Sungai Watch chair consists of 2,000 plastic bags from Bali’s rivers
CategoriesSustainable News

Sungai Watch chair consists of 2,000 plastic bags from Bali’s rivers

Indonesian non-profit Sungai Watch has unveiled the debut furniture launch from its design studio Sungai Design, aimed at creating useful products from the mountains of plastic waste that it fishes from Bali’s rivers every day.

The Ombak lounge chair, created in collaboration with American designer Mike Russek, is made using a sheet material produced entirely from discarded plastic bags, with around 2,000 needed for every chair.

The bags are collected by Sungai Watch, which is on a mission to eliminate ocean plastic pollution using its own system of floating barriers to capture the waste as it flows along Indonesia’s rivers.

Blue Ombak chair next to a poolBlue Ombak chair next to a pool
Sungai design has launched its first-ever product

Since its inception three years ago, the organisation has installed 270 barriers and collected more than 1.8 million kilograms of plastic, resulting in a huge stockpile of material.

Plastic bags are the most frequently collected item and also the least sought after in terms of future value, which led the team to focus on creating a product collection using this readily available resource.

“Collecting and amassing plastic waste solves one part of the problem of plastic pollution, the second challenge is what to actually do with all of this plastic,” said Kelly Bencheghib, who co-founded Sungai Watch with her brothers Sam and Gary.

White chair by Sungai Design on a concrete backdropWhite chair by Sungai Design on a concrete backdrop
The Ombak lounge chair is made from discarded plastic bags

“As we collected hundreds of thousands of kilograms of plastics, we started to look at plastic as an excellent source material for everyday products we all need and use, from furniture to small goods to even art,” she added.

Sungai Design has created two variations of the Ombak lounge chair – with and without armrests – manufactured in Bali using processes that aim to minimise waste during production.

The plastic bags are thoroughly washed to remove any impurities before being shredded and heat-pressed to form hard, durable sheets.

Close-up of white Ombak chairClose-up of white Ombak chair
The bags are heat-pressed to form sheets

Precision CNC cutting machinery is used to carve out the different components, which are carefully shaped to minimise material use and leave no offcuts.

The panels are connected by a concealed metal structure, resulting in a pure and visually lightweight form with a simple slatted construction.

Although the design is available in three distinct colourways – Granite Black, Ocean Blue and Concrete White – the upcycling process produces slight variations in the tone and texture of the material, meaning each chair has a unique quality.

Ombak means wave in Indonesian and the name references Sungai Design’s commitment to cleaning up rivers and oceans.

In line with this aim, Sundai Design has pledged to minimise its carbon footprint and put in place processes to audit and track the sources of the plastic used in its products.

The company is planning to release other products using the same material and, as a social enterprises, will donate part of its revenue to Sungai Watch to further the project as it seeks to clean up rivers in Indonesia and beyond.

Black chair by Sungai Design next to a treeBlack chair by Sungai Design next to a tree
The chair was designed to minimise material use and leave no offcuts

“There is so much potential with this material,” added Sam Bencheghib. “When you choose a chair from our collection, you’re not just selecting a piece of furniture; you’re embracing the transformation from waste to a beautiful, functional piece of art that has found its place in your home.”

Every year, Indonesia accounts for 1.3 million of the eight million tonnes of plastic that end up in our oceans, making it one of the world’s worst marine polluters.

Other attempts at collecting this waste and finding new uses for it have come from design studio Space Available, which set up a circular design museum with a recycling station and facade made of 200,000 plastic bottles in Bali in 2022.

White, blue and black Ombak chairs with armrests by Sungai DesignWhite, blue and black Ombak chairs with armrests by Sungai Design
The chair is available in three colours

The studio also teamed up with DJ Peggy Gou turn rubbish collected from streets and waterways in Indonesia into a chair with an integrated vinyl shelf.

“The trash is just everywhere, in the streets and rivers,” Space Available founder Daniel Mitchell told Dezeen.

“It’s not the fault of the people, there’s just very little structural support, waste collection or education,” he added. “Households are left to dispose of their own waste and most ends up in rivers or being burned.”

Reference

stilt studios’ prefab treehouse complex treads lightly on the lush landscape of bali
CategoriesArchitecture

stilt studios’ prefab treehouse complex treads lightly on the lush landscape of bali

treehouse studio by stilts studio

 

Treehouse Studio is Stilt Studio’s latest hospitality addition in Bali, Indonesia. Tucked away in the coastal village of Canggu, the elevated treehouse complex overlooks a vast landscape of rice fields, connecting travelers with the natural surroundings while also providing a memorable design experience with a unique indoor-outdoor living concept. The project is built as part of an ensemble of four prefabricated buildings on a site of 745 sqm, and is designed with the intent to create an elevated hospitality and retreat space, that becomes a sanctuary outside of the constraints of daily life.

stilt studios' prefab treehouse complex treads lightly on the lush landscape of bali
the elevated treehouse complex overlooks a vast landscape of rice fields | all images courtesy of Indra Wiras

 

 

a refuge amidst Bali’s lush surroundings

 

The Treehouse Studio is designed as a refuge amidst Bali’s lush surroundings, an ideal place to pause, retreat and relax. In keeping with Stilt Studios’ ethos ‘treading lightly on earth’, the architects used prefabricated building elements, relying on a conscious choice of materials from responsible sources, and using as much wood as possible to minimize the carbon footprint of the project.

 

The outdoor patio of the complex opens to a vast view of rice fields, providing striking visuals while creating intimacy in the natural landscape. ‘Thoughtfully positioned for unobstructed views of the glorious western sunsets, the iconic Treehouse Studio reimagines the idea of a two-story indoor-outdoor living concept, allowing for two contrasting experiences for the guests,’ mentions Therresa Shannen Budihardjo, Architectural Design Lead at Stilt Studios (find more here). When guests arrive at the treehouse, they are invited to descend and relax in a private plunge pool, stretch out on a terrace furnished with comfortable sun loungers, or gather around the dining table. They slowly ascend a spiral staircase into the treehouse and enter the warm, wooden interior, complemented by bright colors and houseplants.

stilt studios' prefab treehouse complex treads lightly on the lush landscape of bali
the Treehouse Studio is tucked away in the lush landscape of the Canggu village

 

 

non-specific, versatile living environment

 

In the living room above, large sliding glass doors open the interior to a large wooden balcony that extends the horizon into the natural surroundings. The 6×6 interior space extends to a 9 sqm balcony and offers a total of 45 sqm of living space. The open layout of the studio divides the main programs into two floors: sleeping, living, and bathing upstairs, dining, lounging, and swimming downstairs. The plans and drawing set can also be purchased from the designers to be built anywhere in the world.

 

With a nod to Japanese sensibilities and Balinese culture, the interior is designed to inspire guests and provide a space for contemplation and leisure. The furniture was carefully designed to make efficient use of the limited space. The L-Sofa, the centerpiece of the space, is designed for multiple functions, including lounging, storage, recharging and working.

 

‘For the interior of the upper level, we designed a non-specific, versatile environment that encourages a variety of small-space interactions,’ explains Cokorda G. B. Suryanata, Product Design Lead at Stilt Studios.

stilt studios' prefab treehouse complex treads lightly on the lush landscape of bali
the prefabricated structures are elevated above the 745 sqm site

stilt studios' prefab treehouse complex treads lightly on the lush landscape of bali
the architects used prefab building elements, relying on a conscious choice of materials from responsible sources

stilt studios' prefab treehouse complex treads lightly on the lush landscape of bali
the structure treads lightly on the earth, following Stilts Studios’ ethos

Reference