Wood panelled walls and display cases
CategoriesInterior Design

“Subtle luxury” defines Rachel Boston jewellery store

Wood panelled walls and display cases

Interior design studio Hollie Bowden Interiors has created fine jeweller Rachel Boston’s flagship store and showroom in London.

Located in Shoreditch’s Redchurch Street, the store is split into four main areas – the retail space, private appointment area, workshop and office space for the jeweller’s team of 12.

Wood panelled walls and display casesWood panelled walls and display cases
The space blends a neutral palette of glass, steel and sycamore wood veneer

The store aims to blend a neutral material palette of glass and steel with sycamore wood veneer and velvet mohair upholstery.

“Jewellery stores can be read as quite uninviting and exclusive,” Hollie Bowden Interiors founder Bowden told Dezeen. “I wanted to create the opposite experience to that, something that felt open and un-intimidating, yet special and elevated.”

Cantilever display case Cantilever display case
Bowden and designer EJR Barnes have created bespoke displays from mirror polished steel

Placing the jewellery centre stage was a key objective for Rachel Boston when briefing Bowden’s team.

“Even though our pieces are striking, they are ultimately small objects by nature, so I didn’t want a huge amount of fussy furniture or bold colours to detract from the experience of customers viewing our pieces,” Rachel Boston told Dezeen.

In response to the brief, Hollie Bowden created a compact 19-square-metre front retail space “inspired by the concept of a jewellery box that draws your attention into the small, intricate objects within”.

jewellery retail space jewellery retail space
The store on Redchurch street is split into four main areas

Sycamore veneer wall-cladding, limestone flooring and lining the display cases with ivory silk combine to create the jewellery-box effect, “emphasising this feeling of being cocooned in the space” Bowden told Dezeen.

“I wanted to focus on materials that have a quiet beauty about them, that you have to get up close to really appreciate,” she continued.

Steel window displaySteel window display
Bowden employs a refined approach to materials for this retail project in London

This process of refinement has been a hallmark of Bowden’s style since establishing her London-based studio in 2013.

“Not over-designing projects with too many materials is very important – to give objects the space to sing,” she explained. “I’m always trying to reduce and simplify.”

Jewellery is displayed in floating window vitrines and a cantilever display desk, designed in collaboration with London-based artist and designer, EJR Barnes.

Made from mirror polished steel, these bespoke displays introduce a “vertiginous moment that makes the space feel unique,” according to Bowden.

For these cabinets, Bowden and Barnes drew on the utilitarian design language of archives which “display, protect, and organise what they contain in quite a neutral way”.

A shop front A shop front
Hollie Bowden’s retail space in Shoreditch has been designed in reference to jewellery boxes

Rather than using big ornamental gestures more common in jewellery retail, Bowden says this approach “represents a unique and original way of presenting jewellery”.

“The idea of ‘subtle luxury’ feels like a great counterpoint to retail design at the moment that can feel like you’re in a casino,” she added.

The frames of the cases are simple and uninterrupted, maximising the display of the jewellery and encouraging guests to roam freely around any area.

Red chairRed chair
The red cab chair placed at the front of the store is by Mario Bellini

A Mario Bellini Cab Chair in a deep wine red, placed at the front of the store, works along the lines of the unexpected-red-theory interior trend, featured in our recent lookbook.

Through a stainless steel-lined open doorway, the rear space is curtained off for private appointments. This larger 42-square-metre showroom in the back has a more relaxed and intimate feel that mirrors the art-deco style of Boston’s jewellery.

Four chairs around a carpeted floor Four chairs around a carpeted floor
The rear of the store is reserved for private appointments

Upon entering the rear space, a brown short-pile carpet and bespoke sofa upholstered in Claremont mohair signals the transition from the storefront.

“We wanted to create two distinct spaces, independent of each other yet with a subtle link that reflects Rachel’s jewellery,” Bowden said.

“While the spaces contrast, the continuations of steel and limestone allow for a striking continuity throughout.”

A brown mohair velvet sofa A brown mohair velvet sofa
The rear showroom features a bespoke sofa upholstered in Claremont mohair

Other projects by Hollie Bowden Interiors featured on Dezeen include a pared-back jewellery showroom and a London office space inspired by the sultry lighting of gentlemen’s clubs.

The photography is by Richard Round-Turner.

Reference

Infinite mirror reflections in pale pink Glossier store
CategoriesInterior Design

Glossier Boston store features pastel green mouldings

Infinite mirror reflections in pale pink Glossier store

Decorative architectural mouldings are recreated in pastel green to frame openings at the Boston store for the cosmetics brand Glossier.

Designed by the company’s in-house team, the permanent Glossier Boston location on the city’s bustling Newbury Street follows a pop-up at the Seaport in 2019.

Infinite mirror reflections in pale pink Glossier store
Mirrors positioned to face one another create infinite reflections at the Glossier Boston store

For the space, the designers took influences from historic local architecture and Boston’s status as a college student hub, with Harvard University and MIT located just over the Charles River in Cambridge.

“With our 10th Glossier location, we wanted to bring something special to the city that honors its metropolitan and scholastic personality,” said the team. “Our influences for Glossier Boston’s design include collegiate fashion and the decorative characteristics of Boston’s local architecture.”

Glossier logo affixed to pale pink wall
The brand’s signature pink hue covers the walls

They also cited the “blush pink stucco, verdant green stone and verdant plant life” of the nearby Isabella Stewart Gardner Museum, which is modelled on a Venetian palazzo, as a source of inspiration for the store interior.

Glossier’s signature Millennial pink shade covers the walls, while cased openings are framed with stylised versions of architectural mouldings found on neighbouring buildings.

Product display in front of large mirror
Products are displayed on wavy trays

Mirrors are positioned to face one another in order to create infinite reflections of customers testing makeup and skincare products.

The merchandise is displayed on the wavy trays, cylindrical displays and rectangular tables found in many of Glossier’s stores.

Soft seating
The store is Glossier’s 10th permanent retail location

Pale wood floors contribute to the soft colour palette, while bright lighting is designed to be flattering.

On the exterior, the tall windows and brass doors are surrounded by marble panels and bronze detailing.

These details contrast the pale hues inside.

“There is also a large step-back from the curbside, filled with lush trees that invite visitors to connect and hang out,” the team said.

Brass doors
Stylised versions of historic architectural mouldings frame cased openings

When Glossier launched in 2014, it became known for its pop-up stores that opened across the US.

The temporary spot that the company installed in Seattle, which was filled with plant-covered mounds, was named small retail interior of the year at the 2020 Dezeen Awards.

Glossier Boston store exterior
The store’s marble and bronze exterior contrasts the interior colour scheme

The brand has since opened permanent locations in cities including Seattle, Los Angeles and London.

All of these share a similar aesthetic and colour scheme, with subtle differences that nod to the specific location and context.

The photography is by Brian W Ferry.

Reference