Portal House by Svima features brass details and curved oak ribbons
CategoriesInterior Design

Portal House by Svima features brass details and curved oak ribbons

Brass ribbons line the asymmetric portals that connect the kitchen and dining room of this Toronto residence, renovated by local architecture and art studio Svima.

The Portal House was designed for a couple who had wanted to refresh their home for 10 years, but have very different aesthetic tastes.

Portal House by SvimaPortal House by Svima
Two portals connect the renovated kitchen and dining areas of this Toronto home

Toronto-based studio Svima found a compromise by combining his desire for “tenebrous minimalism” and her love of “bright French country kitchens” into the design.

The resulting “denlike cosiness” pairs dark oak across the lower half of the ground-floor spaces and clean white surfaces on the upper half.

Brass-edged asymmetric portal looking into a kitchenBrass-edged asymmetric portal looking into a kitchen
The curved, asymmetric portal over the deep counter acts as a pass-through

The snaked kitchen layout is tight, so Svima curved the corners of cabinetry and counter surfaces to steal extra space for circulation.

This theme continues to the living room millwork: a bookcase is filleted at the corner and meets the wall at an angle, while a built-in sofa beneath the window also softly angles inward.

Open doorway with brass edges looking into the kitchenOpen doorway with brass edges looking into the kitchen
The other portal, mirrored in shape, forms a doorway between the two spaces

“The design hinges on ‘ribbons’ flowing through the space, guiding the motion through the rooms,” said Svima.

“The ribbons curve in areas where sharp corners would not fit, or would stop the flow of movement.”

Detail of a brass-lined portal with a kitchen counter behindDetail of a brass-lined portal with a kitchen counter behind
Brass edges around the portals were artfully installed to perfectly fit the curved drywall

In the kitchen, the curved oak doors were handmade by a cabinetmaker who created a special jig to kerf-bend the oak into a radius.

Tiles that offer a contemporary take on Dutch Delft porcelain form the backsplash, adding small touches of blue to the otherwise neutral space.

Kitchen with white upper cabinets, blue and white tiled backsplash, and dark oak lower cabinetsKitchen with white upper cabinets, blue and white tiled backsplash, and dark oak lower cabinets
To add touches of colour to the dark oak and bright white palette, tiles influenced by Delft porcelain were added to the backsplash

Two portals provide connections between the kitchen and adjacent dining room, both with a mirrored asymmetric shape and edged in brass.

One acts as a doorway, while the other over the deep counter is used as a pass-through for food, drinks and tableware.

“It was an artful process for the contractor to lay the brass into the wall, as it had to fit into the curved drywall perfectly with no tolerance for error,” the architects said.

The living room, located at the front of the house, was furnished with mid-century pieces such as a chair, a coffee table and a media console.

Hallway with dark oak flooring and a staircaseHallway with dark oak flooring and a staircase
Dark oak flooring throughout the home’s ground floor matches the other millwork

The closed and open shelving unit organises the family’s books and possessions, and its shape allows more light to enter from a side window.

Opposite, the built-in sofa helps to resolve an awkward space under a bay window and orients the sitter towards the TV to one side.

Living room featuring a dark oak storage unit with a filleted sideLiving room featuring a dark oak storage unit with a filleted side
In the living room, the curved kitchen cabinetry is translated as a storage unit with a filleted side

“The custom sofa sweeps into the space to provide seating at precisely the right sideways angle for viewing the media unit, for lounge reading, and for gathering,” Svima said.

The floors throughout the home match the other millwork, grounding the spaces with a rich dark hue.

A built-in sofa under a living room bay windowA built-in sofa under a living room bay window
A built-in sofa under the living room’s bay window similarly features softly curved angles

Svima, founded by architects Anamarija Korolj and Leon Lai, is not the only studio that’s had to get creative with a tight Toronto floor plan.

When Studio Vaaro overhauled a house in the city, the firm created a series of volumes with minimally detailed millwork to form kitchen cabinetry, the staircase and a feature bookcase in the living room.

The photography is by Scott Norsworthy.

Reference

Pearce+ create temporary sub-zero restaurant in Canada
CategoriesInterior Design

Pearce+ create temporary sub-zero restaurant in Canada

UK architecture studio Pearce+ and Canadian designer Joe Kalturnyk have created a temporary inflatable restaurant for subzero temperatures in Winnipeg, Canada.

The barrel-vaulted restaurant has space for 48 guests dining in temperatures as low as -30 degrees Celsius during the 10th annual RAW:almond fine dining food festival, which celebrates both Canadian cuisine and the harsh winter.

Inflatable restaurant in WinnipegInflatable restaurant in Winnipeg
The temporary restaurant was designed by Pearce+

Each year, the food festival commissions the construction of a temporary structure that responds to its environment and incorporates sustainable reuse.

“[The shelter] mirrors the ethos of the food served within by minimizing waste, discovering elegance in simplicity, creatively celebrating local identity, and incorporating a global outlook,” said the team.

Vaulted dining roomVaulted dining room
It featured a vaulted dining room

Pearce+, based in Herfordshire and London, constructed the 220-square metre (2,370-square foot) restaurant in just a few weeks, and it was in use for 22 days early in 2024.

The snow-surrounded structure had a cruciform plan with a 140-square metre (1,500-square foot) vaulted dining room that contained two linear tables.

Custom inflatable restaurantCustom inflatable restaurant
Pearce+ developed custom inflatable panels

Employing a Diagrid framework, the vault was constructed from 18-meter-long, 15-millimetre reinforced steel bars.

“These bars were bundled in groups of three, with varying plywood spacers, to create exceptionally lightweight trusses,” the team said.

Reflective foil interior panelsReflective foil interior panels
Interior diamond-shaped panels featured a reflective foil layer

The team – with the help of inflatable specialists at Inflate Ltd – developed custom inflatable panels that mitigated the potential pressure to decrease the cold temperature’s lower air density. It was stretched over the framework.

The diamond-shaped panels featured a gold-coloured foil layer that reflected heat into the space.

Restaurant entranceRestaurant entrance
Festival goers entered through a smaller vaulted lobby tunnel

Along the ridge line, the gold panels were swapped with transparent ones, offering a view to the snowy sky.

The panels were connected with Velcro – rather than glue due to the extreme temporal variation – and were disassembled and stored for future uses.

Rectangular kitchenRectangular kitchen
Directly across from the entrance was the rectangular kitchen

Capping each end of the dining area were trapezoidal buttressing structures, designed to resist strong winds and offer emergency egress.

Festival goers entered through a smaller vaulted lobby tunnel at the centre of the plan. A gabled wooden vestibule transitioned into the dining area.

Directly behind the structure was the rectangular kitchen.

Separated by a small hallway, the kitchen was constructed with a Structurally Insulated Panels (SIP) flat-pack and outfitted with high-quality appliances.

Rectangular dining tableRectangular dining table
Rectangular dining tables featured inside

The structure was meant to be a demonstration of ways to conserve space by utilising temporary structures.

“I think it’s necessary to start re-envisioning how we use space, for what and for how long,” said RAW:almond co-founder Joe Kalturnyk.

“In the beginning I was interested in seeing if you can temporarily build a city within a city – and what better way to test the idea than with food? RAW:almond was a huge leap – would people embrace the winter and eat outdoors? Would they do it on a frozen river? And ultimately, could we even pull this off?”

In 2015, the RAW:almond pop-up restaurant was constructed on the surface of a frozen river with an X-shaped plan lying over the connection between the Assiniboine and Red rivers.

Pop-up restaurant interiorPop-up restaurant interior
The restaurant was designed for subzero temperatures

Also in Winnipeg, Canadian studio KPMB revealed a horticultural centre with a Fibonacci spiral roof.

The photography is by Simeon Rusnak.

RAW:almond 2024 took place from 24 January to 18 February. For more events, talks and exhibitions involving architecture and design visit Dezeen Events Guide.


Project credits:

Project founders: Joe Kalturnyk & Mandel Hitzer
Architect/designer: Pearce+ and Joe Kalturnyk
Architect of record: AtLrg Architecture
Project management: Joe Kalturnyk
Structural engineers: Wolfrom Engineering
Inflatable specialists: Inflate
Visualisations: Pearce+
Construction: RAW:Almond team, Pearce+ and Hi-Rise

Reference

Ivy Studio installs colourful marbles in Montreal’s Hayat restaurant
CategoriesInterior Design

Ivy Studio installs colourful marbles in Montreal’s Hayat restaurant

Montreal-based Ivy Studio has chosen a variety of dramatic marble to outfit a Middle Eastern restaurant, which features a colour palette influenced by “the earthy tones of the Syrian deserts”.

In Montreal’s Old Port neighbourhood, the 1,500-square-foot (140-square metre) Hayat restaurant is designed to reflect the cuisine served by chef Joseph Awad.

Entrance to Hayat restaurant with marble host stand in foregroundEntrance to Hayat restaurant with marble host stand in foreground
The marble host stand at Hayat sets the tone for the restaurant’s Middle Eastern-influenced colour palette

“This Middle Eastern restaurant’s colour palette was inspired by the earthy tones of the Syrian deserts and their surrounding greenery,” said Ivy Studio.

Upon entering is a screen of black hammered-glass panels, which also conceals the kitchen in the far corner.

Dining room with marble topped tables, green chairs and cream wallsDining room with marble topped tables, green chairs and cream walls
In the main dining space, banquette seating runs along two walls below a fabric ceiling installation

In the main dining room, built-in benches form an L along two walls, while a pair of U-shaped booths sit against another that arches over them.

The seat backs are upholstered in mauve velvet and the cushions are wrapped in contrasting deep green leather.

Private booths positioned below an arched ceiling and behind a partition of black hammered glassPrivate booths positioned below an arched ceiling and behind a partition of black hammered glass
Private booths are positioned below an arched ceiling and behind a partition of black hammered glass

Closer to the kitchen is another small, semi-circular booth built into the walnut millwork.

Here the cushioned seats are covered in ruby-toned velvet, and a metallic light fixture is suspended above.

The bar counter made from teal, pistachio and cream-coloured marbleThe bar counter made from teal, pistachio and cream-coloured marble
The bar is made from a dramatic marble variety with streaks of teal, pistachio and cream colours

Ivy Studio selected a wide variety of striking, richly veined marbles, “each contributing their own touch of colour into the space” according to the team.

The bar is made from a dramatic stone with teal, cream and pistachio striations, while the host stand and dining table tops in the main area are purple and white.

A red-hued semicircular booth tucked into walnut millworkA red-hued semicircular booth tucked into walnut millwork
A red-hued semicircular booth is tucked into the walnut millwork close to the kitchen

The building’s exposed brickwork is painted cream to match the other walls, while the original historic stone between the large windows is left exposed.

“The ancient stone walls at the front and rear facades were left intact to showcase the building’s history,” Ivy Studio said.

Curved layers across the ceiling, which hide indirect lighting, are designed to evoke the smooth landscapes of the Middle East.

A fabric installation suspended above the dining tables curves around more strips of lighting, diffusing the light to create a warm glow.

Bar made from a dramatic marble variety with streaks of teal, pistachio and cream coloursBar made from a dramatic marble variety with streaks of teal, pistachio and cream colours
The bar is made from a dramatic marble variety with streaks of teal, pistachio and cream colours

Walnut, stone and cream walls are also found in the bathrooms, which echo the colour and material scheme throughout the restaurant.

“The overall intention of the palette was to bring together the worlds of Middle Eastern nature and Old Montreal construction,” the studio said.

Hayat restaurant by Ivy StudioHayat restaurant by Ivy Studio
The same material palette continues in the moody bathrooms

Ivy Studio has completed several interiors across Montreal that include colourful marble.

These include the Italian restaurant Piatti where the dark green stone contrasts the building’s rough walls and co-working office Spatial where purple surfaces pop against mint green millwork.

The photography is by Alex Lesage.


Project credits:

Architecture and design: Ivy Studio
Construction: Groupe Manovra

Reference

Studio Paolo Ferrari designs Toronto restaurant as a “world unto itself”
CategoriesInterior Design

Studio Paolo Ferrari designs Toronto restaurant as a “world unto itself”

Toronto-based Studio Paolo Ferrari has created cinematic interiors for a restaurant in the city’s Downtown area, combining influences from filmmakers that range from Stanley Kubrick to Nancy Meyers.

Unlike a typical restaurant layout, Daphne unfolds as a series of rooms with distinct identities, each borrowing references from different cinema styles.

Neutral-toned dining room with dramatic vaulted ceilings and a checkered floorNeutral-toned dining room with dramatic vaulted ceilings and a checkered floor
Daphne is laid out across several spaces, including a Great Room designed to feel like Nancy Meyers movie

Studio Paolo Ferrari intended each space to offer a different experience for guests, and custom-designed all of the furniture and lighting for the restaurant to make it feel even more unique.

“Daphne is an elevated and exceedingly creative take on the American bistro, fusing the nostalgia of New England prep with wonder and eccentricity,” said Studio Paolo Ferrari. “At once intimate and grand, eccentric and sculptural, convivial and experimental, the deeply imaginative space is reminiscent of a great residence that’s evolved over time.”

Burnt orange dining area with a wavy banquetteBurnt orange dining area with a wavy banquette
Studio Paolo Ferrari designed custom furniture and lighting throughout the restaurant

Guests arrive into an intimate space that features a transparent full-height wine cabinet, which offers glimpses of the dining area beyond.

They then move through to the Great Room, a cavernous room framed by a dramatic vaulted ceiling and decorated in a warm neutral palette.

Dining room fully enveloped in a burnt orange hueDining room fully enveloped in a burnt orange hue
The Drawing Room is fully enveloped in a burnt orange hue

Through the centre is a line of dining tables, each paired with a rounded striped sofa and two boucle-covered chairs.

The open kitchen is fully visible through the arches on one side, while a darker, cosier dining area coloured a burnt orange hue runs along the other.

A mirrored corridor with a hand-painted landscape muralA mirrored corridor with a hand-painted landscape mural
A mirrored corridor with a hand-painted landscape mural leads to a separate bar area

“The grand space is reminiscent of the warmly luxurious spirit of a Nancy Meyers film, with custom furnishings that are deeply residential in feel and varsity-inspired checkerboard tiling,” said Studio Paolo Ferrari.

The Drawing Room beyond continues the burnt orange colour, fully enveloping the walls, ceiling and seating upholstery to create a monochromatic space.

Bar with wavy walls and green banquetteBar with wavy walls and green banquette
The mural continues across the wavy walls of the bar room and green banquette seating follow the curves

Cove lighting is installed behind louvres that cover the upper walls, adding texture and shadows as well as hint of “Cape Cod Americana”.

The bar area is reached via a long corridor that’s mirrored from floor to ceiling along one wall, and is lined with a hand-painted landscape mural across the opposite side.

Bar with glass countertop and fluted frontBar with glass countertop and fluted front
The glass bar countertop is illuminated from within, while the counter front is fluted

This verdant rural scene continues across the wavy surfaces in the bar room, above green banquettes that follow the flow of the wall.

“Daphne is a world unto itself, awaiting discovery,” the studio said. “Stepping into the bar is almost akin to stepping into an exquisitely-designed film set.”

The snaking glass-topped bar counter is illuminated from within, as a nod to the bar in the fictional Overlook Hotel from Stanley Kubrick’s movie The Shining.

The counter front is fluted in reverence to Beaux-Arts architect Henry Bacon, while reflective stainless steel across the back bar matches the circular tables and chair feet in the room.

Outdoor dining area between two brick buildingsOutdoor dining area between two brick buildings
An adjacent dilapidated building was razed to create an expansive outdoor terrace

A dilapidated building adjacent to the restaurant was demolished to make way for an expansive outdoor Garden Terrace with a dining area and bar.

Sandwiched between two brick structures, this exterior space features comfy yellow and white-striped seating surrounded by plants, and a row of tall trees in the centre – continuing the botanical theme from inside.

Yellow and white-striped seating running along a brick walYellow and white-striped seating running along a brick wal
Plants behind the yellow and white-striped seating continue the botanical theme from inside

A separate entrance from the street leads guests between tall columns clad in dark blue-purple iridescent tiles into the alley-like space.

“It was important that the space had depth and a quality of experimentation,” said Paolo Ferrari, founder of his eponymous firm. “Daphne is truly an active experience of discovery, where guests can uncover thoughtful and innovative details throughout.”

Columns of blue-purple iridescent tiles form a gateway into an alley-like outdoor terraceColumns of blue-purple iridescent tiles form a gateway into an alley-like outdoor terrace
Columns of blue-purple iridescent tiles form a gateway from the street into the alley-like outdoor terrace

The designer’s earlier projects in Canada have included a lake house with wood and granite interiors, and a showroom for a development in Ottawa that appears more like a home than a sales gallery.

Other recent additions to Toronto’s dining scene include Prime Seafood Palace, which features a vaulted-wood interior by Omar Gandhi Architect.

The photography is by Joel Esposito.

Reference

white cladding envelops la musette gabled village hut in canada
CategoriesArchitecture

white cladding envelops la musette gabled village hut in canada

Nicolas Côté and Kevlar Habitation set up La Musette in Quebec

 

La Musette, a collaborative project between Nicolas Côté and Kevlar Habitation, rises as a response to the increasing interest in outdoor living in Canada, especially with the rise of telecommuting. Departing from conventional territorial expansion, their approach advocates for reinvesting in villages instead of encroaching on natural landscapes. The project, initially conceived by Nicolas and his partner Sophie, aligns with sustainability and environmental responsibility, integrating seamlessly with the aesthetic of Notre-Dame-de-Ham village. Situated in the Appalachian hills, the residential project respects the village’s identity while showcasing innovation and sustainability in land development, reflecting Quebec’s capabilities.

white cladding envelops la musette gabled village hut in canadian hillside
all images courtesy of Nicolas Côté

 

 

La Musette Bridges Tradition and Innovation in Compact Design

 

The house, while contemporary, maintains a connection to traditional architecture with simple forms, pitched roofs, and white cladding. La Musette prioritizes compact, intelligent design to optimize space without sacrificing functionality or comfort. Versatile in its use, the house accommodates telecommuting, family gatherings, and daily living. The design incorporates cost-effective materials like plywood, ensuring warmth and authenticity within an accessible budget framework. Nicolas Côté, along with Kevlar Habitation, proposes La Musette as an invitation to enhance villages, emphasizing harmony with nature. Beyond being a residence, La Musette embodies a philosophy promoting sustainable development and encouraging reflection on spatial inhabitation for the future of small communities.

white cladding envelops la musette gabled village hut in canadian hillside
La Musette responds to the growing interest in outdoor living and telecommuting in Canada

white cladding envelops la musette gabled village hut in canadian hillside
the project advocates for reinvesting in villages instead of encroaching on natural landscapes

white cladding envelops la musette gabled village hut in canadian hillside
La Musette seamlessly integrates with the aesthetic of Notre-Dame-de-Ham village in the Appalachian hills

Reference

Eight immersive saunas in peaceful settings from Sweden to Canada
CategoriesInterior Design

Eight immersive saunas in peaceful settings from Sweden to Canada

A floating sauna and a cavernous coastal grotto feature in our latest lookbook, which collects eight sauna interiors that provide a warming antidote to colder months.

Usually contained within a single room, a sauna is a sealed place where visitors experience dry or wet heat produced through a variety of mechanisms that are designed to clean and refresh the body – a ritual that is reported to date back to as early as 4000 BC.

Saunas are typically made of wood due to the material’s ability to absorb heat but remain cool to the touch. The following projects demonstrate how architects and designers have interpreted this longstanding practice in contemporary settings.

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring cosy living rooms, retro eateries and dining rooms with built-in seating.


Sauna in Sweden
Photo is by Filip Gränström

Big Branzino, Sweden, by Sandellsandberg 

The Big Branzino is a floating sauna by Swedish studio Sandellsandberg that was topped with a distinctive bow-shaped roof.

Designed to drift against the shifting backdrop of the Stockholm archipelago, the sauna features a red cedar-clad interior including a bespoke stove flanked by two-tiered seating.

Find out more about Big Branzino ›


Grotto sauna by Partisanas
Photo is courtesy of Partisans

Grotto, Canada, by Partisans

Canadian studio Partisans designed a cavernous cedar interior for a private burnt-timber sauna that was created to emulate a seaside grotto.

Situated on a craggy spot on the shore of Lake Huron, north of Toronto, the structure features skewed porthole windows and a curvy alternative to traditional geometric stepped sauna seating.

Find out more about Grotto ›


The Bands sauna
Photo is by Jonas Aarre Sommarset

The Bands, Norway, by Oslo School of Architecture and Design students

A trio of staggered timber bands forms this student-designed sauna, which also functions as a picnic terrace and has a sunken hot tub on its exterior.

The building has three different gabled roof profiles, as well as glass and translucent polycarbonate plastic windows that illuminate the larch-clad interior.

Find out more about The Bands ›


Haeckels-designed sauna in Margate
Photo is courtesy of Haeckels

Sauna, UK, by Haeckels

Skincare brand Haeckels took cues from traditional Victorian bathing machines – wooden carts that provided privacy for people to change clothes at the seaside – when creating this sauna on the beach of southeast England’s Margate.

The brand used materials that were as close as possible to those that would have been used to design original bathing machines. A wood-burning stove features inside, while timber benches provide seating with a sea view framed by an external wax-cloth awning.

Find out more about this sauna ›


Tullin Sauna by Studio Puisto
Photo is Riikka Kantinkoski

Tullin, Finland, by Studio Puisto

Finnish practice Studio Puisto paid tribute to the concept of the late nineteenth-century korttelisauna, or neighbourhood sauna, when designing this communal complex in the city of Tampere.

Throughout the complex, the interior is characterised by rough concrete finishes layered with warm local pine – a material used in saunas all over Finland.

Find out more about Tullin ›


Löyly sauna
Photo is by Noé Cotter

Löyly, Switzerland, by Trolle Rudebeck Haar

Designer Trolle Rudebeck Haar built a prefabricated floating sauna on Lake Geneva while studying at the Lausanne University of Art and Design.

Created to explore the concept of micro-architecture, Löyly spans 2.2 square metres and features a Japanese sliding door – known as a shōji – made from ribbed translucent glass.

Find out more about Löyly ›


Timber-lined sauna interior in Gothenburg, Sweden
Photo is by Raumlabor

Gothenburg Public Sauna, Sweden, by Raumlabor

German studio Raumlabor worked with local residents in Gothenburg to design this public sauna, which is raised over the water in the Swedish city’s Frihamnen port and accessed via a wooden bridge.

Thin larch strips line the interior and create texture across the curved and angular surfaces of the ceiling and walls.

Find out more about Gothenburg Public Sauna ›


A black timber sauna
Photo is by Riikka Kantinkoski

Saunaravintola Kiulu, Findland, by Studio Puisto

Studio Puisto designed the Saunaravintola Kiulu wellness centre to combine a duo of saunas and a restaurant.

Characterised by dark wood cladding and red epoxy flooring, the smaller of the two saunas is contained within its own independent timber cabin.

Find out more about Saunaravintola Kiulu ›

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring cosy living rooms, retro eateries and dining rooms with built-in seating.

Reference

Global innovation spotlight: Canada – Springwise
CategoriesSustainable News

Global innovation spotlight: Canada – Springwise

Global innovation spotlight: Canada

Global Innovation Spotlight

Reflecting our global Springwise readership, we explore the innovation landscape and freshest thinking from a new country each week. To celebrate Canada day last week, we are celebrating three exciting Canadian innovations…

Canada Innovation Facts

Global Innovation Index ranking: 16th

Climate targets: cut emissions by at least 40-45 per cent below 2005 levels by 2030, net zero by 2050

Sustainability issues

Oil sands extraction – The Alberta oil sands are the world’s third largest proven oil reserve, and Canada is the largest exporter of oil to the US. Oil sand extraction causes heavy metal pollution and emissions of nitrogen and sulphur oxides, and is a particularly energy and water intensive method of producing oil.

Road salt pollution Canada uses around 5 million tonnes of road salt each year to tackle the country’s treacherously icy driving conditions. This heavy-use of salt has a negative environmental impact, most obviously on vegetaion lining the sides of major roads, but also on aquatic life. 

Air pollution – As in many other countries, air pollution is one of the biggest environmental factors impacting human health in Canada. Poor air quality is linked to 15,300 premature deaths per year in the country, as well as environmental impacts including acid rain and reduced plant growth.

Sector specialisms

Marketing and sales

Software and data

Energy and environment

Hardware and IoT

Foodtech

E-commerce and retail

Fintech

Source: StartupBlink

Three exciting innovations from Canada

Photo source Lezé the Label

COMFORTABLE OFFICE CLOTHING MADE FROM USED FISHING NETS

One effect of the COVID-19 pandemic is that many of those working from home got used to spending the working day clothed in loungewear – or even pyjamas. Many of those returning to the office have found themselves thinking wistfully back to a time of wearing comfortable clothes. This is the thinking behind Lezé the Label, an entire brand created around loungewear that is comfortable enough to be worn at home and chic enough for the office or an outing. And the twist? The clothing is made using sustainable materials such as recycled fishing nets, sustainably sourced beech trees, and coffee waste. Read more.

Photo source Cheekbone Beauty

INDIGENOUS-OWNED BEAUTY BRAND MAKES TOXIC LIP GLOSS TO HIGHLIGHT CLEAN WATER CRISIS

For June’s Indigenous History Month, Cheekbone Beauty launched a social-driven ‘#GlossedOver’ campaign with the help of agency Sid Lee. As part of the campaign, Cheekbone Beauty is releasing a line of lip gloss made using water from Indigenous communities in Canada. The twist? The lipgloss cannot actually be sold because the water is so contaminated. Read more.

Photo source Li-Cycle

MITIGATING THE IMPACT OF LITHIUM-ION BATTERIES IN THE ENERGY TRANSITION

Lithium-ion batteries (LIBs) look set to play a crucial role in the future of energy as the world transitions away from fossil fuels. Found in everything from electric vehicles to smartphones and computers, these batteries have several downsides when it comes to environmental impact. One of the biggest things we can do to mitigate their impact is to invest in effective recycling technologies. Canadian company Li-Cycle has developed a two-step battery recycling process that recovers 95 per cent of critical materials, such as lithium, cobalt, and nickel. Read more.

Words: Matthew Hempstead

To keep up with the latest innovations, sign up to our free newsletters or email info@springwise.com to get in touch.

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