Exterior of Shoreditch Fire Station with bright red shutters
CategoriesInterior Design

London Fire Brigade presents exhibition of artwork to “celebrate bravery”

Exterior of Shoreditch Fire Station with bright red shutters

The London Fire Brigade has unveiled its updated typeface designed by Studio Sutherl& and The Foundry Types at the Running Towards exhibition of graphic artworks informed by the organisation’s design heritage.

The Running Towards exhibition took place at the Shoreditch Fire Station during the London Design Festival, with visitors entering through the building’s big red shutters into a display of artworks created by UK designers.

Exterior of Shoreditch Fire Station with bright red shutters
The exhibition took place at Shoreditch Fire Station

The new Fire Brigade Sans typeface, created by Studio Sutherl& and The Foundry Types, was displayed on the exterior of Shoreditch Fire Station.

Its design was informed by the lettering of old fire engines and on the facade, the typeface was printed in the red, yellow and gold colours synonymous with fire engines.

Black and white poster that reads 'Nee Naw Nee Naw'
Studio Sutherl& designed London Fire Brigade’s new typeface

To celebrate the typeface, London Fire Brigade collaborated with communications agency KesselsKramer, writer Thomas Sharp, Studio Sutherl& and carpet manufacturer Brintons on the exhibition, which saw designers create their own interpretations of the organisation’s design heritage.

Among the pieces on show were graphic interpretations of the Danger Risk of Fire safety sign, a bespoke carpet with a pattern informed by the universal fire exit sign and firefighting objects and items from Shoreditch Fire Station’s own collection.

Red poster with London Fire Brigade's new typeface in gold lettering
London Fire Brigade’s typeface Fire Brigade Sans was featured on posters

KesselsKramer described the showcase as “a celebration of London Fire Brigade’s bravery, aiming to inspire that very same spirit within ourselves.”

The studio invited 25 London-based designers to recreate the fire safety symbol for their display, titled ​​Warning: Risk of Fire.

“It felt appropriate that for London Fire Brigade’s inaugural Design Festival exhibition, a piece of graphic design synonymous with the fire service became the focus,” said KesselsKramer.

Black cat illustrated on a blue triangle with a lit match
Franz Lang’s design tells the story of her grandma’s cat

Presented on triangular signs, each artwork was designed to tell a story of firefighting bravery. Graphic artist Jimmy Turrell‘s interpretation was dedicated to his father who was a firefighter.

Illustrator Franz Lang‘s entry represented the story of her grandma’s cat, who was rescued from a tree by the fire brigade.

“This is such an iconic location for an art show,” said Lauren Coutts, art director at KesselsKramer. “To get a rare glimpse into a fire station is very exciting in itself so to then be able to celebrate bravery here, in so many forms, feels very special.”

Brintons created a bespoke wool carpet for The Running Towards exhibition, which features a pattern informed by the universal fire exit symbol.

Rug hanging from the beams at Shoreditch Fire Station
Brintons designed a carpet to display at The Running Towards exhibition

Burgundy and navy chevrons repeat along the length of the carpet with arrows and stick figures that reference the fire exit sign. According to Brintons, the carpet is made from wool to exemplify the material’s naturally fire-retardant properties.

“As a material, wool contains a higher water and nitrogen content than other man-made fibres making it a naturally fire-retardant material,” said Brintons.

“Another benefit is that it does not emit smoke or fumes, often one of the main causes of serious health issues following a fire.”

Yellow and red poster with the text 'fight flight'
The exhibition showcased graphic posters in a colour palette that references fire engines

Other exhibitions that took place during London Design Festival include a collection of wooden objects made from a dying ash tree and a sculptural stone installation that references Stonehenge.

The photography is courtesy of the London Fire Brigade.

The Running Towards took place between 20 and 24 September as part of London Design Festival. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.



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Pollinator Pathmaker installation at Kensington Gardens, Hyde Park
CategoriesSustainable News

Alexandra Daisy Ginsberg creates “interspecies artwork” in London

Pollinator Pathmaker installation at Kensington Gardens, Hyde Park

Artist Alexandra Daisy Ginsberg has created a digital AI tool named Pollinator Pathmaker to design the best possible gardens for bees and other insects to enjoy.

The Pollinator Pathmaker project has opened its third public edition in the gardens around London’s Serpentine Galleries, following commissions by Cornwall’s Eden Project and Berlin’s Light Art Space.

At the same time, people are invited to participate in their private gardens, by using the Pollinator Pathmaker online tool to create a planting plan tailored to their plot.

Pollinator Pathmaker installation at Kensington Gardens, Hyde Park
Hyde Park’s Kensington Gardens are home to a new edition of Pollinator Pathmaker

The work is intended to raise awareness about the decline in pollinators, which as well as bees includes butterflies, moths, wasps, beetles and other species that are essential for plant reproduction and ecosystem survival.

At the same time, Ginsberg aims for the project to build empathy with other species.

“I wanted to make art for pollinators, not about them,” said Ginsberg. “Pollinator Pathmaker is an ambitious art-led campaign to make living artworks for other species to enjoy.”

Close-up on tall purple flowers in the Pollinator Pathmaker installation
The garden is designed by an AI and optimised to attract the most pollinator species

“Modern humans have reshaped the planet for our own benefit, while forgetting that other
species and their needs are essential to our own survival,” she told Dezeen.

“Decentring ourselves is a powerful way to think about other species: encouraging us to see the world as they do, to have empathy for them, and most importantly to inspire humans to care for them.”

Ginsberg sees Pollinator Pathmaker as encoding empathy into an algorithm, in this case by defining empathy as a design that would support as many pollinator species as possible.

She worked with horticulturalists at the Eden Project, which first commissioned the project, along with pollinator experts and Google Arts & Culture to develop the digital tool.

It asks the user to input information about the size and conditions of their plot, and then play with the “empathy” sliders to choose whether they want more or fewer plant species, a bold or intricate pattern, and a flight path or patches.

Some pollinators, such as bees, learn and memorise an efficient route for themselves, so they would be drawn to the flight path, while other insects explore more randomly.

Screenshot of the Pollinator Pathmaker online tool showing a 3D visualisation of a garden of painted flowers
Anyone can use the online tool to make their own garden planting plan

The algorithm generates a different garden design each time, which users can see as a 3D visualisation composed of Ginsberg’s digital plant paintings. They can also see how it will change from season to season and what it looks like in “pollinator vision”.

To realise the garden design, they download planting instructions, which come complete with a certificate of authenticity for their editioned artwork.

The Serpentine’s version of the artwork fills a 227-metre-long area in Hyde Park’s Kensington Gardens with more than 60 species of plants. It is part of the institution’s newly opened Back to Earth programme, themed around the environmental emergency.

Screenshot of the Pollinator Pathmaker platform showing the 3D garden visualised in
One of the features of the tool is that it lets you see your garden in “pollinator vision”

The garden is intended to be in place for two years, during which time the artist hopes to open further editions worldwide, using each commission as an opportunity to develop a new regional “plant palette” so the tool can be used in more locations.

“The aim is to make the world’s largest climate positive artwork,” said Ginsberg. “Each time a large Edition Garden, like the two we’ve planted in the UK, is commissioned, we create a new plant palette for the region and donate this back to www.pollinator.art to encourage local visitors to join in and plant their own artworks.”

“Gardens are not isolated entities; they are interconnected in the landscape. Your flourishing garden supports the flourishing of your neighbour’s, so we need as many pollinator-friendly gardens as possible to be planted.”

Ginsberg’s art focuses on technological and environmental themes. Her past work has included Machine Auguries, which artificially recreates the dawn chorus of birds, and The Wilding of Mars, which explores what would happen if the red planet were colonised by plants and not humans.

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