Relogged house by Balbek Bureau reinterprets traditional log cabins
CategoriesInterior Design

Relogged house by Balbek Bureau reinterprets traditional log cabins

Architecture studio Balbek Bureau has revamped a house in Ukraine using stainless steel and concrete to create a modern interpretation of a log cabin.

The three-bedroom cabin was built from horizontally stacked logs, which the designers kept on display throughout the interior.

Photograph showing large sofa in living area looking into dining area
Horizontally-laid logs clad both the exterior and interior

The Kyiv-based studio aimed to deviate from conventional cabin interiors, instead creating an industrial, utilitarian scheme informed by the style of American fashion designer Rick Owens.

“The pre-existing interior was in a classic log cabin style,” Balbek Bureau told Dezeen. “The logs were a lighter shade, closer to the natural wood colour – the furniture was mostly made of wood as well with traditional country-style shapes dominating the interior.”

Photograph of cantilevered staircase
The stairs have cantilevered steps that appear to float

In order to lend itself to a more industrial finish, the studio trimmed the interior of surplus logs and timber.

“Our goal was to achieve a clean geometry of the space with as little extra lines as possible,” said the studio.

“That is why we removed part of the log beams that were not load-bearing – we did the same with non-bearing walls to create an open space on the first floor.”

Photograph of double-height fireplace
A towering fireplace dominates the living space

Microcement flooring and project-bespoke furniture pieces such as stainless steel consoles were added to the spaces to contrast the traditional log walls.

Vintage lounge and dining chairs from the owner’s own collection were added to character to the spaces, which were hung with paintings belonging to the client.

Photograph of concrete and stainless steel kitchen
Log beams juxtapose industrial finishes in the kitchen

The glass-fronted entryway contains a staircase comprising timber planks cantilevered out from wall. Beyond, the kitchen, dining room, home office and living room are contained within one fluid space.

The cabin’s construction is most apparent in the double-height living space, where logs form tall bookcases accessed by a sliding metal ladder. These flank a tapered fireplace made from concrete blocks, at the foot of which sits a large sofa.

The use of concrete continues in the kitchen, which is dominated by a monolithic kitchen island flanked by floor-to-ceiling stainless steel cabinets.

Plywood panelling replaces logs in the curtain lined theatre room leading off of the kitchen.

Photograph of home theatre space
Metal consoles on casters sit below the screen

Modern, black-framed windows were installed throughout the building, with vertical windows added in the home office and dining room to bring more sunlight into the space.

Original ceiling beams were left exposed to highlight the cabin’s original construction.

Photograph of office space through from dining area
A clear desk contrasts the wooden dining room furniture

Recalling the sofas downstairs, the master bedroom features a sprawling custom-made bed that sits low to the floor. Its upholstered sides were bolstered by stainless steel consoles similar to those in the theatre room.

Retro lamps were added as a playful touches including a bulbous standing lamp that arches over the bed.

Bed in wood-panelled bedroom with retro lighting
The main bedroom utilises warmer-toned wood

A moveable mirror-panelled screen on castors sits against one wall, and a wooden mid-century console references the warm-toned timber-clad walls.

Throughout the house black radiators, ceiling lights, window frames and power outlets punctuate the rooms.

Photograph of desk in children's room
Upholstered sleeping nooks create a cosy atmosphere

The two bedrooms on the other side of the cabin retain the dark-toned log walls of the living room, adjoined by steel shelves and contrasted by soft, padded sleeping nooks.

Both of the bathrooms are a stark contrast from the rest of the interiors, with almost no wooden finishes at all and housing white fixtures.

Photograph of grey bathroom
Concrete covers the bathroom walls, floors and ceilings

“[Relogged] allowed us to work on rethinking the rather established and traditional form of a log cabin,” concluded the studio.

Other cabins featured on Dezeen include A-frame cabins in a remote Canadian forest by Atelier l’Abri and a cabin clad in ash wood on a rocky outcrop in Norway by Line Solgaard Arkitekter.

The photography is by Andrey Bezuglov and Maryan Beresh.

Reference

Citizens Design Bureau retrofits Jacksons Lane arts space in London
CategoriesInterior Design

Citizens Design Bureau retrofits Jacksons Lane arts space in London

UK studio Citizens Design Bureau has given a colourful retrofit to Jacksons Lane, an arts and circus centre in an old church in London, with the aim of decluttering and simplifying its interior.

The studio aimed to improve the functionality of the grade II-listed building, which used to be a church but has been a community hub and “leading centre in contemporary circus arts” since the 1980s, Citizens Design Bureau said.

Retrofitted Jacksons Lane community centre
The Jacksons Lane building has a colourful interior

“The previous layout was a real jumble of spaces that didn’t work from a functional perspective,” the studio’s director Katy Marks told Dezeen.

“Our approach was to declutter the old church building, so that the original structure was more visible, giving a sense of the symmetrical cruciform of the original plan and using the drama of those spaces to full effect, improving acoustic separation, functionality as well as making the building fully accessible,” she added.

Interior of community u=hub by Citizens Design Bureau
Spaces were rearranged to create a more functional interior

The venue in Highgate, London, had a dated interior with more than 20 different levels.

While reconfiguring its spaces to make them more functional, Citizens Design Bureau added a cafe and hireable studios in the former church’s double-height transept.

Red walls in Jacksons Lane in London
Red and teal colours brighten up the space

New details that make Jacksons Lane more functional include acoustic windows, as well as ramps and lifts that create easier access to the different spaces.

It also restored some parts of the church that had been hidden under more recent interventions. This included reinstating the main entrance of the building to the original church porch, which had been boarded up.

“You would often see people still climbing the steps up to the original, boarded-up door, trying to push it open,” Marks said.

“In a grade II-listed building, we had limited scope to make big changes to the exterior, so we felt that opening up the original and intuitively obvious entrance was the most impactful move we could make, to make the building much more legible and welcoming to everyone,” she added.

Orange wall and teal details inside community centre by Citizens Design Bureau
Citizens Design Bureau retrofitted the arts centre in Highgate

Inside the centre, Citizens Design Bureau introduced a warm colour palette of deep reds and oranges with teal accents, which complements the existing brick, stone and dark-wood details.

“The building has undergone many changes over decades of use, so the internal fabric in particular has a layered history,” Marks said.

“We have used colour to express those layers – white for the church structure, a teal blue for elements that were added in the 70s, and then volcanic oranges, reds and purples for completely new insertions with pops of other colours in the lighting, reflecting the playfulness of its current function as a creative space, specialising in circus arts.”

Room inside Jacksons Lane in London
Whitewashed walls contrast dark-wood floors

The studio clad some of Jacksons Lane’s ceilings with a pale-green concertina form that improves acoustics.

Lamps with bright orange cables add another colourful touch to the space.

View of community centre by Citizens Design Bureau
The former church is now used as an arts and circus hub

Jacksons Lane is used by a lot of people in the local area and Marks said the feedback so far has been “wonderful”.

“We hope that what we have done really expresses the ethos and character of Jacksons Lane with clarity and a bit of joy, raises a smile and is the kind of place that people really want to hang out in,” she said.

Citizens Design Bureau has previously added a “delicately perforated” Corten extension to Manchester Jewish Museum, for which the studio was longlisted for a Dezeen Award in 2021.

The photography is by Fred Howarth.

Reference

Bureau conceals Thérèse cabin in France with boulder-like concrete finish
CategoriesArchitecture

Bureau conceals Thérèse cabin in France with boulder-like concrete finish

Architecture studio Bureau has used a rough concrete finish to disguise this small wooden cabin in France as a boulder, distinguishable only by a porthole-style window.

Named Thérèse, the structure is located in the rural grounds of contemporary art space Bermuda outside the town of Sergy and provides space for one person to live comfortably.

Concrete exterior of Thérèse cabin in France by Bureau
Bureau has created a boulder-like cabin in France

Bureau, formerly known as Bureau A, conceived the project as a companion piece to its 2014 project Antoine – a cabin in the Swiss Alps that was also disguised as a boulder.

Both projects pay tribute to the work of Swiss writer Chales-Ferdinand Ramuz, whose novel Derborence tells the story of a shepherd named Antoine who becomes trapped under rocks following a landslide, shortly after his marriage to Thérèse.

Woodland with boulder-like structure
It has a rough concrete finish to disguise it in woodland

“Thérèse was thought and built along the same lines as Antoine, creating interconnected dependencies of art and other travelling communities,” said Bureau.

“Habitation is political here, as the two shelters are nowhere near commercial or speculative routes or agendas,” it continued. “They offer a place to many outside any financial or economic considerations.”

Porthole-style window of Thérèse in France
All that distinguishes it is a porthole-style window

Nestled in a wooded area close to France’s border with Switzerland, all that gives away the presence of the cabin is a single, large porthole-style window.

Underneath Thérèse’s rough concrete exterior is a pyramidal timber structure, sitting atop light foundations that give it the potential to be relocated in future.

Inside, the cabin provides enough space for a single person to live comfortably, with room for a portable wood-burning stove, a table with benches and niches for storage.

Beneath the openable porthole window is a bench for viewing the surrounding landscape, alongside a ladder that leads up to a small mezzanine sleeping area.

Wood-lined cabin interior designed by Bureau
Underneath the concrete is a wooden structure

Exposed timber panels line the entirety of Thérèse’s interior and have also been used to construct the furniture, chosen to provide a warm contrast to the rocky exterior.

Wooden ladder to mezzanine of Thérèse
A mezzanine is accessed by a ladder

Bureau is an architecture, design and research studio led by architects Daniel Zamarbide, Carine Pimenta and Galliane Zamarbide, with offices in Geneva and Lisbon.

As well as the previously completed cabin Antoine, the studio’s other projects include an inflatable PVC nightclub in Geneva that was designed to host the annual party of the Federation of Swiss Architects.

The photography is by Dylan Perrenoud.

Reference