Sungai Watch chair consists of 2,000 plastic bags from Bali’s rivers
CategoriesSustainable News

Sungai Watch chair consists of 2,000 plastic bags from Bali’s rivers

Indonesian non-profit Sungai Watch has unveiled the debut furniture launch from its design studio Sungai Design, aimed at creating useful products from the mountains of plastic waste that it fishes from Bali’s rivers every day.

The Ombak lounge chair, created in collaboration with American designer Mike Russek, is made using a sheet material produced entirely from discarded plastic bags, with around 2,000 needed for every chair.

The bags are collected by Sungai Watch, which is on a mission to eliminate ocean plastic pollution using its own system of floating barriers to capture the waste as it flows along Indonesia’s rivers.

Blue Ombak chair next to a poolBlue Ombak chair next to a pool
Sungai design has launched its first-ever product

Since its inception three years ago, the organisation has installed 270 barriers and collected more than 1.8 million kilograms of plastic, resulting in a huge stockpile of material.

Plastic bags are the most frequently collected item and also the least sought after in terms of future value, which led the team to focus on creating a product collection using this readily available resource.

“Collecting and amassing plastic waste solves one part of the problem of plastic pollution, the second challenge is what to actually do with all of this plastic,” said Kelly Bencheghib, who co-founded Sungai Watch with her brothers Sam and Gary.

White chair by Sungai Design on a concrete backdropWhite chair by Sungai Design on a concrete backdrop
The Ombak lounge chair is made from discarded plastic bags

“As we collected hundreds of thousands of kilograms of plastics, we started to look at plastic as an excellent source material for everyday products we all need and use, from furniture to small goods to even art,” she added.

Sungai Design has created two variations of the Ombak lounge chair – with and without armrests – manufactured in Bali using processes that aim to minimise waste during production.

The plastic bags are thoroughly washed to remove any impurities before being shredded and heat-pressed to form hard, durable sheets.

Close-up of white Ombak chairClose-up of white Ombak chair
The bags are heat-pressed to form sheets

Precision CNC cutting machinery is used to carve out the different components, which are carefully shaped to minimise material use and leave no offcuts.

The panels are connected by a concealed metal structure, resulting in a pure and visually lightweight form with a simple slatted construction.

Although the design is available in three distinct colourways – Granite Black, Ocean Blue and Concrete White – the upcycling process produces slight variations in the tone and texture of the material, meaning each chair has a unique quality.

Ombak means wave in Indonesian and the name references Sungai Design’s commitment to cleaning up rivers and oceans.

In line with this aim, Sundai Design has pledged to minimise its carbon footprint and put in place processes to audit and track the sources of the plastic used in its products.

The company is planning to release other products using the same material and, as a social enterprises, will donate part of its revenue to Sungai Watch to further the project as it seeks to clean up rivers in Indonesia and beyond.

Black chair by Sungai Design next to a treeBlack chair by Sungai Design next to a tree
The chair was designed to minimise material use and leave no offcuts

“There is so much potential with this material,” added Sam Bencheghib. “When you choose a chair from our collection, you’re not just selecting a piece of furniture; you’re embracing the transformation from waste to a beautiful, functional piece of art that has found its place in your home.”

Every year, Indonesia accounts for 1.3 million of the eight million tonnes of plastic that end up in our oceans, making it one of the world’s worst marine polluters.

Other attempts at collecting this waste and finding new uses for it have come from design studio Space Available, which set up a circular design museum with a recycling station and facade made of 200,000 plastic bottles in Bali in 2022.

White, blue and black Ombak chairs with armrests by Sungai DesignWhite, blue and black Ombak chairs with armrests by Sungai Design
The chair is available in three colours

The studio also teamed up with DJ Peggy Gou turn rubbish collected from streets and waterways in Indonesia into a chair with an integrated vinyl shelf.

“The trash is just everywhere, in the streets and rivers,” Space Available founder Daniel Mitchell told Dezeen.

“It’s not the fault of the people, there’s just very little structural support, waste collection or education,” he added. “Households are left to dispose of their own waste and most ends up in rivers or being burned.”

Reference

Daisuke Yamamoto presents recycled steel chairs under Milan railway arch
CategoriesInterior Design

Daisuke Yamamoto presents recycled steel chairs under Milan railway arch

Japanese designer Daisuke Yamamoto presented recycled steel chairs on podiums of the same material as part of an exhibition in Milan, which has been shortlisted for a 2023 Dezeen Award.

Yamamoto‘s Flow project explores ways to minimise industrial waste by focusing on a single material – light-gauge steel (LGS).

A series of steel chairs on podiums within a railway arch
Daisuke Yamamoto presented his Flow chairs as part of the Dropcity showcase

Commonly used in construction as a strong, lightweight framing option, LGS is also one of the industry’s largest waste products, Yamamoto claims, as it is rarely recycled after demolition.

The designer therefore chose to create a second life for the steel sheets and components as a series of sculptural chairs.

Light-gauge steel chairs on podiums made from the same material
The chairs were placed on podiums made from the same light-gauge steel

He also used LGS to form platforms for showcasing the seating designs as part of an exhibition at Milan design week 2023 that has been shortlisted in the exhibition design category of this year’s Dezeen Awards.

“This project began with the awareness that everyday recycled construction materials are disposed of, then new construction begins – a so-called ‘scrap and build’,” Yamamoto said.

Recycled steel chairs with different forms
Each of the recycled steel chairs had a different form

“Using the iconic LGS material – one of the most popular materials normally used in framing systems throughout the interior wall structure – we transformed it into beautifully redesigned furniture, giving the materials a second chance,” he added.

The exhibition formed part of the Dropcity showcase, which took place inside the Magazzini Raccordati spaces at Milan Central Station during the design week in April.

A workshop bench with a partially built chair on top
A workshop bench was also placed at the centre of the space

These empty railway arches have a dilapidated, industrial aesthetic with peeling floors, stained tilework and exposed utilities.

Yamamoto chose to leave the vaulted room largely as he found it but placed a series of platforms in two rows, upon which he presented the series of chairs.

Track lighting was installed overhead to spotlight the elevated designs, each of which has a slightly different shape.

In the centre of the exhibition, a workshop bench also built from lightweight gauge steel was used to fabricate more chairs during live demonstrations between Yamamoto and craft artist Takeo Masui.

Daisuke Yamamoto and Takeo Masui building a recycled steel chair
Yamamoto and Takeo Masui built more recycled steel chairs during live demonstrations

“This is a landfill, a place where a volume of used LGS is collected,” Yamamoto said. “A place where the designer and craftsmen work hand in hand to recreate what was bound to be disposed into something new, a process of disassembling to re-assemble.”

The intention was to not only showcase the material’s capabilities for reuse but also to allow visitors to engage with the process and ask wider questions about how society deals with waste.

Daisuke Yamamoto and Takeo Masui assembling a chair
The demonstrations allowed visitors to engage with the process

Using waste materials produced by other industries was a key trend that Dezeen spotted during this year’s Milan Design Week, with designers and studios including Formafantasma, Prowl Studio, Atelier Luma and Subin Seol all looking to reduce the environmental impact of their products.

The photography is by Takumi Ota.

Future Landfill took place at Magazzini Raccordati from 15 to 23 April 2023 as part of Milan Design Week. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

Reference

Ten homes where classic Eames chairs add a mid-century modern feel
CategoriesInterior Design

Ten homes where classic Eames chairs add a mid-century modern feel

For our latest lookbook, we’ve collected 10 interiors featuring some of Charles and Ray Eames’ best-known chair designs, including the couple’s Shell chair and lounge chair.

The Eames designers were known for their iconic mid-century modern furniture, which is still widely appreciated and can be seen in a number of contemporary interiors.

Among the most popular Eames designs are their chairs, many of which are still in production. Original chairs have become sought-after vintage finds, and the designs are often copied, 60 years after they were first released.

Here, we have collected 10 projects on Dezeen that feature Eames chairs, ranging from a penthouse in Belgium to a narrow house in London and the designers’ own home.

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring tiled living spaces, decorative ceilings and ornate plasterwork and homes with deliberately unfinished interiors.


Apartment in Riverside Tower in Antwerp
Photo by Olmo Peeters

Riverside Tower Apartment, The Netherlands, by Studio Okami Architecten

The interior of this Belgian apartment in a brutalist concrete building was livened up by tactile furnishings in organic materials and features a number of design classics.

In the home office area, the Eames Aluminium office chair by Vitra, designed in 1958, adds an elegant touch to the room and is contrasted by an abstract red chair.

Find out more about Riverside Tower Apartment ›


Light loft apartment with modern furniture
Photo by Justin Chung

Biscuit Loft, US, by OWIU Studio

OWIU Studio drew on Japanese style when designing the sun-dappled Biscuit Loft in Los Angeles, and also added a number of mid-century modern furniture pieces.

A white Eames lounge chair with a matching ottoman sits in pride of place in the living room, matching the white sofa and coffee table as well as the room’s other classic piece, the Knoll Wassily lounge chair designed by architect Marcel Breuer.

Find out more about Biscuit Loft ›


Catching Sun House by Studioshaw
Photo by James Brittain

Catching Sun House, UK, by Studioshaw

A collection of the Eames DSR chairs adds colour to the open-plan kitchen and dining room in this Walthamstow home built on a hidden infill site.

Exposed blockwork was used for both the interior and the exterior, with a plywood ceiling giving the space a cosy feel.

Find out more about Catching Sun House ›


Eames House Conservation Management Plan
Photo by Leslie Schwartz and Joshua White

Eames House, US, by Ray and Charles Eames

The Eameses’ own house embodies the couple’s design aesthetic and is filled with their furniture, books, fabrics, art, shells, rocks and straw baskets.

In the study area of the modernist house, the chosen task chair is naturally one of the duo’s own designs – a Soft Pad armchair that was designed in the 1960s and produced by ICF.

Find out more about Eames House ›


An open plan office and living room
Photo by Lit Ma

Grosvenor Residence, China, by Lim + Lu

Multidisciplinary design practice Lim + Lu refurbished this Hong Kong family apartment to give it the feel of an “elegant yet quaint summer home”.

Neutral colours were used throughout, with green plants adding life to the rooms and matching the wood detailing on the furniture, which includes a stylish black leather and rosewood Eames lounge chair.

Find out more about Grosvenor Residence ›


Slot House in Peckham, London, by Sandy Rendel Architects, working with Sally Rendel
Photo by Jim Stephenson

Slot House, UK, by Sandy Rendel

A disused alley in Peckham, south London, was transformed into the aptly named Slot House by Sandy Rendel Architects and Sally Rendel.

The 2.8-metre-wide house has an upstairs study area clad, like the rest of the house, in spruce plywood and with a cork floor. An Eames Shell chair makes for an eye-catching office chair.

Find out more about Slot House ›


Irwin Caplan’s Laurelhurst House by SHED
Photo by Rafael Soldi

Seattle home, US, by SHED

This house on the Pacific West Coast, originally built for cartoonist Irwin Caplan, was refurbished by American studio SHED.

The studio gave the home, designed in 1951, a refresh with a more open layout but kept its mid-century modern feel with an interior that features numerous design classics.

In the kitchen and dining area, a set of the Eamses’ Shell chairs create a striking white contrast to the wood-panelled walls.

Find out more about Seattle home ›


Fireplace in Penthouse BV by Adjo Studio
Photo by Renaat Nijs

Penthouse BV, Belgium, by Adjo Studio

Warm autumnal colours were used in this living room in a penthouse in Belgium designed by Adjo Studio. An earth-coloured rug and rust-coloured seating contrast the greenery outside the window, with the colours picked up in a set of decorative tealight holders.

Wooden panelling above the fireplace, sand-coloured curtains and an Eames lounge chair with a wooden frame complete the interior.

Find out more about Penthouse BV ›


6M House by Jannina Cabal in Ecuador
Photo by JAG Studio

6M House, Ecuador, by Jannina Cabal

The DCW Eames plywood chair is less well-known that the duo’s Shell chairs, but no less of a design classic. The chair was designed in 1945 from moulded plywood and features a rounded seat and backrest and arched legs.

In the 6M House in Ecuador, two DCW chairs can be found in the living room, where they blend in well with the wooden bookshelf and panelling.

Find out more about 6M House ›


Bedroom with wooden panelling
Photo is by Joe Fletcher

Moore House, US, by Woods + Dangaran

Moore House in Los Angeles was originally built in 1965 and given an update by local firm Woods + Dangaran in 2021. The studio used both vintage and contemporary pieces for the interior, including the Eames lounge chair in one of the bedrooms.

On the bedside tables, vintage Akari lights by designer Isamu Noguchi also nod to the house’s mid-century origin.

Find out more about Moore House ›

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring tiled living spaces, decorative ceilings and ornate plasterwork and homes with deliberately unfinished interiors.

Reference