery spaces sit alongside the existing staircase, lift, service and storage areas, where the structure’s rough material finishes have been left exposed.

In these more industrial-feeling spaces, walls have been made using plywood on metal frames. Teamed with metal doors and white metal balustrades, they deliberately stand out against the “skeleton” of the existing building.

In the basement, the dark grey brickwork of the adjacent museum is mirrored in a brick floor that extends throughout the space.

On the third floor, sections of the exterior wall were removed to create a full-height glass wall in the VIP area. This looks out towards the nearby Changdeokgung Palace and a surrounding park, also visible through windows in the stairwell.

Concrete stairwell with white stairs — White metal accents highlight new additions to the Arario Gallery

“In this way, we established repetitive patterns where visitors would emerge from the white cube into a skeleton space and see the palace beyond as they ascend to the upper floors,” said Nagasaka.

Lounge area in Seoul by Schemata Architects — Large windows in the Arario Gallery overlook Changdeokgung Palace

Schemata Architects is a Tokyo-based studio, Founded in 1998 by Nagasaka after he graduated from Tokyo University of the Arts.

Its previous projects include a public bathhouse in Tokyo finished with turquoise tiles and a hillside guesthouse and bar for a home on the coast of an island in the Seto Inland Sea.

The photography is by Yongjoon Choi.

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