BIG’s first supertall skyscraper reaches completion in New York
CategoriesArchitecture

BIG’s first supertall skyscraper reaches completion in New York

Architecture studio Bjarke Ingels Group has announced the completion of The Spiral, the studio’s first supertall skyscraper and first commercial high-rise in New York City that features a “Ziggurat silhouette”.

It reaches 1,031 feet (314 metres) into the sky, making it a super tall skyscraper, which is a skyscraper between 300 meters (984 feet) and 600 meters (1,968 feet) tall. Located along the High Line, the 66-storey building gets its moniker from a series of stepped terraces wrapped around its exterior.

The Spiral by BIG
BIG has completed its first supertall skyscraper, in New York City

“The Spiral punctuates the northern end of the High Line, and the linear park appears to carry through into the tower, forming an ascending ribbon of lively green spaces, extending the High Line to the skyline,” said Bjarke Ingels Group (BIG) founder Bjarke Ingels.

“[It] combines the classic Ziggurat silhouette of the premodern skyscraper with the slender proportions and efficient layouts of the modern high-rise.”

Stepped terraces wrapped around a skyscrapers exterior
It is located at the north end of the High Line in Manhattan’s Hudson Yards neighbourhood

On its lower levels, the building features glazed, recessed openings at the street-level lobby and office spaces above.

As they move upward along the building, the openings shift into terraces populated with “a landscape that has never been installed at or above 300 feet elevation in New York City”, according to the team.

An intersection in NYC
Stepped terraces create a spiral pattern that spans the exterior

“The Spiral ensures that every floor of the tower opens up to the outdoors, creating hanging gardens and cascading atria that connect the open floor plates from the ground floor to the summit into a single uninterrupted workspace,” said Ingels.

“The string of terraces wrapping around the building expands the daily life of the tenants to the outside air and light.”

“As the trees and grasses, flowers and vines have taken root over the last two summers, The Spiral is slowly becoming an ascending ribbon of green wrapping around the entire silhouette of the tower–like a 1,000-foot-tall (304 metres) vine at the scale of the city’s skyline.”

A lobby with large glazed opening
The planted landscape responds to environmental conditions

The stepped terraces slowly cut into the building’s floor plates as they ascend, reducing the overall volume of the tower towards its top.

The outdoor spaces created by the terraces total 13,000 square feet (1,207 square metres) and are populated with a mixture of drought and wind-resistant plant species native to the American prairie, shrubbery and trees that will bloom in the wintertime, and trellises adorned with English and Boston Ivy.

The plant arrangement differs depending on orientation to the sun and high-velocity winds. A water management system will sequester rainwater for redistribution through the landscape.

The 2.8 million-square-foot (260,128 square metres) structure will host offices and a private event space on the uppermost floor.

An aerial view of terraces
The building spans 66 storeys and is BIG’s first completed high-rise commercial building in New York City

Some floors contain double-height amenity spaces and “the option to connect adjacent floors via a grand staircase”,  as an alternative to elevators and to encourage interaction amongst colleagues.

The lobby contains cladding in “seven different metals”, meant as a homage to the industrial heritage of the surrounding Hudson Yards neighbourhood, while its stepped design nods to other Manhattan skyscrapers like the Empire State Building and Rockefeller Center.

A tree on a terrace overlooking NYC
It will hold offices and event spaces

The Spiral was developed by Tishman Speyer and built by Turner. BIG collaborated with Adamson Associates and structural engineer WSP Cantor Seinuk on its design.

The team is pursuing LEED Silver certification for the building.

BIG unveiled the design for The Spiral in 2016 to mixed reviews by Dezeen commenters. Elsewhere in New York, the studio has released images for mixed-use skyscrapers along the Williamsburg waterfront.

The photography is by Laurian Ghinițoiu.



Reference

Leckie Studio designs penthouse inside BIG’s Vancouver skyscraper
CategoriesInterior Design

Leckie Studio designs penthouse inside BIG’s Vancouver skyscraper

A rainforest-style atrium with a cedar tree lies within a two-storey unit designed by Leckie Studio, located inside the new Vancouver House tower.


The penthouse is found within the sculptural, 59-storey tower that rises up from a triangular site in downtown Vancouver, near Granville Bridge. The building was designed by architecture firm BIG and was completed last year.

Leckie Studio designed the project
A rainforest-style atrium sits at the heart of the penthouse

The two-level apartment is on the northwest side of the skyscraper, where it is afforded views of English Bay and the North Shore Mountains.

The unit’s owner desired an inviting atmosphere and spaces to accommodate natural artefacts and artwork from her travels. She turned to local firm Leckie Studio to oversee the design.

The penthouse is located in Vancouver House tower
The apartment has views far-reaching views of Vancouver and beyond

The team set out to create a layered environment that looked both inward and outward, and was infused with organic elements.

“Through an iterative design process, the studio and client arrived at a highly bespoke, biophilic design that is attuned to the passage of time,” the team said.

Leckie Studio inserted a kitchen into the lower level
A kitchen on the lower level features a giant island

The unit is divided into public and private areas. On the bottom level, one finds a living room, dining area, kitchen and an office. A half-turn stair leads to the upper level, which holds two bedrooms.

There also is a 167-square-metre roof deck that is accessed via a private elevator.

“The experience of the penthouse is quite varied, depending on the time of day and which space is being occupied,” said architect Michael Leckie.

The unit’s focal point is a tall, glazed atrium filled with lush vegetation.

The atrium has vegetation
The atrium runs alongside the stairwell leading to bedrooms

Acting as the “spine” for the penthouse, the atrium runs alongside the stairwell and extends from the unit’s bottom level all the way to its roof terrace. At the top, it is open to the sky.

“Conceived as a microcosm of the Pacific Northwest rainforest, its centrepiece is a full-size, red cedar tree that lends a contemplative and grounding element to the onlooking interiors,” the team said.

Leckie Studio used American black walnut for the woodwork
Finishes and fixtures are kept minimal in the bathroom

“The ecosystem surrounding this tree will be sustained long term by a ‘nurse’ log, which replenishes the space with nutrients from decay.”

Beyond the atrium, earthy elements are found throughout the dwelling and form a rich backdrop for the client’s belongings.

Travertine was used for custom-milled bathroom sinks
Marble lines the walls of the powder room

American black walnut makes up the woodwork in the living room, kitchen and bathing areas. The high-quality wood was also used for the stair treads.

Travertine was used for flooring and custom-milled bathroom sinks. Smokey grey marble lines the walls in a powder room.

Leckie Studio used black accents in the project
Blackened-steel accents can be found throughout the apartment

Blackened-steel accents run throughout the unit and act as a counterpoint to the natural materials.

The penthouse’s sparse furnishings include an oak-topped dining table with a cast-bronze base, and a low-lying, multidirectional sofa that support various postures and orientations.

A lighting installation floats in the stairwell
A lighting installation from Bocci illuminates the stairwell

Floating in the stairwell is a lighting installation from Bocci that evokes a cluster of sparkling fireflies. The piece is made of copper and 122 glass luminaires.

The rooftop terrace is meant to serve as an extension of the living space. It is fitted with a stainless-steel jacuzzi, an outdoor shower, a kitchenette and plenty of seating.

Leckie Studio was founded in 2015
The lighting installation is made from copper and glass

Founded by Michael Leckie in 2015, Leckie Studio has designed a number of residential projects, including mirrored cabins that blend into the forest. The firm also designed Slack’s Vancouver office, located within a repurposed industrial building.

Photography is by Conrad Brown.

Reference