Using fallen city trees for greener urban building – Springwise
CategoriesSustainable News

Using fallen city trees for greener urban building – Springwise

Spotted: According to one study, rural and urban communities across the US lose around 36 million trees every year, whether that’s due to felling, disease, or weather-related damages. Once they’ve fallen or been cut down, the majority of these trees are chipped, burnt, or simply sent to rot in landfill. This represents a huge waste of potential resources and economic opportunity. One startup that’s hoping to change that is Washington-based Cambium Carbon.

Instead of allowing fallen or cut-down trees to go to waste, Cambium partners with local sawmills and other organisations to turn them into Carbon Smart Wood – a high-quality, carbon-negative building material with various purposes, including decking, siding, fencing, millwork, and lumber. To regenerate land and ensure the long-term of America’s forests, the company allocates 15 per cent of its profits to the planting of new trees, targeting historically underserved and low-canopy areas.

Cambium Carbon also tracks all incoming material through its transparent supply chain software, Traece. With the Traece system, end users can also access information on their Carbon Smart Wood manufacturing, as well as helpful data on the carbon impact, which can be used in a company’s climate reporting as they work to meet sustainability goals.

Numerous companies have seen the potential in Cambium, with Carbon Smart Wood already incorporated across various sites like Maryland’s Guinness Brewery, the Patagonia store in Baltimore, and the National Geographic headquarters in Washington. Furniture retailer Room & Board has also used the material to craft unique coffee and side tables.

There are many other innovators making use of wood to create beautiful, eco-friendly products – including a waterproof wood composite for use in bathrooms and another material made from wood waste.

Written By: Lauryn Berry and Matilda Cox

Reference

MVRDV unveils residential development for Tencent smart city
CategoriesArchitecture

MVRDV unveils residential development for Tencent smart city

Dutch studio MVRDV has revealed a series of residential high-rises arranged around courtyards in Shenzhen’s Qianhai bay, which will form part of a smart city development by technology company Tencent.

Named Tencent 5, the residential complex will have four courtyards surrounded by 11 apartment buildings and an adjacent kindergarten, designed to be a neighbourhood that fosters community.

Tencent 5 residential complex by MVRDVTencent 5 residential complex by MVRDV
Tencent 5 will have 11 apartment buildings arranged around courtyards

Located on a narrow peninsula, the bayside residences will be the centrepiece of a wider smart city campus developed by Tencent and masterplanned by US architecture studio NBBJ.

MVRDV designed Tencent 5 as a social and green development that provides housing to employees working in the city.

Residential high-rises by MVRDV in ShenzhenResidential high-rises by MVRDV in Shenzhen
Muli-level balconies will puncture the facades

“By contributing to Tencent’s smart city, we want to show that smart cities are also healthy cities, green cities, and social cities,” said MVRDV founding partner Winy Maas.

“The attention in smart cities always goes to the technology, and our design of the Tencent residential complex certainly includes that, but in our conception, the technology-related aspects are inseparable from the social spaces, the green courtyards, the terraces – the technological goes hand-in-hand with the human.”

MVRDV residential buildings in ShenzhenMVRDV residential buildings in Shenzhen
It will provide housing to employees working in the smart city campus

The terraced residential buildings, which range in height from 57 to one hundred metres, will have equally-sized apartments with views of the sea to the west and the bay towards the east.

“Located at the northern end of the campus, MVRDV’s design emphasises equality between residents,” said MVRDV. “All units are identical in size and layout, with each providing a balcony or bay window to its occupant.”

“The buildings are terraced, supporting communal green spaces that can be accessed by all residents.”

The green courtyards and other public spaces in Tencent 5 were designed to be places where neighbours can connect with each other.

Pedestrian paths through the complex will provide added outdoor space populated with sports and leisure activities.

Tencent 5 residential development in ShenzhenTencent 5 residential development in Shenzhen
Green pathways will cut through the site

Additional shared amenity space will be located on the ground floors of the residential buildings, and multi-level balconies will puncture the facades.

“Large, multi-floor breakout spaces puncture the towers’ facades at a variety of levels, allowing residents to gather with others who live in the same part of the building and breaking the development into a number of smaller ‘neighbourhoods’,” said MVRDV.

Kindergarten in Shenzhen by MVRDVKindergarten in Shenzhen by MVRDV
A series of connected blocks will form the kindergarten

A kindergarten adjacent to the residential complex will also be arranged around its own courtyard. It will be made up of a series of blocky buildings with rooftop gardens, connected by corridors and walkways.

“The courtyard, along with the spaces between the blocks, provide safe and shaded playing spaces for the children, while the blocks themselves feature rooftop gardens,” said MVRDV.

Tencent 5 kindergarten by MVRDVTencent 5 kindergarten by MVRDV
The kindergarten will also have a courtyard

Construction on Tencent 5 is underway and it is due to be completed in 2024.

Other projects by MVRDV in China include the transformation of a skyscraper in Shenzhen into a women and children’s centre and its plans for a library in Wuhan with a sweeping form.

The images are by Atchain.


Project credits:

Architect: MVRDV
Co-architect: A&E design
Contractor: Shanghai Baoye Group Corp
Structural engineering and MEP: A&E design
Cost calculation: Arcadis
Environmental advisor: ATKINS
Visualisations: Atchain and Tiptop

Reference

Can You Really Grow a City? The Truth About Mycelium
CategoriesArchitecture

Can You Really Grow a City? The Truth About Mycelium

Architizer’s 12th Annual A+Awards are officially underway! Sign up for key program updates and prepare your submission ahead of the Final Entry Deadline on January 26th.  

The architecture industry is looking for alternatives to concrete, the world’s most widely used building material. Cheap, versatile and strong, concrete is one of the most revolutionary substances in history. It would not be an exaggeration to say that cities as we know them today would not have been possible without reinforced concrete. However, the carbon footprint of cement production is enormous, accounting for 8% of global emissions each year. For comparison, this is a far higher share than the aviation industry, which is responsible for 2% of emissions. It is not hard to see why architects are interested in moving away from concrete — and quickly.

Among the alternatives to concrete being researched, a material derived from fungus called mycelium is by far the most romantic. In 2024, everyone knows someone obsessed with mushrooms and their alleged nutritional, medicinal and psychotropic virtues. For these types, it just makes sense, in an artistic or spiritual way, that fungi will rescue us from the climate crisis we’ve created.

I mean this with no condescension whatsoever: fungi are fascinating and inspiring. They have also been around far longer than animals and plants. Personally, I adore the idea of a future world where we live in homes made of mycelium. There is an undeniable Richard Scarry-esque charm to the image of living inside a mushroom.

Close up of mycelium network. Rob HilleMycelium RH (3)CC BY-SA 3.0

So what exactly is mycelium? Briefly, mycelium is the root-like structure of a fungus. It functions both as a root system as we would think of it — that is, a fungus transports nutrients through its mycelium — but also as a kind of giant brain. The mycelium of a fungal system sends electrical signals to different parts of the organism to warn of changes in the environment.

In some cases, a mycelium system can span thousands of acres, as is the case in Oregon’s Malheur National Forest. Individual mushrooms are simply the “fruiting bodies” of this vast organism, which is estimated to be at least 2,400 years old.

Mycelium is widely used in the world of packaging, with companies like Ikea and Dell using it instead of polystyrene, which is not biodegradable. The process for creating mycelium packaging is the same as for creating mycelium bricks, which are used for building.

First, organic waste is cleaned and then combined with mycelium, which grows around the waste and digests the material. (Remember: fungi eat their nutrients like we do. They are actually more closely related to animals than plants biologically). Then, the remaining material is placed into a mould. It continues to grow to fit the shape of the mould, and when it is dried, voila! A mycelium brick is born. This process is quick, taking only five days.

The Growing Pavilion by Biobased Creations, Eindhoven, Netherlands, 2019. Finalist, 2021 A+Awards, Architecture +New Materials

Certified Energy, an environmental consulting firm in Australia, aptly describes the virtues of mycelium construction: “Through bio fabrication a carbon neutral building process can be achieved eliminating such products as artificial insulation used in walls, MDF and other non load bearing structures.” In addition, “Mycelium products can also provide other benefits such as termite proofing, with products being created which attract termites but when eaten cause a fungus spore to activate within the termite killing it and creating a fungus whose spores repel other termites.”

Stunningly, Certified Energy explains that “relative to its weight a mycelium brick is stronger than concrete with a cubic meter of mycelium brick weighing 43 kilograms and a cubic meter of concrete weighing 2400 kilograms” (95 pounds versus 5,290 pounds). Unfortunately, this is not the most relevant metric. By volume, rather than weight, mycelium has nowhere near the compressive strength of concrete, clocking in at 30 pounds per square inch versus 4000 pounds per square inch for concrete. These bricks will not be used to build a home near you in the near future.

Hy-Fi by The Living, New York City, New York 

And yet, there is still something inspiring about mycelium’s capacities. In 2014, The Living New York exhibited a tower called Hy-Fi in front of MoMA PS1. Standing 43 feet (13 meters) tall, the structure was made of 10,000 compostable mycelium bricks. As mycelium bricks are created through the process of organic decomposition, the manufacture of the bricks for this tower resulted in fertile soil as an output, which is obviously vastly preferable to the carbon released in cement production. Indeed, The Living New York donated this soil to local community gardens.

Another incredible feature of mycelium bricks: they are technically still alive when they are used. This allows them to bond to each other without mortar and even heal themselves when cracks appear. Can you imagine? A crack in your wall healing on its own.

Mycelium is certainly cool, and shows promise as a material for insulation, furniture, and the construction of temporary structures. However, it is unfortunately not a realistic alternative to concrete or even wood. Researchers should consider the way mycelium elements can complement sustainable architecture rather than pitching it as a building material on its own.

Cover Image: Mushrooms by Bernard Spragg. CC BY-SA 3.0 via Negative Space

Architizer’s 12th Annual A+Awards are officially underway! Sign up for key program updates and prepare your submission ahead of the Final Entry Deadline on January 26th.  

Reference

City of Tomorrow: 8 Stunning Icons of Singapore’s Futuristic Architecture
CategoriesArchitecture

City of Tomorrow: 8 Stunning Icons of Singapore’s Futuristic Architecture

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Singapore’s architectural landscape reflects a rich fusion of diverse influences. This island city-state boasts a skyline adorned with new skyscrapers, garden homes and innovative designs that respond to cultural traditions and tropical weather. Singapore has also undertaken ambitious public and civic building initiatives to address climate change and rapid growth. By looking to the future of the city and the country, architects are imagining new building forms and spaces, architecture that feels progressive, futuristic and inventive.

Singapore gained independence from Malaysia in 1965 and has since grown into a highly prosperous country. It is not part of any larger nation but stands as an independent and sovereign state. Incorporating design elements from different cultures and regions like Malay, Chinese, Indian, and Western traditions, the city-state’s architecture is iconic and varied. It ranges from vernacular homes and local hybrid shophouses to modern concrete and glass high-rises. Taking a glimpse into the city’s design culture, the following eight projects highlight the futuristic and inspiring architectural icons found across Singapore.


The House of Remembrance

By Neri & Hu, Singapore

Jury Winner, 10th Annual A+Awards, Private House (M 2000 – 4000 sq ft)

Neri&Hu were tasked with creating a private residence that would accommodate three adult siblings while preserving the memory of their childhood home. The previous British colonial bungalow with Malay and Victorian influences inspired the new design. Retaining the pitched roof’s symbolic significance, the two-story house organizes communal spaces around a central garden, serving as a memorial for their late mother. The ground level emphasizes visual transparency, connecting living spaces to the lush perimeter gardens, while sliding glass doors provide cross ventilation and direct access to outdoor spaces.

The upper level, featuring pitched-roof forms, houses private bedrooms and establishes a visual connection between public and private realms. A carved void in the roof volume frames a small tree, symbolizing the central memorial garden. The exterior transitions from smooth to board-formed concrete, emphasizing balconies and sky wells. The circular ground floor circulation enhances the experience, reinforcing the garden’s symbolic role as the heart of the home, providing a return to the center both spiritually and physically.


Learning Hub, Nanyang Technological University

By Heatherwick Studio, Singapore

Heatherwick Studio’s Learning Hub was designed to be a new multi-use building for the NTU campus. The university specifically requested a distinctive design tailored to modern learning approaches. In response, the team crafted a structure that would foster collaboration among students and professors from diverse disciplines. The result is an architecture that blends social and learning areas, creating spaces for spontaneous interactions between students and professors. Twelve towers, each a stack of rounded tutorial rooms, taper inwards at their base around a spacious central atrium.

The Learning Hub aims to serve as a nexus where students in Singapore may encounter potential future business partners or collaborate on innovative ideas. The classrooms were conceived by NTU to support interactive small group teaching and active learning. The rooms boast a flexible layout, allowing professors to customize configurations for enhanced student engagement, and facilitating seamless collaboration among students. Opening onto the shared circulation space around the atrium, the rooms are interspersed with open areas and informal garden terraces, fostering visual connectivity among students while providing spaces for gathering together.


The Discovery Slides

By Carve, Singapore

Carve and Playpoint were the designers behind a new slide attraction inside the Jewel Changi Airport. The attraction, situated in the Canopy Park on the highest level of the new development in front of Terminal 1, is part of a comprehensive project that includes a shopping mall, attraction park and garden. The Canopy Park features over 1,400 trees and palms alongside various other attractions, aiming to enhance the overall airport experience and entice travelers to choose Singapore’s Changi airport over others.

Carve’s original concept for the playground was like a sculpture with carved-out sections revealing a colored interior. The playground serves a dual purpose, acting as both a gem balancing on the fifth ring of Jewel and a hidden slide attraction. The sinuous shell evolved into a polished steel skin. The structure’s continuous form amplifies its surroundings, offering surreal reflections for visitors. The viewing deck provides a vantage point within the complex, attracting crowds, social media enthusiasts and families seeking adventure and play in Singapore. It features four slides, including a family slide, a steep drop slide and two glass-covered spiral slides.


Cornwall Gardens

By CHANG Architects, Singapore


This multi-generational home by CHANG Architects is designed as an open tropical paradise, fostering an I-Thou relationship with nature. The house seamlessly integrates plants, water features and living spaces to share the same space, promoting a sustainable and wellness-oriented environment. The foyer, once plagued by a leaking retaining wall, is transformed into a green courtyard with a waterfall feature, offering a lush welcome to visitors.

Utilizing existing terrain, the house incorporates built-ups as planters for tropical fruit trees, creating a green oasis with landscape decks, cascading planters, and a bio pool. The planted verandahs and planter bridge not only enhance aesthetics but also provide sun-shade and privacy. Serving as a popular gathering spot, the house has attracted biodiversity, embodying a contemporary tropical living experience achieved through collaboration between the client and the design team. It’s neo-tropical approach is emblematic of design ideas and culture in Singapore.


Sky Habitat

By Safdie Architects, Singapore

Safdie Architects have long reimagined what contemporary living environments can be. For Sky Habitat, the team redefined urban living with a three-dimensional matrix of homes. The project features terraces, balconies, and communal gardens that infuse every level with landscape, light, and air. The stepped form mimics a hillside town, providing units with diverse orientations, natural ventilation, and expansive views. In contrast to typical high-density buildings, Sky Habitat prioritizes resident well-being by offering amenities such as swimming pools, playgrounds, gardens and communal spaces for family gatherings.

Three bridging sky gardens connect the towers, creating a network of interconnected streets and terraces in the air, fostering common recreation and congregation spaces. The porous massing allows breezes to flow through, while the stepping geometry provides multiple orientations and spacious private terraces for residents. The ground level, above a sunken parking podium, is transformed into lush gardens, encompassing outdoor event areas, swimming pools, a tennis court and walking paths, making Sky Habitat a harmonious blend of nature and urban living.


Ascent, Singapore Science Park

By S333 and Limelight atelier, Singapore

The building concept for the Ascent Science Park focuses on legibility and drawing visitors in during all hours on the campus. A key part of the conceptual strategy for the mixed-use development building was lighting: varied-height translucent glass modules in the facade spandrel encircling the central courtyard serve as a rainscreen, sheltered arcade, and lighting feature. Designed by UK Architecture firm S333, the guiding concept aimed to create a highly efficient scheme that encourages spill over activities at night.

Ascent consists of office headquarters, retail, restaurants and a pharmacy. These programs are set around courtyards, gardens and plazas; Ascent’s upper levels provide large, deep-plan space for offices and laboratories, while lower levels offer exhibition, hosting and event spaces. Overcoming structural constraints and maximizing tenancy spaces, a row of LED lights, concealed at the top of the openable spandrel capping, directs light downward to the courtyard with minimized hotspots. Ascent Science Park was awarded the Building Construction Authority of Singapore’s Greenmark Platinum award in 2015.


Gardens by the Bay

By WilkinsonEyre, Singapore

Early concept ideas for the masterplan for Gardens by the Bay in Singapore were inspired by the orchid (the national flower of Singapore). WilkinsonEyre, part of the winning team in the design competition, played a pivotal role in creating the Cooled Conservatory Complex. This iconic structure, at the heart of the Bay South Garden, features two of the world’s largest climate-controlled glasshouses.

The Flower Dome showcases a cool-dry Mediterranean Zone, while the Cloud Forest presents a cool-wet tropical montane, highlighting flora susceptible to climate change. The collaborative effort with Grant Associates, Atelier One, and Atelier Ten resulted in a unique design featuring a gridshell and arched steel ribs. The conservatories operate as carbon-positive structures, utilizing bio-mass for building services, contributing to Singapore’s vision of becoming a city-in-a-garden.


Marina One, Singapore

By ingenhoven associates, Singapore

“Marina One” stands as a groundbreaking model for urban living and working, particularly in tropical mega-cities grappling with population growth and climate change. The 400,000-square-meter high-density complex, comprising four high-rise buildings, establishes the “Green Heart” — a multi-story public space showcasing a three-dimensional green oasis inspired by tropical flora diversity. The strategic collaboration between ingenhoven architects and landscape architects Gustafson Porter + Bowman resulted in natural ventilation and an innovative climate strategy, as well as a landscaped area surpassing the original site surface.

Marina One integrates office, residential and retail functions, offering a total of 1,042 city apartments and penthouses. With iconic louvres and lush planting, the building complex enhances the microclimate, fosters biodiversity, and mirrors a rainforest’s vertical climate changes. The “Green Heart” features over 350 plant varieties and 700 trees on a 37,000-square-meter landscaped area, providing a habitat for various animal species. This vibrant hub includes retail spaces, fitness facilities, and dining options, promoting social interaction within a harmonious atmosphere. The design prioritizes energy efficiency and sustainable transportation, with direct connections to mass transit and eco-friendly commuting options.

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Reference

Bunkhouse and Reurbano convert Mexico City building into boutique hotel
CategoriesInterior Design

Bunkhouse and Reurbano convert Mexico City building into boutique hotel

American hotel brand Bunkhouse and interior design studio Reurbano have used motifs derived from the history of a Mexico City structure when converting it into a boutique hotel.

Hotel San Fernando is located in the Condesa neighbourhood of Mexico City, a largely residential zone that in recent years has seen an influx of national and international travellers.

Hotel San Fernando with lettering and entrance corridorHotel San Fernando with lettering and entrance corridor
Bunkhouse and Reurbano have converted a 1940s apartment building into a boutique hotel in Mexico City

Bunkhouse worked with local interior design studio Reurbano to take a 1940s apartment building and convert it into a 19-room hotel, with finishes informed by the neighbourhood.

The face of the structure was restored and painted a light green, with darker green used on the awnings that provide coverage for seating attached to the hotel’s lobby and restaurant, which open to the street through glass-paned French doors.

Chandelier on bar top Chandelier on bar top
It features renovated spaces that maintain details of the original structure

An art deco-style logo spells out the name of the hotel above the door. Saint Fernando is known as the patron saint of engineers, and the team wanted to highlight this by maintaining the name of the original building in the branding of the new structure.

“We wanted to honour this building,” said Bunkhouse senior vice president of design Tenaya Hills.

“We love the story and the history and like to imagine what it has been for people over the decades.”

Woman on spiral staircase at Hotel San FernandoWoman on spiral staircase at Hotel San Fernando
A spiral staircase leads from the lobby to the rooftop

This primary entrance features a metal door with glass panes informed by the original stained glass of the building.

The entry corridor leads past a lobby lounge, with lighting by Oaxaca studio Oaxifornia and furnishings by local gallery Originario; and design studios Daniel Y Catalina, and La Metropolitana, which also created custom furniture for all of the guest suites.

At the far end of the lobby lounge is the restaurant’s bar, which features a large semi-circular cabinet with mirrored back to hold the spirits. A chandelier by local sculptor Rebeca Cors hangs above the clay-clad bar.

French doors with black and white tile flooringFrench doors with black and white tile flooring
French doors feature at the entrance and on some of the rooms

The entrance corridor has green encaustic concrete tiles from the original building. Other original details include the wainscotting and casement windows.

A reception area is located at the end of the corridor and behind it is a circular staircase with metal-and-wood railing that leads all the way up through the building, with landings on each of its five floors, terminating at a terrace on top of the building.

The guest rooms range from single-room setups to multi-room suites, the largest of which are accessed through French doors with opaque windows.

Here the studio departed from the greens used on the exterior and the lobby and utilised soft orange, pink and white paints.

Room at Hotel San FernandoRoom at Hotel San Fernando
Light colours and hand-crafted goods fill the rooms

Floors in the rooms are either tile or wood and furniture made from light-coloured wood is covered by locally derived textiles. Three rooms on the rooftop level feature furniture designed by Bunkhouse and fabricated by local design outfit B Collective Studio.

Pendant lamps and sconces by local ceramicist Anfora are found in the kitchens and bathrooms.

Sculptural breezeblocks on hotel terraceSculptural breezeblocks on hotel terrace
The rooftop features sculptural breeze blocks

The rooftop features a tiled dining and lounge area surrounded by sculptural breeze blocks, designed to mimic the original building’s patterned stained glass.

Mexican design studios Mexa and Comité de Proyectos contributed furniture pieces for the rooftop.

Other hotels in Mexico include a tile-clad structure in San Miguel de Allende by Productora and Esrawe Studio and a hotel in Mexico City with wooden lattices by PPAA.

The photography is by Chad Wadsworth. 



Reference

Mexico City community centre has blue-tinted concrete walls
CategoriesArchitecture

Mexico City community centre has blue-tinted concrete walls

Design firms WORKac and Ignacio Urquiza Architects have created a multi-level, concrete community centre in an underserved neighbourhood that is meant to “promote the regeneration of social life”.

The building by New York’s WORKac and local studio Ignacio Urquiza Arquitectos – officially called PILARES Lomas de Becerra — is located in a hilly area and rises up from a dense intersection surrounded by active streets.

Community centre by WORKac and Ignacio Urquiza ArchitectsCommunity centre by WORKac and Ignacio Urquiza Architects
The community centre is located in Mexico City

Located in Mexico City’s Lomas de Becerra neighbourhood, the building was created as part of a government initiative called PILARES, which stands for Points of Innovation, Freedom, Art, Education and Knowledge.

For a slender, irregularly shaped site, the team devised a multi-storey facility that encompasses 5,059 square feet (470 square metres).

Blue concrete walls within the community centreBlue concrete walls within the community centre
WORKac and Ignacio Urquiza Architects designed the multi-level structure

“In appearance, the volume is simple and compact, with a strong character that confirms its presence as a public building,” the team said.

Walls are made of concrete – a material chosen for its construction and structural efficiencies, as well as its thermal and aesthetic qualities, the team said.  The concrete was dyed blue, a decision informed by the vibrant colours found in the surrounding area.

Coloured concrete building in Mexico CityColoured concrete building in Mexico City
The team devised the building for a slender, irregularly shaped site

Launched in 2018, the PILARES programme aims to create opportunities for residents in underserved areas.

“Each PILARES building is designed to support various kinds of classes and workshops in support of skill building, as well as bringing cultural programming, learning opportunities, and safe spaces for leisure and cross-generational gathering to each neighbourhood,” said New York’s WORKac.

“The sites selected for their construction create new landmarks in the urban fabric, enabling the population to identify them as community meeting centres that promote the regeneration of social life.”

Blue concrete walls and a geometric skylightBlue concrete walls and a geometric skylight
Walls are made of blue concrete

Mexico City’s government enlisted local and international design studios to create 26 facilities under the programme.

Buildings are meant to respond to the local context and follow programming guidelines developed through extensive community engagement.

Blue concrete wallsBlue concrete walls
The building is meant to respond to its local context

The team tried to reflect the community and its values in the architecture.

“The use of colour in Mexican architecture is an element that has been transformed and reinterpreted in the hands of many artists and architects across generations,” the team said.

The building is fronted by a plaza that is shaded by pre-existing trees.

Street with trees outside Mexico City community centreStreet with trees outside Mexico City community centre
The building is fronted by a plaza with trees

Part of the ground floor is sliced away to form an angled, glazed entry wall, which helps “the transition between exterior and interior spaces”, the team said.

“The diagonal opening on the ground floor provides clear and free-flowing pedestrian routes in every direction, inviting users to walk around the plaza and enter the building,” the team said.

Inside, the building contains three split levels, all of which are connected by a central staircase. Rooms are designed to be fluid and adaptable.

“This flexible approach leaves open the possibility for changes to the programme over the lifetime of the building and allows it to freely evolve and adapt,” the team said.

Central staircase from an aerial viewCentral staircase from an aerial view
Three split levels are connected by a central staircase

WORKac and Ignacio Urquiza Architects have designed a second PILARES building, in the borough of Azcapotzalco, that follows a similar design vocabulary.

Other PILARES buildings include a community centre in Iztapalapa by Rozana Montiel Estudio de Arquitectura that features a series of bridges, walkways and exterior staircases.

The photography is by Arturo Arrieta and Ramiro del Carpio.


Project credits:

Architect: WORKac and Ignacio Urquiza Architects (IUA)
Team: Amale Andraos, Dan Wood, Ignacio Urquiza Seoane, Michela Lostia di Santa Sofía, Eder Hernández, María del Mar Carballo, Ana Laura Ochoa, Anet Carmona, Noé García, León Chávez, Fernando Tueme, Sacha Bourgarel
Interior design and lighting: WORKac, IUA and APDA
Structure and engineering: BVG (César Barquera, Eduardo Barquera); Ecomadi
Landscape: Genfor Landscaping (Tanya Eguiluz)
Development: Mexico City government and ZV Studio (Carlos Zedillo)
Digital visualizations: Israel Levy
Client: Mexico City government

Reference

Pierre Yovanovitch opens design gallery in New York City penthouse
CategoriesInterior Design

Pierre Yovanovitch opens design gallery in New York City penthouse

French designer Pierre Yovanovitch has opened his first US showroom and gallery in Manhattan’s Chelsea neighbourhood, displaying over 80 pieces from his own furniture brand.

Recognisable designs including the iconic Bear Chair fill the 10,000 square feet (930 square metres) of gallery and office space on the penthouse level of 555 West 25th Street.

Dining table with eight round-backed chairs, and a light fixture aboveDining table with eight round-backed chairs, and a light fixture above
Pierre Yovanovitch chose a penthouse in a pre-war building for his New York gallery

This business expansion offers a permanent base for Yovanovitch and his team in New York, and allows customers and clients from his largest retail market to see the Pierre Yovanovitch Mobilier products first-hand.

“Having worked on residential projects in the US since the beginning of my practice in 2001 and with two successful furniture collection debuts (2017 and 2019) in New York, the opening of my first gallery space in America and new official New York headquarters, is a long-awaited realization for me,” said Yovanovitch.

Room with exposed ceiling beams, whitewashed brick and dark wood floorsRoom with exposed ceiling beams, whitewashed brick and dark wood floors
The exposed ceiling beams, whitewashed brick and dark wood floors are all typical of a New York loft

Inside the pre-war building, the gallery unfolds through a series of partial rooms that flow into one another without doorways or thresholds.

Throughout, exposed ceiling joists and ductwork are paired with dark wood flooring and whitewashed brick, typical of a New York loft space.

Furniture pieces styled like a living roomFurniture pieces styled like a living room
The gallery is laid out as a series of residential-style vignettes, which flow into one another

The largest display area centres around a sculptural fireplace, with a smooth plaster form that curves outward towards the base.

Furniture is oriented around the hearth, including a gently arced sofa and a chartreuse-toned resin coffee table, accompanied by the fluffy wing-backed Clifford armchair.

Wooden dining table with glass light aboveWooden dining table with glass light above
Yovanovitch curated a selection of artworks to accompany his furniture pieces

A variety of lounge and dining room vignettes showcase the products in suggested combinations with one another in residential-style layouts.

Other designs on show include the new Callis Table Lamp, the Roze Dining Table, the Arthur Sofa and the Artemis Rug.

Living room vignette facing a fireplaceLiving room vignette facing a fireplace
A variety of signature furniture and lighting designs are on display alongside new pieces

All are made in collaboration with specialist craftspeople and are “created with longevity and exceptional quality in mind” according to the brand.

“The brand pays homage to Yovanovitch’s Provencal roots, in particular the region’s natural light, rich and varied natural materials and colourways of the surrounding nature, as well as the historic commitment to craft associated with the region,” said a statement from the gallery.

The wide array of furniture and lighting pieces are presented alongside a selection of contemporary art curated by Yovanovitch – including works by Camille Henrot, Wolfgang Tillmans and Alicja Kwade – in an attempt to tie the gallery in with Chelsea’s status as an arts destination.

“It seems only fitting to open my first gallery location in the epicenter of New York’s art scene,” he said. “Not only is contemporary art central to my design practice, the neighborhood’s architectural history serves as reflection to my approach of revitalising historic spaces to fit a contemporary design aesthetic.”

Long dining table with blue and white upholstered chairsLong dining table with blue and white upholstered chairs
All of the Pierre Yovanovitch Mobilier products are “created with longevity and exceptional-quality in mind”

The New York gallery opening follows the debut of the brand’s new Paris showroom, which began welcoming visitors to a street-level space in the Marais neighbourhood from October 2023.

This move from the previous location in the 2nd arrondissement also strategically places Pierre Yovanovitch Mobilier amongst the city’s art galleries.

Sculptural fireplace accompanied by Pierre Yovanovitch's iconic Bear ChairSculptural fireplace accompanied by Pierre Yovanovitch's iconic Bear Chair
A sculptural fireplace anchors the largest area, accompanied by Yovanovitch’s Clifford chair

Yovanovitch founded his design practice in 2001 after working for fashion house Pierre Cardin. His interior design work has ranged from the salmon-pink and butter-yellow gift shop at Villa Noailles and ski hotel Le Coucou in France, to the high-end Hélène Darroze restaurant at The Connaught in London and ski hotel Le Coucou.

Earlier this year, the designer created a set with moving elements for Verdi’s Rigoletto at the Basel Opera.

The photography is by Stephen Kent Johnson.

Reference

Productora converts Mexico City textile factory into artist spaces
CategoriesArchitecture

Productora converts Mexico City textile factory into artist spaces

Mexican architecture studio Productora has restored a concrete industrial complex in Mexico City into a series of studios including its own office.

Productora has been gradually renovating the building, which was originally a textile factory built in the 1920s, since it moved its offices to the structure following an earthquake in 2017.

Green trimmed concrete reuse project
Productora has renovated an industrial site in Mexico City where it has an office

The studio originally took up residence in an empty “nave” in the factory in Mexico City’s Doctores neighbourhood along a furniture company.

Since then, the studio has been “slowly rebuilding the complex while inhabiting it” and more than twenty other companies have moved into the complex, which is now called Laguna,

Concrete and green trim in Mexico City
New buildings were added to the cleared courtyards in the middle of the complex

For the renovation, the studio focused on the interior of the complex while leaving the street-facing, painted-concrete exterior, generally untouched so that one might not know the complex is there at all.

The complex is now orientated around two courtyards that were cleared of existing structures to create new circulation and gathering areas.

Green metal screen with concrete breeze blocks
The site was once a textile factory

Within these courtyard spaces, a mix of newly built concrete workshops and the renovation of existing brick-and-mortar and concrete buildings will continue to take place over the next several years. The studio said it hopes that the project will be one of “constant adaptation and transformation”.

Now, the most significant aspects of the renovation have been the cleared courtyards and added buildings, as well as expressive walkways and a new freight elevator that towers above the site.

Green detailing was chosen because it was prominent in the trim of the windows and roof on the facade of the original structure, and these green details continue along the causeways and in the gridded window frames.

People on benches in Mexico City art space
Gathering spaces have been included in the courtyards. Photo by Camila Cossio

Social spaces have been installed in the courtyards so that members of the various companies can gather.

In the future, Productora plans to build wooden workshops on top of the preexisting structure to create flexible and modular extensions to the current program.

Jozz Gómez, a coordinator for Laguna, said that the presence of the complex has also positively changed the environment around the complex.

“It started to bring more employment, but also changed the neighbourhood,” she told Dezeen.

“It was known to be a very dangerous neighbourhood, but after the project started, you can see foreigners, students, and young people walking around the streets.”

Office spaces in industrial spaces
It holds office space for creative studios. Photo by Camila Cossio.

Productora was founded in 2006 and has additional offices in Brooklyn. Recent projects include a hotel in San Miguel de Allende clad in red and green tile as well as a bright-blue cohousing project in Denver, Colorado, USA.

The photography is by Pablo Manjarrez. Top photo by Camila Cossio. 

Reference

Estudio Estudio unveils “architectural treasures” in Mexico City house
CategoriesInterior Design

Estudio Estudio unveils “architectural treasures” in Mexico City house

Arched doorways and a rooftop studio feature in the Y.27 House, which has been overhauled by architecture firm Estudio Estudio in a way that honours the historic building’s original character.

Located on a 195-square-metre site in Mexico City’s Hipódromo Condesa neighbourhood, the project serves as a full-time residence for a client who is a social entrepreneur and collector of Mexican craftwork.

Y27 House by Estudio Estudio with an inbuilt studio
The house been overhauled to honour the historic building’s original character

Originally built in the 1930s, the stucco-clad dwelling had endured years of neglect, said local firm Estudio Estudio.

The design team set out to revamp the home’s interior, aiming to restore its original charm while enhancing its functionality.

Revamped home interior design
Estudio Estudio set out to revamp the home’s interior

The project involved removing walls, reconfiguring the layout and making structural improvements, in addition to adding new finishes. Moreover, a small storage room on the roof was replaced with a 43-square-metre studio building.

“The main goal was to unveil the hidden architectural treasures beneath layers of past modifications, meticulously restoring them to their original state to reveal the essence of the time,” the team said.

Kitchen entered via an arched doorway
In the rear, one finds a kitchen

“Architectural interventions aimed to preserve the authentic character of the house, rejuvenating ornamental elements while avoiding unnecessary embellishments.”

Rectangular in plan, the home has a mix of communal and private spaces spread across three levels. Curves and arches – many of them original – create a “harmonious flow”.

Rounded skylight that illuminates a staircase
Curves and arches create a “harmonious flow”

On the ground level, the layout “seamlessly integrates daily living requirements”. The front portion holds an entry hall, garage and office, while in the rear, one finds a kitchen, dining area, service rooms and a patio.

At the heart of the ground floor is an airy living room with a 5.9-metre-high ceiling. A tall shelving system with a metal-and-wood ladder acts as a focal point.

Tall shelving system
A tall shelving system acts as a focal point in the airy living room

A gently curved, skylit staircase leads to the first floor, where the team placed a primary bedroom, two bedrooms and a family room.

Atop the building is the new studio, which was constructed using pine. In addition to the studio, the building contains an onsen room with a barn-style door.

Barn-style door
The building contains an onsen room with a barn-style door

The studio opens onto a terrace with terracotta flooring. Rainwater is collected on the roof and channelled to a reservoir below.

“The roof terrace serves as a space to gather but also works as a rainwater collector, where rain travels throughout the house into a water reservoir and filter system beneath the back patio,” the team said.

Throughout the home, the team used earthy materials and neutral colours. The lighting design – created in collaboration with lighting expert Luca Salas – is meant to balance “ambiance, functionality and aesthetics”.

Notable finishes include oak parquet flooring and closets faced with cotton-canvas. Oak was used for window frames, kitchen cabinets and other elements.

Pisos de pasta flooring
Pisos de pasta flooring features in the kitchen

In the kitchen, the team took a sample of existing checkered tiles, made of pigmented concrete, to a local craftsman, who then replicated them.

This style of flooring – called pisos de pasta – is very common in older homes in Mexico City and southwest Mexico, said Estudio Estudio.

Stucco-clad building
The stucco-clad dwelling had endured years of neglect

Overall, the house is meant to balance historic elements with a contemporary lifestyle.

“This house proudly stands as a harmonious blend of past and present, inviting residents to embark on a captivating journey of refined and simple ways of living,” the team said.

Other projects in Mexico City’s Condesa district include a renovated house by Chloé Mason Gray that embraces its lack of natural light, and an apartment block covered in small, wooden squares that were inspired by vegetable crates.

The photography is by Zaickz Moz Studio.

Reference

PPAA submerges bedrooms underneath A-Frame house in Mexico City
CategoriesArchitecture

PPAA submerges bedrooms underneath A-Frame house in Mexico City

Local studio Pérez Palacios Arquitectos Asociados has completed a wooden A-Frame house with underground bedrooms in a forested area outside Mexico City.

Nestled in the forest of Valle de Bravo, the residence has two volumes stacked on top of one another, with public areas above ground and private ones below.

An A-Frame with a terrace overlooking the forest
Pérez Palacios Arquitectos Asociados has designed an A-Frame house with underground bedrooms outside of Mexico City

On the ground level, the A-Frame structure contains a semi-open living and dining room, kitchen, and family room, with a minimal footprint to create space for a terrace. The A-Frame structure consists of pre-fabricated elements brought to the site.

The top and sides of the A-Frame are enclosed in glass, as is the space at the back of the structure.  An outdoor pool and lounge area were placed on the terrace to bring occupants closer to the surrounding forest and to take advantage of the large base where the underground aspects are located.

A large dining table underneath an A-frame structure
The residence is made of two perpendicularly stacked volumes

“The main goal of this project was to give more importance to the surroundings present and to the open space given, embracing the idea of emptiness even with the possibility of having the architecture disappear,” Pérez Palacios Arquitectos Asociados (PPAA) founder Pablo Pérez Palacios told Dezeen.

A submerged staircase on the terrace leads to the lower level, which contains three bedrooms, each with a private bath, and a small study.

A kitchen with a large black cabinet unit
The A-Frame structure contains the house’s public areas like a kitchen and living room

The sleeping areas were buried into the ground, with windows facing out and privacy offered by the surrounding trees.

“This design method gives you the possibility to really disconnect while enjoying your own solitude in the surrounding nature, gently forcing you to have that moment of relationship with the site, even if you’re just going to bed,” said Pérez Palacios

A long rectangular structure placed beneath an A-Frame
The rectangular structure beneath the A-Frame contains the house’s private sleeping areas

The black finish on the exterior of the lower volume and the dark roof tiles were selected to help the home blend into the environment.

“The palette focuses on one core material – certified timber – to convey a sense of admiration and respect for the home’s surroundings,” said Pérez Palacios.

“Whilst the stainless steel, onyx joinery and hand-finished walls are used to evoke an unpretentious sensibility and as I would say ‘give prominence to the forest’.”

Rainwater is collected from the pitched roof, which is then ushered into an open water deposit for reuse.

In addition to rainwater collection, the open-air A-Frame structure also works to filter light and passively ventilate the house.

To further reduce the impact on site, the studio only removed one tree which it repurposed as a handrail on the terrace.

A bed in a room with a large window and light wood paneled walls
The underground bedrooms were designed to feel enclosed by the surrounding forest

The interiors were adorned in natural materials in neutral tones, with certified wood used also on the interior walls.

Other residential projects around Mexico City include a home with a dramatic cantilever by LBR&A and an expansive holiday home with a sunken living room by Romero de la Mora.

The photography is by Rafael Gamo.

Reference