The Future of Urban Planning: How AI Technology is Impacting Smart Cities
CategoriesArchitecture

The Future of Urban Planning: How AI Technology is Impacting Smart Cities

Architizer’s Tech Directory is a database of tech tools for architects — from the latest generative design and AI to rendering and visualization, 3D modeling, project management and many more. Explore the complete library of categories here.

Urban planning has always been a complex, large-scale “brain teaser” for architects. It requires the collaboration of several disciplines: architects, urban planners, sociologists, anthropologists, environmentalists and transportation planners, and the coordination of many bureaucratic governing bodies. Throughout time, there have been many urban planning theories, such as Garden City by Ebenezer Howard or Le Corbusier’s modernist Radiant City concept, which explored new modes of city organization and ways of living by suggesting speculative social structures, resource management and nature integration practices.

Following the rapid technological advancements in the early 2000s, the concept of “smart cities” gradually emerged, eventually gaining significant traction during the AI boom. Today, AI technology has opened up new realms of possibility, where algorithms and data are added to the architect’s tool belt, aiming to create sustainable, efficient and livable environments for burgeoning populations. However, first, it is imperative to define what exactly constitutes a “smart city” as well as how architects can employ AI in today’s urban planning practices.

Delving into city design requires two distinctive modes of thinking: ways of designing urban networks and ways of maintaining them. AI-powered design tools can analyze vast amounts of data, such as environmental conditions, demographic trends and urban infrastructure, to propose optimized design solutions that meet specific criteria, such as energy efficiency, pedestrian flow or complex cultural norms.

Alárò City_Skidmore, Owings & Merrill (SOM)

Alárò City by Skidmore, Owings & Merrill (SOM), Lagos, Nigeria

At the same time, architects can leverage AI planning tools to explore a broader range of design possibilities and quickly iterate through multiple schemes, as well as create responsive architecture proposals, which can adapt to changing environmental conditions and user preferences in real time. Responsive architecture designs also foster dynamic interactions between buildings and their surroundings, blurring the boundaries between the built environment and nature and promoting sustainable urban ecosystems.

On the other hand, AI technology can be incorporated in the actual design of buildings, where for instance, sensors and actuators can adjust lighting, temperature and ventilation based on occupancy levels, weather patterns and energy demand. It can also serve as the backbone of interconnected infrastructure systems throughout a city. AI algorithms can analyze traffic patterns to optimize road networks, predict maintenance needs for public utilities, and even detect and respond to emergencies, enhancing the overall resilience and reliability of urban infrastructure. In other words, AI becomes an integral part of a city’s operation and maintenance.

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These AI applications are essentially two sides of the same coin. They expose both implicit and explicit ways of using AI for urban planning and thus broadening the definition of “smart” cities. For instance, projects such as Liam Young’s Planet City, present a new mode of urban design which could potentially be characterized as an archetypal “smart city”. While the use of AI technology is not explicitly stated, Planet City introduces concepts of interactive solar panels for powering the ten billion population imaginary city. It also presents a rather eccentric idea of having a non-stop planetary festival, where different cultural celebrations are revisited throughout the year to preserve the cultural diversity of human civilization.

These two examples of AI-driven practices push the boundaries of traditional urban planning. More specifically, the first is an obvious case of responsive AI technology that leads to a more sustainable living, whereas the second one suggests employing AI algorithms to collect sufficient data and propose optimal cultural and social structures within the new city.

SmartCity Springpark Valley

SmartCity Springpark Valley  by planquadrat Elfers Geskes Krämer GmbH, Bad Vilbel, Germany

Another world-famous project, well-known for its AI integration, is The Line: a futuristic city currently being built in Saudi Arabia. NEOM, the company behind The Line, stated its ambition to create a digital twin backbone through the use of AI tools that will aid the city’s construction and minimize carbon emissions and material waste. Still, a “smart city” does not necessarily have to be a tabula rasa project. Using AI tools to improve existing cities that carry hundreds of years’ worth of human history might arguably be the most important endeavor in urban planning.

One example is the Barcelona Smart City Project, which revitalizes public squares and parks and integrates AI technology such as smart lighting and noise sensors, thus enhancing the city’s livability. Furthermore, Barcelona embraced open data initiatives, thus encouraging the development of numerous urban planning tools and real-time information hubs that continuously improve the city’s operation and maintenance.

Admittedly, designing as well as managing a city is no simple task. Still, whether acting as a medium through which provocative thought-experiments are designed (speculating about future urban design practices) or offering ways of utilizing data to physically realize innovative building environments, AI offers tremendous potential for reimagining urban spaces. By tackling the challenges of the world’s largest urban metropolises and striving for pioneering urban regeneration practices, AI becomes a catalyst for creating more equitable, inclusive, and resilient cities for generations to come.

Architizer’s Tech Directory is a database of tech tools for architects — from the latest generative design and AI to rendering and visualization, 3D modeling, project management and many more. Explore the complete library of categories here.

Reference

AI and satellite data improves the resilience of cities
CategoriesSustainable News

AI and satellite data improves the resilience of cities

Spotted: Cities around the world are preparing for the likelihood of more frequent and severe heat waves in the coming years, with large urban areas at risk of turning into heat islands that are up to eight degrees Celsius warmer than surrounding rural areas. Yet many governments are wholly unprepared for the speed at which climate experts predict changes will occur.

Sustainable solutions are a must, and green walls and roofs, along with urban forests, could be some of the most effective. One company trying to make management of those assets easier and more effective is Luxembourg-based greentech company WEO. WEO uses artificial intelligence analysis of publicly available satellite imagery to provide low-cost, highly detailed analysis of the built environment.

WEO’s platform is available in two formats: Resilient Cities and Risk Management. The platform provides city planners and utility companies with insight into where heat islands occur, where so much soil is covered that runoff is at dangerous levels, and where trees pose a risk to power lines. WEO’s analytics improve the quality of lower-resolution data from satellite imagery and then the company uses machine learning to extract advanced insights for risk assessment and monitoring.

Resilient Cities’ analysis provides detailed data up to one metre in resolution that helps urban planners and local governments measure the growth and health of trees, track canopy cover, and reduce rainfall runoff. ‘Risk Management’, meanwhile, reviews the proximity of trees to utility infrastructure, maps areas of potential flooding, and highlights areas of especially flammable vegetation that should be cleared to prevent wildfires.

The affordability of the service is an important part of WEO’s goal to make cities more resilient, with the company highlighting that its technology is significantly cheaper than laser scanning, drones, or aerial surveillance. Additionally, the company emphasises its desire to work with partners for long-term projects that make the best, and fullest, use of its regularly updated data.

Satellites are increasing safety and efficiency in a number of industries, with innovations spotted in Springwise’s library including wildfire prevention and tropical weather forecasting.

Written By: Keely Khoury

Reference

Building Boundaries: Counter-Surveillance Architecture in the Era of Smart Cities
CategoriesArchitecture

Building Boundaries: Counter-Surveillance Architecture in the Era of Smart Cities

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“You had to live—did live, from habit that became instinct—in the assumption that every sound you made was overheard, and, except in darkness, every movement scrutinized.” — George Orwell, 1984.

Back in 1949, when George Orwell’s 1984 was first published, it was regarded as a powerful warning about the dangers of totalitarianism and omnipresent government surveillance. The best-selling book speaks of a reality where everything you do, say, and even think is observed, analyzed and meticulously evaluated for compliance. Yet, even though it ranks among the most extensively read novels in history, it appears that, in the 75 years since the text’s publication, Orwell’s stark warnings didn’t quite resonate with some readers, and as a result, our modern cities are increasingly resembling his dystopia to an extent that may have surprised even him.

With political and social instability fueling crime, corruption and chaos around the world, apprehension and perceived peril are consistently driving demand for safer cities. It was and remains a technology hailed as a savior to the plight. CCTV, monitoring and oversight are being lauded as the answer to all our troubles. However, it is clear that as technology has become increasingly sophisticated, our freedoms have gradually eroded, and while for some, this might seem a fair trade for safety and stability, there are many reasons why a surveillance state is counterproductive for society and why certain architects are likely to begin advocating for counter-surveillance measures to be included in their designs in the near future.

When it comes to surveillance rights, the fundamental question is this: How much surveillance is too much, even in the name of security?

Images created by Architizer via Midjourney

Images created by Architizer via Midjourney

Cities like London, Beijing, Singapore and New York are all criticized for their extensive use of CCTV and surveillance for reasons such as crime prevention, anti-terrorism and public order. However, the extent and nature of such surveillance have spawned advocacy organizations and sparked debates over privacy rights, the potential for state overreach, the impact on civil liberties and the effectiveness of this technology. With projects like NEOM, Amaravati and Telosa increasing trepidation about how much the cities of the future will know about its inhabitants.

In today’s cities, cameras have been installed to reduce crime and urban planning has been established to support the most continuous views possible. However, their effectiveness in achieving this goal remains unproven. In the United Kingdom, where public surveillance cameras are widespread, London being one of the most heavily surveilled cities in the world, expert sociologists found that they have not led to a decrease in overall crime rates. In one study, criminologists found that while there were reductions in some categories, they generally failed to establish a significant impact of cameras on reducing either crime or the public’s fear of crime.

A big issue is that surveillance is often disproportionately targeted at specific communities, particularly communities of color or religion. This problem highlights ethical concerns about discriminatory practices and the misuse of surveillance tools for racial profiling. A pertinent example is the use of facial recognition technology in public spaces. This technology can track individuals in real-time and is often utilized for identifying criminals. However, weaknesses in the technology mean it is particularly prone to errors when identifying people of color, trans persons and nonbinary individuals, and can often lead to misidentification and wrongful accusations. Additionally, there are many recorded instances where surveillance tools have been misused for personal gain or political oppression. Examples include law enforcement using surveillance databases for stalking or harassing individuals or the targeting of political activists during periods of social unrest.

Images created by Architizer via Midjourney

Images created by Architizer via Midjourney

The omnipresence of surveillance technologies in urban spaces has raised concerns that almost every movement of an individual can be tracked, recorded and analyzed, infringing on personal privacy and autonomy, with many privacy experts confirming that mass surveillance can lead to a chilling effect on human behavior, causing individuals to modify their actions and speech out of fear of being watched. In democratic societies, freedom of expression, association and movement are fundamental, and pervasive surveillance can inhibit these freedoms, creating a society where people feel constantly monitored and judged. Historical examples illustrate how surveillance can suppress dissent and erode democratic freedoms.

With ever more being understood about the level we are being monitored on and offline, many people are calling for measures that allow individuals a right to privacy. In recent years, personal data has become a highly valuable commodity bought and sold to corporations for any number of reasons, mostly without our knowledge or consent. Proponents of democratic values and civil liberties argue that the implementation of counter-surveillance strategies in our urban environments would reduce the transactional value of our personal information and the exploitation in the name of our data.

In addressing the challenges of privacy, autonomy and social ethics of surveillance, architects and designers are exploring a range of innovative counter-surveillance measures. These measures extend far beyond the evasion of surveillance cameras and are designed to uphold fundamental human rights and promote social equity.

Images created by Architizer via Midjourney

Images created by Architizer via Midjourney

A central aspect of these strategies involves the use of materials that disrupt surveillance technologies. Maintaining anonymity in public spaces can be vital for some individuals, for their own safety, if they are well-known or public figures, or for people who work in particular industries. By designing façades with anti-reflective coatings or patterns that confuse facial recognition software and incorporating infrared-blocking materials to counter thermal imaging, architect consciously aim to safeguard the freedom of individuals to live without the constant unease of being watched. This is significant as psychological studies indicate that the sensation of being monitored can lead to self-censorship and altered behavior.

The strategic planning of urban layouts and spatial organization has also become integral to counter-surveillance architecture. Where previously open and easily monitored spaces were preferred, architects and urban planners are now designing cities with irregular, complex layouts that naturally limit long sight lines and large open spaces favorable to surveillance. This includes introducing winding streets, varying building heights and incorporating dense foliage. These designs not only impede the effectiveness of surveillance cameras but also enrich the urban environment in terms of aesthetics and biodiversity. By crafting urban spaces that inherently limit surveillance capabilities, architects are promoting a sense of security and freedom among city residents, thereby enhancing their mental well-being and fostering a sense of community autonomy.

Finally, with conversations about Smart Cities on the rise, incorporating secure communication and data networks within the urban infrastructure is a critical measure. This kind of integration, encompassing encrypted WiFi networks and secure data centers, plays a crucial role in safeguarding the digital aspect of residents’ lives. Encrypted WiFi networks, employing advanced cryptographic protocols, ensure that personal information transmitted over public networks is protected against unauthorized access and cyber threats.

Images created by Architizer via Midjourney

Images created by Architizer via Midjourney

Secure data centers, functioning as the backbone of urban digital infrastructure, utilize robust security measures like firewalls, intrusion detection systems, and physical security controls to safeguard sensitive data. This approach helps build a commitment to the digital rights and privacy of urban residents. In smart cities, where digital connectivity is as fundamental as physical infrastructure, these secure networks and data centers are indispensable. They provide a shield against unwarranted surveillance and data theft.

These architectural and urban planning strategies represent a shift in how cities are soon to be designed and experienced. They are not ways to evade the gaze of surveillance cameras that will be celebrated by criminals; they are ways to create urban environments that respect and protect individual privacy, promote social equity and strive to foster a sense of community and well-being. By focusing on these broader societal benefits, architects and urban planners can address the concern of surveillance and can also contribute to the creation of more humane, dynamic and livable urban spaces.

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Dense Cities, Open Homes: 8 Multifamily Housing Projects Built for Modern Life
CategoriesArchitecture

Dense Cities, Open Homes: 8 Multifamily Housing Projects Built for Modern Life

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Housing is central to architecture and cities. Across generations and socio-economic backgrounds, a mix of housing options makes cities more lively, sustainable and human. Amidst global housing scarcity, the need to build more multifamily and affordable housing is widespread. Equitable housing begins with policy and planning, but it’s also tied to design. Architects worldwide are considering this idea and how to create more beautiful, integrated housing that reflects how we live today.

Multifamily housing is key to creating more equitable cities. In this type of housing, multiple separate units are contained within one or several buildings within one complex. A key benefit of multifamily in the current market is that it’s usually more affordable than single-family housing. With real estate today, it’s increasingly difficult for people to buy a home, especially for first-time buyers. In multifamily housing, less land is needed, and it helps to meet the growing demand for households of all ages and income levels. As architects consider the impact of housing, the following projects represent multifamily housing design across the world. Made for residents to either rent or own, they represent a cultural shift and underline the importance of housing in architecture today.


Timber House

MESH Architectures, Brooklyn, NY, United States

Jury Winner, 11th Annual A+Awards, Multi-Unit Residential Building

New York is a city known for housing scarcity, and a place that’s defined by reinvention. For Timber House, MESH Architectures was inspired by natural finishes and “botanical architecture.” The idea was not only to foster well-being, but create a new model for timber construction in the city. The project is the first mass-timber condominium in New York, and the structure was built with glue-laminated timber columns, beams, and floor plates. The six-story, multifamily project is comprised of fourteen homes.

Beyond the novel material approaches to construction in Timber House, it was also a test in learning from passive-house design. Those principles informed its high-performance envelope, with “intensive insulation, smart air sealing, and triple-glazed wood windows.” Less interior finishes were required thanks to leaving the wood structure exposed, while the team also prioritized low-carbon material choices. For Timber House, MESH wanted to demonstrate that sustainable multifamily buildings can balance well-being and comfort, as well as beauty.


Valley

MVRDV, Amsterdam, Netherlands

Jury Winner, 11th Annual A+Awards, Architecture +Façades

MVRDV has earned a reputation for reinvention and creating new building forms. That same approach extends to housing, where the team designed Valley with a more “green and human” touch. Built for developer Edge, the project is located in Amsterdam Zuidas. Rising to three distinct towers, the façades shift across the complex. The outer edges are mirrored glass, while the inner façades are clad with stone and swaths of greenery.

Valley was built for a mix of residents, as well as workers and visitors. Not only for multifamily housing, the project also includes offices while much of the building is open to the public. For the materials, over 40,000 stone tiles of varying sizes were used throughout the building’s façades. “Each of the 198 apartments has a unique floorplan, made possible by the interior designs by Heyligers Architects.” Outside, the team worked with landscape architect Piet Oudolf on the placement and selection of trees, shrubs and approximately 13,500 smaller plants that are in within the natural stone planters.


One Hundred

Studio Gang, St. Louis, MO, United States

Jury Winner, 9th Annual A+Awards, Multi Unit Housing High Rise (16+ Floors)

Few locations are more prominent for multifamily housing in St. Louis than Forest Park. Designed by Studio Gang, One Hundred is a residential tower overlooking the park and the studio’s first project in the city. The tower includes a mix of housing, retail and amenities on four-story stacked tiers. The apartments were designed for views of Forest Park and east to the Gateway Arch.

From a formal approach, Studio Gang designed the tower with an angled façade that creates a series of large outdoor spaces atop each tier. This move also produces outdoor space for residents atop the green roof podium. The team notes that, “each apartment features its own corner living room with double exposures that, in addition to offering panoramic views, enhance the amount and quality of daylight within the units.” The tower includes public and retail spaces at ground level adjacent to the park, while establishing a new landmark for St. Louis.


Cirqua Apartments

BKK Architects, Melbourne, Australia

Jury & Popular Choice Winner, 2018 A+Awards, Multi Unit Housing Low Rise (1-4 Floors)

The Cirqua project by BKK gained widespread recognition for creating beautiful, inventive multifamily architecture. The project includes 38 unique unit types out of the 42 total apartments made with spacious balconies and an integrated approach to landscaping. Combining two properties into a single block, the project was formed with careful attention paid to scale and the surrounding context. Cirqua not only showcases a smart, nuanced approach to multifamily housing, but also how to design for accessibility and passive performance.

As the team noted, prospective owners are increasingly buying into the apartment market (over detached housing) as owner-occupiers. A sense of place was a key driver of the design, establishing a neighborly feel. All living areas and bedrooms have direct access to ventilation, natural light and views, while maximizing glazing created connections to the surrounding garden. From the neighborhood scale, a study in massing led to reducing the overall building volume to make the development fit seamlessly into its site.


Caterpillar

Prince Concepts, Detroit, MI, United States

Caterpillar approaches density through a novel construction and design in Core City, Detroit. It utilizes a Quonset Hut structure that holds eight units, all entirely prefabricated. The result is an 8,000 square foot (745 square meter) residential project that prioritizes indoor and outdoor space. Prince Concepts created the project with tall ceilings that rise to 23 feet (7 meters); the units were designed to capture morning light in the bedrooms and evening sunsets in the living room.

Multifamily housing and density are charged subjects, but they also hold the potential to reimagine everyday life in cities. For Caterpillar, the team wanted to rethink the standard ratios of a multifamily project. To do so, instead of “150 apartments surrounded by eight trees with just one window per room, Caterpillar provides eight apartments surrounded by 150 trees and 12-18 windows per room.” The multifamily project built on the success of True North, completed in 2017. That Prince Concepts development was made with eight Quonset huts and ten leasable units.


Casa Jardin Escandon

CPDA ARQUITECTOS, Mexico City, Mexico

CPDA Architects designed this garden house project as a multifamily development in Mexico City. Located in the Escandón neighborhood, the project includes fourteen residential units. At its heart, a central courtyard is the connective element that defines the housing project, opening up access to natural light and cross ventilation. Ten townhouse units are set up the four ground-floor units below, all of which share a similar material relationship.

As the Escandón neighborhood has seen rapid growth, new populations moved in across age and income levels. The project provides a mix of unit types, as well as changing faces along its façade. The exterior showcases the concrete slabs that stand out and the gabled façade, while the interior has simple, seamless and integrated forms that define the inside complex. The idea was to create a “secret garden” that residents can enjoy within the city.


The SIX Veterans Housing

Brooks + Scarpa Architects, Los Angeles, CA, United States

Few cities in the world are grappling with homelessness and a severe lack of housing affordability like Los Angeles. Brooks+Scarpa has built a practice addressing issues in the city and across the nation. For this multifamily residential, The SIX was designed as a 52-unit affordable housing project that “provides a home, support services and rehabilitation for previously homeless and/or disabled veterans.”

Located in the MacArthur Park area of Los Angeles, The SIX was made to break the mold of multifamily housing by creating public and private “zones” in which private space was deemphasized to create large public areas. At ground level, the program includes support spaces for veterans, as well as bike storage, parking and offices. The second level is the core of the project, with a large, public courtyard. The idea was to create a community-oriented, interactive space that opens to its surroundings.


Jinshan 9

Steffian Bradley Architects, Shenzhen, China

Over the last two decades, development in China has been defined by a dizzying pace and new architecture produce in-mass. For Jinshan 9, this force behind new buildings was directed into a multifamily living community. Located in China’s Shekou mixed-use district, the project looks out west to wild, forested mountains and east to Shenzhen Bay Bridge. With a range of both low-rise and high-rise structures, the development was made for diverse lifestyles and populations.

With 210 townhouse units, the project also has four residential towers rising 32 floors in height. Between integrated pedestrian paths and trails, the development comprises a network of gardens and interconnected terraces. From its material palette, Jinshan 9 includes natural-colored terracotta panels with aluminum trim on the exterior. This combines with marine-inspired imagery and forms, like balcony details echoing sailboat decks.

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Reference

Architecture and the Economy: Inside China’s Ghost Cities
CategoriesArchitecture

Architecture and the Economy: Inside China’s Ghost Cities

Architizer is thrilled to announce the winners of the 11th Annual A+Awards! Interested in participating next season? Sign up for key information about the 12th Annual A+Awards, set to launch this fall.

Susan Sontag once said that there were only three subjects she had been interested in her whole life: “freaks,” women and China. She isn’t alone — especially on that last point. The world’s oldest continuous civilization has always captivated Westerners, partly due to the perception that it is shrouded in secrecy.  

Even fifty years after Nixon visited China, this perception still has some basis. The political regime of President Xi is not known for its transparency. While China is by no means a hermit kingdom, there is much about its economy, military and politics that remains the subject of speculation. Little details, anecdotes or photographs from China are scoured like Rorschach tests, with Western spectators seeing in them what they want to see: evidence of either China’s strength or its weakness, its national virtue or its deep corruption. And as fear of China’s rising power has grown, these interpretations have trended toward the ominous. 

In recent months, as rumors of China’s economic crisis have spread, the images that seem to interest people the most are photographs of China’s so-called “ghost cities” — urban developments that are eerily under-occupied. The most famous of these, the city of Ordos in Inner Mongolia, is also one of the most captivating, as it includes not only luxury residences but also city squares and museums. But what do these images signify? Are Ordos and similar developments simply modern-day Potemkin villages designed by the CCP to place a veneer of luxury on an economy with deeply flawed fundamentals? The answer seems to be yes and no. 

According to experts, China’s economic crisis is driven by an over-reliance on investment as opposed to consumer spending as the driver of economic growth. As counterintuitive as it might sound to those who, like me, never got past Econ 101, economic growth can be driven by capital investment even when there is a lack of demand for the products and services that are being invested in. Stephen Morgan, a professor emeritus of Chinese economic history at the University of Nottingham, explained this process in a recent interview with Vox. 

“Investment is largely going into, as I said, infrastructure, real estate. At present, probably about 40 percent of that is unproductive,” explains Professor Morgan. “One way to think of that is ‘bridges to nowhere.’ The thing about investment is it doesn’t matter whether the bridge goes to nowhere or it actually serves a purpose. It produces GDP growth.When I was living in China, between 2013 and 2020, in Ningbo, I used to take the bus to work every day. The bus stops between my apartment and the university were rebuilt three times — three times in about six years. The first time they needed rebuilding. The second time, there were some nice improvements, like electronic boards that told you when the bus was going to come. The third time they rebuilt all the bus stops with so much steel you would need a tank to knock them down. Other than that, there was very little welfare benefit. That’s wasted investment.”

The city of Ordos isn’t exactly empty, but it feels that way. Over two thirds of its apartments are unoccupied. Image: Popolon, architects : Ma Yansong, Yosuke Hayano, Dang Qun from MAD Architects[1]Ordos MuseumCC BY-SA 4.0

Real estate was long considered a “safe” investment, which is why the Chinese state encouraged and participated in this kind of investment. Some are still holding out, sitting on empty properties hoping they will get a return. However, the situation is strikingly unbalanced. According to a 2021 Business Insider article, there are about 65 million empty homes in China, almost enough to house the entire population of France. This is an especially daunting statistic when one considers the fact that many people in China live in substandard housing. The real estate that is being built is not being utilized by the Chinese population. 

So what do the Chinese ghost cities signify? Nothing more or less than the misallocation of resources in that country. It is a problem created by a set of policies that solved one problem (increasing economic growth) while creating others (debt and waste). Despite the spell China casts on the imagination of westerners, there isn’t anything mysterious about it — the misallocation of resources has always been the central problem in the field of economics and no nation has ever been able to solve it, whether through markets, central planning, or a mix of the two.

Maybe one day we will have housing “to each according to his need,” but for now that is not the case — whether you are in China or the US. The two nations have more in common than they think.

For architects, the last decade in China has likely been bittersweet. While there were no shortage of opportunities, architecture is at bottom a practical art, and I imagine the architects who worked on these ghost cities were filled with a sense of emptiness, perhaps even dread, as they contemplated the fate of their creations. A building without a purpose is a melancholy thing indeed, like a song that no one will ever hear. 

Architizer is thrilled to announce the winners of the 11th Annual A+Awards! Interested in participating next season? Sign up for key information about the 12th Annual A+Awards, set to launch this fall.

Cover Image: Ordos City, Uday Phalgun, CC BY 2.0 <https://creativecommons.org/licenses/by/2.0>, via Wikimedia Commons

Reference

Dense and Sensibility: How Architects Can Help Shape More Sustainable Cities
CategoriesArchitecture

Dense and Sensibility: How Architects Can Help Shape More Sustainable Cities

Architizer is thrilled to announce the winners of the 11th Annual A+Awards! Interested in participating next season? Sign up for key information about the 12th Annual A+Awards, set to launch this fall.

How can cities have high urban standards and improve residents’ quality of life? As history has demonstrated, if the choices and strategies to achieve positive results are appropriate, the outcome delivers inclusive, safe, resilient and sustainable cities; if wrong, the outcome is devastating, forcing cities to face challenges such as pollution, high energy consumption, insufficient affordable housing, inequalities and health risks, among many others.

Architecture must generate urban quality and environmental sustainability while reflecting the cultural heritage and empowering residents. The growing process of cities leads to transformations, and such transformations need to be associated with sustainable models to improve the social, economic and environmental conditions of cities, ensuring the quality of life of current and future residents.

The Mobile Joy-city Community Commerce Beijing, China_MAT Office

The Mobile Joy-city in Jingxi Xiangyun, Beijing, China, offers creative solutions for a community plan that integrates work, home, shopping, transportation and green spaces. The design focuses on three design concepts: “open archipelago concept”, “landscape urban place”, and “community space shaping.” Design and images by MAT Office.

Architecture as a Contributor to the Sustainable Growth of Cities

Architecture can incorporate social and environmental factors as a core part of its design strategy and contribute to cities’ goals as centers of economic growth, culture and innovation, which will translate into improved quality of life. Understanding architecture as an isolated discipline aimed at creating buildings uniquely might lead to a lack of cohesion and functionality. On the other hand, if we see it as one in dialog with other urban domains, such as landscape design and transit, we can build urban areas that are accessible, livable and affordable, ensuring that cities are engines of sustainable economic growth.

Alárò City_Skidmore, Owings & Merrill (SOM)

SOM‘s master plan for Alárò City lies in the growth path of Lagos, one of Africa’s fastest-growing cities with a population of over twenty million. Alárò City reinforces Lagos as the economic and cultural center in West Africa through a new sustainable community. The master plan highlights the site’s unique conditions enabling long-term resiliency. Design and renderings by SOM.

Co-Living, Transit-Oriented Developments and Sustainability

The examples of projects illustrated below show how different cities address their growth challenges through a mixture of spaces, functions and services that are accessible to the population. Each responds to the specifics of their economic, social and environmental situation differently but with a common goal: achieve quality of life and efficiency.

These examples are mixed-use developments that integrate housing, retail and community spaces to promote urban connectivity and social inclusion while making cities safer for pedestrians, motorized vehicles, and bicycles. Most of them feature an architecture that incorporates green strategies aiming at minimizing environmental impact.

Super Babylon_MAT Office

Super Babylon is conceived as a co-living community. The concept prioritizes sustainable living and shared communal spaces while giving privacy equal due. Design and renderings by MAT Office.

MAT Office proposes a series of linked transformable structures inspired by the New Babylon, a megastructure that Dutch visual artist and Situationist Constant Nieuwenhuys developed a half-century ago. MAT Office‘s Super Babylon is a modular structure composed of units that can generate four types of spatial and social relations: individual basic units, small family spaces, communal spaces and collective community buildings with access to commercial spaces at ground level. Following the shared community  — or, co-living — model, New Babylon attracts a diverse population of young professionals, retirees, singles, and families, all working together to create a lifestyle that reflects their shared core values.

Periferico 2008_BRAG Arquitectos

Periferico 2008 is a residential high-rise with public amenities on the ground floor and a rooftop terrace with panoramic views. Project by BRAG Arquitectos. Image by Felix Fernández.

Periferico 2008 is a multi-unit residential tower close to San Angel, a neighborhood south of Mexico City known for its colonial history, monuments and religious architecture. The abundant greenery in the area set the tone for Periferico’s design: a thirty-story tall parallelepiped with two carved-out sections to make room for green terraces. The building’s 184 apartments — with areas ranging from 700 to 2,690 square feet (65 to 250 square meters) — feature spacious layouts and optimal orientations to maximize views and optimize natural lighting and ventilation. The ground floor amenities include a gym, swimming pool, spa, business center, playroom, library, and a movie theater. The rooftop terrace offers opportunities for relaxation and entertaining with views of the city and beyond.

Connecting Cooksville_SvN Architects + Planners

Connecting Cooksville in Mississauga, Ontario, Canada is a development project that offers many connections for pedestrians and vehicles, highlighting opportunities to prioritize the human scale and overall urban connectivity. Design and renderings by SvN Architects + Planners.

SvN‘s design for Connecting Cooksville is a vision for an integrated transit-oriented development in Mississauga, one of Canada’s fastest-growing cities. The project will transform a site dominated by surface parking into an interconnected, transit-oriented, mixed-use development with interior streets and a regenerative landscape. At nearly 1.7 million square feet (157, 900 square meters) , the development will provide nearly 2,200 new apartment units and close to 100,000 square feet (9,290 square meters) of commercial space, including a community gathering space covering almost half of the site.

Walking trails, outdoor kitchens, classrooms, cafe seating, areas for recreation, exercise and outdoor daycare play zones provide additional ground-level programming. SvN, in collaboration with WHY Architecture Workshop, designed an urban forest as part of the development, which prioritizes climate resiliency by strategically designing the cluster of towers and the landscape responding to the City of Mississauga’s Climate Action and Strategic Plans.

Quayside_Norm Li

Quayside in Toronto, Canada, is conceived as an electrically powered, zero-carbon community where residents will have easy access to their daily needs, including jobs, education, healthcare, food, and recreation. Design and renderings by Norm Li.

Quayside is a mix of market-rate and affordable housing in Toronto for individuals and families of different backgrounds and incomes. A total of six buildings, including Canada’s largest mass-timber residential building, will also provide commercial and institutional spaces, as well as access to a three-and-a-half-acre public space. Additionally, a one-acre urban farm on the rooftop of the mass-timber building will be accessible to residents and the public. The project was conceived with sustainability in mind resulting in an all-electrically powered, zero-carbon community. The use of environmentally friendly materials and technologies will promote biodiversity and create comfortable and accessible green spaces, which will reduce greenhouse gas emissions and contribute to the efficient management of severe weather risks.

Aiming for Sustainable and Livable Cities

The creation of high-density buildings offering easy access to daily needs and the use of sustainable building solutions can be considered good examples of how architecture can bring social and environmental change. City growth is inevitable but manageable with the right tools and the right decisions. The prominent role of the architectural community in envisioning and designing cities demonstrates that it can be beneficial to the betterment of citizens’ quality of life, social equity, health and the environment. Healthier places — no matter what their functions are — will result in healthier people, communities and cities.

Architizer is thrilled to announce the winners of the 11th Annual A+Awards! Interested in participating next season? Sign up for key information about the 12th Annual A+Awards, set to launch this fall.

Reference

Twin Cities: New Architecture Taking Root in Minneapolis and St. Paul
CategoriesArchitecture

Twin Cities: New Architecture Taking Root in Minneapolis and St. Paul

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In both Minneapolis and St. Paul, architecture has long been shaped by the Mississippi River. While St. Paul was settled first as it offered a broad river flat for steamboats, Minneapolis grew more organically around St. Anthony Falls. Both cities have a long history dating back to the 1860s, thanks to the growth of agriculture and the lumber industry. Over time,  the Twin Cities gained their moniker from sharing diverse political, cultural and educational institutions.

While styles like the Arts and Crafts movement and Prairie School spread throughout Minneapolis, new structures and streets were built in St. Paul. This included the iconic Summit Avenue, home to the country’s longest avenue of Victorian homes and one of the nation’s best-preserved promenade streets. Over time, well-known architects designed structures in the two cities, including Cass Gilbert, Frank Lloyd Wright and Eero Saarinen. In turn, new architecture continues to be built, highlighting each city’s design culture.

While the architecture of Minneapolis and St. Paul is eclectic across its urban and suburban neighborhoods, new buildings continue to explore what it means to design and build today. The following projects represent a range of these structures built in the Twin Cities over the last ten years.


Minneapolis Public Service Building

Designed by Henning Larsen, Minneapolis, MN, United States

The new Minneapolis Public Service building was designed to better reflect its community. Glass and aluminum facades wrap the building, while double height pockets are carved from the building to break up its massing. Bus and light-rail stations pass by and drop off next to the new building, offering access to from across the city. A large feature stair in the entry foyer provides public space that connects to an extra lobby on the second floor. In turn, the themes of transparency and connection continue inside.

The 370,000-square-foot (34,375-square-meter) building ties into the Minneapolis sprawling network of skyways from the inside out. The office floors contain day-lit workspaces and enclosed offices, as well as a top-floor conference space, café and terrace. Ten city departments and 1,200 employees are brought together in one building. In a government building requiring high security, the design was made to feel open and airy.


Walker Library

Designed by VJAA Inc., Minneapolis, MN, United States

The Walker library was designed to replace an outmoded subterranean facility, reestablishing the street façade that gives Hennepin Avenue its distinctive character and scale. Located adjacent to the Midtown Greenway bike trail and built on the foundations of the previous structure, the new library is positioned at a nexus of multi-modal transportation networks. As VJAA explains, the new stainless steel and glass clad building was designed as a simple figural mass consistent with the iconography of civic buildings.

The form was made to echo the typical low-rise façades with one or two story masses hovering over extensive street level glass. Since the library nearly fills the site, the façades are sculpted to respond to the surrounding context. The upper portion of the east façade is folded to inflect toward the marquee of the iconic 1930’s Uptown Theater. The glass wall of the library is angled back from the street on the southeast corner to widen the sidewalk and acknowledge the constant flow of pedestrians, bicycles, and automobiles.


CHS Field

Designed by Snow Kreilich Architects, Saint Paul, MN, United States

CHS Field creates a culmination to Downtown Saint Paul’s 5th Street to the ballpark. With just 7,000 seats, the ballpark is conceived first as a park, a green space in the city and not a building. Entering off Broadway, at street level, the concourse becomes a 360 degree walkway allowing patrons to navigate around the entire field. Concourse amenities are pushed back into the hillside while the seating bowl and playing field are depressed into the natural topography of the site. It was designed to be the greenest ballpark in America.

As a collaboration between Snow Kreilich Architects, Ryan Architecture + Engineering and AECOM, the ballpark was made to be embedded into the city. The suites, club and press box float above the concourse on a light steel frame. The underside of this structure is clad in a continuous soffit of western red cedar. As the team explained, from brownfield to ball field; what was once one of the ten most contaminated sites in the Twin Cities, is now a park within a park consisting of 135 trees, 138,000 square feet (12, 820 square meters) of natural grass, a dog park, a children’s play area and a rain garden featuring local artwork.


Macalester College Janet Wallace Fine Arts Center

Designed by HGA, Saint Paul, MN, United States

HGA designed the Janet Wallace Fine Arts Center to anchor the western edge of the Macalester College campus in St. Paul, Minnesota. Built in the 1960s, the structure was in need of an update when college officials sought to redesign the complex. Because of the tight urban location of the campus, new campus construction needed to maximize multi-use possibilities to make every space count. The design team responded with a design for a visual and performing arts complex anchored by a light-filled, two-story arts commons.

Explaining the design and massing, HGA notes that, “the exterior of the newly renovated center establishes an identity for the arts on campus: the façade of the music building features a staccato texture of angled panels that reference the rhythm of musical instruments, while the east side of the studio art building features terracotta louvers that pay homage to clay objects and glazing processes.” Throughout the renovated project, large windows connect the activity of the programs within to the campus outside.


Twin Cities Habitat for Humanity

Designed by Gensler, Minneapolis, MN, United States

As the new home for Twin Cities Habitat for Humanity, this structure was designed to make physical connections between the community, families and the Habitat staff. As Gensler outlines, the material palette is modest. Residential sized windows are incorporated into the metal panel exterior wall to create both visual and spatial interest throughout. The design team embraced the idea of using the scale and experience of the residential window as part of the project’s overall architectural concept.

Openings were designed to correspond with interior conditions, much like openings in residential homes. A key design element for the building was an urban front porch, connecting the building to the houses designed for families. The strong architectural corner opens up at the base to create a pedestrian friendly experience, revealing the primary entrance, reception and gathering space within the building. This symbol of the front porch connects the exterior and interior experiences.


Lilydale Regional Park Pavilion

Designed by VJAA Inc., Saint Paul, MN, United States

VJJA designed the Lilydale Regional Park shelter as part of the Mississippi National River and Recreation Area. Sited on the floodplains of the east bank of the Mississippi River in St. Paul, it is defined by the Mississippi River to the North and Pickerel Lake below the river bluffs to the South. In turn, Harriet Island Regional Park informs the park to the East and the Interstate, 35‐E, to the west. The park is 384‐acres (155 hectares) which includes the 100‐acre (40-hectare) Pickerel Lake and an additional 100 acres (40 hectares) of wetland/marsh.

This new picnic shelter and park support space creates a gathering place for visitors to Lilydale Regional Park. It helps accommodate groups in the park, provides additional programming space, and helps support recreational trails, fishing and boating, birdwatching, play areas and non‐motorized park access. The gentle, folding roof creates covered gathering space for people and visitors to come together.


Lakewood Cemetery Garden Mausoleum

Designed by HGA, Minneapolis, MN, United States

Lakewood follows the distinctly Americanized tradition of the Lawn Plan cemetery — a mix of large family monuments and individual grave markers arranged within open, sweeping lawns framed by trees and softly curving roads. Inspired by the landscape of Pere-Lachaise Cemetery in Paris, a new 24,500 square foot (2, 275 square meter) mausoleum connects to its context and includes burial space for more than 10,000 people, a chapel, reception center, and landscaping on four acres. Rooted in its materials, horizontal bands of split-faced gray granite tie the structure to the earth.

Challenged with adding a large structure to a much-beloved place, the design team developed a strategy that protected and enhanced the cemetery’s historic landscape. Two-thirds of the program is tucked into a hillside to minimize the massing at the street level. A green roof planted over the lower level extends the cemetery’s lawn while angled grass mounds articulate skylights for the building’s subterranean spaces. At the Mausoleum’s entry, a white mosaic pattern rendered in infinite loops across white billowing surfaces reimagines the historic Lakewood Chapel’s colorful mosaic interiors.


Xcel Substation Enclosures

Designed by Alliiance, Minneapolis, MN, United States

Two Xcel Energy substation enclosures were designed in Minneapolis, called Hiawatha West and Midtown. These were made to respond to multiple requirements and operate at multiple scales: the city, the neighborhood, and the substation-proper. Driven by extensive community feedback and requirements of the Public Utilities Commission, the architecture of these enclosures responds to their community settings as well as to substation functional requirements.

Delving into the design, the team made the upper walls of both enclosures sculptural and iconographic, pushing their material capacities while enhancing the sense of urban connectivity along the city’s Greenway. A galvanized steel framework draws on substation tectonics to support brightly-colored anodized aluminum cladding. This cladding provides surfaces of shifting translucency and reflectiveness that respond to the wall’s visibility at a variety of distances, travel speeds, and vantage points. In contrast, the lower walls operate at a more intimate scale, reflecting their unique neighborhood settings.

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What is a Design District and How Has Their Rise Transformed Our Cities
CategoriesArchitecture

What is a Design District and How Has Their Rise Transformed Our Cities

Architizer is thrilled to announce the winners of the 11th Annual A+Awards! Interested in participating next season? Sign up for key information about the 12th Annual A+Awards, set to launch this fall.

In the ever-evolving landscape of urban design, the emergence of design districts has become a defining characteristic of progressive cities worldwide. These vibrant enclaves, often juxtaposed against the backdrop of industrial relics or purposefully planned developments, have become catalysts for economic growth, creative collaboration and community engagement.

At its core, a design district is a concentrated area within a city that serves as a thriving hub for creative and design-focused activities. These are places where architects, designers, artists and entrepreneurs converge to showcase their talents, exchange ideas and create an immersive experience for visitors. The value of a design district extends beyond its aesthetic allure; it breathes life into the local economy and community, fostering economic growth, cultural enrichment and a sense of place.

Grand Bazaar of Istanbul bIV. Murat

Long before the rise of modern metropolises, ancient civilizations laid the foundation for what we now recognize as design districts. These neighborhoods of artisans and craftspeople played a crucial role in the cultural and economic fabric of their respective societies. The Agora of Athens was a bustling marketplace that served as a hub for artists, philosophers and traders. Within its grand colonnades and stoa, the Agora fostered the exchange of ideas, the birth of democracy and the creation of iconic architectural wonders like the Parthenon.

While across the Aegean Sea, the 61 covered streets and 4,000 shops that make up the Grand Bazaar of Istanbul traces its origins back to the 15th century. This labyrinthine marketplace encapsulated the rich heritage and diverse influences of the Ottoman Empire. Within its alleyways, artisans, jewelers and carpet weavers transformed the Bazaar into a beacon of trade, attracting visitors from far and wide and establishing Istanbul as a global exchange hub.

Since then, we have borne witness to the emergence of many design districts across every continent and over centuries of design movements, and it was the demise of the industrial era that may have resulted in the most significant growth of the “design district.” Following the Second World War, countless factories and warehouses were left empty, creating opportunities for revitalization and adaptive reuse.

Soho neighborhood, Lower Manhattan, New York bRafael Sanchez Lopez/Wirestock Creators

Starting with SoHo in New York City of the 1960s, abandoned factories and warehouses became fertile ground for architectural reinvention across the world. Once-decaying cast iron structures have since been transformed with design districts emerging from the ashes of these forgotten structures, infusing new life into their once-decaying shells. More recently, in the heart of London, the vibrant community of Shoreditch has flourished within the remnants of its industrial past. Former factories have been imaginatively transformed into studios, galleries and creative workspaces, attracting a new generation of artists, designers and entrepreneurs.

Similarly, the Meatpacking District in New York City underwent a remarkable metamorphosis from a gritty industrial zone to a thriving hub of fashion, art, and design. Repurposing the neighborhood’s historic meatpacking warehouses, the district now teems with high-end boutiques, galleries and avant-garde restaurants, redefining the concept of urban cool.

In the modern era, design districts have become invaluable commodities to thriving cities and the creatives who inhabit them. They serve as vibrant cultural epicenters, nurturing collaboration and cross-pollination of ideas across disciplines. These districts attract designers, artists and entrepreneurs, fueling economic growth through increased tourism, job creation and consumer spending. Their impact transcends economic gains; design districts contribute to the cultural fabric of a city, hosting exhibitions, events and festivals that celebrate creativity and artistic expression.

Shoreditch Chimney By Dani

However, patience is not a characteristic often coveted in urban development in the modern age, and today design districts may not be gifted the same lengthy development time as their predecessors. Rather than coming into existence as a natural ecosystem of designers, artists and makers drawn to an area with cheap rent and little in the way of planning restrictions, design districts are now often shaped by the vision of architects who are tasked to create places that accommodate the needs of the creative community while appealing to the broader public. Architects embarking on the design of a design district face multifaceted challenges to create authentic experiences.

The synergy of function and aesthetics lies at the core of successful design district architecture. Striking a balance between iconic structures that inspire and functional spaces that accommodate diverse businesses and creative enterprises is paramount. Architects must navigate the delicate balance between creating visually striking environments and ensuring that these districts cater to the needs and aspirations of the creative community and local residents.

Flexibility and adaptability are key considerations when designing design districts. The ability to evolve with changing trends, technologies and creative practices is crucial for their long-term success. Modular and versatile design principles that allow for easy reconfiguration are essential for fostering an environment of continuous innovation and adaptation.

Greenwich Peninsula Low Carbon Energy Centre by C.F. Møller Architects, London, England, United Kingdom. Photo by Mark Hadden

Similarly, connectivity and accessibility play pivotal roles in the design of these districts. Careful planning of transportation networks, pedestrian-friendly spaces and digital infrastructure is required to ensure the communities are accessible and inclusive. By integrating design districts with the larger urban fabric, architects foster connections, diversity and interactions, nurturing a sense of community and place.

While purposeful planning and intentional programming are important aspects of design district creation, striking a delicate balance is paramount. Single programming can inadvertently inhibit the natural “ecosystem” of different proprietors, stifling the organic growth and diversity that defines traditional neighborhoods. Design districts should feel as though they have evolved naturally, allowing for the emergence of a rich ecosystem of creative ventures and businesses intermingled with places to eat, linger and take part in cultural events. Their restaurants and music venues often define design districts.

Burò Furniture by Mezzo Atelier, Milan, Italy

Purposely designing a design district is challenging, and caution should be taken against over-planning and segmenting a district into areas for function which can lead to districts failing to be vibrant homogenous neighborhoods and echoing shopping malls with an area to eat, a zone to shop, and a place to work. The Greenwich Peninsula in London has been criticized for this very reason. The purpose-built design district lacks the balance of function needed to meet the aspirations of the creative community and local residents, which is crucial for creating spaces that resonate with authenticity and a sense of belonging.

Successful design districts bear the imprints of visionary architects who have shaped these urban landscapes. Zona Tortona, Milan, Italy, was designed by a collective effort of visionary architects, including Fabio Novembre, Giulio Cappellini, and Piero Lissoni. Zona Tortona has become one of the most iconic design districts in the world and is renowned for its cutting-edge design, fashion and art events. The former industrial area now comprises sleek showrooms, galleries and creative venues. Zona Tortona’s success lies in its seamless integration of contemporary architecture and historic industrial structures, creating a captivating and vibrant atmosphere for visitors and design enthusiasts.

Poblenou, Barcelona, Spain by Pavel

In Barcelona, the Poblenou Design District started around twenty years ago, when artist collectives took over abandoned factories to work and host parties. Early adopters of Poblenou included the artist Antoni Miralda and Mariscal, creator of the legendary Palo Alto design studio. Although large swathes of the area still retain a gritty nature, the neighborhood is now dotted with warehouse conversions containing open-plan homes, galleries, coworking spaces and architects’ studios, making it the historic city’s creative heart.

The economic and cultural benefits of design districts are far-reaching. They attract diverse businesses, from galleries, studios and showrooms to boutiques, cafes and restaurants. The influx of visitors and tourists fuels economic growth, job creation, and increased consumer spending. Design districts become vibrant cultural epicenters, hosting exhibitions, workshops, and events that celebrate artistic expression, foster cultural exchange, and enhance the local community’s quality of life. And so, if you ever find yourself at the forefront of designing a design district, consider the marketplaces of ancient Athens, the revival of SoHo by the struggling artists of New York or the design geniuses of Barcelona and perhaps 500 years from now, your efforts will stand as a testament of great design as the streets of Grand Bazaar of Istanbul continue to do so to this day.

Architizer is thrilled to announce the winners of the 11th Annual A+Awards! Interested in participating next season? Sign up for key information about the 12th Annual A+Awards, set to launch this fall.

Top image: Ancient Agora of Athens in Greece bnejdetduzen

Reference

BlocPower: Renovating Buildings and Cities on the Path to Zero
CategoriesSustainable News Zero Energy Homes

BlocPower: Renovating Buildings and Cities on the Path to Zero

By Joe Emerson, Founder, The Zero Energy Project

Brooklyn-based BlocPower is an innovative for-profit startup that aims to renovate thousands of older buildings to become highly energy efficient, all-electric, and low–carbon emitting. All while creating good jobs for low-income people. As a “public benefit” corporation, BlocPower’s core goals include energy efficiency, renewable energy, greenhouse gas reduction, economic development, job creation in low-income communities, and financial return for its investors.

BlocPower contracts with building owners, local governments, and utilities to decarbonize residential buildings. They start by making them all-electric, removing all the fossil fuel–powered HVAC, stoves, and water heaters; replacing them with highly efficient heat pump heating and cooling systems, heat pump water heaters, and electric stoves with induction ranges. Wherever possible, they add rooftop solar or purchase renewable power for the buildings.

Making It Simple for Owners and Residents

Using advanced modeling and project-management technology, BlocPower handles the contractors; engineering and design; the equipment, removals and installations; as well as the construction loans. Sure, it’s challenging for building owners and residents to go through this process, but BlocPower does everything they can to make it easier. In addition, they provide the financing needed to pay for the project in a way that saves the owners money, usually from the very first year.

BlocPower reports that owners often save 40–60% on their utility bills after the renovation. So the annual total loan payments for the renovation are often less than the annual energy savings. As a result, even though BlocPower lends the money with interest, the owner pays less each year because of the energy savings.

Aiming High

BlocPower has a contract to electrify every residential building in the city of Ithaca within 4 years. Other cities with climate action plans are negotiating with BlocPower to assist them in decarbonizing. While they help to decarbonize a city, BlocPower hires local, low-income residents to do the work.

As an investor-backed company, BlocPower is growing its financial clout in order to scale up its building energy renovations and lending services to meet building energy efficiency needs nationwide. They systematically take advantage of all available government grants, and they’re developing Silicon Valley and Wall Street investors,  as well as crowdfunding. As BlocPower plans to go public and take their operations nationwide, they could have a massive impact on carbon emissions as they move homes and buildings across the country forward on the path to green energy.

BlocPower aims to make it possible for cities to meet their climate goals while creating a profit center for investors; creating healthier residences and workplaces; and lowering energy bills.

Reference

What Can North Americans Learn About Design From European Cities?
CategoriesArchitecture

What Can North Americans Learn About Design From European Cities?

Judging is now underway for the 10th Annual A+Awards Program! Want to earn global recognition for your projects? Sign up to be notified when the 11th Annual A+Awards program launches. 

As a Canadian ex-pat currently living in France, I was excited for and whole-heartedly welcomed a change of pace from North American life. Canadians and Americans often idolize Europe and its accompanying lifestyle, and after nine months in France, I can confirm the charm of European living has yet to wear off.

Europe covers a relatively small landmass, especially when comparing it to the rich array of countries that make up the continent. Each country offers its own distinctive culture and way of life, and because of this, it is difficult to categorically define ‘European living.’ Nonetheless, there are certain cultural similarities that can be strongly felt amongst countries (especially those in Western Europe). I will use my time residing in France as a case study to help make sense of North America’s infatuation with the European lifestyle. An infatuation that I continue to feel here in France.

I’ve been residing in Orléans, a small French city located one hour southwest of Paris. The city dates back to antiquity and has a charming mix of half-timbered medieval homes, Haussman-style buildings and Gothic architecture. Those living in the city center typically reside in the town’s older infrastructure, while those in the surrounding suburbs occupy newer, more contemporary buildings.

One of the most apparent reasons why North Americans are so charmed by Europe is its history. European cities are filled with an incredible history that is recognizable through architecture. As a North American, it’s hard not to be taken by such ornate and historic surroundings. When living in Orléans, I can confirm that walking past the striking gothic cathedral and rows of half-timbered homes never got old to my North American eyes.

Despite such apparent beauty, history and charm, there were certain aspects of French living that took some time to get used to. While in France, I said goodbye to the many North-American luxuries I had grown accustomed to: high-end heating, accessible infrastructure, dryers and large living spaces. At first, I missed such luxuries but I quickly discovered just how easy it is to live without them. All it took was a bit of adjusting to eventually realize that many North-American amenities are superfluous. In the winter months, I learned to layer my clothes and in the summer months, I made sure to keep my shutters closed during the day. Quickly enough, giving up modern amenities was easy to do when, in return, you get to live in a historic city.

Even as we enter the hot summer months, I do not long for North American amenities. One of the most pronounced differences between Europe and North America in the summer is the absence of air conditioning. Most old European apartments do not come equipped with air conditioning. European homes are often built with brick and stone, unlike North American homes, which are built with wood. Building with stone and brick provides much better insulation and thus a more temperature-regulated living space. Therefore in Europe, it is possible to keep a dwelling cool in the summer. Moreover, the use of exterior window shutters is common in Europe and helps keep out the heat during the days and ventilate the home at night. Perhaps it is less convenient not having air conditioning, but the traditional building infrastructure makes it possible to endure hot summers.

Window Shutters – ‘Pierre Bottero’ media library and park in Pélissanne by Dominique Coulon & Associés, Pélissanne, France, 2020

Stone Buildings – Former Monastery of San Giuliano by CN10 Architetti, Bonate Sotto, Italy, 2016

Moreover, I realized that Orléans’ architecture contributed to my ability to find community in a foreign country. For example, the tight living spaces and communal courtyards helped foster strong connections with my roommates and neighbors. Equally, the abundance of mixed-use buildings furthered this strong sense of community living. In North America, we are often used to separate residential and commercial districts. Whereas in Europe, everything is much more densely organized. We often perceive density as a negative urban characteristic, but in this case, it helped me find my place and personal rhythm in Orléans. Whether it was visiting my local boulangerie or pharmacie, the intertwined nature between commercial stores and residential dwellings fueled a strong connection between all Orléanais people. In addition, the numerous public squares sprawled throughout the city would hold weekly farmer’s markets and social events. These public squares further contributed to my ability to comfortably integrate into the local way of life.

Public Spaces – Leyteire Courtyard by Martin Duplantier Architectes, Bordeaux, France, 2012. Yohan Zerdoun Photography

Dense ArchitectureVoltaire by SABO project, Paris, France, 2017

Before I knew it, the very things I at first disliked about France became the very aspects I now appreciate. Today I see claustrophobic close quarters as intimate spaces, narrow sidewalks as endearing and the bike-unfriendly cobblestone roads as a welcomed challenge to my daily commute to work. All in all, what I’ve taken away from my time in France is that European living is often more laidback. It’s at times less convenient and less polished but equally, if not more, enjoyable to North American life. The homes may not be equipped with the standard appliances found in North America, however, one will quickly find great satisfaction and purpose in navigating the quirks of European life.

Judging is now underway for the 10th Annual A+Awards Program! Want to earn global recognition for your projects? Sign up to be notified when the 11th Annual A+Awards program launches. 



Reference