Bruno Mars and Yabu Pushelberg design cocktail lounge in Las Vegas
CategoriesInterior Design

Bruno Mars and Yabu Pushelberg design cocktail lounge in Las Vegas

Musician Bruno Mars and design studio Yabu Pushelberg have teamed up to create the interiors of a cocktail lounge and live music venue at the Bellagio casino in Las Vegas.

Named The Pinky Ring, the 5,000-square-foot (465-square-metre) lounge is accessible directly from the casino floor, but designed as an entirely separate experience away from the bright lights, bustle and noise.

Bar at The Pinky Ring surrounded by golden drapesBar at The Pinky Ring surrounded by golden drapes
The stone bar at The Pinky Ring is surrounded by golden drapes that are reflected in the mirrored ceiling

Grammy Award-winning artist Mars collaborated with Canadian studio Yabu Pushelberg to craft an elevated and luxurious space within the Bellagio Resort and Casino.

The bar serves a curated collection of cocktails and hosts live entertainment by top musicians and DJs – though no phones are allowed inside.

View from VIP area at The Pinky RingView from VIP area at The Pinky Ring
A huge crystal chandelier hangs in the centre of the lounge and is visible from all corners

The entry sequence begins with a dimly lit mirrored passageway, where Mars’ collection of Grammy trophies is displayed.

“Inspired by contemporary museum design, the corridor was designed as a soothing and discreet exhibition space where guests can cleanse their visual palette from the outside world and begin to submerge into The Pinky Ring,” said the design team.

VIP area lined with faceted mirrored panelsVIP area lined with faceted mirrored panels
A VIP area is lined with faceted mirrored panels that create infinite reflections

Guests arrive at the main bar and lounge in front of a sunken conversation pit, wrapped with a wavy banquette and furnished with soft armchairs gathered around a series of small tables.

The carpet, the leather and the velvet chair upholstery are shades of green – colours also found in the richly veined stone tabletops.

Seating area in a niche featuring dark wood-veneer panelsSeating area in a niche featuring dark wood-veneer panels
Other niches with additional seating feature dark wood-veneer panels

A giant halo-like chandelier with tiers of glowing crystal hangs from the ceiling above, providing a central focal point that can be seen from every corner.

At the rear of the space is a gently curved, dramatically patterned stone bar, topped with a row of metallic Flowerpot lamps by Verner Panton.

Conversation pit with carpet, chairs and banquettes in various shades of greenConversation pit with carpet, chairs and banquettes in various shades of green
In the central conversation pit, various shades of green were chosen for the carpet, chairs and banquettes

The back bar is housed within an elongated pill-shaped, mirrored recess, which displays a wide range of liquor bottles and is ringed with stepped cove lights.

Golden drapes run floor to ceiling across the back wall and are reflected in more mirrors on the ceiling.

Seats and banquette surrounding a table with a richly veined stone topSeats and banquette surrounding a table with a richly veined stone top
The green hues of the seating are echoed in the richly veined stone tabletops

Off the main lounge are various niches and VIP areas that offer additional seating, some lined with dark wood-veneer panels.

“See or be seen, each area is composed of its own suave and purpose that echoes into the next,” said the team.

One organically shaped space is lined with faceted, smokey mirrored panels that create infinite reflections, and features a banquette that wraps around a large table fitted with a giant ice bucket for chilling drinks.

An important factor in the design was the lighting, which comprises under-seat and ceiling coves, along with wall lights with five globe-shaped diffusers attached to vertical brass rods.

Patterned crushed velvet and leather banquettePatterned crushed velvet and leather banquette
Patterned crushed velvet covers the curved banquette back, while the seat is wrapped in leather

“In the pursuit of perpetual allure, where lighting not only transforms spaces, but perceptions, The Pinky Ring unveils a strategic lighting innovation, schemed to make people look and feel their best,” the team said.

“Through a strategic interplay of low-level, contrast, and accent lighting, The Pinky Ring lighting design unveils the unseen.”

Mars joins a long line of famous musicians to open entertainment venues. Among others is singer Justin Timberlake, who put his name behind an AvroKO-designed Nashville dining and drinking destination in 2021.

Bathroom with a large circular mirror and walls lined in pink-red stone tilesBathroom with a large circular mirror and walls lined in pink-red stone tiles
Pink-red stone tiles across the bathroom walls nod to the lounge’s name

Yabu Pushelberg was founded by George Yabu and Glenn Pushelberg in 1980, and the studio has designed some of the most recognisable hospitality interiors over the past four decades.

Shortlisted for Dezeen Awards 2021 design studio of the year and judges for the program in 2023, Yabu Pushelberg’s recent projects include the Moxy and AC Hotel in Downtown Los Angeles – of several they’ve completed for the Moxy brand – and The Londoner hotel on Leicester Square in the UK capital.

The photography is by Sean Davidson.

Reference

Home Studios refreshes The Wren pub on NYC’s Bowery
CategoriesInterior Design

Home Studios refreshes The Wren pub on NYC’s Bowery

Brooklyn-based Home Studios has remodelled a bar and restaurant in New York’s East Village, using dark wood and velvet seating to retain a “worn-in and aged appearance”.

The Wren on the busy Bowery thoroughfare has become a neighbourhood staple since opening in 2012, but was ready for an interior revamp.

Entrance area of The Wren with walnut wall panelling and hardwood floorsEntrance area of The Wren with walnut wall panelling and hardwood floors
The Wren has been remodelled in a way that retains its rustic charm

Home Studios refreshed both levels of the upscale pub, including the upper-floor dining and drinking area, and private lounge downstairs.

“Despite the changes in the city and the evolution of the neighbourhood, The Wren has maintained its timeless appeal, offering visitors a glimpse into the past and an authentic pub experience,” said Home Studios, led by founder Oliver Halsegrave.

L-shaped bar with a marble counter and surrounded by wooden stoolsL-shaped bar with a marble counter and surrounded by wooden stools
The L-shaped bar has a marble counter and is surrounded by GAR Products stools

Across the main level, dark and moody materials have been used to retain the pub-like quality of the spaces, assisted by the exposed wooden ceiling beams and columns, and hardwood floors.

Either side of the entrance, black-painted, booth-style benches are installed against the walnut wall panelling, creating cosy nooks for pairs or small groups to occupy.

Chocolate-coloured velvet banquette featuring ribbed cushionsChocolate-coloured velvet banquette featuring ribbed cushions
Towards the back, a chocolate-coloured velvet banquette features ribbed cushions

The bar area features an L-shaped marble counter surrounded by GAR Products stools, opposite black wainscoting that runs below vintage-looking wallpaper.

Towards the back, a long banquette is dressed in ribbed cushions that form the seating and backrests, all wrapped in brown velvet.

Row of custom mirrors alternated with disk-shaped sconces above tablesRow of custom mirrors alternated with disk-shaped sconces above tables
Custom mirrors alternate with disk-shaped sconces by In Common With

Custom arched shaped mirrors mounted on the walls alternate with disk-shaped sconces by In Common With, against a beige textured plaster backdrop.

A variety of other sconces throughout were sourced from lighting brands including O’Lampia, Shades of Light, Allied Maker and Rejuvenation.

U-shaped both below two windowsU-shaped both below two windows
Guests can choose from a variety of booths, two-tops or standing areas

“With a worn-in and aged appearance, the space now exudes a moody winter-like atmosphere,” said Home Studios.

Downstairs, the mood is even more “sultry” and intimate, thanks to darker surfaces and a variety of dim, warm lighting sources.

The bar counter is made from Black Portoro marble and the wood floors are also stained black, while the banquette upholstery is a lighter tone than found on the upper level.

Between the two floors, guests can choose from a variety of seating or standing spots for enjoying their beers, cocktails and bar food.

Banquette below walnut panelling and candle sconcesBanquette below walnut panelling and candle sconces
In the private area downstairs, the mood is more sultry and the banquette upholstery is lighter in colour

“Home Studios has seamlessly blended nostalgic and rustic charm throughout The Wren’s interior, creating an inviting and distinctive ambiance that pays homage to the bar’s storied history,” said the team.

Home Studios is no stranger to refreshing beloved establishments, having completed interiors for The Bird in Montauk and The Pearl in Nantucket.

Downstairs area featuring dark-stained floors and a black marble bar counterDownstairs area featuring dark-stained floors and a black marble bar counter
The downstairs area features dark-stained floors and a black marble bar counter

The firm also recently turned a conference centre in Northern California back into a luxury hotel, as originally intended by the property’s founder: the inventor of the radio.

The photography is by Brian W Ferry.

Reference

ALA draws on West Village history for Talea taproom interiors
CategoriesInterior Design

ALA draws on West Village history for Talea taproom interiors

New York studio Alda Ly Architecture has designed a taproom for female- and veteran-owned brewery Talea in the city’s West Village neighbourhood, which includes a place for groups to “scheme”.

Talea West Village is the beer company’s third outpost and its first Manhattan location, following two established in Brooklyn.

Bar area with stools surrounding a purple-fronted counterBar area with stools surrounding a purple-fronted counter
The main dining and drinking area at the Talea West Village taproom is anchored by a colourful bar

The space is located in a 1920s building on Christopher Street, an iconic thoroughfare that’s home to several landmarks, businesses and historic spaces associated with the LGBTQ+ rights movement.

“This new taproom on Christopher Street reclaims the masculine identity of a West Village saloon to celebrate voices of women and LGBTQ+ communities in the Village, all while serving Talea’s popular sour brews in an elevated, vibrant space,” said Alda Ly Architecture (ALA).

Bar with built-in seating on the left and counter on the rightBar with built-in seating on the left and counter on the right
Bright hues chosen by ALA for the space include yellow for tiles, green seat backs and red dining chairs

Flooded with natural light thanks to large windows along the street facade, the main space is anchored by a purple-fronted bar with a curved white quartz countertop in one corner.

Behind, numerous beer taps are mounted onto a yellow-tiled partition, while glassware and cans are displayed on shelves above.

View towards an exposed brick wall with seating in frontView towards an exposed brick wall with seating in front
Exposed brick and stone floors allude to a saloon-style aesthetic

The bar is lit by Junit oak pendants from Schneid Studio and brass Dottie sconces by Visual Comfort are mounted around the perimeter.

“We opened up the space to provide as much open area for the front dining room, and brought the bar front and centre to highlight the taps with their extensive selection of beers,” said ALA founder Alda Ly.

Dining area and bar counter with street windows behindDining area and bar counter with street windows behind
The taproom was designed to celebrate its location in the West Village, which has played an important role in LGBTQ+ history

“We wanted the bar to be a welcoming beacon for all people in the neighborhood,” she added.

The other side features built-in, stained-oak seating and small circular tables against an exposed brick wall.

Brick-wrapped room with a skylight over a large tableBrick-wrapped room with a skylight over a large table
Behind the bar is The Revolution Room, intended for larger groups to gather

Pale green backrests and muted red Scroll dining chairs from Industry West continue the interior’s bright colour palette, which is also echoed in the works by local artists displayed on the walls.

“It was important to us to capture the spirit of Talea in a space that felt elevated but also very warm and welcoming,” said ALA project director Marissa Feddema.

Past the bar is a more intimate space called The Revolution Room, designed for groups of eight to 10 people to “scheme, hang and gather” according to the team.

A large table sits below a Nuura Miira 8 Oval chandelier that’s suspended from a skylight, and more brickwork is exposed to add to the saloon-like vibe.

Dimly lit room with dark walls and colourful furnitureDimly lit room with dark walls and colourful furniture
At the back is the Snug, a cosy space furnished with jewel-tone pieces

Further back still, patrons will find the Snug – a much darker and cosier room decorated with jewel-toned furniture, navy limewash painted walls and a vintage fireplace mantle.

The moody bathrooms are adorned with images of prominent local residents and gender activists through the years, further emphasising the neighbourhood’s importance to the LGBTQ+ community.

Bathroom with dark blue tiles, paintings on the walls and an oval mirror above a sinkBathroom with dark blue tiles, paintings on the walls and an oval mirror above a sink
Images of prominent local residents and gender activists are displayed in the moody bathrooms

The West Village is packed with bars and restaurants, from upscale dining spots like Cecchi’s to casual cocktail places like Donna.

Close by, in the Union Square area, ALA has previously designed the interior for a doctor’s office and clinic with earthy and homey details.

The photography is by Brooke Holm.


Project credits:

Architect and interior designer: ALA (Alda Ly, Marissa Feddema, Sheridan Treadwell, Marlee Anderson)
MEP engineer: Tan Engineering
General contractor: Aerial Design & Build

Reference

Dezeen’s top 10 restaurant and bar interiors of 2023
CategoriesInterior Design

Dezeen’s top 10 restaurant and bar interiors of 2023

For the latest roundup in Dezeen’s 2023 review we’ve selected 10 of this year’s most popular and evocative restaurant and bar interiors, ranging from a space-themed sushi bar in Milan to a beach-style eatery in London.

Also among this year’s eclectic roundup of restaurant and bar interiors is a renovated 16th-century brewery in Poland lined with a bold interior of red brick and ceramic tiles, as well as a bar and restaurant informed by Japanese psychedelia and cabins in Canada.

Read on for Dezeen’s top 10 restaurant and bar interiors of 2023:


Interior of Ikoyi restaurant by David ThulstrupInterior of Ikoyi restaurant by David Thulstrup
Photo by Irina Boersma

Ikoyi restaurant, UK, by David Thulstrup 

Copenhagen-based designer David Thulstrup designed a copper and oak interior for the Ikoyi restaurant, situated within London’s 180 The Strand building.

Drawing on spice-making processes from sub-Saharan west Africa, the interior features ceilings clad with metal-mesh panels and walls lined with oxidised copper sheets.

Find out more about Ikoyi restaurant ›


Sando burger restaurant in Geneva by Sapid StudioSando burger restaurant in Geneva by Sapid Studio
Photo by Alicia Dubuis

Sando, Switzerland, by Sapid Studio

Sapid Studio used Japanese patchwork techniques to inform the renovation of a burger restaurant in Geneva.

Named after the Japanese word for sandwich, Sando features a largely retained interior decorated with a corrugated stainless steel bar, patched up tiled flooring, and translucent tapestries.

Find out more about Sando ›


The Taproom bar at Tenczynek Brewery by Projekt PragaThe Taproom bar at Tenczynek Brewery by Projekt Praga
Photo by ONI Studio

Tenczynek Brewery, Poland, by Projekt Praga

Red brick, ceramic tiles and oak furniture define the Tenczynek Brewery interior, designed by Polish design studio Projekt Praga.

Located outside of Krakow, the centuries-old brewery was converted into a bold-coloured restaurant and bar, with a self-service beer fountain occupying the centre of the historic brick-vaulted space.

Find out more about Tenczynek Brewery ›


Photo of Prada Caffè at HarrodsPhoto of Prada Caffè at Harrods
Photo courtesy of Prada

Prada Caffè, UK, by Prada

Located in London’s luxury department store Harrods, fashion house Prada opened a cafe informed by one of Milan’s oldest patisseries.

Contrasting with Harrods’ baroque facade, Prada Caffè’s mint green latticed storefront references the brand’s signature green hue, which extends to the interior walls, ceilings and furniture.

Find out more about Prada Caffè ›


Bar area of Milk Beach Soho restaurant by A-nrdBar area of Milk Beach Soho restaurant by A-nrd
Photo by Charlie McKay

Milk Beach Soho, UK, by A-nrd

London-based design studio A-nrd brought a “beachfront feel” reminiscent of an Australian beach club to this restaurant interior in Soho, London.

Milk Beach Soho’s minimal interior has a neutral material palette featuring a polished terrazzo floor and art deco-style furniture and lighting.

Find out more about Milk Beach Soho ›


ICHI Station restaurant in Milan by MasquespacioICHI Station restaurant in Milan by Masquespacio
Photo by Luis Beltran

Ichi Station, Italy, by Masquespacio

Ichi Station, by Valencian design studio Masquespacio, is a dine-in restaurant in Milan that draws on sci-fi and space tourism.

Designed to resemble a futuristic spaceship, the cylindrical restaurant interior has a material palette of glass and micro-cement along with rounded, custom-made furniture.

Find out more about Ichi Station ›


Drift Santa Barbara by Anacapa ArchitectureDrift Santa Barbara by Anacapa Architecture
Photo by Erin Feinblatt

Drift Santa Barbara, US, by Anacapa Architecture

US studio Anacapa Architecture transformed a formerly closed early-1900s building into a hotel – hosting a ground-floor bar and cafe for both hotel guests and local visitors.

Located in central California, the rustic interior accentuates the building’s historical character and is complemented by concrete and wooden furniture.

Find out more about Drift ›


Wooden seating area below hand-painted mural by Álvaro SizaWooden seating area below hand-painted mural by Álvaro Siza
Photo by Luís Moreira / Matilde Cunha

Cozinha das Flores, Portugal, by Space Copenhagen

Located in a 16th-century building in Porto, Cozinha das Flores’ interior is decorated by a ceramic mural created by Portuguese architect Álvaro Siza.

Designed by Space Copenhagen, the rustic interior is lined with green and burnt orange tiles, along with oak furniture and brass accents.

Find out more about Cozinha das Flores ›


Corner cafe and bar at Tate Modern by Holland HarveyCorner cafe and bar at Tate Modern by Holland Harvey
Photo by Jack Hobhouse

Corner, UK, by Holland Harvey

London-based architecture studio Holland Harvey revamped Tate Modern’s ground-floor cafe to be less “Herzog & de Meuron-y”.

Doubling as the gallery’s first late-night spot, the interior is organised around a grey stone bar, while salvaged chairs and bespoke tables are used throughout the space.

Find out more about Corner ›


Cabin-like Japanese restaurant in BanffCabin-like Japanese restaurant in Banff
Photo by Chris Amat

Hello Sunshine, Canada, by Frank Architecture 

Situated within the mountains of Alberta, Hello Sunshine is a bar and restaurant informed by Japanese psychedelia and cabins in collaboration with Little Giant.

Designed by Canadian studio Frank Architecture, the wooden interior features two raised fire pits accompanied by large flues clad with glazed ceramic tiles, along with paper lanterns and textile artworks.

Find out more about Hello Sunshine ›


Dezeen review of 2023Dezeen review of 2023

2023 review

This article is part of Dezeen’s roundup of the biggest and best news and projects in architecture, design, interior design and technology from 2023.

Reference

Wooden elements “take centre stage” in Studio Frantzén restaurant
CategoriesInterior Design

Wooden elements “take centre stage” in Studio Frantzén restaurant

Scandinavian and Japanese influences come together at Studio Frantzén, a restaurant in London’s Harrods department store designed by Joyn Studio.

Stockholm-based Joyn Studio created the sleek interiors for Studio Frantzén – the latest restaurant opened by chef Björn Frantzén.

Back-lit glass brick bar at the Studio Frantzén restaurantBack-lit glass brick bar at the Studio Frantzén restaurant
Top: visitors enter via a domed reception area. Above: the bar is characterised by back-lit glass bricks

The two-storey eatery is arranged across a main restaurant and bar on the fifth floor, as well as on an additional mezzanine and rooftop terrace on the sixth floor of Harrods.

In stark contrast to the department store’s famed Edwardian baroque terracotta facade, Studio Frantzén features a contemporary palette that takes cues from both Scandinavian and Japanese design – a trend known as Japandi.

Bar at Harrods by Joyn StudioBar at Harrods by Joyn Studio
Studio Frantzén is located across two levels at Harrods

Visitors enter the restaurant at a domed reception area, which references Scandinavian churches and forest chapels, according to the studio.

The curved walls were clad with blocky cherry wood while illustrations of Nordic animals by Ragnar Persson decorate the ceiling and a Swedish wooden Dala horse was perched on the welcome desk.

“Undoubtedly, wood takes centre stage in this restaurant,” Joyn Studio founding partner Ida Wanler told Dezeen.

Main restaurant with bespoke timber seating by Joyn StudioMain restaurant with bespoke timber seating by Joyn Studio
The main restaurant is composed of two dining halls

The reception area gives way to a “glowing” bar composed of stacks of glass bricks bathed in amber light, which is mirrored by a ceiling of gridded copper.

Informed by traditional Japanese izakaya – a type of casual watering hole serving snacks – the large main restaurant is composed of two dining halls with bespoke geometric terrazzo and marble flooring.

Bespoke timber seating illuminated by a chandelierBespoke timber seating illuminated by a chandelier
One features bespoke timber seating

One hall features an open kitchen and Joyn Studio-designed chunky seating booths and sofas carved out of end-grain wood. This was sourced from a large Hungarian pine tree, cut into cubes and then glued together piece by piece.

This double-height space is illuminated by a spindly oversized chandelier by Swedish studio Front.

Gridded ceiling within dining hallGridded ceiling within dining hall
The other follows the same gridded geometry as the bar

The other dining hall, tucked around the corner and connected to a wine cellar, follows the same geometry as the bar.

Sliding timber doors and a gridded wooden ceiling are interrupted by ultramarine benches in booths and delicate, ribbed paper lampshades.

“To create a distinctive Nordic dining experience with Asian influences within a historic London building, we delved into the architectural and design legacy of the early 20th century,” explained Wanler.

“Inspired by the journeys of our predecessors to the far east, where they assimilated influences and pioneered a style known as Swedish Grace, we embraced the resonances between traditional Japanese and Nordic architecture and craftsmanship,” she continued.

Mezzanine level by Joyn StudioMezzanine level by Joyn Studio
Mirrored artwork by Caia Leifsdotter was included in the mezzanine

On the upper floor, the mezzanine includes three intimate dining booths accentuated by a burnt orange carpet and a wall-mounted Psychedelic Mirror by designer Caia Leifsdotter.

Characterised by marble, rattan and wooden accents, the rooftop terrace offers expansive city views.

Rooftop terraceRooftop terrace
The rooftop terrace offers views of London

“Aiming to infuse creativity into the traditional luxury context of Harrods, we envisioned a relaxed and comfortable ambiance with sparks of richness created in unexpected ways,” said Wanler.

In 2022, Joyn Studio was longlisted for the title of emerging interior design studio of the year at the Dezeen Awards.

Elsewhere at Harrods, fashion house Prada recently opened a green-hued pop-up cafe that referenced one of Milan’s oldest patisseries.

The photography is by Åsa Liffner.



Reference

Cake Architecture draws on Bauhaus principles for Hoxton bar
CategoriesInterior Design

Cake Architecture draws on Bauhaus principles for Hoxton bar

Cake Architecture has renovated A Bar with Shapes for a Name, an east London cocktail bar featuring “utilitarian” interiors.

A Bar with Shapes for a Name owes its title to the yellow triangle, red square and blue circle that are emblazoned on its facade in a nod to the primary colours and understated geometry commonly associated with the Bauhaus.

Tall tubular chairs at A Bar with Shapes for a Name by Cake ArchitectureTall tubular chairs at A Bar with Shapes for a Name by Cake Architecture
Tall tubular chairs feature on the ground floor

When creating the bar’s minimalist interiors, Dalston-based Cake Architecture took cues from the influential German art and design school that was established in 1919 and advocated for an emphasis on functionality, among other similar principles.

Located at 232 Kingsland Road in Hoxton, the cocktail bar was renovated by the studio to serve as a multipurpose venue.

Reddish plywood barReddish plywood bar
Cake Architecture created a smooth ground-floor bar from reddish plywood

Cake Architecture doubled the bar’s capacity by adding a basement, which acts as a “kitchen-bar” room, and refurbished the ground floor’s existing seating area as well as a classroom-style space that offers a location for rotating events or workshops.

“These spaces have specific functional requirements and we selected colours and materials to suit,” studio director Hugh Scott Moncrieff told Dezeen.

Rectilinear light installation within bar by Cake ArchitectureRectilinear light installation within bar by Cake Architecture
It was positioned opposite a rectilinear light installation

Upon entering the bar, visitors are greeted by the main seating area or “showroom”, which was designed to be warm and inviting.

Tall tubular chairs finished with neutral rattan were positioned around chunky geometric tables made from birch ply stained to a rich, reddish-brown hue.

Glass-topped central table in the basementGlass-topped central table in the basement
The renovation included the addition of a new basement

The team also used the same timber to create the space’s curving bar, which is illuminated by a squat, cordless table lamp by lighting brand Flos.

Opposite the bar, a glowing rectilinear light installation by photographer Steve Braiden was fitted to the wall underneath bench-style seating reminiscent of early Bauhaus furniture designs.

Close-up of the steel, glass-topped tableClose-up of the steel, glass-topped table
A steel, glass-topped table sets an industrial tone

“We looked in particular at projects by the Bauhaus founder Walter Gropius,” reflected Scott Moncrieff.

“Gropius is a master of this elegant zoning through the application of colour and form,” he added.

Steel-framed tables in the classroomSteel-framed tables in the classroom
The “classroom” includes steel-framed tables

Downstairs, the low-lit basement was created to house additional seating as well as “all of the crazy machinery they use to prepare the drinks,” the designer said.

The basement is characterised by a bespoke central table by Cake Architecture and furniture designer Eddie Olin.

Sculptural, colourful lampSculptural, colourful lamp
Red, yellow and blue accents define a sculptural lamp

Consisting of a steel frame that “floats” over a central leg, the table was topped with a glass surface and its base was clad in phenolic-coated plywood to match the floor and walls.

“This new basement is predominantly a production space – so the palette reflects this with hardwearing, utilitarian and industrial materials,” said Scott Moncrieff.

A thick, felt curtain in ultramarine adds a pop of colour to the otherwise pared-back space.

With its pale blue walls and Valchromat-topped, steel-framed tables, the ground-floor “classroom” pays homage to the Bauhaus as an educational institution.

Tall blackboard in the classroomTall blackboard in the classroom
A tall blackboard provides space to learn in the classroom

Brighter blue vinyl covers the floors while a sculptural lamp featuring red, yellow and blue circles echoes the bar’s logo.

A tall blackboard and overhead strip lighting add to the classroom feel of the space, which is used for various group events.

Illuminated bathroom sinkIlluminated bathroom sink
Thin vertical lights frame the bathroom sink

Cake Architecture worked closely with the bar’s founders Remy Savage and Paul Lougrat when creating the interiors, which were primarily informed by the duo’s way of working.

“The team has a conceptually driven ethos drawn from the theory and practice of Bauhaus embedded in everything they are doing. We found that incredibly exciting,” explained Scott Moncrieff.

Sconce lighting on the wallSconce lighting on the wall
A Bar with Shapes for a Name is located on London’s Kingsland Road

“The Bauhaus phrase ‘party, work, play’ was pertinent to some early ideas and this carried through all our design discussions,” noted the designer.

“The space enables these three things. Separately as individual functions and simultaneously as a representation of the overall atmosphere of a bar!”

Cake Architecture previously worked with interior designer Max Radford to create a curtain-wrapped speakeasy in London’s Soho. The studio also designed a workspace for London agency Ask Us For Ideas in the same part of the city.

The photography is by Felix Speller



Reference

Ten kitchens with breakfast bars designed by architects
CategoriesInterior Design

Ten kitchens with breakfast bars designed by architects

Kitchens with breakfast bars feature in today’s lookbook, which showcases ten interiors from Dezeen’s archive.


Breakfast bars are multi-functional, bar-height counters where people can perch on bar stools to socialise or dine.

An informal alternative to the dining table, they can also be used for working from home, helping to make the kitchen a multi-purpose space that can be in use all day long.

Breakfast bars often make efficient use of space, combining with kitchen islands or peninsulas to provide storage and prep space.

This Dezeen Lookbook is the latest to feature design ideas for kitchens. Others explore kitchens with islands, light-filled kitchens, terrazzo kitchens and green kitchens.

Here are 10 examples of breakfast bars selected from Dezeen’s archive.


Dining space at Le Littoral by Architecture 49

Le Littoral, Canada, by Architecture49

The upstairs living space at this holiday rental in Québec by Architecture49 features a long, narrow galley kitchen with an island that doubles as a breakfast bar.

Backing onto a staircase, this offers guests emerging from the ground-floor bedrooms a convenient point to stop for coffee before heading to the living and dining area beyond.

The long, black island features a niche that allows stools to be partially tucked away to increase circulation space.

Find out more about Le Littoral ›


Angular kitchen table

Holiday home, Chile, by 2DM Arquitectos

The open-plan kitchen of this angular home in Chile by 2DM Arquitectos features a V-shaped worktop, with the narrow peninsula serving as a breakfast bar.

The worktop is made of chunky, oiled hardwood while the bar stools have matching tractor-style hardwood seats.

Find out more about the holiday home ›


Apartment in Born, Spain, by Colombo and Serboli Architecture

Colombo and Serboli Architecture installed a playful open-plan kitchen with a round-ended peninsula as part of its conversion of an old apartment in Barcelona’s El Born district.

The terrazzo worktop overshoots the narrow rendered plinth, creating a breakfasting area furnished with two Revolver bar stools designed by Leon Ransmeier for Hay.

Find out more about Apartment in Born ›


Kitchen of La Nave apartment in Madrid by Nomos

La Nave, Spain, by Nomos

The terrazzo-topped peninsula in this open-plan kitchen in Madrid rests on a complex frame constructed from pine struts. This holds an open storage shelf – a typical feature in traditional Spanish kitchens, which often feature open shelving concealed by curtains instead of drawers and cupboards.

Two wooden artists’ stools with adjustable-height seats provide seating at the bar. The raw, open-plan apartment is in a former workshop in Madrid and was designed by Spanish architect Nomos.

Find out more about La Nave ›


Mantelpiece loft, Sweden, by Note Design Studio

Note Design Studio created this loft apartment in Stockholm, inserting a mezzanine into the double-height space beneath a soaring mansard roof.

The compact kitchen is tucked beneath a bedroom and features a breakfast bar set into a terrazzo peninsula that also features a sink, allowing a single breakfaster to wash up their crockery without leaving the Sequoia bar stools designed by Torbjørn Anderssen & Espen Voll for Magis.

Find out more about Note Design Studio ›


Penthouse M by CJH Studio

Penthouse M, Australia, by CJH Studio

CJH Studio’s redesign of the interior of this penthouse in Gold Coast, Australia features a breakfast bar that is placed against a window to make the most of the view.

The narrow, freestanding bar is made of wood, adding a touch of warmth to the neutral tones of the kitchen, which features beige wall tiles and travertine flooring.

Find out more about Penthouse M ›


Island Rest holiday home in Isle of Wight designed by Ström Architects

Island Rest, UK, by Ström Architects 

Island Rest, a low-slung holiday home on England’s Isle of Wight by Ström Architects, features a kitchen island deep enough for a row of bar stools to tuck underneath.

Made of white solid-surface material, the breakfast bar contrasts with the black kitchen and offers a more informal option than the huge wooden dining table behind, which is set with eight classic Wishbone chairs designed by Hans J Wegner for Carl Hansen & Søn.

Find out more about Island Rest ›


Interior of DU18 by Turner Works

Holiday home, England, by Turner Works

Architect Turner Works converted a barn in Devon, England into a holiday home featuring an open-plan kitchen and diner overlooking a wildflower meadow.

The unusual kitchen layout features storage, prep space and appliances arranged along a wall plus a substantial island set at 90 degrees, forming a T-shape.

A shallow breakfast bar has been carved into one end of the island, which has a stainless steel counter above white storage units. The adjoining dining area features a double-length table with refectory-style seating.

Find out more about the holiday home ›


Rue de la Gauchetière by Future Simple Studio

Family apartment, Canada, by Future Simple Studio

This apartment renovation in Montreal by Future Simple Studio has an asymmetrical kitchen consisting of units arranged against an angled wall plus a tongue-shaped island, which doubles as a breakfast bar.

The island is topped with polished granite and clad in white-painted cement blocks. The worktop cantilevers at one end, creating enough space for two Form bar stools designed by Simon Legald for Normann Copenhagen.

Find out more about the family apartment ›


Orange Barcelona apartment

Klinker apartment, Spain, by Colombo and Seboli Architecture

Colombo and Serboli Architecture updated this Barcelona apartment to include a compact open-plan kitchen made of russet-painted MDF.

One half of the short, broad island hosts a hob, which is ventilated by a dramatic stainless-steel extractor, with storage set below the counter.

The other, free-floating half of the island serves as a breakfast bar with room for two. It is supported by a steel column in one corner and features plenty of legroom beneath.

The apartment is too small for a dining table so the breakfast bar acts as the main eating space.

Find out more about Klinker Apartment ›


This is the latest in our series of lookbooks providing curated visual inspiration from Dezeen’s image archive. For more inspiration see previous lookbooks showcasing peaceful bedrooms, calm living rooms and colourful kitchens.

Reference