architect shigeru ban offers earthquake disaster relief to morocco
CategoriesArchitecture

architect shigeru ban offers earthquake disaster relief to morocco

A resourceful Response to Morocco’s Recent Earthquake

 

In the wake of the devastating earthquake that rocked Morocco‘s Marrakesh–Safi region on September 8th, 2023, Japanese architect Shigeru Ban has once again demonstrated his unwavering commitment to disaster relief efforts. This natural disaster, which registered a moment magnitude of 6.8–6.9 and a maximum Mercalli intensity of VIII, left in its wake a trail of destruction and claimed the lives of over 2,900 people. It is in this time of dire need that Shigeru Ban and his team, known globally for its humanitarian architecture, has extended a hand to the people of Morocco.

shigeru ban moroccoimages courtesy Shigeru Ban Architects

 

 

sHigeru Ban: A Champion of Disaster Relief

 

Shigeru Ban’s involvement in disaster relief spans over three decades, with his work taking him to disaster-stricken regions across the globe, from Kobe to L’Aquila, Turkey to Haiti. His humanitarian approach to disaster relief is marked by resourcefulness, a quality that has become synonymous with his architectural practice and contributed to his winning the prestigious Pritzker Prize in 2014. Shigeru Ban is celebrated for repurposing materials, even those not known for their durability like paper and cardboard, into structural elements for his designs. This same spirit of innovation permeates his planning and execution of disaster-relief housing projects. 

shigeru ban moroccothe first Paper Log House mock-up shelter has been constructed in Marrakech

 

 

paper log houses to be deployed across the region

 

In response to the recent earthquake tragedy in Morocco, Shigeru Ban has launched a commendable initiative to aid the victims. This humanitarian effort is being spearheaded by the Voluntary Architects’ Network (VAN), an organization founded by Shigeru Ban in 1995 to coordinate post-disaster construction aid. A significant facet of this project is the construction of a mock-up of Shigeru Ban’s iconic Paper Log House. This temporary dwelling, designed to provide shelter for those in urgent need, has been constructed at the National School of Architecture of Marrakech. It stands as a symbol of hope and resilience in the face of adversity. 

shigeru ban morocco
the team will assess the affected areas, identifying potential locations for the deployment of the Paper Log House

 

 

Shigeru Ban’s dedication extends beyond the blueprint. On September 27th, he is delivering a lecture where he will introduce the ‘Paper Log House’ and share his wealth of knowledge and experience in providing post-disaster support. Moreover, on September 28th, he will remain in Marrakech to assess the affected areas, identifying potential locations for the deployment of the Paper Log House.

 

 

 

project info:

 

architecture: Shigeru Ban Architects | @shigeruban

location: Marrakesh–Safi region, Morocco



Reference

Feel the Burn: 6 Strategically Scorched Buildings That Celebrate Shou Sugi Ban
CategoriesArchitecture

Feel the Burn: 6 Strategically Scorched Buildings That Celebrate Shou Sugi Ban

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

Fire can cause unfathomable destruction, yet when its power is harnessed, it can be a source of extraordinary creativity too. Shou sugi ban, originally known as yakisugi, is an ancient wood-burning technique developed in Japan centuries ago. The surface of the wood is exposed to a flame and charred, rendering it a striking charcoal black. Far from merely decorative, the practice preserves and fortifies the wood — the carbon surface layer forms a natural defense against the elements, wood rot and insect damage, as well as acting as a fire retardant.

Prized for its dual protective and aesthetic qualities, this time-honored material treatment is now utilized all over the world. While it’s commonly seen across exterior wood siding, its applications are wide-ranging and extend to interior paneling, furniture, decking and other architectural elements. At the 11th A+Awards, architects embraced the burn with contemporary twists on this storied technique. From firehouses to restaurants and residences, discover the exceptional new spaces rising from the ashes…


By NICOLEHOLLIS, Napa, California

Popular Choice Winner, 11th Annual A+Awards, Residential Interiors (<3000 sq ft)

Napa Valley Residence by NICOLEHOLLIS Napa Valley Residence by NICOLEHOLLISSequestered in Napa Valley’s verdant wine country, this daring guest house combines a natural material palette with dark and dramatic hues. From a distance, the structure reads like an agricultural barn, its charred wooden cladding seemingly patinated and matured into the rural landscape. Yet up close, it’s a different story…

The exterior shou sugi ban siding seeps inside this remarkable retreat. The charcoal living areas feel striking modern, yet they’re deeply rooted in the organic environment, complemented by raw wood furnishings and light fixtures crafted from thick cotton. Conceived as a flexible space for hosting and entertaining, multifunctionality is built into the bold design. At the back of the lounge, the blackened wall panels can conceal or reveal a built-in kitchenette thanks to an innovative triple-folding door system.


By Design Opera Architects, Tijuana, Mexico

Special Mention, 11th Annual A+Awards, Restaurants (S <1000 sq ft)

Kemuri by Design Opera Architects Kemuri by Design Opera ArchitectsThis extraordinary new restaurant in an up-and-coming Tijuana neighborhood seeks to transport the culinary and architectural traditions of Japan onto the streets of Mexico. Inspired by the chef’s passion for culinary smoking, shou sugi ban siding offers an eloquent, material articulation of this cooking technique, while paying homage to the restaurant’s cultural heritage.

Inside, black wood-clad walls envelop patrons and create an intimate, cocooning atmosphere. The restaurant’s exceptional material details summon the topography of historic Japan. Cobblestone flooring conjures up the ancient, meandering streets of Ichinenzaka and Ninenzaka, while the exposed grain of the cypress butcher-block bar evokes the country’s native woodland terrain. 6,700 miles away from its roots, a palpable inner world unfurls.


By Laney LA, Inc., Concept

Jury Winner, 11th Annual A+Awards, Unbuilt – Private House (L >3000 sq ft)

SQ Residence by Laney LA, Inc. SQ Residence by Laney LA, Inc.Rising like a boulder on a wooded incline in Lake Tahoe, this ambitious concept envisages a monolithic residence that’s at one with its natural surroundings. A shell of charred cedar siding encases the home, a skin that will shift and weather in tandem with the adjacent trees. Meanwhile, vast apertures frame snapshots of the domestic spaces within.

An evocative interplay of dark and light takes center stage throughout the floor plan. A swathe of glass divides the external covered deck, clad in shou sugi ban, with the pale oak walls of the main living space. Patagonia granite defines the kitchen surfaces, another tactile anchor that cements the home’s positioning as an architectural extension of the mountain.


By IwamotoScott Architecture, Burlingame, California

Finalist, 11th Annual A+Awards, Architecture +Small Projects

Geode ADU by IwamotoScott Architecture Geode ADU by IwamotoScott ArchitectureThis compact ADU was designed as a guest studio and writing retreat that would fit snuggly alongside the site’s main dwelling. At once a “place apart” from the primary property and quietly referential of its mid-century modern architecture, the result is a striking, sculptural space that makes a big statement across a small square footage.

The 1950s butterfly roof has been artfully reinterpreted to maximize the site’s views. One wing follows the slope of the neighboring bank, while the other angles the roofline upward, lifting a section of the building above the ground. Viewed as a two-dimensional line, it’s an inversion of the gabled roof of the main Eichler house. Sleek shou sugi ban siding contrasts with white stucco across the cantilevered face and overhang, imparting an effortlessly contemporary edge.


By OPN Architects, Marion, Iowa

Special Mention, 11th Annual A+Awards, Government & Civic Buildings

Marion Fire Station No. 1 by OPN Architects Marion Fire Station No. 1 by OPN ArchitectsThe first responders that staff this innovative new fire station in Iowa are all too familiar with the devastating effects of fire. However, the building’s tactile façade somewhat subverts the narrative of destruction. Clad in rich, charred timber, the structure demonstrates the creative potential of fire too, when utilized in a controlled environment.

Organic materials are just one facet of the station’s pioneering biophilic design. In a bid to support firefighters’ physical and mental health, pockets of connection with the natural world have been skillfully inserted throughout. A series of terraces are framed by trellises that let dappled sunlight filter in, while a green roof punctuates the voids between living and sleeping zones. This thoughtful scheme expands the firehouse’s life-saving infrastructure to address the well-being of first responders too.


By Measured Architecture Inc., Mayne Island, Canada

Popular Choice Winner, 11th Annual A+Awards, Sustainable Private House

Shor House by Measured Architecture Inc. Shor House by Measured Architecture Inc.
A magnificent architectural melting pot, this astonishing residence perched on the shoreline of Mayne Island takes its cues from the principles of alchemy: transforming discarded materials into something rare and valuable. By salvaging the wood from the house and barn that originally stood on the plot and reassembling these elements in a striking, modern form, the project sets out a blueprint for truly sustainable construction.

Glimmers of the past structures are still visible across the weathered internal cladding and floorboards. Where new timber was required, it was treated with shou sugi ban, the scorched surface analogous to the home’s dark corten steel exterior. The blackened surface not only imparts character to the younger wood, but also seals the grain from moisture and insects. Here, materials and techniques of the past intermingle in an exciting new iteration.

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

Reference

Shigeru Ban uses thatch and cardboard at Farmer’s Restaurant in Japan
CategoriesArchitecture

Shigeru Ban uses thatch and cardboard at Farmer’s Restaurant in Japan

A thatched roof and large cardboard tubes form part of the structure of the Farmer’s Restaurant on Awaji Island, designed by Pritzker Architecture Prize-winning architect Shigeru Ban’s studio.

The restaurant sits in the middle of a field on the Japanese island, which is the same location as Shigeru Ban Architects‘ wooden Zenbo Seinei meditation retreat, completed earlier this year.

Thatched-roof restaurant by Shigeru Ban Architects
Shigeru Ban Architects has created the Farmer’s Restaurant on Awaji Island

Farmer‘s Restaurant was commissioned by agricultural company Pasona Agri-Partners Inc to serve food made from fresh vegetables from the field. It is also used as a music hall.

Its architectural design pays homage to traditional Japanese farmhouses, most visibly in its large thatched roof.

Night view of the Farmer's Restaurant on Awaji island
It features a thatched roof

According to Ban’s studio, its chunky structural beams and columns also pay homage to the large trees that are used to create old farmhouses in Japan.

These structural elements are made from two pieces of Japanese cypress wood, wrapped in cardboard tubes.

Shigeru Ban-designed cardboard tube structure
Large cardboard tubes form part of the structure

Farmer’s Restaurant is one of the largest-scale examples of Ban’s Paper Tube Structures system – his pioneering use of tubes made from cardboard as architectural and structural components.

Famously used across his works since 1990, the system can also be seen on projects including the Cardboard Cathedral in Christchurch, the Nomadic Museum in New York and the Paper House in Yamanakako Village.

Externally, the chunky columns sit between decorative wooden panels, doors and openings that lead out onto a decked area.

Inside, Farmer’s Restaurant’s exposed structure is complemented by wooden flooring, banquet tables, and stools.

Interior of the Farmer's Restaurant in Japan
The cardboard tubes contain cypress wood

As some of the cardboard tubes are exposed to the outside, Ban’s studio has coated them in waterproof paint and designed them to be replaced over time.

Ban also famously uses cardboard as part of his modular Paper Partition System (PPS), which was developed to ensure the privacy of people seeking refuge in refugee centres.

Wooden terrace outside Shigeru Ban-designed music hall in Japan
A terrace is located outside

The PPS makes use of thin cardboard tubes as structure and textiles as partitions, with one unit taking just three people to build in five minutes.

Ban’s non-governmental organisation, the Voluntary Architects’ Network, recently used the system across Europe to help house Ukrainians fleeing the Russian invasion.

The photography is by Hiroyuki Hirai.


Project credits:

Architects: Shigeru Ban Architects
Client: Pasona Agri-partners Inc
Structural engineer: Hirokazu Toki, Shunya Takahashi
MEP engineer: Hokuryo Denko, Kukan Koubou, Fujii Scene2
General contractor: Kukunoya, Kusakanmuri

Reference