Dense Cities, Open Homes: 8 Multifamily Housing Projects Built for Modern Life
CategoriesArchitecture

Dense Cities, Open Homes: 8 Multifamily Housing Projects Built for Modern Life

Dense Cities, Open Homes: 8 Multifamily Housing Projects Built for Modern Life

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Housing is central to architecture and cities. Across generations and socio-economic backgrounds, a mix of housing options makes cities more lively, sustainable and human. Amidst global housing scarcity, the need to build more multifamily and affordable housing is widespread. Equitable housing begins with policy and planning, but it’s also tied to design. Architects worldwide are considering this idea and how to create more beautiful, integrated housing that reflects how we live today.

Multifamily housing is key to creating more equitable cities. In this type of housing, multiple separate units are contained within one or several buildings within one complex. A key benefit of multifamily in the current market is that it’s usually more affordable than single-family housing. With real estate today, it’s increasingly difficult for people to buy a home, especially for first-time buyers. In multifamily housing, less land is needed, and it helps to meet the growing demand for households of all ages and income levels. As architects consider the impact of housing, the following projects represent multifamily housing design across the world. Made for residents to either rent or own, they represent a cultural shift and underline the importance of housing in architecture today.


Timber House

MESH Architectures, Brooklyn, NY, United States

Jury Winner, 11th Annual A+Awards, Multi-Unit Residential Building

New York is a city known for housing scarcity, and a place that’s defined by reinvention. For Timber House, MESH Architectures was inspired by natural finishes and “botanical architecture.” The idea was not only to foster well-being, but create a new model for timber construction in the city. The project is the first mass-timber condominium in New York, and the structure was built with glue-laminated timber columns, beams, and floor plates. The six-story, multifamily project is comprised of fourteen homes.

Beyond the novel material approaches to construction in Timber House, it was also a test in learning from passive-house design. Those principles informed its high-performance envelope, with “intensive insulation, smart air sealing, and triple-glazed wood windows.” Less interior finishes were required thanks to leaving the wood structure exposed, while the team also prioritized low-carbon material choices. For Timber House, MESH wanted to demonstrate that sustainable multifamily buildings can balance well-being and comfort, as well as beauty.


Valley

MVRDV, Amsterdam, Netherlands

Jury Winner, 11th Annual A+Awards, Architecture +Façades

MVRDV has earned a reputation for reinvention and creating new building forms. That same approach extends to housing, where the team designed Valley with a more “green and human” touch. Built for developer Edge, the project is located in Amsterdam Zuidas. Rising to three distinct towers, the façades shift across the complex. The outer edges are mirrored glass, while the inner façades are clad with stone and swaths of greenery.

Valley was built for a mix of residents, as well as workers and visitors. Not only for multifamily housing, the project also includes offices while much of the building is open to the public. For the materials, over 40,000 stone tiles of varying sizes were used throughout the building’s façades. “Each of the 198 apartments has a unique floorplan, made possible by the interior designs by Heyligers Architects.” Outside, the team worked with landscape architect Piet Oudolf on the placement and selection of trees, shrubs and approximately 13,500 smaller plants that are in within the natural stone planters.


One Hundred

Studio Gang, St. Louis, MO, United States

Jury Winner, 9th Annual A+Awards, Multi Unit Housing High Rise (16+ Floors)

Few locations are more prominent for multifamily housing in St. Louis than Forest Park. Designed by Studio Gang, One Hundred is a residential tower overlooking the park and the studio’s first project in the city. The tower includes a mix of housing, retail and amenities on four-story stacked tiers. The apartments were designed for views of Forest Park and east to the Gateway Arch.

From a formal approach, Studio Gang designed the tower with an angled façade that creates a series of large outdoor spaces atop each tier. This move also produces outdoor space for residents atop the green roof podium. The team notes that, “each apartment features its own corner living room with double exposures that, in addition to offering panoramic views, enhance the amount and quality of daylight within the units.” The tower includes public and retail spaces at ground level adjacent to the park, while establishing a new landmark for St. Louis.


Cirqua Apartments

BKK Architects, Melbourne, Australia

Jury & Popular Choice Winner, 2018 A+Awards, Multi Unit Housing Low Rise (1-4 Floors)

The Cirqua project by BKK gained widespread recognition for creating beautiful, inventive multifamily architecture. The project includes 38 unique unit types out of the 42 total apartments made with spacious balconies and an integrated approach to landscaping. Combining two properties into a single block, the project was formed with careful attention paid to scale and the surrounding context. Cirqua not only showcases a smart, nuanced approach to multifamily housing, but also how to design for accessibility and passive performance.

As the team noted, prospective owners are increasingly buying into the apartment market (over detached housing) as owner-occupiers. A sense of place was a key driver of the design, establishing a neighborly feel. All living areas and bedrooms have direct access to ventilation, natural light and views, while maximizing glazing created connections to the surrounding garden. From the neighborhood scale, a study in massing led to reducing the overall building volume to make the development fit seamlessly into its site.


Caterpillar

Prince Concepts, Detroit, MI, United States

Caterpillar approaches density through a novel construction and design in Core City, Detroit. It utilizes a Quonset Hut structure that holds eight units, all entirely prefabricated. The result is an 8,000 square foot (745 square meter) residential project that prioritizes indoor and outdoor space. Prince Concepts created the project with tall ceilings that rise to 23 feet (7 meters); the units were designed to capture morning light in the bedrooms and evening sunsets in the living room.

Multifamily housing and density are charged subjects, but they also hold the potential to reimagine everyday life in cities. For Caterpillar, the team wanted to rethink the standard ratios of a multifamily project. To do so, instead of “150 apartments surrounded by eight trees with just one window per room, Caterpillar provides eight apartments surrounded by 150 trees and 12-18 windows per room.” The multifamily project built on the success of True North, completed in 2017. That Prince Concepts development was made with eight Quonset huts and ten leasable units.


Casa Jardin Escandon

CPDA ARQUITECTOS, Mexico City, Mexico

CPDA Architects designed this garden house project as a multifamily development in Mexico City. Located in the Escandón neighborhood, the project includes fourteen residential units. At its heart, a central courtyard is the connective element that defines the housing project, opening up access to natural light and cross ventilation. Ten townhouse units are set up the four ground-floor units below, all of which share a similar material relationship.

As the Escandón neighborhood has seen rapid growth, new populations moved in across age and income levels. The project provides a mix of unit types, as well as changing faces along its façade. The exterior showcases the concrete slabs that stand out and the gabled façade, while the interior has simple, seamless and integrated forms that define the inside complex. The idea was to create a “secret garden” that residents can enjoy within the city.


The SIX Veterans Housing

Brooks + Scarpa Architects, Los Angeles, CA, United States

Few cities in the world are grappling with homelessness and a severe lack of housing affordability like Los Angeles. Brooks+Scarpa has built a practice addressing issues in the city and across the nation. For this multifamily residential, The SIX was designed as a 52-unit affordable housing project that “provides a home, support services and rehabilitation for previously homeless and/or disabled veterans.”

Located in the MacArthur Park area of Los Angeles, The SIX was made to break the mold of multifamily housing by creating public and private “zones” in which private space was deemphasized to create large public areas. At ground level, the program includes support spaces for veterans, as well as bike storage, parking and offices. The second level is the core of the project, with a large, public courtyard. The idea was to create a community-oriented, interactive space that opens to its surroundings.


Jinshan 9

Steffian Bradley Architects, Shenzhen, China

Over the last two decades, development in China has been defined by a dizzying pace and new architecture produce in-mass. For Jinshan 9, this force behind new buildings was directed into a multifamily living community. Located in China’s Shekou mixed-use district, the project looks out west to wild, forested mountains and east to Shenzhen Bay Bridge. With a range of both low-rise and high-rise structures, the development was made for diverse lifestyles and populations.

With 210 townhouse units, the project also has four residential towers rising 32 floors in height. Between integrated pedestrian paths and trails, the development comprises a network of gardens and interconnected terraces. From its material palette, Jinshan 9 includes natural-colored terracotta panels with aluminum trim on the exterior. This combines with marine-inspired imagery and forms, like balcony details echoing sailboat decks.

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Built To Last: 6 Times ABC Stone Provided Rare Rocks for Timeless Architecture
CategoriesArchitecture

Built To Last: 6 Times ABC Stone Provided Rare Rocks for Timeless Architecture

Built To Last: 6 Times ABC Stone Provided Rare Rocks for Timeless Architecture

Architizer’s A+Product Awards has officially launched! Get your products in front of the AEC industry’s most renowned designers by submitting today.

Stone architecture stands the test of time. Built around the world, these structures have been constructed for thousands of years. With diverse applications and uses, stone is chosen for its durability, performance and aesthetic qualities. Providing different varieties like limestone and granite to travertine and marble, ABC Stone is a company with rare and hard-to-find stones from quarries worldwide. By diversifying their material portfolio and service offerings, they’ve quickly become a one-stop resource for the architecture and design community.

Chosen to meet contextual and functional requirements, stone buildings give way to a vast array of different formal expressions. Whether cut or carved away, stone is used in architecture for everything from flooring to walls. The following projects showcase some of ABC Stone‘s collaborations with designers. From locations in New York City and Hicksville, ABC helps architects and teams find the right products for their specific projects. From residential to public and cultural work, the following designs showcase the versatility and potential of stone architecture.


Tata Innovation Center at Cornell Tech

By WEISS/MANFREDI Architecture/Landscape/Urbanism, New York, NY, United States

Outside the Tata Innovation Center and the surrounding grounds on Roosevelt Island, ABC provided a series of granite stone pavers. The project itself was developed by Forest City New York to supports Cornell Tech’s efforts to fuse entrepreneurial and academic ambitions on its new Roosevelt Island campus in New York City. One-third of the 235,000-square-foot building hosts Cornell Tech studios, labs, classrooms, and event spaces, while the upper levels are dedicated to a mix of technology-focused companies and start-ups.

All of the occupants share central, light-filled circulation spaces with panoramic skyline views and lounges that encourage social interaction and collaboration. The building’s cantilevered southwest and northeast wings shelter outdoor social spaces that animate the ground floor retail spaces and entry terrace. Anticipating environmental challenges such as rising sea levels and increased flood risk, the Tata Innovation Center is designed for maximum resilience with an entry floor that rises seven feet above the 100-year flood plain.


The Barnes Foundation

By Tod Williams Billie Tsien Architects | Partners, Philadelphia, PA, United States

The Barnes Foundation collection was relocated to a 93,000 square foot, LEED Platinum building on the Benjamin Franklin Parkway in downtown Philadelphia. Conceived as “a gallery in a garden and a garden in a gallery,” the new building honors the past Merion facility and provides visitors with a personal experience. Clad in fossilized limestone and crowned by a luminous light box, the two-story building, with an additional level below grade, is set in a public garden.

The tripartite building plan consists of the gallery housing the collection, the L-shaped support building, and a court between the two. The L-shaped building provides facilities for the foundation’s core programs in art education, as well as for conservation, temporary exhibitions, and visitor amenities. The façade of the massive building is dressed in Ramon Grey limestone — quarried in the Negev desert and supplied by ABC Stone. In total, 4,000 stone panels were employed to construct the facility.


Field House

By Stelle Lomont Rouhani Architects, Sagaponack, New York

Field House was built between ocean and pond. With the landscape seemingly running through it, the house was designed around flooding and wind. It was constructed on piles with a steel frame and high density limestone. The house is approached through a terraced set of stairs, and the interior palette matches the exterior, with the limestone extending throughout the main level and reappearing as solid blocks in bathrooms.

The intention throughout is to reinforce rather than detract from the natural beauty of the surroundings. Valders Limestone from Wisconsin used inside and out. The stone is used landscape elements such as the pool and spa and the surrounding terraces. It continues through the inside main level of the house reinforcing the indoor outdoor relationship.


Pierhouse and 1 Hotel Brooklyn Bridge

By Marvel, and INC Architecture & Design, Brooklyn, NY, United States

1 Hotel overlooks the East River in Brooklyn’s DUMBO neighborhood and features more than 10,000 square feet ABC’s Montclair Danby Vein Cut, Mountain White Danby, and Crystal Grey Danby. The Pierhouse and 1 Hotel Brooklyn Bridge building echoes the park’s simplified use of stone and steel. It steps down to meet the green lawns with planted roofs. Using stone from a Vermont quarry helped the project achieve the designation of LEED Gold certification.

The Pierhouse and 1 Hotel Brooklyn Bridge development includes a 194-room hotel and 106-unit condo residence in Brooklyn Heights. The design allows for unparalleled views of the New York harbor and the park. The building was made to serve as an improved link between Furman Street and the park open space.


Perry World House

By Tod Williams Billie Tsien Architects | Partners, Philadelphia, PA, United States

For the Perry World House, the University of Pennsylvania needed a space for its new institute that would aggregate all its international activities. This became a renovated cottage that was originally built in 1851. Designed by 1100 Architect, the team preserved the house while transforming the site into a 21st century flagship for this newly formed institute. ABC Worldwide Stone was responsible for sourcing, selecting, quality checks, logistics and fabrication approvals on all the project’s 1,850 cubic feet of Renaissance Beige limestone.

The new limestone-clad building sits at the heart of Penn’s campus, mediating two very different conditions: a pedestrian/domestic scale to its south and west, and a busy urban scale and traffic corridor to its north and east. The building’s facets allow it to modulate its scale in a seamless way, deferring to the original house, on one hand, but providing a strong edge to the busy street, on the other.


Clinton Hill Brownstone

By Michael K Chen Architecture, Clinton Hill, New York

MKCA’s gut renovation and exterior restoration of a landmark Brooklyn brownstone balances history with a playful intervention. Located in the historic Clinton Hill neighborhood, the original structure was abandoned to decay for twenty years. The design of the house balances stabilizing the building and recapturing its original details with efforts to create a new home in an adventurous, innovative manner, producing an appealing aesthetic between the historic elements and the new additions.

For the project, color is an important component of the design, and it is treated in a three-dimensional, spatial manner. ABC Stone was used throughout the project interiors. Across the redesign, a rigorously uniform yet distinct palette washes over each room, retaining the boldness and vibrancy of the original hues, while rendering the spaces more modern, cohesive and calm.

Architizer’s A+Product Awards has officially launched! Get your products in front of the AEC industry’s most renowned designers by submitting today.

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Built Works design red timber sauna in East Sussex
CategoriesArchitecture

Built Works creates Drying Shed sauna in East Sussex woodland

Built Works design red timber sauna in East Sussex

Red shingles and an oversailing roof characterise this sauna, which London studio Built Works has completed in a woodland in East Sussex.

Located on the edge of a family-run farm in the High Weald Area of Outstanding Natural Beauty, the Drying Shed serves guests staying in two nearby cabins.

Built Works design red timber sauna in East Sussex
Built Works has created the Drying Shed sauna in East Sussex

The sauna was commissioned by Architects Holiday, a platform created by the Built Works team that specialises in architect-designed holiday cabins in the countryside.

It is situated in a small clearing within walking distance from the cabins and is reached via woodland paths.

The Drying Shed in East Sussex
The structure is covered with red shingles

Built Works’s design references the historical agricultural drying sheds of the area, evident in its geometric form and the patterned use of larch shingles.

The rich, red hue of the cladding aims to complement the surrounding woodland while ensuring it is easily identifiable.

Interior view of the Drying Shed commissioned by Architects Holiday
A wood-burning stove features inside

“The choice of red adds a subtle, updated twist to aid wayfinding, yet still sits harmoniously within its setting,” said the studio.

“Detailing features at each corner, in a contemporary take on the traditional cladding found on drying sheds,” the studio continued. “Overhanging panels would open and close to aid the drying process.”

Wood-lined interior of Built Works' sauna
The interior is lined with alder wood

The Drying Shed is constructed from a timber frame, insulated with recycled plastic and sheep wool. It is crowned with a corrugated roof that oversails the structure and offers cover from the elements.

Elevated above the ground, the sauna offers views of a stream and the adjacent countryside through a large picture window.

“The sauna is elevated above ground to reduce harm to surrounding habitats and features discrete root-sensitive screw piles for additional stability,” the studio told Dezeen.

“[It is] perched on stones salvaged from an old barn on the site.”

Built Works create sauna in East Sussex
The Drying Shed is elevated above the ground

The interior is lined with alder timber, a choice inspired by trees in the vicinity.

Central to the experience of the Drying Shed is a wood-burning stove. A bench beside it is crafted from the trunk of a silver birch, the top of which has been carved to form a flat, slatted seat that echoes the floor and walls.

Built Works design red timber sauna called the Drying Shed in East Sussex
Its red colour aims to make it identifiable in the woodland

Built Works was founded in 2020 and has studios in both London and the Lake District. The construction of the Drying Shed was carried out through a live-build workshop involving staff from Built Works and Architects Holiday as part of an annual summer programme.

Other saunas featured recently on Dezeen include one in Devon with blackened-wood cladding and a large square window and a lakeside one alongside an Art Museum in Finland.

The photography is by Holly Farrier. 

Reference

What’s So Luxurious About Luxury Vinyl Tile, Part II: How LVT Supply Chains Are “Built on Repression”
CategoriesArchitecture

What’s So Luxurious About Luxury Vinyl Tile, Part II: How LVT Supply Chains Are “Built on Repression”

What’s So Luxurious About Luxury Vinyl Tile, Part II: How LVT Supply Chains Are “Built on Repression”

This article was written by Burgess Brown. Healthy Materials Lab is a design research lab at Parsons School of Design with a mission to place health at the center of every design decision. HML is changing the future of the built environment by creating resources for designers, architects, teachers, and students to make healthier places for all people to live. Check out their podcast, Trace Material.

This article is Part II of a three-part series on the hazards of vinyl flooring.

  • Part I explores “dirty climate secret” behind the popular material and shares some healthier, affordable alternatives.
  • Part II, this article, the long history of worker endangerment by the vinyl industry and how this legacy continues in China today.

Part One: Import Limbo

Warehouses and docks at the Port of New York and New Jersey are filled to the brim with shipping containers full of products like solar panels, textiles and flooring. These containers are stuck in import limbo. The bottleneck has had a particularly dramatic impact on the booming vinyl flooring industry as hundreds of millions of dollars worth of “luxury” vinyl tile collects dust or is returned to sender. They are being meticulously inspected by Customs and Border Protection–part of the Uyghur Forced Labor Prevention Act recently passed by the federal government. Customs is looking for products whose life cycles begin in China’s Xinjiang Uyghur Autonomous Region (XUAR).

This region has become the center of human rights abuses against Uyghurs [pronounced WEE-gur], an ethnic minority group indigenous to Xinjiang. The XUAR is an industrial hub for electronics, pharmaceuticals, apparel and technology fueled by state-sponsored forced labor of Uyghurs. A recent report called “Built on Repression” from the Helena Kennedy Centre for International Justice at Sheffield Hallam University and Materials Research L3C highlights a new and concerning industry in the region: PVC production. According to the report, The Uyghur Region has become a world leader in the production of PVC plastics in recent years. The seven PVC manufacturers in the XUAR produce 10% of the world’s PVC. China, as a whole supplies 63% of U.S. vinyl flooring.

There are many products coming out of the XUAR that are manufactured using forced labor, but none compare to PVC flooring when it comes to human and environmental health effects. According to “Built on Repression” author Jim Vallette, “There’s nothing like it on Earth in the combination of climate and toxic pollution. And workers are living there 24/7.”

Part 2: A History of Abuse

Image generated by Architizer using Midjourney

The toxicity of vinyl production has been a well documented fact for decades and labor abuses have been part and parcel of the industry from the start. As the chemical industry began ramping up PVC production in the ‘60s and 70’s, laying the groundwork for its eventual widespread use, they discovered that vinyl chloride monomer (the building block of PVC) was a carcinogen. They chose to hide these findings from the public and their workers. The story of this global coverup is revealed in the groundbreaking book, “Deceit and Denial: The Deadly Politics of Industrial Pollution” by historians Gerald Markowitz and David Rosner. By the 1970s, PVC workers across the U.S. contracted a rare form of liver cancer and the pattern forced industry leaders to go public about the dangers they had kept hidden. For more on this story, take a listen to the episode of HML’s podcast, Trace Material, entitled “The House of Documents” that features interviews with Gerald Markowitz and other key players that pulled back the curtain on the early PVC industry.

While working conditions have improved in the U.S.,there is unfortunately no safe way to produce, use or dispose of PVC. Workers, residents and fenceline communities continue to be exposed to cancer-causing chemicals. In China, the situation is even more dire. Chinese makers of PVC use an outdated and extremely toxic production method that is far more dangerous to people and the planet. The Uyghur Region has become a locus of PVC production in part because of the plentiful coal resources in the region. Factories are set up adjacent to coal mines and use coal fired power plants as an energy source. They incorporate an incredibly toxic mercury-based catalyst in the production process. This is one of the last remaining places on the planet where this method of production is utilized. The plants in the XUAR will release an “estimated 49 million tons of global warming gasses, each producing more than any other similar plant” and the estimated air emissions are equal to more than half of the air releases of mercury (14.8 tons) reported in all manufacturing in all of the United States in 2020, according to the “Built on Repression” report. At grave cost to our planet and bodies, XUAR-manufactured PVC and the products made from it have become absurdly inexpensive. U.S. manufactures are unable to compete and Chinese PVC has become the most common material in all new floors sold in the U.S.

Global demand for luxury vinyl tile has meant massive growth for a toxic industry in China. To keep up with demand, the government of the People’s Republic of China has instigated a sweeping program of forced labor in the XUAR. One of the primary methods used by the government are “labor transfer” programs. According to the “Built on Repression” report, “Through state agency labor recruiters, the PRC government compels people to be transferred to farms and factories across the Uyghur Region. Others have been ‘transferred’ thousands of miles into the interior of China to work in factories. The XUAR government estimates that it has deployed these programs 2.6 million times.”

The report states that refusal to participate in these programs can be considered “a sign of religious extremism and punishable with internment or prison in the Uyghur region.” Uyghurs are effectively unable to refuse a “transfer” or leave a job assigned to them. Millions have been separated from their families in what is tantamount to human trafficking and enslavement.

Part 3: New Cancer Alleys

Image generated by Architizer using Midjourney

The U.S. government has responded to these atrocities by passing the Uyghur Forced Labor Prevention Act. The act effectively bans all imports whose origin can be traced to the Uyghur region. Tracing the origins of LVT has become increasingly difficult as China has made their supply chains even more complicated and opaque. PVC resins created in the XUAR are shipped to Thailand or Vietnam to be turned into flooring before export. The U.S. flooring industry has responded by returning as much production to the U.S. as possible. But, without forced labor and cheap coal, manufacturers can’t match price and capacity demands. While the steps to divest from an industry propped up by forced labor are certainly positive, ramping up domestic production of PVC brings risks to the health of U.S. workers and communities living near the factories. The heart of plastics production in the U.S. sits along the Mississippi River in Louisiana. The area has become known as Cancer Alley because residents are about 50 times more at risk of developing cancer than the average American. As the plastics industry vacates China and returns to the U.S., it’s building new cancer alleys in Ohio, West Virginia and Pennsylvania. Our demand for inexpensive flooring outsourced cancer, now that demand is bringing cancer home.

So what should be done? According to Gerald Markowitz, we need to stop using PVC altogether. Here are his suggestions:

“The United States should begin eliminating PVC by categories of use. Legislation has been floated in California to prohibit PVC in food packaging — a ban that could be expanded to other nonessential needs. Though PVC is inexpensive, it is replaceable in most cases. Alternatives include glass, ceramics, linoleum, polyesters and more.

Also, discarded PVC should be labeled a hazardous waste. The designation would put the burden on users for its safe storage, transportation and disposal, creating an incentive to accelerate its elimination.”

We at Healthy Materials Lab agree. LVT is durable, easy to install and maintain, inexpensive and toxic. Its low purchase  price is outweighed by a massive cost to human and planetary health. By refusing to specify LVT, architects and designers act as advocates on behalf of the health of all communities. Attractive, affordable, healthier flooring products exist. Take a look at part one of this series (or the healthy flooring materials collection on our website) for a list of some alternatives that include healthy materials like cork, hempwood and linoleum. And, stay tuned for the final installment of the series where we will take a closer look at what happens to LVT at the end of its life and the limits of its circularity.

Architizer is thrilled to announce the winners of the 11th Annual A+Awards! Interested in participating next season? Sign up for key information about the 12th Annual A+Awards, set to launch this fall.

Reference

jag ecuador bjarke ingels
CategoriesArchitecture

a reconfigurable apartment is built in bjarke ingels’ ecuador tower

jag ecuador bjarke ingels

an adaptable dwelling in quito, ecuador

 

Ecuador-based JAG Studio photographs a timber intervention dubbed ‘501’ within Quito’s pixelated IQON tower, a residential project completed recently by Bjarke Ingels Group (BIG). This interior space is designed by a team led by Juan Alberto Andrade with the aim of maximizing utility and creating adaptable spaces that allow for the fluid integration of different activities. The core concept behind the ‘501’ apartment is to prioritize the flexibility of useful space by introducing volumes that are both inhabitable and reconfigurable.

 

The architects have recognized that modern housing should be versatile, diverse, and capable of accommodating transformations over time. Embracing this concept, JAG Studio has designed a space that is neutral and configurable, offering a canvas for inhabitants to tailor the environment according to their needs.

jag ecuador bjarke ingels
images © JAG Studio @juanalbertoandrade.ec

 

 

Juan Alberto Andrade transforms a bjarke ingels apartment

 

At the heart of the ‘501’ apartment in Bjarke Ingels’ Ecuador tower, Juan Alberto Andrade incorporates two containing pieces that allow for various activities within one harmonious place. These ‘Stations’ and ‘Substations’ provide distinct zones that cater to different functions. The Stations are identified as ‘a: room’ and ‘b: music studio,’ each serving as dedicated spaces for specific purposes. On the other hand, the Substations — labeled as a1, a2, a3, a4; b1, b2 — offer the flexibility to include diverse uses. This arrangement allows for a seamless transition from spaces designed for permanence and privacy to those that cater to professional activities.

jag ecuador bjarke ingels

 

 

integrated furniture solutions

 

The Ecuador-based architects integrate thoughtfully-crafted furniture solutions into the design of the ‘501’ apartment to make the most of the available space. The Stations include a pull-out bed system, offering an efficient way to optimize sleeping arrangements while freeing up floor area during the day. Additionally, a unit featuring a working table, seats, and multiple storage and shelving equipment crafted from laminated boards, green-tinted boards, and four-milimeter metal sheets brings practicality and elegance to the living space.

 

The beauty of the ‘501’ apartment lies in its adaptability to change and the range of possibilities it presents. By creating a space that can be reconfigured and tailored to the inhabitants’ needs, JAG Studio has successfully bridged the gap between contemporary dynamics and habitability in the bustling city of Quito, Ecuador.

jag ecuador bjarke ingels
the compact dwelling can be freed up with built-in, collapsable furniturejag ecuador bjarke ingels
two ‘stations’ can each be transformed for different uses jag ecuador bjarke ingelsa keyboard is hidden away in the ‘music studio’ station



Reference

A label certifies products as built to last
CategoriesSustainable News

A label certifies products as built to last

A label certifies products as built to last

Spotted: In March 2023, the European Commission adopted a proposal that sets out the rights consumers have to ask sellers to repair damaged goods. Advocates call the measures the ‘right to repair’, and so far, many products included in the directive are repairable up to 10 years after purchase. After many years of products being designed for almost instant obsolescence, consumers are pushing brands to improve the robustness of items and make it possible for items to be repaired. 

As well as seeking increased accessibility of repairable parts, consumers want more durable goods. With the plethora of products now available online, it can be difficult to ascertain a reliable estimate of the life cycle of a product. Helping to remove that obstacle for consumers is Longtime label, a tool developed by France-based Ethikis. The label indicates repairable designs that are made to last. 

Shoppers can shop more confidently, with the knowledge that should something break, the design is fixable. To earn the Longtime label for a product, companies complete an application and an audit of their processes, assisted by the Longtime team. For organisations seeking a more informal assessment, Longtime offers the Durability-Self-Diagnosis tool, which helps businesses gain an understanding of their product’s strengths, alongside areas needing improvement.  

Longtime provides an ever-growing list of items on its website that have earned the certification, and consumers are encouraged to nominate products and brands that they believe meet the requirements.  

Reducing waste is an essential part of the world’s fight against climate change and Springwise is spotting innovations in every industry that are creating new ways of producing less, or are re-using items that have been discarded. A new platform helps producers track and collect post-consumer products, and a novel type of rubber panel uses recycled tyres to cool buildings.

Written By: Keely Khoury

Reference