The Rome Edition opens in converted 1940s bank building
CategoriesInterior Design

The Rome Edition opens in converted 1940s bank building

American entrepreneur Ian Schrager’s The Edition group has landed in Rome, opening a hotel in a converted bank that makes use of its soaring lobby, original marble staircases and hidden front courtyard.

The Rome Edition began welcoming guests earlier this year to the 91-room hotel, located a block away from Via Veneto – the street that was immortalised in the 1960 movie La Dolce Vita.

Bronze pergola covered in jasmine through plant-filled courtyard
Arrival to The Rome Edition is via a path under a bronze pergola that leads to the lobby

Schrager and his in-house team spearheaded the renovation of the grand building, utilising many of the original features including a cipollino marble staircase, central courtyards, statues and lamps.

“Built in the 1940s and formerly occupied by one of the main Italian banks, the building is a striking example of the rationalist style and was created by Cesare Pascoletti in collaboration with the famed architect Marcello Piacentini,” said The Edition team.

Sunken plant-filled courtyard with teak banquettes and furniture
The plant-filled, sunken courtyard acts as an all-day lounge and dining spot

Unusually for Rome, arriving guests are escorted through a sunken garden “piazza” – which acts as an outdoor lounge, restaurant extension and gathering place – before reaching the lobby.

Once inside, dramatic seven-metre-high ceilings, full-height windows and green curtains, and travertine floors and walls set the tone for The Edition’s signature brand of soft minimalism.

Travertine-lined lobby with tall ceiling and full-height green curtains
The dramatic hotel lobby features seven-metre-high ceilings and full-height green curtains

Symmetrical arrangements of custom white furniture and low coffee tables exaggerate the strict geometry of the architecture.

“The lobby is Edition at its most dynamic,” said the team. “It is a place to relax and make merry; a place to see and be seen or play a few games of pool on the custom-made table.”

Restaurant with wooden furniture and chartreuse-coloured upholstery
The Amina restaurant is divided into two dining spaces, one of which is accented with chartreuse-coloured upholstery and carpet

For the hotel’s signature restaurant, Anima, the team partnered with local chef Paola Colucci on a menu that puts a modern spin on family recipes and traditional Roman dishes.

Amber glass separates the kitchen from the two dining areas, one with chartreuse-toned accents across furniture and artwork, and the other blue.

Restaurant with blue artworks and upholstery
The restaurant’s second dining space is decorated with blue accents

The various bar areas on the lobby level each provide guests with a experience. The Punch Room is a concept borrowed from other Edition properties including another recent opening in Tampa and occupies a cosy room with warm wood panelling and deep red tones, for sharing bowls of punch – a 17th-century tradition that’s been given a contemporary spin.

A dark walnut bar, Rosso Levanto marble fireplace, dark pink velvet sofas, and custom armchairs in rosewood and dark brown leather all add to the cosy atmosphere in the dimly lit space.

Cosy bar with walnut panelling and dark pink velvet furniture
Off the lobby, The Punch Room bar is lined in walnut and includes dark pink velvet furniture

With space for just 10, the intimate Jade Bar features a rotating cocktail menu and is fully lined in deep green antique marble.

This small and dramatic room is furnished with emerald-hued velvet soft seating and satin brass and gold accents – including a wall-mounted sculpture influenced by artist Jeff Koons.

Bar decorated with antique green marble, emerald seating and brass accents
The Jade Bar is wrapped in antique green marble, with emerald seating and brushed brass accents

In the front courtyard, The Garden is filled with over 400 plants and lightly perfumed by the jasmine that climbs over the facade.

A bronze awning divides the outdoor space in two, with an al fresco dining area for Amina on one side, and an all-day casual terrace for cocktails and light bites on the other.

Teak banquettes and free-standing furniture are surrounded by “an Italianate arrangement of lanterns to give it the feel of a traditional Roman garden”.

The roof terrace on the seventh floor features a pool and bar area that offers sweeping views over the Eternal City’s rooftops.

Bright guest room with walnut panelling and beige furniture
Walnut wall panelling and herringbone floors feature in the bright guest rooms

In the bright guest rooms, walnut wall panelling and herringbone floors are paired with custom beige leather furniture.

Carrera marble basins and brushed brass fixtures stand out against the grey stone bathrooms, and frosted glass partitions are used to conceal showers and toilets.

Bathroom with Carrera marble sink and frosted glass panels
Carrera marble sinks contrast the dark grey stone in the bathrooms

The Rome Edition is the group’s 16th global property, following locations that include Times Square in New York, West Hollywood in Los Angeles, and Tokyo.

The Madrid Edition, designed with British minimalist John Pawson, was longlisted in the hotel and short-stay interiors category of Dezeen Awards 2022.

The photography is by Nikolas Koenig.

Reference

Ivy Studio converts historic bank into offices for Montreal ad agency
CategoriesInterior Design

Ivy Studio converts historic bank into offices for Montreal ad agency

The offices that Montreal’s Ivy Studio has designed for digital advertising agency Cardigan include a mesh-wrapped mezzanine and a “futuristic” basement within a former bank building.

For Cardigan‘s expanding team, Ivy Studio has renovated a stone building that was built as a bank in 1907, in the Rosemont area of Montreal.

Steel mesh mezzanine within historic bank building
Ivy Studio inserted a steel mesh mezzanine inside the historic bank building to provide additional space

The structure has had many uses, including most recently a religious establishment, and boasts plenty of historic architectural details.

While the upper floor is a residential condo, Cardigan occupies 1,250 square feet (116 square metres) across the ground and basement levels – spaces with very different ceiling heights and light conditions.

Steel mesh partitions beside an oak staircase and counter
The mesh was painted white to accentuate the bright and airy feel in the office space

“One of the main challenges of working with the building was the contrasting ceiling heights between each floor,” said Ivy Studio. “This made the spacial blocking very important at the start of the project.”

To benefit from the 16.5 foot (5 metres) clearance and abundance of natural light, all the workstations are positioned on the ground level.

Glass-walled phone booth behind steel mesh
Under the mezzanine sit multiple phone booths and meeting rooms

However, the floor plate was not sufficient to accommodate all 25 employees as well as meeting rooms, so the studio took advantage of the ceiling height and added a mezzanine.

This addition was placed in a corner to avoid blocking the arched windows, and was painted entirely white to accentuate the bright and airy atmosphere of the space.

Large arched windows in office space
During the renovation, the building’s large arched windows were fully uncovered to let in more light

The structure is made from perforated steel mesh, allowing light to enter the phone booths and meeting rooms tucked underneath, and a gap was left between the mesh and the glass partitions behind to make space for planters.

Additional workstations are located on top of the mezzanine, which is curved at its corner. “The newly-built mezzanine structure interprets the curves of the existing space without competing with them,” Ivy Studio said.

To let even more light in, the boarded window arches were reopened to their original form, while the parquet flooring was replaced with natural oak to retain the warmth.

Meanwhile, in the basement, low ceiling heights and a lack of windows called for an entirely contrasting strategy.

“It is a different universe of its own,” said Ivy Studio, which took a “futuristic, in your face” approach to the sub-grade space.

Baby blue kitchen with orange portal on one side and mirror on the other
In the windowless basement, a contrasting “futuristic” aesthetic was chosen

This level accommodates the bathrooms, kitchen, lounge and storage, and features a mix of plastered ceilings, ceramic walls and epoxy floors.

In the kitchen, all of the surfaces are coloured baby blue, while the adjacent bathroom block is completely grey.

Blue kitchen with orange room beyond
The spaces are colour-blocked to heighten their visual impact

Across the kitchen island, a circular mirror faces an opening that’s exactly the same shape and leads into a room painted in orange.

“The spaces are all monochromatic, to increase the visual impact of their intense colors but also help camouflage the imperfections of the existing building,” said Ivy Studio.

Baby blue kitchen with stainless steel island and backsplash
Baby blue and stainless steel cover the kitchen

The office’s levels are linked by two staircases: an older one made from wood and a newer minimal design that emerges from under an arched portico.

Both are painted navy blue and are intended to reflect Cardigan’s contradicting “hard-working yet playful values”.

Bathroom with grey tiles viewed from blue room
The adjacent bathroom is executed entirely in grey

Ivy Studio’s portfolio of projects in its home city spans from workspaces and restaurants, to a spinning studio and a dry cleaners.

Recently completed interiors by the firm include a creative hub populated with pink and purple elements, and a renovated eatery that was damaged in a fire.

The photography is by Alex Lesage.


Project credits:

Design and architecture: Ivy Studio
Construction: Group Manovra

Reference

Jaqui Seerman updates interiors of LA bank building to create Hotel Per La
CategoriesInterior Design

Jaqui Seerman updates interiors of LA bank building to create Hotel Per La

A new hotel occupies 1920s bank headquarters in Downtown LA, where Jaqui Seerman refreshed public spaces to include a botanical-themed lounge and a mirror-lined arched gallery.

Hotel Per La is housed in the neoclassical Giannini Building, built in 1922 as the headquarters for the Bank of Italy, and takes the place of the NoMad Los Angeles which closed its doors in March 2021.

Double-height lounge
Hotel Per La replaces the Nomad Los Angeles in the 1920s bank headquarters

Its 10,000 square feet (930 square metres) of public and event spaces have been refreshed by local interior designer Jaqui Seerman, who used the 12-storey property’s Italian connection to inform her updates.

“A nod to the building’s storied beginning as a bank for the people, the ‘Per La’ name translates to ‘for the’ in Italian,” said the hotel.

“[The bank’s] founder, Amadeo Pietro Giannini, believed in the dignity and abilities of those commonly overlooked, signifying the hotel’s inclusive spirit and name, essentially meaning ‘for Los Angeles, and people like you’.”

A mirror-lined arched gallery
A mirror-lined arched gallery opens into the main lobby

Demarcated by a pale blue awning, the hotel’s entrance has been relocated from 7th Street to Olive Street, leaving the doric columns across the grand facade fully visible.

Through the doors, guests find themselves in a double-height lounge filled with plants and comfy chairs covered in botanical patterns.

Reception
The custom front desk is by Voila Creative Studio and the hand-painted tapestry behind is by Jessalyn Brooks

An arched gallery lined with mirrors leads to the lobby, situated in what was once the main banking hall.

In the reception area, a custom-made curved plaster front desk influenced by linen fabric was designed by Voila Creative Studio, while a hand-painted tapestry that hangs in the niches behind was produced by LA muralist Jessalyn Brooks.

Purple games room
A purple games room features commissioned art and furniture from local artisans

A rich purple lounge features a new game cabinet, as well as commissioned art and furniture sourced from local artisans.

Event spaces range from a second-floor courtyard for private outdoor dinners, to larger spaces for up to 850 people.

Dining table in outdoor courtyard
A second-floor courtyard hosts private outdoor dinners

Dining options within the hotel include Per L’Ora, which serves Italian cuisine and features a light colour palette across curvaceous design elements influenced by the early 2000s.

“The bar of the restaurant acts as a dramatic centerpiece, with a custom-made marble top in shades of green, grey, and white, and globe-shaped light fixtures, while custom white plasterwork on the front of the bar offers a new sense of texture,” said the hotel operators.

Adjacent to the restaurant is a casual cafe modelled on a Venetian coffee shop, serving beverages, pastries and snacks.

On the rooftop, Bar Clara offers cocktails for poolside lounging and hosts live performances with the LA skyline as a backdrop.

Guest room
Guest rooms are decorated to echo the ornate blue and gold ceiling in lobby

The 241 guest rooms and suites have retained much of the aesthetic created by French architect Jacques Garcia for the NoMad, referencing the restored gold and blue ceiling in the lobby.

Downtown LA, the city’s most walkable neighbourhood, has experienced a cultural renaissance over the past decade.

The hotel occupies the neoclassical Giannini Building
The hotel occupies the neoclassical Giannini Building in Downtown LA

The area is now home to several design-forward hotels including Kelly Wearstler’s Proper – which was just named hotel and short-stay interior of the year at the 2022 Dezeen Awards – a Soho House, and an Ace Hotel.

Per La is the latest hotel in the US to open in a converted bank building, following the likes of The Durham in North Carolina and The Quoin in Wilmington, Delaware.

The photography is by The Ingalls.



Reference