Keiji Ashizawa creates Blue Bottle Coffee shop in Kobe department store
CategoriesInterior Design

Keiji Ashizawa creates Blue Bottle Coffee shop in Kobe department store

Japanese studio Keiji Ashizawa Design has created the interior of the Blue Bottle Coffee shop in Kobe’s Hankyu department store, taking advantage of its display windows to connect the cafe with the street outside.

The 173-square-metre cafe, which shares the department store’s ground floor with a number of apparel brands, has five large display windows.

To open the coffee shop up towards the street, designer Keiji Ashizawa turned one of the windows into a take-out counter.

Window counter of Blue Bottle Coffee shop in Kobe
One display window was turned into a take-out counter

The remaining window niches were filled with blue built-in seating, creating a splash of colour among the wooden furniture.

Inside the cafe, square-shaped and rectangular furniture nods to the graphic look of the facade and is contrasted by round tables and large circular ceiling lights.

“The furniture is mainly made of domestic wood in collaboration with the Japanese furniture manufacturer Karimoku, who specializes in working with oak wood,” Ashizawa told Dezeen.

Interior of Hankyu Blue Bottle Coffee shop
Wooden furniture and terrazzo tabletops were used for the interior

The studio also mixed in terrazzo amongst the wooden furniture to give the cafe a welcoming feel.

“By placing a large terrazzo tabletop with fine textures created by mixing grounded glass into the material, it adds to the soft and welcoming atmosphere that identifies Blue Bottle Coffee and their hospitality,” Ashizawa said.

“It is also used for the low coffee table surrounded by the sofas, creating a sense of harmony and elegance throughout the space of the cafe,” he added.

While the studio was unable to change the material of the existing rough concrete floor, the department store allowed it to create a discrete demarcation by polishing the floor underneath the central tables.

Terrazzo table inside Blue Bottle Coffee shop
Circular pendant lights were made from raw aluminium

Large disc-shaped pendant lights add a sense of drama to the coffee shop’s pared-back design.

“With the idea of creating a high ceiling within the space, the pendant lights were made from raw aluminum to complement the industrial structures,” Ashizawa said.

“Six pendant lights are placed in the central space at equal distances in three zones, creating a sense of rhythm and spatial balance.”

Polished concrete floor in Blue Bottle Coffee shop
The concrete floor was polished in part of the cafe

The wooden furniture inside the Blue Bottle Coffe Hankyu cafe has mainly been kept in its natural colour, but Ashizawa added bright colour to some of the wood.

“In the space with concrete structures, the yellow color was added to balance the combination of wood and concrete, and the blue color was placed as a contrast,” he said.

“We also designed the space to fit in with the apparel brands that share the ground floor.”

Colourful shelving in Kobe cafe
Shelves were painted a bright yellow

Ashizawa has previously created a number of cafes for the Blue Bottle Coffee company, including a Shanghai store decorated with traditional Chinese roof tiles and a Tokyo outpost with a volcanic-ash counter.

The photography is by Tomooki Kengaku.


Project credits:

Architect: Keiji Ashizawa Design
Project architect: Keiji Ashizawa, Tomohiko Fujishita, Masaru Kiotya
Construction: Tank
Design supervision: Miyachi Office/Kunihiko Miyachi
Lighting design: Aurora/Yoshiki Ichikawa
Furniture: Karimoku Case Study/Ichinomaki Laboratory by Karimoku
Metal works: Super Robot

Reference

What’s Yellow, Blue and Red All Over? Showcasing Sweden’s Stunning Scarlet Architecture
CategoriesArchitecture

What’s Yellow, Blue and Red All Over? Showcasing Sweden’s Stunning Scarlet Architecture

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletter.   

The color red has been a part of residential architecture in Sweden since the 16th century when Falu red paint was first created from the residue found in copper mines in the country’s Falun region. Locals realized that this reddish sludge, when treated correctly, formed a paint that was very affordable, durable, weather-resistant and also helped mimic the appearance of brick houses that were owned by wealthier families.

Now, that particular shade of red is iconic and is knowingly used to help houses stand out in the verdant landscape. Today, the tradition continues evolving. Shades of Falu red now coats a variety of Swedish structures ranging from small homes and barns to large-scale university and apartment buildings. Here are a few buildings that illustrate the timelessness and exuberance of the color.

Images by Johan Fowelin

The Pavilion by Marge Arkitekter, Stockholm, Sweden

Unlike traditional pavilions, this Stockholm structure is stacked like a building. It is conceived to become the focal point of the redesign of the city block around it. The different levels help accommodate the slope of the site and provide access to visitors from both sides. The rouge tone helps it stand out among the beige and brown hues of the buildings around and also acts as a beacon for the citizens. The patterned exterior, created in collaboration with artist Gunilla Klingberg, is made of red-dyed concrete. The language is kept consistent by painting the awnings and window frames as well.

Späckhuggaren / House for a drummer by Bornstein Lyckefors Arkitekter, Kärna, Sweden

Coated in the traditional Falu red color, this house was designed for a single father of two. At one point, the site housed an old farm stall and a warehouse that was destroyed in a fire. The form of that warehouse is what inspired the design of this house. While the home appears heavy and solid from the outside, the interiors are open and airy. The spaces inside vary in height and there are mesh-covered gaps between levels to allow light to penetrate diagonally across floors.

Images by Ulf Celander

Uppgrenna Naturehouse by Tailor made arkitekter, Uppgränna, Sweden

This café and event space is a remodel of a red barn that was extant on the site. The red base, reminiscent of the previous structure, is given a modern facelift with the addition of a large greenhouse on top. The addition of panels to the base and doors not only helps maintain the barn aesthetic but also helps reduce heat radiation. On top, the greenhouse is equipped with a sewage and waste recycling system that also aids the growth of plants within. This eliminates the need to be connected to the municipal sewage system.

Images by Åke Eson Lindman

Passive Townhouses in Vallastaden by Kjellgren Kaminsky Architecture AB, Linköping, Sweden

The townhouse is broken up into four different apartments, with each one showcasing a slightly different personality. The continuous volume is broken up into four parts using separate roofs and façade patterns. These patterns are created using a mix of black, bright red and brick-toned tiles. The individuality of the apartments is also reflected in the kitchens and bathrooms inside. Additionally, this building features a courtyard, garden and storage space.

Tower on the Ting by Wingårdh Arkitektkontor AB, Örnsköldsvik, Sweden

Niklas Nyberg, a local builder, bought a courthouse that was built in 1967 after discovering it was rarely used and hoped to construct an apartment building on top of it. Taking inspiration from one of his favorite artists, Bengt Lindström, the architect set out to design a multidimensional apartment block. The square plan of the building is broken up into nine parts like a hashtag. Each level of the structure is made up of five apartments placed around a central block. The exterior is covered in glazed ceramic tiles in colors found in Lindström’s artwork.

Images by Tord-Rikard Soderstrom and Åke Eson Lindman

Kuggen by Wingårdh Arkitektkontor AB, Gothenburg, Sweden

The colorful glazed terracotta panels on this university building almost make it appear as if it is in motion. The red tones are a nod to the wharves and the harbors in the region and the other tones help add dimension and contrast. The structure is shaped like a tapered cylinder to shade the lower floors and increase floor space. The upper levels of the southern portion of the building project a bit further than the others to provide more shade throughout the day. Similarly, the triangular windows emerged from lighting considerations; they are designed to draw in sunlight from the ceiling and ensure that it reaches the building’s core. Meanwhile, motion-activated lights and ventilation systems help to conserve energy.

Moderna Museet Malmö by Tham & Videgård Arkitekter, Malmö, Sweden

The new branch of the Swedish Museum of Modern Art stands is a remodel of an old electricity station. The remodel is marked with the addition of a bright vermillion cubical extension with a perforated façade placed right next to a traditional entrance. The larger perforations on the lower level help the museum’s sign stand out as well. The floor is glazed to filter the sunlight coming in and the same vibrant hue is painted across every surface as well as the furniture inside the café. The other exhibition spaces are painted white or other neutral tones, intentionally creating a contrast.

Fire House by Ulf Mejergren Architects (UMA), Stockholm, Sweden

After the previous outhouse burned down, the architect decided to rewrite the story of its demise in the replacement design. The client’s requirement for a red shed was taken up a notch by adding recycled beads, arranged to mimic a burning blaze, on the walls. This was paired with lights to bring this composition to life. In addition to being a point of conversation, the faux fire also helps keep the deer and rabbits away. The effect produced was so realistic that the owners had to inform their neighbors that it was art and not actual fire when they called the fire brigade.

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletter.   

Reference

Hang Lung Properties presents 23-39 Blue Pool Road
CategoriesInterior Design

Hang Lung Properties presents 23-39 Blue Pool Road

Dezeen Promotion: developer Hang Lung Properties has unveiled the 23–39 Blue Pool Road development designed by architecture studio, Kohn Pedersen Fox, to “offer a unique lifestyle that combines urban buzz with residential comfort”.


The site includes 18 semi-detached three-storey residences that are each equipped with a private rooftop, courtyard, five en-suite bedrooms, balconies and a garage.

According to Hang Lung Properties, “The crown jewel of the development is undoubtedly House 31”.

House 31 totals 850 square metres and is made up of two adjacent semi-detached houses with interiors designed by international studio Hirsch Bedner and Associates (HBA).

23-39 Blue Pool Road
A custom hand-blown glass chandelier emphasises “the verticality of the double-height living and dining area, which enjoys ample natural light”

“From the very early stages of the design, we agreed that this was a great opportunity to create a timeless, modern yet opulent and comfortable interior,” said HBA Hong Kong associate director Paulo Dias.

“And who were the clients they imagined this one-of-a-kind home for? A well-travelled, cosmopolitan couple, avid art collectors and patrons.”

23-39 Blue Pool Road
The artwork in House 31 is sourced from private collectors and galleries

The house’s ground floor includes an Italian Boffi kitchen, courtyard and island bar for entertaining, while its landscaped rooftop garden features a barbecue and bar.

House 31’s master-chamber floor is designed for privacy and includes a master suite and second suite, both equipped with walk-in wardrobes. The residence also has a wellness and spa quarter, study, games room and theatre. The interiors of the home incorporate Italian and local Hong Kong-made fabrics.

Dias and his team chose furnishings to create “different layers that add interest and enhance the overall level of luxury,” according to the brand.

23-39 Blue Pool Road
Wooden and green coloured designs feature on the rooftop of 23-39 Blue Pool Road

“HBA is known for developing bespoke finishes that make each project one of a kind,” said the developer.

“Unique touches include custom-dyed wood veneers, unique glass and lacquer finishes and custom-designed carpeting,” it continued.

“Other exclusive materials include exotic marbles, like South African gemstone tiger’s eye for the bar and cow horn in one of the millwork units.”

23-39 Blue Pool Road
The home is designed by Hirsch Bedner and Associates (HBA)

The artwork across the home was curated by the in-house HBA team, sourced from private collectors and galleries worldwide. The living room includes works by Andy Warhol, Kazuo Shiraga and DanHôo in a “bold salon-style display”.

“Elsewhere in the home are works by the likes of Damien Hirst, Lai Chi Man and Elsa Jean de Dieu,” said the developer.

23-39 Blue Pool Road
The home’s interiors are made up of Italian and locally sourced materials

“The result is a living experience that is about “simplicity, elegant detailing and beautiful bespoke finishes, accentuated by unique art,” Dias said.

“The overall impression is one of drama and luxury, but that is still welcoming.”

For more information about 23-39 Blue Pool Road and House 31, visit the development’s website.


Partnership content

This article was written by Dezeen for Hang Lung Properties as part of a partnership. Find out more about Dezeen partnership content here.

Reference

Keiji Ashizawa Design designs Blue Bottle Coffee outpost in Tokyo
CategoriesInterior Design

Keiji Ashizawa Design designs Blue Bottle Coffee outpost in Tokyo

Brick-like tiles with a volcanic ash glaze created by Formafantasma and textured concrete walls feature in this coffee shop in Shibuya, Tokyo, by Japanese studio Keiji Ashizawa Design.


Located a short walk from Tokyo’s busy downtown area, this Blue Bottle Coffee outpost was conceived as an urban retreat sandwiched between two parks.

It serves coffee during the day and appetisers and natural wine in the evenings.

Curving counter with brown tiles in Blue Bottle Coffee Shibuya
Brown tiles with a volcanic ash glaze feature throughout the interior of Blue Bottle Coffee Shibuya

Keiji Ashizawa Design, which also designed the coffee brand’s Yokohama outpost, wanted to create a warm and welcoming interior that brought the park surroundings into the glass-walled and concrete-floored space.

“It was a challenge to come up with a playful interior plan in this square two-storey building,” Ashizawa told Dezeen.

“The other challenge was to make links between the first and second floors, and the exterior and interior.”

Brown-tiled bar and wooden counter seating in coffee shop by Keiji Ashizawa Design
Counter seating runs along the wall of windows

To bring the outside in, the studio installed a large, curved tile counter that wraps around the cafe’s kitchen area and welcomes customers as they enter.

The brown tiles – developed as a collaboration between London material manufacturer Dzek, and the Amsterdam-based design studio Formafantasma – are finished with a special volcanic ash glaze.

Brow-tiled walls and wooden counter seating in Blue Bottle Coffee Shibuya
A single artisan laid all 7,000 tiles in the interior

A single skilled artisan laid more than 7,000 of the tiles in the cafe. As well as the counter, they cover a low coffee table and a wall in the upstairs lounge area. Ashizawa said the tiles were specifically chosen to connect the interior and exterior spaces.

“We wanted a park-like item as a key material which stands out in the interior but also makes a strong connection between first and second floor, and the exterior and interior at the same time,” explained Ashizawa.

Sunken seating area with orange pillows in coffee shop by Keiji Ashizawa Design
A sunken seating area is fringed in bench seating

“I thought that this tile, which has a brick-like colour, is an item reminiscent of parks in Japan,” he continued.

“Also, there is the fact that the soil from volcanic ash is a familiar material in this Kanto region, and I remember that the soil floor of the original Kitaya Park was also Kanto loam.”

In addition to the warm-coloured tiles, pink and orange textiles by Kvadrat, and wooden furniture by Karimoku, Ishinomaki Lab and Ariake add warmth to the largely glass and concrete interior.

On Blue Bottle Coffee’s ground floor, tables are set at differing heights. The high counter with stools allows customers to watch the barista preparing their coffee, while the lower table provides a good view of the park.

Sheer grey curtain over sunken seating area in Blue Bottle Coffee Shibuya
The seating area is obscured by a translucent grey curtain

More seating types are installed upstairs, including a lowered floor area with banquette seating upholstered in an autumnal orange textile. This space can be sectioned off from the main area by a grey, sheer curtain.

An oval dining table sits in the centre of the space providing a casual and communal dining option. A high counter table with a library-like light allows for quiet groups and singles to sit at the rear of the space.

Wooden benches outside coffee shop by Keiji Ashizawa Design
Wooden benches offer seating outside of the cafe

At the far end, a low, tiled coffee table is surrounded by comfortable lounge chairs and sofas upholstered in muted pink fabric.

A textured, brushed mortar finish has been applied to the cafe’s ceiling on the ground floor, and across a wall upstairs to help improve the acoustics in the space.

Timber-clad facade of Blue Bottle Coffee Shibuya
The furniture is in keeping with the buildings timber-clad facade

“When we plan cafes or restaurants, it is essential to think about acoustics,” said Ashizawa. “It is important that you can speak easily and that you can hear the music comfortably.”

“When we first saw the condition of the interior – the floor was made of concrete with glass walls. We definitely thought that we should leave the ceiling some kind of texture to promote sound absorption. At the same time, I thought that creating a feeling of touch in the space would have the effect of relaxing customers in the stressful city of Shibuya, like the greenery of a park.”

“We hope that visitors will enjoy the warm atmosphere as if they had been invited to visit the welcoming house of a close friend,” he concluded.

Photography is by Ben Richard and Masaaki Inoue.

Reference